The Hatchards Podcast
By Ryan Edgington and Matt Hennessey
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Image by Ryan Edgington and Matt Hennessey
Category: Books
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Subscribers: 9
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Episodes: 69
Description
The Hatchards Podcast is a conversation show about books brought to you by England’s oldest bookshop. Featuring interviews with some of our favourite authors, bookish waffle, and the occasional glass of wine. Hosted by Ryan Edgington. Produced by Lily Woods and Matt Hennessey.
| Episode | Date |
|---|---|
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Edward Chisholm on Murder in Paris ’68: Film Stars, French Presidents, and a Fatal Cover-Up
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May 05, 2026 |
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Jean-Noël Orengo on You Are the Fuhrer's Unrequited Love
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Apr 07, 2026 |
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Antony Beevor on Rasputin and the Downfall of the Romanovs
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Mar 17, 2026 |
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Julian Sancton on Neptune’s Fortune: Castro, Cousteau, and a Billion-Pound Treasure
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Feb 17, 2026 |
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Tom Sachs on Frank Gehry, Guillotines, and ‘The Tom Sachs Guide’
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Jan 27, 2026 |
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Maggie O’Farrell on Adapting ‘Hamnet’ for the Big Screen
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Jan 06, 2026 |
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Katy Hessel on How to Live an Artful Life: Seasons, Sacrifice, and More of the ‘Story’
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Nov 11, 2025 |
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Olivia Laing on The Silver Book: Italy, Illusion, and Intransigence
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Nov 04, 2025 |
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Benjamin Myers on Jesus Christ Kinski: Berlin, Biography, and Bad Behaviour
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Oct 21, 2025 |
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Lyse Doucet on The Finest Hotel in Kabul: Freedom and Frontline Journalism
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Sep 23, 2025 |
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Roger Lewis on The Life and Death of Peter Sellers: Goons, Ghosts, and Destructive Genius
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Aug 19, 2025 |
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Francesca Wade on Gertrude Stein: An Afterlife, the Avant-Garde, and Alice B. Toklas
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Jun 24, 2025 |
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Graydon Carter on When the Going Was Good: Velvet Ropes, Veritas, and Vanity Fair
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May 20, 2025 |
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Philippe Sands on 38 Londres Street: Pinochet, Prosecution, and a Nazi in Patagonia
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Apr 29, 2025 |
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Charlie Porter on Nova Scotia House: Relationships, Radicals, and Reclamation
|
Apr 15, 2025 |
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Lola Kirke on Wild West Village: Fame, Family, and Finding Your Voice
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Mar 18, 2025 |
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Laurent Binet on Perspectives: Michelangelo, Mannerism, and Murder
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Feb 25, 2025 |
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RaMell Ross on Nickel Boys: Colson Whitehead’s Masterpiece on the Screen
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Jan 07, 2025 |
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Lili Anolik on Didion & Babitz: Joan’s Bethlehem vs Eve’s Bedlam
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Dec 24, 2024 |
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Karl Ove Knausgaard on The Third Realm: Transcendence, Translation, and Twin Peaks
|
Oct 22, 2024 |
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Richard Ayoade on The Unfinished Harauld Hughes: Salinger, Sanctimony, and Spinal Tap
|
Oct 08, 2024 |
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Simon Russell Beale on A Piece of Work: Shakespeare, Stalin, and Sam Mendes
|
Oct 01, 2024 |
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Alan Hollinghurst on Our Evenings: Acting, Aging, and Adventures in Wonderland
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Sep 24, 2024 |
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Elif Shafak on There Are Rivers in the Sky: The Tigris and the Thames
|
Aug 06, 2024 |
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Griffin Dunne on The Friday Afternoon Club: Joan Didion, Dominick Dunne, and His Days in Hollywood
|
Jul 16, 2024 |
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Lauren Elkin on Scaffolding: Fidelity, Freedom, and the French New Wave
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Jul 02, 2024 |
