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Jan 6, 2021
Jeff
Jan 5, 2019
definitely the top VR podcast
Episode | Date |
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#1588: Excurio is Bringing their High-Throughput, XR LBE Theaters to North America
|
Jul 18, 2025 |
#1587: “Space-Time Adventure Tours” AR Guided Tour to NYC Central Park Monuments
|
Jul 18, 2025 |
#1586: Academic Research on Immersive Storytelling with Philippe Bedard, co-editor of “States of Immersion Across Media: Bodies, Techniques, Practices” book
|
Jul 18, 2025 |
#1585: Debating AI Project and a Curating Taiwanese LBE VR Exhibition at Museum of Moving Image
|
Jul 18, 2025 |
#1584: White Paper on XR for Impact Campaign Activation for “On the Morning You Wake to the End of the World”
|
Jul 18, 2025 |
#1583: From XR Storytelling to Museum to Ice Cream to AI: Michaela Ternasky-Holland’s Entry into Immersive
|
Jul 18, 2025 |
#1582: Shawn Taylor on Fandom for Social Change, Polychronic Time, Worldbuilding & Future Dreaming
|
Jul 18, 2025 |
#1581: The Story Behind “The ORIXA Project” Series of XR Experiences
|
Jul 18, 2025 |
#1580: “Neuro-Cinema: From Synapse to Montage” Explores Bioethics Moral Dilemmas & BCI-Controlled Editing & Robotics
|
Jul 18, 2025 |
#1579: The Backstory on ONX Studios and the Onassis Foundation’s Support for XR Art & Innovation
|
Jul 18, 2025 |
#1578: Poetic Exploration of the Transmission of Class Power Dynamics in “The Dollhouse”
|
Jul 18, 2025 |
#1577: Architecting a Multi-Threaded Narrative of Recovered Traumatic Memories in “Lacuna”
|
Jul 18, 2025 |
#1576: How Singer Studios Uses VR to Kickstart New Film, TV, Podcast, & Graphic Novel IP with “Trailblazer with Daisy Ridley” + Cannes Immersive 2025 Coverage
|
Jul 18, 2025 |
#1575: Part 2: Co-Creation with XR for Building Community with “A Father’s Lullaby” (2025)
|
Jul 18, 2025 |
#1574: Part 1: Co-Creation with XR for Building Community with “A Father’s Lullaby” (2023)
|
Jul 18, 2025 |
#1573: Muslim Futurist “New Maqam City” Invites Users to Play with Mystic Sufi Beats to Imagine States of Flourishing
|
Jul 18, 2025 |
#1572: “The Innocence of Unknowing” Uses Socratic Dialogue with AI & Video Essay to Deconstruct Root Cases of Gun Violence
|
Jul 18, 2025 |
#1571: “Uncharted VR” Explores the Spatialization of African Languages and Knowledge through Immersive Architecture and Adowa Dance
|
Jul 18, 2025 |
#1570: “The Founders Pillars and The Power Loom” Uses AR to Contextualize Wall Street History Through African Textiles and Myths
|
Jul 18, 2025 |
#1569: Family of Storytellers Creates an AR Memorial of Black Poet Nikki Giovanni with Epic Organic Garden Installation
|
Jul 18, 2025 |
#1568: A Process-Relational Philosophy View on AI, Intelligence, & Consciousness with Matt Segall
|
Jun 04, 2025 |
#1567: Tribeca Immersive Curators on the 2025 Selection of Impact Projects Curated by Onassis ONX, Agog, & Tribeca
|
Jun 04, 2025 |
#1566: Raindance Immersive Curators on the 2025 Selection of Immersive Art on Social VR Platforms
|
Jun 04, 2025 |
#1565: “D-Day: The Camera Soldier” by Targo Stories Pushes Immersive Documentary Innovations on Apple Vision Pro
|
Jun 04, 2025 |
#1564: Adding Participatory & Community Elements to the Cinematic Tradition with PAM CUT’s Tomorrow Theater
|
May 30, 2025 |
#1563: Deconstructing AI Hype with “The AI Con” Authors Emily M. Bender and Alex Hanna
|
May 23, 2025 |
#1562: Highlights of Creature’s IGN XR Gaming Showcase + State of VR Vibe Check with Doug North Cook
|
May 19, 2025 |
#1561: PHI and Agog Collaborate on Immersive Residency on XR for Impact, Artist Retrospective, and Application Details
|
May 07, 2025 |
#1560: Walkabout Mini Golf’s Incredible Fusion of Worldbuilding, Gameplay, Social Dynamics, & DLC Experimentation
|
May 02, 2025 |
#1559: Expanding Social Dramaturgy of Theater with Video Games in 7-Hour “asses.masses” Binge-Watching Marathon
|
Apr 26, 2025 |
#1558: Series Director of “Adventure” Series on Apple Immersive Video and Grammar of 180 Video
