Lawfully Creative
By Crefovi
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Category: Business
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Episodes: 118
Awesome podcast for creatives
Aug 30, 2023
I love all the legal input, useful for the creative industries, provided by this podcast! Listen up !
Description
Lawfully Creative is a series of intimate and honest conversations hosted by Annabelle Gauberti. Annabelle talks with artists, policy makers and performers – to hear their stories, what inspires their creations, what decisions changed their careers, and what relationships influenced their work.
Lawfully Creative also encompasses our Crefovi's daily updates, which are our reflections and comments on the latest news which impact the creative industries, as well as Crefovi's live webinars, which are thought leadership podcasts on legal issues in the creative industries.
Produced by Crefovi.
| Episode | Date |
|---|---|
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2019 Hague convention ratified by the UK to allow enforcement of judgments
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Oct 28, 2024 |
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Naomi Campbell v MGN Ltd - recognition of a right to privacy under English law
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Sep 04, 2024 |
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Hedy Lamarr: the world's most beautiful woman was also a patent inventor
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Jul 26, 2024 |
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Standard Essential Patents (SEP): Is EU interventionism the solution?
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May 28, 2024 |
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Competition law & labour markets - the CMA springs into action
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Apr 25, 2024 |
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Digital Services Act - the revolution will be televised
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Apr 06, 2024 |
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Digital Markets Act: forcing change in the digital services’ industry, to ensure more competition
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Mar 28, 2024 |
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Live touring and ticketing - the sky is the limit, despite anticompetitive allegations
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Feb 23, 2024 |
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Alexandra Latour, embroidery entrepreneur & founder of ‟la veste en jean”
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Feb 01, 2024 |
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Competition law in sports: the EUCJ strikes back
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Jan 25, 2024 |
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Farfetch - anatomy of a fall
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Jan 08, 2024 |
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Scott Haughton, co-founder of Envestors, the platform for seed investors
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Dec 13, 2023 |
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James Cridland, editor of Podnews & podcasting industry's expert
|
Dec 04, 2023 |
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Women’s football in the UK - untapped potential?
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Nov 03, 2023 |
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Marta di Nozzi, gifted sound engineer at Abbey Road Studios
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Oct 04, 2023 |
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Consultation review of arbitration act 1996: evolution, rather than revolution?
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Aug 23, 2023 |
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Cultural assets restitution - why the British Museum & ‟Musée du Quai Branly”, among others, must act now
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Jul 18, 2023 |
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Vertical block exemption regimes in the EU and the UK - key differences post Brexit
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Jun 28, 2023 |
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Kabab-Ji v Kout Food - Anglo/French jurisdictional disputes on arbitration
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Jun 09, 2023 |
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WGA authorisation to strike: why writers are defensive, in the streaming era
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May 09, 2023 |
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Pharrell Williams & Louis Vuitton: the era of entertainment stars appointed as creative directors has begun
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Apr 12, 2023 |
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AI & copyright protection: lawmakers must swiftly adapt to save their creative industries
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Mar 29, 2023 |
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CMA merger inquiry into Sony acquisition of Kobalt’s AWAL & KNR
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Mar 22, 2023 |
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Freedom of speech in the creative industries
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Feb 21, 2023 |
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John Lobb Ltd v John Lobb SAS - an analysis
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Feb 11, 2023 |
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How Chanel kissed goodbye to France & fully embraced the UK for tax reasons
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Feb 04, 2023 |
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Private equity goes to Hollywood
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Jan 10, 2023 |
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Loot boxes in video games - self-regulation or legislation?
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Dec 02, 2022 |
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Penguin Random House’s acquisition of Simon & Schuster blocked on antitrust grounds
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Nov 25, 2022 |
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Ben & Jerry's v Unilever legal saga
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Nov 15, 2022 |
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Druet v Cattelan legal saga
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Oct 28, 2022 |
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Film distribution media - what's next to retain customers?
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Oct 19, 2022 |
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Arbitration in France & the UK - who has the upper hand?
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Sep 30, 2022 |
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Microsoft & Activision Blizzard - competition authorities move towards merger control
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Sep 21, 2022 |
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Sports arbitration & CAS - what key issues need to be addressed by CAS?
