The No Film School Podcast
By No Film School
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Category: TV & Film
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Episodes: 741
Description
A podcast about how to build a career in filmmaking. No Film School shares the latest opportunities and trends for anyone working in film and TV. We break news on cameras, lighting, and apps. We interview leaders in screenwriting, directing, cinematography, editing, and producing. And we answer your questions! We are dedicated to sharing knowledge with filmmakers around the globe, “no film school” required.
| Episode | Date |
|---|---|
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Why The 'Blood for Dust' Director & Producer Don't Wait for Permission To Make Movies
|
Apr 19, 2024 |
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These No Film School Listeners Won Slamdance and Then Some
|
Apr 12, 2024 |
|
Survive Until 2025
|
Apr 11, 2024 |
|
How to Safely Light Chris Hemsworth on Fire
|
Apr 05, 2024 |
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How Heat Shapes Your Career & the Biz Feat Oscar-Nominated Producer Chris Moore & Team
|
Apr 04, 2024 |
|
Is Achieving the American Dream Possible Through Cinematography?
|
Mar 29, 2024 |
|
Troubleshooting Tech for Dummies & Bombing an Interview
|
Mar 28, 2024 |
|
Let’s Talk About Sex (On Screen) With a Team of Intimacy Coordinators
|
Mar 22, 2024 |
|
To Rent or Buy Gear? Plus, Movies That Made Us Want To Make Movies
|
Mar 21, 2024 |
|
Pete Ohs Rethinks How We Make Movies
|
Mar 15, 2024 |
|
How Your First Ten Pages — Or AI? — Will Determine if Someone Finishes Your Script
|
Mar 14, 2024 |
|
‘Damsel’ Director Juan Carlos Fresnadillo Sets Fantasy on Fire (And It Looks Awesome)
|
Mar 08, 2024 |
|
How We Manage Our Careers — From Annual Goals to Daily Tasks
|
Mar 07, 2024 |
|
How Broadcast Dramas Work, With ‘Quantum Leap’ Writer Shakina
|
Mar 01, 2024 |
|
Dissecting Emerging AI and Why Your Human Voice Is So Important
|
Feb 29, 2024 |
|
Career-Sustaining Advice for a Consolidating Film Industry
|
Feb 23, 2024 |
|
How To Ensure People Can Watch Your Movie (Hopefully) Forever
|
Feb 22, 2024 |
|
How First-Time Feature Director Katie Burrell Subverts Ski Comedy... Hilariously
|
Feb 16, 2024 |
|
Are Super Bowl Ads Creative Anymore? Plus, a New Film Camera!
|
Feb 15, 2024 |
|
‘The Florida Project’ Producer Francesca Silvestri & ‘Suncoast’ Director Laura Chinn on Unlocking the Director-Producer Relationship
|
Feb 09, 2024 |
|
Indecision Is Death: ‘Argylle’ Director Matthew Vaughn on Titles, Twists & Scripts
|
Feb 08, 2024 |
|
Neon’s Horror Subversion ‘Handling the Undead’ Director Thea Hvistendahl on the Patience To Face Your Nightmares
|
Feb 06, 2024 |
|
'Expats' Director Lulu Wang on the Power of Saying “No”…and Sound
|
Feb 03, 2024 |
|
Oscars Snobbery or Misogyny? Plus, Doug Liman's 'Road House' Boycott
|
Feb 01, 2024 |
|
Lollapalooza, Oil, & Life-Or-Death Stakes: These Sundance Doc Directors Wear All the Hats
|
Jan 31, 2024 |
|
E-Girl Investigators of Sundance Premiere Neon Doc ‘Seeking Mavis Beacon’ on Ethics, DIY, and How To Ask For What You Need
|
Jan 28, 2024 |
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From Landing the Job to Boosting Morale: Sundance DP Roundtable Dives into Filters & More
|
Jan 27, 2024 |
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When Sundance Is the End of Your Festival Run: ‘How To Have Sex’ Director Molly Manning Walker
|
Jan 24, 2024 |
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NFS @ Sundance: Community and Creativity at the No Film School Alumni Party
|
Jan 23, 2024 |
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‘Layla’ Director Amrou Al-Kadhi and Cast on Opening Sundance, Casting Chemistry, and the Power of Subtext
|
Jan 23, 2024 |
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NFS @ Sundance: Risks, Giveaways and What the Fest Tells Us About the Industry
|
Jan 22, 2024 |
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‘Blackfish’ Director Gabriela Cowperthwaite Turns Blacklist Script ‘I.S.S.’ Into Sci-Fi Thriller Theatrical Release
|
Jan 19, 2024 |
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Surviving Our Lowest Lows
|
Jan 18, 2024 |
|
Crucial Advice on Pitching Your TV Show
|
Jan 12, 2024 |
|
Industry Etiquette Tips for Social Media and Feedback
|
Jan 11, 2024 |
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How To Make a Movie... For TikTok?
|
Jan 05, 2024 |
|
Filmmaker Resolutions for 2024
|
Jan 04, 2024 |
|
Why Breaking Story Is Like Breaking a Horse
|
Dec 29, 2023 |
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Micro Budget by Design With the Screenwriting Life’s Jeff Graham
|
Dec 29, 2023 |
|
Indie Horror Duo the LeVecks: From Production To Press On ‘A Creature Was Stirring’
|
Dec 22, 2023 |
|
A Shocking Netflix Dump, Plus Lessons From Our Fav Holiday Flicks
|
Dec 21, 2023 |
|
'Share?' Director Ira Rosensweig on Full Stack Filmmaking
|
Dec 15, 2023 |
|
Why Don’t We Have an Indie Streaming Platform? Plus Our 700th Episode!
|
Dec 14, 2023 |
|
Unpacking the Ethical Minefield of Docs With the Team Behind ‘Subject’
|
Dec 08, 2023 |
|
The Joy of Networking in Hollywood!
|
Dec 07, 2023 |
|
How ‘May December’ Writer Samy Burch Plays With Power on the Page
|
Dec 01, 2023 |
|
What Actors Need To Know About Cinematography, Plus Building Your Post Team
|
Nov 30, 2023 |
|
‘Hungry Dog Blues’ Filmmakers Share Secret to Indie Film (Good Follow Up)
|
Nov 24, 2023 |
|
Gift Guide 2023 and the Pokémon Cards of Filmmaking
|
Nov 23, 2023 |
|
‘Asteroid City’ DP Robert D. Yeoman on Film vs Digital, Long-Term Director Relationships, and Sleep
|
Nov 17, 2023 |
|
An Indie Film Exec Unpacks The Post-Strike World
|
Nov 16, 2023 |
|
Demystifying Artist Labs and Programs with Tribeca Studios’ Bryce Norbitz
|
Nov 10, 2023 |
|
How To Talk About Your Film Career at the Holiday Dinner Table
|
Nov 09, 2023 |
|
‘TMNT: Mutant Mayhem’ Production Designer Yashar Kassai on the Future of Animation
|
Nov 03, 2023 |
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Avoid Making Your Sets Look Like Sets; Plus, Are Intermissions Back?
|
Nov 02, 2023 |
|
Why Horror Films Are a Mirror of Society
|
Oct 31, 2023 |
|
Piloting Real-Time Post-Collab on Damien LeVeck’s Holiday Horror
|
Oct 28, 2023 |
|
Breaking Down the Color of Horror with LatinXorcists’ Ricardo Martinez
|
Oct 27, 2023 |
|
Practical Advice for Practical Effects With the Directors of SXSW Creature Feature ‘Snatchers'
|
Oct 26, 2023 |
|
Adventures in Indie Filmmaking and Leveraging Famous Faces
|
Oct 19, 2023 |
|
How 'The Creator' DP Challenges Big Budget Filmmaking with an Indie Mindset
|
Oct 18, 2023 |
|
How The Weird Satanist Guy Spawned a Sundance Indie With Demon Puppets
|
Oct 18, 2023 |
|
Why You Should Write Your Spec with 'Greenland' Screenwriter Chris Sparling
|
Oct 10, 2023 |
|
The WGA Strike is Over - What's Next?
|
Oct 05, 2023 |
|
The Most Disturbing Shorts at Sundance
|
Sep 29, 2023 |
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The Writer's Strike Ends and Social Media Debates a Screenplay Page
|
Sep 28, 2023 |
|
How To Cast, Direct and Make Movies for Kids
|
Sep 23, 2023 |
|
The iPhone 15 is for Filmmakers, Casting Problems, and a Panamanian Adventure
|
Sep 21, 2023 |
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How These SNL Editors Cut an Emmy-Nominated Sketch With 60+ VFX Shots in Two Days
|
Sep 15, 2023 |
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Secrets to a Happy Set
|
Sep 14, 2023 |
|
How “Blackberry” Editor Induces Anxiety in Comedy
|
Sep 08, 2023 |
|
Strike Updates & Questions Directors Need To Answer in Prep (Feat. A Director in Prep)
|
Sep 07, 2023 |
|
Grit, Hustle and Self-Distribution: Learnings From Team Behind "Anchorage"
|
Sep 01, 2023 |
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How To Write a Screenplay in Ten Days and Shoot a Movie in Less
|
Aug 31, 2023 |
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How To Reinvent a Classic With Birth/Rebirth’s Laura Moss and Brendan J. O’Brien
|
Aug 25, 2023 |
|
How To Actually Shoot a Movie On Your iPhone
|
Aug 24, 2023 |
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SNL Vet On Directing, Producing and Shooting Sketch, Parody and Satire
|
Aug 18, 2023 |
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Rock & Roller Grace Potter Explains Her Filmic Inspirations, Aspirations
|
Aug 17, 2023 |
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“Mutt” Director and Actor Unpack Career-Launching First Feature
|
Aug 11, 2023 |
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How “The Bear” Editor Harnesses Chaos Across Film and TV
|
Aug 10, 2023 |
|
Top Legal Mistakes Filmmakers Make and How To Avoid Them
|
Aug 04, 2023 |
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How To Shoot and Edit for Visual and Practical FX With “Appendage” Editor
|
Aug 03, 2023 |
|
How Appalachia-Based Filmmakers Blend Doc and Myth in “King Coal”
|
Jul 28, 2023 |
|
The DGA Deal Point Everyone Should Be Talking About, Plus Strike Updates
|
Jul 27, 2023 |
|
"Plan C" Editor Reveals the Skill Every Creative Should Foster
|
Jul 21, 2023 |
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Your Double Strike Questions Answered: Waivers, Indies, Subscriptions and More
|
Jul 20, 2023 |
|
Why You Shouldn't Choose a Lane as a Filmmaker
|
Jul 14, 2023 |
|
What Indie Filmmakers Can Learn From ‘Indiana Jones’
|
Jul 13, 2023 |
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What Podcasters and TV Writers Can Learn From Each Other
|
Jul 07, 2023 |
|
The Boundary-Pushing Tech at Cine Gear and Tribeca
|
Jul 06, 2023 |
|
What Can Tribeca Doc Editors Teach Us About Tools, Tone and Working Remote?