|
Apr 18, 2025 |
#1557: Apple Immersive Video Behind-the-Scenes & Overcoming Fears with “Adventure” Series Athlete
|
Apr 08, 2025 |
#1556: “Currents” Boldly Defines a New Era of DIY 180-Degree Immersive Filmmaking with a Kit Under $5k
|
Mar 29, 2025 |
#1555: Award-Winning Tabletop Animation “Oto’s Planet” Uses Unique Interactive Mechanic to Chose Perspective
|
Mar 29, 2025 |
#1554: “Cosmos in Focus” Contextualizes James Webb Telescope Images in Educational Immersive Planetarium Experience
|
Mar 29, 2025 |
#1553: The Story of Kunstkraftwerk Leipzig, and the Multi-Channel Video Translation of “Origins – Life’s Epic Journey”
|
Mar 29, 2025 |
#1552: Fly to You Explores Stories of Separated Families in Division of Korea Using Point Clouds & 360 Video
|
Mar 29, 2025 |
#1551: Breaking Down the Game Design of New Conducting-Inspired, Hand-Tracked, Rhythm Game “Symphoni”
|
Mar 29, 2025 |
#1550: “EchoVision” Answers the Question ‘What is it like to see like a bat?’ with Mixed Reality, AI, & Haptics
|
Mar 29, 2025 |
#1549: Honey Fungus Cultivates Intimacy with Nature through Embodied Actions Inspired by Fungi and Queer Ecology
|
Mar 29, 2025 |
#1548: “1906 Atlanta Race Massacre” Uses Phone-Based AR to Volumetrically Tell a Forgotten History
|
Mar 29, 2025 |
#1547: Simulating One-on-One Conversations about Abortion Experiences to Change Minds with “The Choice – Chapters 2 & 3”
|
Mar 29, 2025 |
#1546: How Indigenous Storytelling is Changing Non-Proliferation Narratives in “Ways of Knowing: A Navajo Nuclear History”
|
Mar 29, 2025 |
#1545: “Shelter” Observational 360 Documentary Shows Intimate Side of War via Ukrainian Citizen Bomb Shelters
|
Mar 29, 2025 |
#1544: Traces: The Grief Processor Immersive Documentary Invites Groups to Learn About Grief
|
Mar 29, 2025 |
#1543: “Proof As If Proof Were Needed” Enables Audiences to Collaboratively Edit Video Feeds via Embodied Movements
|
Mar 29, 2025 |
#1542: Exploring the Paradox of Narratively Critiquing AI While Also Using AI to Make “The Last Practice”
|
Mar 29, 2025 |
#1541: Virtual Being Engages in Socratic Monologue Comparing AI to Sugar in “Sweet!” Installation
|
Mar 29, 2025 |
#1540: Hacking AI for Black Representation & the Future Dreaming of Archival Collections with Tamara Shogaolu
|
Mar 29, 2025 |
#1539: Wandering in Open World Doc Archives in Mixed Reality with SXSW XR Jury Prize Winner “Reflections of Little Red Dot”
|
Mar 29, 2025 |
#1538: Mixed Reality Calibration Innovations Hidden within “The Secret Life of Monsters: The Gateway Experience”
|
Mar 29, 2025 |
1537: NOWISWHENWEARE (the stars) Uses Low-Bit Visuals & Hundreds of Spatial Audio Speakers to Tell a Moving Story
|
Mar 29, 2025 |
1536: Spatial Audio Trends from d&b audiotechnik’s Artist Relations Manager Wayne Powell
|
Mar 29, 2025 |
#1535: Roman Rappak’s 4th Annual “Ristband” SXSW Live Music Mixed Reality Performance Adds Spatial Audio
|
Mar 29, 2025 |
#1534: Animated Immersive Dome Experience “Resolution: A Cinephonic Rhapsody for the Soul” Created as an Album Listening Party
|
Mar 29, 2025 |
#1533: Web Developer Built “A Number from the Ghost” WebXR Adventures to Highlight His Music
|
Mar 29, 2025 |
#1532: Tenderclaws’ “Face Jumping” Explores the Frontiers of Eye-Tracked Locomotion in Poetically Surreal Short
|
Mar 29, 2025 |
#1531: In the Current of Being Uses Immersive Haptics to Tell the Story of Electroshock Conversation Therapy
|
Mar 29, 2025 |
#1530: Six-Month Immersive Storytelling Exhibition Curated by Ana Brzezińska Opening in Namur, Belgium
|
Mar 20, 2025 |
#1529: SXSW 2025 XR Experience Selection Sneak Peak with Programmer Blake Kammerdiener
|
Mar 06, 2025 |
#1528: “Theater” App on Apple Vision Pro Features Indie-Produced Dome, Planetarium, and Stereoscopic Content
|
Mar 06, 2025 |
#1527: “Lovesick” is Character-Driven, Escape Room Indie Gem of a Story
|
Mar 04, 2025 |
#1526: Allegations that Meta’s OVRPlugin is Undermining the Spirit of OpenXR by Blocking Non-Meta Headsets on PCVR.
