The Stage Show
By ABC listen
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Category: Performing Arts
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Subscribers: 40
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Episodes: 247
Description
In-depth conversations with the world's top directors, performers and writers for the stage.
| Episode | Date |
|---|---|
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How to make it on Broadway, plus a twisted tale challenges these actors
|
May 20, 2025 |
|
Getting under the skin of Edith Piaf with Nathalie Lermitte
|
May 13, 2025 |
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Meet Margo Kane, a legend of Canadian theatre + a hit Spanish movie on stage
|
May 05, 2025 |
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The Black Woman of Gippsland flips the script on a Victorian mystery
|
Apr 29, 2025 |
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The Wrong Gods weighs the cost of 'progress' on a mother and daughter
|
Apr 21, 2025 |
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100 years of La Boite: a little theatre with big ambitions
|
Apr 14, 2025 |
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'We're very scared when we're on stage': comedy sisters Flo & Joan
|
Apr 07, 2025 |
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In 'Lazarus', a playwright resurrects a living legend
|
Mar 31, 2025 |
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Ruby Wax dives deep (with whales) in her comedy + Eliza Scanlen on Oscar Wilde
|
Mar 24, 2025 |
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How Anaïs Mitchell wrote the hit musical Hadestown
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Mar 17, 2025 |
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The story that brought Leah Purcell back to the stage
|
Mar 10, 2025 |
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Actor Stephen Rea in Krapp's Last Tape + the soul of Butoh
|
Mar 03, 2025 |
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Turning the late Ryuichi Sakamoto into mixed reality
|
Feb 24, 2025 |
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Dancing in the street with Sidi Larbi Cherkaoui
|
Feb 17, 2025 |
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Robyn Nevin on Agatha Christie's 'dark side' + a play about Julian Assange
|
Feb 10, 2025 |
|
Emma Rice's dark, rollicking Wuthering Heights
|
Feb 03, 2025 |
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How do you tell the world's longest tale 'Mahabharata', in five hours?
|
Jan 27, 2025 |
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'I think the rock swallowed them up': Ian Michael takes on an Australian classic
|
Jan 20, 2025 |
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The surprising history of Shakespeare in a divided America
|
Jan 13, 2025 |
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Why Eric Idle always looks on the bright side of life
|
Jan 06, 2025 |
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The story of the groundbreaking Warumpi Band
|
Dec 30, 2024 |
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Giacomo Puccini 100 years on
|
Dec 23, 2024 |
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'I know what I'm doing' — Why Miriam Margolyes courts controversy
|
Dec 16, 2024 |
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William Yang — A life in a slide show
|
Dec 09, 2024 |
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How an accident redefined the possibilities of dance
|
Dec 02, 2024 |
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Can Kiss Me, Kate be tamed?
