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| Episode | Date |
|---|---|
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Folk fixtures: Judy Small's Swansongs, and the National Folk Festival at 60
|
May 17, 2026 |
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Xiu Xiu take on Eraserhead and Pinchgut Opera's first murder
|
May 16, 2026 |
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The mystery and music of Connie Converse
|
May 10, 2026 |
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Raven Chacon's Pulitzer Prize-winning Voiceless Mass and Cam Butler takes on the grand organ
|
May 09, 2026 |
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The prodigy and the piano: Ruth Slenczynska 1925-2026
|
May 03, 2026 |
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Anna Meredith wants her music loud and the musicality of Dorothy Porter
|
May 02, 2026 |
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Music Now & Then: Jeremy Sams
|
Apr 26, 2026 |
|
ZÖJ deafen the devil's ear and The Three Seas embrace naivety
|
Apr 25, 2026 |
|
John Darnielle: meaning, musicals, and The Mountain Goats
|
Apr 19, 2026 |
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Going gospel with Robert Finley and going ham(mond) with Jake Mason
|
Apr 18, 2026 |
|
Hitchock and Herrmann: the thrilling partnership that shaped an era of cinema
|
Apr 12, 2026 |
|
Sparks rennaisance continues and Mo'Ju's rebel heart
|
Apr 11, 2026 |
|
Tabaran is a Sound of Australia and Carl Vine's final collaboration with the Goldner Quartet
|
Apr 05, 2026 |
|
Disney's Renaissance man Alan Menken
|
Apr 04, 2026 |
|
Pits, picket lines and pop music: the 1984-5 UK miners' strike
|
Mar 29, 2026 |
|
Flinders Quartet and Melody Eötvös plan ahead, Cassie To gets personal, and Mantis shares his award-winning hip-hop
|
Mar 28, 2026 |
|
What Did You Hear: listening to the music of Bob Dylan
|
Mar 22, 2026 |
|
Riccardo Tesi and Giua open their retablos & Rafael Anton Irisarri searches for connection
|
Mar 21, 2026 |
|
Music Now & Then: Andy Irvine
|
Mar 15, 2026 |
|
Violinist María Dueñas and percussionist Claire Edwardes
|
Mar 14, 2026 |
|
Live at WOMADelaide 2026: Ganavya, La Perla and the Zawose Queens
|
Mar 08, 2026 |
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The magnificent voices of Annahstasia and Åkervinda
|
Mar 07, 2026 |
|
Ron Sexsmith and Mary Coughlan
|
Mar 01, 2026 |
|
Marisa Anderson's UnAmerican Folk Music and paying tribute to Éliane Radigue
|
Feb 28, 2026 |
|
György Kurtág at 100
|
Feb 22, 2026 |
|
The surprising and eclectic sounds of Ben Nobuto and Black Country, New Road
|
Feb 21, 2026 |
|
Nairobi comes to Adelaide with Blinky Bill, and the weird and wondrous sacred music of Gesualdo
|
Feb 15, 2026 |
|
Gillian Welch and David Rawlings celebrate new music and a big anniversary; and Raphael Pichon's surprising choice of Orfeo
|
Feb 14, 2026 |
|
Lachlan Skipworth on expanding his compositional palette and Worlds Only embrace the moment
|
Feb 08, 2026 |
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Andrea Keller's Transients; and Ian Thompson takes us to the French musical underground of 1968
