Listen to a podcast, please open Podcast Republic app. Available on Google Play Store and Apple App Store.
Episode | Date |
---|---|
Folk trio Apolline, and Blossom Dearie at 100
|
May 05, 2024 |
Maanyung on saltwater, sand, and sound & Norwegian trumpeter Tine Thing Helseth
|
May 04, 2024 |
Pits, picket lines and pop music: the 1984-5 UK miners' strike
|
Apr 28, 2024 |
Sir Andrew Davis remembered, and Martha Wainwright returns to Australia
|
Apr 27, 2024 |
Beethoven and Webern with Timo-Veikko Valve and Aura Go, and Alison Cotton's Engelchen: how opera-loving sisters helped evacuate Jewish refugees
|
Apr 21, 2024 |
Ann Savoy: a life in Cajun music and Wilbur Whitta's Wildfire
|
Apr 20, 2024 |
Recorders, Fiddles, Clogs and Swords
|
Apr 14, 2024 |
Benjamin Northey on conducting and community & remembering Clarence 'Frogman' Henry
|
Apr 13, 2024 |
The Music of Remembrance with Jeremy Eichler
|
Apr 06, 2024 |
Sam Anning's earthenware and Beethoven's Missa solemnis at 200
|
Apr 06, 2024 |
Víkingur Ólafsson's infinite variety, and remembering Maurizio Pollini
|
Mar 31, 2024 |
One Queen of the Cross, two Finnish fiddlers and a century of women composers
|
Mar 30, 2024 |
Music for Prime Time
|
Mar 24, 2024 |
Peter Garrett's unwavering optimism and Jo Davies' first season at the helm of Opera Australia
|
Mar 23, 2024 |
Corinne Bailey Rae on Black resilience and the freedom of a career left turn
|
Mar 17, 2024 |
Simone Young conducts Gurrelieder and Eleanor McEvoy hits the road
|
Mar 16, 2024 |
Lisa O'Neill and Cormac Begley live at WOMADelaide
|
Mar 10, 2024 |
Marta Pereira da Costa, The Good Ones and Katanga Junior live at WOMADelaide
|
Mar 09, 2024 |
Polyphony and protest with Windborne, loops and language with Allara
|
Mar 03, 2024 |
Dancing across the world with Angélique Kidjo & Maatakitj, and from opera to cabaret with Anna Dowsley
|
Mar 02, 2024 |
Jazz Money's poetic ventures into music and Cameron Undy's ghostly rhythms
|
Feb 25, 2024 |
Fearless voices: Joseph Keckler and Raehann Bryce-Davis
|
Feb 24, 2024 |
The exile of Arooj Aftab and what Alana Valentine built from the fire of Notre-Dame
|
Feb 18, 2024 |
Unknown Mortal Orchestra's Ruban Nielson plays his Hawaiian roots and Katharine Dain sings 20th Century desire
|
Feb 17, 2024 |
Lonnie Holley is part of the wonder
|
Feb 11, 2024 |
Aboard the Arka Kinari, & Frank Yamma live in studio
|
Feb 10, 2024 |
Eddie Perfect gets candid about Candide and Forest Collective enter the Labyrinth
|
Feb 04, 2024 |
Rivers with Richard Tognetti, oceans with Iran Sanadzadeh, and remembering Chita Rivera
|
Feb 03, 2024 |
Cigány Weaver live in studio & Lotte Betts-Dean's distinctly medieval collaboration with Stuart MacRae
|
Jan 28, 2024 |
David Keenan's Irish Songs & remembering David Lumsdaine
|
Jan 27, 2024 |
From Little Things Big Things Grow on RN Summer
|
Jan 21, 2024 |
Electric Fields & Stiff Gins on RN Summer
|
Jan 20, 2024 |
The Lives of Noël Coward on RN Summer
|
Jan 14, 2024 |
Fred Leone & Marcia Hines on RN Summer
|
