The Uncensored Critic Podcast
By Oliver Gower
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Category: Performing Arts
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Subscribers: 3
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Episodes: 168
Description
My podcast talks to actors, directors, movement directors, creatives and anyone in love with the arts.
I'm an actor myself so I'm always eager hear from people active in the industry, their journey's into it, and what they have learnt along the way.
Thank you for listening and I hope you enjoy The Uncensored Critic Podcast.
| Episode | Date |
|---|---|
|
Shakespeare Saturday | Love's Labour's Lost
|
Aug 29, 2026 |
|
Fringe in Fifteen | Eliza Allen | "10A: The Fitting Room"
|
Aug 25, 2026 |
|
Tyrone Huntley on Life in Musical Theatre: Memphis the Musical, Book of Mormon and Jesus Christ Superstar
|
Aug 17, 2026 |
|
Fringe in Fifteen | Matt Ackermann | TAP OUT! (or I'll hit you again)
|
Aug 13, 2026 |
|
Fringe in Fifteen | Lizzie Bean | Phuckets and Rainbows
|
Aug 06, 2026 |
|
Joel Harper-Jackson on Playing Frank Sinatra
|
Aug 03, 2026 |
|
Fringe in Fifteen | Emily Drewett | "Situationsh*t"
|
Jul 30, 2026 |
|
Danielle Manson on Being the Legal Consultant on Prima Facie and Inter Alia
|
Jul 27, 2026 |
|
Fringe in Fifteen | Joanna Orlowska | "Off Script"
|
Jul 23, 2026 |
|
Ray Fearon on Shakespeare's Julius Caesar and working at the RSC
|
Jul 20, 2026 |
|
Simon Evans on Directing "Staged" and Cyrano de Bergerac
|
Jul 13, 2026 |
|
Shakespeare Saturday | Twelfth Night
|
Jul 11, 2026 |
|
Chloëbeth on Finding Your Voice and Believing in Yourself
|
Jul 06, 2026 |
|
Kate Waters on Fight Directing
|
Jun 29, 2026 |
|
Katie Lyons on Immersive Theatre
|
Jun 22, 2026 |
|
Shakespeare Saturday | Othello
|
Jun 13, 2026 |
|
Grace Duggan on Inter Alia and the Role of Associate Director
|
Jun 08, 2026 |
|
Kate Maravan on Rebuilding the Actors Centre and Meisner
|
Jun 03, 2026 |
|
Cassandra Woodhouse | Part 3 | Her New Book: " Sex, Power and Prima Facie"
|
May 26, 2026 |
|
Flora Dawson on Inter Alia
|
May 18, 2026 |
|
Vivian Panka on Performing Regina in Mean Girls
|
May 11, 2026 |
|
Fringe in Fifteen | Verity Bajoria | "Smile"
|
May 07, 2026 |
|
Chris Palmer | Part 2 | Training Your Voice with Meisner, Michael Chekhov and Stanislavski
|
May 05, 2026 |
|
Shakespeare Saturday | Romeo & Juliet
|
May 02, 2026 |
|
Lucy Hind on Inter Alia and Intimacy Co-ordination
|
Apr 27, 2026 |
|
Melissa Vettore on Studying "The Method" and Prima Facie in Italy
|
Apr 20, 2026 |
|
Daisy Chute on Composing for Documentaries, Musical Theatre and Winning a Grammy
|
Apr 13, 2026 |
|
Lauren Carse on Understudying in the Prima Facie UK Tour
|
Apr 06, 2026 |
|
Shakespeare Saturday | Macbeth
|
Apr 04, 2026 |
|
Morgan Lloyd Malcolm on her play "The Wasp" and Writing for Theatre
|
Mar 30, 2026 |
|
Tómas Howser and Emily Dilworth on The Welkin by Lucy Kirkwood
|
Mar 16, 2026 |
|
Nicki Leighton-Thomas on Performing Jazz and Writing Music
|
Feb 23, 2026 |
|
Katie Louisa Morgan on her play "Fox" | A Show about Motherhood
|
Feb 17, 2026 |
|
Georgia Bird | Part 2 | Prima Facie on Tour and the Impact of Theatre
|
Feb 09, 2026 |
|
Helen Murray on Photographing the Theatre and Life
|
Feb 02, 2026 |
|
Sam Troughton on A Very Royal Scandal and Chernobyl
|
Jan 29, 2026 |
|
Georgia Bowers on The Impact of Applied Theatre
|
Jan 19, 2026 |
