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| Episode | Date |
|---|---|
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Mees Peijnenburg On A Family, Dutch Cinema, And The Emotional Architecture of Divorce
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Mar 31, 2026 |
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Is This The Year Of The Skarsgårds? Pillion, Dead Man's Wire and History of Sound
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Mar 27, 2026 |
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Why Does Il Conformista Still Matter? Bertolucci, Pasolini, and the Fascist Aesthetic
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Mar 19, 2026 |
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The Man Who Fell to Screen: David Bowie's Life in Cinema
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Mar 12, 2026 |
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From Mary Shelley to The Bride: Why Is Frankenstein's Monster Always Ugly?
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Mar 05, 2026 |
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Wim Wenders Says Cinema Isn't Political. These Films Disagree.
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Feb 27, 2026 |
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The DJ Who Turned Sirāt Into a Rave Experience w/ Kangding Ray
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Feb 24, 2026 |
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Are Marty Supreme and Wuthering Heights Worth The Hype?
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Feb 19, 2026 |
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How Brokeback Mountain Changed Queer Storytelling—and Should Straight Actors Still Play Queer Roles? w/ Esje Seigfried
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Feb 12, 2026 |
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Park Chan-wook’s No Other Choice Is A Brutal Take On Capitalism
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Feb 05, 2026 |
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Can We Still Watch Films by Bad People?
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Jan 29, 2026 |
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Hamnet and Movies That Are Secret Shakespeare Plays
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Jan 22, 2026 |
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2000 Metres To Andriivka And Why We Need Documentary Films
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Jan 15, 2026 |
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Why Children Of Men Is The Most Realistic Dystopian Film
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Jan 08, 2026 |
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Ranking the Most Talked About Films of 2025
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Dec 30, 2025 |
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Why Sentimental Value Should Win Big At The Oscars
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Dec 18, 2025 |
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What Makes a Film Festive?
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Dec 12, 2025 |
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How Sex And The City Maps The Rise And Fall Of The American Empire
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Dec 04, 2025 |
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Die My Love, Splitsville, Nouvelle Vague + The World Of Schmutz Cinema
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Nov 27, 2025 |
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Jack of All Trades: How Jack Nicholson Became a Cinema Icon
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Nov 20, 2025 |
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The Smashing Machine, Back To The Future & It Was Just An Accident
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Nov 13, 2025 |
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How The American New Wave Took Over Hollywood
|
Nov 06, 2025 |
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What Bugonia Gets Wrong About Conspiracy Theorists + Kelly Reichardt On The Mastermind
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Oct 30, 2025 |
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Mark Cousins On Tilda Swinton And His Story Of A Life In Film
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Oct 23, 2025 |
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Why Luca Guadagnino Is The Master Of Desire
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Oct 17, 2025 |
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How Rietland Put Dutch Cinema Back on the Map w/ Director Sven Bresser
|
Oct 09, 2025 |
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Eddington, Rietland and Tilly Norwood
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Oct 02, 2025 |
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One Battle After Another, Yi Yi and Him
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Sep 25, 2025 |
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Make Chick Flicks Great Again....Or Not?
|
Sep 18, 2025 |
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Why Agnès Varda is a Cinema Icon
|
Sep 10, 2025 |
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The Deadly Reality of Filming in Gaza: Fatima Hassouna’s Story w/ Sepideh Farsi
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Sep 04, 2025 |
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Jaws: The Birth of the Summer Blockbuster & the History of Creature Features
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Aug 27, 2025 |
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Why Everyone is Talking About Weapons and Sorry, Baby
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Aug 13, 2025 |
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Morgan Knibbe on The Garden of Earthly Delights and the Silence Around It
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Jul 23, 2025 |
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Plein Soleil and the Art of the Summer Movie
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Jul 09, 2025 |
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What Akira Kurosawa Taught Us About Movies—and Morality
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Jun 25, 2025 |
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Why Zombies Refuse to Die
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Jun 11, 2025 |
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Dogme 95, The Phoenician Scheme, Twin Peaks: Why Wes Anderson Should Try Dogme-Style Filmmaking
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Jun 05, 2025 |
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Dispatch from Cannes (2025)
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May 28, 2025 |
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Ranking Every Wes Anderson Movie
|
May 08, 2025 |
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Growing Up in a Revolution: The Power of Persepolis
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Apr 30, 2025 |
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How Do You Film the Atomic Bomb?
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Apr 23, 2025 |
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Is Alex Garland's Warfare an Anti-War Movie?
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Apr 16, 2025 |
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Why Hollywood Loves a Comeback
|
Apr 09, 2025 |
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The Most Controversial Filmmaker in Dutch History w/ Luuk Bouwman
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Apr 02, 2025 |
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Why Short Films Matter w/ Go Short Film Festival
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Mar 26, 2025 |
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Is The Room The Best Worst Movie Ever Made?