|
Nov 25, 2024 |
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Broadway writer Rick Elice, the theatre boy who wouldn't grow up
|
Nov 18, 2024 |
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The star of Prima Facie plots the next stage of her brilliant career
|
Nov 11, 2024 |
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Olympic gold medallists Torvill & Dean take one last dance
|
Nov 04, 2024 |
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Why Monty Python's Eric Idle laughs at death
|
Oct 28, 2024 |
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A director's career-long effort to empower everyone in the room
|
Oct 21, 2024 |
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Dear Evan Hansen comes to Australia
|
Oct 14, 2024 |
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A cabaret lover's journey from sheep farm to Spiegeltent mastermind
|
Oct 07, 2024 |
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The secrets and stagecraft of magic
|
Oct 01, 2024 |
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School's out — Matthew Whittet explores the dreams of our youth
|
Sep 24, 2024 |
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A creative life undimmed by a devastating diagnosis
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Sep 17, 2024 |
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Shakespeare in a divided America
|
Sep 10, 2024 |
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How a writing class with James Baldwin inspired this Tony and Pulitzer winner
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Sep 03, 2024 |
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Noni Hazlehurst trades teddy bears for torment in Mother
|
Aug 27, 2024 |
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Wherefore, Shakespeare? 06 | Tragedy
|
Aug 25, 2024 |
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Wherefore, Shakespeare? 05 | Nationalism
|
Aug 25, 2024 |
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Wherefore, Shakespeare? 04 | Race
|
Aug 25, 2024 |
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Wherefore, Shakespeare? 03 | Horror
|
Aug 25, 2024 |
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Wherefore, Shakespeare? 02 | Gender
|
Aug 25, 2024 |
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Wherefore, Shakespeare? 01 | Comedy
|
Aug 25, 2024 |
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A circus performer's journey from Albury to the Arsenale
|
Aug 20, 2024 |
|
'Welcome to Splott' — A Welsh playwright's local stories go global
|
Aug 13, 2024 |
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Ray Lawler and 'The Doll' forever changed Australian theatre
|
Aug 06, 2024 |
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Australia's Hamilton has been in the role longer than Lin-Manuel Miranda
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Jul 30, 2024 |
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A Western Sydney playwright revisits his regional roots
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Jul 23, 2024 |
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Bohème, Butterfly and beyond — Giacomo Puccini, 100 years on
|
Jul 16, 2024 |
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Charting the legacy of the First Nations theatrical canon
|
Jul 09, 2024 |
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A playwright reconceives the undoing of Lady Macbeth
|
Jul 02, 2024 |
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A Pulitzer Prize-winning play counts the Cost of Living
|
Jun 25, 2024 |
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Come hear the music play at the Adelaide Cabaret Festival
|
Jun 18, 2024 |
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'We are here, we belong' — The unifying impact of Counting and Cracking
|
Jun 11, 2024 |
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Jonathan Biggins is closing the book on Keating and The Wharf Revue
|
Jun 04, 2024 |
|
Bangarra looks to the horizon for its first cross-cultural collaboration
|
May 28, 2024 |
|
'I've had this career against all odds' — Bonachela's twisted path to Sydney Dance
|
May 21, 2024 |
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From Europe to the USA, this Australian theatre company keeps on winning
|
May 14, 2024 |
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Audra McDonald & Jason Robert Brown — Tony-winning Broadway icons
|
May 07, 2024 |
|
Simon Burke's wonderful (and Wicked) 50 years in the footlights
|
Apr 30, 2024 |
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After a celebrated Ring Cycle, a director ventures to Lammermoor
|
Apr 23, 2024 |
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'I didn't want sangría and bulls' — A timeless and brutal Carmen
|
Apr 16, 2024 |
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Angus Cerini delivers an Australian gothic trilogy
|
Apr 09, 2024 |
|
West Side Story comes to Sydney Harbour
|
Apr 01, 2024 |
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The writer of The Whale makes a case for the existence of God
|
Mar 25, 2024 |
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Why Miriam Margolyes courts controversy — 'I know what I'm doing'
|
Mar 18, 2024 |
|
Andrew Scott's one-man Uncle Vanya
|
Mar 11, 2024 |
|
Extreme action, dreaming stories and theatrical theft in Adelaide
|
Mar 04, 2024 |
|
Need help getting opera singers to soar? Add puppets
|
Feb 26, 2024 |
|
Sam Mendes's five precepts for The Lehman Trilogy still inspire Es Devlin
|
Feb 19, 2024 |
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At the Perth Festival, stories from home inspire new work
|
Feb 12, 2024 |
|
Griffin marks the end of an era with a Louis Nowra triple bill
|
Feb 05, 2024 |
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'We have to learn to listen again' — Akram Khan's reimagined Jungle Book
|
Jan 29, 2024 |
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Why Groundhog Day's Australian debut is healing for Tim Minchin
|
Jan 22, 2024 |
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Sunday — The woman who shaped Australian art
|
Jan 15, 2024 |
|
Joanna Murray-Smith — a playwright in demand
|
Jan 08, 2024 |
|
The Tina Turner story on stage
|
Jan 01, 2024 |
|
Theatre healed Heather Mitchell
|
Dec 25, 2023 |
|
How Eddie Perfect and Gillian Cosgriff make musical theatre
|
Dec 18, 2023 |
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If your show needs a lift, 'Send for Nellie!'