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Richard Flanagan on Question 7: HG Wells, Hiroshima, and How to Live
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Jun 11, 2024 |
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Rachel Khong on Real Americans: Mao, Memory, and Multigenerational Trauma
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May 14, 2024 |
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Percival Everett on James: Mark Twain, Tennis, and Nat Turner's Rebellion
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May 02, 2024 |
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Andrew O'Hagan on Caledonian Road: Dickens, Drill Gangs, and the Dark Web
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Apr 02, 2024 |
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Robert P. Kolker and Nathan Abrams on Stanley Kubrick: An Odyssey
|
Feb 20, 2024 |
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Hisham Matar on My Friends: London, Libya, and Living in Exile
|
Jan 30, 2024 |
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Dolly Alderton on Good Material: Heartbreak, Millennial Hatred, and Male Pattern Baldness
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Dec 12, 2023 |
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Zadie Smith on The Fraud: Lies from Victorian England to OJ Simpson
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Nov 14, 2023 |
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Roger Lewis on the 'Erotic Vagrancy' of Elizabeth Taylor and Richard Burton
|
Oct 24, 2023 |
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Benjamín Labatut on The Maniac: From the Atomic Bomb to Artificial Intelligence
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Sep 27, 2023 |
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Anna Funder on Wifedom: The Lost Woman Behind George Orwell
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Aug 28, 2023 |
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Wes Anderson on Do Not Detonate: Film Criticism and the Influences Behind 'Asteroid City'
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Jun 27, 2023 |
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David Grann on The Wager: Shipwreck, Sedition, and Martin Scorsese
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May 16, 2023 |
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Ian Dunt on How Westminster Works... and Why It Doesn't
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Apr 19, 2023 |
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Alice Winn on In Memoriam: From Tennyson to the Trenches
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Mar 21, 2023 |
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Sarah Watling on Tomorrow Perhaps the Future: Solidarity and the Spanish Civil War
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Feb 14, 2023 |
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Bret Easton Ellis on The Shards: Lost Youth in Los Angeles
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Jan 17, 2023 |
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Bill Nighy on Hatchards, ‘Living’, and Kazuo Ishiguro
|
Dec 20, 2022 |
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Jerry Saltz on Why Art is Life
|
Dec 06, 2022 |
|
Nick Hornby on Charles Dickens and Prince
|
Nov 15, 2022 |
|
Melissa Newman on Paul Newman, Her Iconic Father
|
Nov 02, 2022 |
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David Hepworth on Abbey Road
|
Oct 11, 2022 |
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Katy Hessel on The Story of Art Without Men
|
Sep 06, 2022 |
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Tess Gunty on The Rabbit Hutch
|
Jul 19, 2022 |
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Geoff Dyer on Death and Bob Dylan
|
Jun 21, 2022 |
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Edward Chisholm on Waiting in Paris
|
May 24, 2022 |
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Emma Smith on Burning Books
|
May 10, 2022 |
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Ben Hinshaw on Exactly What You Mean
|
Apr 19, 2022 |
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Oliver Bullough on Butlers, British Tax Criminals, and Bertie Wooster
|
Apr 05, 2022 |
|
Colm Tóibín on Thomas Mann
|
Mar 22, 2022 |
|
Philip Oltermann on The Stasi Poetry Circle
|
Mar 08, 2022 |
|
Max Porter and James Birch on Francis Bacon
|
Feb 22, 2022 |
|
Caleb Azumah Nelson on Open Water, Southeast London, and Moonlight
|
Feb 08, 2022 |
|
Roger Katz on the Golden Age of Bookselling
|
Jan 25, 2022 |
|
Natasha Brown on Assembly and Deadpool
|
Jan 11, 2022 |
|
The Advent Calendar: Joanna Lumley and Gyles Brandreth
|
Dec 09, 2021 |
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The Advent Calendar: Dominic Sandbrook
|
Dec 08, 2021 |
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The Advent Calendar: Henry Eliot
|
Dec 05, 2021 |
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The Advent Calendar: William Sieghart
|
Dec 05, 2021 |
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The Advent Calendar: Clare Jackson
|
Dec 05, 2021 |
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The Advent Calendar: Philip Hook
|
Dec 05, 2021 |
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William Boyd and the Swinging Sixties
|
Oct 31, 2021 |
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John Cleese on Comedy, Craft, and Creativity
|
Aug 04, 2021 |