|
Feb 28, 2025 |
#1525: Niantic’s “Into the Scaniverse” Maps Over 50k Gaussian Splats from Around the World on Quest and WebXR
|
Feb 28, 2025 |
#1524: HTC Viverse Leverages Open Web Tech in Aim to Become ‘YouTube of 3D Content’
|
Feb 26, 2025 |
#1523: XR & AI Ethics & State of the Industry Discussion with Polys Ombudsperson Winners
|
Feb 21, 2025 |
#1522: A Survey of Spatial Audio Formats with 1618 Digital’s Oliver Kadel
|
Jan 29, 2025 |
#1521: New glTF External Reference Format Combines Multiple Assets into a Scene
|
Jan 29, 2025 |
#1520: Design Breakdown of One-on-One Immersive Theatre piece TM with Ontroerend Goed’s Alexander Devriendt
|
Jan 29, 2025 |
#1519: “The Reality of Hope” Sundance Short Doc Features Journey from VRChat Friend to Organ Donor
|
Jan 25, 2025 |
#1518: The Socratic Immersive Experience with Agnes Callard and her book “Open Socrates”
|
Jan 20, 2025 |
#1517: LBE Lessons Learned from 20-Venue Tour of “In Pursuit of Repetitive Beats” with Producer Dan Tucker
|
Dec 23, 2024 |
#1516: Myriam Achard on Phi Studio’s Expansion into LBE Distribution & the Fusion of Immersive Art at Phi Contemporary
|
Dec 23, 2024 |
#1515: VR Researcher Julia Scott-Stevenson on Embodiment in Story & Why Docs are Perfect to Explore AI
|
Dec 23, 2024 |
#1514: Creating GenAI Flower Ecosystem with “Future Botanica” AR App
|
Dec 23, 2024 |
#1513: From News Scan to GenAI Irish Sean-nós Songs in “You Can Sing Me on My Way” Audio Installation
|
Dec 23, 2024 |
#1512: DocLab Immersive Non-Fiction Winner “Me, A Depiction” Performance Installation Confronts Objectifying Gaze
|
Dec 23, 2024 |
#1511: Cultivating Virtual LGBTQIA+ Safe Spaces in VRChat with “Dollhouse for Queer Imaginaries”
|
Dec 23, 2024 |
#1510: Poetic VR Exploration of Iranian Protest Blinding in “Speechless Witness of a Wandering Tree”
|
Dec 23, 2024 |
#1509: Virtual Architecture Vibes Part 2: “Limbophobia” VR & Dome at IDFA DocLab
|
Dec 23, 2024 |
#1508: Virtual Architecture Vibes Part 1: “Limbotopia” VR & Dome at Film Gate Interactive
|
Dec 23, 2024 |
#1507: From Selfies to Virtual Offspring, “Ancestors” Turns Strangers into Family and Intergenerational Speculative Futures
|
Dec 23, 2024 |
#1506: Going on a Virtual Date in “ROAMance” that Generates Novel Encounters with Defamiliarization
|
Dec 23, 2024 |
1505: Immersive Journalist Features Volumetric Sexual Harassment Testimonies in “Walking Alone, Text You When I’m Home”
|
Dec 23, 2024 |
#1504: Open World, GenAI Podcast “Drift” Reflects on Climate Change from 500 Years in the Future
|
Dec 23, 2024 |
#1503: “The Liminal” Spatial Audio Installation Blends Audio Doc with Speculative Arab Futurism
|
Dec 23, 2024 |
#1502: Candid Audio Clips Juxtaposed with Poetic GenAI Video in “Sincerely Victor Pike”
|
Dec 23, 2024 |
#1501: Roaming as Resistance: “Entropic Fields of Displacement” wins DocLab Digital Storytelling Award
|
Dec 23, 2024 |
#1500: Sharing Indigenous Knowledge with 360 Video + AR Animations and Embodied Rituals in “Ancestral Secrets VR”
|
Dec 23, 2024 |
#1499: From Interactive Biohacking Lecture to Speakeasy with “Drinking Brecht: An Automated Laboratory Performance”
|
Dec 23, 2024 |
#1498: Immersive Installation Frames Provocative “Töngö Sondi” Animation on Langauge, Censorship, & Identity
|
Dec 23, 2024 |