Jan 13, 2024 |
James Gavin's Ravaged Voices on RN Summer
|
Jan 07, 2024 |
ANOHNI & the Johnsons return and we’re In the Moog on RN Summer
|
Jan 06, 2024 |
Pop Hooks on RN Summer
|
Dec 31, 2023 |
Hozier's Inferno & Benjamin Appl's Forbidden Fruit on RN Summer
|
Dec 30, 2023 |
Looking to the skies with Fanny Lumsden & Georgia Mooney on RN Summer
|
Dec 24, 2023 |
Don Walker & Rob Hao on RN Summer
|
Dec 23, 2023 |
Andy Irvine
|
Dec 17, 2023 |
Hill, Higgins, & Cross
|
Dec 16, 2023 |
Richard Mills' Galileo; and banjos, violins, vacuum cleaners - the best of our 2023 live sessions
|
Dec 10, 2023 |
Getting plucky with harpist Emily Granger & Hank Williams at 100
|
Dec 09, 2023 |
Anthony Marwood
|
Dec 03, 2023 |
New music from Carla Geneve, live music from Nexus Arts Orchestra, and remembering Shane MacGowan
|
Dec 02, 2023 |
100 years of radio in Australia: live from the National Film and Sound Archive
|
Nov 26, 2023 |
Australian staples: Bart Willoughby and Ashley Naylor
|
Nov 25, 2023 |
Travelling tunes with troubadour Fred Smith and jazz duo Claire Cross & Harry Cook
|
Nov 19, 2023 |
Conversations with ZÖJ & conservation with Bowerbird Collective
|
Nov 18, 2023 |
Robyn Archer's Australian Songbook
|
Nov 12, 2023 |
Holly Moore's Reunion & Katie Yap's Multitudes
|
Nov 11, 2023 |
Geraldine Turner
|
Nov 05, 2023 |
The Bamboos and Troy Cassar-Daley are keeping it in the family
|
Nov 04, 2023 |
Bright Eyes & Big Bands: Conor Oberst and Vanessa Perica
|
Oct 29, 2023 |
Finding a common language: Hyoshi in Counterpoint and Hand to Earth
|
Oct 28, 2023 |
Annea Lockwood: Tête-à-tête
|
Oct 22, 2023 |
Cécile McLorin Salvant
|
Oct 21, 2023 |
Music in spaces & places in song: No-No Boy and FUJI||||||||||TA
|
Oct 15, 2023 |
New Australian Opera: Panbe Zan and The Visitors
|
Oct 14, 2023 |
William Byrd
|
Oct 08, 2023 |
Gospels, gryphons, and remembering Jacqueline Dark
|
Oct 07, 2023 |
How the 1970s changed music
|
Oct 01, 2023 |
Weathering extremes: Sydney Chamber Opera's triple bill and Jim Denley's new albums
|
Sep 30, 2023 |
The Lives of Noël Coward
|
Sep 24, 2023 |
Legacies: Jarabi Band and the Alma Moodie Quartet
|
Sep 23, 2023 |
Dutch-Indian Jugalbandi and Mark Isaacs' Passion for Harmony
|
Sep 17, 2023 |
Hildur Guðnadóttir is making music with Kenneth Branagh, and Kate Neal and Rubiks Collective are passing time
|
Sep 16, 2023 |
From pillar to podium: Umberto Clerici
|
Sep 10, 2023 |
A win-wind situation: Eliza Shephard and Phillippa Murphy-Haste
|
Sep 09, 2023 |
Keeping it fresh: completing Schubert's incomplete music, and The Cat Empire's next gen
|
Sep 03, 2023 |
Kurt Elling's chops and an Extremely Serious Musical Comedy: The Dismissal
|
Sep 02, 2023 |
James Gavin on Ravaged Voices
|
Aug 27, 2023 |
Looking to the skies: Fanny Lumsden, Georgia Mooney, and their new albums
|
Aug 26, 2023 |
Horns, Voices & Keyboard Fantasies with Stefan Dohr, Meta Cohen and Beverly Glenn-Copeland
|
Aug 20, 2023 |
Hozier's Unreal Unearth, and the legacy of Liszt
|
Aug 19, 2023 |
Birdsong
|
Aug 13, 2023 |
