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| Episode | Date |
|---|---|
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How Anime Opening Credits Hook You and Tell You a Story - Tan Nazare
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Jun 25, 2026 |
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Swan Lake: How the Classical Ballet Became a Political Mosh - Sasha Drozzina
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Jun 18, 2026 |
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One Block to Rule Them All: The Single-Block Form in African Music - Alice (Bai) Xue
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Jun 11, 2026 |
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Is It Over? How Silence Frames Musical Beginnings and Endings in Arvo Pärt’s “Ludus” - Hang Ki Choi
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Jun 04, 2026 |
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Gender and the Death Trope in Judith Weir’s The Black Spider - Luis Matos-Tovar
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May 28, 2026 |
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Texture, Timbre, and Instrumentation in Laura Kaminsky’s As One: A Trans Narrative - Brandon D. Scribner
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May 21, 2026 |
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Power and Captivity in Thea Musgrave’s Mary, Queen of Scots - Zachary Simonds
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May 14, 2026 |
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The Two Harriets in Thea Musgrave’s Harriet, The Woman Called Moses - Isabel Milbourn
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May 07, 2026 |
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Trauma and Vocal Utterances in Ellen Reid’s p r i s m (2018) - Aaron D'Zurilla
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Apr 30, 2026 |
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SMT-Pod Student Seminar Series: Gender and Contemporary Opera (Introduction)
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Apr 23, 2026 |
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Episode 1 - Idiomatic Improvisation: Where Theory Meets Aural Skills - Alexandrea Jonker and Peter Schubert
|
Jul 10, 2025 |
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Episode 2 - Idiomatic Improvisation: Where Theory Meets Aural Skills - Alexandrea Jonker and Peter Schubert
|
Jul 10, 2025 |
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Episode 3 - Idiomatic Improvisation: Where Theory Meets Aural Skills - Alexandrea Jonker and Peter Schubert
|
Jul 10, 2025 |
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Episode 4 - Idiomatic Improvisation: Where Theory Meets Aural Skills - Alexandrea Jonker and Peter Schubert
|
Jul 10, 2025 |
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Episode 5 - Idiomatic Improvisation: Where Theory Meets Aural Skills - Alexandrea Jonker and Peter Schubert
|
Jul 10, 2025 |
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From the Sidelines: an in game look at Johanna Beyer’s Music of the Spheres - Craig Peaslee
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Jul 03, 2025 |
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Nicole Mitchell’s Mandorla Awakening II and the Sounds of Afrofuturist Theory - Audrey Slote
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Jun 26, 2025 |
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Reimagine the Sound: Or, How to Improvise a Cecil Taylor Improvisation - Mark Micchelli
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Jun 19, 2025 |
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Fuguing Essential Voices: An Informance of J. S. Bach's Prelude and Fugue, BWV 1011 - Daniel Ketter
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Jun 12, 2025 |
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“In the Days of Auld Lang Syne”: Stability and Bagpipe Music in Hong Kong (1997-2024) - Samantha Sasaki
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Jun 05, 2025 |
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Dual Leading Tone Loops in Post-Millennial Pop/Rock - Brad Osborn
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May 29, 2025 |
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Voice and Agency in Henryk Górecki’s Symphony No. 3 - Jason Jedlička
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May 22, 2025 |
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Playing Dress-Up: Co-Performance in Mozart’s Abendempfindung K. 523 - Lydia Bangura
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May 15, 2025 |
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Teaching Rhythm and Meter through Rap and Hip Hop: An Interview with Mazbou Q - Olivia Lucas & Mazbou Q
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May 08, 2025 |
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I will not tell you: Disconnection, Reticence, and Ambivalence in Heyman's “Tortie-Tortue” - Anna Stephan-Robinson
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May 01, 2025 |
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Terminal Openings: Interpreting Songs that Begin by Ending - Joon Park
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Apr 24, 2025 |
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Formal and Textural Processes in Contemporary Worship Music - Leah Amarosa
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Apr 17, 2025 |
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The Role of Reprise and Revision in 'Shrek the Musical' (2008, 2024) - Zachary Lloyd & John Combs
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Apr 10, 2025 |
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The Impact of Timbre on Perceptions of Genre in Recorded Popular Music - Stefanie Bilidas & Grace Gollmar
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Apr 04, 2024 |
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Agency and Practical Model Composition in the Music Theory Classroom - Brent Ferguson, Alani Pranzo, Carter Falkenstein, and Nykia Osborne
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Mar 28, 2024 |
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Three’s a crowd: Understanding the rise of two-chorus form in recent popular music - Jeremy Orosz
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Mar 21, 2024 |
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“¿Somos la resistencia, no?”: Memory and Manipulation in Netflix’s La Casa de Papel - Tori Vilches
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Mar 14, 2024 |
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“How do you color a sound?”: Hearing Afrofuturism in The 5th Dimension’s “Age of Aquarius/Let the Sunshine In” (1969) - Alejandro Cueto
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Mar 07, 2024 |
