The Art Show
By ABC listen
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Category: Visual Arts
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Subscribers: 42
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Episodes: 245
Description
Visual artists tell you why and how they create! From studio visits, intimate interviews, and live issues, we take art out of the gallery and into your ears.
| Episode | Date |
|---|---|
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Reframing the portrait
|
Nov 12, 2024 |
|
Playgrounds and powerful women: the role of art in the public space
|
Nov 05, 2024 |
|
Marc Newson's art inspirations and the story of Lucky Kwong
|
Oct 29, 2024 |
|
Tim Winton explores the Australian landscape and Lucienne Rickard brings audiences to tears
|
Oct 22, 2024 |
|
Whitney director emeritus Adam Weinberg and an art partnership in the Blue Mountains
|
Oct 15, 2024 |
|
Art scandals, art couples and art poets
|
Oct 08, 2024 |
|
Author Markus Zusak on art; the immersive, mysterious work of Angelica Mesiti; the art of poetry; a ruinous studio visit
|
Oct 02, 2024 |
|
The influence of Japanese ukiyo-e + Gina Rinehart's picture drama
|
Sep 25, 2024 |
|
Helen Molesworth on death of Carl Andre + Olana Janfa + Brent Harris
|
Sep 18, 2024 |
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Alphonse Mucha: star of the Art Nouveau movement
|
Sep 11, 2024 |
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Ramesh Nithiyendran's inner sanctum and Jack Wilkie-Jans on If Not Critical
|
Sep 04, 2024 |
|
That’s not a medium! Art made from unusual material
|
Aug 28, 2024 |
|
Street art in ascendence; the art of RONE and Manda Lane
|
Aug 21, 2024 |
|
Joyful ceramics, the NATSIAAs and a glimpse of Renaissance Europe
|
Aug 14, 2024 |
|
The "master of time" Hiroshi Sugimoto + the much prized lutruwita landscape
|
Aug 07, 2024 |
|
Black Modernism with Huey Copeland + cartoonist Mandy Ord
|
Jul 31, 2024 |
|
Kelly Koumalatsos + abstract painter Lesley Dumbrell + Claudia Nicholson
|
Jul 24, 2024 |
|
Iris van Herpen: the Dutch fashion designer who sculpts clothing
|
Jul 17, 2024 |
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Machine Drawing and The Sex Life of Stone
|
Jul 10, 2024 |
|
How do you capture African fashion? And When Solidarity is Not a Metaphor
|
Jul 03, 2024 |
|
What happened to Thailand's Ban Chiang relics? Plus Judy Watson's life of art
|
Jun 26, 2024 |
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Alphonse Mucha and the popularity of Art Nouveau
|
Jun 19, 2024 |
|
Laura Jones wins the Archibald portrait prize + Jeremy Deller
|
Jun 12, 2024 |
|
Remembering trailblazing artist Destiny Deacon
|
Jun 05, 2024 |
|
Blak art and Destiny Deacon + an Abstract friendship
|
May 29, 2024 |
|
The influence of Japanese ukiyo-e + Gina Rinehart's picture drama
|
May 22, 2024 |
|
John Akomfrah at the Venice Biennale + mentors in art and life + Zeno Sworder
|
May 15, 2024 |
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Prison, pokies and colour: Three artists who turned art into therapy
|
May 08, 2024 |
|
Palestinian-Saudi artist Dana Awartani + Anna Park flip the script
|
May 01, 2024 |
|
Archie Moore wins at the Venice Biennale + Leonardo Da Vinci + Nikki Lam
|
Apr 24, 2024 |
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Nicholas Mangan makes art from phosphate, coral and bitcoin
|
Apr 17, 2024 |
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A graphic designer in the spotlight + Adelaide's art biennial
|
Apr 10, 2024 |
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Why Katy Hessel never stops searching for the great women artists
|
Apr 02, 2024 |
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Who reaps the profits from Aboriginal art re-sold overseas?