|
Jun 30, 2023 |
|
How To Sell Your TV Show Plus a Sundance Episodic Darling
|
Jun 29, 2023 |
|
The Festival Challenging Industry Norms & It's Best Feature Doc Winner
|
Jun 23, 2023 |
|
Big Movies Require Big Risks - 'God is a Bullet’ Producer and Financier Talks Filmmaking
|
Jun 22, 2023 |
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‘Extraction 2’ Director Sam Hargrave’s Advice on Oners, Stunts, and Emails
|
Jun 16, 2023 |
|
Live From TriBeCa plus a Film That Takes on Toxic Frat Culture
|
Jun 15, 2023 |
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‘White Lotus’ DP Explains the Difference Between Shooting Film & TV
|
Jun 09, 2023 |
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How to Transition Roles Within the Film Industry Feat. ‘Flamin’ Hot’ Director Eva Longoria
|
Jun 08, 2023 |
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How to Craft a Freaky Jump Scare With ‘Boogeyman’ Director Rob Savage
|
Jun 02, 2023 |
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Why We’ll Be Babysitting AI To Avoid a Cliche Hellhole
|
Jun 01, 2023 |
|
An Accidental First Feature—Walé Oyéjidé’s on His Stunning ‘Bravo, Burkina!’
|
May 26, 2023 |
|
How To Navigate Hollywood Power Structures and What SAG Striking Means for the WGA
|
May 25, 2023 |
|
How To Break Into TV and Keep Healthy Boundaries
|
May 19, 2023 |
|
Is Your Project Fellowship-Ready? Plus, Find The Perfect IP For You
|
May 18, 2023 |
|
A Step-By-Step Guide to Indie Film: From Labs to Sundance to Theaters
|
May 12, 2023 |
|
Live From the WGA Picket Line and Why It Matters to You
|
May 11, 2023 |
|
How To Nail Camp Across Genres
|
May 05, 2023 |
|
How To Salvage a Toxic Production and the Death of the Movie Star
|
May 04, 2023 |
|
Puberty and Filmmaking—Not So Different! ‘Are You There God?’ Director Kelly Fremon Craig
|
Apr 28, 2023 |
|
Golden Elevator to Indie Film? Plus, Rolling Calls
|
Apr 27, 2023 |
|
'Chevalier' Director Stephen Williams on Big Breaks Outside of Hollywood
|
Apr 21, 2023 |
|
Day 2 of NAB 2023: Innovation, Battle Testing Camera to Cloud
|
Apr 21, 2023 |
|
Day 1 of NAB 2023: The Largest Community of Creatives and the Philosophy of What Makes a Camera Great
|
Apr 18, 2023 |
|
‘Renfield’ Director Chris McKay: The DNA of Your Movie Is the People Who Make It
|
Apr 14, 2023 |
|
WGA Strikes for Everybody, Plus Ray Romano, and Falling Out of Love
|
Apr 13, 2023 |
|
‘Joyland’ Director Saim Sadiq Redefines What it Means to be a Director
|
Apr 07, 2023 |
|
True Originality is Within Your Grasp
|
Apr 06, 2023 |
|
Turning "You're Not Gonna Make It" into Emmys with Director-Editor Kabir Akhtar
|
Mar 31, 2023 |
|
The Money Episode
|
Mar 30, 2023 |
|
How to Greenlight Yourself with ‘Wildflower’ Director
|
Mar 24, 2023 |
|
Tarantino's Last Movie, plus, Surviving Freelance, Anchoring Scripts, and Ronin 4D Flex
|
Mar 23, 2023 |
|
How to Cut Weeks of Shooting and Still Win at Sundance with ‘Mami Wata’ Director C.J. “Fiery” Obasi and Cinematographer Lílis Soares
|
Mar 17, 2023 |
|
Too Many Cooks in the Best Picture Category? Plus, Critiques, Critics, and 'No Hard Feelings'
|
Mar 16, 2023 |
|
Daniels and Paul Rogers talk Oscar-Winning (Re-Run)
|
Mar 14, 2023 |
|
From Sundance to SXSW: "Fancy Dance" Director Erica Tremblay and Co-Writer Miciana Alise
|
Mar 10, 2023 |
|
Big Data in Little Hollywood
|
Mar 09, 2023 |
|
SXSW Preview: Should You Produce Your Festival Experience? Plus Interview with Director Ella Glendining
|
Mar 03, 2023 |
|
Do We Miss Development Hell? Plus, The Last of Us
|
Mar 02, 2023 |
|
"The Banshees of Inisherin" Editor Mikkel E.G. Nielsen on Making Films Come Full Circle
|
Feb 24, 2023 |
|
Do We Need AI to Cry? Plus, the Future of Red.
|
Feb 23, 2023 |
|
Nailing the LOL with Women Write Now’s Sundance Fellows
|
Feb 17, 2023 |
|
Editors and Post Sound Have a Crush on Each Other('s Work)
|
Feb 10, 2023 |
|
How to Deal with Agents, Managers, and Breaking Up with Collaborators
|
Feb 09, 2023 |
|
Jason Woliner on Developing Filmmaking Stamina and Creative Confidence
|
Feb 07, 2023 |
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For These DP's Connecting with Story and Storytellers Prevents Burnout
|
Feb 03, 2023 |
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Live From Sundance: Festival Favorites, Acquisitions, and the Good/Bad/Ugly of Networking
|
Jan 27, 2023 |
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“Don’t Follow the Rules, Rewrite the Rules” — Sundance Director Alison O'Daniel on Slow Burn Filmmaking by Design, Weaving Captioning into Film Narrative
|
Jan 26, 2023 |
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Live from Sundance, plus Powderkeg Media’s Head of Development Approaches the Fest in a Time of Pure Flux
|
Jan 23, 2023 |
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What We Wish We Knew About Film Festivals When We Were Younger
|
Jan 20, 2023 |
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What is the 'Secret Sauce' of a Great Film? Oscar-Winning Editor Lee Smith Helps Us Find Out
|
Jan 17, 2023 |
|
Why is Francis Ford Coppola Losing His Crew?
|
Jan 13, 2023 |
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How to Make Money as a Cinematographer
|
Jan 10, 2023 |
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You Can Own a Piece of A Disruptive Film and TV Development Model
|
Jan 03, 2023 |
|
Darius Khondji on Scale, Scope, and Cinematic Storytelling
|
Dec 29, 2022 |
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Filmmaker First Steps: Anne Sophie Bine on Short Film Success
|
Dec 27, 2022 |
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There is a Whole New Way Movies Are Marketed... Will it Work?
|
Dec 22, 2022 |
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Going Right From Film School Shorts to a First Feature
|
Dec 20, 2022 |
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Making Your Creative Intentions Count
|
Dec 15, 2022 |
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Todd Field Tells us How to Study Character in Tar
|
Dec 13, 2022 |
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A.I. Leaps Forward Again...Do Filmmakers Need to Worry?
|
Dec 08, 2022 |
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How to Craft Natural Light into Stunning Visuals in Banshees of Inisherin
|
Dec 06, 2022 |
|
NEW AI Tech That Blows Our Minds and How to Use Improv on Set
|
Dec 01, 2022 |
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Navigating Ego in Filmmaking
|
Nov 24, 2022 |
|
How to Get Your Kinds of Movies Made with Dean Craig Writer/Director of 'The Estate'
|
Nov 22, 2022 |
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Is This the Tool Filmmakers Need to Find Their Audience?
|
Nov 19, 2022 |
|
Tony Kushner Breaks Down 'The Fabelmans' and Collaborating with Steven Spielberg
|
Nov 15, 2022 |
|
You Finished Your Screenplay. Now What?
|
Nov 11, 2022 |
|
“Smile” Director and DP Share the Secret Rules to Their On-Set Success
|
Nov 08, 2022 |
|
How to Get Commercial Directing Gigs and Brand New Camera Tech We Love
|
Nov 03, 2022 |
|
How This 15 Year Old Shot a Horror Short and Got it To Cannes
|
Oct 28, 2022 |
|
How to Give Notes That Help and What AI Will Do to Filmmaking
|
Oct 27, 2022 |
|
Paul Feig Teaches Us the Nuances of Comedy and Collaboration
|
Oct 25, 2022 |
|
When and How to "Run and Gun" Wisely
|
Oct 20, 2022 |
|
How Can You Option Valuable IP and Get it Made with Josh Gordon and Will Speck
|
Oct 18, 2022 |
|
Box Office Smarts for Filmmakers or How To Make Your Movie When Something Like it Bombed
|
Oct 13, 2022 |
|
"Bodies Bodies Bodies" Director Halina Reijn Shares Her Directing Process
|
Oct 11, 2022 |
|
How to Stay Healthy During #SetLife
|
Oct 07, 2022 |
|
'The Redeem Team' Director Jon Weinbach Teaches Us How to Sell The Stories We Love
|
Oct 04, 2022 |
|
How Do You Make Money While Pursuing a Filmmaking Career?
|
Sep 30, 2022 |
|
Debunking and Decoding the Industry with 'Superbad' and 'Confess, Fletch' Director Greg Mottola
|
Sep 27, 2022 |
|
How to Shoot Sex Scenes Responsibly, Even Without A Big Budget
|
Sep 23, 2022 |
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What's The Cost of Doing Work You Care About? Jerrod Carmichael Explains
|
Sep 20, 2022 |
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Is There Still a Place in Cinema for Rule Breakers?
|
Sep 15, 2022 |
|
Face Down Your Filmmaking Challenges with this Approach From Medieval Director Petr Jakl
|
Sep 13, 2022 |
|
How to Become More Hireable and What We like About the Fuji X-H2
|
Sep 09, 2022 |
|
How to Find Your Way Into the Industry with Jessica M. Thompson
|
Sep 06, 2022 |
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Joe Dante Believes You Can Create Amazing Things
|
Sep 02, 2022 |
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When is the Right Time to Take Big Career Swings?
|
Sep 01, 2022 |
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Yes, You Can Still Do This... and Audiences Need You to!
|
Aug 30, 2022 |
|
China Sends Hollywood a Message
|
Aug 27, 2022 |
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How to Identify Your Filmmaking Voice and Expand Beyond It
|
Aug 23, 2022 |
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How Can You Navigate Hollywood if You Aren't Rich or Connected?
|
Aug 18, 2022 |
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How to Create Your Directing Opportunities with Liz Allen Rosenbaum
|
Aug 16, 2022 |
|
Find Out What the Hell Happened with HBO Max
|
Aug 11, 2022 |
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How 'Nope' Editor Nicholas Monsour Creates Perspective and Meaning
|
Aug 09, 2022 |
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How Do You Know When Your Edit is Done?