#1497: Experimental VR Doc “Rapture II: Portal” Blends Hypnotic Audio with Spatial Scan of War-Abandoned Home
|
Dec 23, 2024 |
#1496: Using GenAI to Recreate Erased Family Photos with “Burn From Absence” 4-Channel Video
|
Dec 23, 2024 |
#1495: Getting Roasted by Unfiltered “AI & Me” Photo Booth Installation
|
Dec 23, 2024 |
#1494: Innovative VR Opera “From Dust” Combines GenAI Prompts, Digital Serenading, & Personality Branching
|
Dec 02, 2024 |
#1493: “About a Hero” Doc Written by AI Trained on Werner Herzog Corpus Blends Realities and Opens IDFA
|
Nov 14, 2024 |
#1492: IDFA DocLab Curators Preview 2024 Slate of AI & XR Immersive Documentaries
|
Nov 13, 2024 |
#1491: Film Gate Interactive Media Festival 10-Year Retrospective
|
Nov 13, 2024 |
#1490: “Any War Any Enemy” is a Beautiful Anti-War, Immersive Poem About Nuclear Annihilation
|
Oct 31, 2024 |
#1489: “Gorilla Tag” Design Philosophy & Embodied Gameplay Deep Dive with Kerestell Smith
|
Oct 06, 2024 |
#1488: Nima Zeighami on Delivering WebXR Content with Infinite Reality’s Ethereal Engine Acquisition
|
Oct 06, 2024 |
#1487: XR Evangelists JoyReign & JDun on Horizon World Trends & Meta Connect Announcements
|
Oct 06, 2024 |
#1486: Going All-in with Gaussian Splats: Gracia’s Viewer, AI Training, & Photoreal Capture with VR Fund’s Tipatat Chennavasin
|
Oct 06, 2024 |
#1485: Fitness Flow States with “Starwave” Design Innovation Leads & Finding Love within VR
|
Oct 06, 2024 |
#1484: Cas & Chary on Meta Connect Announcements & Using Ray-Ban Meta Smartglasses to Stay Connected
|
Oct 06, 2024 |
#1483: “Dimensional Double Shift” Combines Multi-Player Co-Op, “Job Simulator” Gameplay, & Hand Tracking
|
Oct 06, 2024 |
#1482: Mixed Reality Gameplay Innovations & Design Insights from “Starship Home” Co-Directors Mark Schramm & Ashley Pinnick
|
Oct 06, 2024 |
#1481: Agile Lens 2024: Context on Boz’s Apology to VR Devs, Orion AR Glasses Impressions, & Unreal Engine Mediation with Apple/Meta
|
Oct 06, 2024 |
#1480: Agile Lens 2023: Hands on with Four Seasons VR Demo & A Christmas Carol VR 2023
|
Oct 06, 2024 |
#1479: Agile Lens 2023: Selling High-End Real Estate with VR, Unreal’s Meta Humans. Pixel Streaming, & AI Experiments
|
Oct 06, 2024 |
#1478: Agile Lens 2018: The Intersection of Architecture, Theatre, & Storytelling with Alex Coulombe
|
Oct 06, 2024 |
#1477: Flat2VR Studios’ Journey of Bringing 2D Games to VR with Eric Masher
|
Oct 06, 2024 |
#1476: UploadVR Editor Ian Hamilton’s Deep Reflections: AR vs VR, Ethical Dilemmas, & Future of Meta’s Algorithmic Realities
|
Oct 06, 2024 |
#1475: A-Frame’s Diego Marcos on WebXR Momentum and Integrations with Open Source AI
|
Oct 06, 2024 |
#1474: Teaching Immersive Storytelling at ASU’s Narrative and Emerging Media Program with Nonny de la Peña & Mary Matheson
|
Oct 06, 2024 |
#1473: Learn XR’s Dilmer Valecillos on Teaching XR Development & Meta Connect Announcement Impressions
|
Oct 06, 2024 |
#1472: VR Training Trends Using AI with Virti’s Courtney Harding
|
Oct 06, 2024 |
#1471: Tyriel Wood & Zimtok5 on Oculus Quest 3S Tradeoffs with Quest 3
|
Oct 06, 2024 |
#1470: Meta’s “Hyperscape” Serves Cloud-Rendered, Photorealistic, Gaussian Splat Captures
|
Oct 06, 2024 |
#1469: Analyst Anshel Sag on Meta Connect Announcements & Orion Glasses Impressions