|
Mar 26, 2024 |
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Jennifer Higgie on the art of interviewing artists
|
Mar 19, 2024 |
|
An artist paints her lush Far North home, plus the secrets of Vermeer
|
Mar 12, 2024 |
|
Reviving a Maori artform in a new political climate + doors to an artist's life
|
Mar 05, 2024 |
|
A Timor Leste artist heads to the Venice Biennale + a Yucky exhibition
|
Feb 27, 2024 |
|
The artist who takes you to West Africa, through sound and taste
|
Feb 20, 2024 |
|
The power couple behind this year's Sydney Biennale
|
Feb 13, 2024 |
|
Helen Molesworth on death of Carl Andre + Olana Janfa + Brent Harris
|
Feb 06, 2024 |
|
David Shrigley's sublimely silly, dark universe
|
Jan 30, 2024 |
|
Tacita Dean + Hydraulic Press Girl + conflict avocados
|
Jan 23, 2024 |
|
An artist paints her lush Far North home + the secrets of Vermeer
|
Jan 16, 2024 |
|
In the studio with painter Prudence Flint + photos of 'Humpty Doom'
|
Jan 09, 2024 |
|
Catherine Opie's photos chart life changing decades for LGBTQI subjects + Rosie Westbrook
|
Jan 02, 2024 |
|
The rise and rise of the artist-in-residence + Rosa Bonheur
|
Dec 26, 2023 |
|
Jerry Saltz says 'show up' (you big scaredy cats) + the women artists who spoke to spirits
|
Dec 19, 2023 |
|
Emily Kam Kngwarray took the art world by storm — but did it understand her?
|
Dec 12, 2023 |
|
Thomas J Price makes monuments to the real world + fairy tales in Art
|
Dec 05, 2023 |
|
Lee Miller's glamorous Surrealism and dark wartime photography
|
Nov 28, 2023 |
|
Meet world-building printmaker Brian Robinson + the art critic who wrote an encyclopedia
|
Nov 21, 2023 |
|
How psychoanalysis influenced the art of Louise Bourgeois
|
Nov 14, 2023 |
|
Why are hundreds of ancient Thai relics locked in legal limbo?
|
Nov 07, 2023 |
|
Kandinsky: the visionary artist 'brought back down to earth'
|
Oct 31, 2023 |
|
An outback monastery hides the biggest art heist you've never heard of
|
Oct 24, 2023 |
|
The artist who recreates 'petrichor' plus James Tylor and painting house flies
|
Oct 17, 2023 |
|
Lonnie Holley's creative universe plus Mary Beard on how the Caesars used Art to wield power
|
Oct 10, 2023 |
|
85,000 oyster shells at Sydney Opera House and an Impressionist video game
|
Oct 03, 2023 |
|
Spencer Tunick's naked crowds plus fossil fuel sponsorship in the arts
|
Sep 27, 2023 |
|
Care ethics + can joining an art collective make you happier?
|
Sep 20, 2023 |
|
Newell Harry sparks connections + Jim Moginie's Colour Wheel + the Whitely Art Scandal
|
Sep 13, 2023 |
|
Photographer Hoda Afshar: from Manus Island to whistleblowers and Iran's uprising
|
Sep 06, 2023 |
|
Kara Walker stirs the pot with nightmarish visions of Antebellum America
|
Aug 30, 2023 |
|
Art mirrors life in the work of these fiction authors + the ethnographic vision of Gary Lee
|
Aug 23, 2023 |
|
NATSIAA awards showcase the best of Australian Indigenous art
|
Aug 16, 2023 |
|
Tove Jansson's Moomins and the perfect art of picture framing
|
Aug 09, 2023 |
|
She's got your number: 15 years of the Countess project + Gail Mabo + Mayco Naing
|
Aug 02, 2023 |
|
Anne Zahalka turns her lens on her archive + gritty industrial scenes —in needlepoint
|
Jul 26, 2023 |
|
Chinese-Australian dissident artist Badiucao + Anna Emina El Samad
|
Jul 19, 2023 |
|
Prudence Flint's character studies + a beginner's guide to art openings
|
Jul 12, 2023 |
|
Maree Clarke looks deep into a rich material + Ida Sophia bears witness and Frida Kahlo returns to Australia
|
Jul 05, 2023 |
|
The rise and rise of the Artist-in-Residence
|
Jun 28, 2023 |
|
Hayley Millar Baker in Shadow Spirit + Marc Chagall at The Jewish Museum
|
Jun 21, 2023 |
|
An introduction to Pierre Bonnard, misty seascapes and Marikit Santiago
|
Jun 14, 2023 |
|
Richard Bell takes his Embassy to UK's Tate Modern + what happens when an artist puts you in charge of their estate?
