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Episode | Date |
---|---|
NEM#214: Head vs. Gut Songwriting w/ Roger Joseph Manning Jr., David Christian, Rachel Taylor Brown
|
Apr 18, 2024 |
NEM#213: Paul Chastain (Velvet Crush): Flavors of Brightness
|
Apr 01, 2024 |
NEM#212: Graham Parker’s Hard Graft
|
Mar 08, 2024 |
NEM#211: Louis Michot (Lost Bayou Ramblers) Evolves Cajun Music
|
Feb 20, 2024 |
NEM#210: Matt Piucci (Rain Parade) Retires BACK to Music
|
Feb 02, 2024 |
NEM#209: Bruce Hornsby Is a Lifelong Student
|
Jan 18, 2024 |
NEM#208: Laura Osnes: From Broadway to Nashville
|
Dec 29, 2023 |
NEM#207: Jason Narducy: Punk Matured
|
Dec 11, 2023 |
NEM#206: Wreckless Eric: “Without Sound, You’ve Got Nothing”
|
Nov 22, 2023 |
NEM#205: Tom Heyman: Unreliable Narrator
|
Nov 06, 2023 |
NEM#204: Tim and Sue Lee Learn Their Craft, from Windbreakers to Bark
|
Oct 15, 2023 |
NEM#203: Andy White Tells the Truth
|
Sep 28, 2023 |
REISSUE-NEM#41: Glenn Mercer (Feelies): Produce Yourself
|
Sep 16, 2023 |
NEM#202: Richard Lloyd (Television): Guitar is Combustible
|
Aug 31, 2023 |
NEM#201: Ivan Neville Gets Personal (but Still Funky)
|
Aug 21, 2023 |
NEM#200: Mikaela Davis: Singer-Songwriter-Harpist
|
Aug 05, 2023 |
NEM#199: Alan Jenkins’ Cornucopia of Experiments
|
Jul 20, 2023 |
NEM#198: Chris Stamey Keeps on Developing
|
Jul 10, 2023 |
NEM#197: Bonjo Iyabinghi Noah’s African Head Charge
|
Jun 22, 2023 |
NEM#196: Michael Gira (Swans) Is Not Done
|
Jun 09, 2023 |
NEM#195: Nicholas Tremulis Reads Better Books
|
May 26, 2023 |
NEM#194: Vashti Bunyan Is Not a Folk Singer
|
May 01, 2023 |
NEM#193: Peter Case’s Songs About Now
|
Apr 08, 2023 |
NEM#192: Guitarist Ivan Julian Serves the Song
|
Mar 25, 2023 |
NEM#191: Chris Slusarenko and John Moen As (And Before) Eyelids
|
Mar 04, 2023 |
NEM#190: Jad Fair (Half Japanese): Being Productive = Being Yourself
|
Feb 19, 2023 |
NEM#189: Claire Hamill’s Epic Journey
|
Feb 03, 2023 |
NEM#188: Pat Irwin (Raybeats, B-52s, SUSS) Writes for TV (and Himself)
|
Jan 20, 2023 |
REISSUE-NEM#61: Richard X. Heyman Is Incognito (Yet a Cornerstone)
|
Jan 07, 2023 |
NEM#187: Eszter Balint Interprets Her Past
|
Dec 23, 2022 |
NEM#186: Simon Ratcliffe (Basement Jaxx, Village of the Sun): From House Music to Jazz Fusion
|
Dec 09, 2022 |
NEM#185: Bruce Thomas’ Bass Lines Before, After, and During the Attractions
|
Nov 27, 2022 |
NEM#184: Mike Baggetta Feels Out the Guitar
|
Nov 11, 2022 |
NEM#183: Neil Gust (No. 2, Heatmiser) Walks Around
|
Oct 28, 2022 |
NEM#182: Allan and Barb Vest Together as doubleVee
|
Oct 14, 2022 |
NEM#181: Robyn Hitchcock Forgets Himself, Sharply
|
Sep 30, 2022 |
NEM#180: Rebecca Pidgeon’s Inner Speech
|
Sep 17, 2022 |
NEM#179: Mike Lindup’s Atlantean Visions and Level 42
|
Sep 04, 2022 |
NEM#178: Chastity Brown in Wonderment
|
Aug 19, 2022 |