|
Aug 04, 2022 |
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The New Soft Skills You Need as a Modern Filmmaker
|
Jul 28, 2022 |
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Here's How This DP Did Something Nobody's EVER Done Before
|
Jul 26, 2022 |
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Is it Bad That Spielberg and A.I. Generators Are Playing in Our Sandbox?
|
Jul 21, 2022 |
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This is Why You Can Do Better Work Even With Limitations
|
Jul 14, 2022 |
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How To Create Amazing Cinematic Sequences with the 'Elvis' Editors and Cinematographer
|
Jul 12, 2022 |
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How You Can Benefit from Finding Filmmaking Communities
|
Jul 07, 2022 |
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Here is How a Random Crush Turned into Someone's Break Through Feature
|
Jul 05, 2022 |
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The Personal and the Political of Filmmaking in Unprecedented Times
|
Jun 30, 2022 |
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Unlocking the Challenges of Directing Actors with Sophie Hyde
|
Jun 28, 2022 |
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Let's Face Filmmaker Imposter Syndrome Together
|
Jun 23, 2022 |
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Straightforward Ways to Be a Better Director from 'Hustle' Director Jeremiah Zagar
|
Jun 21, 2022 |
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Find Out What's Happening to the Streaming Business Model and What's Next in Lenses from Cine Gear
|
Jun 16, 2022 |
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Go Inside the Editing of "Top Gun: Maverick"
|
Jun 14, 2022 |
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Learn From The "Sketchy" Things We Did When We Started Out...
|
Jun 09, 2022 |
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Make Your Feature by Embracing Fear
|
Jun 07, 2022 |
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What's Your Responsibility as a Filmmaker AND Film-watcher?
|
Jun 02, 2022 |
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Film Festival Founders Share How You Can Grow from the Festival Experience
|
May 31, 2022 |
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Do Movie Stars Still Matter for Indie Filmmakers?
|
May 26, 2022 |
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Will This Be James Cameron's WATERloo?
|
May 19, 2022 |
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How This Writing Team Got Their First Feature (With a Little Help From This Podcast!)
|
May 17, 2022 |
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The Problem with TV, The Cat People's Narrative, And a Tool That Finally Crosses the Streams
|
May 12, 2022 |
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Award-Winning Director John Madden Talks Crafting Tension in 'Operation Mincemeat'
|
May 10, 2022 |
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Word of Mouth and Making Good Movies Still Works!
|
May 05, 2022 |
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Filmmaking Tools and Tech That Excite Us the Most as We Wrap Up NAB 2022
|
May 03, 2022 |
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These Innovations Let You Light However You Want
|
Apr 27, 2022 |
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Robert Eggers Explains How the Devil is in the Details on 'The Northman'
|
Apr 26, 2022 |
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The First Day of NAB 2022 Introduces Insane New Workflows
|
Apr 25, 2022 |
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There May Be No Better Way to Learn and Get Inspired Than This
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Apr 23, 2022 |
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The Genius Talent Behind "Everything Everywhere All At Once", All at Once
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Apr 22, 2022 |
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What Happened to All The Sex in Movies?
|
Apr 21, 2022 |
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A Round Table On Apps Every Filmmaker Needs
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Apr 19, 2022 |
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NAB is Coming And Here is Why We're Pumped
|
Apr 14, 2022 |
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How This First Time Filmmaker Got Elite Talent on Her Side
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Apr 12, 2022 |
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Plagiarizing Film Students and Was 'The Godfather' Lit Poorly?
|
Apr 07, 2022 |
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How This First Time Filmmaker Got it Done By Laying it All on The Line
|
Apr 05, 2022 |
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What To Do With Your Hands... At a Film Festival or Awards Show
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Mar 31, 2022 |
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Learn Directly From these 2021 Academy Award Filmmakers
|
Mar 25, 2022 |
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Who Will Win The Streaming War and All Your $$?
|
Mar 25, 2022 |
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The Oscar Nominated Art Team Behind "Nightmare Alley"
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Mar 23, 2022 |
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Dune: A Masterclass in Bringing a World to Life Through Sound
|
Mar 22, 2022 |
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The Tragedy of People Missing the Point of Movies
|
Mar 20, 2022 |
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Find Out Why These Producers Read ‘Mass’ and Had to Make It
|
Mar 16, 2022 |
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3 Filmmaking News Stories That Push All Kinds of Buttons
|
Mar 14, 2022 |
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The Not-So-Secret Hack That Makes 'Winning Time' So Amazing
|
Mar 09, 2022 |
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Why Does The Academy Hate Actual Filmmaking?
|
Mar 03, 2022 |
|
Want To Binge The Best Movies Ever? This Month You Can...
|
Mar 01, 2022 |
|
Investors Scamming Filmmakers and a New Camera That Blows Our Mind
|
Feb 24, 2022 |
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How Two Very Different Paths Led To Filmmaking Careers
|
Feb 22, 2022 |
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This Eye-Tracking Tech Could Change Filmmaking and Watching
|
Feb 17, 2022 |
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Creating Subtext in The Power of The Dog
|
Feb 15, 2022 |
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In a World of Mostly Bad Things, Make Something Good
|
Feb 10, 2022 |
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Station 11 DP's Teach Creating New Looks in Familiar Genre
|
Feb 08, 2022 |
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Censorship, Changed Endings, and The Big Chungus of Gear
|
Feb 03, 2022 |
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What Cameras Are Most Popular for Sundance Filmmakers?
|
Jan 27, 2022 |
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How Driving to LA With Nothing But the Dream Worked For These Guys
|
Jan 25, 2022 |
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A Rights-Buying Story So Weird it Might Be a Joke
|
Jan 20, 2022 |
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The Secrets Behind Directing Great Television From Someone Who Does It
|
Jan 18, 2022 |
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How to Make the Slow Time of Year Busy
|
Jan 13, 2022 |
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How Do You Raise Money at a Film Festival?
|
Jan 07, 2022 |
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Nathalie Biancheri on Writing and Directing 'Wolf'
|
Jan 06, 2022 |
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Nora Fingscheidt On Being 'Drafted' to Direct a Large Scale Feature
|
Jan 04, 2022 |
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Licorice Pizza's Editor and DP On Breaking Rules with PTA
|
Dec 23, 2021 |
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Nightmare Alley DP and Editor Shed Light on Crafting Utter Darkness
|
Dec 21, 2021 |
|
Why Make Movies? 2021 In Review
|
Dec 16, 2021 |
|
Sir Kenneth Branagh on 'Belfast', Cinema History, Growing Up, and Being Human
|
Dec 14, 2021 |
|
What’s Going On With the Austin Film Festival Screenplay Coverage?
|
Dec 09, 2021 |
|
Dolph Lundgren On Hollywood, Ambition, and Changing Course
|
Dec 08, 2021 |
|
Why Comic-Con is for Filmmakers
|
Dec 02, 2021 |
|
DP Robert Yeoman on Shooting With Wes Anderson
|
Nov 30, 2021 |
|
Turn Your Holidays into a Filmmaking Laboratory
|
Nov 25, 2021 |
|
How to Shoot a Feature in One Take. FOR REAL.
|
Nov 23, 2021 |
|
Sony Venice 2 Drops Here is What You Should Know
|
Nov 18, 2021 |
|
What’s it Like to Write a Movie For Marvel?
|
Nov 15, 2021 |
|
Optioning Scripts for Indie Filmmakers, When to Drone, and GOOD DEAL/BAD DEAL
|
Nov 12, 2021 |
|
'The Harder They Fall' and 'The Master' DP on Creating a Modern Western Look
|
Nov 11, 2021 |
|
Dune DP Greig Fraser and Editor Joe Walker Break Down Crafting a Cinematic Epic
|
Nov 04, 2021 |
|
Edgar Wright and Krysty Wilson Cairns Dissect 'Last Night in Soho'
|
Nov 02, 2021 |
|
Manfrotto Camera Movement Week and Box Office Victories
|
Oct 29, 2021 |
|
Film Set Tragedy
|
Oct 28, 2021 |
|
IATSE’s New Contract
|
Oct 23, 2021 |
|
Justin Long, Christian Long, and Justin Chon for 'Lady of the Manor' and 'Blue Bayou'
|
Oct 19, 2021 |
|
Should You Pay For Script Coverage?
|
Oct 15, 2021 |
|
Fuqua, Gyllenhaal, and Melfi on THE GUILTY and THE STARLING
|
Oct 13, 2021 |
|
Bond is Back And We're Chatting With No Time To Die's Visual Wizards
|
Oct 08, 2021 |
|
STRIKE! And Russians in Space... With Cameras?
|
Oct 07, 2021 |
|
Sara Colangelo Tells The Truth in 'Worth'
|
Oct 05, 2021 |
|
What Does the Huge CAA News Mean For You?
|
Sep 30, 2021 |
|
How Two Friends Turned an Inside Joke into a Feature Film
|
Sep 29, 2021 |
|
Ed Burns Shares the Art of Indie Film Compromise
|
Sep 24, 2021 |
|
Just How Cinematic IS This New iPhone 13?!
|
Sep 23, 2021 |
|
Welcome To The Wild West Of Streaming Wars and Digital Cameras
|
Sep 16, 2021 |
|
How to Carve a Sundance Worthy Doc From Hours of Archival Footage
|
Sep 14, 2021 |
|
Working on Labor Day
|
Sep 09, 2021 |
|
Paul Schrader Tells Us the Keys To Character Study and How 'Taxi Driver 2' Almost Happened
|
Sep 07, 2021 |
|
What Could Blockchain Coming to Hollywood Mean For Filmmakers?
|
Sep 02, 2021 |
|
Turning Disappointment into Growth with Shawn Levy
|
Aug 31, 2021 |
|
Free Range Production Assistants and Billion Dollar Deals
|
Aug 26, 2021 |
|
Creating an Epic Landscape in ‘The Green Knight’
|
Aug 24, 2021 |
|
Toxic Fandom, Tarantino's Mother Issues, and We Play 'Good Deal/Bad Deal'
|
Aug 19, 2021 |
|
From Caviar With Arnold To 'Cruising' With The Rock
|
Aug 17, 2021 |
|
Are Director's 'Hot Takes' Good For Their Movies?
|
Aug 12, 2021 |
|
How They Made the Camera Sing and Dance in 'In The Heights'
|
Aug 10, 2021 |
|
ScarJo Takes on Disney and What Makes a 'Good' Deepfaker?
|
Aug 05, 2021 |
|
What Comes After an Entry-Level Job?
|
Jul 29, 2021 |
|
How 'Stillwater' Keeps You Riveted and How 'Let Us In' Found an ‘IP’ Loophole
|
Jul 28, 2021 |
|
Nine Days is the Film Of Our Times. How the Heck Did it Get Made?
