The Bulwark Goes to Hollywood
By The Bulwark
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Category: Film Interviews
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Subscribers: 140
Reviews: 1
Episodes: 213
Sep 9, 2021
Description
Sonny Bunch hosts The Bulwark Goes to Hollywood, a new podcast featuring interviews with folks who have their finger on the pulse of the entertainment industry during this dynamic—and difficult—time.
| Episode | Date |
|---|---|
|
Everything There Is to Know About Star Wars
|
Dec 21, 2024 |
|
Bringing Novels Into the Internet Age
|
Dec 14, 2024 |
|
The Copyrighted Material Being Used to Train AI
|
Dec 07, 2024 |
|
Comcast Is Spinning Off Its Cable Assets: What Does that Mean?
|
Nov 23, 2024 |
|
Melding Video Games and TV Shows
|
Nov 16, 2024 |
|
The Christmas Movie Industrial Complex
|
Nov 09, 2024 |
|
Alfred Hitchcock, Master of Fear and Desire
|
Nov 02, 2024 |
|
The Four Horsemen of the Media Apocalypse
|
Oct 26, 2024 |
|
A Second Look at 'Caligula'
|
Oct 19, 2024 |
|
The Movie Donald Trump Doesn't Want You to See
|
Oct 12, 2024 |
|
Why Is It So Hard to Find Something to Watch on Streaming?
|
Oct 05, 2024 |
|
Devo's Groundbreaking Work
|
Sep 28, 2024 |
|
How Social Media Is Warping Our Sense of Everything
|
Sep 21, 2024 |
|
The Death of a Community
|
Sep 14, 2024 |
|
Will Rogers and the American Spirit
|
Sep 07, 2024 |
|
John Magary on the Art of Editing
|
Aug 31, 2024 |
|
The Social Media Trap for Teens
|
Aug 24, 2024 |
|
Disney's Future Is the Past
|
Aug 17, 2024 |
|
Brad Thor's World of Intrigue
|
Aug 10, 2024 |
|
Documenting the Rise of Nazism
|
Jul 27, 2024 |
|
Ryan Faughnder on Paramount's Big Changes
|
Jul 20, 2024 |
|
Jennifer Esposito on 'Fresh Kills'
|
Jul 13, 2024 |
|
Nielsen's Ratings Evolution
|
Jul 06, 2024 |
|
Documenting 'How to Rob a Bank'
|
Jun 29, 2024 |
|
We're All 'Theatre Kids'
|
Jun 22, 2024 |
|
Celebrating Bruce Willis
|
Jun 15, 2024 |
|
Don't Panic About Movie Theaters (Yet)
|
Jun 08, 2024 |
|
Bobby Miller on his film, 'The Cleanse,' finally getting a Blu-ray release.
|
May 24, 2024 |
|
Documenting January 6
|
May 18, 2024 |
|
On the Great Albert Brooks
|
May 11, 2024 |
|
The Fall and Rise of 'Scarface'
|
May 04, 2024 |
|
Is David Ellison Hollywood's Great Hope?
|
Apr 27, 2024 |
|
The Art of Costume Design
|
Apr 20, 2024 |
|
From 'Funny or Die' to Western Neo-Noirs
|
Apr 13, 2024 |
|
The Best and the Worst of Streaming 2023
|
Apr 06, 2024 |
|
Bringing 'Lousy Carter' to Life
|
Mar 30, 2024 |
|
The 2024 Stunt Awards!
|
Mar 23, 2024 |
|
What Does a Film Commissioner Do?
|
Mar 16, 2024 |
|
'Beetlejuice: The Musical,' Indie Film, and Life on the Road
|
Mar 09, 2024 |
|
The Nelms Brothers Talk 'Red Right Hand'
|
Mar 02, 2024 |
|
Richard Rushfield's Hollywood Field Guide
|
Feb 24, 2024 |
|
Julian Schlossberg Returns to Tell More Hollywood Tales!
