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Episode | Date |
---|---|
Art after pandemic
|
Apr 25, 2021 |
Michael Yamashita
|
Mar 15, 2021 |
Paola M. Franqui
|
Feb 16, 2021 |
Staying focused in a mad world
|
Jan 27, 2021 |
Phedon Papamichael
|
Jan 09, 2021 |
Vineet Vohra
|
Dec 23, 2020 |
What is the future of storytelling?
|
Dec 08, 2020 |
Stanley Kubrick's cinematographer Larry Smith
|
Nov 24, 2020 |
The allure of America
|
Nov 16, 2020 |
Jord Hammond
|
Nov 02, 2020 |
What lens is the right lens?
|
Oct 26, 2020 |
Tyler Shields
|
Oct 06, 2020 |
Quality control
|
Sep 24, 2020 |
David Yarrow
|
Sep 13, 2020 |
Ocean's Eleven screenwriter Ted Griffin
|
Aug 31, 2020 |
Shooting strangers
|
Aug 24, 2020 |
Tran Tuan Viet
|
Aug 17, 2020 |
What even is 'fine art photography'?
|
Aug 08, 2020 |
Ray Collins
|
Jul 30, 2020 |
When does a photo become digital art?
|
Jul 19, 2020 |
There Will Be Blood cinematographer Robert Elswit
|
Jul 02, 2020 |
Where in the world to shoot?
|
Jun 26, 2020 |
Cristina Mittermeier
|
Jun 15, 2020 |
Compromise
|
Jun 05, 2020 |
Inception & The Dark Knight cinematographer Wally Pfister
|
May 26, 2020 |
The relationship between camera and subject
|
May 18, 2020 |
Vincent Peters
|
May 11, 2020 |
How important is the camera you use?
|
May 06, 2020 |
Game of Thrones and Ozark director Daniel Sackheim
|
Apr 30, 2020 |
Titling work (or 'There are 4 kinds of title')
|
Apr 21, 2020 |
Joel Meyerowitz
|
Apr 13, 2020 |
Matt Stuart
|
Apr 06, 2020 |
Instagram vs. Reality (aesthetics edition)
|
Mar 30, 2020 |
Manfred Baumann
|
Mar 23, 2020 |
Euphoria cinematographer Adam Newport-Berra
|
Mar 13, 2020 |
A note on coronavirus
|
Mar 13, 2020 |
Martin Parr
|
Mar 02, 2020 |
Why shoot black & white?
|
Feb 18, 2020 |
Wes Anderson's cinematographer Bob Yeoman
|
Feb 13, 2020 |
Fight Club cinematographer Jeff Cronenweth
|
Feb 07, 2020 |
Steve McCurry
|
Feb 02, 2020 |
Welcome to Candela
|
Jan 30, 2020 |
TEASER
|
Jan 25, 2020 |