The Pitchfork Review

By Pitchfork

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Category: Music Commentary

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Subscribers: 345
Reviews: 0
Episodes: 84

Description

Brought to you by the music critics at Pitchfork, The Pitchfork Review is a show for music fans and obsessives who can’t wait to talk about the latest releases. Co-hosted by Pitchfork editor-in-chief Puja Patel and Reviews Editor Jeremy D. Larson, this podcast pulls back the curtain on our reviews and scores, dives deep into new music, and gives an expert guide to what’s exciting, what’s great, and what’s just plain terrible.


Episode Date
The Origins and Influence of Brian Eno’s Pioneering Album Ambient 1: Music for Airports
Jan 11, 2024
Jeff Tweedy Interview
Jan 04, 2024
Dolly Parton on The New Yorker Radio Hour
Dec 28, 2023
Replay: Boygenius Interview
Dec 21, 2023
The 2023 Music Grab Bag: Trends, Scandals, and Theories; Plus an Appearance From Alvvays
Dec 14, 2023
The Best, Worst, and Most Surprising Albums of 2023
Dec 07, 2023
The Replacements’ Tim Is the Best Reissue of 2023; Plus Tommy Stinson’s Perfect-10 Album
Nov 30, 2023
Erykah Badu on The Run-Through with Vogue
Nov 23, 2023
Bad Bunny’s New Album and the Future of Puerto Rican Rap and Reggaeton
Nov 16, 2023
Debating the Best Songs of 2023, Part Two
Nov 09, 2023
Debating the Best Songs of 2023, Part One
Nov 02, 2023
The Good, the Bad, and the Swiftie of Taylor’s Eras Tour Concert Film
Oct 26, 2023
What Drake Is Doing Wrong—and How He Can Fix It
Oct 19, 2023
Best New Music Albums From yeule and L'Rain, Plus Olivia Rodrigo Reveals Her Perfect 10 Record
Oct 12, 2023
Sufjan Stevens Is at His Intimate and Uplifting Best on Javelin
Oct 05, 2023
An Interview With Talking Heads
Sep 28, 2023
The Nostalgic, Messy Fun of Olivia Rodrigo’s GUTS
Sep 21, 2023
Replay: Beyoncé's Renaissance
Sep 07, 2023
The Hollow Spectacle of Travis Scott’s Utopia
Aug 10, 2023
The Price of Pop Fandom
Aug 03, 2023
The Best and Worst Songs of the Summer
Jul 27, 2023
The Best of Pitchfork Music Festival, Then and Now
Jul 20, 2023
Why HBO’s The Idol Is So Fascinatingly Bad
Jul 13, 2023
Elliott Smith Like You’ve Never Heard Him Before
Jul 06, 2023
Fear Will Not Stop Queer Nightlife
Jun 29, 2023
Janelle Monáe Creates a Queer Paradise on The Age of Pleasure
Jun 22, 2023
Foo Fighters Rock Through the Pain Once Again
Jun 15, 2023
The Best and Worst Songs of 2023 So Far
Jun 08, 2023
The Year in Albums So Far
Jun 01, 2023
What Does AI Mean for the Future of Music?
May 25, 2023
Does Daft Punk’s Random Access Memories Hold Up 10 Years Later?
May 18, 2023
A Conversation with Laurie Anderson, Kim Gordon, and Sinéad Gleeson
May 11, 2023
Jessie Ware Reaches Disco Nirvana on That! Feels Good!
May 04, 2023
Frank Ocean’s Puzzling Coachella Set
Apr 27, 2023
Weed and Music
Apr 20, 2023
The Ambient Anger of Yaeji’s With A Hammer
Apr 13, 2023
Lana Del Rey: Did You Know That There’s a Tunnel Under Ocean Blvd
Apr 06, 2023
Boygenius Interview
Mar 30, 2023
An Interview With Improvisational Geniuses Arooj Aftab, Vijay Iyer, and Shahzad Ismaily
Mar 23, 2023
The Subversive Power of Fever Ray and Yves Tumor
Mar 16, 2023
Tár, Elvis, and Music at the Oscars
Mar 09, 2023
Måneskin: RUSH!
Mar 02, 2023
Lil Yachty: Let's Start Here
Feb 23, 2023
Caroline Polachek: Desire, I Want To Turn Into You
Feb 16, 2023
Kelela: Raven
Feb 09, 2023
Grammy Predictions: Who Will Win and Who Should Win
Feb 02, 2023
The State of Ambient Music
Jan 26, 2023
Overlooked Albums Roundup
Jan 19, 2023
Hopes, Dreams, and Predictions for 2023
Jan 12, 2023
SZA: SOS
Jan 05, 2023
2022 in Rap
Dec 21, 2022
Beyoncé: Renaissance
Dec 15, 2022
The Best (and Worst) of 2022: Part Two
Dec 08, 2022
The Best (and Worst) of 2022: Part One
Dec 01, 2022
Weyes Blood and Dream Unending
Nov 17, 2022
Best New Music: Alvvays and Special Interest
Nov 10, 2022
Björk: Fossora
Nov 03, 2022
Taylor Swift: Midnights
Oct 27, 2022
The 1975: Being Funny in a Foreign Language
Oct 20, 2022
The Pitchfork Review: New Season Preview
Oct 13, 2022
The Best and Worst of Everything Else
Dec 18, 2020
Fiona Apple’s Perfect 10
Dec 11, 2020
Staff Picks: The Year in Rock and Rap
Dec 04, 2020
Afrobeats’ Global Takeover
Nov 20, 2020
The Great Year-End Songs Debate
Nov 13, 2020
Request Line: How to Deal With 2020
Nov 06, 2020
When Music Becomes Political Protest
Oct 30, 2020
Adrianne Lenker Digs Deep
Oct 23, 2020
100 gecs and the Mystery of Hyperpop
Oct 09, 2020
Will We Ever See Live Music Again?
Oct 02, 2020
The Quiet Return of Fleet Foxes and Sufjan Stevens
Sep 25, 2020
The National’s Matt Berninger on the Music That Made Him
Sep 18, 2020
It’s Time to Take Enya Seriously
Sep 11, 2020
Pitchfork Request Line: Road Trips & Campfires
Sep 04, 2020
Pitchfork Request Line: New Love & Major Heartbreak
Aug 28, 2020
Songs of the Summer of Our Discontent
Aug 21, 2020
Lianne La Havas's Bittersweet Memories
Aug 14, 2020
Why Do We Even Listen to New Music?
Aug 07, 2020
Taylor Swift Loves Indie, Too
Jul 31, 2020
The Endurance of Bob Dylan’s Rough and Rowdy Ways
Jul 24, 2020
Pop Smoke’s Legacy and the Sound of Brooklyn Drill
Jul 17, 2020
The Revolution Will Be TikTok'd
Jul 10, 2020
Teaser: “The Revolution Will Be TikTok’d”
Jul 06, 2020
Introducing The Pitchfork Review
Jun 26, 2020