Listen to a podcast, please open Podcast Republic app. Available on Google Play Store and Apple App Store.
Episode | Date |
---|---|
An Interview With Talking Heads
|
Sep 28, 2023 |
The Nostalgic, Messy Fun of Olivia Rodrigo’s GUTS
|
Sep 21, 2023 |
Replay: Beyoncé's Renaissance
|
Sep 07, 2023 |
The Hollow Spectacle of Travis Scott’s Utopia
|
Aug 10, 2023 |
The Price of Pop Fandom
|
Aug 03, 2023 |
The Best and Worst Songs of the Summer
|
Jul 27, 2023 |
The Best of Pitchfork Music Festival, Then and Now
|
Jul 20, 2023 |
Why HBO’s The Idol Is So Fascinatingly Bad
|
Jul 13, 2023 |
Elliott Smith Like You’ve Never Heard Him Before
|
Jul 06, 2023 |
Fear Will Not Stop Queer Nightlife
|
Jun 29, 2023 |
Janelle Monáe Creates a Queer Paradise on The Age of Pleasure
|
Jun 22, 2023 |
Foo Fighters Rock Through the Pain Once Again
|
Jun 15, 2023 |
The Best and Worst Songs of 2023 So Far
|
Jun 08, 2023 |
The Year in Albums So Far
|
Jun 01, 2023 |
What Does AI Mean for the Future of Music?
|
May 25, 2023 |
Does Daft Punk’s Random Access Memories Hold Up 10 Years Later?
|
May 18, 2023 |
A Conversation with Laurie Anderson, Kim Gordon, and Sinéad Gleeson
|
May 11, 2023 |
Jessie Ware Reaches Disco Nirvana on That! Feels Good!
|
May 04, 2023 |
Frank Ocean’s Puzzling Coachella Set
|
Apr 27, 2023 |
Weed and Music
|
Apr 20, 2023 |
The Ambient Anger of Yaeji’s With A Hammer
|
Apr 13, 2023 |
Lana Del Rey: Did You Know That There’s a Tunnel Under Ocean Blvd
|
Apr 06, 2023 |
Boygenius Interview
|
Mar 30, 2023 |
An Interview With Improvisational Geniuses Arooj Aftab, Vijay Iyer, and Shahzad Ismaily
|
Mar 23, 2023 |
The Subversive Power of Fever Ray and Yves Tumor
|
Mar 16, 2023 |
Tár, Elvis, and Music at the Oscars
|
Mar 09, 2023 |
Måneskin: RUSH!
|
Mar 02, 2023 |
Lil Yachty: Let's Start Here
|
Feb 23, 2023 |
Caroline Polachek: Desire, I Want To Turn Into You
|
Feb 16, 2023 |
Kelela: Raven
|
Feb 09, 2023 |
Grammy Predictions: Who Will Win and Who Should Win
|
Feb 02, 2023 |
The State of Ambient Music
|
Jan 26, 2023 |
Overlooked Albums Roundup
|
Jan 19, 2023 |
Hopes, Dreams, and Predictions for 2023
|
Jan 12, 2023 |
SZA: SOS
|
Jan 05, 2023 |
2022 in Rap
|
Dec 21, 2022 |
Beyoncé: Renaissance
|
Dec 15, 2022 |
The Best (and Worst) of 2022: Part Two
|
Dec 08, 2022 |
The Best (and Worst) of 2022: Part One
|
Dec 01, 2022 |
Weyes Blood and Dream Unending
|
Nov 17, 2022 |
Best New Music: Alvvays and Special Interest
|
Nov 10, 2022 |
Björk: Fossora
|
Nov 03, 2022 |
Taylor Swift: Midnights
|
Oct 27, 2022 |
The 1975: Being Funny in a Foreign Language
|
Oct 20, 2022 |
The Pitchfork Review: New Season Preview
|
Oct 13, 2022 |
The Best and Worst of Everything Else
|
Dec 18, 2020 |
Fiona Apple’s Perfect 10
|
Dec 11, 2020 |
Staff Picks: The Year in Rock and Rap
|
Dec 04, 2020 |
Afrobeats’ Global Takeover
|
Nov 20, 2020 |
The Great Year-End Songs Debate
|
Nov 13, 2020 |
Request Line: How to Deal With 2020
|
Nov 06, 2020 |
When Music Becomes Political Protest
|
Oct 30, 2020 |
Adrianne Lenker Digs Deep
|
Oct 23, 2020 |
100 gecs and the Mystery of Hyperpop
|
Oct 09, 2020 |
Will We Ever See Live Music Again?
|
Oct 02, 2020 |
The Quiet Return of Fleet Foxes and Sufjan Stevens
|
Sep 25, 2020 |
The National’s Matt Berninger on the Music That Made Him
|
Sep 18, 2020 |
It’s Time to Take Enya Seriously
|
Sep 11, 2020 |
Pitchfork Request Line: Road Trips & Campfires
|
Sep 04, 2020 |
Pitchfork Request Line: New Love & Major Heartbreak
|
Aug 28, 2020 |
Songs of the Summer of Our Discontent
|
Aug 21, 2020 |
Lianne La Havas's Bittersweet Memories
|
Aug 14, 2020 |
Why Do We Even Listen to New Music?
|
Aug 07, 2020 |
Taylor Swift Loves Indie, Too
|
Jul 31, 2020 |
The Endurance of Bob Dylan’s Rough and Rowdy Ways
|
Jul 24, 2020 |
Pop Smoke’s Legacy and the Sound of Brooklyn Drill
|
Jul 17, 2020 |
The Revolution Will Be TikTok'd
|
Jul 10, 2020 |
Teaser: “The Revolution Will Be TikTok’d”
|
Jul 06, 2020 |
Introducing The Pitchfork Review
|
Jun 26, 2020 |