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Episode | Date |
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Ephraim Sykes on Rest and Rising
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Oct 24, 2023 |
Hope Boykin Has Room
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Sep 19, 2023 |
Melissa M. Young on Leading from the Middle
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Apr 27, 2023 |
Tragic Shootings, Appointments and Awards, and Streaming Cutbacks
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Apr 20, 2023 |
Phil Chan on Reimagining Problematic Classics
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Apr 13, 2023 |
"DWTS" Shake-up, Equity's PAC, and Turning Dance into Data
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Apr 06, 2023 |
Akram Khan and Malavika Sarukkai on Bringing the Inherited into the Present
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Mar 30, 2023 |
Informed Consent in the Studio and Forgotten Dance History
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Mar 23, 2023 |
Kathleen Moore and Linda Murray on Agnes de Mille's Legacy
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Mar 16, 2023 |
Gender Equity, the Season Ahead, and Seeing Ballet Clearly
|
Mar 09, 2023 |
Francesca Harper on Storytelling as Activism
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Mar 02, 2023 |
Goecke's Attack, Rihanna's Return, and Hard Rock Ballet
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Feb 23, 2023 |
Sidra Bell on Dance as a Model for Human Connection
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Feb 16, 2023 |
A "La La Land" Musical, Grammys Highlights, and the Audition Debate
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Feb 09, 2023 |
Ashton Edwards and Zsilas Michael Hughes on Moving Past the Binary
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Feb 02, 2023 |
Monterey Park Tragedy, Broadway Arrivals, and News of Our Own
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Jan 26, 2023 |
Natalia Osipova on Dancing from the Soul
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Jan 19, 2023 |
Ratmansky's Move, New Leadership Models, and 25 to Watch
|
Jan 12, 2023 |
Jennifer Homans on "Mr. B"
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Jan 05, 2023 |
Susan Jaffe on Ballet's Path Forward
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Dec 29, 2022 |
Liz Lerman on Witches, Wisdom, and Wondering Why
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Dec 22, 2022 |
Remembering “tWitch” Boss, Dance Writing’s Future, and Gargouillade Gate
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Dec 15, 2022 |
Elizabeth Yntema and Rebecca Ferrell on Gender Equity in Dance
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Dec 08, 2022 |
Ballet Controversy, Rebirth at the Pillow, and "Only Gold"
|
Dec 01, 2022 |
Eduardo Vilaro and Verdery Roosevelt on Legacy and Advocacy
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Nov 23, 2022 |
"Mr. B," Playbill Leaves Twitter, and Baryshnikov's Perspective
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Nov 17, 2022 |
Toni Basil on Dancing Through the Decades
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Nov 10, 2022 |
Dance Pros on TikTok, and the Value of Older Bodies
|
Nov 03, 2022 |
Kiyon Ross on the Evolution of Ballet Leadership
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Oct 27, 2022 |
Broadway Controversies, Misty's Film, and Life Sans Social Media
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Oct 20, 2022 |
Mark Morris on Burt Bacharach, the Pandemic, and Mickey Mouse
|
Oct 13, 2022 |
A Dance "Matrix," USC's Majorette Team, and the Solange Effect
|
Oct 06, 2022 |
Jeanette Delgado on Staying Open to Possibilities
|
Oct 01, 2022 |
"Phantom" Closure, Labor Agreements, and Dance Magazine Awards
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Sep 22, 2022 |
Marguerite Derricks and John Carrafa on Choreographing for TV
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Sep 17, 2022 |
Advocating for Choreographers, and How War Affects the Dancing Body