|
Jul 27, 2021 |
|
M. Night Shyamalan Explains his Directing Choices on 'Old', Plus the 'PIG' Filmmakers Preach Perseverance
|
Jul 20, 2021 |
|
How to Take and Give Notes, What is the Future of Celluloid, and RIP Richard Donner
|
Jul 15, 2021 |
|
'Gunpowder Milkshake' Director Navot Papushado On Shooting Awesome Gunfights
|
Jul 13, 2021 |
|
No Sudden Move Writer Ed Solomon Teaches Us About Success, Failure, Growth, and Alaskan Strip Clubs
|
Jul 09, 2021 |
|
TCM Host Ben Mankiewicz Takes Us Behind The Scenes On One of Hollywood's Biggest Sets
|
Jul 07, 2021 |
|
How Many Ks Do You Need? Blackmagic Week Special Episode
|
Jul 01, 2021 |
|
How Has Visual Effects Photography Has Evolved and Where Is It Going?
|
Jun 29, 2021 |
|
You're Not a DP Until You've Cut Your Own Material
|
Jun 28, 2021 |
|
Are Netflix and Actors Are Both Trying to Hide Something?
|
Jun 24, 2021 |
|
'Wonder Showzen' and 'False Positive' Co-Creator John Lee Wants You to Push Buttons
|
Jun 22, 2021 |
|
Edgar Wright Shares His Inspiration and Passion with "The Sparks Bros"
|
Jun 18, 2021 |
|
Renny Harlin Says He Could Live Without Food... But Not Without Movies
|
Jun 18, 2021 |
|
What Makes This New Drone So Special?
|
Jun 17, 2021 |
|
Safe Sex on Sets and Creative Cloud Questions
|
Jun 10, 2021 |
|
AMC is Buying Arclight and How Do Filmmakers Ask For a Raise?
|
Jun 03, 2021 |
|
Screenwriting Guru Robert McKee Demystifies Character and Structure
|
Jun 01, 2021 |
|
Choosing Your First Industry Job
|
May 27, 2021 |
|
How to Budget Your Indie Feature
|
May 20, 2021 |
|
Director Timur Bekmambetov Is Loving This New Innovative Filmmaking Technique
|
May 18, 2021 |
|
How Ratings and Algorithms Impact Your Filmmaking Career
|
May 13, 2021 |
|
Who Will Save Arclight Cinemas?
|
May 06, 2021 |
|
'Miss Juneteenth' Writer/Director Shows Us How to Beat the Odds
|
May 04, 2021 |
|
I'm Producing A Feature... What First Steps Do I Take?
|
Apr 29, 2021 |
|
The Guys Who Edited Borat Tell All
|
Apr 27, 2021 |
|
The Pros and Cons of Integrating AI into Filmmaking
|
Apr 22, 2021 |
|
Following a True Story Landed This Writer/Director His Feature Debut
|
Apr 20, 2021 |
|
How to Break In... As a PA
|
Apr 15, 2021 |
|
Ridley Scott's Longtime DP Darius Wolski Has War Stories
|
Apr 13, 2021 |
|
Why Rian Johnson Can't Stop Winning
|
Apr 08, 2021 |
|
Success Happened Because There Was No Plan B
|
Apr 06, 2021 |
|
Do Directors Need a Certain Personality Type To Suceed?
|
Apr 01, 2021 |
|
Creating the Physical Look of David Fincher's 'Mank'
|
Mar 30, 2021 |
|
Is Zach Snyder's 'Justice League' a Good Movie?
|
Mar 25, 2021 |
|
Mark Toia Self-Financed a VFX-Heavy Robot Action Movie for 1.6 Million
|
Mar 23, 2021 |
|
How WandaVision Achieved Its Kaleidoscope of Looks With One Camera
|
Mar 18, 2021 |
|
How Michael Stephenson Turned a Child Actor Nightmare Into a Fruitful Directing Career
|
Mar 16, 2021 |
|
TCM Chooses to Discuss Rather Than 'Cancel' and Why It Matters
|
Mar 11, 2021 |
|
Mark Ruffalo's Doc on The Rights of Nature Breaks Ground
|
Mar 09, 2021 |
|
Is George Lucas Returning to Star Wars? We Discuss the Filmmaking Maverick
|
Mar 04, 2021 |
|
What Do Producers Want? We Ask One
|
Mar 02, 2021 |
|
Sorry Dude, Amazon Prime Video Direct Does Not Want Your Documentary
|
Feb 25, 2021 |
|
The United States vs. Billie Holiday DP Says Celluloid Was a 'No Brainer'
|
Feb 23, 2021 |
|
Was Gina Carano's Firing Fair?
|
Feb 18, 2021 |
|
'Ma Rainey's Black Bottom' DP Tobias Schliessler is Always Learning
|
Feb 16, 2021 |
|
Meet Matt Ritter: The Man Who Almost Scored the Film Rights to the Gamestop Madness
|
Feb 11, 2021 |
|
Oscar-Winning Director of 'The Mauritanian' and 'The Last King of Scotland' Kevin Macdonald
|
Feb 09, 2021 |
|
Why Remote Sundance is Awesome For Filmmakers and Audiences
|
Feb 04, 2021 |
|
'Search Party' DP Jonathan Furmanski Discusses the Art Of Lensing Comedy
|
Feb 02, 2021 |
|
What You Need to Know About the Sony Alpha 1
|
Jan 28, 2021 |
|
Frank Oz, Voice of Yoda and Muppet Co-Founder, Breaks New Ground and New Formats
|
Jan 26, 2021 |
|
Is There Anything Left in the Superhero Genre to Explore?
|
Jan 21, 2021 |
|
How to Work Your Way Up at a Production Company Until You Direct Your Debut Feature
|
Jan 19, 2021 |
|
Is Quentin Tarantino Giving Us Bad Career Advice?
|
Jan 14, 2021 |
|
Can Cinema Make You Immortal? A Deep Chat With 'Dick Johnson Is Dead' Creator Kirsten Johnson
|
Jan 12, 2021 |
|
Did Patty Jenkins Try to Save 'Wonder Woman'?
|
Jan 07, 2021 |
|
The Producers of 'Black Bear' Tell You What It Really Takes To Make a Legit Indie Film
|
Jan 05, 2021 |
|
How Writer-Director Tara Miele Brought Her Passion Project 'Wander Darkly' to Life
|
Dec 30, 2020 |
|
Why ScriptHop Will Help Get Your Screenplay Read By the Right People
|
Dec 29, 2020 |
|
What Is Up with Tom Cruise and Why Did His COVID Regulation Tirade Seem Fake?
|
Dec 24, 2020 |
|
Why Disney's New Wave of Content Matters (For Better or Worse)
|
Dec 17, 2020 |
|
Oscar-Winning Sound Supervisor Mark Mangini Gives You The Keys to the Kingdom
|
Dec 16, 2020 |
|
How Watson Wu Captures Your Favorite Sounds
|
Dec 14, 2020 |
|
Heavyweight Directors Vs. Warner Bros: Who Will Have the Last Word?
|
Dec 10, 2020 |
|
Why 'The Crown' Takes Liberties with Historical Facts and You Should Too (Because It’s All Fiction)
|
Dec 03, 2020 |
|
How Oscar Winning DP Chris Menges Mastered Naturalistic Cinematography
|
Dec 02, 2020 |
|
One Director's Honest, Harsh, and Heartwarming Story of Making it in Hollywood
|
Dec 01, 2020 |
|
How Michael Angelo Covino and Kyle Marvin Ascended to the Top of the Film World with 'The Climb'
|
Nov 30, 2020 |
|
What's the Best Cinema Camera for Under 10K?
|
Nov 26, 2020 |
|
Phedon Papamichael is an Actor's Cinematographer. What Does That Mean?
|
Nov 25, 2020 |
|
How 'The Queen's Gambit' Editor Michelle Tesoro Became So Versatile In Cutting Prestige TV
|
Nov 24, 2020 |
|
Why Did Leonardo DiCaprio Want 'Killers of the Flower Moon' Rewritten?
|
Nov 19, 2020 |
|
How Ross Emery Became a Go-To Cameraman for Modern Sci-Fi Classics
|
Nov 18, 2020 |
|
Malin Akerman Explains How to Attach Talent to a Project
|
Nov 17, 2020 |
|
DaVinci Resolve 17 Has Tons of New Features You'll Like
|
Nov 12, 2020 |
|
Sony's New Virtual Sound Tech Was So Good These Veteran Mixers Couldn't Believe Their Ears
|
Nov 11, 2020 |
|
Daron Aronofsky's Rockstar DP Matthew Libatique Talks Career and 'Requiem For a Dream' Anniversary
|
Nov 10, 2020 |
|
What You Can Do With the Blackmagic 12K... Oh And About That Election...
|
Nov 05, 2020 |
|
‘Over The Moon’ Director Glen Keane Uncovers The Secret Sauce Of Story
|
Nov 03, 2020 |
|
The Ghost of Quibi Haunts The Entertainment Industry
|
Oct 29, 2020 |
|
'Lovecraft Country' DP Michael Watson On Shooting During Covid-19
|
Oct 28, 2020 |
|
Jim Cummings Might Owe His Directing Career to a Shopping Cart
|
Oct 27, 2020 |
|
How Filmmaker Friendly is the iPhone 12?
|
Oct 22, 2020 |
|
'Back to the Future' Writer Bob Gale Shares Timeless Screenwriting Advice
|
Oct 20, 2020 |
|
Not Coming to A Theater Near You? How Disney+ Is Changing Movies
|
Oct 15, 2020 |
|
No One Gives A Sh*t About Max Barbakow and Andy Siara, Creators of “Palm Springs”
|
Oct 13, 2020 |
|
Why Can't The White House Find a Competent Video Editor?
|
Oct 09, 2020 |
|
How One Filmmaker Gave Up A Successful Career to Make Documentaries... And How it Worked
|
Oct 06, 2020 |
|
What Grants Should You Be Looking At This Fall?
|
Oct 01, 2020 |
|
’The Last Shift’ is a Masterclass in How to Make the Leap from DIY Nonfiction to Big-Time Narrative
|
Sep 28, 2020 |
|
9.24.20: Why the Canon C70 Is The Compact Camera We've Been Waiting For
|
Sep 24, 2020 |
|
9.17.20: How CAA Tried to Outsmart the WGA (And Failed)
|
Sep 17, 2020 |
|
Cinematic Legend Walter Murch on Editing, Sound Design, and His Unique Methods
|
Sep 15, 2020 |
|
9.10.20: Why Colourlab Will Be a Game-Changer (For Real!)