NEM#177: Susan Cattaneo Leaves Nashville and Finds Herself
|
Aug 05, 2022 |
NEM#176: Bill Lloyd’s Power Pop from Nashville
|
Jul 22, 2022 |
NEM-Pretty Much Pop Crossover: So-Called Greatest Albums Feat. Mobley, Noah Berlatsky, Jon Lamoreaux
|
Jul 08, 2022 |
NEM#175: Richie Ramone Builds His Own Brand
|
Jun 23, 2022 |
NEM#174: Drew Grow’s Subconscious is the Through Line
|
Jun 10, 2022 |
NEM#173: Queen Esther Proves It
|
May 27, 2022 |
NEM#172: Mark Stewart (The Pop Group): Mad Processing w/ Haikus
|
May 13, 2022 |
NEM#171: Ben Vaughn’s Primitive Fever Dreams
|
Apr 29, 2022 |
NEM#170: Bob Mould From Hüsker Dü to Sugar to Now
|
Apr 15, 2022 |
NEM#169: Wesley Stace (aka John Wesley Harding) Likes Words
|
Apr 01, 2022 |
NEM#168: Clive Nolan (Arena, Pendragon, etc.) Moves Forward Relentlessly
|
Mar 20, 2022 |
NEM#167: David Christian (Comet Gain) Sings for the Awkward and the Wayward
|
Mar 04, 2022 |
NEM#166: L. Shankar’s World of Violin and Voice
|
Feb 19, 2022 |
NEM#165: Paula Cole Beautifully Picks at Wounds
|
Feb 05, 2022 |
NEM#164: James McMurtry Doesn’t Have to Make Sense
|
Jan 21, 2022 |
NEM#163: Lilli Lewis Is Not Just a Jazz-Singing Pianist
|
Jan 07, 2022 |
NEM#162: Ray Benson (Asleep at the Wheel): Texas Swing for Half a Hundred Years
|
Dec 24, 2021 |
NEM#161: Chuck Prophet Is On the Couch
|
Dec 10, 2021 |
NEM#160: John McCutcheon Learns the Lessons of Folk
|
Nov 26, 2021 |
NEM#159: Steve Bartek (Oingo Boingo) Is a Writer, Not Just an Arranger
|
Nov 12, 2021 |
NEM-Pretty Much Pop Crossover: The Music of Your Youth w/ Jon Lamoreaux
|
Oct 30, 2021 |
NEM#158: Dar Williams: Songs as Thought Processes
|
Oct 17, 2021 |
NEM#157: DEVO’s Gerald V. Casale: Guises of Social Critique
|
Oct 01, 2021 |
NEM#156: Emma-Jean Thackray’s Modern Mix of Jazz, R&B, and More
|
Sep 17, 2021 |
NEM#155: Melvin Gibbs Protests w/ Bass, Jazz Composition, Production, Sound Design
|
Sep 03, 2021 |
NEM#154: Chris Connelly (ex-Revolting Cocks/Ministry): From Apocalyptic Industrials to Poets in Love
|
Aug 20, 2021 |
NEM#153: Steve Kilbey (The Church) Reveals the Secrets to Being Prolific
|
Aug 08, 2021 |
NEM#152: Glen Phillips (Toad the Wet Sprocket) Builds His Capacity
|
Jul 23, 2021 |
NEM#151: Cathal Coughlan (Fatima Mansions, Microdisney): Pyschogeographic Tales
|
Jul 10, 2021 |
NEM#150: Josh Caterer (Smoking Popes): Punk + 40s Melodies (+ Occasional Jesus)
|
Jun 24, 2021 |
NEM#149: Rod Abernethy’s Return to Acoustic (from Video Game Soundtracks)
|
Jun 04, 2021 |
NEM#148: David Cross (ex-King Crimson): Electric Violin Dinosaur Battles
|
May 21, 2021 |
NEM#147: Steve Almaas: From Punk to the Rodeo
|
May 07, 2021 |
NEM#146: Nels Cline Writes Jazz Fusion (And Plays Guitar for Wilco)
|
Apr 23, 2021 |
NEM#145: Jay Gonzalez: Concise but Colorful
|
Apr 09, 2021 |
NEM#144: Dennis Davison (The Jigsaw Seen): How Much Is Enough?
