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Episode | Date |
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Gregory Porter on his jazz foundations and Michael Collins on the clarinettist-composer relationship
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Aug 10, 2025 |
Jerrah Patston's world in songs, and the music of outback fences and pied butcherbirds
|
Aug 09, 2025 |
Legacies and laughs: Tom Lehrer and Dame Cleo Laine
|
Aug 03, 2025 |
Storytelling, beats and soundscapes on Warlpiri Country, and Gordon Kerry's new Requiem
|
Aug 02, 2025 |
Ozzy Osbourne - the melodic voice of Black Sabbath, and announcing poetry and lyric competition Middle of the Air
|
Jul 27, 2025 |
Michael Atherton: A lifetime student of music from ancient Egypt, medieval Europe and beyond
|
Jul 26, 2025 |
Together Alone with Crowded House and talking About Ghosts with Mary Halvorson
|
Jul 20, 2025 |
Ben Lee on mistakes, longevity and the power of pop music
|
Jul 19, 2025 |
Midge Ure on punk, pop and Ultravox and Nina Korbe on opera and advocacy
|
Jul 13, 2025 |
Putting together the pieces of Meredith Monk, and Christine Anu wins the 2025 NAIDOC Creative Talent Award
|
Jul 12, 2025 |
Listening to Country with composer James Howard, and the Stiff Gins celebrate 25 years
|
Jul 06, 2025 |
Remembering Lalo Schifrin, and how an organ can make a town come alive
|
Jul 05, 2025 |
Brian Campeau's country-tinged left turn, and Erik Satie—from the sublime to the surreal
|
Jun 29, 2025 |
Lorde reborn
|
Jun 28, 2025 |
Margret RoadKnight—60 years in the business
|
Jun 22, 2025 |
A Plastic Ocean Oratorio from Omar Musa and Mariel Roberts Musa, and a new Chapter for Guy Blackman
|
Jun 21, 2025 |
Collecting Scots songs on horseback and remembering The Beach Boys' Brian Wilson
|
Jun 15, 2025 |
Singing the Aphrodite myth, and a new take on golden age of Persian contemporary music
|
Jun 14, 2025 |
John Luther Adams on earth
|
Jun 08, 2025 |
The birth of House, and the rebirth of Lucius
|
Jun 07, 2025 |
Gender euphoria and jazz with Elliot Lamb and entering the forest house with Jenny Mitchell
|
Jun 01, 2025 |
Bush Gothic on the fine line between pleasure and pain, and director Netia Jones on Purcell's wild semi-opera The Fairy Queen
|
May 31, 2025 |
From broken piano to bestseller—Keith Jarrett's The Köln Concert
|
May 25, 2025 |
Tangerine Dream bring order into chaos and Jonathon Crompton maps out the coastline
|
May 24, 2025 |
Ellen Stekert: a full life in folk music
|
May 18, 2025 |
Kamasi Washington's Fearless Movement and Gregory Day's Southsightedness
|
May 17, 2025 |
Pokey LaFarge takes us to Rhumba Country, and the radical spirituality of Sofia Gubaidulina
|
May 11, 2025 |
Three centuries of chamber music by women with Anna Goldsworthy, and where blues and zydeco meet
|
May 10, 2025 |
Glass percussion with Shock Lines and campfire storytelling with Mark Atkins
|
May 04, 2025 |
Music in Motion: Live at the Canberra International Music Festival
|
May 03, 2025 |
Modernism, Catholicism, and Birdsong: Olivier Messiaen
|
Apr 27, 2025 |
Deep Inside the Blues
|
Apr 26, 2025 |
Messiah
|
Apr 20, 2025 |
Irish music new and old: Fontaines D.C. and Daoirí Farrell
|
Apr 19, 2025 |
Gospel meets disco with family band Annie & the Caldwells, and Tenzin Choegyal and Matt Corby team up
|
Apr 13, 2025 |
In rehearsal with Zubin Kanga's cyborg piano, and at the art gallery with Julius Eastman's Femenine
|
Apr 12, 2025 |
Marlon Williams' te reo Māori album, and canons in the Middle Ages and Renaissance
|
Apr 05, 2025 |