|
Jun 07, 2023 |
|
Louise Zhang on colour, the frying pan studio and Zico Albaiquni
|
May 31, 2023 |
|
Mithu Sen on being a provocateur, GPS Art and Danelle Bergstrom's Swedish journey
|
May 24, 2023 |
|
Mark Valenzuela, inside Vermeer's world and photos of 'Humpty Doom'
|
May 17, 2023 |
|
Julia Gutman wins the Archibald Prize and finding the real Clarice Beckett
|
May 09, 2023 |
|
A famous portrait tells an uncomfortable story + artists take over a sewerage plant
|
May 03, 2023 |
|
Why Charmaine Papertalk Green writes poetry about the work of one artist
|
Apr 26, 2023 |
|
'It felt radical at the time': Catherine Opie's photos chart life changing decades for LGBTQI subjects
|
Apr 18, 2023 |
|
Janet Laurence goes to Antarctica and an art space faces an uncertain future
|
Apr 11, 2023 |
|
Melbourne Now and Sydney's The National: different outlooks on Australian art
|
Apr 04, 2023 |
|
Betty Muffler: the artist healing country, plus the artist and the iPhone miniature
|
Mar 28, 2023 |
|
How will AI change our understanding of Art?
|
Mar 21, 2023 |
|
What would Andy Warhol do with social media? Be an influencer.
|
Mar 14, 2023 |
|
Women, Life, Freedom: art from Iran's female-led uprising
|
Mar 07, 2023 |
|
An artist paints her lush Far North home + a city's hidden 'bits of Brutalism'
|
Feb 28, 2023 |
|
Dylan Mooney's hero lovers and Ali Tahayori's poetic mirror works
|
Feb 21, 2023 |
|
The women artists who spoke to spirits and were left out of the canon
|
Feb 14, 2023 |
|
How will AI change our understanding of Art?
|
Feb 07, 2023 |
|
What Texta Queen did next + thinking through pink + Marian Tubbs
|
Jan 31, 2023 |
|
Jerry Saltz says: 'Show up' (You big scaredy-cat babies) + imagine a city with monuments to women?
|
Jan 24, 2023 |
|
Kiki Smith on tapestry, Kirtika Kain explores Dalit oppression + women street photographers
|
Jan 17, 2023 |
|
David Noonan's mystery collage and Hoda Afshar on the people possessed by the wind
|
Jan 10, 2023 |
|
Isaac Julien's marvelous entanglement + tattoos and watercolour with eX de Medici
|
Jan 03, 2023 |
|
Karla Dickens' fearless found objects + clay gone wild
|
Dec 27, 2022 |
|
Edward Burtynsky, painting the Holy Family and Dennis Golding's Redfern.
|
Dec 20, 2022 |
|
Alexander McQueen's spectacular art and high stakes fashion + how do you make an exhibition about the air itself?
|
Dec 13, 2022 |
|
How Cressida Campbell makes things beautiful + what do we think of Sydney Modern?
|
Dec 06, 2022 |
|
Imants Tillers on his credo and why he had to 'fire' his parents, and mixed reactions to climate activism in galleries
|
Nov 29, 2022 |
|
Mary Beard on how the Caesars used Art to wield power, plus why did climate activists target a Gustav Klimt?
|
Nov 22, 2022 |
|
Inside Yayoi Kusama's world with Stephanie Rosenthal, plus Nalini Malani + Katie West
|
Nov 15, 2022 |
|
Art that's rubbish: why more artists are using post-consumer waste
|
Nov 08, 2022 |
|
What to know about the great Barbara Hepworth, an artist asks for family stories + fish traps, re-told
|
Nov 01, 2022 |
|
'Shaken to the core': the Indonesian art collective at the centre of the Documenta 15 controversy + Bertie Blackman
|
Oct 25, 2022 |
|
Filming art for the big screen, sewing my feminist muse and soulful bird portraits
|
Oct 18, 2022 |
|
Jasper Johns and Robert Rauschenburg's creative and romantic partnership
|
Oct 11, 2022 |
|
Polly Borland on her pivot to sculpture and how it felt to photograph the Queen
|
Oct 04, 2022 |
|
The radical work of Vivienne Binns + when did people start smiling in western Art?
|
Sep 28, 2022 |
|
After censorship scandal, Paul Yore returns with joyful, trademark trash
|
Sep 21, 2022 |
|
Kara Walker stirs the pot with nightmarish visions of Antebellum America
|
Sep 14, 2022 |
|
Edward Burtynsky, how to draw hands + an artist goes to Burning Man
|
Sep 07, 2022 |
|
Why viruses can have style and molecules look beautiful
|
Aug 31, 2022 |
|
Afghan artists on Taliban anniversary, and how to start drawing?