|
Feb 07, 2026 |
|
Neil and Tim Finn unsplit the Enz and Reuben Brown on the music of Arnhem Land
|
Feb 01, 2026 |
|
Lucy Dacus on feelings, bread, and roses; and 'a country trying to sing itself free' in Celtic Utopia
|
Jan 31, 2026 |
|
Ursula Yovich sings NIna Simone and Toshi Maeda on pop-punk and Mach Pelican
|
Jan 25, 2026 |
|
The backbone of Midnight Oil: Rob Hirst (1955 - 2026)
|
Jan 24, 2026 |
|
The bouzouki in Irish folk with Daoirí Farrell; and The Red Shoes with Meow Meow
|
Jan 17, 2026 |
|
From broken piano to bestseller: Keith Jarrett's The Köln Concert
|
Jan 16, 2026 |
|
Storytelling, beats and soundscapes on Warlpiri Country, and the legacy of the Shangri-Las
|
Jan 10, 2026 |
|
"I have seen rock and roll's future and its name is Bruce Springsteen": Born To Run at 50
|
Jan 09, 2026 |
|
Collecting Scots songs on horseback with Quinie; and The Sex Pistols with Steve Jones
|
Jan 03, 2026 |
|
The violin in the colony
|
Jan 02, 2026 |
|
Chamber music by women with Anna Goldsworthy and Richard Dawson's evocative songwriting
|
Dec 27, 2025 |
|
Innovation and imitation: Maurice Ravel at 150
|
Dec 26, 2025 |
|
Genre-benders: Abel Selaocoe and Bush Gothic
|
Dec 20, 2025 |
|
Ellen Stekert on a full life in folk music
|
Dec 19, 2025 |
|
The "doofy folk" of Brisbane band Amaidí; and Luciano Berio at 100 with his student Kim Williams
|
Dec 13, 2025 |
|
Messiah
|
Dec 12, 2025 |
|
From Mixtapes to MTV: The Music of the 1980s with Tony Wellington
|
Dec 06, 2025 |
|
JJJJJerome Ellis on the musicality of stuttering, and a masterclass in the chromatic harmonica
|
Dec 05, 2025 |
|
Reed and Oak: DOBBY & Cate Kennedy
|
Nov 29, 2025 |
|
The Arbour: Leah Senior & Giles Watson
|
Nov 29, 2025 |
|
Poetry becomes song: Middle of the Air winning songs revealed with DOBBY and Leah Senior
|
Nov 29, 2025 |
|
Leo Sayer is still dancing, and art and song in Warlpiri women's ceremony
|
Nov 28, 2025 |
|
Performing Assyrian-ness with Lolita Emmanuel
|
Nov 22, 2025 |
|
Guzheng, standards, and Yolngu manikay: three very different albums from Paul Grabowsky and friends
|
Nov 21, 2025 |
|
Cover Story: Both Sides Now
|
Nov 15, 2025 |
|
Seckou Keita retunes West African traditional music, and Rowena Wise & Didirri's couples therapy through song
|
Nov 14, 2025 |
|
Cover Story: Reckless
|
Nov 08, 2025 |
|
The sound of County Clare with Martin Hayes; and Piotr Anderszewski connects Bach, Beethoven and Brahms
|
Nov 07, 2025 |
|
Cover Story: Time After Time
|
Nov 01, 2025 |
|
Come to the cabaret with Le Gateau Chocolat, and music from the borderlands of Iran and Afghanistan
|
Oct 31, 2025 |
|
Cover Story: (I Can't Get No) Satisfaction
|
Oct 25, 2025 |
|
Sorrow and songwriting: Irish musician Inni-K, and Joe Camilleri's The Black Sorrows
|
Oct 24, 2025 |
|
Cover Story: The First Time Ever I Saw Your Face
|
Oct 18, 2025 |
|
From Mao's Last Dancer to Master and Commander: Christopher Gordon on his film music and beyond, and The Apartments' Peter Milton Walsh
|
Oct 17, 2025 |
|
The Times They Are A-Changin'
|
Oct 11, 2025 |
|
Inside a showtunes sing-along bar, and composer Fritz Hart's unsung career