|
Feb 17, 2024 |
|
How Piracy Persists on the Internet
|
Feb 10, 2024 |
|
What Did Peak TV Let Escape from 'Pandora's Box'?
|
Feb 03, 2024 |
|
Sundance at 40
|
Jan 27, 2024 |
|
How 'The Family Plan' Became a Hit for Apple
|
Jan 13, 2024 |
|
What's Next in 'The Streaming Wars'
|
Jan 06, 2024 |
|
Francis Ford Coppola, Visionary
|
Dec 23, 2023 |
|
Whit Stillman on 'Metropolitan,' a Christmas Movie
|
Dec 16, 2023 |
|
The Year in the Box Office
|
Dec 09, 2023 |
|
From Nicolas Coppola to Nicolas Cage
|
Dec 02, 2023 |
|
Charlie Chaplin's Life in Exile
|
Nov 25, 2023 |
|
Why You Can Finally Watch 'Moonlighting' on Streaming
|
Nov 18, 2023 |
|
Stopping Piracy Before It Starts
|
Nov 11, 2023 |
|
How What We Watch Defines Us
|
Nov 04, 2023 |
|
Zoey Ashe's Life in the (Future) Panopticon
|
Oct 28, 2023 |
|
How Siskel and Ebert Got Their Thumbs
|
Oct 21, 2023 |
|
How 'Airplane!' Changed Comedy Forever
|
Oct 07, 2023 |
|
What the Writers Gained By Striking
|
Sep 30, 2023 |
|
The Lines that Define our Lives
|
Sep 23, 2023 |
|
Fantasy Culture and the Flight from Reality
|
Sep 16, 2023 |
|
Data Transparency Is a Double-Edged Sword
|
Sep 09, 2023 |
|
Erotic Thrillers: Unsung Heroes of Home Video
|
Sep 02, 2023 |
|
The Rise and Fall of the Brothers Warner
|
Aug 26, 2023 |
|
Why We Need to Know What’s Failing
|
Aug 19, 2023 |
|
How to Start a Film Studio in 2023
|
Aug 12, 2023 |
|
How 2023's Oddest Box Office Hit 'Paid It Forward'
|
Aug 05, 2023 |
|
Hollywood's Hopes in China Are Fading
|
Jul 29, 2023 |
|
Netflix's Soft Earnings and the 'Barbenheimmer' Juggernaut
|
Jul 22, 2023 |
|
What If Evel Knievel Had Run for President?
|
Jul 15, 2023 |
|
Hollywood's Perfect Storm
|
Jul 08, 2023 |
|
A Decade of Big Muscles and Bigger Egos
|
Jul 01, 2023 |
|
New Doc Examines How Vets Are Recruited by Militias
|
Jun 24, 2023 |
|
How Universal Found a Brand-New Customer
|
Jun 17, 2023 |
|
Just Don't Call it 'Reality' TV
|
Jun 10, 2023 |
|
Tribeca and the Evolution of the Film Festival
|
Jun 03, 2023 |
|
The Data that Determines What We Watch
|
May 27, 2023 |
|
How Much Free Work Do Writers Do to Get Paid Work?
|
May 20, 2023 |
|
Is the Superhero Boom Officially Over?
|
May 13, 2023 |
|
How Do You Bring the (Fake) Real Pete Davidson to Life?
|
May 06, 2023 |
|
What's to Come in 'The Streaming Wars'
|
Apr 29, 2023 |
|
Going to the Movies: Still the Best Value Around
|
Apr 22, 2023 |
|
Summer Box Office Preview
|
Apr 15, 2023 |
|
Will the WWE-UFC Merger Amp Up the Streaming Arms Race?
|
Apr 08, 2023 |
|
Are Video Games the New Comic Books?
|
Apr 01, 2023 |
|
How Theatrical Exhibition Helps Stave Off Piracy
|
Mar 25, 2023 |
|
Can the Drive-In Survive?
|
Mar 18, 2023 |
|
The Best Stunts of 2022, Rewarded
|
Mar 11, 2023 |
|
The Drama Behind Hollywood's Biggest Night
|
Mar 04, 2023 |
|
Will the WGA Strike? Can It Afford Not To?
