Screen Australia Podcast
By Screen Australia
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Category: TV & Film
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Subscribers: 32
Reviews: 0
Episodes: 148
Description
Empowering the Australian screen industry
Get the latest insight and explore the biggest industry trends from leading industry professionals, as well as interviews with world-class Australian practitioners.
Subscribe to Screen Australia's fortnightly newsletter to receive the latest episode along with show notes and bonus content, as well as the latest agency news, opportunities, funding approvals, and more at www.screenaustralia.gov.au.
Feedback can be sent to podcast@screenaustralia.gov.au.
| Episode | Date |
|---|---|
|
How Aussie indie games and screen are levelling up with IP
|
Jun 11, 2026 |
|
Your Audience: The Ultimate Market Guide
|
Jan 19, 2026 |
|
Alibrandi to Kangaroo: Kate Woods on directing hits for an enduring global career
|
Nov 19, 2025 |
|
From the Top End to the small screen with Miranda Tapsell and Joshua Tyler
|
Oct 23, 2025 |
|
Saving the planet one set at a time with Karl Liegis and Helen Panckhurst
|
Oct 06, 2025 |
|
Director Justin Kurzel on embracing your creative voice
|
Jun 26, 2025 |
|
"Don't think algorithm, think audience": making data work for you in online content with Nico Lockhart
|
May 22, 2025 |
|
NITV are looking for the next great First Nations story
|
Apr 24, 2025 |
|
Creator Nicholas Verso on adapting Invisible Boys for television
|
Feb 06, 2025 |
|
Access Coordinator Stephanie Dower
|
Dec 03, 2024 |
|
Audrey: Dark comedy on the big screen with Lou Sanz and Natalie Bailey
|
Nov 07, 2024 |
|
Pikelet Pictures' Jessica Smith and Scarlett Koehne on their new online series Videoland
|
Sep 17, 2024 |
|
Distribution and discoverability of Australian theatrical releases
|
Sep 03, 2024 |
|
Updates on the Marketplace and Distribution Landscape
|
Aug 02, 2024 |
|
Little J & Big Cuz and writing kids TV with screenwriter Dot West
|
Jul 15, 2024 |
|
Behind-the-Scenes of TikTok series Growing Pains with director Devina Saberi
|
Jul 02, 2024 |
|
Paul Clarke on Midnight Oil: The Hardest Line and shaping music documentary
|
Jun 11, 2024 |
|
Tig Terera: Creating TV series Swift Street
|
May 24, 2024 |
|
Building sustainable screen careers below-the-line
|
May 09, 2024 |
|
Everything you need to know about the Game Developers Conference
|
Apr 25, 2024 |
|
Creating White Fever with Ra Chapman and Katherine Fry
|
Apr 11, 2024 |
|
Acting local, working global with producer Kauthar Abdulalim and Blacksand Pictures
|
Mar 18, 2024 |
|
Costume Designer Gypsy Taylor
|
Feb 29, 2024 |
|
Cannes Critics' Week and Applying to Festivals
|
Feb 08, 2024 |
|
Celebrating 50 years of screen education in Australia with AFTRS
|
Dec 19, 2023 |
|
Director Kitty Green: Making The Royal Hotel
|
Nov 28, 2023 |
|
Community Consultant and Actor Max Jahufer
|
Nov 14, 2023 |
|
Graeme Mason on the 2022/23 Drama Report: key takeaways
|
Nov 02, 2023 |
|
(More) Advice Before You Apply
|
Aug 23, 2023 |
|
Amazon Studios Senior Development Executive Sarah Christie
|
Aug 08, 2023 |
|
Screenwriter Catherine Smyth-McMullen
|
Jul 27, 2023 |
|
Development Funding at Screen Australia
