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Episode | Date |
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Nowhere Special with James Norton and Uberto Pasolini
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Apr 26, 2024 |
Promising Young Woman + The Assistant: Rape culture on film in 2020 (Redux)
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Nov 22, 2023 |
Creative Nonfiction #5: Penny Lane on Confessions of a Good Samaritan and making a self-portrait
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Jul 12, 2023 |
Creative Nonfiction #4: Sam Green on 32 Sounds and live documentary
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Jun 15, 2023 |
Creative Nonfiction #3: Philippe Falardeau on Lac-Mégantic: This Is Not An Accident and rethinking the true crime doc
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Jun 07, 2023 |
Creative Nonfiction #2: Sophie Fiennes on Four Quartets and documenting live theatre
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May 31, 2023 |
Creative Nonfiction #1: An introduction
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May 29, 2023 |
134: Justine Triet's Women on the Verge: In Bed With Victoria and Sibyl
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May 27, 2023 |
133: Berlinale 2023: Here, Delegation, The Teachers' Lounge, Le Paradis, and more
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Mar 01, 2023 |
Sundance 2023 #7: Best of the fest + documentaries Fantastic Machine, Is There Anybody Out There, The Stroll, and more
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Feb 14, 2023 |
Sundance 2023 #6: Passages, You Hurt My Feelings, Rotting in the Sun, A Little Prayer, and more.
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Feb 07, 2023 |
Sundance 2023 #5: Sometimes I Think About Dying, Fremont, Eileen, Fairyland, and more
|
Feb 01, 2023 |
Sundance 2023 #4: Indigenous Films, from Bad Press to Twice Colonized to Murder in Big Horn and beyond.
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Jan 27, 2023 |
Sundance 2023 #3: Slow, Fancy Dance, Scrapper, A Still Small Voice, and other early highlights
|
Jan 25, 2023 |
Sundance 2023 #2: The Spotlight Program and The Eight Mountains
|
Jan 21, 2023 |
Sundance 2023 #1: What we're looking forward to at the festival
|
Jan 19, 2023 |
132: Women Talking by Sarah Polley
|
Jan 11, 2023 |
131: Remembering Jeff Barnaby
|
Dec 23, 2022 |
130: Jerzy Skolimowski's Eo (Excerpt)
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Nov 25, 2022 |
Highlights from the fall film film festivals (Excerpt)
|
Nov 16, 2022 |
Bonus 31: My Small Land
|
Nov 08, 2022 |
We're back! Coming soon on the podcast
|
Nov 05, 2022 |
5. Women at Cannes 2022
|
Jun 08, 2022 |
4. Naomi Kawase at Cannes
|
Jun 01, 2022 |
3. Céline Sciamma at Cannes
|
May 25, 2022 |
2. Kelly Reichardt at Cannes 2022
|
May 18, 2022 |
1. Why are we celebrating women at Cannes this year?
|
May 11, 2022 |
Introducing our new Women at Cannes season
|
May 09, 2022 |
B29: Where is COVID in the movies?