Genre-defining strings with Abel Selaocoe and Aaron Wyatt
|
Apr 04, 2025 |
Stasis, flux and stamina: saxophonist Adam Page can improvise for 24-hours non-stop
|
Mar 29, 2025 |
Allison Russell on jamming with Joni Mitchell, Annie Lennox, Hozier and more; and Lucy Sante's Six Sermons for Bob Dylan
|
Mar 28, 2025 |
Organised Delirium: Pierre Boulez at 100
|
Mar 22, 2025 |
The legacy of the Shangri-Las, and Palestinian band 47SOUL
|
Mar 21, 2025 |
From the Bronx to BBQs to Barkaa—the evolution of Australian hip hop
|
Mar 15, 2025 |
Anarchy and acoustics: Sex Pistols and Pistols in St. Paul's
|
Mar 14, 2025 |
Nana Benz du Togo, Sauljaljui and The Joy live at WOMADelaide
|
Mar 08, 2025 |
Eleanor Jawurlngali, Duo Ruut and Ana Carla Maza at WOMADelaide
|
Mar 07, 2025 |
Cover Story: The Times They Are A-Changin'
|
Mar 01, 2025 |
Innovation and imitation: Maurice Ravel at 150
|
Feb 28, 2025 |
Cover Story: Under The Milky Way
|
Feb 22, 2025 |
Otherworldly sounds with Charm of Finches and The Cloud Maker
|
Feb 21, 2025 |
Cover Story: Running Up That Hill
|
Feb 15, 2025 |
Richard Dawson's evocative songwriting, and remembering Vic Simms
|
Feb 14, 2025 |
Cover Story: Heart of Gold
|
Feb 08, 2025 |
An obscure orchestra and an opera for the dead
|
Feb 07, 2025 |
Cover Story: Lay All Your Love On Me
|
Feb 02, 2025 |
The Captain Matchbox Whoopee Band and remembering Marianne Faithfull
|
Jan 31, 2025 |
The Violin in the Colony
|
Jan 26, 2025 |
Tamworth's prodigal son Andy Golledge, and Australians in America with Lisa Moore and Lloyd Van't Hoff
|
Jan 24, 2025 |
Percussionists and poets in Caroline Shaw's music; David Keenan's Irish Songs
|
Jan 19, 2025 |
Remembering Ruby Hunter, with Emily Wurramara and Dan Sultan
|
Jan 18, 2025 |
Folk singers and the FBI
|
Jan 12, 2025 |
Ziggy Ramo's exploration of dark histories and big questions
|
Jan 11, 2025 |
The last violin of Harry Vatiliotis; the exile of Arooj Aftab
|
Jan 05, 2025 |
Becoming Ella Fitzgerald
|
Jan 04, 2025 |
Polyrhythms and pop music with Tune-Yards; Omar Musa turns poetry into music
|
Dec 29, 2024 |
Music for Prime Time
|
Dec 28, 2024 |
Víkingur Ólafsson's infinite variety; Angélique Kidjo's re-imagining of a Talking Heads’ classic
|
Dec 22, 2024 |
Lisa O'Neill and Cormac Begley live at WOMADelaide
|
Dec 21, 2024 |
Experiencing Sound
|
Dec 15, 2024 |
Janis Ian: Breaking Silence
|
Dec 14, 2024 |
Songdreaming with Sam Lee and horn playing with Carla Blackwood
|
Dec 08, 2024 |
Bob Geldof 40 years on from Band Aid and CINTA's soul control
|
Dec 07, 2024 |
Jim Moginie at the piano and Kultar Ahluwalia on a life in hip hop
|
Dec 01, 2024 |
Surveying the Australian music landscape with Paul Kelly and Amanda Brown
|
Nov 30, 2024 |
Saturday Night Fever, the Bee Gees and disco in Australia
|
Nov 24, 2024 |
JADE Ensemble's intercultural sound world and Ken Murray plays Christopher Sainsbury
|
Nov 23, 2024 |
Jerron Paxton's blues and Chloe Kim's basses
|
Nov 17, 2024 |
Sharp observations: Bill Bailey and Darren Hanlon
|
Nov 16, 2024 |
From Brazil to The Beatles with Esperanza Spalding, and Affinity Quartet live in the studio
|
Nov 10, 2024 |
Kankawa Nagarra’s Blues on Country, guitarist Sean Shibe in studio, and remembering Quincy Jones
|
Nov 09, 2024 |
Live in the studio with Parvyn and Elana Stone
|
Nov 03, 2024 |
Meet this year's Boyer lecturers, and Afghan-American musician Qais Essar performs live
|
Nov 02, 2024 |
Folk singers and the FBI
|
Oct 27, 2024 |
Experimenting with style: saxophonist Nubya Garcia, and metal trio Black Aleph
|
Oct 26, 2024 |