|
Feb 25, 2023 |
|
David Thomson on the Magic of Acting
|
Feb 18, 2023 |
|
Theater: You Can Get Rich, But Making a Living Is Hard
|
Feb 11, 2023 |
|
Shawn Ryan on Past WGA Negotiations and the Evolving Business
|
Feb 04, 2023 |
|
Producer Dean Devlin Goes (Back) to Space
|
Jan 28, 2023 |
|
PaleyFest's Secret Weapon: Love
|
Jan 21, 2023 |
|
Scientifically Measuring Movie Love
|
Jan 14, 2023 |
|
The Science of High Frame Rate, Explained
|
Dec 22, 2022 |
|
The Ten Biggest Hollywood Fiascoes of 2022
|
Dec 15, 2022 |
|
How Spider-Man Conquered Hollywood
|
Dec 08, 2022 |
|
Disney's Parks Make Tons of Money — But Are They in Trouble?
|
Dec 01, 2022 |
|
How 'The Northman' Transported Us Back in Time
|
Nov 17, 2022 |
|
What's the Deal with 'Seinfeld'?
|
Nov 10, 2022 |
|
How the Business of Box Office Has Changed Over the Last 15 Years
|
Nov 03, 2022 |
|
The Past, Present, and Future of the Romcom
|
Oct 27, 2022 |
|
Who Won the Summer—and Who Lost?
|
Oct 20, 2022 |
|
Does the 'Perfect Sound' Exist?
|
Oct 13, 2022 |
|
How Cult Classic 'John Dies at the End' Kicked Off a Literary Career
|
Oct 06, 2022 |
|
How 'Orphan: First Kill' Beat Expectations
|
Sep 29, 2022 |
|
China's Looming Threat to the World of Gaming
|
Sep 22, 2022 |
|
The NFL: Ratings King
|
Sep 15, 2022 |
|
How to Write a Best-Selling Political Book
|
Sep 08, 2022 |
|
How Anime Can Help Save Theaters
|
Sep 01, 2022 |
|
Freedom of Expression Under Assault
|
Aug 25, 2022 |
|
Meet the (One-Time) 7th-Most-Powerful Man in Wrestling
|
Aug 18, 2022 |
|
Why Do Streamers Care About More than Eyeballs?
|
Aug 11, 2022 |
|
Convention Life with the Creator of Effin' Birds
|
Aug 04, 2022 |
|
Harvey Weinstein's Enablers
|
Jul 28, 2022 |
|
'John Wick,' Gun-Fu, and the Art of Oral History
|
Jul 21, 2022 |
|
Ron Shelton on the Struggle to Get 'Bull Durham' Made
|
Jul 14, 2022 |
|
Summer Movies Are Back—But Is Trouble on the Horizon?
|
Jul 07, 2022 |
|
What's Up at the Mouse House?
|
Jun 23, 2022 |
|
How to Design an Iconic Movie Mask
|
Jun 16, 2022 |
|
Stop Stealing Movies!
|
Jun 09, 2022 |
|
Goodbye, Norm Macdonald
|
Jun 02, 2022 |
|
Where Are the Kids Movies?
|
May 26, 2022 |
|
Summer Movie Preview! 'Top Gun,' Dinos, and Buzz Lightyear, Oh My.
|
May 19, 2022 |
|
How Ben Fong Torres Defined a Generation
|
May 12, 2022 |
|
The First Draft of (Streaming) History
|
May 05, 2022 |
|
Are Casual Filmgoers Finally Coming Back?
|
Apr 28, 2022 |
|
How Hollywood Trade Papers Shaped the Movies You Love
|
Apr 21, 2022 |
|
NATO Head on the Return to Theaters
|
Apr 14, 2022 |
|
Lloyd Kaufman and a Half-Century of Troma
|
Apr 07, 2022 |
|
The Nic Cage Book Every Fan Needs to Own
|
Mar 31, 2022 |
|
No One's Seen the Best Picture Frontrunners. Does It Matter?