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Sep 14, 2022 |
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Resale price maintenance in the musical instruments industry - the CMA goes on a crusade
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Aug 31, 2022 |
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University of Massachusetts v L'Oréal - a patent infringement claim turns into a disaster for global cosmetics behemoth
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Aug 24, 2022 |
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Gaming, esports & dispute resolution - a brave new world
|
Aug 17, 2022 |
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Renegotiating royalties' rates on music streams with labels: best strategies & techniques
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Aug 10, 2022 |
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Wendy Bernfeld, a digital agent and rights expert bringing value to the streaming industry
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Jul 01, 2022 |
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Kim Bingham, from mudgirl to finance maverick
|
Jun 30, 2022 |
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Arbitration & creative industries - how to make the most of ADR?
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May 09, 2022 |
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Exhaustion of rights: how can the UK coin the best deal to keep its competitive edge, in particular for its creative industries?
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Apr 13, 2022 |
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How to negotiate the best actor agreements, in the current film streaming industry?
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Mar 18, 2022 |
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How to position yourself, as a music creator, to secure the best recording and publishing deals, in the current European music streaming legal framework?
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Feb 11, 2022 |
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How to use loan-out companies & agreements in the new IR35 landscape?
|
Dec 03, 2021 |
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Malcolm Gaskin, British advertising veteran
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Nov 08, 2021 |
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Crefovi's daily updates: Is music copyright law forcing artists to hand songwriting credits out?
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Nov 03, 2021 |
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Crefovi's daily updates: how to keep calm and carry on in a chaotic world which spins out of control
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Oct 24, 2021 |
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Crefovi's daily updates: the Pandora papers and what it shows about rampant corruption in the world
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Oct 04, 2021 |
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Crefovi's daily updates: it's getting hot & sticky working as a creative!
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Sep 25, 2021 |
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Crefovi's daily updates: get back to work and generate money being creative!
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Sep 16, 2021 |
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Crefovi's daily updates: Crefovi's progress at proprietary trading and intraday trading!
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Aug 22, 2021 |
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Crefovi's daily updates: The lowdown on the "fashion" house Ralph & Russo
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Aug 14, 2021 |
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Crefovi's daily updates: Our take on the Studios de la Victorine from Nice, France
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Aug 10, 2021 |
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Crefovi's daily updates: Diversification of work activities to thrive in the new paradigm
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Aug 04, 2021 |
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Crefovi's daily updates: Atypical art assets and legal implications
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Jul 28, 2021 |
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Crefovi's daily updates: How to position yourself, as a creative, in the new health dictatorships
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Jul 22, 2021 |
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Crefovi's daily updates: Analysis about the content presented at the virtual Cannes film market
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Jul 14, 2021 |
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Crefovi's daily updates: How to make the most of your time, as a creative, during summer 2021
|
Jul 11, 2021 |
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Crefovi's daily updates: My take on the 2021 edition of the Cannes film festival. What a letdown!
|
Jul 08, 2021 |
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Crefovi's daily updates | "Your music, your future", a fad based on nothing else but thin air
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Jul 04, 2021 |
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Crefovi's daily updates | In the starting block for the Monaco streaming film festival
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Jul 03, 2021 |
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Crefovi’s daily updates | How to participate into the economic recovery in the Aquarius age!
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Jun 24, 2021 |
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Crefovi’s daily updates | How to enforce civil & commercial judgments after Brexit?
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Jun 15, 2021 |
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Crefovi’s daily updates | Cue sheets' transformations and how to get ready for the changes ahead
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Jun 09, 2021 |
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Crefovi’s daily updates | Attending the online London book fair on introduction to book rights
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Jun 07, 2021 |
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Crefovi’s daily update | French police violences and how to deal with them
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May 31, 2021 |
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Crefovi’s daily updates | How to usefully allocate your time in a sluggish economy
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May 28, 2021 |
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Crefovi’s daily updates | How to efficiently enforce rights, between the UK & the EU, post Brexit
|
May 19, 2021 |
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Crefovi’s daily updates | Reconnecting the dots between Paris and London
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May 16, 2021 |
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Crefovi’s daily updates | Learning to live and be productive with the COVID 19 virus
|
May 01, 2021 |
|
Malik Mezzadri, aka Magic Malik, French jazz flautist extraordinaire
|
Apr 23, 2021 |
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Crefovi’s daily updates | Keep creating while the world is changing around you
|
Apr 21, 2021 |
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Crefovi’s daily updates | The lowdown about the UK TuneIn decisions and case
|
Apr 19, 2021 |
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Crefovi’s daily updates | UK TuneIn judgments: the return of the dark ages
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Apr 14, 2021 |
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Crefovi’s daily updates | How to fight illegal takedown notices on Spotify
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Apr 13, 2021 |
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Crefovi’s daily updates | Time to come out of hibernation and create!