|
Aug 24, 2022 |
|
The lake that vanished + Rachel Griffiths + Catherine Woo
|
Aug 17, 2022 |
|
Meet the Tennant Creek Brio — a thrilling new voice in art
|
Aug 10, 2022 |
|
A call to heroines + Michaye Boulter's seascapes + Joel Sherwood Spring
|
Aug 02, 2022 |
|
Artists head to 'Europe's most divided city' in Kosovo + how do you judge a landscape art prize?
|
Jul 27, 2022 |
|
'It was like I'd been plugged into the mains': Bruce Munro's lights + the search for a Hong Kong street artist
|
Jul 20, 2022 |
|
What's left unsaid at this Picasso blockbuster? Plus, Snuff Puppets work with Ukrainian refugees
|
Jul 13, 2022 |
|
Richard Bell at Documenta 15, Sebastian di Mauro, and 1980s New York artist Edward Brezinski finally finds his 15 minutes of fame
|
Jul 06, 2022 |
|
Daniel Boyd's solo show, Sally Ryan's Holy Family, and reclaiming Arnhem Land's art
|
Jun 29, 2022 |
|
Chiharu Shiota's epic threads, Wura Ogunji and a history of light in Art
|
Jun 22, 2022 |
|
Colour is my medium: David Sequeira, colourblind art and the magic of Autochrome
|
Jun 15, 2022 |
|
Tattoos, watercolour with eX-de-Medici + Angelica Mesiti at the Ecole des Beaux-Arts in Paris
|
Jun 08, 2022 |
|
Abdullah brothers, Leeroy New and the return of a William Barak painting
|
Jun 01, 2022 |
|
Kiki Smith, Kirtika Kain and Reclaim the Earth at the Palais de Tokyo
|
May 25, 2022 |
|
Blak Douglas wins the Archibald, NFT artist Beeple and embroidered organs that get personal
|
May 18, 2022 |
|
The Venice Biennale: electric sounds, new voices and open borders
|
May 11, 2022 |
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Public art, toppled monuments and the statue in the crate
|
May 04, 2022 |
|
First Nations Canadian artist Rebecca Belmore, Sally Smart's dance-inspired studio and Yuki Kihara's Paradise Camp
|
Apr 27, 2022 |
|
Marco Fusinato, Lala Deen Dayal and an art gallery mines its collection for queer stories
|
Apr 20, 2022 |
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Victor Ehikhamenor + Benin bronzes, pottery in a midnight garden and Nathan Beard's tropical fruit
|
Apr 13, 2022 |
|
David Noonan's mystery collage and Hoda Afshar on the people possessed by the wind
|
Apr 06, 2022 |
|
Home truths: Ian Strange, Sera Waters and spotlight on feminist artist Frances Phoenix
|
Mar 29, 2022 |
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The artist defending rivers, a Russian art museum forced to react and Dennis Golding's Redfern
|
Mar 22, 2022 |
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Know My Name S2 ep 7: Elaine Russell
|
Mar 21, 2022 |
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Isaac Julien, Leda and the Swan retold and why you should know Thanakupi
|
Mar 15, 2022 |
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Know My Name S2 ep 6: Jennifer Herd
|
Mar 14, 2022 |
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Flooded art galleries, Stanislava Pinchuk on Ukraine and celebrating Ethel Spowers
|
Mar 08, 2022 |
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Know My Name S2 ep 5: Dianne Jones
|
Mar 07, 2022 |
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A history of Venus in Art, the artist who lives on a boat and Yul Scarf
|
Mar 01, 2022 |
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Know My Name S2 ep 4: Laurel Nannup
|
Feb 28, 2022 |
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The new 'canon', Renaissance woman Lavinia Fontana and Atong Atem's collage vision
|
Feb 22, 2022 |
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Know My Name S2 ep 3: Julie Gough
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Feb 21, 2022 |
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Patricia Piccinini's mutants light up a ballroom, My Art Crush and Thea Anamara Perkins
|
Feb 15, 2022 |
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Know My Name S2 ep 2: Julie Dowling
|
Feb 14, 2022 |
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The radical work of Vivienne Binns
|
Feb 08, 2022 |
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Know My Name S2 ep 1: Fiona Foley
|
Feb 07, 2022 |
|
The art of mindfulness and women street photographers
|
Feb 01, 2022 |
|
Karla Dickens' fearless found objects, the Aboriginal flag as an artwork and clay gone wild
|
Jan 25, 2022 |
|
How Instagram has changed how we see and experience art
|
Jan 18, 2022 |
|
Anne Wallace and the Beijing Silvermine
|
Jan 11, 2022 |
|
Hilma af Klint, the art of the book cover and Mary Tonkin's immersive landscapes
|
Jan 04, 2022 |
|
Endurance act: performance art in Australia
|
Dec 28, 2021 |
|
Breaking the myths of whiteness in classical sculpture
|
Dec 21, 2021 |
|
Video art in the wake of Black Lives Matter, surreal fake food and plein air in the Build Up
|
Dec 14, 2021 |
|
Life with Jeffrey Smart and Natalya Hughes takes on the shrink's couch
|
Dec 07, 2021 |
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Doug Aitken, Robert Andrew's machines with ochre residue and the lost Leonardo da Vinci
|
Nov 30, 2021 |
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NFTs: next gen, reclaiming Bougainville and being an 'unwilling inspiration'
|
Nov 23, 2021 |
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Christopher Pease layers Nyoongar iconography over colonial vistas