|
Jul 13, 2023 |
|
Marta Dusseldorp: making ABC thriller Bay of Fires
|
Jun 29, 2023 |
|
Cannes Film Festival + Market in 2023
|
Jun 14, 2023 |
|
Deadloch creators Kate McCartney and Kate McLennan
|
Jun 01, 2023 |
|
Anna Barnes on creating Safe Home for SBS
|
May 12, 2023 |
|
Catherine Kelleher: the role of a note-taker
|
Apr 28, 2023 |
|
Ian Murray: creating a sustainable business
|
Apr 14, 2023 |
|
Production designer Jacinta Leong
|
Mar 31, 2023 |
|
Creating comedy with Class of '07 writer/director Kacie Anning
|
Mar 17, 2023 |
|
Documentary funding and AIDC
|
Mar 03, 2023 |
|
The making of TV series Bad Behaviour
|
Feb 17, 2023 |
|
Robert Connolly: Blueback and the drive to create cinema
|
Dec 20, 2022 |
|
Robyn Butler and Wayne Hope on making Australian TV
|
Dec 09, 2022 |
|
Intimacy Coordinator Amy Cater
|
Nov 25, 2022 |
|
Bay of Fires, No Ordinary Love and the 2021/22 Drama Report
|
Nov 09, 2022 |
|
Online funding
|
Oct 21, 2022 |
|
Director Rachel Perkins on The Australian Wars
|
Oct 07, 2022 |
|
Toronto International Film Festival 2022 Wrap-up
|
Sep 23, 2022 |
|
Games Funding 101
|
Sep 06, 2022 |
|
Director Jocelyn Moorhouse on Savage River
|
Aug 26, 2022 |
|
Directors Dylan River and Macario De Souza
|
Aug 12, 2022 |
|
What SBS Scripted are looking for
|
Jul 29, 2022 |
|
Script Supervisor Kristin Voumard
|
Jul 15, 2022 |
|
Angela Bates: True Colours, Mystery Road: Origin & We Are Still Here
|
Jul 01, 2022 |
|
Elvis: Baz Luhrmann, Catherine Martin + Mandy Walker ASC ACS
|
Jun 17, 2022 |
|
Cannes Film Festival + market wrap-up
|
Jun 03, 2022 |
|
Producer Offset explainer
|
May 20, 2022 |
|
Feature film Q&A: production, audiences and data
|
May 06, 2022 |
|
Writer/director Leah Purcell on her feature film debut
|
Apr 21, 2022 |
|
Everything you need to know about film marketing
|
Apr 08, 2022 |
|
Jennifer Peedom: making River and doco vs drama
|
Mar 25, 2022 |
|
Naomi Cleaver on producing NBCUniversal's La Brea in Victoria
|
Mar 11, 2022 |
|
Sally Caplan on the Australian screen industry
|
Feb 25, 2022 |
|
What to pitch to Amazon Prime Video Australia
|
Dec 17, 2021 |
|
Fires, Hardball and production in 20/21
|
Dec 08, 2021 |
|
Dune director of photography Greig Fraser ACS, ASC
|
Dec 03, 2021 |
|
Cinematographer Ari Wegner ACS on The Power of the Dog
|
Nov 19, 2021 |
|
Nakkiah Lui: creating TV comedy Preppers
|
Nov 05, 2021 |
|
Producer Cody Greenwood on music licensing
|
Oct 22, 2021 |
|
Caitlin Yeo: composing the score for New Gold Mountain
|
Oct 08, 2021 |
|
Marc Fennell: The School That Tried to End Racism
|
Sep 24, 2021 |
|
Bevan Lee: writing Back to the Rafters for Amazon
|
Sep 09, 2021 |
|
Jon Bell: writing for genre
|
Aug 27, 2021 |
|
Michael Lucas: creating, producing and writing The Newsreader
|
Aug 13, 2021 |
|
Mithila Gupta: Five Bedrooms and writing for Australian TV
|
Jul 30, 2021 |
|
Stevie Cruz-Martin: from Pulse to The Tailings
|
Jul 16, 2021 |
|
Cian O'Clery: making Love on the Spectrum
|
Jul 02, 2021 |
|
Vanessa Gazy: creating TV at home and abroad
|
Jun 18, 2021 |
|
Making scripted content for TikTok
|
Jun 04, 2021 |
|
How to pitch to Netflix ANZ
|
May 21, 2021 |
|
Baz Luhrmann and Catherine Martin revisit Moulin Rouge!