|
Mar 24, 2022 |
|
Why the 'Head of Story' at One of Hollywood's Biggest Agencies Writes His Own
|
Mar 17, 2022 |
|
A Crucial Film to Understand Ukraine's Struggle
|
Mar 10, 2022 |
|
Would You Pay More to see 'The Batman'?
|
Mar 03, 2022 |
|
The Art of Editing
|
Feb 24, 2022 |
|
Can a Lawsuit Against WB Slow the Streaming Tide?
|
Feb 17, 2022 |
|
How to Get Your Script on The Black List
|
Feb 10, 2022 |
|
How Is Chinese Soft Power Reshaping Entertainment?
|
Feb 03, 2022 |
|
Janice Min on the Future of Entertainment Media
|
Jan 28, 2022 |
|
Programming TV's Most Beloved Festival
|
Jan 20, 2022 |
|
How Audiences Reshape the Movies You Love
|
Jan 13, 2022 |
|
'The Spine of Night' and the Business of Animation
|
Jan 06, 2022 |
|
'Spider-Man: No Way Home' Co-Writer Chris McKenna
|
Dec 30, 2021 |
|
The Greatest Movie Ever Made Hits 4K
|
Dec 16, 2021 |
|
Tim Miller and Sonny Talk 'Don't Look Up'
|
Dec 10, 2021 |
|
All I Want for Christmas Are ... HDMI Cables?
|
Dec 09, 2021 |
|
Tracking—And Recapturing—Movie Audiences
|
Dec 02, 2021 |
|
A Century of Black Cinema
|
Nov 18, 2021 |
|
Hollywood Goes to War: The Film Industry's Response to World War II
|
Nov 11, 2021 |
|
'The Beta Test' Director Jim Cummings on Indie Life
|
Nov 04, 2021 |
|
What Does a 'Buy' Button Really Mean in the Digital Age?
|
Oct 28, 2021 |
|
Netflix's Big Week
|
Oct 22, 2021 |
|
The Business of Sports Ads
|
Oct 14, 2021 |
|
Scott Eyman on Daryl F. Zanuck and 20th Century Fox
|
Oct 07, 2021 |
|
Scott Tobias on the Business of Film Criticism
|
Oct 01, 2021 |
|
Rod Lurie Part 2: 'The Outpost'
|
Sep 16, 2021 |
|
Rod Lurie on Breaking Into the Biz
|
Sep 09, 2021 |
|
CinemaCon in Twilight
|
Sep 02, 2021 |
|
Jake Tapper on Afghanistan War Classic 'The Outpost'
|
Aug 26, 2021 |
|
Zak Penn on 'Free Guy,' Writing Villains, and the Fate of 'PCU'
|
Aug 19, 2021 |
|
Matthew Belloni on the Changing Ways Hollywood Gets Paid
|
Aug 12, 2021 |
|
Clayton Childress Explains How Taste and Status Reinforce Each Other
|
Aug 05, 2021 |
|
Ray Subers on Polling Moviegoers
|
Jul 29, 2021 |
|
John Mass on the Future of Content
|
Jul 22, 2021 |
|
Ryan Faughnder on How Valuable You Are (to Streaming Companies)
|
Jul 15, 2021 |
|
Richard Rushfield on the Latest Hollywood News
|
Jul 09, 2021 |
|
James White on Restoring Movies for Arrow Films
|
Jul 01, 2021 |
|
Summer Reading!
