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| Episode | Date |
|---|---|
|
Patrick Gabridge Plays in Place
|
Apr 10, 2026 |
|
Sophie McIntosh: Good Apples and Aspirations
|
Mar 13, 2026 |
|
Ken Urban Makes Music and Meaning
|
Feb 13, 2026 |
|
Rachel Lynett Commits
|
Jan 09, 2026 |
|
Brian James Polak Reverses Roles
|
Dec 12, 2025 |
|
Theresa Rebeck, Angry Optimist
|
Nov 14, 2025 |
|
Sarah Mantell, Illustrator-Turned-Playwright
|
Oct 10, 2025 |
|
Migdalia Cruz Wants to Be Part of World Theatre
|
Sep 12, 2025 |
|
Kira Obolensky’s Body of Work and Life
|
Aug 18, 2025 |
|
Subtext Redux: In Memory of Rachel Jendrzejewski
|
Jul 16, 2025 |
|
The Subtext: Diana Burbano Writes What Scares Her
|
Jul 09, 2025 |
|
The Subtext: Andrew Rosendorf Leaves It on the Page
|
Jun 04, 2025 |
|
The Subtext: Rachel Bublitz Is Writing for Her Younger Self
|
May 06, 2025 |
|
The Subtext: Chloé Hung and the Magic of Writing
|
Apr 03, 2025 |
|
The Subtext: Tim J. Lord and the Human Story
|
Mar 06, 2025 |
|
The Subtext: Aya Ogawa, In Control
|
Feb 07, 2025 |
|
The Subtext: Kelley Nicole Girod, in It for the Drama
|
Jan 09, 2025 |
|
The Subtext: How Rachel Bonds Learned to Trust Herself
|
Dec 10, 2024 |
|
The Subtext: Jonathan Payne and the Sea of Stories
|
Nov 05, 2024 |
|
The Subtext: Rachel Jendrzejewski on Presence, Poland, and Padua
|
Oct 04, 2024 |
|
The Subtext: Marin Ireland, Play Builder
|
Sep 04, 2024 |
|
The Subtext: Benjamin Benne’s Sound and Vision
|
Jul 30, 2024 |
|
The Subtext: Inda Craig-Galván’s Search for Self-Expression
|
Jul 09, 2024 |
|
The Subtext: Samuel D. Hunter Writes His Way Home
|
May 31, 2024 |
|
The Subtext: Jenni Lamb Shops Local
|
May 01, 2024 |
|
The Subtext: Mashuq Mushtaq Deen Befriends the Lion and the Rottweiler
|
Apr 01, 2024 |
|
The Subtext: Matthew Paul Olmos Finds Comfort in Chaos
|
Mar 01, 2024 |
|
The Subtext: Katie Ka Vang Has Lived a Thousand Lives
|
Feb 01, 2024 |
|
The Subtext: Eric Simonson Is Still Hustling
|
Jan 04, 2024 |
|
The Subtext: TyLie Shider’s Rehearsal Dramas
|
Nov 17, 2023 |
|
The Subtext: Charly Evon Simpson, Accomplished and Evolving
|
Oct 26, 2023 |
|
The Subtext: Nathan Alan Davis’s Artistic Adventure
|
Sep 21, 2023 |
|
The Subtext: Nancy Garcia Loza Needs No Permission to Write
|
Aug 23, 2023 |
|
The Subtext: MJ Kaufman at Heart, at Home
|
Jul 26, 2023 |
|
The Subtext: Kareem Fahmy’s Auteur Theory
|
Jun 21, 2023 |
|
The Subtext: Jonathan Spector’s Eureka Moments
|
May 25, 2023 |
|
The Subtext: Alexandra Petri Writes Funny
|
Apr 18, 2023 |
|
The Subtext: James Ijames, From Grandma’s Backyard to Broadway
|
Mar 21, 2023 |
|
The Subtext: The Time Kate Tarker Lost Her Paints
|
Mar 01, 2023 |
|
The Subtext: Eric Reyes Loo Is Earnest and Eager
|
Jan 25, 2023 |
|
The Subtext: How Vichet Chum Measures Success
|
Dec 22, 2022 |
|
The Subtext: Kimber Lee Isn’t Cagey About Her Process
|
Nov 22, 2022 |
|
The Subtext: Spenser Davis Wants to Be Part of Something Big
|
Oct 24, 2022 |
|
The Subtext: Callie Kimball’s Maine Event
|
Sep 27, 2022 |
|
The Subtext: Where Madeline Sayet Belongs
|
Aug 22, 2022 |
|
The Subtext: More Than 10 Minutes With Gary Garrison
|
Jul 26, 2022 |
|
The Subtext: Dipika Guha Is a Seeker
|
Jun 21, 2022 |
|
The Subtext: Lynn Nottage, Learning From Every Job
|
May 31, 2022 |
|
The Subtext: Jeremy Cohen’s Magical Gifts
|
May 10, 2022 |
|
The Subtext: In the Middle With Heather Raffo
|
Apr 27, 2022 |