|
May 04, 2022 |
128: Petite Maman and Céline Sciamma’s temporary utopias
|
Apr 27, 2022 |
B28: Portraits of female artists: Part 2 (Excerpt)
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Apr 20, 2022 |
127: Fabian: Going to the Dogs and the rise of totalitarianism
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Apr 13, 2022 |
126: Run Woman Run: An Indigenous coming of age after 30 film
|
Apr 06, 2022 |
B27: Empathy on film with Dr. Brett Pardy
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Mar 30, 2022 |
B26: Benedict Cumberbatch's best, worst, and poshest performances (Excerpt)
|
Mar 23, 2022 |
125: Berlinale 2022
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Mar 16, 2022 |
B25: This is Going to Hurt and physician mental health
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Mar 09, 2022 |
Announcing the Joachim Trier Challenge
|
Mar 08, 2022 |
124: Olivia Vinall on performing Shakespeare
|
Mar 02, 2022 |
B24: Kenneth Branagh's Much Ado About Nothing (Excerpt)
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Feb 23, 2022 |
123: Sundance 2022: Creative Nonfiction
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Feb 16, 2022 |
B23: Sundance 2022: Fiction films (Excerpt)
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Feb 09, 2022 |
122: Joachim Trier's The Worst Person in the World
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Feb 02, 2022 |
B22: Joel Coen's The Tragedy of Macbeth (Excerpt)
|
Jan 26, 2022 |
121: Ninjababy & Obvious Child: Unwanted pregnancies in romantic comedies
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Jan 19, 2022 |
B21: The Best Films of 2021
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Jan 12, 2022 |
120: David Gulpilil: Remembering his work in Charlie's Country and beyond
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Jan 05, 2022 |
B20: Belfast and the self-mythologising of Kenneth Branagh (Excerpt)
|
Dec 29, 2021 |
119: Mike Leigh's Naked
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Dec 22, 2021 |
B19: Who is the poshest actor in Britain
|
Dec 15, 2021 |
118: The Souvenir Part I and II
|
Dec 08, 2021 |
Announcement: The Seventh Circle returns
|
Dec 06, 2021 |
117: The North Water
|
Nov 24, 2021 |
B17: Saoirse Ronan and James McArdle in The Tragedy of Macbeth at the Almeida Theatre (Excerpt)
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Nov 17, 2021 |
Announcement on Our New Podcast Format
|
Nov 05, 2021 |
B16: Watching Lena Dunham's Girls in 2021 (Excerpt)
|
Nov 03, 2021 |
108: The Deep Blue Seas redux
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Sep 08, 2021 |
107: Another Round and Oslo, August 31st: Are men OK? Masculinity, mental health, & addiction Redux
|
Sep 02, 2021 |
105: Subjective realities: The art of creative nonfiction film
|
Aug 18, 2021 |
100: Films for the future
|
Jul 14, 2021 |
99: Creative Nonfiction with Penny Lane and Carol Nguyen
|
Jul 07, 2021 |
What is creative nonfiction?
|
Jun 22, 2021 |
Introducing the Seventh Row Premium Podcast
|
May 11, 2021 |
81: In Their Own Words: Fiction Directors
|
Mar 02, 2021 |
64: Lockdown Film School with Alice Winocour
|
Nov 03, 2020 |
56: Justine Triet's Women on the Verge: In Bed With Victoria and Sibyl
|
Sep 08, 2020 |
7R EP52: First Cow & Wendy and Lucy
|
Aug 11, 2020 |
Roads to Nowhere ebook Preview
|
Jul 07, 2020 |
46: Mina Shum and Philippe Falardeau
|
Jun 30, 2020 |
40: Stories We Tell, Louder Than Bombs, & Mouthpiece: Dead mothers
|
May 05, 2020 |
7R EP37: Subverting the Western Featuring Meek's Cutoff
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Apr 14, 2020 |
On Film Criticism with Lindsay Pugh
|
Mar 24, 2020 |
30: Portrait of a Lady on Fire
|
Feb 19, 2020 |
7R EP25: Kelly Reichardt's Old Joy and Night Moves
|
Jan 14, 2020 |
22: The King
|
Dec 09, 2019 |
21: Feminist Horror
|
Oct 28, 2019 |
14: The Souvenir
|
Jun 21, 2019 |
13: Mouthpiece
|
Jun 07, 2019 |
11: Peterloo
|
Apr 19, 2019 |
9: Canada's Top Ten 2018, part 2
|
Mar 15, 2019 |
8: Canada's Top Ten 2018, part 1
|
Mar 08, 2019 |
7: Andrew Haigh's Lean on Pete
|
Feb 02, 2019 |
2: Lynne Ramsay's You Were Never Really Here
|
Oct 12, 2018 |
1: Leave No Trace
|
Oct 04, 2018 |