|
Dec 11, 2023 |
|
The Warumpi Band story comes to the Sydney Festival
|
Dec 04, 2023 |
|
A Ring Cycle for our part of the world
|
Nov 27, 2023 |
|
A Game of Thrones villain finds redemption in A Christmas Carol
|
Nov 20, 2023 |
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From a caravan in WA to the mainstage — The McElhinneys venture out
|
Nov 13, 2023 |
|
Stephen Sondheim — taking a razor to conventions (Part II)
|
Nov 06, 2023 |
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Stephen Sondheim — taking a razor to conventions (Part I)
|
Oct 30, 2023 |
|
How Chicago became a hit musical — 'We wrote fast and tore up fast'
|
Oct 23, 2023 |
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Bridal laments and vanishing vultures inspire new work at OzAsia
|
Oct 16, 2023 |
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Hamilton maestro reworks the music of Sting
|
Oct 09, 2023 |
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Taylor Mac's queer rock opera adds to 'the library of the deviant theme'
|
Oct 02, 2023 |
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When asked to adapt a classic, Nakkiah Lui chose Showgirls
|
Sep 26, 2023 |
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Broome's complex history and culture inspire an award winner
|
Sep 19, 2023 |
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How the stage needs to change
|
Sep 12, 2023 |
|
Kate Miller-Heidke's new musical, and Wicked returns
|
Sep 05, 2023 |
|
Bangarra Dance Theatre enters a new era
|
Aug 29, 2023 |
|
'I didn't know any better' — How David Lang redefined opera
|
Aug 22, 2023 |
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Is there something wrong with Debra Oswald?
|
Aug 15, 2023 |
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Helen Morse never sought the spotlight
|
Aug 08, 2023 |
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After 10 years, Anthony LaPaglia returns to the stage
|
Aug 01, 2023 |
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The radical innovations of Caryl Churchill
|
Jul 25, 2023 |
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A high-camp provocateur treads unfamiliar territory: real life
|
Jul 18, 2023 |
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Michelle Law's latest play contests Chinese values
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Jul 11, 2023 |
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Wesley Enoch honours the elders of First Nations performing arts
|
Jul 04, 2023 |
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In his 90th year, Michael Frayn's plays still make noise
|
Jun 27, 2023 |
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Once Upon a Mattress composer Mary Rodgers was anything but shy
|
Jun 20, 2023 |
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Andrew Bovell comes home
|
Jun 13, 2023 |
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Eddie Perfect and Gillian Cosgriff show us how to make a musical
|
Jun 06, 2023 |
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'It's been a slog' — Jacky debuts at the Melbourne Theatre Company
|
May 30, 2023 |
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Is the stage the right place to talk about climate change?
|
May 23, 2023 |
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Why Tina Turner was 'adamant' that the violence of her past be put on stage
|
May 16, 2023 |
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A 114-year-old Australian novel in Chinese becomes a play for today
|
May 09, 2023 |
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'It was such a balm' — How theatre healed Heather Mitchell
|
May 02, 2023 |
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Lano and Woodley set sail in search of Moby Dick
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Apr 25, 2023 |
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A Pulitzer winner serves social justice and sandwiches in Clyde's
|
Apr 18, 2023 |
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A satirical One Woman Show skewers the Fleabag generation
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Apr 11, 2023 |
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Nureyev's Don Quixote recreated on stage
|
Apr 04, 2023 |
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Why dance in a museum?