|
Oct 06, 2024 |
#1468: Kickoff of Meta Connect 2024 Coverage with Orion AR Glasses Hands-on Impressions with Tested’s Norm Chan & CNET’s Scott Stein
|
Oct 06, 2024 |
#1467: AR Medical Training App Wins Spectacles Hackathon + My Concluding Thoughts on Snap Spectacles
|
Sep 23, 2024 |
#1466: Freelance XR Dev Veronica Flint Shares Thoughts on Spectacles and Ray-Ban Meta Smart Glasses
|
Sep 23, 2024 |
#1465: Team of Women AR Artists Explore Dreams in Spectacles Hackathon
|
Sep 23, 2024 |
#1464: Snap’s Head of Spectacles Software Engineering Shares Technical Break Down of Design Tradeoffs
|
Sep 23, 2024 |
#1463: Arguing for Utility-Driven AR Minimalism with Lucas Rizzotto Reflecting upon the XR Market
|
Sep 23, 2024 |
#1462: XR Industry Reality Checks with Cix Liv and Turning Your Phone into an AI-Driven Exercise Routine
|
Sep 23, 2024 |
#1461: AR Lens Genres, Spectacles Impressions, & SelfReflect VTubing App Using Snap’s Camera Kit with Brielle Garcia
|
Sep 23, 2024 |
#1460: Snap AR Platform Lead Sophia Dominguez on Spectacles and AR Ecosystem
|
Sep 23, 2024 |
#1459: Snap Co-Founders Share Vision for AR & Spectacles at Lens Fest Q&A Panel
|
Sep 23, 2024 |
#1458: Building a Geo-Located, Dungeon-Raiding, AR Game for Spectacles with Aidan Wolf
|
Sep 23, 2024 |
#1457: Snap’s Lens Studio, Spectacles, & “Polygon Studio” Open Source Low-Poly Drawing App
|
Sep 23, 2024 |
#1456: Turning Your Phone into a Spectacles AR controller with DB Creations’ “Tiny Motor Arcade”
|
Sep 23, 2024 |
#1455: Wabisabi Game Studio Leverages AR Connected Lenses on Snap Spectacles for Outdoor Capture the Flag Game
|
Sep 23, 2024 |
#1454: Niantic Launches Virtual Pet AR Game “Peridot Beyond” on Snap’s Spectacles
|
Sep 23, 2024 |
#1453: Kickoff of Snap Spectacles Coverage with First Impressions with XR Analyst Anshel Sag
|
Sep 23, 2024 |
#1452: Immersive Documentary about Chinese Censorship “All I Know About Teacher Li” Tops Venice Immersive Audience Favorites Survey
|
Sep 17, 2024 |
#1451: Revealing Hidden Asian Colonial Histories with “The Guardians Of Jade Mountain”
|
Sep 17, 2024 |
#1450: Translating Surreal Paintings into an Immersive Story about Relationships with “Play Life”
|
Sep 17, 2024 |
#1449: Cultivating Moments of Palliative Care Presence with “Mamie Lou”
|
Sep 17, 2024 |
#1448: Pitching at Venice Production Bridge and The “Body of Mine” LGBTQ+ Impact Campaign with Cameron Kostopoulos
|
Sep 17, 2024 |
#1447: Creating New Choregraphy Contexts for Dance Under Water with “Une Eau La Nuit (Bodies Of Water)”
|
Sep 17, 2024 |
#1446: Studio Syro’s “The Art Of Change” is the Best Immersive Music Video Experience I’ve Seen So Far Pushing at the Edges of Spatial Grammar
|
Sep 17, 2024 |
#1445: “In The Realm Of Ripley” Ambitiously Combines Interactive Film, VR Mystery, and Group Conversations Moderated by AI
|
Sep 17, 2024 |
#1444: Fins’ Latest VRChat Adventure “Project: Lost Worlds” is a Cinematic Interstellar Safari with Dinosaurs
|
Sep 17, 2024 |
#1443: Venice Immersive Worlds Gallery Producer Mike Salmon on the 2024 Selection of VRChat Worlds
|
Sep 17, 2024 |
#1442: Combining VRChat Worldbuilding with Immersive Theatre Storytelling in “Uncanny Alley: A New Day”
|
Sep 17, 2024 |