|
Sep 10, 2020 |
|
You Need to Know the Miracle of "The Peanut Butter Falcon"
|
Sep 08, 2020 |
|
9.03.20: What is Sync Sketch? And Remembering Chadwick Boseman
|
Sep 03, 2020 |
|
David Fincher's Longtime DP Jeff Cronenweth has Advice, Insight, and Stories
|
Aug 28, 2020 |
|
8.27.20: The Good, Bad, and Ugly of Film Festival Strategy
|
Aug 27, 2020 |
|
How Logan Schneider Became the "Drunk History" DP
|
Aug 26, 2020 |
|
8.20.20: A Middle-Class Moviemaking Manifesto?
|
Aug 24, 2020 |
|
8.14.20: How will the end of the Paramount Decrees affect theaters and filmmakers?
|
Aug 14, 2020 |
|
8.6.20: Will families pay $30 for Mulan?
|
Aug 10, 2020 |
|
How Do You 'Just Shoot It' During a Pandemic?
|
Aug 05, 2020 |
|
7.31.20: Did Filmmakers Finally Get What They Wanted?
|
Jul 31, 2020 |
|
7.24.20: Ks For Days
|
Jul 24, 2020 |
|
7.17.20: Is Canon feeling burned?
|
Jul 17, 2020 |
|
7.10.20: Revolutions, Revelations, and Resolutions
|
Jul 15, 2020 |
|
This is How One Man Created a Thriving Indie Production Company with Hope
|
Jul 07, 2020 |
|
7.3.20: To Sit Or Not To Sit?
|
Jul 03, 2020 |
|
What Will Creatives Do About Apple's Big News?
|
Jun 26, 2020 |
|
6.19.20: The Dinosaurs Are Going Back to Set, But Not The Writers
|
Jun 19, 2020 |
|
What Is It like to Write a Spider-Man Movie?
|
Jun 15, 2020 |
|
6.12.20: Lights, Camera, Covid?
|
Jun 12, 2020 |
|
6.5.20: What Is the Role of the Filmmaker in a Time of Unprecedented Upheaval?
|
Jun 05, 2020 |
|
5.26.20: Will 'Tenet' bring movie goers back to theaters?
|
May 29, 2020 |
|
Getting a Camera Inside the Moment That Shook the NBA
|
May 25, 2020 |
|
5.22.20: Remembering Lynn Shelton, 'Unreal' Visuals, and Adobe Premiere Updates
|
May 22, 2020 |
|
5.15.20: Fake Artist... Real Weirdness. What Do We Make of Lil Miquela?
|
May 15, 2020 |
|
Jonathan Frakes Shoots to Thrill
|
May 12, 2020 |
|
5.8.20: How will Netflix Get Back On Set?
|
May 08, 2020 |
|
'Rick and Morty' Creator Justin Roiland Gives Us a Tour of His New Show and His Twisted Mind
|
May 04, 2020 |
|
5.1.20: What Can You Do to Make the Most of Quarantine?
|
May 01, 2020 |
|
These Two Filmmakers Heard About a Job, Wanted It, and Won It
|
Apr 27, 2020 |
|
4.24.20: When Can Production Resume in the Time of Coronavirus?
|
Apr 24, 2020 |
|
4.17.20: Adobe Productions Is Here and so Are Our Questions
|
Apr 17, 2020 |
|
How Colorists Help You Get the Best Finished Product
|
Apr 13, 2020 |
|
4.10.20: How to Get the Cash the Government is Giving Freelancers
|
Apr 10, 2020 |
|
Does Making Midnight Movies Sharpen Your Style?
|
Apr 06, 2020 |
|
4.3.20: How Unemployment on a Shut-Down Production Works
|
Apr 03, 2020 |
|
6 DPs Reveal Their Process and How They Built Their Careers
|
Mar 30, 2020 |
|
3.27.20: Who Will Get Netflix's $100 Million?
|
Mar 27, 2020 |
|
3.20.20: Welcome to Quarantine... Now What?
|
Mar 20, 2020 |
|
3.12.20: How Will Coronavirus Impact Filmmakers?
|
Mar 12, 2020 |
|
Why Making a Short is a Career Game-Changer
|
Mar 09, 2020 |
|
3.4.20: What City Do You Need To Be in To Pursue a Career in Filmmaking?
|
Mar 05, 2020 |
|
How Do You Find a Good Producer? Sundance Producers Show Us The Way
|
Mar 02, 2020 |
|
2.28.20: How Long Until The Tech Behind 'The Mandalorian' is Available to More of Us?
|
Feb 28, 2020 |
|
2.21.20: Kinefinity's Price Drop, Coronavirus, Bond, and Working with Actors
|
Feb 21, 2020 |
|
7 Editors Take Us Behind the Curtain on Cutting a Sundance Feature
|
Feb 20, 2020 |
|
2.12.20: Canon Goes 8K, RED goes 6K, SNL Wants Smoke, Plus FCP7 Help!
|
Feb 12, 2020 |
|
Powerful Emotions, Exciting Innovations and Record Breaking Deals
|
Feb 03, 2020 |
|
Fifteen Filmmakers, One Boat: How OMNIBOAT Became the First Film ‘Based on a PDF’
|
Jan 30, 2020 |
|
1.27.20: What We Learned, Enjoyed, and Endured at Sundance 2020
|
Jan 27, 2020 |
|
How Dan Mirvish Started Slamdance Film Festival
|
Jan 27, 2020 |
|
What is The Future of Interactive Storytelling?
|
Jan 26, 2020 |
|
1.26.20: What's Hot, Exciting, and New on the First Day of Sundance 2020
|
Jan 26, 2020 |
|
Attention Creators: This Might Be Your Best Way Into Sundance
|
Jan 24, 2020 |
|
1.21.20: Attend the Great Beating Heart of American Independent Film
|
Jan 21, 2020 |
|
1.7.20: Unraveling '1917', Meet the Insta 360, and Chris Terrio taking on ILM
|
Jan 10, 2020 |
|
Sundance Institute Founder and Director Michelle Satter Predicts the Future of Indie Filmmaking
|
Dec 27, 2019 |
|
12.20.19: We Watched Watchmen! Plus Nikon News, and How Fair Use Works on YouTube
|
Dec 20, 2019 |
|
12.13.19: Can You Distribute Your Short Film and is The Mandalorian Lying to Us?!
|
Dec 13, 2019 |
|
12.05.19: The Perks of Being a P.O.C. (Proof of Concept, That Is)
|
Dec 05, 2019 |
|
11.27.19: Analyzing Every Corner of 'The Irishman'
|
Nov 27, 2019 |
|
11.21.2019: A Potential Movie Distribution Game-Changer plus The New MacBook Pro
|
Nov 22, 2019 |
|
11.14.19: Begun The Streaming War Has
|
Nov 15, 2019 |
|
Andre Hyland talks comedy and horror in 'The Death of Dick Long' and 'Old Haunt'
|
Nov 13, 2019 |
|
11.07.19: Nothing Less Than The Future of Cinema Itself Is At Stake
|
Nov 07, 2019 |
|
How Larry Sher Shot 'Joker', Built a Career, and Almost Got Fired on His First Day of Filmmaking
|
Oct 31, 2019 |
|
10.24.19: Will Crackdowns on the 'Gig Economy' Crush Indie-Filmmaking?
|
Oct 23, 2019 |
|
10.17.19: What Would the Perfect Film School Curriculum Look Like?
|
Oct 16, 2019 |
|
10.10.19: No Film School vs. Joker, Marty vs. Marvel, and Your Short Film vs. Film Festivals
|
Oct 09, 2019 |
|
10.4.19: The Irishman Strives, GoPro Stumbles, and We Follow Up on Distribber
|
Oct 04, 2019 |
|
9.27.19: BMPCC4K Updates, Moon Pirates, Bankruptcy, and Beef with Orson Welles
|
Sep 27, 2019 |
|
Downton Abbey Goes Big: Here is How Michael Engler Expanded the Canvas
|
Sep 23, 2019 |
|
9.20.19: The Joker, Raw Wars, and BAD Vibrations!
|
Sep 20, 2019 |
|
9.13.19: The Sony FX9, The iPhone 11 PRO, plus The Rise of The Middle Class DP
|
Sep 16, 2019 |
|
9.6.19: Ryan Koo Critiques a Camera (BMPCC6K)And Other News
|
Sep 06, 2019 |
|
How to Take Advantage of Your Low Budget (and Get Into Sundance… Twice)
|
Sep 03, 2019 |
|
8.30.19: Behold The Panasonic S1H And Its Myriad Wonders
|
Aug 30, 2019 |
|
8.22.19: Sony Vs. Disney, Apple Vs. Red, The Office Vs. The Office
|
Aug 22, 2019 |
|
8.16.19: The Pros and Cons of the BMPCC 6K
|
Aug 16, 2019 |
|
8.9.19: Can You Tell When The Project You're Working On is Good?
|
Aug 09, 2019 |
|
8.1.9: Once Upon A Time in (No) Film School
|
Aug 02, 2019 |
|
7.26.19 Those Human-ish Cats Still Make Us Feel Weird and Other Stories of the Week
|
Jul 26, 2019 |
|
‘Relaxer’ Filmmakers: Don't Make Poser Movies or You Will Fail!
|
Jul 17, 2019 |
|
7.12.19: RIP Macbook, Firmware Updates, and Which John Wick Timeline Are We In?
