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Episode | Date |
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TWQ Mini: Jacqueline Winspear’s Maisie Dobbs series is coming to a close; the author is coming to the Helena Civic Center
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May 11, 2024 |
‘With Every Great Breath’: Rick Bass on beauty, writing beyond his “cone of light,” and interrogating metaphor
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May 10, 2024 |
“What lifts your heart?”: Melissa Kwasny on “the big loss” and taking ‘The Cloud Path’ to healing
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Apr 26, 2024 |
TWQ Mini: The Moth Radio Hour’s Chloe Salmon on translating stage performances to the page and on the importance of storytelling, public radio
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Apr 21, 2024 |
TWQ Mini: Toni Jensen, UM’s James and Lois Welch Distinguished Visiting Native American Writer, to read at Missoula Art Museum
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Apr 12, 2024 |
Learning to reconnect with banished softness: Tessa Hulls on feeding “the ghosts that stand between mothers and daughters”
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Apr 12, 2024 |
Carmen Maria Machado on form & genre, fairy tales & urban legends, lineage & representation
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Apr 05, 2024 |
“It’s hard to make human beings believe in things”: Marie-Helene Bertino on belief, education, and the creative process in ‘Beautyland’
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Mar 29, 2024 |
TWQ Mini: Min Jin Lee on late-blooming, spending money, creating communities of care, and more!
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Mar 16, 2024 |
Peddling bright colors: Michael Finkel investigates ‘A True Story of Love, Crime, and a Dangerous Obsession’ in ‘The Art Thief’
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Mar 15, 2024 |
The gold in them thar hills is a hush: Arnold “Smoke” Elser and Eva-Maria Maggi discuss Smoke’s ‘Lifetime in the Bob Marshall Wilderness’
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Mar 01, 2024 |
TWQ Outtake: What did Smoke Elser teach Eva-Maria Maggi? “It’s the hush of the land, really”
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Mar 01, 2024 |
TWQ encores conversation with Bryce Andrews in anticipation of event at Ravalli County Museum, paperback release of ‘Holding Fire’
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Feb 20, 2024 |
Elise Atchison’s ‘Crazy Mountain’ explores community and commodity in a rapidly changing West
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Feb 16, 2024 |
Kathleen McLaughlin’s ‘Blood Money: The Story of Life, Death, and Profit Inside America’s Blood Industry’
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Feb 09, 2024 |
Poetry and property taxes, part 2: Josh Slotnick on growth in the West, resiliency, and the “Shakespearean Threshold”
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Jan 26, 2024 |
Poetry and property taxes, part 1: Josh Slotnick on audience and the complexities of writing and “commissioner-ing”
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Jan 19, 2024 |
Former TWQ host pens memoir about critters, careers, and capitalism in Yellowstone Country
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Jan 12, 2024 |
“I want to listen to other people’s lifetimes; I want to listen to history”: Alexandra Teague’s ‘Spinning Tea Cups’ explores family, reality, and time
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Dec 29, 2023 |
On ancestors and exes: Plains Cree poet Emily Riddle explores kinship, the colonial project of Canada, and climate change in ‘The Big Melt’
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Dec 22, 2023 |
Kate Lebo’s ‘Pie School’ reunion: Washington’s favorite pie lady revises and expands her 2014 cookbook
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Dec 15, 2023 |
In ‘This Country,’ cartoonist Navied Mahdavian wonders, “Do I belong here? Is this where I want to be?”
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Dec 08, 2023 |
TWQ Mini: “The Brené Brown of the environmental movement,” Heather White, will be at the Bozeman Public Library tonight!
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Dec 06, 2023 |
D.M. Bradford’s ‘Bottom Rail on Top’ is a prismatic, paratextual intervention on Black history in America
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Dec 01, 2023 |
TWQ Mini: Andrew Limbong discusses NPR’s “thoughtfully curated” year-end list, Books We Love
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Nov 26, 2023 |
Sindya Bhanoo explores the dislocation, dissonance, and loneliness of South Indian immigrants in ‘Seeking Fortune Elsewhere’
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Nov 17, 2023 |
‘Class’: Follow-up to Stephanie Land’s bestselling memoir chronicles her “hungriest year”
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Nov 10, 2023 |
TWQ Mini: Making sense of our lives, considering the nature of loss, and contemplating the “second arrow” with Shankar Vedantam
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Nov 05, 2023 |
The primal, lyric imaginings in Maya Jewell Zeller’s ‘out takes/ glove box’
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Nov 03, 2023 |
Live! Pledge week episode: Charlotte Macorn, mercurial icon and the voice of your generation
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Oct 27, 2023 |
‘Iggy Horse’: Michael Earl Craig on “castle energy,” genre, and the wind
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Oct 20, 2023 |
TWQ Outtake: Michael Earl Craig reads “The Salesman Had Two Bags” from ‘Iggy Horse’
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Oct 20, 2023 |
TWQ Outtake: Michael Earl Craig reads “Preparing to Paint the Body of the Dead Christ in the Tomb” from ‘Iggy Horse’’
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Oct 20, 2023 |
‘Unexpected Weather Events’: Erin Pringle on grief, memory, and the short story
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Oct 13, 2023 |
“I care for your beauty”: Reflecting on ten years of ‘Braiding Sweetgrass’ with Robin Wall Kimmerer
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Oct 06, 2023 |
‘And Then She Fell’: Alicia Elliott on motherhood, horror, and storytelling
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Sep 29, 2023 |
‘Tolstoy Killed Anna Karenina’: Dara Barrois/Dixon on the responsibilities and consequences of art-making
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Sep 15, 2023 |
Christine Byl’s debut novel ‘Lookout’ centers community, resists western stereotypes
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Sep 08, 2023 |
‘This is Wildfire’: Nick Mott and Justin Angle follow award-winning podcast with “first of its kind” guide
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Sep 01, 2023 |
Encore: The many layers of Charmaine Wilkerson’s ‘Black Cake’
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Aug 25, 2023 |
Encore: ‘On a Benediction of Wind’: The quiet nature of Charles Finn’s poetry
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Aug 18, 2023 |
Encore: Romantic pragmatism, pragmatic romanticism: Claire Boyles’ ‘Site Fidelity’
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Aug 11, 2023 |
Encore: Walking through ‘Nemerov’s Door’ with Robert Wrigley
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Aug 04, 2023 |
Encore: Splitting open the sky with Jenny Tinghui Zhang
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Jul 28, 2023 |
Encore: Making shapes from silence: Kaveh Akbar’s ‘Pilgrim Bell’
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Jul 20, 2023 |
Encore: ‘Less’ may be ‘Lost,’ but Andrew Sean Greer knows exactly who he is
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Jul 14, 2023 |
Encore: ‘I’ve Had to Think Up a Way to Survive’: Lynn Melnick’s very own “sad banger”
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Jul 07, 2023 |
John Vaillant’s ‘Fire Weather: A True Story From a Hotter World,’ Pt. 2
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Jun 30, 2023 |
John Vaillant’s ‘Fire Weather: A True Story From a Hotter World,’ Pt. 1
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Jun 23, 2023 |
‘We Hold Our Breath’: Micah Fields approaches debut memoir with “the mind of a historian and the heart of a poet”
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Jun 16, 2023 |
‘The Shining Mountains’: Alix Christie discusses accuracy in historical fiction, family, and the necessity of storytelling
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Jun 10, 2023 |
“Home is a place that you have to define for yourself”: Vanessa A. Bee’s debut memoir, ‘Home Bound’
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Jun 09, 2023 |