|
Maddie Hansen on Life as an Actor-Musician and Her Love of Sondheim
|
Dec 22, 2025 |
|
Simon Furness | Part 2 | The Seagull
|
Dec 15, 2025 |
|
Olivia Vinall on Performing Desdemona and Cordelia at the National Theatre
|
Dec 08, 2025 |
|
Sarah Spring | Part 2 | Hamlet and Much Ado about Nothing
|
Dec 01, 2025 |
|
Sam Haughton on Phantom, Universality of Material and Keeping the Faith
|
Nov 25, 2025 |
|
Laura Andresen Guimarães on Actor Musicianship, playing the Saxophone and Performing at the 2022 FIFA World Cup, Qatar
|
Nov 21, 2025 |
|
Siobhan Dowd on Voice Acting: Audiobooks and Commercials
|
Nov 18, 2025 |
|
Jayne Wisener on Sweeney Todd with Tim Burton and The Inbetweeners
|
Nov 15, 2025 |
|
Genevieve Chenneour on Artistic Swimming, "Diary of a Ghost" and Bridgerton
|
Nov 10, 2025 |
|
Georgina Castle on Life in Musical Theatre
|
Nov 05, 2025 |
|
Ellie McKay on Life Stories and Building From Rock Bottom
|
Nov 03, 2025 |
|
Elliot Cowan | Part 2 | Henry V, Stanley Kowalski and Mastering Self-Tapes
|
Oct 27, 2025 |
|
Claire-Monique Martin and Verônica Sarno on Mauro Fazion's "The Dying Wish" and How Theatre can Change the World
|
Oct 20, 2025 |
|
Kimberley Ford on Filmmaking for Actors and Coporations
|
Oct 13, 2025 |
|
Katie Matsell on Tennessee Williams and Shakespeare
|
Oct 06, 2025 |
|
Sarah Spring on Shakespeare: Soliloquies and Sonnets
|
Sep 26, 2025 |
|
David Dein on Theatre and Football
|
Sep 20, 2025 |
|
Robyn Paterson on Meisner Technique
|
Sep 01, 2025 |
|
Mildred Yuan | Part 2 | AI in the Industry and Embracing Our Humanity
|
Aug 25, 2025 |
|
Cassandra Woodhouse | Part 2 | Prima Facie's Impact and Looking After Your Nervous System
|
Aug 22, 2025 |
|
George Naylor on Understudying in "Second Best"
|
Aug 18, 2025 |
|
Joyce Hshieh on The Best Way to Learn Your Lines
|
Aug 11, 2025 |
|
Harriet Madeley on her play "Outpatient" and the Profundity of Theatre
|
Aug 04, 2025 |
|
Sarah Page on Writing for Theatre and Audible
|
Jul 30, 2025 |
|
Gaia Mondadori on The Witcher and her new play "Centre of the Universe"
|
Jul 25, 2025 |
|
Sarah Lawrie on Producing Off-West End Theatre and her new show "Elon Musk: Lost in Space"
|
Jul 24, 2025 |
|
Antonia Desplat on "Modigliani - Three Days on the Wing of Madness" and working with Johnny Depp
|
Jul 17, 2025 |
|
Tom Edden on Waiting for Godot and One Man, Two Guvnors
|
Jul 14, 2025 |
|
Maria Speight on Writing for Theatre and her new play "Maybe You Should Know"
|
Jun 15, 2025 |
|
Imogen Knight on Movement, working on HBO's Chernobyl and The Crucible at the Old Vic
|
May 22, 2025 |
|
Naarah on "Our Country's Good" and How Art Changes the World
|
May 14, 2025 |
|
Theresa Godly on "The Stranger I Love" and the Impact of Parental Alienation
|
May 09, 2025 |
|
Oliver Alvin-Wilson on "Now, I See" at Stratford East and the Impact of Theatre
|
May 07, 2025 |
|
Audrey Sheffield on Creating Truthful Theatre
|
Apr 23, 2025 |
|
Sam Valentine on Life as a Working Actor in the 21st Century
|
Apr 15, 2025 |
|
Michael Fox on Downton Abbey, Othello and Writing Music
|
Apr 08, 2025 |
|
Sally Williams on Working with ITV, Weather Reporting and Interviewing on the Red Carpet
|
Apr 01, 2025 |
|
Trish Wadley on Producing Theatre
|
Mar 19, 2025 |
|
Faith Omole on Writing for Theatre and her play "My Father's Fable"
|
Mar 10, 2025 |
|
Eleanor Rhode on Directing for the RSC and The Globe
|
Mar 03, 2025 |
|