Modernist composer Charles Ives at 150 and countertenor Andreas Scholl returns to Australia
|
Oct 20, 2024 |
Music from a turbulent 17th-century England, and violinist Véronique Serret explores her voice
|
Oct 19, 2024 |
Ash Wednesday's AfterMATH on the organ, and the musical marriage of Lutyens and Clark
|
Oct 13, 2024 |
Listening to Another Noise with Evelyn Glennie and Raymond Antrobus, and in the throes of Ecstasy with Marcus Whale
|
Oct 12, 2024 |
Fiddles, folk and finding the light: The Crooked Fiddle Band and Angie McMahon
|
Oct 06, 2024 |
The Outlaws: Henry Wagons remembers Kris Kristofferson, and Tami Neilson plays Willie Nelson
|
Oct 05, 2024 |
Irish singer songwriter Susan O'Neill, and cellist Steven Isserlis's 'Team Fauré'
|
Sep 29, 2024 |
Out front: advocate and songwriter Eliza Hull and conductor Sir Donald Runnicles
|
Sep 28, 2024 |
Conductor Sam Weller's rise and songwriter Melody Pool's return
|
Sep 22, 2024 |
Queer desire, mortality, and dancing scorpions: Sydney Chamber Opera’s Gilgamesh
|
Sep 21, 2024 |
Trainhopping with Hurray For The Riff Raff, and jazz, classical and ambient meet in a Requiem Mass
|
Sep 15, 2024 |
Laurie Anderson in the air with Amelia Earhart
|
Sep 14, 2024 |
Arnold Schoenberg at 150: a complicated and crucial man
|
Sep 08, 2024 |
Sandy Evans the eternal collaborator, and the music of speech
|
Sep 07, 2024 |
Larry Sitsky turns 90, and Chloe Rowlands crosses the country with her trumpet
|
Sep 01, 2024 |
The last violin of Harry Vatiliotis, and writing for big band and strings
|
Aug 31, 2024 |
Turner's Turn: Geraldine Turner
|
Aug 25, 2024 |
Kate Fagan’s Song in the Grass, and what makes a perfect News theme
|
Aug 24, 2024 |
Polyrhythms, percussion and pop music with Tune-Yards, and how to start a record label
|
Aug 18, 2024 |
Herbie Hancock on keys & Tenzin Choegyal on the roof of the world
|
Aug 17, 2024 |
Becoming Ella Fitzgerald
|
Aug 11, 2024 |
Deep listening in Japan's music cafés, and Finnish fiddler Pekka Kuusisto with US songwriter Gabriel Kahane
|
Aug 10, 2024 |
From stage dives to infights: the birth of Australian punk
|
Aug 04, 2024 |
Christine Anu weaves her story in music and countertenor Iestyn Davies makes his Australian debut
|
Aug 03, 2024 |
How jazz contributed to a Congolese coup, and Rafael Karlen's composition for a lost city
|
Jul 28, 2024 |
Baritone and composer Roderick Williams, and remembering activist and singer Bernice Johnson Reagon
|
Jul 27, 2024 |
Radical Son on soulful learnings, and the picturesque compositions of Christopher Cerrone
|
Jul 21, 2024 |
Brett Dean's Hamlet and Linda May Han Oh's bass
|
Jul 20, 2024 |
The music of Australian ballroom: disco, house, and the sounds of Western Sydney
|
Jul 14, 2024 |
Andrew Gurruwiwi’s new Yolŋu funk and Louis Armstrong’s last great performance
|
Jul 13, 2024 |
Remembering Ruby Hunter, with Emily Wurramara and Dan Sultan
|
Jul 07, 2024 |
The power of three: tabla, veena and violin unite and Opera Australia stages Puccini's triptych
|
Jul 06, 2024 |
Finding radical newness in tradition with Neal Peres Da Costa's harpsichord and Jenny M Thomas's Welsh choir
|
Jun 30, 2024 |
Grace Petrie's protest songs and Mat Schulz's Unsound festival
|
Jun 29, 2024 |
The Beatles in Australia
|
Jun 23, 2024 |
Caroline Shaw and Nicolas Altstaedt
|
Jun 22, 2024 |
Clive James on words and music
|
Jun 16, 2024 |
Novelists on music: Margaret Atwood, Andrea Goldsmith and Anna Goldsworthy
|
Jun 15, 2024 |
Deep Inside the Blues
|
Jun 09, 2024 |
Deerhoof returns to Australia, and soprano Anna Fraser sings through a snorkel
|
Jun 08, 2024 |
Ziggy Ramo's Human?