|
Mar 27, 2021 |
NEM#143: In Search of Eric Dover (Imperial Drag, Slash’s Snakepit, etc.)
|
Mar 12, 2021 |
NEM#142: Rebecca Rego: This Is Your Life!
|
Feb 27, 2021 |
NEM#141: Robert Forster (The Go-Betweens) Looks Back Novelistically
|
Feb 13, 2021 |
NEM#140: Larry Keel: Hillbilly Shredder to Singer-Songwriter
|
Jan 30, 2021 |
NEM#139: Don Rauf’s Life In A Blender
|
Jan 15, 2021 |
NEM-Pretty Much Pop Crossover: Story Songs w/ Rod Picott
|
Jan 01, 2021 |
Mark Lint’s PEL Network Holiday Party 2020: Merry Chatting and Songs
|
Dec 24, 2020 |
NEM#138: Markus Reuter: Composer or Tap Guitar Hero?
|
Dec 18, 2020 |
NEM#137: Brian Cullman, Writer About Town
|
Dec 04, 2020 |
NEM#136: Mark Bingham: To and In New Orleans
|
Nov 21, 2020 |
NEM#135: Peter Milton Walsh (The Apartments): No Assembly-Line Recording
|
Nov 06, 2020 |
NEM#134: Laraaji’s Free Association Meditations
|
Oct 23, 2020 |
NEM#133: Jon Hassell (and Rick Cox): Fourth World Improvisation
|
Oct 10, 2020 |
NEM#132: Chris Frantz Looks Back on Talking Heads and Tom Tom Club
|
Sep 25, 2020 |
NEM#131: Ward White Audited
|
Sep 14, 2020 |
NEM#130: Mark Farner (ex Grand Funk Railroad) Back from the Dead
|
Sep 02, 2020 |
NEM#129: New People – Matt Ackerman and Mark Lint on Collaboration
|
Aug 22, 2020 |
NEM#128: Roger Joseph Manning Jr.’s Crazy Fun with Arrangements
|
Aug 14, 2020 |
NEM#127: KatieJane Garside Is an Impulse of Chance
|
Aug 02, 2020 |
NEM#126: Jim Peterik Eyes Much More Than the Tiger
|
Jul 18, 2020 |
NEM#125: Victor DeLorenzo (ex Violent Femmes) Starts with Drums
|
Jul 04, 2020 |
NEM#124: Alev Lenz’s Tracts of Blood and Sisterhood
|
Jun 19, 2020 |
NEM#123: Rick Kemp (Steeleye Span) Slows Down
|
Jun 05, 2020 |
NEM#122: Jack Hues (from Wang Chung) Plays Jazz and Prog
|
May 22, 2020 |
NEM#121: K.C. Clifford on Brokenness and Power
|
May 08, 2020 |
NEM#120: Steve Harley is Wiser and Less Hungry
|
Apr 24, 2020 |
NEM#119: Chris A. Maxwell: The Power of What You Don’t Fully Understand
|
Apr 10, 2020 |
NEM#118: Matt Wilson (Trip Shakespeare) Is Still a Writer
|
Mar 27, 2020 |
NEM#117: Chris McQueen (FORQ, Snarky Puppy): Like Fusion, But Cool
|
Mar 13, 2020 |
NEM#116: hackedepicciotto: Nomadic Cinematographers
|
Feb 28, 2020 |
NEM#115: Julie Slick: Pedal Art Visualizer
|
Feb 14, 2020 |
NEM#114: Michaela Anne’s Hyper-Reflective Country
|
Jan 31, 2020 |
NEM#113: Bid (Monochrome Set): All-Permissive British New Wave Forever!