Butchulla beats, Baez on the big screen, and Remembering Robbie Robertson and Rodriguez
|
Aug 12, 2023 |
William Barton & Stiff Gins
|
Aug 06, 2023 |
Distinctive strings: Tahlia Petrosian and the Gewandhaus musicians, and brother/guitar duo Ziggy & Miles
|
Aug 05, 2023 |
György Ligeti at 100
|
Jul 30, 2023 |
Jessica Pratt's Mad Scenes, learning Anindilyakwa with Shellie Morris, & remembering Sinéad O'Connor and Tony Bennett
|
Jul 29, 2023 |
Hearing Mike Nock
|
Jul 23, 2023 |
Benjamin Appl's Forbidden Fruit & Busby Marou's endless optimism
|
Jul 22, 2023 |
Chopin's Piano with Aura Go
|
Jul 16, 2023 |
Marcia Hines is Still Shining, and Evelyn Ida Morris is extending time
|
Jul 15, 2023 |
Unbreakable Bach with Michelle Nicolle
|
Jul 09, 2023 |
Riding the waves: cosmic country, saltwater songs, and Gulu City grooves
|
Jul 08, 2023 |
From Little Things Big Things Grow
|
Jul 02, 2023 |
On the dancefloor with First Nations artists Naretha Williams and Electric Fields
|
Jul 01, 2023 |
ANOHNI & the Johnsons reborn, Sydney trio HEKKA get on the Road
|
Jun 25, 2023 |
Ragas on modular synth with Arushi Jain; and Freedman Fellow Tom Avgenicos takes us to Stringybark Creek
|
Jun 24, 2023 |
Quartet: The musical lives of four British women composers for the Big Weekend of Books
|
Jun 18, 2023 |
Pop Hooks for Big Weekend of Books
|
Jun 17, 2023 |
Remembering Kaija Saariaho
|
Jun 11, 2023 |
Max Richter Sleeps again, and Balinese electro-jazz fusion with Firetail and Gamelan DanAnda
|
Jun 10, 2023 |
Chamber music by French trailblazer Louise Farrenc and Leigh Harrold in praise of the vulnerable man
|
Jun 04, 2023 |
Little Richard & Joy Oladokun: Blackness, Queerness & faith in America
|
Jun 03, 2023 |
Shirley Collins' Octogenarian Folk Trilogy
|
May 28, 2023 |
Yazmin Lacey's Voice Notes and Balkan Jazz Fusion with East of West
|
May 27, 2023 |
Three countertenors, a sea monster, and the pianist Hania Rani
|
May 21, 2023 |
Chinese Opera from the Pear Garden and Cabaret in the Concert Hall
|
May 20, 2023 |
Madison McFerrin hopes you can forgive her and music directing 'Once' with Victoria Falconer
|
May 14, 2023 |
In The Moog
|
May 13, 2023 |
Storytelling in music: David Arden and Andrée Greenwell
|
May 07, 2023 |
Don Walker & Cash Savage
|
May 06, 2023 |
Traditional Folk and Monk Punk: Music from Japan
|
Apr 30, 2023 |
Inside the String Quartet
|
Apr 29, 2023 |
Minimal Wave, Acousmatic Waves, & Across the Waves
|
Apr 23, 2023 |
The Brodsky Quartet at 50 (+1), and Nashville takes on The Rolling Stones
|
Apr 22, 2023 |
Margaret Sutherland's Inner Voice
|
Apr 16, 2023 |
Kit Downes at the piano, and Heavy Metal in the Muslim World
|
Apr 15, 2023 |
Silent Film, Loud Music
|
Apr 09, 2023 |
Ryuichi Sakamoto
|
Apr 08, 2023 |
In the Garden of Australian Dreams with Genevieve Lacey; and remembering countertenor James Bowman
|
Apr 02, 2023 |
Finding their voices: Jen Cloher and the Gesualdo Six
|
Apr 01, 2023 |
Quartet: The musical lives of four British women composers
|
Mar 26, 2023 |
