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Episode | Date |
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Benny Haesebrouck on doing Distribution Differently with MOOOV
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Apr 04, 2024 |
Kymberli Frueh: Trafalgar Releasing and the Business and Art of Event Cinema
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Mar 14, 2024 |
Mathieu Robinet on Engaging Younger Audiences for Theatrical Releases
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Feb 22, 2024 |
Nikolaj Mathies: Effective Film Promotion on TikTok
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Feb 15, 2024 |
Elba McAllister on Distribution in LatAm, Exec Producing with the Streamers and the changing face of International Sales
|
Feb 01, 2024 |
Brandon Purdie on the Pay it Forward Triumph of SOUND OF FREEDOM
|
Dec 21, 2023 |
Reimagine the Greenlight with Ted Hope, irina Albita and Anjali Midha
|
Dec 07, 2023 |
Enrique Costa on Elastica, Unlocking New Audiences and the Importance of Building a Brand
|
Nov 30, 2023 |
Reimagining Film Festivals
|
Nov 14, 2023 |
Co-creating Entertainment with Brands: Matt Rotondo of Sugar23 on Transforming the Production Process
|
Oct 25, 2023 |
Sarah Mosses on Creating Impact and Building Optimised Systems in Distribution
|
Sep 07, 2023 |
Making Data-Driven Decisions in Entertainment with Anjali Midha
|
Jul 04, 2023 |
Tega Williams on Building Brand Activations in Movie Marketing
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Jun 20, 2023 |
Innovating the Theatrical Experience with Thaddeus Bouchard
|
Jun 08, 2023 |
Eduardo Escudero on Innovation, FAST Channels and 'Reaching the Ocean'
|
May 16, 2023 |
Christie Marchese: Building Community, Unlocking new Screening Spaces and the Power of Impact Distribution
|
May 02, 2023 |
Noortje van der Sande on the Hybrid Consumer and the Intersection of Online and In-Cinema Experiences
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Apr 06, 2023 |
Breaking Boundaries in Film Festivals: Algirdas Ramaška on Innovation, Adaptation, and Audience Connection
|
Mar 23, 2023 |
Tilane Jones on Leaning into Community
|
Mar 09, 2023 |
Kate Gerova and Mandy Kean on the Elevated Customer Experience
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Feb 16, 2023 |
Emma Jamieson on Embracing New Marketing Channels
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Jan 26, 2023 |
Sarah Timlick on Elevating Canadian Distribution
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Jan 12, 2023 |
John Donnelly on the Changing Landscape in Exhibition
|
Dec 15, 2022 |
Nikki Stier Justice on Building Brand Communities for Films
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Nov 22, 2022 |
Michael Matrenza on Marketing, Madman and the Evolving Market in Oz
|
Nov 10, 2022 |
Patrick O'Neill on the Irish Market and Unlocking New Talent
|
Oct 27, 2022 |
Dorothee Pfistner on the Art of Acquisitions
|
Oct 06, 2022 |
Nick Camacho on Building a Distribution Brand
|
Sep 22, 2022 |
Roxanne Avent Taylor on Building Audiences from the Ground Up
|
Sep 08, 2022 |
Niels Alberg: bringing audience insight into movie development
|
Aug 18, 2022 |
Tyler DiNapoli on the Marketing Funnel for Independent Film
|
Jul 27, 2022 |
Bill Guentzler on Acquiring Titles for a Global Audiences
|
Jul 14, 2022 |
David Kapur on How to Grow GenZ Audiences for Film
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Jun 30, 2022 |
Sanne Junker Pedersen: Bringing Filmmakers Closer to the Audience
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Jun 14, 2022 |
Women Innovators in Film LIVE from Cannes '22
|
May 31, 2022 |
Mark Hirzberger-Taylor on Bringing Classic Films back to Cinemas
|
May 10, 2022 |
The Changing Face of US Distribution with James Shapiro
|
Apr 21, 2022 |
Studio Canal CEO Alex Hamilton on Evolving Release Patterns
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Apr 07, 2022 |
Innovating Distribution in West Africa with Moses Babatope
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Mar 23, 2022 |
Avtar Panesar on launching Bollywood titles to a global market
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Mar 10, 2022 |
Nick Savva on how to successfully launch content on VOD
|
Feb 24, 2022 |
Lia Devlin examines audience behaviour with Alex Stolz
|
Feb 10, 2022 |
Kevin Goetz discusses how films are influenced by audiences and more
|
Jan 24, 2022 |
The importance of building an audience base with Karol Martesko-Fenster
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Jan 13, 2022 |
Discussing movie distribution with Jakob Abrahamsson
|
Dec 02, 2021 |
‘The huge threat to online film marketing ’, a conversation with Jake Garriock
|
Dec 02, 2021 |
Getting that ‘cultural hype’, a conversation with Eve Gabereau
|
Dec 02, 2021 |
Indie films & the ‘traditional model’ ?, with Delphine Lievens
|
Dec 02, 2021 |