|
Jul 12, 2019 |
|
7.5.19: Deep Fakes, Netflix Victories and Gas Money
|
Jul 06, 2019 |
|
6.21.19: DP Shane Hurlbut on His Process, Collaborators, and the Hurlbut Academy
|
Jun 24, 2019 |
|
Jim Jarmusch on How to Pick Up on Your Actor's Needs
|
Jun 17, 2019 |
|
6.14.19: Praising Chernobyl, "Burning Cane" and Taking a Stand Against Apple’s New Monitor
|
Jun 14, 2019 |
|
6.7.2019: The Week of Panasonic's New Mirrorless Camera and Apple's New Cheese Grater
|
Jun 07, 2019 |
|
The Ultimate Screenwriting Masterclass with John Fusco and Jon Fusco
|
Jun 03, 2019 |
|
How to Build the Perfect Lookbook with Adam Egypt Mortimer
|
May 27, 2019 |
|
5.23.19: Game of Thrones Ends, War Against ATA Rages On
|
May 23, 2019 |
|
Why You Should Experiment Early In Your Career: 'The Mountain'
|
May 20, 2019 |
|
NFS 5.19.19: Game of Thrones Goes Heavy Metal, ARRI Goes to Charleston
|
May 16, 2019 |
|
How to Prove You Can Write With Just One Script - 'Big Time Adolescence' Director Jason Orley
|
May 13, 2019 |
|
How to One-Man-Crew it like an Olympian
|
May 06, 2019 |
|
NFS 5.2.19: The Long Night is Over
|
May 02, 2019 |
|
How to Ensure You are Taking Advantage of the Democratization of Film
|
Apr 29, 2019 |
|
How to Subversively Film a Politically Subversive Film
|
Apr 22, 2019 |
|
Why Writing and Directing Comedy Go Hand in Hand: Will Forte & 'Extra Ordinary'
|
Apr 15, 2019 |
|
How to Make a Coming of Age Movie that Doesn't Suck: Ninian Doff on 'Boyz in the Wood'
|
Apr 08, 2019 |
|
Masturbation on Film: Karen Maine, Natalia Dyer & More on SXSW Standout 'Yes, God, Yes'
|
Apr 01, 2019 |
|
'Don't be Afraid if You Didn't Go To Film School': The Method to Success Behind 'Greener Grass'
|
Mar 11, 2019 |
|
'There's No Business Like Slow Business': Lee Cronin on His Path to Horror Glory
|
Mar 04, 2019 |
|
How Young Filmmakers Can Take Advantage of Fellowships
|
Feb 25, 2019 |
|
DIAY: Do It ALL Yourself with Director Johannes Nyholhm
|
Feb 18, 2019 |
|
How To Put Yourself in the Room: Sundance Breakout ‘Them That Follow’
|
Feb 11, 2019 |
|
How to Become a Sundance Worthy Documentary Cinematographer
|
Feb 04, 2019 |
|
Does This Year's Sundance Signal the Death of Truly Independent Film? NFS Live Pt.2
|
Jan 31, 2019 |
|
No Film School Live from Sundance 2019 Pt.1
|
Jan 28, 2019 |
|
Best of the 2018 No Film School Podcast Interviews, Part 3
|
Jan 21, 2019 |
|
Best of the 2018 No Film School Podcast Interviews, Part 2
|
Jan 14, 2019 |
|
IFW 1.10.19: The Final Episode
|
Jan 10, 2019 |
|
Best of the 2018 No Film School Podcast Interviews, Part 1
|
Jan 07, 2019 |
|
IFW 12.20.18: Indie Film Weekly Will Come to an End in 2019
|
Dec 20, 2018 |
|
IFW 12.13.18: How to Build Relationships in the Biz & 2018's Biggest Box Office Draw
|
Dec 13, 2018 |
|
Why the Bolex is the World’s Most Beloved Camera
|
Dec 10, 2018 |
|
IFW 12.6.18: Sundance Selections & Our Full Review of the Blackmagic Pocket Cinema Camera
|
Dec 06, 2018 |
|
Making the Move from Producer to Director: Cristina Gallego on 'Birds of Passage'
|
Dec 03, 2018 |
|
IFW 11.29.18: The First Film Awards of the Season & How to Shoot Safe Sex
|
Nov 29, 2018 |
|
Yorgos Lanthimos on How to Shoot Surrealist Film
|
Nov 26, 2018 |
|
IFW 11.22.18: A Thanksgiving Miracle & Are Big Changes Coming for Final Cut?
|
Nov 22, 2018 |
|
Academy Award Winner László Nemes on Following Your Inspiration to Success
|
Nov 19, 2018 |
|
IFW 11.15.18: Our Favorite Books on Cinema & The Death of a Real-Life Superhero
|
Nov 15, 2018 |
|
Mike Leigh on How to Become Your Actor's Dream Director
|
Nov 12, 2018 |
|
IFW 11.8.18: The Greatest Foreign Films of All Time & How Much You Should Be Asking for Upfront?
|
Nov 08, 2018 |
|
'Diamantino': How to Make a Masterpiece Out of Your Mistakes
|
Nov 05, 2018 |
|
IFW 11.1.18: Farewell FilmStruck & Is Apple Finally Filmmaker Friendly?
|
Nov 01, 2018 |
|
For Paycheck or For Passion? Steven Yeun on 'Burning', 'Sorry to Bother You' and Building a Career
|
Oct 29, 2018 |
|
IFW 10.25.18: Our Thoughts on the New MacBook Pro & Where to Submit Your Film Online
|
Oct 25, 2018 |
|
Why You Should Edit Your Own Films
|
Oct 22, 2018 |
|
IFW 10.18.18: Why 2018 Has Been a Great Year for Movies & Where to Move if You Want to Make One
|
Oct 18, 2018 |
|
One Hundred Different Ways to Get Your Film Funded
|
Oct 15, 2018 |
|
IFW 10.11.18: Your Favorite Filmmakers Defined & A New Mirrorless Camera from Fuji
|
Oct 11, 2018 |
|
How to Become a Top Notch Sound Designer with the Team Behind 'First Man'
|
Oct 08, 2018 |
|
IFW 10.4.18: When to Move On to Freelancing & Why You Should Be Playing Video Games
|
Oct 04, 2018 |
|
Jeremy Saulnier on Why Being a DP is More Fun than Being a Director
|
Oct 01, 2018 |
|
IFW 9.27.18: How to Correctly Use a Fish & A New Mirrorless Camera From Panasonic?
|
Sep 27, 2018 |
|
From Film School 'Failure' to Godard's Cinematographer: Fabrice Aragno on Working with Jean-Luc
|
Sep 24, 2018 |
|
IFW 9.20.18: Two of the Years Biggest Cameras & How to Advertise Your Short Film
|
Sep 20, 2018 |
|
'Think Slow, Act Fast': Joe Walker on Editing for Steve McQueen and Denis Villeneuve
|
Sep 17, 2018 |
|
IFW 9.12.2018: The Academy Makes a Smart Decision & How Hard Should You Be Working?
|
Sep 13, 2018 |
|
How Do You Know What to Cut on the Editing Floor? The First Short: THE GUY [Episode 3]
|
Sep 10, 2018 |
|
IFW 9.6.18: Our Most Anticipated Films at TIFF & Other Movies to See in Fall 2018
|
Sep 06, 2018 |
|
How to Raise Money & What Should You Expect in Production? The First Short: THE GUY [Episode 2]
|
Sep 03, 2018 |
|
IFW 8.30.18: Our Top Advice from Three Years of Filmmaker Interviews
|
Aug 30, 2018 |
|
How Do You Make a Film with Zero Experience? The First Short: THE GUY [Episode 1]
|
Aug 27, 2018 |
|
IFW 8.23.18: 360° Filmmaking Finally Makes Sense & How Old is Too Old to Make a Movie?
|
Aug 23, 2018 |
|
'Meow Wolf': How to Build an Immersive World Through Film
|
Aug 20, 2018 |
|
IFW 8.16.18: Blackmagic's New Resolve is a Masterpiece & The Scariest Trailer Ever Made
|
Aug 16, 2018 |
|
How to Make a Short Film for Only $4.50
|
Aug 13, 2018 |
|
IFW 8.9.18: How to Perfect Your Script & Why Docs Are the New Blockbusters
|
Aug 09, 2018 |
|
How to Shoot a Feature Film for Only $7000
|
Aug 06, 2018 |
|
IFW 8.2.18: What to Know Before You Drone & The Best Way to Get Your Short Seen
|
Aug 02, 2018 |
|
How to Become a Top TV Editor
|
Jul 30, 2018 |
|
IFW 7.26.18: Nikon Teases a Full Frame Mirrorless & What Should We Make of the James Gunn Firing?
|
Jul 26, 2018 |
|
How to Make the Jump from Short to Feature with Award Winning Director Jim Cummings
|
Jul 23, 2018 |
|
IFW 7.19.18: How to Start Your Own Netflix & Why You Should Buy a Still Camera Over Video
|
Jul 19, 2018 |
|
Why Making a Good Music Documentary Means Speaking Two Universal Languages
|
Jul 16, 2018 |
|
IFW 7.12.18: How to Properly Use a Green Screen & The 25 Coolest Festivals in the World
|
Jul 12, 2018 |
|
How Working Within Extreme Constraints Actually Benefits Your Film
|
Jul 09, 2018 |
|
IFW 7.5.18: Where to Live for a Career in Film & How to Spend Your Camera Budget
|
Jul 05, 2018 |
|
'Leave No Trace': The Secret Ingredient to Great Casting
|
Jul 02, 2018 |
|
IFW 6.28.18: How YouTube and Instagram Are Competing For Your Videos
|
Jun 28, 2018 |
|
What You Can Do in Distribution to Maximize the Life of Your Film
|
Jun 25, 2018 |
|
IFW 6.21.18: Our First Impressions of ProRes RAW & The Movie Ticket Subscription Race Heats Up
|
Jun 21, 2018 |
|
How to Meld the Perfect Collaborative Atmosphere on Set
|
Jun 18, 2018 |
|
IFW 6.14.18: Why Renting Gear Just Got Easier & How to Overcome Your Creative Block
|
Jun 14, 2018 |
|
No Business School: How to Save Time and Money on Your Films
|
Jun 11, 2018 |
|
IFW 6.7.18: Our Favorite Gear from Cinegear 2018 & Why Movie Theaters are Failing Audiences
|
Jun 07, 2018 |
|
"Hearts Beat Loud": The Secrets to Recording Live Music for Film
|
Jun 04, 2018 |
|
How Do You Become a Filmmaker (And Other Questions)? The First Feature: AMATEUR [Episode 10]
|
May 30, 2018 |
|
How Tech Can Be Used to Turn Your Movie into a Global Movement
|
May 28, 2018 |
|
IFW 5.24.18: Netflix Nabs the Obamas & A Major Week for RED
|
May 24, 2018 |
|
How Do You Release Your Film? The First Feature: AMATEUR [Episode 9]
|
May 23, 2018 |
|
How Post-Production Makes or Breaks a Film, Part 2: The Secret Art of Colorists
|
May 21, 2018 |
|
IFW 5.17.18: How to Make Sure You Get Paid & Have We Discovered the New RED?
|
May 17, 2018 |
|
How Do You Finish Your Film? The First Feature: AMATEUR [Episode 8]
|
May 16, 2018 |
|
How Post-Production Makes or Breaks a Film, Part 1: The Editor's Process
|
May 14, 2018 |
|
IFW 5.10.18: A Selfie-Free Cannes Kicks Off & Can Your Short Really Be a Calling Card?
|
May 10, 2018 |
|
How Do You Go Through Production? The First Feature: AMATEUR [Episode 7]
|
May 09, 2018 |
|
How Do You Protect Your Film’s Subjects, Data, and Yourself in Unsafe Situations?
|
May 07, 2018 |
|
IFW 5.3.18: Why RED is Partnering with Facebook & Is MoviePass Finished?
|
May 03, 2018 |
|
How Do You Tell Your Story Visually? The First Feature: AMATEUR [Episode 6]
|
May 02, 2018 |
|
What a Festival Programmer Looks for in a Short Film
|
Apr 30, 2018 |
|
IFW 4.26.18: Has Tribeca Become New York’s Best Fest for Indie Filmmakers?
