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Episode | Date |
---|---|
What is the function of record reviews in 2024?
|
Feb 27, 2024 |
The joys of magazine-making with PROG Editor Jerry Ewing
|
Feb 04, 2024 |
What's it like to broadcast from a war zone?
|
Feb 04, 2024 |
Should music critics 'pivot to video'?
|
Feb 04, 2024 |
Why Music Journalism Matters
|
Feb 04, 2024 |
Is 'Traditional Media' Still Relevant for New Artists?
|
Nov 23, 2023 |
If $600 billion a year is being spent, why are so many publications closing?
|
Nov 14, 2023 |
Has music become a sub-genre of internet culture?
|
Nov 07, 2023 |
Shouldn't all music journalism be intersectional?
|
Nov 05, 2023 |
Lessons from two decades of crafting DIY Magazine
|
Oct 31, 2023 |
Why music needs to talk about the climate crisis
|
Oct 28, 2023 |
How will the music coverage of the future be funded?
|
Oct 28, 2023 |
Is music journalism's future in campaigning?
|
Oct 23, 2023 |
Introduction to S2: The Editor's Letter / Voice Note
|
Oct 22, 2023 |
DiS008: Live Music And Mental Health
|
Apr 20, 2023 |
DiS007: AI, AI, AI! UK Government's War on Copyrighted Music?! Beatles AI song! - Dr Hayleigh Bosher explains it all
|
Mar 21, 2023 |
DiS006: Women's Equality in Music & Glastonbury's pipeline with Vick Bain from The F List / ISM
|
Mar 08, 2023 |
DiS005: How music can embrace the power of AI with ChatGPT expert David Boyle
|
Feb 22, 2023 |
DiS004: Tune in, AI Out - the co-founders of Endel on music's potential futures
|
Feb 21, 2023 |
DiS003: TikTok, "Authenticity" and Music with Eleanor from Crystal Fighters
|
Feb 16, 2023 |
DiS002: Discover... The Faux Faux (Faith Vern from PINS)
|
Feb 09, 2023 |
DiS001: The trade unionist campaigning for fairer streaming - Naomi Pohl from Musicians' Union
|
Feb 02, 2023 |
DiS000: Prologue
|
Jan 17, 2023 |
From the Archive: Mercury Prize judges help us ponder: What makes a truly great album?
|
Nov 11, 2015 |
From the Archive: Blogs that became labels with Toby L from Rockfeedback / Transgressive (2015)
|
Oct 09, 2015 |