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Mar 19, 2025 |
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Bong Joon-ho's Bloody Brilliance and the Rise of Korean Cinema
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Mar 12, 2025 |
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Do Two Robert Pattinsons Make Mickey 17 Twice the Fun?
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Mar 06, 2025 |
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Is 'The Monkey' Better Than 'Longlegs'?
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Feb 20, 2025 |
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Can You Still Make a Good Musical Biopic?
|
Feb 13, 2025 |
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Does AI in The Brutalist Even Matter?
|
Feb 06, 2025 |
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How Ernest R. Dickerson Discovered Tupac For Juice
|
Jan 29, 2025 |
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Jeroen Houben on Torch Song (2025)
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Jan 24, 2025 |
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Raoul Peck on Ernest Cole: Lost and Found (2025)
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Jan 21, 2025 |
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From Dracula to Edward Cullen: The Immortal Cinema of Bloodsuckers and Nightstalkers
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Jan 16, 2025 |
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Why No Other Land is the Most Important Film of 2025
|
Jan 09, 2025 |
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When Filmmakers Dream Big: The World of Megalomaniac Movies
|
Dec 12, 2024 |
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Mati Diop on Dahomey (2024)
|
Dec 10, 2024 |
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Shiori Ito on Black Box Diaries (2024)
|
Dec 03, 2024 |
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Rich Peppiatt on Kneecap (2024)
|
Nov 27, 2024 |
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Why Wim Wenders?
|
Nov 13, 2024 |
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The Art of Looking: Like Stories of Old on Knight of Cups (Terrence Malick, 2015)
|
Oct 30, 2024 |
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Tarsem Singh on The Fall (2006)
|
Oct 19, 2024 |
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Kevin Boitelle on Trip-Tych (2024)
|
Oct 15, 2024 |
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Female Stereotypes We Love in Cinema
|
Oct 03, 2024 |
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Laura Hermanides on Witte Flits (2024)
|
Sep 26, 2024 |
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Truth or Trickery: The Life of Orson Welles
|
Sep 18, 2024 |
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David Hinton on Made in England: The Films of Powell & Pressburger (2024)
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Sep 05, 2024 |
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Henry Selick on Coraline (2009)
|
Aug 15, 2024 |
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What Happened to All the Romcoms? (with Laura Gommans)
|
Jul 25, 2024 |
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Lukas Moodysson on Fucking Åmål (1998)
|
Jul 11, 2024 |
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Celebrating Dutch Cinema
|
Jun 28, 2024 |
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The Ross Brothers on Gasoline Rainbow (2023)
|
Jun 20, 2024 |
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The Art of Acting (with Mike Gomez)
|
May 23, 2024 |
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Sean Price Williams and Talia Ryder on The Sweet East (2023)
|
May 16, 2024 |
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Bertrand Bonello on The Beast (2024)
|
May 09, 2024 |
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Baloji on Augure (2023)
|
Apr 25, 2024 |
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Is A.I. Really Going to Take Over Cinema?
|
Apr 11, 2024 |
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Why We All Should Be Dreaming About Nicolas Cage
|
Mar 07, 2024 |
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Molly Manning Walker on How To Have Sex (2023)
|
Feb 22, 2024 |
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Where Has All the Sex in Cinema Gone? (with Laura Gommans)
|
Feb 08, 2024 |
|
Lost in Coppola: The Films of Sofia Coppola (with Sacha Gertsik)
|
Jan 11, 2024 |
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Why Does the Magic of Hayao Miyazaki and Studio Ghibli Feel So Real?
|
Dec 29, 2023 |
|
Ken Loach on Solidarity and Hope in The Old Oak (2023)
|
Dec 19, 2023 |
|
Reflections on Oppression & Revolution in The Battle of Algiers (1966)
|
Dec 14, 2023 |
|
Future Frames: A Conversation with Bram Ruiter
|
Dec 08, 2023 |
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Future Frames: A Conversation with Rafik Opti
|
Dec 05, 2023 |
|
Passages (2023): A Conversation with Ira Sachs
|
Nov 14, 2023 |
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Curious Obsessions: The Films of David Fincher
|
Nov 07, 2023 |
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Rags, Riches & Redemption: The Films Of Martin Scorsese
|
Oct 05, 2023 |
|
Billion Dollar Barbie
|
Sep 19, 2023 |
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How to Save a Dead Friend (2022): A Conversation with Marusya Syroechkovskaya
|
Sep 08, 2023 |
|
Will Tom Cruise Save Cinema?