Danielle Hope on Winning BBC's "Over the Rainbow" and Life in Musical Theatre
|
Feb 24, 2025 |
|
Yaël Farber on Arthur Miller's "The Crucible" and Directing for Theatre
|
Feb 13, 2025 |
|
Samuel Small on Growing Up in the Business
|
Feb 04, 2025 |
|
Miriam O'Brien on Pericles with the RSC, The Woman in Black and Short Film "The Date"
|
Jan 24, 2025 |
|
Louise Beresford on appearing in Magic Goes Wrong and Performing Comedy
|
Jan 13, 2025 |
|
Sarah Milton on Writing for Theatre
|
Dec 16, 2024 |
|
Alix Dunmore on Perfecting Accents
|
Dec 11, 2024 |
|
Annalie Howling on How to Live Your Best Life and How to Deal with Shame
|
Dec 07, 2024 |
|
Claire Cartwright on Shakespeare, Working with The Theatrical Guild and the Short Film "The Date"
|
Dec 02, 2024 |
|
Evangeline Victoria on Performing Weddings and Football Stadiums
|
Nov 26, 2024 |
|
Eve Shanu-Wilson on Performing Christine Daaé in Phantom of the Opera and Life as a West End Cover
|
Nov 21, 2024 |
|
Alex Mill on Being an Assistant Director and How Actors Can Know Their Worth
|
Nov 16, 2024 |
|
David Leveaux on Directing for Theatre and working with Harold Pinter and Tom Stoppard
|
Oct 22, 2024 |
|
Stefanie Sword-Williams on Self-Promotion | Part 2
|
Oct 09, 2024 |
|
Cassandra Woodhouse on Touring Theatre and the Impact of Prima Facie
|
Sep 30, 2024 |
|
Harry Burton on Harold Pinter | Part 3 | The Homecoming
|
Aug 31, 2024 |
|
Alexa Morden | Part 2 | Filmmaking
|
Aug 24, 2024 |
|
Felicity Jackson on Supporting Actors and Creating "Actors Pro Expo"
|
Aug 20, 2024 |
|
Alexa Morden on The Tough Side of the Business and How It Needs to Change
|
Aug 15, 2024 |
|
Lucy Eaton on Staged and Producing Theatre
|
Aug 10, 2024 |
|
JBR on Life as an Agent
|
Jul 29, 2024 |
|
Jeff James on Directing
|
Jul 15, 2024 |
|
Rosie Sheehy Part 2 | Machinal at the Old Vic and Puck at the RSC
|
Jul 01, 2024 |
|
Candida Caldicot on playing live in The Lehman Trilogy
|
Jun 14, 2024 |
|
Krupa Pattani on Mr Bates vs The Post Office and As She Likes It
|
May 30, 2024 |
|
Rachel Birch-Lawson on Movement
|
May 20, 2024 |
|
Tom Kelsey on Understudying in The Shark is Broken and A Little Life
|
May 06, 2024 |
|
Kate Godfrey Part 2 | Understanding Shakespeare
|
Apr 24, 2024 |
|
Jane Moriarty on Being an Associate Director, Prima Facie and Filmmaking
|
Apr 15, 2024 |
|
Georgia Bird on Stage Management and the Impact of Prima Facie
|
Mar 07, 2024 |
|
Chloe Wade on Writing for Theatre and her play As SHE Likes It
|
Feb 23, 2024 |
|
Mildred Yuan on Life as An Agent
|
Feb 19, 2024 |
|
Victoria Blunt on Vanya and Tackling a One Person Show
|
Feb 12, 2024 |
|
Justin Martin on Prima Facie and Directing For Theatre
|
Feb 06, 2024 |
|
Alison Tanney on The Importance of Theatre
|
Jan 31, 2024 |
|
Emilio Doorgasingh on A Little Life
|
Dec 07, 2023 |
|
Sabina "Sabs" Netherclift on Jacques LeCoq | Part 2
|
Nov 04, 2023 |
|
Orlando Mendez on The Voice USA, Country Music and Future Releases
|
Oct 28, 2023 |
|
Elliot Cowan on A Little Life
|
Oct 23, 2023 |
|
Laura Elphinstone on Line of Duty and Life as An Actor | Part 2
|
Oct 14, 2023 |
|
Dani Arlington on Prima Facie and The Importance of Understudies
|
Oct 02, 2023 |
|
Stefanie Sword-Williams on Self-Promotion and How It Isn't a Bad Thing
|
Sep 19, 2023 |
|
Rose Ryan on Laban and Intimacy Co-Ordination | Part 2
|
Sep 18, 2023 |
|
David Punter on Gothic Literature and Poetry
|
Sep 05, 2023 |
|