An extinct instrument, Pacific Break winner Danielle, and renewal through music in Somaliland
|
Mar 25, 2023 |
Niamh Regan and Joseph Tawadros
|
Mar 19, 2023 |
Mo'Ju and The Three Seas
|
Mar 18, 2023 |
Yungchen Lhamo, Gosti and IZY live at WOMADelaide
|
Mar 12, 2023 |
San Salvador, Béla Fleck & Abigail Washburn and Constantinople live at WOMADelaide
|
Mar 11, 2023 |
The Cage Project & Remembering Wayne Shorter
|
Mar 05, 2023 |
50 years of the Kronos Quartet & Christian Thompson's Recital
|
Mar 04, 2023 |
Vieux Farke Touré & Rainbow Chan
|
Feb 26, 2023 |
Party Dozen & Jordi Savall
|
Feb 25, 2023 |
Pop Hooks
|
Feb 19, 2023 |
Nico Muhly & Throat Pleats
|
Feb 18, 2023 |
Dances across the Indian Ocean
|
Feb 12, 2023 |
Staying inside with Andrew Bird, surfing a jazz wave with Freyja Garbett, and remembering Burt Bacharach
|
Feb 11, 2023 |
Blick Bassy on Afrofuturism, and father and son Marcel and Rami Khalifé
|
Feb 05, 2023 |
Inspiration and intention on the sax, and hopes pinned on the new Cultural Policy?
|
Feb 04, 2023 |
Kyla Matsuura-Miller looks forward and M. Ward looks back
|
Jan 29, 2023 |
Kutcha Edwards and BUMPY
|
Jan 28, 2023 |
Rivers, rhythm and rhyme with DOBBY
|
Jan 22, 2023 |
Peter Gabriel and Monique Clare
|
Jan 21, 2023 |
New Orleans: a jazz story
|
Jan 15, 2023 |
Miriam Margolyes and Lois Peeler
|
Jan 14, 2023 |
The Folk
|
Jan 08, 2023 |
Kae Tempest and Jack Liebeck
|
Jan 07, 2023 |
Jazz Standards
|
Jan 01, 2023 |
Marlon Williams and Hantu
|
Dec 31, 2022 |
Elliott Carter's Late Music
|
Dec 25, 2022 |
Montaigne & Kristin Berardi
|
Dec 24, 2022 |
Teeny Tiny Stevies on writing music for kids, and Mary Finsterer's Antarctica
|
Dec 18, 2022 |
Kerryn Fields and Martin Bresnick
|
Dec 17, 2022 |
When Music Mattered
|
Dec 11, 2022 |
Magic Dirt's Adalita, Castalia Vocal Consort and actor Michael Sheen
|
Dec 10, 2022 |
Courtney Barnett on 10 years of Milk! Records and new elemental music with Elliott Gyger
|
Dec 04, 2022 |
Georgia Maq and remembering Fleetwood Mac's Christine McVie
|
Dec 03, 2022 |
Liza Lim and Aristea Mellos: Australian composers in focus
|
Nov 27, 2022 |
Violinist Véronique Serret
|
Nov 26, 2022 |
Rising jazz star Minnie Hill and Blak matriarch BARKAA
|
Nov 20, 2022 |
Felix Riebl unplugged
|
Nov 19, 2022 |
Composer Samuel Adams in a vast landscape, and the radical history of French art song
|
Nov 13, 2022 |
Lisa Moore and Elena Kats-Chernin
|
Nov 12, 2022 |
Soprano and composer Jane Sheldon, and the remarkable life of violinist Alma Moodie
|
Nov 06, 2022 |
The C melody saxophone's comeback, and Merinda Dias-Jayasinha's creative voice
|
Nov 05, 2022 |
Singing the news of death, and an exhibition of 1990s alternative rock
|
Oct 30, 2022 |
Revolver revamped
|
Oct 29, 2022 |
Prolific composer and folk song collector—Ralph Vaughan Williams at 150
|
Oct 23, 2022 |
Singer-songwriter and cellist Monique Clare, and The Tallis Scholars
|
Oct 22, 2022 |
Shakuhachi Hildegard and South Australian landscapes in song
|
Oct 16, 2022 |
Leonard Cohen reworked, and the political power of drumming