#1441: “Duchampiana” Explores the Embodiment of Movement with Stair Climbing Integrations and Feminist Philosophy
|
Sep 17, 2024 |
#1440: Rencontres Experimental Social VR Experience with Minimal Guidance
|
Sep 17, 2024 |
#1439: Gamifying 360 Video in Compelling Horror Genre Piece “Project_y: Working Title”
|
Sep 17, 2024 |
#1438: Honoring the Memory of Abandoned Ghost Towns with “Address Unknown: Fukushima Now”
|
Sep 17, 2024 |
#1437: “What If…?” Director Dave Bushore on Translating Marvel IP into an Emmy-Award Winning Interactive Cinematic Journey
|
Sep 17, 2024 |
#1436: Transforming 2D Art into an Immersive VRChat Journey Complete with Themed Avatars with “Strangeways”
|
Sep 17, 2024 |
#1435: Blending Poetic Animation with Spatial Audio Orchestration with “Earths To Come”
|
Sep 17, 2024 |
#1434: Choreographing the Collective VR Viewing Experience into a Public Art Performance with “Free UR Head”
|
Sep 17, 2024 |
#1433: Challenging the Authority of Museums with College Biennale Winner “The Gossips’ Chronicles”
|
Sep 17, 2024 |
#1432: Combining Biodata with Open World Mushroom Adventure with “Symbiosis/\Dysbiosis: Sentience”
|
Sep 17, 2024 |
#1431: Taking a Walk through Art History with “Un Soir Avec Les Impressionnistes, Paris 1874”
|
Sep 17, 2024 |
#1430: Immersive Expeditions Prove to be Profitable LBE Business for Emissive’s Fabien Barati
|
Sep 17, 2024 |
#1429: Below Deck Innovations Fuse Theatrical Staging, Mixed Reality, & 360 Video
|
Sep 17, 2024 |
#1428: Exploring the Horrors of Forgotten Refugee’s Plight in “Somewhere Unknown In Indochina”
|
Sep 17, 2024 |
#1427: Poetic Environmental Storytelling of “Fragile Home” Elegantly Tells the Story of War in Ukraine with Mixed Reality
|
Sep 17, 2024 |
#1426: “Champ De Bataille” Uses Cinematic VR to Explore the Horrors and Emotion of World War I
|
Sep 17, 2024 |
#1425: Immersive Art Installation “Ceci Est Mon Cœur” Uses the Poetry of Light to Explore Childhood Trauma
|
Sep 17, 2024 |
#1424: Quill Animation Series “Nightmara” Pushes at the Edges of Immersive Storytelling Innovations and Novelty
|
Sep 17, 2024 |
#1423: Translating Anime IP into a VR Film with “Mobile Suit Gundam: Silver Phantom”
|
Sep 17, 2024 |
#1422: “A Simple Silence” Wraps Up Craig Quintero’s Trilogy Exploring Spatial Transformations & Immersive Encounters
|
Sep 17, 2024 |
#1421: Interactive Mixed Reality Doc on ADHD “Impulse: Playing With Reality” Takes Home Immersive Achievement Prize at Venice Immersive 2024
|
Sep 17, 2024 |
#1420: Experimental Documentary “Mammary Mountain” Captures Oral Histories of Breast Cancer Journeys
|
Sep 17, 2024 |
#1419: Creating a Four-Sided Pepper’s Ghost Pyramid Illusion with “Telos I” Dance Piece
|
Sep 17, 2024 |
#1418: Award-Winning Animators Experiment with Sandbox Social VR “Garden Alchemy” Research Project#
|
Sep 17, 2024 |
#1417: Kicking Off Venice Immersive Converge with Translating “Riven” Classic Point-and-Click Adventure to Open World VR Puzzler
|
Sep 17, 2024 |
#1416: Preview of Venice Immersive 2024 Innovations in Immersive Storytelling & Art Installations with Curators
|
Aug 24, 2024 |
#1415: Evolution of Holographic VJ Trends in VRChat Clubbing Scene Culminates with Awe-Inspiring Show Using SNR Labs Shader
|
Aug 24, 2024 |