|
Oct 10, 2025 |
|
Shellie Morris sings for our little ones and Tim Brady composes for 100 electric guitars
|
Oct 05, 2025 |
|
Meow Meow's The Red Shoes and saxophonist Tessie Overmyer's Tidelands
|
Oct 04, 2025 |
|
Red Headed Stranger: how Willie Nelson's obsession spawned a classic country album
|
Sep 28, 2025 |
|
Stormy skies, Bulgarian voices, and Mervyn Peake with Neko Case and remembering legendary bassist Danny Thompson
|
Sep 27, 2025 |
|
Modern monodramas: deconstructing Pierrot Lunaire and unravelling The Big Idea
|
Sep 21, 2025 |
|
Recovering and uncovering: early Black music from America and the Persian music of Afghanistan
|
Sep 20, 2025 |
|
Bleak Squad: a supergroup with DNA from Magic Dirt, the Bad Seeds and Dirty Three; and a striking conversation with percussionist Steven Schick
|
Sep 14, 2025 |
|
Irish trad-punk for the 21st century with the Mary Wallopers, and music for dark times with Deborah Cheetham-Fraillon
|
Sep 13, 2025 |
|
Bold performances in music new and old: Carolyn Sampson and Joseph Havlat
|
Sep 07, 2025 |
|
Music teachers on screen, and how to score a film
|
Sep 06, 2025 |
|
80 years since the end of WWII: the Music of Remembrance with Jeremy Eichler
|
Aug 31, 2025 |
|
A musical portrait of Guinea-Bissau, and pianist Ana-Maria Vera on surviving as a child prodigy
|
Aug 30, 2025 |
|
"I have seen rock and roll's future and its name is Bruce Springsteen": Born To Run at 50
|
Aug 24, 2025 |
|
Beyond bluegrass with Molly Tuttle, and harpist Marshall McGuire on bravery and leadership
|
Aug 23, 2025 |
|
Liz Pelly on the Spotify machine, and remembering jazz greats Judy Bailey and Sheila Jordan
|
Aug 17, 2025 |
|
Leading an orchestra with Jaime Martín and putting words to music with DOBBY and Leah Senior
|
Aug 16, 2025 |
|
Gregory Porter on his jazz foundations and Michael Collins on the clarinettist-composer relationship
|
Aug 10, 2025 |
|
Jerrah Patston's world in songs, and the music of outback fences and pied butcherbirds
|
Aug 09, 2025 |
|
Legacies and laughs: Tom Lehrer and Dame Cleo Laine
|
Aug 03, 2025 |
|
Storytelling, beats and soundscapes on Warlpiri Country, and Gordon Kerry's new Requiem
|
Aug 02, 2025 |
|
Ozzy Osbourne - the melodic voice of Black Sabbath, and announcing poetry and lyric competition Middle of the Air
|
Jul 27, 2025 |
|
Michael Atherton: A lifetime student of music from ancient Egypt, medieval Europe and beyond
|
Jul 26, 2025 |
|
Together Alone with Crowded House and talking About Ghosts with Mary Halvorson
|
Jul 20, 2025 |
|
Ben Lee on mistakes, longevity and the power of pop music
|
Jul 19, 2025 |
|
Midge Ure on punk, pop and Ultravox and Nina Korbe on opera and advocacy
|
Jul 13, 2025 |
|
Putting together the pieces of Meredith Monk, and Christine Anu wins the 2025 NAIDOC Creative Talent Award
|
Jul 12, 2025 |
|
Listening to Country with composer James Howard, and the Stiff Gins celebrate 25 years
|
Jul 06, 2025 |
|
Remembering Lalo Schifrin, and how an organ can make a town come alive
|
Jul 05, 2025 |
|
Brian Campeau's country-tinged left turn, and Erik Satie—from the sublime to the surreal
|
Jun 29, 2025 |
|
Lorde reborn