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Playing With Ghosts: Timbre and the Chiptuning of Canon in the Bardcore Video Game Project - Brent Ferguson, George Reid, and Matthew Ferrandino
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Feb 29, 2024 |
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What if Octaves Aren’t Equivalent? A Composer’s Guide to Non-Octave-Repeating Scales - Thomas B. Yee
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Feb 22, 2024 |
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Interrelating Concepts of Texture and Rhythm in Massive Textures and Beatless Rhythms - Nariá Assis Ribeiro & Luís Raimundo
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Feb 15, 2024 |
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Listening a Page at a Time - Stephen Rodgers
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Feb 08, 2024 |
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Muito Beleza – Ana’s Hands: Postcolonial Gendered Legacies of the Viola da Terra - Abigail Lindo
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Feb 01, 2024 |
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Analyzing Stravinsky - Introduction to Stravinsky’s 1911 Petrushka - Joseph Straus
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Jan 25, 2024 |
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Season 3 - Teaser Trailer
|
Jan 24, 2024 |
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Season 3 - Call for Proposals
|
May 23, 2023 |
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Theorizing African American Music: Black Women in Academic Music, and Final Thoughts (5) - Phil Ewell (with appearances by Louise Toppin, Teresa Reed, Jewel Thompson, and Chris Jenkins)
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Apr 06, 2023 |
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Theorizing African American Music: The Participants (4) - Phil Ewell (with appearances by Marvin McNeil, Stephanie Doktor, Alan Reese, and Maya Cunningham)
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Mar 30, 2023 |
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Theorizing African American Music: The Keynote (3) - Phil Ewell (with an appearance by Dwight Andrews)
|
Mar 23, 2023 |
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Theorizing African American Music: The Concert (2) - Christopher Jenkins (with appearances by Phil Ewell, Lydia Bangura, Khari Joyner, and Theron Brown)
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Mar 16, 2023 |
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Theorizing African American Music: Beginnings (1) - Philip Ewell (with appearances by Christopher Jenkins, Lydia Bangura, and Susan McClary)
|
Mar 09, 2023 |
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What Green Book Got Wrong About Black Music - Rami Stucky
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Mar 02, 2023 |
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The Emotional Impact of the Double Upbeat - Jenine Brown
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Feb 23, 2023 |
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Counterpoint Expanded - Melissa Hoag
|
Feb 16, 2023 |
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A Gender-Analysis Approach to Settings of Chamisso’s Frauenliebe und -leben - Kimberly Soby
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Feb 09, 2023 |
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Tonal Polymodality in Tool’s Aenima - Matthew Ferrandino & Frank Nawrot
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Feb 02, 2023 |
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From Piece to Music: Analyzing Your Own Listening - Katrina Roush
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Jan 26, 2023 |
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Season 2 - Call for Proposals
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May 05, 2022 |
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Musicking While Old - 5. Old Listeners - Joseph Straus
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Apr 28, 2022 |
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Journeys Through Middleground: Holding Space Between Academic Analysis and YouTube Entertainment - Jennifer Campbell
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Apr 21, 2022 |
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Making Orchestras Speak/Making Machines Listen - Landon Morrison
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Apr 14, 2022 |
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Musicking While Old - 4. Old Performers - Joseph Straus
|
Apr 07, 2022 |
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Analytical Frameworks for Post(-Millennial) Punk Episode 2: We still [speak/sing/yell] these songs well - Matthew Chiu and Tyler Howie
|
Mar 31, 2022 |
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Analytical Frameworks for Post(-Millennial) Punk Episode 1: The “Twinkle” Schema in the Emo Revival - Matthew Chiu and Tyler Howie
|
Mar 24, 2022 |
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Women Composers in Fin-de-siècle Paris: Marie Jaëll, Cécile Chaminade, and Augusta Holmès - Lucia Pasini
|
Mar 17, 2022 |
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Facilitating Musical Discussions on Reddit: An Interdisciplinary Conversation - Nathaniel Mitchell, Sarah A. Gilbert, Timothy Byron, and Justice Srisuk
|
Mar 10, 2022 |
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Musicking While Old - 3. Old Composers - Joseph Straus
|
Mar 03, 2022 |
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Is Key Real? - Christopher Doll
|
Feb 24, 2022 |
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Part 2 - The Inside of the Tune: Analyzing the Bridge in Pop - Elizabeth Newton and Franklin Bruno
|
Feb 17, 2022 |
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Part 1 - The Inside of the Tune: Analyzing the Bridge in Pop - Elizabeth Newton and Franklin Bruno
|
Feb 17, 2022 |
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Sonic Identity, Imitation, and Critical Listening in Popular Music - Matthew Ferrandino
|
Feb 10, 2022 |
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Musicking While Old - 2. Operatic Representations of Old Age - Joseph Straus
|
Feb 03, 2022 |
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The Teardrop Chord: Analyzing the Enigmatic Minor IV Chord in Pop and Film Music - John Baxter
|
Jan 27, 2022 |
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Musicking While Old - 1. Old Age as Culture - Joseph Straus
|
Jan 20, 2022 |
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Buxtehude Beats Bach? Qualifying a Canonic Claim - Scott Murphy
|
Jan 13, 2022 |
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Season 1 Preview
|
Nov 04, 2021 |
|
SMT-Pod Trailer
|
May 31, 2021 |