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Sep 08, 2022 |
Daniel Ezralow and Gypsy Snider on Non-Profit vs For-Profit
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Sep 03, 2022 |
New Leaders, Solange's Ballet, and Audience Anxieties
|
Aug 25, 2022 |
Janet Eilber and Michael Novak on Balancing Preservation and Innovation
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Aug 20, 2022 |
“CATS” in the Ballroom, and Catharsis on the Dance Floor
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Aug 11, 2022 |
Misty Copeland’s Baby News, and Pandemic Lessons in Self-Care
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Jul 28, 2022 |
Broadway Casting Controversy, and Dancing with Long COVID
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Jul 14, 2022 |
College vs Conservatory vs Career, and Forgotten Dance History
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Jun 30, 2022 |
Tony Awards, the Season Ahead, and How the Arts Improve Public Safety
|
Jun 16, 2022 |
"SYT" Shakeup, a Cabaret in Crisis, and Queer Stories on Ballet Stages
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Jun 02, 2022 |
Dancing Through Pregnancy and Cultivating Open Communication
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May 26, 2022 |
The Missing Ensemble Tony and the Women Leading Ballet Forward
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May 19, 2022 |
Pas de Deux Politics and How Social Media Affects Creativity
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May 12, 2022 |
Compassionate COVID Protocols and the Problem with Balletcore
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May 05, 2022 |
Crediting Choreography and the Politics of Hair in Ballet
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Apr 28, 2022 |
Intimacy Directors in the Studio and Dancing the Story of Cinco de Mayo
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Apr 21, 2022 |
Art as Collateral Damage, Patterns of Abuse, and Demystifying NFTs
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Apr 14, 2022 |
Cold War Echoes, Innovative TikTok Dance, and Storyboard P
|
Apr 07, 2022 |
Dance at the Oscars and the Great Arts Worker Resignation
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Mar 31, 2022 |
Ballet as a Political Football and Size-Inclusive Dancewear
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Mar 24, 2022 |
Ukraine Headlines, Nonbinary Dancers, and Pandemic Policies
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Mar 17, 2022 |
How Dance Institutions Are Supporting Ukraine
|
Mar 10, 2022 |
The Dance World Responds to the Ukraine Crisis
|
Mar 03, 2022 |
Brown Girls Do Ballet, the Grant Grind, and the Dance Flow State
|
Feb 24, 2022 |
Broken Job Markets, Immersive Theater Returns, and Ballet Skiing
|
Feb 17, 2022 |
When Dance Feels Inadequate, Screendance's Future, and Olympic Skating
|
Feb 10, 2022 |
Zoom Dance Class, and Why Recreational Dancers Matter
|
Feb 03, 2022 |
Super Bowl Controversy, Keeping Students Safe, and 100 Episodes
|
Jan 27, 2022 |
Vanishing Audiences, the "Radically Welcoming" Studio, and Addressing Burnout
|
Jan 20, 2022 |
Tamara Rojo, Injury Culture, and Britney’s Dancing
|
Jan 13, 2022 |
Omicron Dilemmas, Heroic Understudies, and Play in the Studio
|
Jan 06, 2022 |
The Best of 2021, Part 2
|
Dec 30, 2021 |
The Best of 2021, Part 1
|
Dec 23, 2021 |
Process as Destination, Jeremy McQueen’s “WILD,” and Dancing to Car Alarms
|
Dec 16, 2021 |
The “West Side Story” Debate, Weighing Dancers, and “DWTS” Dreamcasting
|
Dec 09, 2021 |
Remembering Sondheim, “The Nutcracker” Evolves, and Osipova’s NFTs
|
Dec 02, 2021 |
The Dance Things We're Thankful For
|
Nov 24, 2021 |
“Chicago” at 25, Dance as Renewable Energy, and “Good” Costumes
|
Nov 18, 2021 |
Dance as a Workplace, Body Hair Battles, and Indigenous Enterprise
|
Nov 11, 2021 |
Assessing Arts Journalism, Dance Companies’ COVID Scars, and the Case for “DWTS”
|
Nov 04, 2021 |
Race on Broadway Stages, Burlesque-topia, and K-pop’s Dance Love
|
Oct 28, 2021 |
Boys in Ballet, Adjunct Purgatory, and the Return of Social Dance
