Master Your Mix Podcast

By Mike Indovina

Listen to a podcast, please open Podcast Republic app. Available on Google Play Store and Apple App Store.

Image by Mike Indovina

Category: Music

Open in Apple Podcasts


Open RSS feed


Open Website


Rate for this podcast

Subscribers: 19
Reviews: 0
Episodes: 224

Description

Helping musicians, engineers and producers create professional recordings and mixes from home so you can showcase your talents in the best way possible and grow your career.

Episode Date
Rob Chiarappa: Taking Songs From Demos to Full Productions
Nov 13, 2024
Sean Moffitt: Making Mixes Wider With Frequency Automation
Nov 06, 2024
Nick Rad: The Value of Having a Team in Music Production
Oct 30, 2024
Mike Cervantes: Running an Efficient Mastering Business
Oct 23, 2024
Tyler Smyth: Creating “Moments” in Your Music
Oct 16, 2024
Pete Min: Being in Service to the Music
Oct 09, 2024
Cody McWaters: Helping Artists Define Their Sound
Oct 02, 2024
Gordon Raphael: Embracing the Magic of Raw Recordings
Sep 25, 2024
Alex Venguer: Creating Balanced, Organic Mixes
Sep 18, 2024
James Meslin: Creating Massive Guitar Tones
Sep 11, 2024
Sean Johnson: How to Be a Better Singer
Sep 04, 2024
Doug Weier: How to Make Your Tracks Sound Huge
Aug 28, 2024
Ian Shepherd: Creating Dynamic Mixes & Masters
Aug 21, 2024
Marcela Rada: The Role of Education in Audio
Aug 14, 2024
Piper Payne: Understanding the Vinyl Manufacturing Process
Aug 07, 2024
Jermaine Hamilton: Working in Niche Audio Services
Jul 31, 2024
Marc Daniel Nelson: The Power of Having Good People Skills
Jul 24, 2024
Andrew Maury: How to “Feel” Your Mixes
Jul 17, 2024
Andrew Scheps: Streamlining Your Mixing Workflow (Revisited)
Jul 10, 2024
Brendan Duffey: Building a Successful Career in Audio
Jul 03, 2024
Zakk Cervini: Mixing Hit Records on Airpods (Revisited)
Jun 26, 2024
Nicky Howard: The Art of Listening
Jun 19, 2024
Ryan Schwabe: Using Clipping To Your Advantage
Jun 12, 2024
Adam "Atom" Greenspan: Pushing the Boundaries of an Artist
Jun 05, 2024
Mike Indovina: Answering Your Questions
May 29, 2024
Tony Hoffer: Creating Tracks That Have Grit
May 22, 2024
Brad Boatright: The Challenges of Mastering Albums
May 15, 2024
Max Morton: Having a Musician’s Mindset as a Producer
May 08, 2024
Carl Bahner: How to Get Your First Studio Clients
May 01, 2024
Toby Campen: From Working In Film & TV To Mastering
Apr 24, 2024
Marc Matthews: Mastering Synth-Based Music
Apr 17, 2024
Adam Bentley: Making Immersive Prog Tones
Apr 10, 2024
Will Beasley: Achieving a Full Sounding Mix
Apr 03, 2024
George Perks: Making Exciting Mixes
Mar 27, 2024
Vince Ratti: Creating Space for Each Instrument in a Mix
Mar 20, 2024
Johan Holmström: Composing For Video Games
Mar 13, 2024
Phil Ek: Establishing the Vibe of a Record
Mar 06, 2024
Harry Hess: Making Songs Sound “Finished”
Feb 28, 2024
Alex Gamble: Engineering With Intention
Feb 21, 2024
Mike Indovina: Your Mixing Problems Are Likely Recording Problems
Feb 14, 2024
David Bendeth: Adapting to Change (Revisited)
Feb 07, 2024
Joe Lambert: The Process of Mastering
Jan 31, 2024
Ryan Haft: Achieving Clarity With Heavy Music
Jan 24, 2024
Nicolas Vernhes: Finding Individuality in Artists
Jan 17, 2024
Cory Bergeron: Making $100k Selling Audio Services on Fiverr
Jan 10, 2024
Brad Garcia: Working in Music Publishing
Jan 03, 2024
Cassie Petrey: Marketing Your Music
Dec 27, 2023
Erik Ron: The Art of Songwriting
Dec 20, 2023
Chris Lyon: Writing Pop Music
Dec 13, 2023
Matt Foster: Creating Contrast Within Your Mixes