|
Mar 27, 2023 |
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After 50 years at La Mama, a legend passes the torch
|
Mar 20, 2023 |
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The book that brought us Macbeth
|
Mar 13, 2023 |
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Verdi's Messa da Requiem pulses with life in Adelaide
|
Mar 06, 2023 |
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A Little Life on stage — Ivo van Hove adapts the 'cruel' bestseller
|
Feb 27, 2023 |
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'Cabaret is the original punk' — Reuben Kaye at WorldPride
|
Feb 20, 2023 |
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New works take flight at a cosmic Perth Festival
|
Feb 13, 2023 |
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Tim Minchin takes comedy seriously
|
Feb 06, 2023 |
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The woman who shaped modern Australian art
|
Jan 30, 2023 |
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'The future is Blak' — How fatherhood changed Bangarra's head designer
|
Jan 23, 2023 |
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Dorian Gray's visionary director revitalises another classic
|
Jan 16, 2023 |
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An Australian play on Broadway
|
Jan 09, 2023 |
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'It was time they had a blackfella at the top' — A new era for ADT
|
Jan 02, 2023 |
|
90 years of performing arts on your ABC
|
Dec 26, 2022 |
|
Finding true love at the barre
|
Dec 19, 2022 |
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Michael Sheen returns to Amadeus as a different man
|
Dec 12, 2022 |
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'Sharing a mad moment together' — Chaplin's grandson's ode to theatre
|
Dec 05, 2022 |
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The forgotten ballets of Australia
|
Nov 28, 2022 |
|
Andrew Lloyd Webber's go-to director
|
Nov 21, 2022 |
|
Sandi Toksvig has reasons to be cheerful
|
Nov 14, 2022 |
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'We are here, we belong' — Uniting communities through the arts
|
Nov 07, 2022 |
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Matilda and A Christmas Carol director keeps The Old Vic young
|
Oct 31, 2022 |
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A manifesto for dance of a different kind
|
Oct 24, 2022 |
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From chook farmer to change maker
|
Oct 17, 2022 |
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A comedian's debut play inspired by the on-field drama of footy
|
Oct 10, 2022 |
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Finding true love at the barre
|
Oct 03, 2022 |
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Les Misérables and Miss Saigon creators take centre stage
|
Sep 27, 2022 |
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Remembering Uncle Jack Charles
|
Sep 20, 2022 |
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Straight lines and stillness — New work from two theatre giants
|
Sep 13, 2022 |
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New plays light up the Brisbane Festival
|
Sep 06, 2022 |
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Brett Dean's Hamlet triumphs at The Met
|
Aug 30, 2022 |
|
Dorian Gray's visionary director revitalises another classic
|
Aug 23, 2022 |
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Hairspray brings back a Broadway legend
|
Aug 16, 2022 |
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Being an opera singer saved her life
|
Aug 09, 2022 |
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Diablo Cody found her dream collaborator in Alanis Morissette
|
Aug 02, 2022 |
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Catherine McClements is looking for a challenge
|
Jul 26, 2022 |
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First London, next Broadway — An Australian playwright on the rise
|
Jul 19, 2022 |
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'It became very woke' — An Asian Australian director embraces 'elder' status
|
Jul 12, 2022 |
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'It was time they had a blackfella at the top' — A new era for ADT
|
Jul 05, 2022 |
|
90 years of performing arts on your ABC
|
Jun 28, 2022 |
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The Tony-winning creator of Broadway's 'big, black and queer' Best Musical
|
Jun 21, 2022 |
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Tina Arena on the intimacy and vulnerability of cabaret
|
Jun 14, 2022 |
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At RISING, the arts take the chill off winter
|
Jun 07, 2022 |
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Lea Salonga — a trailblazing star of the stage
|
May 31, 2022 |
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Mr Producer — How Cameron Mackintosh rebuilt an industry
|
May 24, 2022 |
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Truth-telling in the theatre — Why Andrea James ditched law for the arts
|
May 17, 2022 |
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Theatre icon Geraldine Turner reveals her off-stage struggles
|
May 10, 2022 |