Claire J. Loy on Getting an Agent and Actors Learning to Trust Themselves
|
Aug 27, 2023 |
|
Rohan Carr on Theatre Automation and Working Behind the Scenes on A Little Life
|
Aug 17, 2023 |
|
Charlie MacGechan on Pinter and Building Run At It Shouting
|
Aug 14, 2023 |
|
Harry Burton on Harold Pinter | Part 2: No Man's Land
|
Jul 28, 2023 |
|
Rebecca Reaney on Movement | Part 2
|
Jul 07, 2023 |
|
Caroline Sheen on Musical Theatre
|
May 19, 2023 |
|
Catherine McNamara on Applied Theatre
|
May 16, 2023 |
|
Rosie Sheehy on Romeo and Julie at the National Theatre
|
May 03, 2023 |
|
Seema Bowri on Verbatim Theatre and Film "Little English"
|
Apr 27, 2023 |
|
Max Perryment on Sound Designing
|
Mar 28, 2023 |
|
Deka Walmsley on Billy Elliot
|
Mar 23, 2023 |
|
Aylam Orian on Method Acting and How It Isn't What We Think It Is
|
Mar 22, 2023 |
|
Scott "Friendly Reminder" Tatum on How to Live your Best Life
|
Mar 06, 2023 |
|
Abdullah Khan on Directing
|
Mar 06, 2023 |
|
Doug Kerr on Graphic Designing
|
Feb 28, 2023 |
|
Fit2Talk’s Bobby Windebank and Steffan Lloyd-Evans on an Actor’s Fitness and Lifestyle
|
Feb 09, 2023 |
|
Christopher McElroen on Directing for Theatre
|
Feb 07, 2023 |
|
Alex Gage on Training in Musical Theatre, Kinky Boots, and Life Performing on a Cruise
|
Jan 21, 2023 |
|
Steven Calvert on Life before and after Drama School
|
Jan 11, 2023 |
|
Thank You 🙏
|
Dec 31, 2022 |
|
Andy Johnson on How to Get into Drama School
|
Dec 12, 2022 |
|
David Grindley on R.C. Sherriff's Journey's End and Winning a Tony on Broadway
|
Nov 25, 2022 |
|
Kate Godfrey on deconstructing Shakespeare and Using your Voice in the Theatre
|
Nov 16, 2022 |
|
Chris and Tom Godwin on The Woman in Black
|
Oct 20, 2022 |
|
Mark Stratford on The Strange Case of Dr Jekyll & Mr Hyde
|
Oct 07, 2022 |
|
Adam Boardman on Life on Tour with Les Miserables and Keeping the Faith
|
Sep 27, 2022 |
|
Tom Berkeley and Ross White on Filmmaking
|
Aug 08, 2022 |
|
Jack Ellis on The Crucible, Richard III, and working with Sam Mendes
|
Jul 21, 2022 |
|
Katie Crooks on Hypnotherapy and Conquering Mental Boundaries
|
Jun 18, 2022 |
|
Michael Hoffman on Directing
|
Jun 13, 2022 |
|
Rebecca Reaney on Movement and the Importance of Actors
|
Jun 11, 2022 |
|
Mike Jibson on the Actor's Journey and performing in Hamilton in the West End
|
May 21, 2022 |
|
Andrew Davidson on Meisner and Script Analysis
|
May 14, 2022 |
|
Chris Palmer on the Human Voice and its Power
|
Apr 18, 2022 |
|
Dan Canham on A Monster Calls, creating Movement for Theatre, and Film Production
|
Apr 07, 2022 |
|
Matt Coulton on Jacques LeCoq and the Neutral Mask
|
Dec 16, 2021 |
|
Adrian Schiller on Arthur Miller's The Crucible and working with Yaël Farber
|
Oct 09, 2021 |
|
Rose Ryan on Laban, the "Efforts", and the Importance of Movement
|
Sep 25, 2021 |
|
Sabina "Sabs" Netherclift on Jacques Lecoq
|
Aug 09, 2021 |
|
Stu Goodwin on A Monster Calls and Devised Theatre
|
Aug 04, 2021 |
|
Laura Elphinstone on Chernobyl and Devised Theatre
|
Jul 22, 2021 |
|
Ben Furey on Voice, Dialects, and working on Broadway
|
Jul 17, 2021 |
|
Hannah Couzens on Photography and Capturing the Moment
|
Jun 23, 2021 |
|
Christian Patterson on Acting and Working at the National Theatre
|
May 14, 2021 |
|
David Barnett on Brecht
|
Apr 30, 2021 |
|
Simon Furness on Anton Chekhov's Uncle Vanya
|
Apr 13, 2021 |
|
Harry Burton on Harold Pinter
|
Apr 02, 2021 |