|
Apr 26, 2018 |
|
How Do You Attach Cast and Prep a Film? The First Feature: AMATEUR [Episode 5]
|
Apr 25, 2018 |
|
Why Now is the Time to Make Your Doc Short
|
Apr 23, 2018 |
|
IFW 4.19.18: The NAB Tech That You Need to Know & Does Netflix or Cannes Have Indie Film's Back?
|
Apr 19, 2018 |
|
How Do You Pitch Your Film and Find Financing? The First Feature: AMATEUR [Episode 4]
|
Apr 18, 2018 |
|
How to Get a Vimeo Staff Pick with DANIELS, Kirsten Lepore, and Head Curator Sam Morrill
|
Apr 16, 2018 |
|
IFW 4.12.18: The Gear That Finally Made NAB Exciting Again
|
Apr 12, 2018 |
|
How Do You Become a Screenwriter? The First Feature: AMATEUR [Episode 3]
|
Apr 11, 2018 |
|
How the Directors of 'Prospect' Built a Utopia in Pre-Production
|
Apr 09, 2018 |
|
IFW 4.5.18: Silicon Valley Takes on Hollywood & How Long Should Your Short Film Be?
|
Apr 05, 2018 |
|
How Do You Turn a Short into a Feature? The First Feature: AMATEUR [Episode 2]
|
Apr 04, 2018 |
|
'First Match': Money-Saving Production Hacks to Make Low-Budget Features Shine
|
Apr 02, 2018 |
|
IFW 3.29.18: Canon Reveals its ARRI Competitor & Spielberg's Take on Netflix
|
Mar 29, 2018 |
|
How Do You Know Which Idea to Pursue? The First Feature: AMATEUR [Episode 1]
|
Mar 28, 2018 |
|
Don't Wait for Somebody to Make Your Movie, Do it Yourself: The Winning Mantra Behind 'Thunder Road'
|
Mar 26, 2018 |
|
IFW 3.22.18: No Film School's Greatest Piece of Original Content Ever & A New Cut of 'The Shining'?
|
Mar 22, 2018 |
|
The First Feature: AMATEUR Podcast Announcement
|
Mar 19, 2018 |
|
How to Film in the Face of Opposition
|
Mar 19, 2018 |
|
IFW 3.15.18: Why SXSW is More than Just a Film Festival
|
Mar 15, 2018 |
|
Episodic Roundtable: How to Get Your Series Off the Ground
|
Mar 12, 2018 |
|
IFW 3.8.18: What to Look for at SXSW 2018 & How to Perfect Your Dolly Moves
|
Mar 08, 2018 |
|
How To Use Trends in Filmmaking to Your Advantage
|
Mar 05, 2018 |
|
IFW 3.1.18: Canon Finally Makes a Mirrorless Camera & Our 2018 Oscars Preview
|
Mar 01, 2018 |
|
Why You Need to Stop Making Excuses and Make a Short Film
|
Feb 26, 2018 |
|
IFW 2.22.18: When to Use a Cine Lens & Has BitCoin Officially Hit the Film Industry?
|
Feb 22, 2018 |
|
'Piercing': How to Cultivate Tone and Style in Your Film
|
Feb 19, 2018 |
|
IFW 2.15.18: The Worst Job On Set Gets Better & What Camera Should You Shoot Your Short On?
|
Feb 15, 2018 |
|
How to Maintain Your Sanity as Director When Everything Descends Into Chaos
|
Feb 12, 2018 |
|
IFW 2.8.18: ARRI Finally Goes 4K & Tarantino's Big On-Set Boner
|
Feb 08, 2018 |
|
DP Roundtable: How to be the Cinematographer Your Director Needs
|
Feb 05, 2018 |
|
IFW 2.1.18: Why VR is Finally Hot & Has RED Developed Its Alexa Killer?
|
Feb 01, 2018 |
|
The Zellner Brothers on Why You Need to Do Something New With Every Film You Make
|
Jan 29, 2018 |
|
IFW 1.25.18: Did Streaming Deals Die at Sundance 2018?
|
Jan 25, 2018 |
|
How to Build a Score That Raises Your Audience's Expectations
|
Jan 22, 2018 |
|
IFW 1.18.18: The Best Filmmaking Apps & Our Sundance 2018 Preview
|
Jan 18, 2018 |
|
Best of the The No Film School Podcast 2017, Part 3
|
Jan 15, 2018 |
|
IFW 1.11.18: Our Pick for Best Mirrorless Camera & A Golden Globes to Remember
|
Jan 11, 2018 |
|
Best of the The No Film School Podcast 2017, Part 2
|
Jan 08, 2018 |
|
IFW 1.4.18: The Most Popular Rental Gear of 2017 & Is Netflix About to Be Sold?
|
Jan 04, 2018 |
|
Best of the The No Film School Podcast 2017, Part 1
|
Dec 28, 2017 |
|
IFW 12.21.17: The Best Movies, Gear, and Filmmaking Advice of 2017
|
Dec 21, 2017 |
|
IFW 12.14.17: Netflix's Most Popular Shows Revealed & An Unexpected Way to Improve Your Script
|
Dec 14, 2017 |
|
How to Film in a War Zone
|
Dec 11, 2017 |
|
IFW 12.7.17: How a Filmmaker Brought Down the Russian Olympics & When Do You Hide Brand Logos?
|
Dec 07, 2017 |
|
IFW 11.30.17: Major Changes Coming To Awards Season & When Should You Shoot Anamorphic?
|
Nov 30, 2017 |
|
A Pre-to-Post Primer on Documentary Filmmaking
|
Nov 27, 2017 |
|
IFW 11.23.17: How the FCC is Screwing Filmmakers & Your Best Black Friday Deals
|
Nov 22, 2017 |
|
How Do You Know if One Character Can Carry Your Whole Movie?
|
Nov 17, 2017 |
|
IFW 11.16.17: How to Make Your Old Footage Look Great & Cash in with Kickstarter's Answer to Patreon
|
Nov 16, 2017 |
|
How Niche Filmmaking Can Move Your Filmmaking Career Ahead
|
Nov 13, 2017 |
|
How To Shoot Where You're Not Allowed
|
Nov 06, 2017 |
|
Hitchcock 101: Everything You've Ever Wanted to Know About Psycho
|
Oct 30, 2017 |
|
IFW 10.26.17: Halloween Spooktacular II - Advice for the Aspiring Horror Auteur
|
Oct 26, 2017 |
|
How to Master the Art of Satire: Ruben Östlund on 'The Square'
|
Oct 23, 2017 |
|
IFW 10.19.17: Welcome to a Post-Harvey Hollywood & Your Best Bet for a 360° Stereo Camera
|
Oct 19, 2017 |
|
Spielberg: Behind the Scenes with the World’s Most Famous Filmmaker
|
Oct 16, 2017 |
|
IFW 10.12.17: Two Cameras with Unprecedented Resolution & Must-Sees from the New York Film Festival
|
Oct 12, 2017 |
|
'The Florida Project': Sean Baker on Why You Need to Invest in Yourself When No One Else Will
|
Oct 09, 2017 |
|
IFW 10.5.17: The Future of Buying and Selling Lenses & The Best Screenwriters of All Time
|
Oct 05, 2017 |
|
What is a Film Fellowship and Why Should You Do One?
|
Oct 02, 2017 |
|
IFW 9.28.17: The Next Hottest Rental Camera & It's Time to Stop Putting Lives at Risk on Set
|
Sep 28, 2017 |
|
Pitching Do's and Don’ts: How to Get Your Film Funded
|
Sep 25, 2017 |
|
IFW 9.21.17: Why Your Film Isn't Getting into Festivals & Tips From a Guerrilla Filmmaking Legend
|
Sep 21, 2017 |
|
How To Keep Your Production Running Smoothly Across Every Medium
|
Sep 18, 2017 |
|
IFW 9.14.17: All Things Apple & Panasonic's Surprisingly Affordable New Camera
|
Sep 14, 2017 |
|
How a 4-Day Journalism Assignment Became an Explosive Yearlong Doc Production
|
Sep 11, 2017 |
|
IFW 9.7.17: From Werner Herzog to Barry Jenkins: Best Advice from Over 50 Filmmaker Interviews
|
Sep 07, 2017 |
|
'Expect That Everything Will Go Wrong': How to Ensure Your First Short Film is the Best it Can Be
|
Sep 04, 2017 |
|
IFW 8.31.17: The Best Way to Choose an Anamorphic Lens & Who Rules the Indie Box Office?
|
Aug 31, 2017 |
|
What to Do When You've Lost All Hope for Your Film
|
Aug 28, 2017 |
|
IFW 8.24.17: The Death of Final Cut 7 & Indie Film's Sex Abuse Scandal
|
Aug 24, 2017 |
|
The First Family of DIY on How to ‘Make Your Own Damn Movie'
|
Aug 21, 2017 |
|
IFW 8.17.17: 8K is a Lie & Will the Controversial Plan to Make Movies Cheap Actually Kill Them?
|
Aug 17, 2017 |
|
Why Making a Film is the Only Thing That Can Ever Really Prepare You for Making Your First Film
|
Aug 14, 2017 |
|
IFW 8.10.17: Best Tripods for Your Budget & The Academy's Surprise President
|
Aug 10, 2017 |
|
The Worst Things a Director Can Do on Set
|
Aug 07, 2017 |
|
IFW 8.3.17: The Demise of DSLR & Soderbergh's Plan to Save Movies
|
Aug 03, 2017 |
|
How Stupid Videos Led to a $5 Million Deal For 'Brigsby Bear' & An 11 Year Trip to 'Killing Ground'
|
Jul 31, 2017 |
|
IFW 7.27.17: How to Break into Modern Hollywood & The Latest DSLR Fail
|
Jul 27, 2017 |
|
'Landline': How to Avoid Sophomore Slump and Make Your Second Feature
|
Jul 24, 2017 |
|
IFW 7.20.17: The Dangers of Being on Set & Best Advice from Summer's Top Indie Directors
|
Jul 20, 2017 |
|
Flying Lotus on How Rejecting Film School Made Him a Greater Director
|
Jul 17, 2017 |
|
IFW 7.13.17: Russia's Plot to Kill Indies & RED's Hype Machine
|
Jul 13, 2017 |
|
Nathan Silver on How a Director Can Pull off Making 8 Films in 8 Years
|
Jul 10, 2017 |
|
IFW 7.6.17: Canon's Big Misstep & Is Rotten Tomatoes Ruining Moviegoing?