#1414: SoftlySteph’s Groundbreaking “The Friction of a Modulated Soul” Wins Best Dance Experience at Raindance Immersive
|
Aug 21, 2024 |
#1413: New Holographic Shader for VJs by SNR Labs Enables Awe-Inspiring Volumetric Lighting, Capture, & Dance Performances at Raindance Immersive
|
Aug 20, 2024 |
#1412: “Shadow Canyon” Combines Immersive Dance, VRChat World Building, & Theatre to Win Spirit of Raindance Award
|
Aug 17, 2024 |
#1411: How VRChat World Building Shaped FlowersRite’s Best Music Experience at Raindance Immersive
|
Aug 12, 2024 |
#1410: Fostering Resonite’s Collaborative Maker Culture with Creator Jam Founder Medra
|
Aug 09, 2024 |
#1409: 3D Artist VR Pipelines & Creating “Suku” Immersive Art World as a Living Painting with Durk van der Meer
|
Aug 01, 2024 |
#1408: Documenting Arts & Cultural Trends in Social VR with The Metaculture Online Magazine by K. Guillory + The VRChat Origin Story
|
Jul 31, 2024 |
#1407: Supporting XR Innovation in Play with Creature Game Studio and Label with Doug North Cook
|
Jul 26, 2024 |
#1406: The Magic of the “Thrasher” Ribbon Dance Game Mechanic in Hand Tracking vs VR Controllers
|
Jul 25, 2024 |
#1405: Mixed Reality Game Design from Cubism to Laser Dance with Thomas van Bouwel
|
Jul 24, 2024 |
#1404: Prolific VRChat Documentarian Madame Kana Wins Discovery Award at Raindance Immersive 2024
|
Jul 23, 2024 |
#1403: A Tour through the Indie Artist Scene and Collectives on VRChat with BabyBonito
|
Jul 18, 2024 |
#1402: Using VR to Pursue a Career in Filmmaking & Overcome Social Anxiety with Ariel Emerald
|
Jul 16, 2024 |
#1401: TFMJonny’s Journey from Singing in VR to VTuber Navigating the Content Creation Ecosystem
|
Jul 12, 2024 |
#1400: Becoming Starheart: A VTuber’s Creative Journey in Finding Her Authentic Voice & Identity in VRChat
|
Jul 05, 2024 |
#1399: Cosm Opens Front-Facing Dome Venue with Capacity of 1500 in Los Angeles
|
Jun 28, 2024 |
#1398: Ru’s Journey from Hospice Nurse to DJ, Artist, & Kaleidosky Event Producer in VRChat
|
Jun 21, 2024 |
#1397: The Troll Project Aims to Create Community-Based Interventions for Trolling & Record Ethnographic Interviews
|
Jun 20, 2024 |
#8th Wall Releases Web-Based Game Engine “Niantic Studio” to Render WebXR Experiences
|
Jun 18, 2024 |
#1395: Apple Vision Pro as Screen Replacement Power User Brad Lynch on Overlays & Multi-App XR
|
Jun 17, 2024 |
#1394: Discussion about VRChat Layoffs & Paths to Profitability with Four Community Members
|
Jun 15, 2024 |
#1393: Overview of Raindance Immersive 2024 Selection Featuring Social VR Indie Artists & Virtual Culture
|
Jun 06, 2024 |
#1392: The Story Behind Tribeca Immersive’s Pivot Towards Immersive Art with Curator Ana Brzezińska
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May 31, 2024 |
#1391: ILM Immersive’s “What If…?” Marvel Experience Forges a New Genre of Immersive Storytelling blending 3D Movie Cinematics with First-Person Embodiment
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May 29, 2024 |
#1390: First Edition of Cannes Film Festival Immersive Competition with Elie Lavasseur
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May 19, 2024 |
#1389: Elemental Theory of Presence + Primer on Experiential Design & Immersive Storytelling
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May 14, 2024 |