|
Oct 21, 2021 |
Returning to the Stage, What Comes Next, and Special Guest Tiler Peck
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Oct 14, 2021 |
Lizzo’s TED Talk, Rethinking Arts Admin, and NYCB’s Fashion Gala
|
Oct 07, 2021 |
Tony Highs and Lows, Disappearing Dance Programs, and “Birds of Paradise”
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Sep 30, 2021 |
A Culture of Abuse, Religion and Dance, and the “West Side” Trailer
|
Sep 23, 2021 |
Broadway’s Comeback, Real Talk About Money, and Choreography Awards
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Sep 16, 2021 |
Retooling “Nutcracker,” a Ballet Tragedy, and Body-Positive Dance
|
Sep 09, 2021 |
Josephine Baker, JoJo Siwa, and New Deal for Broadway
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Sep 02, 2021 |
Students' Mental Health Needs, Freelance Pay, and Our First Book Review
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Aug 26, 2021 |
Slow Ticket Sales, BAAND Together, and K-pop Dance Covers
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Aug 19, 2021 |
Broadway's Prospects, Rethinking Attendance Policies, and Ballerina Moms
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Aug 12, 2021 |
Patterns of Abuse, Copyrighting Viral Dance, and Lessons from Simone Biles
|
Aug 05, 2021 |
Vogue’s Fairy Godfather, “Industry Baby,” and Crediting Dancers
|
Jul 29, 2021 |
Edit Extra: Andrea Miller on the Alchemy of Performance
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Jul 24, 2021 |
West End Closures, Ageism in Dance, and Georgina Pazcoguin’s Memoir
|
Jul 22, 2021 |
Headlines Galore, Reentering Our Bodies, and the “Bend and Snap”
|
Jul 15, 2021 |
Gender-Blind Ballet, “Hamilton”’s Federal Aid, and Propaganda Dance
|
Jul 08, 2021 |
#BlackTikTokStrike, Ballet Departures, and Game-Changing Gifts
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Jul 01, 2021 |
Black Ballet Legacies, TikTok NFTs, and Marisa Hamamoto
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Jun 24, 2021 |
VR Dance, MacKenzie Scott's Grants, and Ayodele Casel and Torya Beard
|
Jun 17, 2021 |
Queering Flamenco, Making "In the Heights" Dance, and Adriana Pierce
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Jun 10, 2021 |
A Week Off, and Richard Riaz Yoder
|
Jun 03, 2021 |
Tap Legacies, "In Balanchine's Classroom," and Sienna Lalau
|
May 27, 2021 |
Freelance Ballet Careers, the Dance-Drag Connection, and Madelyn Ho
|
May 20, 2021 |
The Artistry in Every Body, Retiring "World Dance," and Stella Abrera and Sonja Kostich
|
May 13, 2021 |
Remembering Jacques, the Reopening Struggle, and Phil Chan and Georgina Pazcoguin
|
May 06, 2021 |
Accountability at Staatsballett, Give Dancers a Minute, and Chloe Angyal
|
Apr 29, 2021 |
Liam Scarlett’s Death, Building a Better Theater Industry, and Gavin Larsen
|
Apr 22, 2021 |
Cultivating Better Tomorrows, Tech Needs Dancers, and Duke Dang
|
Apr 15, 2021 |
The Fate of the Corps, Writing Dance from Prison, and Rena Butler
|
Apr 08, 2021 |
Addison Rae on Fallon, Keeping Dancers Paid, and Sydnie L. Mosley
|
Apr 01, 2021 |
Supporting Asian Artists, Dance NFTs, and Pamela Tatge
|
Mar 25, 2021 |
Insurance Crisis, Grammys Highlights, and Emily Coates
|
Mar 18, 2021 |
Protecting Performers, Making Space for Rest, and Kellee Edusei
|
Mar 11, 2021 |
Brexit Hurdles, Pandemic Silver Linings, and Brinda Guha
|
Mar 04, 2021 |
Diversifying Ballet Faculties, the “SYTYCD” Legacy, and Gabe Stone Shayer
|
Feb 25, 2021 |
Funding Black Dance, #QueertheBallet, and Martha Nichols
|
Feb 18, 2021 |
Holding Ourselves Accountable, Paris Opéra Diversity, and Tamisha Guy
|
Feb 11, 2021 |
Abuse in the Classroom, Gymnastics Choreography, and Tiffany Rea-Fisher
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Feb 04, 2021 |
Tokenism vs. Representation, Bernie Dance Memes, and Trey McIntyre
|
Jan 28, 2021 |
Dance as a National Resource, Harry Styles' Moves, and Erin Pride
|
Jan 21, 2021 |
Dance on Ice, Crediting Commercial Choreography, and Dana Wilson
|
Jan 14, 2021 |
How TV Sees Ballet, the "Great Cultural Depression," and Jared Grimes
|
