Scoring Notes
By Scoring Notes
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Category: Music Interviews
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Subscribers: 17
Reviews: 0
Episodes: 149
Description
We love music notation software and related products and technology, so that’s what we cover here. You’ll find timely news, in-depth coverage about the field, and honest reviews about products you use every day. You’ll learn about the interesting people in our field and find out our opinions on ever-changing developments in the industry.
| Episode | Date |
|---|---|
|
Daniel Spreadbury on Dorico 6: “Our largest release to date”
|
May 03, 2025 |
|
Tune Tech: Distortion, sequencers, Auto-Tune, and more
|
Apr 05, 2025 |
|
Holding court with Brian McBrearty, forensic musicologist
|
Mar 01, 2025 |
|
NAMM 2025: An interview with John Barron
|
Feb 22, 2025 |
|
NAMM 2025: An interview with Martin Keary
|
Feb 15, 2025 |
|
NAMM 2025: An interview with Oriol López Calle
|
Feb 08, 2025 |
|
NAMM 2025: An interview with Avid’s Sam Butler
|
Feb 01, 2025 |
|
From cylinders to streaming
|
Jan 04, 2025 |
|
A snapshot of music scanning apps, and picturing the future
|
Dec 14, 2024 |
|
Stock ‘n shop
|
Nov 23, 2024 |
|
On the record about higher education
|
Oct 05, 2024 |
|
Finale’s coda
|
Aug 31, 2024 |
|
MOLA 2024 conference and tech fair wrap-up
|
Jun 01, 2024 |
|
Print perfect (encore); MOLA 2024 preview
|
May 04, 2024 |
|
Video killed (it with) the notation star
|
Apr 06, 2024 |
|
An interview with Steinberg’s Daniel Spreadbury
|
Mar 02, 2024 |
|
NAMM 2024: An interview with Muse Group’s Jack Sutton
|
Feb 24, 2024 |
|
NAMM 2024: An interview with MakeMusic’s Jason Wick
|
Feb 17, 2024 |
|
NAMM 2024: An interview with Avid’s Sam Butler
|
Feb 10, 2024 |
|
NAMM 2024: Wrap-up and interview with CEO John Mlynczak
|
Feb 03, 2024 |
|
The staples of printing self-published music
|
Jan 06, 2024 |
|
A December to remember
|
Dec 18, 2023 |
|
Black Friday deals are music to our ears
|
Nov 18, 2023 |
|
StaffPad updates go beyond just keeping the lights on
|
Nov 11, 2023 |
|
Tricks and treats [encore]
|
Oct 28, 2023 |
|
Chris Swaffer’s Notion of where music notation software is headed
|
Oct 07, 2023 |
|
Asked and answered, part 3: Back to school
|
Sep 02, 2023 |
|
Music notation platforms: an industry perspective
|
Aug 05, 2023 |
|
Behind “Behind Bars” with Elaine Gould
|
Jul 01, 2023 |
|
Half Notes: A comparison of tablet music reader technology experiences
|
Jun 17, 2023 |
|
Asked and answered, part 2: In awe of the DAW
|
Jun 03, 2023 |
|
Asked and answered, part 1
|
May 06, 2023 |
|
Ask your questions on the Scoring Notes podcast
|
Apr 15, 2023 |
|
(Re)learning how to use music notation software
|
Apr 01, 2023 |
|
How we don’t use music notation software (but do use related technology)
|
Mar 04, 2023 |
|
Justin Bianco, forScore, and more
|
Feb 04, 2023 |
|
Behind the scenes with MuseScore 4’s design and engraving improvements
|
Jan 07, 2023 |
|
Reflect and refresh
|
Dec 17, 2022 |
|
From “zero to slice”: Soundslice takes on optical music recognition with AI
|
Dec 03, 2022 |
|
Back in the black with holiday deals and discounts
|
Nov 19, 2022 |
|
Melissa Smey’s commission mission
|
Nov 05, 2022 |
|
Aaron Copland, in his own words
|
Oct 22, 2022 |
|
Setting the scene with Joshua Luty
|
Oct 01, 2022 |
|
Setting a high bar (from Selling Sheet Music)
|
Sep 17, 2022 |
|
What’s new?
