The Uncensored Critic Podcast
By Oliver Gower
Listen to a podcast, please open Podcast Republic app. Available on Google Play Store and Apple App Store.
Image by Oliver Gower
Category: Performing Arts
Open in Apple Podcasts
Open RSS feed
Open Website
Rate for this podcast
Subscribers: 0
Reviews: 0
Episodes: 66
Description
My podcast talks to actors, directors, movement directors, creatives and anyone in love with the arts.
I'm an actor myself so I'm always eager hear from people active in the industry, their journey's into it, and what they have learnt along the way.
Thank you for listening and I hope you enjoy The Uncensored Critic Podcast.
| Episode | Date |
|---|---|
|
Tom Kelsey on Understudying in The Shark is Broken and A Little Life
|
May 06, 2024 |
|
Kate Godfrey Part 2 | Understanding Shakespeare
|
Apr 24, 2024 |
|
Jane Moriarty on Being an Associate Director, Prima Facie and Filmmaking
|
Apr 15, 2024 |
|
Georgia Bird on Stage Management and the Impact of Prima Facie
|
Mar 07, 2024 |
|
Chloe Wade on Writing for Theatre and her play As SHE Likes It
|
Feb 23, 2024 |
|
Mildred Yuan on Life as An Agent
|
Feb 19, 2024 |
|
Victoria Blunt on Vanya and Tackling a One Person Show
|
Feb 12, 2024 |
|
Justin Martin on Prima Facie and Directing For Theatre
|
Feb 06, 2024 |
|
Alison Tanney on The Importance of Theatre
|
Jan 31, 2024 |
|
Emilio Doorgasingh on A Little Life
|
Dec 07, 2023 |
|
Sabina "Sabs" Netherclift on Jacques LeCoq | Part 2
|
Nov 04, 2023 |
|
Orlando Mendez on The Voice USA, Country Music and Future Releases
|
Oct 28, 2023 |
|
Elliot Cowan on A Little Life
|
Oct 23, 2023 |
|
Laura Elphinstone on Line of Duty and Life as An Actor | Part 2
|
Oct 14, 2023 |
|
Dani Arlington on Prima Facie and The Importance of Understudies
|
Oct 02, 2023 |
|
Stefanie Sword-Williams on Self-Promotion and How It Isn't a Bad Thing
|
Sep 19, 2023 |
|
Rose Ryan on Laban and Intimacy Co-Ordination | Part 2
|
Sep 18, 2023 |
|
David Punter on Gothic Literature and Poetry
|
Sep 05, 2023 |
|
Claire J. Loy on Getting an Agent and Actors Learning to Trust Themselves
|
Aug 27, 2023 |
|
Rohan Carr on Theatre Automation and Working Behind the Scenes on A Little Life
|
Aug 17, 2023 |
|
Charlie MacGechan on Pinter and Building Run At It Shouting
|
Aug 14, 2023 |
|
Harry Burton on Harold Pinter | Part 2: No Man's Land
|
Jul 28, 2023 |
|
Rebecca Reaney on Movement | Part 2
|
Jul 07, 2023 |
|
Caroline Sheen on Musical Theatre
|
May 19, 2023 |
|
Catherine McNamara on Applied Theatre
|
May 16, 2023 |
|
Rosie Sheehy on Romeo and Julie at the National Theatre
|
May 03, 2023 |
|
Seema Bowri on Verbatim Theatre and Film "Little English"
|
Apr 27, 2023 |
|
Max Perryment on Sound Designing
|
Mar 28, 2023 |
|
Deka Walmsley on Billy Elliot
|
Mar 23, 2023 |
|
Aylam Orian on Method Acting and How It Isn't What We Think It Is
|
Mar 22, 2023 |
|
Ilaria Mosca on Costume Designing
|
Mar 13, 2023 |
|
Scott "Friendly Reminder" Tatum on How to Live your Best Life
|
Mar 06, 2023 |
|
Abdullah Khan on Directing
|
Mar 06, 2023 |
|
Doug Kerr on Graphic Designing
|
Feb 28, 2023 |
|
Fit2Talk’s Bobby Windebank and Steffan Lloyd-Evans on an Actor’s Fitness and Lifestyle
|
Feb 09, 2023 |
|
Christopher McElroen on Directing for Theatre
|
Feb 07, 2023 |
|
Alex Gage on Training in Musical Theatre, Kinky Boots, and Life Performing on a Cruise
|
Jan 21, 2023 |
|
Steven Calvert on Life before and after Drama School
|
Jan 11, 2023 |
|
Thank You 🙏
|
Dec 31, 2022 |
|
Andy Johnson on How to Get into Drama School
|
Dec 12, 2022 |
|
David Grindley on R.C. Sherriff's Journey's End and Winning a Tony on Broadway
|
Nov 25, 2022 |
|
Kate Godfrey on deconstructing Shakespeare and Using your Voice in the Theatre
|
Nov 16, 2022 |
|
Chris and Tom Godwin on The Woman in Black
|
Oct 20, 2022 |
|
Mark Stratford on The Strange Case of Dr Jekyll & Mr Hyde
|
Oct 07, 2022 |
|
Adam Boardman on Life on Tour with Les Miserables and Keeping the Faith
|
Sep 27, 2022 |
|
Tom Berkeley and Ross White on Filmmaking
|
Aug 08, 2022 |
|
Jack Ellis on The Crucible, Richard III, and working with Sam Mendes
|
Jul 21, 2022 |
|
Katie Crooks on Hypnotherapy and Conquering Mental Boundaries
|
Jun 18, 2022 |
|
Michael Hoffman on Directing
|
Jun 13, 2022 |
|
Rebecca Reaney on Movement and the Importance of Actors
|
Jun 11, 2022 |
|
Mike Jibson on the Actor's Journey and performing in Hamilton in the West End
|
May 21, 2022 |
|
Andrew Davidson on Meisner and Script Analysis
|
May 14, 2022 |
|
Chris Palmer on the Human Voice and its Power
|
Apr 18, 2022 |
|
Dan Canham on A Monster Calls, creating Movement for Theatre, and Film Production
|
Apr 07, 2022 |
|
Matt Coulton on Jacques LeCoq and the Neutral Mask
|
Dec 16, 2021 |
|
Adrian Schiller on Arthur Miller's The Crucible and working with Yael Farber
|
Oct 09, 2021 |
|
Rose Ryan on Laban, the "Efforts", and the Importance of Movement
|
Sep 25, 2021 |
|
Sabina "Sabs" Netherclift on Jacques Lecoq
|
Aug 09, 2021 |
|
Stu Goodwin on A Monster Calls and Devised Theatre
|
Aug 04, 2021 |
|
Laura Elphinstone on Chernobyl and Devised Theatre
|
Jul 22, 2021 |
|
Ben Furey on Voice, Dialects, and working on Broadway
|
Jul 17, 2021 |
|
Hannah Couzens on Photography and Capturing the Moment
|
Jun 23, 2021 |
|
Christian Patterson on Acting and Working at the National Theatre
|
May 14, 2021 |
|
David Barnett on Brecht
|
Apr 30, 2021 |
|
Simon Furness on Anton Chekhov's Uncle Vanya
|
Apr 13, 2021 |
|
Harry Burton on Harold Pinter
|
Apr 02, 2021 |