|
Jul 13, 2023 |
|
The Ecstatic Truth: The Films of Werner Herzog
|
Jun 28, 2023 |
|
Witch Way Now: Recasting A Feminist Icon (with Helena Castro)
|
May 30, 2023 |
|
Future Frames: A Conversation with Razan Hassan
|
May 05, 2023 |
|
Future Frames: A Conversation with Amira Duynhouwer
|
Apr 29, 2023 |
|
Return to Seoul (2022): A Conversation with Davy Chou
|
Apr 25, 2023 |
|
Future Frames: A Conversation with Stefanie Kolk
|
Apr 20, 2023 |
|
Future Frames: A Conversation with Kim Kokosky Deforchaux
|
Apr 06, 2023 |
|
Future Frames: A Conversation with Ashley Röttjers
|
Mar 28, 2023 |
|
The Alchemy of Alejandro Jodorowsky
|
Feb 23, 2023 |
|
Revisiting The Cult Phenomenon of Twilight (with Live Audience)
|
Jan 31, 2023 |
|
Twilight (2008): A Conversation with Catherine Hardwicke
|
Jan 12, 2023 |
|
David Lynch: Extreme Violence, Bizarre Comedy & Strange Beauty
|
Dec 29, 2022 |
|
Film Noir: Tales From Nightmare Alley
|
Dec 08, 2022 |
|
El Planeta (2021): A Conversation with Amalia Ulman
|
Nov 24, 2022 |
|
Vortex (2021): A Conversation with Gaspar Noé
|
Nov 15, 2022 |
|
Au Revoir to Jean-Luc Godard
|
Nov 10, 2022 |
|
Narcosis (2022): A Conversation with Martijn de Jong
|
Nov 05, 2022 |
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Un Beau Matin (2022): A Conversation with Mia Hansen-Løve
|
Oct 28, 2022 |
|
Nobu, Baba & Henk (2022): A Conversation with Sarah Blok & Lisa Konno
|
Oct 25, 2022 |
|
Nightmares & Nostalgia Pt.2 (with Imagine Film Festival)
|
Oct 21, 2022 |
|
Pink Moon (2022): A Conversation with Floor van der Meulen
|
Sep 13, 2022 |
|
Are Ridley & Tony Scott The Last of Their Kind? (with Scout Tafoya)
|
Sep 01, 2022 |
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Speak No Evil (2022): A Conversation with Christian Tafdrup
|
Jul 21, 2022 |
|
Fire of Love (2022): A Conversation with Sara Dosa
|
Jul 14, 2022 |
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Splendid Isolation (2022): A Conversation with Urszula Antoniak
|
Jul 08, 2022 |
|
Tilda Swinton: Renaissance Woman, Chameleon & Muse
|
Jul 07, 2022 |
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Nowhere Special (2020): A Conversation with Uberto Pasolini
|
Jun 23, 2022 |
|
Dispatch: Cannes Film Festival 2022
|
Jun 15, 2022 |
|
The World of David Cronenberg: Crimes of the Future (2022)
|
Jun 02, 2022 |
|
The Most Beautiful Boy in the World (2021): A Conversation with Björn Andrésen
|
Apr 26, 2022 |
|
Hatching (2022): A Conversation with Hanna Bergholm
|
Apr 07, 2022 |
|
2001: A Space Odyssey (1968) - An Exploration
|
Mar 31, 2022 |
|
Paul Thomas Anderson: Boogie Nights, Fuck Boys & Co-Dependent Relationships
|
Feb 17, 2022 |
|
Transcendental Style in Film (with Viktor van der Valk)
|
Dec 30, 2021 |
|
Christmas Cinema Comfort Food
|
Dec 16, 2021 |
|
Challenging Guilty Pleasures (with Basje Boer)
|
Dec 02, 2021 |
|
Gagarine (2020): A Conversation with Fanny Liatard & Jérémy Trouilh
|
Nov 11, 2021 |
|
Clint Eastwood & (The Fall of) The American Hero
|
Oct 07, 2021 |
|
What is Expanded Japanese Cinema? (with Julian Ross)
|
Sep 23, 2021 |
|
(The History of) The Summer Blockbuster
|
Sep 09, 2021 |
|
Dispatch: Cannes Film Festival 2021
|
Jul 22, 2021 |
|
Framing Foods & Tomatophilia (with Joost Broeren-Huitenga)
|
Jul 15, 2021 |
|
Special: Back in Business!
|
Jun 24, 2021 |
|
On Female Desire & Balancing the Gaze (with Basje Boer)
|
Jun 17, 2021 |
|
Discussing Representation & Wong Kar-Wai (with Pete Wu)
|
Jun 03, 2021 |
|
Cinema and Trauma: Global Perspectives of WWII (with Kim Kokosky Deforchaux)
|
May 20, 2021 |
|
Nightmares & Nostalgia
|
May 06, 2021 |
|
Oscar Fever XL Special
|
Apr 22, 2021 |
|
Documentary Ethics (with Miriam Guttmann)
|
Apr 08, 2021 |
|
Reality, Fiction, and The Truman Show (1998)
|
Mar 25, 2021 |
|
Why Should We Celebrate Cinema?
|
Mar 11, 2021 |
|
Introduction
|
Mar 02, 2021 |