|
Sep 03, 2022 |
|
Tim Davies takes the macro view
|
Aug 06, 2022 |
|
Half Notes: Nicole Jordan confers at the conference
|
Jul 30, 2022 |
|
Half Notes: Mark Fabulich on committing to technology
|
Jul 23, 2022 |
|
Half Notes: Jane Cross, keeping music files safe
|
Jul 16, 2022 |
|
MOLA 2022: Advancements in music notation software
|
Jul 09, 2022 |
|
The scoring expressway
|
Jun 25, 2022 |
|
Flutronix: Allison Loggins-Hull and Nathalie Joachim
|
Jun 04, 2022 |
|
Upgrade your desk — and what’s on (and around) it
|
May 07, 2022 |
|
What’s next for the podcast
|
Apr 09, 2022 |
|
Lyrics and vocal music, part 2
|
Apr 02, 2022 |
|
Lyrics and vocal music, part 1
|
Mar 26, 2022 |
|
Where in the world is…? [encore]
|
Mar 19, 2022 |
|
Recapping the latest Dorico and Finale updates
|
Mar 12, 2022 |
|
Darcy James Argue jazzes up Finale with “style”
|
Mar 05, 2022 |
|
Cleo Huggins, the designer of the first music font
|
Feb 26, 2022 |
|
The rights stuff
|
Feb 19, 2022 |
|
Michael Good, the inventor of MusicXML [encore]
|
Feb 12, 2022 |
|
Pressing all the right buttons
|
Feb 05, 2022 |
|
Print perfect
|
Jan 29, 2022 |
|
Back to the future of music notation on computers
|
Jan 22, 2022 |
|
Dorico 4: Supercharged
|
Jan 15, 2022 |
|
StaffPad audio update, Graphical MIDI Tools, and software licensing
|
Jan 08, 2022 |
|
22 in ’22 in 22’
|
Dec 18, 2021 |
|
Partying with parts, part 2
|
Dec 11, 2021 |
|
Partying with parts, part 1
|
Dec 04, 2021 |
|
Black Friday deals, discounts, and determination
|
Nov 27, 2021 |
|
Nicole Jordan, Philadelphia Orchestra librarian [encore]
|
Nov 20, 2021 |
|
Marie Chupeau and the human side of Newzik’s artificial intelligence
|
Nov 13, 2021 |
|
A Notion of the future
|
Nov 06, 2021 |
|
“Playing” with notation software, part 2 of 2
|
Oct 23, 2021 |
|
“Playing” with notation software, part 1 of 2
|
Oct 16, 2021 |
|
How to upgrade your computer and live to tell about it [encore]
|
Oct 09, 2021 |
|
Jonathan Newman, part 2 of 2
|
Oct 02, 2021 |
|
Jonathan Newman, part 1 of 2
|
Sep 25, 2021 |
|
Completing teaching assignments within music notation software
|
Sep 18, 2021 |
|
Creating worksheets that score top marks
|
Sep 11, 2021 |
|
The [COMPRESSED] history of mastering
|
Sep 04, 2021 |
|
Darcy James Argue, part 2
|
Aug 28, 2021 |
|
Darcy James Argue, part 1
|
Aug 21, 2021 |
|
The history and future of Sibelius for iPad
|
Aug 14, 2021 |
|
The history and future of Dorico for iPad
|
Aug 07, 2021 |
|
Dorico and Sibelius come to the iPad
|
Jul 31, 2021 |
|
Katie Wardrobe on music tech in education [encore]
|
Jul 24, 2021 |
|
The elements of (house) style [encore]
|
Jul 17, 2021 |
|
Getting the notes in
|
Jul 10, 2021 |
|
How to charge for music preparation (encore)
|
Jul 03, 2021 |
|
Learning how to use music notation software
|
Jun 26, 2021 |
|
Finale v27 and the SMuFL shuffle
|
Jun 19, 2021 |
|
Jason Wick on Finale development
|
Jun 12, 2021 |
|
On deadline
|
Jun 05, 2021 |
|
Sample rate, bit depth, bit rate, and you(r ears)
|
May 29, 2021 |
|
Comparing the major music notation software applications
|
May 22, 2021 |
|
Daniel Ray “muses” about Audacity and StaffPad
|
May 15, 2021 |
|
Get organized with music notation files
|
May 08, 2021 |
|
The “s” word: Subscription
|
May 01, 2021 |
|
Dave Metzger, part 2: Workflow and tech
|
Apr 24, 2021 |
|
Dave Metzger, part 1: Arranging and orchestrating
|
Apr 17, 2021 |
|
Documenting the documenter: Lillie Harris
|
Apr 10, 2021 |
|
The Well-Tempered Consort
|
Apr 03, 2021 |
|
Plugged in with Bob Zawalich
|
Mar 27, 2021 |
|
Where in the world is…?