Dec 06, 2023
Joe McGrath: Making the Most of What You Already Have
Nov 29, 2023
Matthew Rifino: Mixing for the NBC Today Show
Nov 22, 2023
Aaron Rubin: Working on Blink-182’s ”One More Time”
Nov 15, 2023
Shane Edwards: Mixing Vocals With Serial Compression
Nov 08, 2023
Bob Horn: Getting Big, Clear Low-End
Nov 01, 2023
Collin Dupuis: Being Adaptable In The Studio
Oct 25, 2023
Syliva Massy: Creative Recording Techniques (Revisited)
Oct 18, 2023
Doug McBride: Creating Big, Natural Recordings
Oct 11, 2023
Chris Athens: Creating Traction With Your Career
Oct 04, 2023
Martin Cooke: Getting an Analog Sound in Digital
Sep 27, 2023
Doug Boehm: How To Make Guitars Sound Big
Sep 20, 2023
Matt Bishop: Reverse-Engineering Records
Sep 13, 2023
TW Walsh: Understanding How Loudness Affects Your Masters
Sep 06, 2023
Alex Estrada: Capturing the Feel of a Musician
Aug 30, 2023
Joe Reinhart: Building Flexible Templates
Aug 23, 2023
Jon Kaplan: Problem Solving Your Mixes
Aug 16, 2023
Dana Nielsen: Capturing Pro Vocals
Aug 09, 2023
Alex Newport: Embracing Imperfection
Aug 02, 2023
Dean Hadjichristou: Recording Metalcore Music
Jul 26, 2023
Jesse Gander: Mixing With a Hybrid Setup
Jul 19, 2023
Anton DeLost: Co-Writing With Artists
Jul 12, 2023
Asher Laub: Producing Contemporary Classical Music
Jul 05, 2023
Scott Hull: The Psychology of Mastering
Jun 28, 2023
Stephen Kerrison: Creating a Positive Mastering Experience
Jun 21, 2023
Mike Plotnikoff: The Pursuit of Perfection
Jun 14, 2023
Jesse Cannon: Marketing Your Music
Jun 07, 2023
Roy Silverstein: Breaking the Golden Handcuffs & Going Full Time
May 31, 2023
Ulrike Schwarz: Taking an Ambience-First Approach to Recording
May 24, 2023
Jakob Herrmann: The Anatomy of Great Drum Tones
May 17, 2023
Danny Reisch: Creating an Inspiring Studio Environment
May 10, 2023
Bob St. John: Getting Pro Results From a Home Studio
May 03, 2023
Susan Rogers: What Makes Music Exciting?
Apr 26, 2023
Shawn Dealey: Having Diversity in Your Career
Apr 19, 2023
Matt Greiner: Getting Pro Drum Sounds
Apr 12, 2023
Björgvin Benediktsson: Building a Balanced Music Career
Apr 05, 2023
Sherry Klein: Mixing for Film & TV
Mar 29, 2023
Elaine Rasnake: Mastering On Headphones
Mar 22, 2023
Ian Stewart: How to Get Big Low-End
Mar 15, 2023
Jim Anderson: Working with Reverbs
Mar 08, 2023
Matt Ross-Spang: Leaning Into Simplicity
Mar 01, 2023
Jonte Knif: Building High Quality Audio Gear
Feb 22, 2023
Brent Hendrich: How Limitations Foster Creativity
Feb 15, 2023
Johannes Ringen: Writing Film Scores
Feb 08, 2023
Tony ”Jack The Bear” Mantz: Forging Your Own Path In Music
Feb 01, 2023
Jake Rye: Creating Wide Mixes With Character
Jan 25, 2023
Dom Morley: How to Get Your Vocals to Sit Right in the Mix
Jan 18, 2023
Katie Tavini: Having Fun While Working On Your Craft
Jan 11, 2023
Pete Weiss: Working In Open-Concept Studios
Jan 04, 2023
Rafa Sardina: Calibrating Your Ears & Emotions for Mixing
Dec 28, 2022
Thomas Avery: Composing Music for Film & TV
Dec 21, 2022
John Burke: Achieving a Perfect Vocal Sound
Dec 14, 2022
Steve Genewick: How to be Prepared for the Studio
Dec 07, 2022
Matthew Weiss: Producing Vocals With Feeling
Nov 30, 2022
Mat Leffler-Schulman: Focusing on the Big Picture With Audio
Nov 23, 2022
John Congleton: Making Records That Feel Authentic
Nov 16, 2022
Frederic Archambault: Succeeding in the Music Business
Nov 09, 2022
Taylor Larson: Creating Energetic Rock Drums
Nov 02, 2022
Mike Kalajian: Building Systems to Improve Your Audio Skills
Oct 26, 2022