|
May 07, 2021 |
|
How to make Marketplace intel work for you
|
Apr 22, 2021 |
|
Writer-turned-producer Liz Doran on The Tailings
|
Apr 08, 2021 |
|
Wakefield showrunners Kristen Dunphy and Sam Meikle
|
Mar 26, 2021 |
|
Screenwriter Debra Oswald: Offspring & developing The Family Doctor
|
Mar 11, 2021 |
|
Summer box office breakdown and Australians in Film
|
Feb 26, 2021 |
|
Director Max Miller on the evolution of Aunty Donna
|
Feb 12, 2021 |
|
Bunya Productions: David Jowsey and Greer Simpkin
|
Jan 29, 2021 |
|
Bruna Papandrea: taking books to screen
|
Jan 15, 2021 |
|
Eric Bana and Robert Connolly on The Dry
|
Dec 18, 2020 |
|
Penny Smallacombe: The power of authentic storytelling
|
Dec 09, 2020 |
|
Impact of COVID-19 on the Australian screen industry
|
Nov 24, 2020 |
|
Screen Australia: Advice before you apply
|
Nov 11, 2020 |
|
Director Lucy Gaffy: Learnings from Australian TV
|
Oct 27, 2020 |
|
Madeline Miller on brand partnerships
|
Oct 13, 2020 |
|
Gregor Jordan: Directing Dirt Music
|
Sep 29, 2020 |
|
Distribution update and AD advice
|
Sep 16, 2020 |
|
Unjoo Moon: Directing I Am Woman
|
Sep 01, 2020 |
|
Meg O'Connell: Retrograde, Content and Snapchat
|
Aug 19, 2020 |
|
Jason Stephens: Lingo Pictures
|
Aug 05, 2020 |
|
Shannon Murphy: Babyteeth and Killing Eve
|
Jul 21, 2020 |
|
Natalie Erika James: Making debut feature Relic
|
Jul 08, 2020 |
|
Barbara Stephen: Flying Bark and Australian animation
|
Jun 23, 2020 |
|
Peter Duncan on writing and directing TV
|
Jun 09, 2020 |
|
Hear from the ABC
|
May 26, 2020 |
|
Sophie Hyde on directing for screen
|
May 13, 2020 |
|
Making a successful web series
|
Apr 29, 2020 |
|
Sue Masters: Commissioning Australian TV
|
Apr 15, 2020 |
|
Andrew Mackie: Transmission Films
|
Apr 01, 2020 |
|
Distribution 101
|
Mar 17, 2020 |
|
Liz Watts: producing features in Australia
|
Mar 03, 2020 |
|
Plotting and writing 30 episodes of TV
|
Feb 14, 2020 |
|
Finance plans explained
|
Jan 17, 2020 |
|
Makers of Netflix's Special on digital originals
|
Dec 06, 2019 |
|
Stan CEO Mike Sneesby
|
Nov 17, 2019 |
|
Mirrah Foulkes: Making Judy & Punch
|
Nov 08, 2019 |
|
Michael Brealey: Industry health, change, and the Drama Report
|
Oct 30, 2019 |
|
Alastair McKinnon: Matchbox Pictures
|
Oct 16, 2019 |
|
Documentary funding
|
Sep 29, 2019 |
|
Graeme Mason: TIFF, MIPCOM and market prep
|
Sep 17, 2019 |
|
Roadshow Rough Diamond
|
Sep 04, 2019 |
|
Joanna Werner: Gender Matters
|
Aug 20, 2019 |
|
Niki Aken: writing for TV in Australia
|
Aug 14, 2019 |
|
Producer Offset
|
Aug 01, 2019 |
|
Budgets
|
Jul 10, 2019 |
|
Kristina Ceyton: Causeway Films
|
Jun 12, 2019 |
|
Online Funding
|
Apr 09, 2019 |
|
Insights from Game of Thrones, True Blood and more
|
Mar 19, 2019 |
|
Tim Pye: Australian Writers' Guild
|
Feb 05, 2019 |
|
Doc Martin Creator Dominic Minghella
|
Jan 15, 2019 |
|
GLOW: Sascha Rothchild
|
Dec 19, 2018 |
|
Executive Producer Nathan Ross
|
Dec 11, 2018 |
|
Ludo Studio
|
Nov 19, 2018 |
|
Graeme Mason: Screen Australia
|
Oct 29, 2018 |
|
Matthew Deaner: Screen Producers Australia
|
Oct 09, 2018 |
|
Producing Ladies in Black
|
Sep 20, 2018 |
|
Kingston Anderson: Australian Directors Guild
|
Aug 14, 2018 |
|
The Art of Pitching
|
Jul 31, 2018 |
|
Producing Genre: Kylie du Fresne
|
Jul 17, 2018 |
|
Screen Story Development Guidelines
|
Jul 03, 2018 |
|
First Feature: Cargo
|
May 21, 2018 |
|
Official Co-Productions: Documentary
|
Mar 18, 2018 |
|
Official Co-Productions: China
|
Mar 18, 2018 |
|
Official Co-Productions: Cleverman
|
Feb 13, 2018 |
|
Official Co-Productions: Intro
|
Jan 31, 2018 |
|
Official Co-Productions: Emile Sherman
|
Jan 31, 2018 |
|
Gender Matters
|
Jul 20, 2017 |