|
Jun 28, 2025 |
|
Margret RoadKnight—60 years in the business
|
Jun 22, 2025 |
|
A Plastic Ocean Oratorio from Omar Musa and Mariel Roberts Musa, and a new Chapter for Guy Blackman
|
Jun 21, 2025 |
|
Collecting Scots songs on horseback and remembering The Beach Boys' Brian Wilson
|
Jun 15, 2025 |
|
Singing the Aphrodite myth, and a new take on golden age of Persian contemporary music
|
Jun 14, 2025 |
|
John Luther Adams on earth
|
Jun 08, 2025 |
|
The birth of House, and the rebirth of Lucius
|
Jun 07, 2025 |
|
Gender euphoria and jazz with Elliot Lamb and entering the forest house with Jenny Mitchell
|
Jun 01, 2025 |
|
Bush Gothic on the fine line between pleasure and pain, and director Netia Jones on Purcell's wild semi-opera The Fairy Queen
|
May 31, 2025 |
|
From broken piano to bestseller—Keith Jarrett's The Köln Concert
|
May 25, 2025 |
|
Tangerine Dream bring order into chaos and Jonathon Crompton maps out the coastline
|
May 24, 2025 |
|
Ellen Stekert: a full life in folk music
|
May 18, 2025 |
|
Kamasi Washington's Fearless Movement and Gregory Day's Southsightedness
|
May 17, 2025 |
|
Pokey LaFarge takes us to Rhumba Country, and the radical spirituality of Sofia Gubaidulina
|
May 11, 2025 |
|
Three centuries of chamber music by women with Anna Goldsworthy, and where blues and zydeco meet
|
May 10, 2025 |
|
Glass percussion with Shock Lines and campfire storytelling with Mark Atkins
|
May 04, 2025 |
|
Music in Motion: Live at the Canberra International Music Festival
|
May 03, 2025 |
|
Modernism, Catholicism, and Birdsong: Olivier Messiaen
|
Apr 27, 2025 |
|
Deep Inside the Blues
|
Apr 26, 2025 |
|
Messiah
|
Apr 20, 2025 |
|
Irish music new and old: Fontaines D.C. and Daoirí Farrell
|
Apr 19, 2025 |
|
Gospel meets disco with family band Annie & the Caldwells, and Tenzin Choegyal and Matt Corby team up
|
Apr 13, 2025 |
|
In rehearsal with Zubin Kanga's cyborg piano, and at the art gallery with Julius Eastman's Femenine
|
Apr 12, 2025 |
|
Marlon Williams' te reo Māori album, and canons in the Middle Ages and Renaissance
|
Apr 05, 2025 |
|
Genre-defining strings with Abel Selaocoe and Aaron Wyatt
|
Apr 04, 2025 |
|
Stasis, flux and stamina: saxophonist Adam Page can improvise for 24-hours non-stop
|
Mar 29, 2025 |
|
Allison Russell on jamming with Joni Mitchell, Annie Lennox, Hozier and more; and Lucy Sante's Six Sermons for Bob Dylan
|
Mar 28, 2025 |
|
Organised Delirium: Pierre Boulez at 100
|
Mar 22, 2025 |
|
The legacy of the Shangri-Las, and Palestinian band 47SOUL
|
Mar 21, 2025 |
|
From the Bronx to BBQs to Barkaa—the evolution of Australian hip hop
|
Mar 15, 2025 |
|
Anarchy and acoustics: Sex Pistols and Pistols in St. Paul's
|
Mar 14, 2025 |
|
Nana Benz du Togo, Sauljaljui and The Joy live at WOMADelaide
|
Mar 08, 2025 |
|
Eleanor Jawurlngali, Duo Ruut and Ana Carla Maza at WOMADelaide
|
Mar 07, 2025 |
|
Cover Story: The Times They Are A-Changin'
|
Mar 01, 2025 |
|
Innovation and imitation: Maurice Ravel at 150
|
Feb 28, 2025 |
|
Cover Story: Under The Milky Way
|
Feb 22, 2025 |
|
Otherworldly sounds with Charm of Finches and The Cloud Maker
|
Feb 21, 2025 |
|
