Rough Cut
By The Video Consortium
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Category: TV & Film
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Subscribers: 10
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Episodes: 78
Description
Conversations with documentary filmmakers and video journalists about their creative process—successes, failures, and what they’ve learned along the way. Created by the global filmmaking collective The Video Consortium, Rough Cut is a guide to navigating today’s ever-changing media landscape.
| Episode | Date |
|---|---|
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A Mile From Home: Reporting in Minneapolis with Katie G. Nelson
|
May 05, 2026 |
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Raney Aronson-Rath Reflects On Ten Years Leading Frontline
|
Mar 10, 2026 |
|
The Art of Resistance: Navigating Scarcity and Chaos in Latin American Cinema
|
Feb 17, 2026 |
|
Intimate Narratives: Kristin Feeley with the “Holding Liat” team on Collaboration and Community
|
Jan 13, 2026 |
|
Best Seat in the House: Behind the Lens with the LA Sparks Videographer Alicia Ramirez
|
Dec 09, 2025 |
|
Activism, Art, and the Business of Documentary Film with Jarod Neece and Nicholas Bruckman
|
Nov 04, 2025 |
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Trust, TikTok, and the Future of News with Ryan Kellett and Dave Jorgenson
|
Oct 07, 2025 |
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Trust Through Transparency: Rethinking Pay and Power in Documentary
|
Sep 09, 2025 |
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From Grassroots to Netflix: Inside the Join or Die Impact Campaign
|
Aug 05, 2025 |
|
Digging Through Time and Truth: Archival Ethics in the Age of AI
|
Jul 01, 2025 |
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Filming Family: The Ethics of Documenting Loved Ones with Ondi Timoner
|
Jun 03, 2025 |
|
Framing the Artist: Inside Nathan-ism with Dennis Scholl and Elan Golod
|
May 06, 2025 |
|
Filming a documentary on an iPhone: Ann Collins with Sandra Luckow
|
Apr 01, 2025 |
|
Journalism in the Age of Vertical Video with Brandon Graves and Kamaria Roberts
|
Mar 04, 2025 |
|
The Vital Power of Local Stories: Kevin Merida and Dawn Porter
|
Feb 04, 2025 |
|
Cocaine Cowboys and Challenging Industry Expectations: Billy Corben and Alfred Spellman
|
Jan 07, 2025 |
|
Storytelling With Mixed Media and Animation: Lizzy Hogenson and Zach Dorn
|
Dec 03, 2024 |
|
Creative Teams that Vibe: NPR’s Mito Habe-Evans and Quincy Ledbetter
|
Nov 12, 2024 |
|
Joss Fong and Adam Cole on Building New Audiences
|
Oct 01, 2024 |
|
Putting on a Show: How Magic Taught Ben Proudfoot to Make Movies
|
Sep 03, 2024 |
|
Why Start a Production Company?: Scott Faris with Meg Griffiths
|
Aug 06, 2024 |
|
Transitioning from Photo to Video: Ed Ou with Amanda Mustard
|
Jul 02, 2024 |
|
The Biggest Challenges Facing the Documentary Industry
|
Jan 06, 2024 |
|
Inside Programming at Hot Docs Film Festival
|
Jul 10, 2023 |
|
Lessons from a First Time Filmmaker
|
Apr 05, 2023 |
|
What Documentary Filmmakers Can Learn from Narrative
|
Mar 09, 2023 |
|
Rita Baghdadi on Building Intimacy with Subjects & Directing and Shooting Simultaneously
|
Jan 20, 2023 |
|
When Subjects Change their Relationship with your Film
|
Dec 02, 2022 |
|
What Do Filmmakers Owe Their Subjects?
|
Nov 10, 2022 |
|
Two Documentaries on the Same Subject?