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'Wagner belongs to humanity's treasure' — Confronting a contentious classic
|
May 03, 2022 |
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Big plays in a tiny room — Red Stitch turns 21
|
Apr 26, 2022 |
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Power and ethics in playwriting
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Apr 19, 2022 |
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Imagination will help young people 'sort out the mess' left by grown-ups
|
Apr 12, 2022 |
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Blind and vision-impaired artists rewrite Tchaikovsky's final opera
|
Apr 05, 2022 |
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Lano and Woodley set sail in search of Moby Dick
|
Mar 28, 2022 |
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An Englishman in New York takes on An American in Paris
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Mar 21, 2022 |
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A reimagined Yentl and a play about race and privilege in education hit home for director
|
Mar 14, 2022 |
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GoPros, spray bottles and a fake language — Making theatre with The Last Great Hunt
|
Mar 07, 2022 |
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A gay hate crime that became a watershed moment for reform revisited in song
|
Feb 28, 2022 |
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Girl from the North Country — How 'pure ignorance' of musical theatre led to a hit
|
Feb 21, 2022 |
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'We're making space for ourselves' — How Zindzi Okenyo is changing theatre
|
Feb 14, 2022 |
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Youth in trouble — Chunky Move's dance for the end of days
|
Feb 07, 2022 |
|
Six the Musical's journey from student theatre to worldwide smash
|
Jan 31, 2022 |
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A Palawa playwright on 'the biggest issue' his people are fighting today
|
Jan 24, 2022 |
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David McAllister and Wesley Enoch start a new chapter
|
Jan 17, 2022 |
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Tom Stoppard's life examined
|
Jan 10, 2022 |
|
David Williamson shares some home truths
|
Jan 03, 2022 |
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'Who's afraid of the truth?' — An Indigenous director tackles an American classic
|
Dec 27, 2021 |
|
The room where Hamilton happened
|
Dec 20, 2021 |
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From the ashes — the lessons a reborn La Mama can share with Australia
|
Dec 13, 2021 |
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Elaine Crombie will calm you down before she punches you in the guts
|
Dec 06, 2021 |
|
Diablo Cody found her dream collaborator in Alanis Morissette
|
Nov 29, 2021 |
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'Artists with disability should be treated like any other' — 30 years of Restless Dance
|
Nov 22, 2021 |
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Dear Evan Hansen creator revives the show that came before Rent
|
Nov 15, 2021 |
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'An accident of the theatre' brought Sondheim back to Broadway
|
Nov 08, 2021 |
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How one of Australia's top directors discovered the power of telling our stories
|
Nov 01, 2021 |
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Why the writer of The Vagina Monologues now has climate change in her sights
|
Oct 25, 2021 |
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The accountant who became an opera star
|
Oct 18, 2021 |
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What regional Australia offers artists and audiences
|
Oct 11, 2021 |
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David Williamson shares some home truths
|
Oct 04, 2021 |
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Animal Farm in the age of Trump
|
Sep 28, 2021 |
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Audra McDonald and Tony Sheldon's Broadway
|
Sep 21, 2021 |
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'Fragility is okay, limits are okay' — Why the way we make art should change
|
Sep 14, 2021 |
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'Who's afraid of the truth?' — An Indigenous director tackles an American classic
|
Sep 07, 2021 |
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Spectacular, spectacular! The music of Moulin Rouge
|
Aug 31, 2021 |
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Juliet Stevenson is drawn to danger
|
Aug 24, 2021 |
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Theatre dorks Zoë Coombs Marr and Anne-Louise Sarks get serious
|
Aug 17, 2021 |
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Why Hugo Weaving and Paula Arundell act
|
Aug 10, 2021 |
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Kate Champion and Paula Arundell — finding family and fantasy on stage
|
Aug 03, 2021 |
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Neil Armfield and Kate Champion — dancing into a perfect partnership
|
Jul 27, 2021 |
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Mark Howett and Neil Armfield reach out to a new generation