Cover Story: Running Up That Hill
|
Feb 15, 2025 |
|
Richard Dawson's evocative songwriting, and remembering Vic Simms
|
Feb 14, 2025 |
|
Cover Story: Heart of Gold
|
Feb 08, 2025 |
|
An obscure orchestra and an opera for the dead
|
Feb 07, 2025 |
|
Cover Story: Lay All Your Love On Me
|
Feb 02, 2025 |
|
The Captain Matchbox Whoopee Band and remembering Marianne Faithfull
|
Jan 31, 2025 |
|
The Violin in the Colony
|
Jan 26, 2025 |
|
Tamworth's prodigal son Andy Golledge, and Australians in America with Lisa Moore and Lloyd Van't Hoff
|
Jan 24, 2025 |
|
Percussionists and poets in Caroline Shaw's music; David Keenan's Irish Songs
|
Jan 19, 2025 |
|
Remembering Ruby Hunter, with Emily Wurramara and Dan Sultan
|
Jan 18, 2025 |
|
Folk singers and the FBI
|
Jan 12, 2025 |
|
Ziggy Ramo's exploration of dark histories and big questions
|
Jan 11, 2025 |
|
The last violin of Harry Vatiliotis; the exile of Arooj Aftab
|
Jan 05, 2025 |
|
Becoming Ella Fitzgerald
|
Jan 04, 2025 |
|
Polyrhythms and pop music with Tune-Yards; Omar Musa turns poetry into music
|
Dec 29, 2024 |
|
Music for Prime Time
|
Dec 28, 2024 |
|
Víkingur Ólafsson's infinite variety; Angélique Kidjo's re-imagining of a Talking Heads’ classic
|
Dec 22, 2024 |
|
Lisa O'Neill and Cormac Begley live at WOMADelaide
|
Dec 21, 2024 |
|
Experiencing Sound
|
Dec 15, 2024 |
|
Janis Ian: Breaking Silence
|
Dec 14, 2024 |
|
Songdreaming with Sam Lee and horn playing with Carla Blackwood
|
Dec 08, 2024 |
|
Bob Geldof 40 years on from Band Aid and CINTA's soul control
|
Dec 07, 2024 |
|
Jim Moginie at the piano and Kultar Ahluwalia on a life in hip hop
|
Dec 01, 2024 |
|
Surveying the Australian music landscape with Paul Kelly and Amanda Brown
|
Nov 30, 2024 |
|
Saturday Night Fever, the Bee Gees and disco in Australia
|
Nov 24, 2024 |
|
JADE Ensemble's intercultural sound world and Ken Murray plays Christopher Sainsbury
|
Nov 23, 2024 |
|
Jerron Paxton's blues and Chloe Kim's basses
|
Nov 17, 2024 |
|
Sharp observations: Bill Bailey and Darren Hanlon
|
Nov 16, 2024 |
|
From Brazil to The Beatles with Esperanza Spalding, and Affinity Quartet live in the studio
|
Nov 10, 2024 |
|
Kankawa Nagarra’s Blues on Country, guitarist Sean Shibe in studio, and remembering Quincy Jones
|
Nov 09, 2024 |
|
Live in the studio with Parvyn and Elana Stone
|
Nov 03, 2024 |
|
Meet this year's Boyer lecturers, and Afghan-American musician Qais Essar performs live
|
Nov 02, 2024 |
|
Folk singers and the FBI
|
Oct 27, 2024 |
|
Experimenting with style: saxophonist Nubya Garcia, and metal trio Black Aleph
|
Oct 26, 2024 |
|
Modernist composer Charles Ives at 150 and countertenor Andreas Scholl returns to Australia
|
Oct 20, 2024 |
|
Music from a turbulent 17th-century England, and violinist Véronique Serret explores her voice
|
Oct 19, 2024 |
|
Ash Wednesday's AfterMATH on the organ, and the musical marriage of Lutyens and Clark
|
Oct 13, 2024 |
|
Listening to Another Noise with Evelyn Glennie and Raymond Antrobus, and in the throes of Ecstasy with Marcus Whale
|
Oct 12, 2024 |
|
Fiddles, folk and finding the light: The Crooked Fiddle Band and Angie McMahon
|
Oct 06, 2024 |