|
Jan 17, 2020 |
NEM-Pretty Much Pop Crossover: The Singer Not the Song w/ Ken Stringfellow (feat. Game Theory)
|
Jan 03, 2020 |
NEM#112: Radney Foster Finds His Voice
|
Dec 20, 2019 |
NEM#111: Marty Willson-Piper Has Room for Everything
|
Dec 07, 2019 |
NEM#110: Joe Louis Walker’s Blues Soup
|
Nov 22, 2019 |
NEM#109: Producer Guy Sigsworth (Seal, Björk, etc.) Goes Solo
|
Nov 08, 2019 |
NEM#108: Mike Watt’s Punk Operas
|
Oct 25, 2019 |
NEM#107: Barry Andrews (Shriekback): Objectifications of Groove
|
Oct 11, 2019 |
NEM#106: John Colpitts (aka Kid Millions/Man Forever): Heavy Meditations
|
Oct 04, 2019 |
NEM#105: Wayne Hussey (The Mission): Salad Daze to Mission Accomplished
|
Sep 20, 2019 |
NEM#104: Dave Schramm: The Return of the Schramms
|
Sep 07, 2019 |
NEM#103: Homer Flynn on The Residents’ 50 Years
|
Aug 16, 2019 |
NEM#102: John Andrew Fredrick (The Black Watch): Literary Anglophilia
|
Aug 10, 2019 |
NEM#101: Helen Money (Alison Chesley): Rock Cellist
|
Jul 27, 2019 |
NEM#100: Dan Stuart Faces Truth and Writes Fiction in Mexico
|
Jun 21, 2019 |
NEM#99: Globelamp (Elizabeth LeFay): Raw, Psychedelic Folk
|
Jun 02, 2019 |
NEM#98: Phil Judd Entertains Himself
|
May 17, 2019 |
NEM#97: Taking Danny Seraphine Back to Chicago
|
May 03, 2019 |
NEM#96: Andrew McMahon Throws in All His Favorite Things
|
Apr 19, 2019 |
NEM#95: R. Stevie Moore Just Happens… Frequently!
|
Apr 04, 2019 |
NEM#94: Ian Moore Grown Far Beyond Blues-Rock
|
Mar 22, 2019 |
NEM#93: Peter Aaron Lives in the Blues-Punk Moment
|
Mar 09, 2019 |
NEM#92: Steve Young (Hedflux): Electronica Breaking Club Conventions
|
Feb 19, 2019 |
NEM#91: Rachel Taylor Brown’s Decorated Aphorisms
|
Feb 08, 2019 |
NEM#90: Sam Phillips Brings Intuition Out of Dreams
|
Jan 25, 2019 |
NEM#89: Dusty Wright’s Metaphysical Americana
|
Jan 05, 2019 |
NEM#88: Lincoln Barr’s Off-Center Vulnerability
|
Dec 19, 2018 |
NEM#87: Chris Cacavas Fronts His Depression
|
Dec 08, 2018 |
NEM#86: Seth Swirsky Provides Instant Pleasure
|
Nov 18, 2018 |
NEM#85: John Etheridge (Soft Machine) Is For Everything!
|
Oct 27, 2018 |
NEM#84: Laura Davis Was “The Girl in the Back” (of the Student Teachers)
|
Oct 11, 2018 |
NEM#83: Rat Scabies’s Damned Drumming
|
Oct 01, 2018 |
NEM#82: Byron Isaacs Emerges from Bassland
|
Sep 14, 2018 |
NEM#81: Lindsay Murray Is Gretchen’s Wheel
|
Aug 30, 2018 |
NEM#80: Rod Picott: Literary Workin’ Man
|
Aug 19, 2018 |
NEM#79: Prateek Kuhad’s Bilingual Love Songs
|
Aug 05, 2018 |
NEM#78: Tara Lynch’s Unflinchingly Honest Metal Debut
|
Jul 21, 2018 |
NEM#77: Shawn Phillips: Uncategorizable from Texas
|
Jul 07, 2018 |
NEM#76: Phil Manzanera’s Impossible Guitar
|
Jun 23, 2018 |
NEM#75: Nick Saloman (The Bevis Frond): Indie Every Day!