|
Apr 11, 2021 |
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Crefovi’s daily updates | April brings renewal, structure and new projects: make the most of it
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Apr 05, 2021 |
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Crefovi’s daily updates | How to keep going, in a creative manner, in this new paradigm
|
Mar 30, 2021 |
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Crefovi’s daily updates | How to react when the EUIPO and UKIPO take different approaches to ongoing trademark opposition proceedings?
|
Mar 29, 2021 |
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Crefovi’s daily updates | How to get ready for the end of lockdown on 12 April 2021
|
Mar 15, 2021 |
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Crefovi’s daily updates | Cancel culture and how to stay away from it as a creative
|
Mar 11, 2021 |
|
Lucie Touboul, head of legal & business affairs at sales agent Dogwoof
|
Mar 05, 2021 |
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Crefovi’s daily updates | The rise of fashion law - not!
|
Mar 04, 2021 |
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Crefovi’s daily updates | The European Film Market (EFM) online is great & so seamless
|
Mar 02, 2021 |
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Crefovi’s daily updates | Our take on French police violence & how to remain creative no matter what
|
Feb 26, 2021 |
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Crefovi’s daily updates | Space exploration is the way to go, creatives!
|
Feb 25, 2021 |
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Crefovi’s daily updates | Why we need to rest, when working in the creative industries
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Feb 25, 2021 |
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Crefovi’s daily updates | Why getting an agent is critical, to make it in the creative industries
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Feb 18, 2021 |
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Crefovi’s daily updates | How to work efficiently when you cannot travel!
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Feb 16, 2021 |
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Crefovi’s daily updates | How to minimise the risk of bad debts
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Feb 12, 2021 |
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Crefovi’s daily updates | How to ensure your UK business is GDPR compliant after Brexit
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Feb 08, 2021 |
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Crefovi’s daily updates | Food for thought for budding creatives out there
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Feb 06, 2021 |
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Crefovi’s daily updates | Brexit update from the tranches
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Feb 02, 2021 |
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Crefovi’s daily updates | How to make the most of the online market & opportunities
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Feb 01, 2021 |
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Crefovi’s daily updates | Our takeout from the 2021 Angouleme's international rights market online
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Jan 28, 2021 |
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Crefovi’s daily updates | How to make the most of your human resources, during the COVID 19 pandemic
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Jan 27, 2021 |
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Crefovi’s daily updates | How to use force majeure to terminate a contract during COVID 19 pandemic
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Jan 26, 2021 |
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Crefovi’s daily updates | How to make the most of the new paradigm in the film industry
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Jan 25, 2021 |
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Crefovi’s daily updates | Focus on working in the best trade conditions
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Jan 22, 2021 |
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Crefovi’s daily updates | Protecting, enforcing & monetising your intellectual property rights
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Jan 21, 2021 |
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Crefovi’s daily updates | Crefovi’s take on the ongoing changes due to Brexit
|
Jan 20, 2021 |
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Joe DiMona, climate change activist and ex-BMI in-house lawyer
|
Sep 28, 2020 |
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Antoine Pecqueur, musician, journalist and author
|
May 01, 2020 |
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Juliette Espinasse Dubois, from July of St Barth, explains her trajectory in the perfume world
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Jan 20, 2020 |
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Bob McDade on the inception & growth of Manners McDade
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Jun 05, 2019 |
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Stella Baggott on Atelier Stella
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May 18, 2019 |
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Claude Aiello, ceramist extraordinaire from Vallauris
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Dec 30, 2018 |
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Farmers' by Nancy Durham and Welsh Lavender
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Nov 26, 2018 |
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Assessing the resilient force of Ben-Amun
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Sep 30, 2018 |
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Discovering the charming travelling world of Globe Trotter
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May 29, 2018 |
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How to make your creative business GDPR compliant
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Feb 11, 2018 |
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Natasha Korol on the fur brokerage and agenting business
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May 03, 2017 |
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Phil Turner on how to cut it in the film industry in the 21st century
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Apr 26, 2017 |
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Kithara Musique’s Carlos Nieto on sub-publishing and music rights management
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Jan 19, 2017 |
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Didier Zerath on being a music manager in the digital era
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Nov 11, 2016 |
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Resilient Music’s Richard Kirstein on the business of music rights licensing
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Oct 10, 2016 |