|
The Outlaws: Henry Wagons remembers Kris Kristofferson, and Tami Neilson plays Willie Nelson
|
Oct 05, 2024 |
|
Irish singer songwriter Susan O'Neill, and cellist Steven Isserlis's 'Team Fauré'
|
Sep 29, 2024 |
|
Out front: advocate and songwriter Eliza Hull and conductor Sir Donald Runnicles
|
Sep 28, 2024 |
|
Conductor Sam Weller's rise and songwriter Melody Pool's return
|
Sep 22, 2024 |
|
Queer desire, mortality, and dancing scorpions: Sydney Chamber Opera’s Gilgamesh
|
Sep 21, 2024 |
|
Trainhopping with Hurray For The Riff Raff, and jazz, classical and ambient meet in a Requiem Mass
|
Sep 15, 2024 |
|
Laurie Anderson in the air with Amelia Earhart
|
Sep 14, 2024 |
|
Arnold Schoenberg at 150: a complicated and crucial man
|
Sep 08, 2024 |
|
Sandy Evans the eternal collaborator, and the music of speech
|
Sep 07, 2024 |
|
Larry Sitsky turns 90, and Chloe Rowlands crosses the country with her trumpet
|
Sep 01, 2024 |
|
The last violin of Harry Vatiliotis, and writing for big band and strings
|
Aug 31, 2024 |
|
Turner's Turn: Geraldine Turner
|
Aug 25, 2024 |
|
Kate Fagan’s Song in the Grass, and what makes a perfect News theme
|
Aug 24, 2024 |
|
Polyrhythms, percussion and pop music with Tune-Yards, and how to start a record label
|
Aug 18, 2024 |
|
Herbie Hancock on keys & Tenzin Choegyal on the roof of the world
|
Aug 17, 2024 |
|
Becoming Ella Fitzgerald
|
Aug 11, 2024 |
|
Deep listening in Japan's music cafés, and Finnish fiddler Pekka Kuusisto with US songwriter Gabriel Kahane
|
Aug 10, 2024 |
|
From stage dives to infights: the birth of Australian punk
|
Aug 04, 2024 |
|
Christine Anu weaves her story in music and countertenor Iestyn Davies makes his Australian debut
|
Aug 03, 2024 |
|
How jazz contributed to a Congolese coup, and Rafael Karlen's composition for a lost city
|
Jul 28, 2024 |
|
Baritone and composer Roderick Williams, and remembering activist and singer Bernice Johnson Reagon
|
Jul 27, 2024 |
|
Radical Son on soulful learnings, and the picturesque compositions of Christopher Cerrone
|
Jul 21, 2024 |
|
Brett Dean's Hamlet and Linda May Han Oh's bass
|
Jul 20, 2024 |
|
The music of Australian ballroom: disco, house, and the sounds of Western Sydney
|
Jul 14, 2024 |
|
Andrew Gurruwiwi’s new Yolŋu funk and Louis Armstrong’s last great performance
|
Jul 13, 2024 |
|
Remembering Ruby Hunter, with Emily Wurramara and Dan Sultan
|
Jul 07, 2024 |
|
The power of three: tabla, veena and violin unite and Opera Australia stages Puccini's triptych
|
Jul 06, 2024 |
|
Finding radical newness in tradition with Neal Peres Da Costa's harpsichord and Jenny M Thomas's Welsh choir
|
Jun 30, 2024 |
|
Grace Petrie's protest songs and Mat Schulz's Unsound festival
|
Jun 29, 2024 |
|
The Beatles in Australia
|
Jun 23, 2024 |
|
Caroline Shaw and Nicolas Altstaedt
|
Jun 22, 2024 |
|
Clive James on words and music
|
Jun 16, 2024 |
|
Novelists on music: Margaret Atwood, Andrea Goldsmith and Anna Goldsworthy
|
Jun 15, 2024 |
|
Deep Inside the Blues
|
Jun 09, 2024 |
|
Deerhoof returns to Australia, and soprano Anna Fraser sings through a snorkel
|
Jun 08, 2024 |
|
Ziggy Ramo's Human?
