The Women paint the town "The Color Blue" (S3E10). Ashley and Kate pick up where they left off and discuss Miss Honey, Achilles, and road trips.

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The Women stay up until the "Wee Small Hours" (S3E9). Ashley and Kate discuss extramarital affairs, bossy Southerners, and Don's new daddy. The Women celebrate the delayed fulfillment of Ashley's predictions.

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The Women record on "Seven Twenty Three" (S3E7). Ashley and Kate recount Don's history of fleeing and consider Seattle-style hot dogs. Betty and Bert are awarded strumpet trumpets.

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The Women take a stroll with "Guy Walks Into An Advertising Agency" (S3E6). Ashley and Kate take on a Certified Doozy as they discuss political scandals, permissible pranks, and blood spatter.

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The Women do something different. Ashley and Kate welcome their friend and fellow improvisor Dylan (pka Chromatoform) to the show. They talk about his stormy relationship with Mad Men, his creations and creative projects, and the surprising path to our amazing cover image. All three improvise a series of mostly unrelated, completely improvised scenes--inspired one of Ashley's legendary predictions. (Don't worry--a guy will walk into an advertising agency very soon.)

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The Women cut through "The Fog" (S3E5). Ashley and Kate discuss the murder of civil rights activist Medgar Evers, the pains and problems possible during each stage of childbirth, and the cinematic masterpiece Babies (2010).

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The Women take care of "The Arrangements" (S3E4). Ashley and Kate speculate wildly about jai alai, 20th century wars, phone numbers, and Nordic rivalries. Tensions flare over Betty's father's occupation, and Ashley makes it rain.

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The Women take a trip "Out of Town" (S3E1). Ashley and Kate consider Don's storytelling abilities, applaud Sal's new experiences, and celebrate the appearance and disappearance of Burt Peterson.

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The Women fly with "The Jet Set" (S2E11). Ashley tells us about her rich imagination. Kate speaks passionately in favor of regional fruit. The Women close the door on their teal debate.

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The Women bequeath "The Inheritance" (S2E10). Ashley and Kate consider the differences between jardinière and giardiniera. Ashley raises hell over a blanket, and Kate takes a deep dive into the Loretta Young shows.

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The Women take a "Six Month Leave" (S2E9). Ashley and Kate dive deep into Platelets Pod and their personal relationships with Marilyn Monroe. Ashley embraces the chaos monsters among the cast. Kate explains how to keep your icebox healthy.

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The Women have "A Night to Remember" (S2E8). Ashley and Kate review the results of our listener poll and discuss additional instances of the color blue. We learn what has made Ashley cry, Kate relates an actual criticism of Mad Men, and Betty gets her first strumpet trumpet.

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The Women play "The Gold Violin" (S2E7). Ashley and Kate discuss contentious Sterling Cooper relationships. Ashley is appalled by a certain 1960s behavior and teaches Kate about cloth diapers. The Women celebrate a correct prediction.

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The Women praise "Three Sundays" (S2E4). Kate explains Catholicism again. Ashley reads between the lines and tells the story of the Drapers' abduction.

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The Women are favored by "The Benefactor" (S2E3). Ashley and Kate discuss French film and the cleansing power of water. The Women consider the possibilities of subliminal advertising and Betty's resistance to masculine charms.

The Women take off on "Flight 1" (S2E2). Kate shocks Ashley with some information about Pete's real life wife, and they reflect on his character's choices. Ashley keeps tabs on acting quality, and Kate poorly explains Catholicism.

The Women speak "For Those Who Think Young" (S2E1). Ashley and Kate dispute Peggy's attitude and Don's age. They are surprised by a time jump and by Pepsi's popularity.

The Women reinvent "The Wheel" (S1E13). For the season finale, Ashley and Kate discuss the dynamics of Betty's relationship with Glen. Kate is surprised by Ashley's reaction to a major plot point. Ashley shares a useful tip for the ladies.

The Women decipher "The Hobo Code" (S1E8). Ashley and Kate dive into different interpretations of Pete and Peggy's relationship, get some clarity on Don's parental situation, and lean about Sal's social life.

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The Women upgrade to “5G” (S1E5). Ashley and Kate discuss the many types of “executive accounts” exemplified in the episode. They celebrate Joan’s rise to the top of the Strumpet Trumpets. Pete’s latest attempt to please his dad is explored.

The Women travel to “New Amsterdam” (S1E4). Ashley and Kate explore the relationships between Betty and Helen and between Betty and Glenn. We also learn more about the inner workings of Sterling Cooper

The Women attend “The Marriage of Figaro” (S1E3). Ashley and Kate discuss a terrifying department store and the source of sadness as adults. They also celebrate Helen Bishop, Peggy Olson, and older styles of acting. We learn about Ashley’s domain name cache, and Kate misidentifies a Roman numeral.

The Women head to the “Ladies Room” (S1E2). Ashley and Kate speculate on Betty’s illness and admire her fashion. They consider the different sides of Don Draper and the quality of special effects.

The Women dive into the series premiere, “Smoke Gets in Your Eyes.” Ashley and Kate compare notes on when Don would have cried if not for the patriarchy and whether Peggy’s doctor is truly classy. The Women identify the first Strumpet Trumpet recipient and discuss their feelings about Pete.

The Women begin their journey into the world of Mad Men. Ashley and Kate discuss their respective relationships to the show, Ashley predicts what will happen in the premiere episode, and they consider the pros of smoking cigarettes.