Dave Schiffman: How to Rise up the Ranks as an Engineer
Oct 19, 2022
Jason Livermore: Recording Punk Music
Oct 12, 2022
Jim Stewart: How to Survive as a Studio Owner
Oct 05, 2022
Simon Grove: How to Get Killer Bass Tones
Sep 28, 2022
Jay Ruston: Mixing Rock Records With Feel
Sep 21, 2022
Maor Appelbaum: Creativity in Mastering
Sep 14, 2022
Andrew Scheps: Streamlining Your Mixing Workflow
Sep 07, 2022
Vance Powell: Making Mixes With Character
Aug 31, 2022
Daniel Rowland: The Role of AI in Music
Aug 24, 2022
Brad Blackwood: Mastering With Objectivity
Aug 17, 2022
Christopher Scott Cooper: Mixing Live Sound
Aug 10, 2022
Sara Carter: Mixing Live on the Radio
Aug 03, 2022
Drew Vandenberg: Creating Great Indie Drum Sounds
Jul 27, 2022
Mark Needham: Developing Artists
Jul 20, 2022
Paul ”Willie Green” Womack: Building Relationships With Clients
Jul 13, 2022
Andy Reed: Producing Solo Artists
Jul 06, 2022
Bobby Owsinski: Using Analog Methods in the Digital Realm
Jun 29, 2022
Larry Crane: Balancing Creativity & Efficiency in the Studio
Jun 22, 2022
J.J. Blair: Getting Pro Vocal Recordings
Jun 15, 2022
Mary Mazurek: Mixing Through Mic Placement
Jun 08, 2022
Jack Hartley: Mixing Metal & Making it a Career
Jun 01, 2022
Steve Chadie: Working With Willie Nelson
May 25, 2022
Jim Diaz: Designing Sound for Video Games
May 18, 2022
McKay Garner: Licensing Your Music for Film & TV
May 11, 2022
David Streit: Creating Ambient Mixes
May 04, 2022
Richard Furch: How to Mix Low End
Apr 27, 2022
Stephen DeAcutis: Working With Analog Gear
Apr 20, 2022
Travis Ference: Making Your DAW Do the Work for You
Apr 13, 2022
EveAnna Manley: Understanding Tube Gear
Apr 06, 2022
Justin Weis: Starting a Recording Studio Business
Mar 30, 2022
Jeremy Griffith: Treating Your DAW Like a Console
Mar 23, 2022
David Castillo: Mixing Heavy Music
Mar 16, 2022
John Greenham: Mastering for Billie Eilish
Mar 09, 2022
Graham Waks: How to Acoustically Treat Your Home Studio
Mar 02, 2022
Jett Galindo: Mastering for Vinyl
Feb 23, 2022
Bruce Kaphan: How to Become a Session Musician
Feb 16, 2022
Joe Costable: Creating Great Mixes With Minimal Processing
Feb 09, 2022
Justin Perkins: Mastering Your Music
Feb 02, 2022
Dusty Wakeman: Choosing the Right Microphones
Jan 26, 2022
Don Gunn: Optimizing Your Creativity
Jan 19, 2022
Sean McLaughlin: Communicating With Artists
Jan 12, 2022
Val Garay: Stories From Over 100 Gold & Platinum Records
Jan 05, 2022
Geoff Daking: Choosing the Right Gear to Use
Dec 29, 2021
Josh Newell: Becoming a Master of Your DAW
Dec 22, 2021
Jaimeson Durr: How to Build Trust With Artists
Dec 15, 2021
Scott Michael Smith: Recording & Mixing Orchestras
Dec 08, 2021
Hans DeKline: Mastering From a Home Studio
Dec 01, 2021
Chris Shaw: Mixing Workflow Hacks
Nov 24, 2021
Dave Hillis: Working on the Birth of Grunge Music
Nov 17, 2021
Scott Evans: Using Macros in the Studio
Nov 10, 2021
Benny Grotto: Tips For Getting Better Performances
Nov 03, 2021
Steven Gillis: Serving the Song
Oct 27, 2021
Mike Exeter: Finding Your Niche in Audio Production
Oct 20, 2021
Sean O'Keefe: What Tracks Sound Like in Isolation vs. the Mix
Oct 13, 2021
Matt Wallace: How to Make Your Songs Connect With More People
Oct 06, 2021
Caesar Edmunds: Mixing From the Gut
Sep 29, 2021
Alan Evans: How to Create Vintage-Sounding Recordings
Sep 22, 2021
Chris Baseford: How to Create Wide Mixes
Sep 15, 2021
Alex Crescioni: How to Work on More Projects You Love
Sep 08, 2021
Jason LaRocca: Working on Music for Film & Television
Sep 01, 2021
