A Bit Lit
By A Bit Lit
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Category: Performing Arts
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Subscribers: 3
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Episodes: 53
Description
As much of the world went into lockdown in spring 2020, we wanted to provide a platform for research and creativity, championing the brilliant arts and knowledge-making going on in the world right now across different sectors, time periods and disciplines in an informal, fun fashion. A Bit Lit is the result.Our website www.abitlit.co hosts conversations, talks, Q&As, readings and creative work from cool, groovy and interesting people. At a time when it can be easy to be caught between the two options of panicking or trying to switch our brains off, we hope this will be a fun and silly and good place to put your brain for a few minutes.Explore our library of conversation between researchers, performers, creatives, and makers of all sorts, where we discuss what it means to think about history, culture, and creativity. We also make videos driven by the passion of research and creative practice that are directed at all learners interested in exploring these questions at home.www.abitlit.co and follow us on twitter at @a_bit_lit
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| Episode | Date |
|---|---|
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The Gunpowder Plot
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Sep 28, 2022 |
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Sacha Coward on queer history, museums and mermaids
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Feb 06, 2022 |
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Engendering the Stage
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Feb 06, 2022 |
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ABL Richard O'Brien
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Feb 04, 2022 |
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ABL 134 Mira Katantaris
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Jan 23, 2022 |
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ABL 136 Improvising Shakespeare
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Jan 23, 2022 |
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ABL140 Phoenix Andrews
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Jan 21, 2022 |
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Eric Weiskott on his new book, Meter and Modernity
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Oct 15, 2021 |
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ira Assaf Kafantaris and Jennifer Higginbotham on royalty, race and gender
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Oct 15, 2021 |
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Luke Kennard's new book, Notes on the Sonnets
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Sep 18, 2021 |
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Trevor, Carla, Shakespeare and Latinidad
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Sep 18, 2021 |
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Richard Katz on the joys of being a clown
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Sep 03, 2021 |
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Edwards Boys The Fawn 2 The Company
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Sep 01, 2021 |
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Edwards Boys The Fawn 1 Perry
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Sep 01, 2021 |
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The devil on holiday in eighteenth-century England
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Aug 06, 2021 |
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Theatre of Wrestling: Unruly Music Hall Sport Interview
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Aug 06, 2021 |
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Studying English and Creative Writing
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Aug 06, 2021 |
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A celebration of Eleanor Janega and Neil Max Emmanuel’s The Middle Ages: A Graphic History
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Jul 11, 2021 |
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Muriel Spark, the impossible experimenter: a celebration of James Bailey's new book
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Jun 25, 2021 |
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Nedda Mehdizadeh on early modern Persian and English connections
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Jun 25, 2021 |
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Posthumanism and Ethics: Kazuo Ishiguro's new novel Klara and the Sun
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Jun 25, 2021 |
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Erik Wade on the global origins of sex and race in English literature
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Jun 25, 2021 |
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Catherine Fletcher on public engagement, academic labour and her book on the Renaissance
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May 21, 2021 |
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Before Trans and Before Queer with Rachel Mesch and Dustin Friedman
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May 07, 2021 |
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Bodie Ashton on German nationhood, unexpected snails and the Pet Shop Boys
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Apr 30, 2021 |
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Reading Greek Tragedy Online
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Apr 23, 2021 |
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Aphra Behn’s works on stage and page
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Apr 16, 2021 |
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Andy Kesson on public scholarship, creative practice and collaboration
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Apr 16, 2021 |
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The writer and historian Mathew Lyons with thoughts on all of us moving indoors
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Apr 16, 2021 |
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Derek Dunne, Tom Harrison and Paul Salzman discuss Ben Jonson’s The Alchemist
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Apr 16, 2021 |
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Becky Yearling talks to Tom Harrison about early modern satire
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Apr 16, 2021 |
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Research and creative work: TIDE Project: travel, transculturality and identity in England
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Apr 14, 2021 |
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The first English playhouse? Holger Syme on the new archaeological discovery of the Red Lion
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Apr 09, 2021 |
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Theatre design: history and practice with Ella Hawkins and E. M. Parry
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Apr 09, 2021 |
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Harry McCarthy tells us about boy performance in early modern and contemporary theatre
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Apr 09, 2021 |
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Why dramaturgy is like cartography Anne G. Morgan on what a dramaturg actually does
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Apr 09, 2021 |
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Clowns and kings: Sophie Russell on playing Richard III at Shakespeare's Globe
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Apr 09, 2021 |
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Sathnam Sanghera on the British Empire and its legacy
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Apr 07, 2021 |
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Stephen Guy-Bray on queer theory, poetics and representation in Shakespeare
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Apr 02, 2021 |
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Shakespeare for snowflakes: Ian Burrows chats to Emma Whipday
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Apr 02, 2021 |
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Will Tosh chats about poetry, sexual identity, and literature as consolation
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Apr 02, 2021 |
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Sound, body and imagination: Alison Bomber tells us about voice coaching and theatre
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Apr 02, 2021 |
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Nick Radford, the poet laureate of pro wrestling, on poetry in the ring
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Apr 02, 2021 |
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The Cavendishes with Lisa Hopkins and Tom Rutter
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Mar 26, 2021 |
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Suzannah Lipscomb: research, TV and gender in the archives
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Mar 26, 2021 |
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Secrets of Jane Austen's House with Sophie Reynolds
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Mar 26, 2021 |
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Box Office Bears #1: a new research project on animal-baiting
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Mar 26, 2021 |
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Ambereen Dadabhoy on early modern race and the English playhouse
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Mar 26, 2021 |
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The actor Marc Elliott on performing in Eastenders, Holby City, musicals and Shakespeare
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Mar 12, 2021 |
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Eleanor Janega on medieval sex positivity, Black Death and revolution
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Mar 12, 2021 |
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RJ City tells Andy Kesson about stories, expectations & audiences
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Mar 12, 2021 |
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Samira Ahmed on her broadcasting career, the news & the recent history of critical thinking
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Mar 12, 2021 |
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Miles Grier on inkface, blackface, Othello and fraternities of white men
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Mar 12, 2021 |