|
Jun 08, 2018 |
NEM #74: Colin Moulding (XTC) Kills and Scatters the Editor
|
May 29, 2018 |
NEM #73: David J Colors His Poetry
|
May 18, 2018 |
NEM#72: Sarah McQuaid Kills Her Darlings
|
Apr 30, 2018 |
NEM#71: Aaron David Gleason Is a Wry Observer
|
Apr 16, 2018 |
NEM#70: Amy Annelle’s Natural Environments
|
Apr 09, 2018 |
NEM#69: Craig Wedren Catch-Up: “Safe Home/Fadeland”
|
Mar 28, 2018 |
NEM#68: Billy James (Ant-Bee): Experimenting with Idols
|
Mar 22, 2018 |
NEM#67: RHEMA’s Marc Jackson and Jeffrey Casey: Original Gangastas of Techno
|
Mar 05, 2018 |
NEM#66: Arrica Rose’s Dreamy Dramas
|
Feb 17, 2018 |
NEM#65: Jherek Bischoff Risks Every String
|
Jan 27, 2018 |
NEM#64: Mike Huberty (Sunspot): Rock from the Other Side
|
Jan 14, 2018 |
NEM#63: Revisiting Bradley Skaught, Jeff Heiskell, Steve Petrinko: 2017 Year-End Extravaganza
|
Jan 01, 2018 |
NEM#62: Anthony Phillips: Private Pieces, Soundtrack Parts, and Prog Rock
|
Dec 21, 2017 |
NEM#61: Richard X. Heyman Is Incognito (Yet a Cornerstone)
|
Dec 09, 2017 |
NEM#60: Alejandro Escovedo’s Hard Road
|
Nov 26, 2017 |
NEM#59: Annie Haslam’s Renaissance: Sing Now, Figure It Out Later
|
Nov 19, 2017 |
NEM#58: John Jughead Pierson’s Semi-Famous Theatrics
|
Nov 06, 2017 |
NEM#57: Richard Amp’s Exploratory Atmospheres
|
Oct 22, 2017 |
NEM#56: “Dr. Frank” Portman Writes His Inner Teenager
|
Oct 08, 2017 |
NEM#55: Don Preston, Mother of Keyboard Invention
|
Sep 20, 2017 |
NEM#54: Kaki King’s Guitar Progression
|
Sep 08, 2017 |
NEM#53: David Brookings Is Obsessed
|
Sep 01, 2017 |
NEM#52: Kim Rancourt’s Authentic NYC Rock n’ Roll
|
Aug 21, 2017 |
NEM#51: Andy Powell (Wishbone Ash): The Privilege of a Legacy
|
Aug 04, 2017 |
NEM#50: Anton Barbeau’s Neo-Psychedelic Musings
|
Jul 27, 2017 |
NEM#49: Scott McCaughey Minus 5 Plus Young Fresh Fellows Equals Magic
|
Jul 20, 2017 |
NEM#48: Thalia Zedek’s Slow Burn Memory Games
|
Jul 09, 2017 |
NEM#47: Jason Falkner: Mid-Fi One-Man Moments
|
Jun 20, 2017 |
NEM#46: Chandler Travis: Strongman of North America
|
Jun 11, 2017 |
NEM#45: Steve Hackett: Visualize the Music (with 300+ tracks!)
|
May 22, 2017 |
NEM#44: Lys Guillorn: Freedom from Explanation
|
May 07, 2017 |
NEM#43: Steve Wynn (Dream Syndicate): Coming Up 7’s
|
May 01, 2017 |
NEM#42: Karla Kane: Don’t Choose Princess
|
Apr 23, 2017 |
NEM#41: Glenn Mercer (Feelies): Produce Yourself!
|
Apr 17, 2017 |
NEM#40: Clive Farrington (When in Rome): One-Hit Wonderful
|
Apr 02, 2017 |
NEM#39: Ken Stringfellow: Posies, Big Star, etc.