|
Jun 17, 2021 |
|
James Emanuel Shapiro on Cannes and the Business of Film Festivals
|
Jun 10, 2021 |
|
Jonathan Taplin on Working With Dylan, Scorsese, and the Rolling Stones
|
Jun 10, 2021 |
|
Frank Pallotta on the MGM/Amazon Deal, F9 in China, and the Summer Movie Season
|
May 27, 2021 |
|
Eddie Muller on TCM, Film Noir, and the HFPA's Charitable Work
|
May 20, 2021 |
|
Jon Finkel on 1996's sports movies and athletes on sports cinema
|
May 13, 2021 |
|
Jesse Nelson of Diabolik DVD Discusses the Boutique Blu-ray Biz
|
May 06, 2021 |
|
Chris Fenton on China, the Oscars, and the MCU
|
Apr 29, 2021 |
|
Nicholas Jarecki on 'Crisis,' Opioids, Releasing a Movie During COVID, and Armie Hammer
|
Apr 22, 2021 |
|
Megan Ganz on 'Mythic Quest' and Comedies in the Covid Age
|
Apr 16, 2021 |
|
Richard Rushfield on Scott Rudin, Bad Boss, and More!
|
Apr 08, 2021 |
|
David Thomson on His 'History of Movie Directors'
|
Apr 01, 2021 |
|
Sean O'Connell on the Grassroots Efforts to #ReleaseTheSnyderCut
|
Mar 26, 2021 |
|
Tom Shone on Christopher Nolan
|
Mar 18, 2021 |
|
Mike Malloy on the Business of Blu-ray Supplements
|
Mar 11, 2021 |
|
Scott Feinberg on the Business of Hollywood Awards Season
|
Mar 04, 2021 |
|
Abraham Riesman on the Rise (and Fall) of Stan Lee
|
Feb 25, 2021 |
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Harold Mintz on the Past, Present, and Future of CinemaScore
|
Feb 18, 2021 |
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Alan Zilberman on life as a critic during awards season
|
Feb 11, 2021 |
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Glenn Kenny on 'Goodfellas,' Martin Scorsese, and the Business of Movie Books
|
Feb 04, 2021 |
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Frank Pallotta on the State of Streaming
|
Jan 28, 2021 |
|
Peter Labuza on Antitrust, Hollywood, and Big Tech
|
Jan 21, 2021 |
|
Chris McKenna on 'Community' and Writing for TV and Movies
|
Jan 14, 2021 |
|
David C. Lowery on Making Money by Making Music
|
Dec 31, 2020 |
|
James Emanuel Shapiro on the Epic WB/HBO Max Brouhaha
|
Dec 17, 2020 |
|
The Nelms Brothers on 'Fatman,' Casting Mel Gibson, and Sequel Plans?
|
Dec 10, 2020 |
|
Tony Davis Returns! Why Does Your TV Look Better Than Most Theaters?
|
Dec 03, 2020 |
|
Alison Macor on screenwriting 'Top Gun' and 'Batman'
|
Nov 19, 2020 |
|
Derek Dye on Family Video and saving our video stores
|
Nov 12, 2020 |
|
Alyssa Rosenberg and Peter Suderman on post-Trump cultural coverage
|
Nov 05, 2020 |
|
Shannon Moore on Movie PR in the Age of COVID
|
Oct 29, 2020 |
|
Natalie Metzger on producing indie films in the age of COVID
|
Oct 22, 2020 |
|
Mark Graham on How to Decide What to Watch
|
Oct 15, 2020 |
|
Phil Contrino on movie theaters and cinema safety
|
Oct 08, 2020 |
|
Zack Stentz on Camp Cretaceous, Rim of the World, and Netflix
|
Oct 01, 2020 |
|
The Bulwark Goes to Hollywood With Chris Yogerst
|
Sep 24, 2020 |
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The Bulwark Goes to Hollywood with Chris Fenton
|
Sep 17, 2020 |
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The Bulwark Goes to Hollywood with Gerry Daly
|
Sep 10, 2020 |
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The Bulwark Goes to Hollywood with David Guglielmo
|
Sep 03, 2020 |
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The Bulwark Goes to Hollywood with James Shapiro
|
Aug 27, 2020 |
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The Bulwark Goes to Hollywood with James Tager
|
Aug 20, 2020 |
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The Bulwark Goes to Hollywood with Tony Davis
|
Aug 13, 2020 |
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The Bulwark Goes to Hollywood with Richard Rushfield
|
Aug 05, 2020 |