|
Oct 15, 2022 |
Debussy and Ravel reimagined for viola and The Whitetop Mountaineers
|
Oct 09, 2022 |
Desert rock from Tamikrest and the deep blues of Marlene Cummins
|
Oct 08, 2022 |
Peter Knight's Shadow Phase and Anne Boyd's Olive Pink opera
|
Oct 02, 2022 |
Singing the Uluru Statement from the Heart, and Alex G's menagerie
|
Oct 01, 2022 |
Makaya McCraven's jazz for these times, Western Sydney Philharmonic
|
Sep 25, 2022 |
June Jones’ Pop Music For Normal Women and Britten’s Canticles for the stage
|
Sep 24, 2022 |
Scottish music in the Australian landscape
|
Sep 18, 2022 |
Olli Mustonen's piano and Andrew Tuttle's cosmic banjo
|
Sep 17, 2022 |
Marlon Williams' joyful return, and Hantu's broken zither
|
Sep 11, 2022 |
Movement and language with Eric Avery, Elsy Wameyo and Tom Avgenicos
|
Sep 10, 2022 |
Honouring Nigel Butterley
|
Sep 04, 2022 |
Julian Belbachir's African fusion and Nora Brown's old-time banjo
|
Sep 03, 2022 |
Veteran songwriter Gilbert O’Sullivan and soprano Samuel Mariño
|
Aug 28, 2022 |
Montaigne is making it! Robert Macfarlane’s opera career is not over
|
Aug 27, 2022 |
The trees that make music, the landscapes that inspire Mark Simeon Ferguson, and the music of Myanmar’s forgotten war
|
Aug 21, 2022 |
Sam Teskey's Cycles and Yeol Eum Son's recitals
|
Aug 20, 2022 |
Singing the praises of Judith Durham and Olivia Newton-John, and tackling Pierrot lunaire
|
Aug 14, 2022 |
Freak out in a Moonage Daydream & keep calm with violinist Ray Chen
|
Aug 13, 2022 |
A Motown Records revue
|
Aug 07, 2022 |
Remembering Archie Roach
|
Aug 06, 2022 |
An Australian punk revolution and songwriter Liz Stringer
|
Jul 31, 2022 |
Kristin Berardi & Jack Liebeck
|
Jul 30, 2022 |
Reworking a Yiddish songbook, and violinist Hilary Hahn
|
Jul 24, 2022 |
The life and music of George Michael, and cellist Sheku Kanneh-Mason
|
Jul 23, 2022 |
Behind the scenes at Sydney Opera House's renovated Concert Hall
|
Jul 17, 2022 |
Wet Leg play live and Allan Clayton takes you on A Winter’s Journey
|
Jul 16, 2022 |
Get Up! Stand Up! Show Up!
|
Jul 10, 2022 |
Dr Lois Peeler's life in music, and truth-telling album Restless Dream
|
Jul 09, 2022 |
Aaron Wyatt on the podium and DRMNGNOW on Country
|
Jul 03, 2022 |
Stay tuned: 90 years of music on ABC airwaves
|
Jul 02, 2022 |
Elliott Carter’s Late Music
|
Jun 26, 2022 |
Putting words to music, inventing instruments, and delving into George Harrison’s archives
|
Jun 25, 2022 |
Rock & roll trailblazer Sister Rosetta Tharpe, Anna Goldsworthy on culture and education
|
Jun 19, 2022 |
Perfume Genius’s Ugly Season and Major Zulu’s Personal Revolution
|
Jun 18, 2022 |
New Orleans: a jazz story
|
Jun 12, 2022 |
Sharon Van Etten, Maatakitj & the return of Dean Stevenson's 4pm
|
Jun 11, 2022 |
So Happy Birthday Laurie Anderson
|
Jun 05, 2022 |
Rivers, rhythm and rhyme with DOBBY
|
Jun 04, 2022 |
Synths and Sixxens: Jono Ma, Vangelis and Xenakis
|
May 29, 2022 |
ACO violinist Satu Vänskä goes underground, and Midori Takada's ambient masterpiece
