The Pitchfork Review
By Pitchfork
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Subscribers: 343
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Episodes: 84
Description
Brought to you by the music critics at Pitchfork, The Pitchfork Review is a show for music fans and obsessives who can’t wait to talk about the latest releases. Co-hosted by Pitchfork editor-in-chief Puja Patel and Reviews Editor Jeremy D. Larson, this podcast pulls back the curtain on our reviews and scores, dives deep into new music, and gives an expert guide to what’s exciting, what’s great, and what’s just plain terrible.
| Episode | Date |
|---|---|
|
The Origins and Influence of Brian Eno’s Pioneering Album Ambient 1: Music for Airports
|
Jan 11, 2024 |
|
Jeff Tweedy Interview
|
Jan 04, 2024 |
|
Dolly Parton on The New Yorker Radio Hour
|
Dec 28, 2023 |
|
Replay: Boygenius Interview
|
Dec 21, 2023 |
|
The 2023 Music Grab Bag: Trends, Scandals, and Theories; Plus an Appearance From Alvvays
|
Dec 14, 2023 |
|
The Best, Worst, and Most Surprising Albums of 2023
|
Dec 07, 2023 |
|
The Replacements’ Tim Is the Best Reissue of 2023; Plus Tommy Stinson’s Perfect-10 Album
|
Nov 30, 2023 |
|
Erykah Badu on The Run-Through with Vogue
|
Nov 23, 2023 |
|
Bad Bunny’s New Album and the Future of Puerto Rican Rap and Reggaeton
|
Nov 16, 2023 |
|
Debating the Best Songs of 2023, Part Two
|
Nov 09, 2023 |
|
Debating the Best Songs of 2023, Part One
|
Nov 02, 2023 |
|
The Good, the Bad, and the Swiftie of Taylor’s Eras Tour Concert Film
|
Oct 26, 2023 |
|
What Drake Is Doing Wrong—and How He Can Fix It
|
Oct 19, 2023 |
|
Best New Music Albums From yeule and L'Rain, Plus Olivia Rodrigo Reveals Her Perfect 10 Record
|
Oct 12, 2023 |
|
Sufjan Stevens Is at His Intimate and Uplifting Best on Javelin
|
Oct 05, 2023 |
|
An Interview With Talking Heads
|
Sep 28, 2023 |
|
The Nostalgic, Messy Fun of Olivia Rodrigo’s GUTS
|
Sep 21, 2023 |
|
Replay: Beyoncé's Renaissance
|
Sep 07, 2023 |
|
The Hollow Spectacle of Travis Scott’s Utopia
|
Aug 10, 2023 |
|
The Price of Pop Fandom
|
Aug 03, 2023 |
|
The Best and Worst Songs of the Summer
|
Jul 27, 2023 |
|
The Best of Pitchfork Music Festival, Then and Now
|
Jul 20, 2023 |
|
Why HBO’s The Idol Is So Fascinatingly Bad
|
Jul 13, 2023 |
|
Elliott Smith Like You’ve Never Heard Him Before
|
Jul 06, 2023 |
|
Fear Will Not Stop Queer Nightlife
|
Jun 29, 2023 |
|
Janelle Monáe Creates a Queer Paradise on The Age of Pleasure
|
Jun 22, 2023 |
|
Foo Fighters Rock Through the Pain Once Again
|
Jun 15, 2023 |
|
The Best and Worst Songs of 2023 So Far
|
Jun 08, 2023 |
|
The Year in Albums So Far
|
Jun 01, 2023 |
|
What Does AI Mean for the Future of Music?
|
May 25, 2023 |
|
Does Daft Punk’s Random Access Memories Hold Up 10 Years Later?
|
May 18, 2023 |
|
A Conversation with Laurie Anderson, Kim Gordon, and Sinéad Gleeson
|
May 11, 2023 |
|
Jessie Ware Reaches Disco Nirvana on That! Feels Good!