|
Jun 02, 2024 |
Jeremy Deller's acid brass, Bach's St John Passion, and Victoria Pham's singing mushrooms
|
Jun 01, 2024 |
Becoming a Composer with Errollyn Wallen
|
May 26, 2024 |
Kate Mulvany updates Dido & Aeneas and Elefant Traks finishes up after 26 years
|
May 25, 2024 |
Omar Musa, turning poetry into music & the music of Jane Austen
|
May 19, 2024 |
Stuart Skelton sings the Song of the Earth, and Reuben Lewis and Huda the Goddess meet in the middle of jazz and spoken word
|
May 18, 2024 |
Lotte Betts-Dean’s voice, Bram de Looze’s piano, and Roland Peelman’s final year at Canberra International Music Festival
|
May 12, 2024 |
Rainbow Chan explores language through lament, and when George Gershwin met Arnold Schoenberg
|
May 11, 2024 |
Folk trio Apolline, and Blossom Dearie at 100
|
May 05, 2024 |
Maanyung on saltwater, sand, and sound & Norwegian trumpeter Tine Thing Helseth
|
May 04, 2024 |
Pits, picket lines and pop music: the 1984-5 UK miners' strike
|
Apr 28, 2024 |
Sir Andrew Davis remembered, and Martha Wainwright returns to Australia
|
Apr 27, 2024 |
Beethoven and Webern with Timo-Veikko Valve and Aura Go, and Alison Cotton's Engelchen: how opera-loving sisters helped evacuate Jewish refugees
|
Apr 21, 2024 |
Ann Savoy: a life in Cajun music and Wilbur Whitta's Wildfire
|
Apr 20, 2024 |
Recorders, Fiddles, Clogs and Swords
|
Apr 14, 2024 |
Benjamin Northey on conducting and community & remembering Clarence 'Frogman' Henry
|
Apr 13, 2024 |
The Music of Remembrance with Jeremy Eichler
|
Apr 06, 2024 |
Sam Anning's earthenware and Beethoven's Missa solemnis at 200
|
Apr 06, 2024 |
Víkingur Ólafsson's infinite variety, and remembering Maurizio Pollini
|
Mar 31, 2024 |
One Queen of the Cross, two Finnish fiddlers and a century of women composers
|
Mar 30, 2024 |
Music for Prime Time
|
Mar 24, 2024 |
Peter Garrett's unwavering optimism and Jo Davies' first season at the helm of Opera Australia
|
Mar 23, 2024 |
Corinne Bailey Rae on Black resilience and the freedom of a career left turn
|
Mar 17, 2024 |
Simone Young conducts Gurrelieder and Eleanor McEvoy hits the road
|
Mar 16, 2024 |
Lisa O'Neill and Cormac Begley live at WOMADelaide
|
Mar 10, 2024 |
Marta Pereira da Costa, The Good Ones and Katanga Junior live at WOMADelaide
|
Mar 09, 2024 |
Polyphony and protest with Windborne, loops and language with Allara
|
Mar 03, 2024 |
Dancing across the world with Angélique Kidjo & Maatakitj, and from opera to cabaret with Anna Dowsley
|
Mar 02, 2024 |
Jazz Money's poetic ventures into music and Cameron Undy's ghostly rhythms
|
Feb 25, 2024 |
Fearless voices: Joseph Keckler and Raehann Bryce-Davis
|
Feb 24, 2024 |
The exile of Arooj Aftab and what Alana Valentine built from the fire of Notre-Dame
|
Feb 18, 2024 |
Unknown Mortal Orchestra's Ruban Nielson plays his Hawaiian roots and Katharine Dain sings 20th Century desire
|
Feb 17, 2024 |
Lonnie Holley is part of the wonder
|
Feb 11, 2024 |
Aboard the Arka Kinari, & Frank Yamma live in studio
|
Feb 10, 2024 |
Eddie Perfect gets candid about Candide and Forest Collective enter the Labyrinth
|
Feb 04, 2024 |
Rivers with Richard Tognetti, oceans with Iran Sanadzadeh, and remembering Chita Rivera
|
Feb 03, 2024 |