Jan 07, 2021 |
The Best of 2020, Part 2
|
Dec 31, 2020 |
The Best of 2020, Part 1
|
Dec 24, 2020 |
Remembering Ann Reinking, Ballet Must Do Better, and Kim Bears-Bailey
|
Dec 17, 2020 |
Olympic Dance, "Black Swan" at 10, and Christy Bolingbroke
|
Dec 10, 2020 |
"Nutcracker" During COVID, Decentralizing Dance, and Alice Sheppard
|
Dec 03, 2020 |
The Dance Things We're Thankful For
|
Nov 25, 2020 |
Exclusion Is Oppression, #Ratatousical, and Lloyd Knight
|
Nov 19, 2020 |
Election Dance Parties, a Copyright Crusade, and Kyle Abraham
|
Nov 12, 2020 |
Election Dance-straction, a Pandemic "Giselle," and Darrell Grand Moultrie
|
Nov 05, 2020 |
#JoyToThePolls, Kamala’s Dancing, and Cat Cogliandro
|
Oct 29, 2020 |
Tony Noms, the "Bubble Doctor," and Sidra Bell
|
Oct 22, 2020 |
Broadway Heartbreak, Sizeism in Ballet, and Dormeshia
|
Oct 15, 2020 |
Progress at the Ballet, Savage X Fenty, and Ingrid Silva
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Oct 08, 2020 |
America’s Cultural Treasures, Return of Reviews, and Heidi Duckler
|
Oct 01, 2020 |
RBG at the Theater, Save Our Stages, and Melissa Blanco Borelli
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Sep 24, 2020 |
“Cuties” Controversy, Ballet's Queer Women, and Aesha Ash
|
Sep 17, 2020 |
Camille A. Brown’s School, the “Bayadère” Debate, and Nel Shelby
|
Sep 10, 2020 |
Evolving Audiences, VMAs Choreography, and Amanda Morgan
|
Sep 03, 2020 |
Tony Eligibility, Mariinsky Outbreak, and Kahina Haynes
|
Aug 27, 2020 |
Pandemic "DWTS," All-Digital Ballet Seasons, and Silas Farley
|
Aug 20, 2020 |
"WAP" Choreography, Pointe Shoe History, and Theresa Ruth Howard
|
Aug 13, 2020 |
No Rockettes or Nutcrackers, LADP's Canny Rebrand, and Alejandra Duque Cifuentes
|
Aug 06, 2020 |
"Guinea Pig" Shows, the Black Theatre Coalition, and Denise Saunders Thompson
|
Jul 30, 2020 |
TikTok Turmoil, Masks in Class, and Phil Chan
|
Jul 23, 2020 |
Performance Safety, Bath Ballet, and Eduardo Vilaro
|
Jul 16, 2020 |
Remembering Nick Cordero, Streaming Broadway Shows, and Omari Wiles
|
Jul 09, 2020 |
Crediting TikTok Creators, Virtual BET Awards, and a Mental Health Check
|
Jul 02, 2020 |
2020 Is Canceled, IABD’s Archive, and Chloe and Maud Arnold
|
Jun 25, 2020 |
Black Ballerinas Speak Out, Action-Oriented Activism, and Katherine Dunham's Legacy
|
Jun 18, 2020 |
Broadway and Ballet Reckonings, Dance as Protest, and Ephrat Asherie
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Jun 11, 2020 |
#TheShowMustBePaused, Standing for Black Artists, and Jacqueline Green
|
Jun 04, 2020 |
"Smash" the Musical, The New Normal, and Stella and Sascha
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May 28, 2020 |
Socially-Distanced Shows, Relevant Revivals, and the Quantum Ballerina
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May 21, 2020 |
Digital Content Downsides, "Center Stage" Turns 20, and Michaela DePrince
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May 14, 2020 |
The Dance Class of 2020, Pros Try TikTok, and Calvin Royal III
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May 07, 2020 |
Ballet's Storytellers, TV Dance Shows, and Jamar Roberts
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Apr 30, 2020 |
Digital Dance Seasons, Post-Pandemic Prospects, and Paloma Garcia-Lee
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Apr 23, 2020 |
TaskRabbit for Artists, Dance Instagram's Transformation, and Harper Watters
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Apr 16, 2020 |
Social Distancing as Choreography, Virtual Class Fatigue, and "Toosie Slide"
|
Apr 09, 2020 |
Festival Cancellations, Willy Burmann, and Ballet's Gender Gap
|
Apr 02, 2020 |
Relief Efforts, Liam Scarlett, and Club Quarantine
|
Mar 26, 2020 |
Dark Theaters, Instagram Dance Parties, and 20 for '20
|
Mar 19, 2020 |
Danny Tidwell, Coronavirus Cancellations, and Netflix's Dance Show
|
Mar 12, 2020 |
Hallberg, the Biebs, and Coronavirus
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Mar 05, 2020 |
Introducing The Dance Edit Podcast
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Feb 14, 2020 |