|
Jul 20, 2021 |
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Kylie Bracknell and Mark Howett — Leading lights of the West
|
Jul 13, 2021 |
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Wesley Enoch and Kylie Bracknell on language, culture and connection
|
Jul 06, 2021 |
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David McAllister and Wesley Enoch start a new chapter
|
Jun 29, 2021 |
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Tom Stoppard's life examined
|
Jun 22, 2021 |
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Eddie Perfect turns introspective
|
Jun 15, 2021 |
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For playwright Jen Silverman, theatre became the answer to any question
|
Jun 08, 2021 |
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Alan Cumming is not acting his age
|
Jun 01, 2021 |
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Deborah Cheetham opera heralds a new dawn
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May 25, 2021 |
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How a dancer overcame a spinal injury to shine on the international stage
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May 18, 2021 |
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'I had a lot of rage' — David Ireland tries to make sense of trauma with art
|
May 11, 2021 |
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'Bill, that's a pirouette' — William Forsythe's unconventional rise to the top
|
May 04, 2021 |
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Mark Ravenhill wants you to argue over his plays
|
Apr 27, 2021 |
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Joanna Murray-Smith wrestles with hedonism and history in Berlin
|
Apr 20, 2021 |
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Mark Trevorrow on life as the Prince of Polyester, Bob Downe
|
Apr 13, 2021 |
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'It took me to some very dark places' — The tour that broke Daniel Sloss
|
Apr 06, 2021 |
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'We need to be valued' — Changing how First Nations work is made and seen
|
Mar 29, 2021 |
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A comedian with a turbulent past finds his voice in the footlights
|
Mar 22, 2021 |
|
The room where Hamilton happened
|
Mar 15, 2021 |
|
John Bell and Shakespeare
|
Mar 08, 2021 |
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Meyne Wyatt's star, and eyebrow, rises
|
Mar 01, 2021 |
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Patricia Cornelius and Susie Dee make theatre for runts
|
Feb 22, 2021 |
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'This is a warning play' — The role Robyn Nevin had to take on
|
Feb 15, 2021 |
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Eddie Perfect — from Brunswick to Broadway and back again
|
Feb 08, 2021 |
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How a first-timer wrote Fangirls — 'I learned everything I know off YouTube'
|
Feb 01, 2021 |
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Wesley Enoch doesn't want to be the only Indigenous artist in the room
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Jan 25, 2021 |
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Li Cunxin — dancing through the darkness
|
Jan 18, 2021 |
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Hugo Weaving and Wayne Blair — the extended interview
|
Jan 11, 2021 |
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A hit Australian musical revived and the Noongar language in the spotlight
|
Jan 04, 2021 |
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Stephen Sondheim — taking a razor to conventions (Part II)
|
Dec 28, 2020 |
|
Stephen Sondheim — taking a razor to conventions (Part I)
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Dec 21, 2020 |
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Where to from here?
|
Dec 14, 2020 |
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Pamela Rabe's path from the Yukon wilds to Helpmann glory
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Dec 07, 2020 |
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Band of outsiders — a new take on Oklahoma!
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Nov 30, 2020 |
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'It was not proper for a boy to do ballet' — David McAllister's struggle to the top
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Nov 23, 2020 |
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Nancye Hayes — fearless in the footlights
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Nov 16, 2020 |
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The deep roots and spreading branches of Indigenous performance
|
Nov 09, 2020 |
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Why democracy needs theatre
|
Nov 02, 2020 |
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The story thief
|
Oct 26, 2020 |
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How OzAsia's director went from chook farmer to change maker
|
Oct 19, 2020 |
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'I didn't know any better' — how David Lang redefined opera
|
Oct 12, 2020 |