|
Nov 16, 2021 |
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Doing Feminism, painting riverscapes and polar ice art at COP26
|
Nov 09, 2021 |
|
A history of Venus in art with Bettany Hughes
|
Nov 02, 2021 |
|
Cocktails with a curator, art on the news and Matisse in the Pacific
|
Oct 26, 2021 |
|
Know My Name episode 6: Rosalie Gascoigne
|
Oct 25, 2021 |
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Know My Name episode 5: Mari Funaki
|
Oct 24, 2021 |
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Know My Name episode 4: Margaret Olley
|
Oct 23, 2021 |
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Know My Name episode 3: Ivy Shore
|
Oct 22, 2021 |
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Know My Name episode 2: Gwyn Hanssen Pigott
|
Oct 21, 2021 |
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Know My Name episode 1: Grace Cossington Smith
|
Oct 20, 2021 |
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Public art, toppled monuments and the statue in the crate
|
Oct 19, 2021 |
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'We perpetuate this myth of not having a history': taking art beyond black-white terms
|
Oct 12, 2021 |
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Fifty years of the Western Desert art movement, Leigh Bowery, Mari Katayama and Darwin street art
|
Oct 05, 2021 |
|
Goya, Tik Tok art history and wine that draws
|
Sep 29, 2021 |
|
Renaissance amnesia, Vernon Ah Kee, and a mysterious Sydney painting
|
Sep 22, 2021 |
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How Instagram has changed how we see and experience art
|
Sep 15, 2021 |
|
Maree Clarke, collages of protest and Craig Ruddy's studio
|
Sep 08, 2021 |
|
What two Hazara artists feel about Afghanistan, and a new art movement is forged in metal
|
Sep 01, 2021 |
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Cooking Sections art collective, Kathy Temin's fake fur and Ian Fairweather in China
|
Aug 25, 2021 |
|
Anne Wallace, a mystery tomb fresco and art from Western Arnhem Land
|
Aug 18, 2021 |
|
Hilda Rix Nicholas, the art of the book cover and the NATSIAAs
|
Aug 11, 2021 |
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Mapping a lost Beirut and the return of stolen 'living gods'
|
Aug 04, 2021 |
|
Endurance act: performance art in Australia
|
Jul 28, 2021 |
|
Breaking the myths of whiteness in classical sculpture
|
Jul 21, 2021 |
|
Artist Dale Harding joins forces with mother Kate, and a war photographer snaps the climate crisis
|
Jul 14, 2021 |
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Betty Muffler: the phenomenal artist healing country
|
Jul 07, 2021 |
|
Surrealists at sea, fake food, and the Beijing Silvermine
|
Jun 30, 2021 |
|
The wondrous Hilma af Klint, Tania Ferrier's angry underwear and the question of portraiture
|
Jun 23, 2021 |
|
Goya, Tik Tok art history and wine that draws
|
Jun 16, 2021 |
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Portrait of a nation: the Archibald at 100
|
Jun 09, 2021 |
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'Frankenstein was a really bad parent': Patricia Piccinini's mutants light up a ballroom
|
Jun 02, 2021 |
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Behind the portraits of the cult 'Aussie' poster series
|
May 26, 2021 |
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Finding Australia's lost impressionist, and the beauty in gumnuts
|
May 19, 2021 |
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'It lit a fire in me': How Atong Atem flips the ethnographic gaze
|
May 12, 2021 |
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Hostile topographies, the iPhone miniature and museums in the age of COVID-19
|
May 05, 2021 |
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'It's a sculpture' — understanding and protecting Australia's oldest art
|
Apr 28, 2021 |
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'This is Aotearoa's First of everything' — Yuki Kihara goes to the Venice Biennale
|
Apr 21, 2021 |
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Khadim Ali's Invisible Border
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Apr 14, 2021 |
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Candid camera: William Yang on his life in photography
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Apr 07, 2021 |
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Vernon Ah Kee and Liz Ann Macgregor
|
Mar 30, 2021 |
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Yhonnie Scarce, Dirty Three's Mick Turner, and the joy of zines
|
Mar 23, 2021 |
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Robert Owen, shoemaker Claire Best and the crazy world of NFTs
|
Mar 16, 2021 |
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Four women artists tackling the environmental and body issues of the everyday
|
Mar 09, 2021 |
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Kay Rufai's smiling boys, lush landscapes and the secret history of tattoos
|
Mar 02, 2021 |
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Hoda Afshar and Clarice Beckett
|
Feb 23, 2021 |
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Rescue dogs and the good life: the art of Lucy Culliton