|
May 04, 2023 |
|
Frank Ocean’s Puzzling Coachella Set
|
Apr 27, 2023 |
|
Weed and Music
|
Apr 20, 2023 |
|
The Ambient Anger of Yaeji’s With A Hammer
|
Apr 13, 2023 |
|
Lana Del Rey: Did You Know That There’s a Tunnel Under Ocean Blvd
|
Apr 06, 2023 |
|
Boygenius Interview
|
Mar 30, 2023 |
|
An Interview With Improvisational Geniuses Arooj Aftab, Vijay Iyer, and Shahzad Ismaily
|
Mar 23, 2023 |
|
The Subversive Power of Fever Ray and Yves Tumor
|
Mar 16, 2023 |
|
Tár, Elvis, and Music at the Oscars
|
Mar 09, 2023 |
|
Måneskin: RUSH!
|
Mar 02, 2023 |
|
Lil Yachty: Let's Start Here
|
Feb 23, 2023 |
|
Caroline Polachek: Desire, I Want To Turn Into You
|
Feb 16, 2023 |
|
Kelela: Raven
|
Feb 09, 2023 |
|
Grammy Predictions: Who Will Win and Who Should Win
|
Feb 02, 2023 |
|
The State of Ambient Music
|
Jan 26, 2023 |
|
Overlooked Albums Roundup
|
Jan 19, 2023 |
|
Hopes, Dreams, and Predictions for 2023
|
Jan 12, 2023 |
|
SZA: SOS
|
Jan 05, 2023 |
|
2022 in Rap
|
Dec 21, 2022 |
|
Beyoncé: Renaissance
|
Dec 15, 2022 |
|
The Best (and Worst) of 2022: Part Two
|
Dec 08, 2022 |
|
The Best (and Worst) of 2022: Part One
|
Dec 01, 2022 |
|
Weyes Blood and Dream Unending
|
Nov 17, 2022 |
|
Best New Music: Alvvays and Special Interest
|
Nov 10, 2022 |
|
Björk: Fossora
|
Nov 03, 2022 |
|
Taylor Swift: Midnights
|
Oct 27, 2022 |
|
The 1975: Being Funny in a Foreign Language
|
Oct 20, 2022 |
|
The Pitchfork Review: New Season Preview
|
Oct 13, 2022 |
|
The Best and Worst of Everything Else
|
Dec 18, 2020 |
|
Fiona Apple’s Perfect 10
|
Dec 11, 2020 |
|
Staff Picks: The Year in Rock and Rap
|
Dec 04, 2020 |
|
Afrobeats’ Global Takeover
|
Nov 20, 2020 |
|
The Great Year-End Songs Debate
|
Nov 13, 2020 |
|
Request Line: How to Deal With 2020
|
Nov 06, 2020 |
|
When Music Becomes Political Protest
|
Oct 30, 2020 |
|
Adrianne Lenker Digs Deep
|
Oct 23, 2020 |
|
100 gecs and the Mystery of Hyperpop
|
Oct 09, 2020 |
|
Will We Ever See Live Music Again?
|
Oct 02, 2020 |
|
The Quiet Return of Fleet Foxes and Sufjan Stevens
|
Sep 25, 2020 |
|
The National’s Matt Berninger on the Music That Made Him
|
Sep 18, 2020 |
|
It’s Time to Take Enya Seriously
|
Sep 11, 2020 |
|
Pitchfork Request Line: Road Trips & Campfires
|
Sep 04, 2020 |
|
Pitchfork Request Line: New Love & Major Heartbreak
|
Aug 28, 2020 |
|
Songs of the Summer of Our Discontent
|
Aug 21, 2020 |
|
Lianne La Havas's Bittersweet Memories
|
Aug 14, 2020 |
|
Why Do We Even Listen to New Music?
|
Aug 07, 2020 |
|
Taylor Swift Loves Indie, Too
|
Jul 31, 2020 |
|
The Endurance of Bob Dylan’s Rough and Rowdy Ways
|
Jul 24, 2020 |
|
Pop Smoke’s Legacy and the Sound of Brooklyn Drill
|
Jul 17, 2020 |
|
The Revolution Will Be TikTok'd
|
Jul 10, 2020 |
|
Teaser: “The Revolution Will Be TikTok’d”
|
Jul 06, 2020 |
|
Introducing The Pitchfork Review
|
Jun 26, 2020 |