Cigány Weaver live in studio & Lotte Betts-Dean's distinctly medieval collaboration with Stuart MacRae
|
Jan 28, 2024 |
David Keenan's Irish Songs & remembering David Lumsdaine
|
Jan 27, 2024 |
From Little Things Big Things Grow on RN Summer
|
Jan 21, 2024 |
Electric Fields & Stiff Gins on RN Summer
|
Jan 20, 2024 |
The Lives of Noël Coward on RN Summer
|
Jan 14, 2024 |
Fred Leone & Marcia Hines on RN Summer
|
Jan 13, 2024 |
James Gavin's Ravaged Voices on RN Summer
|
Jan 07, 2024 |
ANOHNI & the Johnsons return and we’re In the Moog on RN Summer
|
Jan 06, 2024 |
Pop Hooks on RN Summer
|
Dec 31, 2023 |
Hozier's Inferno & Benjamin Appl's Forbidden Fruit on RN Summer
|
Dec 30, 2023 |
Looking to the skies with Fanny Lumsden & Georgia Mooney on RN Summer
|
Dec 24, 2023 |
Don Walker & Rob Hao on RN Summer
|
Dec 23, 2023 |
Andy Irvine
|
Dec 17, 2023 |
Hill, Higgins, & Cross
|
Dec 16, 2023 |
Richard Mills' Galileo; and banjos, violins, vacuum cleaners - the best of our 2023 live sessions
|
Dec 10, 2023 |
Getting plucky with harpist Emily Granger & Hank Williams at 100
|
Dec 09, 2023 |
Anthony Marwood
|
Dec 03, 2023 |
New music from Carla Geneve, live music from Nexus Arts Orchestra, and remembering Shane MacGowan
|
Dec 02, 2023 |
100 years of radio in Australia: live from the National Film and Sound Archive
|
Nov 26, 2023 |
Australian staples: Bart Willoughby and Ashley Naylor
|
Nov 25, 2023 |
Travelling tunes with troubadour Fred Smith and jazz duo Claire Cross & Harry Cook
|
Nov 19, 2023 |
Conversations with ZÖJ & conservation with Bowerbird Collective
|
Nov 18, 2023 |
Robyn Archer's Australian Songbook
|
Nov 12, 2023 |
Holly Moore's Reunion & Katie Yap's Multitudes
|
Nov 11, 2023 |
Geraldine Turner
|
Nov 05, 2023 |
The Bamboos and Troy Cassar-Daley are keeping it in the family
|
Nov 04, 2023 |
Bright Eyes & Big Bands: Conor Oberst and Vanessa Perica
|
Oct 29, 2023 |
Finding a common language: Hyoshi in Counterpoint and Hand to Earth
|
Oct 28, 2023 |
Annea Lockwood: Tête-à-tête
|
Oct 22, 2023 |
Cécile McLorin Salvant
|
Oct 21, 2023 |
Music in spaces & places in song: No-No Boy and FUJI||||||||||TA
|
Oct 15, 2023 |
New Australian Opera: Panbe Zan and The Visitors
|
Oct 14, 2023 |
William Byrd
|
Oct 08, 2023 |
Gospels, gryphons, and remembering Jacqueline Dark
|
Oct 07, 2023 |
How the 1970s changed music
|
Oct 01, 2023 |
Weathering extremes: Sydney Chamber Opera's triple bill and Jim Denley's new albums
|
Sep 30, 2023 |
The Lives of Noël Coward
|
Sep 24, 2023 |
Legacies: Jarabi Band and the Alma Moodie Quartet
|
Sep 23, 2023 |
Dutch-Indian Jugalbandi and Mark Isaacs' Passion for Harmony
|
Sep 17, 2023 |
Hildur Guðnadóttir is making music with Kenneth Branagh, and Kate Neal and Rubiks Collective are passing time
|
Sep 16, 2023 |
From pillar to podium: Umberto Clerici
|
Sep 10, 2023 |
A win-wind situation: Eliza Shephard and Phillippa Murphy-Haste
|
Sep 09, 2023 |
Keeping it fresh: completing Schubert's incomplete music, and The Cat Empire's next gen
|
Sep 03, 2023 |
Kurt Elling's chops and an Extremely Serious Musical Comedy: The Dismissal
|
Sep 02, 2023 |
James Gavin on Ravaged Voices
|
Aug 27, 2023 |
Looking to the skies: Fanny Lumsden, Georgia Mooney, and their new albums
|
Aug 26, 2023 |
Horns, Voices & Keyboard Fantasies with Stefan Dohr, Meta Cohen and Beverly Glenn-Copeland