|
May 28, 2022 |
Leyla McCalla and Danny Elfman
|
May 22, 2022 |
Miriam Margolyes and Alison Wonderland
|
May 21, 2022 |
Tailoring a composition—live from ANAM Set Festival
|
May 15, 2022 |
A survey of Australian composition and performance—live from ANAM Set Festival
|
May 14, 2022 |
The Music Show is live at the ANAM Set Festival
|
May 14, 2022 |
Simon Tedeschi’s Fugitive & Keep Hawai’i Hawaiian
|
May 08, 2022 |
King Curly in the studio and electronic choral project Aphir
|
May 07, 2022 |
Sunny Kim’s MotherTongue, MotherLand and Philip Glass and Leonard Cohen’s Book of Longing
|
May 01, 2022 |
Horomona Horo and Māori taonga pūoro
|
Apr 30, 2022 |
Remembering Harrison Birtwistle
|
Apr 24, 2022 |
Charles Mingus at 100 and Beethoven's hearing loss
|
Apr 23, 2022 |
The Folk
|
Apr 17, 2022 |
Rap matriarch BARKAA and crossing the Borderlands with Van Diemen's Band's Julia Fredersdorff
|
Apr 16, 2022 |
Jazz standards
|
Apr 10, 2022 |
Kae Tempest and passing the torch at the National Folk Festival
|
Apr 09, 2022 |
Ruth Slenczynska's life in music
|
Apr 03, 2022 |
Jude Perl & Chloe Lankshear
|
Apr 02, 2022 |
Drummer and curator Laurence Pike, and writers on the albums that shaped them
|
Mar 27, 2022 |
Korngold's Symphony and Mara Schwerdtfeger's world of sound
|
Mar 26, 2022 |
Katie Yap's viola world and remembering jazz singer Barbara Morrison
|
Mar 20, 2022 |
Jenny Hval's musical language and Melissa Aldana's introspective jazz
|
Mar 19, 2022 |
WOMADelaide 2022: Balkan Ethno Orchestra, Gaby Moreno & Dhungala Baarka
|
Mar 13, 2022 |
WOMADelaide 2022: Chikchika, Grace Barbé, Farhan Shah & Sufi-Oz
|
Mar 12, 2022 |
Peter Gabriel and 30 years of WOMADelaide
|
Mar 06, 2022 |
Chineke! and Inni-K
|
Mar 05, 2022 |
Yoko Ono's Ocean Child and Olivia Davies' In Waves
|
Feb 27, 2022 |
Nigel Butterley remembered
|
Feb 26, 2022 |
Matthew Locke’s flat consorts and Kym Pitman’s songwriting in the Australian landscape
|
Feb 20, 2022 |
Jaime Martin picks up the baton at the MSO and Jamie Perera sonifies the Anthropocene
|
Feb 19, 2022 |
Tonya Lemoh uncovers Raymond Hanson, and John Adams at 75
|
Feb 13, 2022 |
Chanteuse Carla Lippis, remembering George Crumb and meeting the musette
|
Feb 12, 2022 |
Folk legend Norma Waterson remembered, Maria Moles’ kulintang inspired album, and the future of classical record labels
|
Feb 06, 2022 |
Forenzically analysing Split Enz, and real deal Grace Cummings
|
Feb 05, 2022 |
Pioneering women screen composers and Piazzolla's accordion
|
Jan 30, 2022 |
Elvis Costello, and conducting a musical on the fly
|
Jan 29, 2022 |
Joni Mitchell's Blue at 50 and the uncategorisable Hiatus Kaiyote
|
Jan 23, 2022 |
Ziggy Ramo and Tapestry
|
Jan 22, 2022 |
Mama Alto and Caroline Shaw
|
Jan 16, 2022 |
Femi Kuti's music and message, and Martha Marlow's stunning debut
|
Jan 15, 2022 |
New traditions—Northern Irish trio TRÚ and Buryat singer Namgar
|
Jan 09, 2022 |
Queer electropop in Auslan, and Easter Island's first concert pianist
|
Jan 08, 2022 |