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Feb 16, 2021 |
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Love stories of 20th century art
|
Feb 09, 2021 |
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The long journey to Slow Art
|
Feb 02, 2021 |
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Refik Anadol: the artist bringing AI dreams to life
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Jan 26, 2021 |
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Sandra Hill on art and reconciliation
|
Jan 19, 2021 |
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Sebastian Smee on criticism during COVID
|
Jan 12, 2021 |
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Art and creativity in Papua New Guinea
|
Jan 05, 2021 |
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Jerry Saltz on How to Be an Artist
|
Dec 29, 2020 |
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Lindy Lee and Areej Nur
|
Dec 22, 2020 |
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Confronting our fraught family histories
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Dec 15, 2020 |
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Olafur Eliasson's disappearing glaciers
|
Dec 08, 2020 |
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What does access look like in the arts?
|
Dec 01, 2020 |
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Lisa Hilli on how her black experience shapes her creativity
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Nov 24, 2020 |
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Judy Watson on using beauty to confront Australia's colonial history
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Nov 17, 2020 |
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Polly Borland: 'The difficult things have to be looked at'
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Nov 10, 2020 |
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Griselda Pollock: 'It's a delusion to think you make any progress'
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Nov 03, 2020 |
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Kay Rufai on creating change with black boy joy
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Oct 27, 2020 |
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Michael Zavros on Money, Migration and Mannequins
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Oct 20, 2020 |
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Hetti Perkins and Australia's 40,000 year history of artists as cultural activists
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Oct 13, 2020 |
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Brook Andrew is leading artists in urgent times
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Oct 06, 2020 |
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Lindy Lee on finding belonging as an artist
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Sep 30, 2020 |
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Olivia Laing on loneliness and repair
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Sep 23, 2020 |
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Art and creativity in Papua New Guinea
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Sep 16, 2020 |
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Del Kathryn Barton on the dangers of losing touch with our child selves
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Sep 09, 2020 |
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Abdul-Rahman Abdullah on family, religion and animals
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Sep 02, 2020 |
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Aretha Brown on confidence in activism and art
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Aug 26, 2020 |
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John Kaldor on what's next and who he's excited by now
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Aug 19, 2020 |
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Jasmine Togo-Brisby on creating South Sea spaces
|
Aug 12, 2020 |
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Body talk: Julie Rrap's creative journey around the female form
|
Aug 05, 2020 |
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An African Australian art collective making space where there was none
|
Jul 29, 2020 |
|
Sebastian Smee on criticism during COVID
|
Jul 22, 2020 |
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Hisham Matar on art, grief and healing
|
Jul 15, 2020 |
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Maree Clarke on maintaining cultural practices
|
Jul 08, 2020 |
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Liz Ann Macgregor on running the most popular contemporary art museum in the world
|
Jul 01, 2020 |
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Djon Mundine on creating Aboriginal memorials
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Jun 24, 2020 |
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Callum Morton on monuments, art and activism
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Jun 17, 2020 |
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Lisa Hilli on how her black experience shapes her creativity
|
Jun 10, 2020 |