|
Aug 20, 2023 |
Hozier's Unreal Unearth, and the legacy of Liszt
|
Aug 19, 2023 |
Birdsong
|
Aug 13, 2023 |
Butchulla beats, Baez on the big screen, and Remembering Robbie Robertson and Rodriguez
|
Aug 12, 2023 |
William Barton & Stiff Gins
|
Aug 06, 2023 |
Distinctive strings: Tahlia Petrosian and the Gewandhaus musicians, and brother/guitar duo Ziggy & Miles
|
Aug 05, 2023 |
György Ligeti at 100
|
Jul 30, 2023 |
Jessica Pratt's Mad Scenes, learning Anindilyakwa with Shellie Morris, & remembering Sinéad O'Connor and Tony Bennett
|
Jul 29, 2023 |
Hearing Mike Nock
|
Jul 23, 2023 |
Benjamin Appl's Forbidden Fruit & Busby Marou's endless optimism
|
Jul 22, 2023 |
Chopin's Piano with Aura Go
|
Jul 16, 2023 |
Marcia Hines is Still Shining, and Evelyn Ida Morris is extending time
|
Jul 15, 2023 |
Unbreakable Bach with Michelle Nicolle
|
Jul 09, 2023 |
Riding the waves: cosmic country, saltwater songs, and Gulu City grooves
|
Jul 08, 2023 |
From Little Things Big Things Grow
|
Jul 02, 2023 |
On the dancefloor with First Nations artists Naretha Williams and Electric Fields
|
Jul 01, 2023 |
ANOHNI & the Johnsons reborn, Sydney trio HEKKA get on the Road
|
Jun 25, 2023 |
Ragas on modular synth with Arushi Jain; and Freedman Fellow Tom Avgenicos takes us to Stringybark Creek
|
Jun 24, 2023 |
Quartet: The musical lives of four British women composers for the Big Weekend of Books
|
Jun 18, 2023 |
Pop Hooks for Big Weekend of Books
|
Jun 17, 2023 |
Remembering Kaija Saariaho
|
Jun 11, 2023 |
Max Richter Sleeps again, and Balinese electro-jazz fusion with Firetail and Gamelan DanAnda
|
Jun 10, 2023 |
Chamber music by French trailblazer Louise Farrenc and Leigh Harrold in praise of the vulnerable man
|
Jun 04, 2023 |
Little Richard & Joy Oladokun: Blackness, Queerness & faith in America
|
Jun 03, 2023 |
Shirley Collins' Octogenarian Folk Trilogy
|
May 28, 2023 |
Yazmin Lacey's Voice Notes and Balkan Jazz Fusion with East of West
|
May 27, 2023 |
Three countertenors, a sea monster, and the pianist Hania Rani
|
May 21, 2023 |
Chinese Opera from the Pear Garden and Cabaret in the Concert Hall
|
May 20, 2023 |
Madison McFerrin hopes you can forgive her and music directing 'Once' with Victoria Falconer
|
May 14, 2023 |
In The Moog
|
May 13, 2023 |
Storytelling in music: David Arden and Andrée Greenwell
|
May 07, 2023 |
Don Walker & Cash Savage
|
May 06, 2023 |
Traditional Folk and Monk Punk: Music from Japan
|
Apr 30, 2023 |
Inside the String Quartet
|
Apr 29, 2023 |
Minimal Wave, Acousmatic Waves, & Across the Waves
|
Apr 23, 2023 |
The Brodsky Quartet at 50 (+1), and Nashville takes on The Rolling Stones
|
Apr 22, 2023 |
Margaret Sutherland's Inner Voice
|
Apr 16, 2023 |
Kit Downes at the piano, and Heavy Metal in the Muslim World
|
Apr 15, 2023 |
Silent Film, Loud Music
|
Apr 09, 2023 |
Ryuichi Sakamoto
|
Apr 08, 2023 |
In the Garden of Australian Dreams with Genevieve Lacey; and remembering countertenor James Bowman
|
Apr 02, 2023 |
Finding their voices: Jen Cloher and the Gesualdo Six
|
Apr 01, 2023 |
Quartet: The musical lives of four British women composers
|
Mar 26, 2023 |
An extinct instrument, Pacific Break winner Danielle, and renewal through music in Somaliland
|
Mar 25, 2023 |