|
Jun 02, 2024 |
|
Jeremy Deller's acid brass, Bach's St John Passion, and Victoria Pham's singing mushrooms
|
Jun 01, 2024 |
|
Becoming a Composer with Errollyn Wallen
|
May 26, 2024 |
|
Kate Mulvany updates Dido & Aeneas and Elefant Traks finishes up after 26 years
|
May 25, 2024 |
|
Omar Musa, turning poetry into music & the music of Jane Austen
|
May 19, 2024 |
|
Stuart Skelton sings the Song of the Earth, and Reuben Lewis and Huda the Goddess meet in the middle of jazz and spoken word
|
May 18, 2024 |
|
Lotte Betts-Dean’s voice, Bram de Looze’s piano, and Roland Peelman’s final year at Canberra International Music Festival
|
May 12, 2024 |
|
Rainbow Chan explores language through lament, and when George Gershwin met Arnold Schoenberg
|
May 11, 2024 |
|
Folk trio Apolline, and Blossom Dearie at 100
|
May 05, 2024 |
|
Maanyung on saltwater, sand, and sound & Norwegian trumpeter Tine Thing Helseth
|
May 04, 2024 |
|
Pits, picket lines and pop music: the 1984-5 UK miners' strike
|
Apr 28, 2024 |
|
Sir Andrew Davis remembered, and Martha Wainwright returns to Australia
|
Apr 27, 2024 |
|
Beethoven and Webern with Timo-Veikko Valve and Aura Go, and Alison Cotton's Engelchen: how opera-loving sisters helped evacuate Jewish refugees
|
Apr 21, 2024 |
|
Ann Savoy: a life in Cajun music and Wilbur Whitta's Wildfire
|
Apr 20, 2024 |
|
Recorders, Fiddles, Clogs and Swords
|
Apr 14, 2024 |
|
Benjamin Northey on conducting and community & remembering Clarence 'Frogman' Henry
|
Apr 13, 2024 |
|
The Music of Remembrance with Jeremy Eichler
|
Apr 06, 2024 |
|
Sam Anning's earthenware and Beethoven's Missa solemnis at 200
|
Apr 06, 2024 |
|
Víkingur Ólafsson's infinite variety, and remembering Maurizio Pollini
|
Mar 31, 2024 |
|
One Queen of the Cross, two Finnish fiddlers and a century of women composers
|
Mar 30, 2024 |
|
Music for Prime Time
|
Mar 24, 2024 |
|
Peter Garrett's unwavering optimism and Jo Davies' first season at the helm of Opera Australia
|
Mar 23, 2024 |
|
Corinne Bailey Rae on Black resilience and the freedom of a career left turn
|
Mar 17, 2024 |
|
Simone Young conducts Gurrelieder and Eleanor McEvoy hits the road
|
Mar 16, 2024 |
|
Lisa O'Neill and Cormac Begley live at WOMADelaide
|
Mar 10, 2024 |
|
Marta Pereira da Costa, The Good Ones and Katanga Junior live at WOMADelaide
|
Mar 09, 2024 |
|
Polyphony and protest with Windborne, loops and language with Allara
|
Mar 03, 2024 |
|
Dancing across the world with Angélique Kidjo & Maatakitj, and from opera to cabaret with Anna Dowsley
|
Mar 02, 2024 |
|
Jazz Money's poetic ventures into music and Cameron Undy's ghostly rhythms
|
Feb 25, 2024 |
|
Fearless voices: Joseph Keckler and Raehann Bryce-Davis
|
Feb 24, 2024 |
|
The exile of Arooj Aftab and what Alana Valentine built from the fire of Notre-Dame
|
Feb 18, 2024 |
|
Unknown Mortal Orchestra's Ruban Nielson plays his Hawaiian roots and Katharine Dain sings 20th Century desire
|
Feb 17, 2024 |
|
Lonnie Holley is part of the wonder
|
Feb 11, 2024 |
|
Aboard the Arka Kinari, & Frank Yamma live in studio
|
Feb 10, 2024 |
|
Eddie Perfect gets candid about Candide and Forest Collective enter the Labyrinth
|
Feb 04, 2024 |
|
Rivers with Richard Tognetti, oceans with Iran Sanadzadeh, and remembering Chita Rivera
|
Feb 03, 2024 |
|
Cigány Weaver live in studio & Lotte Betts-Dean's distinctly medieval collaboration with Stuart MacRae
|
Jan 28, 2024 |
|
David Keenan's Irish Songs & remembering David Lumsdaine
|
Jan 27, 2024 |
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From Little Things Big Things Grow on RN Summer
|
Jan 21, 2024 |
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