|
Mar 20, 2017 |
NEM#38: Jonathan Segel’s Long-Form Songs
|
Mar 06, 2017 |
NEM#37: Nik Kershaw: Follow the Melody
|
Feb 19, 2017 |
NEM#36: Robbie Fulks: Ambassador of Country
|
Feb 05, 2017 |
NEM#35: Daniel Ash: Going Against Your Own Grain
|
Jan 23, 2017 |
NEM#34: Todd Long: Don’t Have to Say “Frontman”
|
Jan 14, 2017 |
NEM#33: Asif Illyas Colors It Old School (i.e., ’80s)
|
Jan 08, 2017 |
NEM#32: Bradley Skaught’s The Bye-Bye Blackbirds: Crafting Power Pop
|
Dec 27, 2016 |
NEM#31: Michael Manring’s Limitless Bass Guitar
|
Dec 18, 2016 |
NEM#30: Paul Wertico and David Cain: Improv Without a Net
|
Dec 04, 2016 |
NEM#29: Jason Seed’s “Stringtet”
|
Nov 23, 2016 |
NEM#28: Jill Freeman on Fairy Tales and Psychological Truth
|
Nov 12, 2016 |
NEM#27: Peter Knight (Steeleye Span): Free Fiddlin’ in the Face of Death
|
Oct 30, 2016 |
NEM#26: Pat Doty: Tubas Unite!
|
Oct 23, 2016 |
NEM#25: Bill Bruford: Drumming Matters
|
Oct 02, 2016 |
NEM#24: Tyler Hislop (Sacrifice): Copious Rhymes
|
Sep 26, 2016 |
NEM#23: Sean Beeson’s Two-Minute Hi-Tech Symphonies
|
Sep 18, 2016 |
NEM#22: Jon Langford (Mekons) on “Natural” Art
|
Aug 15, 2016 |
NEM#21: Trey Gunn and the Discipline of Tap Guitar
|
Aug 08, 2016 |
NEM#20: Dave Nachmanoff Crafts Specific Yet Universal Stories
|
Jul 29, 2016 |
NEM#19: Chad Clark (Beauty Pill): Smart Went Electro-Soundscapey
|
Jul 07, 2016 |
NEM#18: Jill Sobule Takes America Back
|
Jun 29, 2016 |
NEM#17: Carrie Akre’s Different Ways of Fronting
|
Jun 04, 2016 |
NEM#16: Narada Michael Walden Funks the Moment
|
May 26, 2016 |
NEM#15: Craig Wedren’s Non-Linear Clarity
|
May 15, 2016 |
NEM#14: Jonathan Donahue (Mercury Rev): Mountain Man of Subtlety
|
May 01, 2016 |
NEM#13: Beth Kille Rocks and Leads Others to Rock
|
Apr 22, 2016 |
NEM#12: John Philip Shenale: String Arranger, Composer, Producer
|
Apr 12, 2016 |
NEM#11: Bob Manor: No Alt-Country for Old Men
|
Apr 04, 2016 |
NEM#10: Nick Eede (Cutting Crew): Escape from the ’80s
|
Mar 25, 2016 |
NEM#9: Roderick Romero: Psychedelic Treehouse Poet
|
Mar 19, 2016 |
NEM#8: Tim Quirk Is the Philosopher-King of Beers
|
Mar 11, 2016 |
NEM#7: Gary Lucas on Zen and the Avant Ghetto
|
Mar 04, 2016 |
NEM#6: Steve Petrinko: Self-Contained Stalwart
|
Feb 28, 2016 |
NEM#5: Jeff Heiskell: Positive Vérité
|
Feb 22, 2016 |
NEM#4: Gareth Mitchell: Granular Creativity
|
Feb 15, 2016 |
NEM#3: Kevin Godley: Pure Play in the Devil’s Shoes
|
Feb 05, 2016 |
NEM#2: Fritz Beer: Knuckle Draggin’ To and Fro
|
Jan 28, 2016 |
NEM#1: David Lowery on Story Songs and Songs About Nothing
|
Jan 02, 2016 |