|
Mar 20, 2021 |
|
Michael Good, the inventor of MusicXML
|
Mar 13, 2021 |
|
Dan Kreider on hymnal engraving
|
Mar 06, 2021 |
|
Getting down and nerdy with Dorico and Sibelius updates
|
Feb 27, 2021 |
|
How to charge for music preparation
|
Feb 20, 2021 |
|
Nicole Jordan, Philadelphia Orchestra librarian
|
Feb 13, 2021 |
|
The “rite” way to copy old scores into new software
|
Feb 06, 2021 |
|
Teaching and teaming up with tablets and tech
|
Jan 30, 2021 |
|
Guitar notation with Doug Gibson
|
Jan 23, 2021 |
|
Scanning the music scanning apps
|
Jan 16, 2021 |
|
Conquering Finale with Jason Loffredo
|
Jan 09, 2021 |
|
Score preparation and production checklist (encore)
|
Jan 02, 2021 |
|
Emily Grishman (revival)
|
Dec 28, 2020 |
|
Music fonts and open standards with Daniel Spreadbury
|
Dec 19, 2020 |
|
Importing into Sibelius 2020.12 and Scoring Express
|
Dec 12, 2020 |
|
John Mlynczak and Noteflight
|
Dec 05, 2020 |
|
How to write for percussion
|
Nov 28, 2020 |
|
Make the most of Black Friday
|
Nov 23, 2020 |
|
How to upgrade your computer and live to tell about it
|
Nov 21, 2020 |
|
Graphical notation
|
Nov 14, 2020 |
|
Tricks and treats
|
Oct 31, 2020 |
|
File renaming and PDF batch utilities
|
Oct 24, 2020 |
|
The elements of (house) style
|
Oct 17, 2020 |
|
John Hinchey lets the music flow
|
Oct 10, 2020 |
|
From score to screen: preparing your music for digital surfaces
|
Oct 03, 2020 |
|
Music preparation tech, travails, tools, and tips
|
Sep 26, 2020 |
|
Sibelius 2020.9 update focuses on staves
|
Sep 19, 2020 |
|
Samara Ginsberg, cellist and arranger
|
Sep 12, 2020 |
|
High fidelity audio comes to Zoom
|
Sep 03, 2020 |
|
Christopher Willis, part 2: Music preparation — past, present, and future
|
Aug 29, 2020 |
|
Christopher Willis, part 1: Scoring “The Personal History of David Copperfield”
|
Aug 22, 2020 |
|
Soundslice’s Adrian Holovaty
|
Aug 15, 2020 |
|
Katie Wardrobe on music tech in education
|
Aug 08, 2020 |
|
David William Hearn and StaffPad
|
Aug 01, 2020 |
|
Justin Tokke, publishing, and Music Engraving Tips
|
Jul 25, 2020 |
|
Daniel Ray, Martin Keary, and Musescore
|
Jul 18, 2020 |
|
Sam Butler and Sibelius
|
Jul 11, 2020 |
|
Nicholas Buc and film score preparation
|
Jun 26, 2020 |
|
Newzik’s Raphaël Schumann
|
Jun 20, 2020 |
|
Emily Grishman
|
Jun 13, 2020 |
|
Dorico and Sibelius updates
|
Jun 06, 2020 |
|
Score preparation and production checklist
|
May 30, 2020 |
|
Hooked on music notation software
|
May 24, 2020 |
|
Dorico 3.5 interview with Daniel Spreadbury
|
May 21, 2020 |