|
Jul 06, 2017 |
|
This Director Proves Everyone Can Act, If Only Given the Right Character
|
Jul 03, 2017 |
|
IFW 6.29.17: Star Wars' Systemic Problem & How to Avoid Getting Hacked
|
Jun 29, 2017 |
|
How Starting a Production Company Can Help You Make Your First Film
|
Jun 26, 2017 |
|
IFW 6.22.17: Why You Should Go to Film School & How to Rent Your Gear for Profit
|
Jun 22, 2017 |
|
How to Tap into Your Animalistic Filmmaking Instincts and Become a 'Bitch'
|
Jun 19, 2017 |
|
IFW 6.15.17: What to Look for in a Budget Lens & Why David Mamet is Anti-Film School
|
Jun 15, 2017 |
|
How to Make an Authentic Movie About Someone Else's Story
|
Jun 12, 2017 |
|
IFW 6.8.17: Hollywood's Dark Overlord & Panasonic's Race for Indie Dominance
|
Jun 08, 2017 |
|
How to Avoid the Crucial Mistakes Everyone Makes on their First Movie
|
Jun 05, 2017 |
|
IFW 6.1.17: Canon's Leaked Camera & Why the Judges Cried at Cannes
|
Jun 01, 2017 |
|
How Do You Know if Your Film is Porn or Art?
|
May 29, 2017 |
|
IFW 5.25.17: How to Keep Your Actors in the Moment & Where Not to Pitch Your Project
|
May 25, 2017 |
|
Divide and Conquer: Why You Should be Working With a Co-Director
|
May 22, 2017 |
|
IFW 5.18.17: A Game-Changing Law for Freelancers & Are Indies Rising From the Blockbuster's Ashes?
|
May 18, 2017 |
|
How to Turn an On-Set Day Job Into Your Own Film
|
May 15, 2017 |
|
IFW 5.11.17: How to Beat the Film Fest System & David Lynch Leaves Movies Behind Forever
|
May 11, 2017 |
|
What to Expect on the Road to Becoming an Ace Documentary Producer
|
May 08, 2017 |
|
Indie Film Weekly 5.4.17: 'The Handmaid's Tale' Backlash & Is Tribeca Secretly a Doc Fest?
|
May 04, 2017 |
|
John Carroll Lynch on How to Be the Director Your Actors Have Always Wanted
|
May 01, 2017 |
|
Indie Film Weekly 4.27.17: Why This Year's NAB is the Most 'Terrifying' for Filmmakers Yet
|
Apr 27, 2017 |
|
How to Make the Jump from Lowly PA to Almighty Director
|
Apr 24, 2017 |
|
Indie Film Weekly 4.20.17: Tribeca Must-Sees & How to Create a DCP the Right Way
|
Apr 20, 2017 |
|
DP Roundtable: The Shots That Almost Killed Us
|
Apr 17, 2017 |
|
Indie Film Weekly 4.12.17: NAB Sneak Peek & What’s Shutting Down Hollywood
|
Apr 13, 2017 |
|
'DRIB': What Happens When Reality and Fiction Collide?
|
Apr 10, 2017 |
|
Where VR Has Never Gone Before: The 40 Minute Narrative Feature ‘Miyubi’
|
Apr 06, 2017 |
|
What it Takes to Get Your Midnight Short into SXSW
|
Apr 03, 2017 |
|
Indie Film Weekly 3.30.17: Here's Why Hollywood Studios Are Panicking and What it Means For You
|
Mar 30, 2017 |
|
How to Make a Movie Entirely on Your Own
|
Mar 27, 2017 |
|
Indie Film Weekly 3.23.17: Has Netflix Replaced Cinema?
|
Mar 23, 2017 |
|
Nick Offerman and 'Infinity Baby' Crew: Being a Script Supervisor is the Best Path to Directing
|
Mar 20, 2017 |
|
Indie Film Weekly 3.16.17: Why SXSW is the Festival for Fearless Filmmakers
|
Mar 16, 2017 |
|
DP Roundtable: From Brilliant Color to Black and White, Lensing a Sundance Award-Winning Film
|
Mar 13, 2017 |
|
Indie Film Weekly 3.9.17: Smooth Aperture Moves & How To Get the World Talking About Your Film
|
Mar 09, 2017 |
|
How to Start a Production Company: From Film School to Raising Money Out of Your Bedroom Office
|
Mar 06, 2017 |
|
Indie Film Weekly 3.2.17: How To Make Your Actors Cry & Some Last Words From Bill Paxton
|
Mar 02, 2017 |
|
Why VR is Not Filmmaking
|
Feb 27, 2017 |
|
Indie Film Weekly 2.23.17: We Put RED and ARRI Head to Head & What Makes a Film 'Indie,' Anyway?
|
Feb 23, 2017 |
|
Breaking the Algorithm: How to Make Your Video Stand Out Online
|
Feb 20, 2017 |
|
Indie Film Weekly 2.16.17: Most Anticipated Cameras of 2017 & How Not to Do a Guerrilla Film Shoot
|
Feb 16, 2017 |
|
What It Takes to Get Your Short into Sundance
|
Feb 13, 2017 |
|
Indie Film Weekly 2.9.17: Risks of Making a Super Bowl Ad & Secrets To Shooting a Perfect Long Take
|
Feb 09, 2017 |
|
How an Unlikely Yiddish Indie Became A24's First Foreign Language Acquisition
|
Feb 06, 2017 |
|
Indie Film Weekly 2.2.17: Netflix and Trump Go After The Oscars
|
Feb 02, 2017 |
|
A Civil War in 'Bushwick': Getting Your Film Made, from Pitch to Production
|
Jan 30, 2017 |
|
Indie Film Weekly 1.26.17: The Good, The Bad, and The Weird of Sundance 2017
|
Jan 26, 2017 |
|
How to Use Documentary as a Call to Action: The Mobilization Tactics of 'Whose Streets?'
|
Jan 23, 2017 |
|
Indie Film Weekly 1.19.17: The Sundance Hype is Real & RED Helium's Record-Breaking Sensor
|
Jan 19, 2017 |
|
How Filmmakers Can Conquer VR's Biggest Challenges
|
Jan 16, 2017 |
|
Indie Film Weekly 1.12.17: Why Gear Trade Shows May Be Dying & Kodak Revives a Film Stock Favorite
|
Jan 12, 2017 |
|
Indie Film Weekly 1.5.17: A Rough Start for American Filmmakers in 2017 & Full GH5 Specs Revealed
|
Jan 05, 2017 |
|
Johannes Nyholm on How to Film Contemporary Surrealism
|
Jan 02, 2017 |
|
Justin Kurzel on Keeping Your Vision and Breaking the Video Game Curse with 'Assassin’s Creed'
|
Dec 29, 2016 |
|
Indie Film Weekly 12.22.16: Best Movies, Cameras & Filmmaker Advice of 2016
|
Dec 22, 2016 |
|
'A Monster Calls': How to Direct Young Actors to Brilliant Performances
|
Dec 19, 2016 |
|
Indie Film Weekly 12.15.16: The Best 4K Under $4K & Netflix's Bad Deal
|
Dec 15, 2016 |
|
Indie Film Weekly 12.8.16: Steadicam Inventor's Key to Creativity & 'Last Tango' Rape Controversy
|
Dec 08, 2016 |
|
Alice Rohrwacher on Why You Have to Go into the Void to Make Good Movies
|
Dec 05, 2016 |
|
Indie Film Weekly 12.1.16: The Secret to a Great Screenplay & Hollywood's Math Problem
|
Dec 01, 2016 |
|
Write Characters With Room For Actors: Wayne Roberts and Christopher Abbott on 'Katie Says Goodbye'
|
Nov 21, 2016 |
|
Indie Film Weekly 11.17.16: Early Oscar News & Film Budget Fundamentals
|
Nov 17, 2016 |
|
Indie Film Weekly 11.11.16: What a Trump Presidency Means for Filmmakers
|
Nov 11, 2016 |
|
'The Eagle Huntress': What You Can Expect After Sundance
|
Nov 07, 2016 |
|
Indie Film Weekly 11.3.16: Apple vs. Microsoft - Who Wants Filmmakers More?
|
Nov 03, 2016 |
|
Indie Film Weekly 10.27.16: How Not to Ask Your Actors to Get Naked - A Halloween Spooktacular
|
Oct 27, 2016 |
|
How Directors Joe Wright and Owen Harris Built the Dystopian Worlds of 'Black Mirror’
|
Oct 24, 2016 |
|
Indie Film Weekly 10.20.16: Filmmakers Tackle the US Political Circus
|
Oct 20, 2016 |
|
Indie Film Weekly 10.13.16: RED Evolves with New 8K Brains & How to Shoot Digital to Feel Like Film
|
Oct 13, 2016 |
|
Friction is Where the Good Stuff Comes: The Intense Writer/Director Collaboration Behind 'Christine'
|
Oct 10, 2016 |
|
Indie Film Weekly 10.6.16: VR Nazi Hunters & How Much To Charge Your Clients
|
Oct 06, 2016 |
|
Indie Film Weekly 9.29.16: Hail the Disruptors!
|
Sep 29, 2016 |
|
How to Keep Your Subjects Safe: Nanette Burstein on Dangerous Documentary
|
Sep 26, 2016 |
|
Indie Film Weekly 9.22.16: Panasonic Gives Us The Camera We Need & Who to Choose, Agent or Manager?
|
Sep 22, 2016 |
|
Indie Film Weekly 9.14.16: Why TIFF Matters for Filmmakers (and What You Missed This Year)
|
Sep 15, 2016 |
|
Indie Film Weekly 9.8.16: IBC Gear Sneak Peek, Canon's Redemption & Festival Madness
|
Sep 08, 2016 |
|
Indie Film Weekly 9.1.16: Drone Laws Take Flight & What's Up With Canon’s Latest DSLR
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Sep 01, 2016 |
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Indie Film Weekly 8.25.16: The Best Budget Cameras & What’s Missing from BBC’s Top 100 Films
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Aug 25, 2016 |
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Indie Film Weekly 8.18.16: The Unintentional DIY Episode
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Aug 18, 2016 |
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Indie Film Weekly 8.11.16: A New Way to Shoot Magic Hour & What to Watch at Fall Fests
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Aug 11, 2016 |
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Indie Film Weekly 8.4.16: Closing in on 8K & The Camera that Could Kill GoPro
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Aug 04, 2016 |
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Indie Film Weekly 7.28.16: We Pick the Best Camera for First-Time Directors
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Jul 28, 2016 |
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Indie Film Weekly 7.21.16: Has China Created The Darth Vader of Theater Chains?
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Jul 21, 2016 |
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Indie Film Weekly 7.14.16: The Real Reason Pokemon Go Matters & RED Goes 8K for Bay
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Jul 14, 2016 |
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Indie Film Weekly 7.8.16: Saying Goodbye to a Film Legend and An Idealistic Camera
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Jul 08, 2016 |
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Indie Film Weekly 6.23.16: This Week, Indie Film Lost a Champion
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Jun 23, 2016 |
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Inside the Minds of Film's Coolest Gatekeepers (& How to Get Yours Programmed)
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Jun 20, 2016 |
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Indie Film Weekly 6.16.16: The Celluloid Debate & What We Can Do For Orlando
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Jun 16, 2016 |