Mike Watts: How to Make it in the Music Industry
Aug 25, 2021
Marc Urselli: How to Mix With Purpose
Aug 18, 2021
Ken Andrews: How to Make Your Drums Sound Huge
Aug 11, 2021
Jack Shirley: How to Use Analog Summing
Aug 04, 2021
Julian Emery: How to Become a Songwriter
Jul 28, 2021
Brian McTernan (Thrice, Circa Survive, Battery, Be Well)
Nov 11, 2020
Kevin Churko (Ozzy Osbourne, Disturbed, Shania Twain)
Oct 28, 2020
Fredrick Nordstrom (In Flames, At The Gates, Opeth)
Oct 21, 2020
Tim O’Sullivan (Leonard Cohen, Rayland Baxter, Billy Corgan)
Oct 14, 2020
Lance Prenc (Alpha Wolf, Polaris)
Oct 07, 2020
Dan Korneff (Paramore, My Chemical Romance, Breaking Benjamin)
Sep 30, 2020
Zakk Cervini: Mixing Hit Records on Airpods
Sep 09, 2020
Lij Shaw (Recording Studio Rockstars)
Aug 26, 2020
Jay Maas (Bane, State Champs, Title Fight)
Jul 08, 2020
Jamie King (Between The Buried And Me)
Jun 17, 2020
Kris Crummett (Dance Gavin Dance, Issues)
Jun 03, 2020
Three Compression Mistakes to Avoid While Mixing Music
May 14, 2020
Matt Allison (Alkaline Trio, Less Than Jake)
Apr 29, 2020
David Bendeth: Adapting to Change
Mar 25, 2020
3 Tips to Help You Rapidly Grow Your Audio Skills
Jan 16, 2020
Kane Churko: Songwriting
Jan 05, 2020
Gabe Gallucci: Maximize Your Rig
Nov 15, 2019
Garth Richardson (Rage Against The Machine)
Oct 30, 2019
Sam Pura: Capturing the Details When Recording
Sep 20, 2019
Brian Moncarz: Setting Goals When Mixing
Aug 27, 2019
Paul Edwards: Mastering Your Music With Landr vs Pro Engineers
Jul 09, 2019
Are You Shooting Down Work Without Knowing it?
May 16, 2019
Chris Graham: The Keys to a Six Figure Home Studio Business
Feb 26, 2019
My Top Three Recording Studio Lessons of 2018
Jan 29, 2019
Why You Need a Workflow to Follow in Every Mix
Jan 09, 2019
Billy Decker (Kenny Chesney, Darius Rucker, Jason Aldean)
Nov 13, 2018
Eric Ratz (Billy Talent, Arkells, Big Wreck)
Oct 17, 2018
James Paul Wisner (Dashboard Confessional, Underoath)
Sep 25, 2018
Matt Squire (Panic! At The Disco, All Time Low, Katy Perry, Ariana Grande)
Sep 11, 2018
Jesco Lohan (Acousticsinsider.com)
Aug 14, 2018
Dean Nelson (Beck, Evanescence, Rolling Stones, The Ataris)
May 02, 2018
Marc McClusky (Weezer, Bad Religion, Motion City Soundtrack)
Feb 27, 2018
Joao Carvalho (Protest The Hero, Alexisonfire, Lights, Sloan)
Jan 26, 2018
Nick Raskulinecz (Foo Fighters, Deftones, Rush, Alice In Chains)
Dec 06, 2017
Sylvia Massy: Creative Recording Techniques
Nov 14, 2017
Richard Chycki (Rush, Dream Theatre, Pink, Aerosmith)
Nov 01, 2017
Noah Mintz (Lacquer Channel Mastering)
Oct 17, 2017
One Mix to Launch Your Career
Sep 11, 2017
Ian Bodzasi (Katy Perry, Nelly Furtado, Aerosmith, D12, Sum 41)
Aug 29, 2017
Double Tracking Vocals, Side-chaining Stems, Standing Out From The Pack
Aug 15, 2017
David Bottrill (Muse, Rush, Smashing Pumpkins, Tool)
Jul 25, 2017
Josh Korody (Candle Recording, Weaves, The Dirty Nil)
Jul 18, 2017
Kevin Dietz (Placebo, Silverchair, Alexisonfire, Silverstein)
Jul 11, 2017
Dan Broadbeck (Dolores O’Riordan of The Cranberries, Ivory Hours, The Ghandarvas)
Jul 04, 2017
Using Compression, Reference Tracks, & Coloring Sound
Jun 27, 2017
Dan Weston (Kevin Gates, Flo Rida, Shad, Classified)
Jun 19, 2017
Simon Head (Sum 41, Descendents, Treble Charger, SNFU)
Jun 12, 2017
Balancing FX & Low End, Mixing Vocals, Workflow
Jun 05, 2017
Josh Bowman (Michael Bublé, Good Charlotte, Carly Rae Jepsen)
Apr 29, 2017
Sam Guaiana (Like Pacific, Coldfront, Heavy Hearts)
Apr 29, 2017
Intro / What to Expect / Get Your Questions Answered
Apr 28, 2017