|
Oct 20, 2022 |
|
The Relationship between Filmmaker and Subject
|
Sep 29, 2022 |
|
Licensing Music For Your Film
|
Sep 08, 2022 |
|
How to Create a Film Festival Strategy
|
Jun 01, 2022 |
|
Jon Gerberg on Covering the War in Ukraine
|
Apr 14, 2022 |
|
Chloe Gbai on What Makes a Great Documentary Short
|
Feb 26, 2022 |
|
Poh Si Teng on What Makes a Strong Grant Application
|
Dec 19, 2021 |
|
Joe Posner on Building Vox Video
|
Oct 14, 2021 |
|
The Power of VR Documentaries
|
Aug 16, 2021 |
|
How to Negotiate a Fair Rate
|
Jun 27, 2021 |
|
Hao Wu on Directing a Film Remotely
|
May 30, 2021 |
|
Geeta Gandbhir on Authorship and Working with Editors
|
Apr 28, 2021 |
|
Jeremy Workman: The Art of Trailer Editing
|
Mar 01, 2021 |
|
Emily Strong: Sound in Documentary
|
Feb 01, 2021 |
|
Uptin Saiidi: What Works on Social Media
|
Dec 30, 2020 |
|
Julie Cohen on Making a Commercially Successful Documentary
|
Nov 15, 2020 |
|
When the Personal is Political in Documentary Film
|
Oct 11, 2020 |
|
Funding Your Film: How to Get Started
|
Sep 15, 2020 |
|
Sven Pape: Learning Documentary Editing
|
Aug 20, 2020 |
|
Marco Williams: A Filmmaker’s Role during Social Change
|
Jul 31, 2020 |
|
The Future of Film Festivals
|
Jul 17, 2020 |
|
Claire Gordon: How to Simplify Complex Ideas
|
Jun 12, 2020 |
|
Joe Coscarelli: The Art of the Remote Interview
|
May 21, 2020 |
|
Rachel Mason: How to Make a Film About Your Family
|
May 07, 2020 |
|
BONUS: The Impact of COVID-19
|
Apr 07, 2020 |
|
Wendy Cohen: How to Maximize Your Film's Impact
|
Mar 18, 2020 |
|
Chloe Gbai on What Makes a Great Documentary Short
|
Mar 04, 2020 |
|
Luke Lorentzen: The Art of Shooting Solo
|
Feb 12, 2020 |
|
Lance Oppenheim: From Short Doc to Feature
|
Jan 27, 2020 |
|
Kevin Klauber on Documentary Editing
|
Jan 09, 2020 |
|
Bing Liu on Making a Personal Documentary
|
Dec 18, 2019 |
|
Charles Haine on Marketing Yourself as a Filmmaker
|
Dec 04, 2019 |
|
Wonbo Woo: From Broadcast to Digital
|
Nov 14, 2019 |
|
Vanessa Carr on Learning Cinematography
|
Oct 30, 2019 |
|
Mohammad Gorjestani: Why Subjects Should Be Collaborators
|
Oct 16, 2019 |
|
Courtney Coupe on How Stories Go Viral
|
Oct 02, 2019 |
|
Johnny Harris on How to Learn New Skills Quickly
|
Sep 18, 2019 |
|
Ed Ou on Transitioning from Photo to Video
|
Jul 23, 2019 |
|
Glen Zipper on How Directors Should Pitch to Producers
|
Jun 12, 2019 |
|
Pamela B. Green on the Darkest Moments in Filmmaking
|
May 30, 2019 |
|
Meghan Oretsky: How to get your film on Vimeo Staff Picks
|
May 15, 2019 |
|
Rachel Lears on how to choose the right subjects for your documentary
|
May 02, 2019 |
|
Dan Berger: Film Distribution 101
|
Apr 17, 2019 |
|
Mickey Duzyj & Mona Panchal: How to Bounce Back from Failure
|
Apr 03, 2019 |
|
Nausheen Dadabhoy on Choosing the Right Team for your Film
|
Mar 20, 2019 |
|
Alexandria Bombach on how filmmakers should portray stories of trauma and why she edits her own films
|
Mar 06, 2019 |
|
Jon Kasbe on shooting vs editing and what it's like to watch his own film in a theater
|
Feb 20, 2019 |
|
Erin Lee Carr on how to pitch a documentary to HBO and lessons from her dad, David Carr
|
Jan 25, 2019 |
|
Spencer Chumbley on shooting in war zones and the benefits of being self-taught
|
Jan 25, 2019 |