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| Episode | Date |
|---|---|
|
Fix the Score, Not the Knobs
|
Jun 12, 2026 |
|
Diatonic vs. Intervallic - Which One is Better
|
Jun 06, 2026 |
|
5 Spells Every Composer Needs
|
May 29, 2026 |
|
The Note Your Scale Won't Allow
|
May 27, 2026 |
|
The 48-Hour Composition Challenge
|
May 25, 2026 |
|
Color Doesn't Belong to a Genre
|
May 22, 2026 |
|
When Lines Do What Chords Cannot
|
May 20, 2026 |
|
Think In Energy, Not Chords
|
May 18, 2026 |
|
Fix The Context, Not The Chord
|
May 15, 2026 |
|
Momentum Over Perfection
|
May 13, 2026 |
|
When Simple Is Strong
|
May 11, 2026 |
|
The Power of A Story
|
May 08, 2026 |
|
Stop Composing Alone
|
May 06, 2026 |
|
Why Basics Unlock Magic
|
May 04, 2026 |
|
Find Your Musical Edge (With Interval Theory)
|
May 01, 2026 |
|
Balancing Complexity and Simplicity
|
Apr 29, 2026 |
|
Making Notes and Clusters Belong
|
Apr 27, 2026 |
|
Musicians Love Patterns
|
Apr 24, 2026 |
|
The Art of Singable Lines
|
Apr 22, 2026 |
|
Hearing Intervals Differently
|
Apr 20, 2026 |
|
Bridging from Diatonic Writing to the Intervals
|
Apr 17, 2026 |
|
Protecting the Actor's Moment
|
Apr 15, 2026 |
|
The Pedal Tone Reset
|
Apr 13, 2026 |
|
Groove Without More Notes
|
Apr 10, 2026 |
|
Start With Energy, And The Notes Will Follow
|
Apr 08, 2026 |
|
When Birds Become Bassoons
|
Apr 06, 2026 |
|
Pattern Education And Sounding Generic
|
Apr 03, 2026 |
|
The Secret to Motion Without Changing Harmony
|
Apr 01, 2026 |
|
Seamless Storytelling In Your Music
|
Mar 30, 2026 |
|
Why You Feel Slow When You Compose (And How to Fix It)
|
Mar 27, 2026 |
|
From Scale Prison to Interval Freedom
|
Mar 25, 2026 |
|
The Secret Life of Interval Resolution
|
Mar 23, 2026 |
|
Recovering Like a Pro
|
Mar 20, 2026 |
|
Escape Overthinking with Musical Finger Painting
|
Mar 18, 2026 |
|
Good Orchestration is Strong Storytelling
|
Mar 16, 2026 |
|
Think in Lines, Not Stacks
|
Mar 13, 2026 |
|
Why Your Harmony Sounds Wrong (Even When It Looks Right)
|
Mar 11, 2026 |
|
Composition Techniques Don't Expire
|
Mar 09, 2026 |
|
How I Composed My Best Boss Music Tracks
|
Mar 06, 2026 |
|
Orchestration Is Your Best EQ
|
Mar 04, 2026 |
|
Dissonance Is A Choice
|
Mar 02, 2026 |
|
Stop Fixing the Minor Second and Start Controlling It Instead
|
Feb 28, 2026 |
|
It's Not About the Tricks, It's About the Time You Save
|
Feb 26, 2026 |
|
From 12 Intervals to Just 6 Personalities
|
Feb 24, 2026 |
|
Why Hollywood Scores Are Written in no Key
|
Feb 22, 2026 |
|
From Lines to the Orchestration with Counterpoint
|
Feb 20, 2026 |
|
The Lie of Perfect Spelling
|
Feb 18, 2026 |
|
Why Music Theory Shouldn't Feel Like Detention
|
Feb 16, 2026 |
|
Why I Use My Keyboard Like a Ruler
|
Feb 14, 2026 |
|
How to Train Your Ear Without a Piano
|
Feb 12, 2026 |
|
Unlocking Chord Function with the Harmonic Series
|
Feb 10, 2026 |
|
From Triad to Magic with Scaling
|
Feb 08, 2026 |
|
It's Not a Bug, It's Your Voice
|
Feb 06, 2026 |
|
Become Your Own Composition Coach (With This One Simple Habit)
|
Feb 04, 2026 |
|
When Feedback Feels Like Magic
|
Feb 02, 2026 |
|
The Spicy Magic of the 13-Interval
|
Jan 31, 2026 |
|
Unfinished but Unstoppable
|
Jan 29, 2026 |
|
You Don't Find Your Voice But You Write Your Way Into It
|
Jan 27, 2026 |
|
Loud Is Not Enough to Make Your Orchestration Climax Pop
|
Jan 25, 2026 |
|
Why Titles Matter More Than You Think
|
Jan 23, 2026 |
|
Dark Underscore and Silence
|
Jan 20, 2026 |
|
The One Thing I Do Before Composing a Film Cue
|
Jan 19, 2026 |
|
Stop Overwriting - Clarity Is the Real Magic
|
Jan 17, 2026 |
|
Stop Starting with the Intro
|
Jan 15, 2026 |
|
Scaling of Triads - Live Session
|
Jan 13, 2026 |
|
The Magical Engine Inside Your Music
|
Jan 11, 2026 |
|
Sketch First, Orchestration Second
|
Jan 09, 2026 |
|
Why Your Music Moves Too Fast (And How to Fix It)
|
Jan 07, 2026 |
|
Why Repetition isn't Lazy ... It's Smart Storytelling
|
Jan 04, 2026 |
|
Why 2026 Is the Year of Interval Magic
|
Jan 01, 2026 |
|
How a Tiny Interval Turn Brought My Sketch to Life
|
Dec 29, 2025 |
|
The Secret Glue Behind Great Film and Game Cues
|
Dec 25, 2025 |
|
Why Avoiding Doublings Makes Your Music Weaker
|
Dec 22, 2025 |
|
The Secret Vocal Trick That Makes Your Strings Come Alive
|
Dec 18, 2025 |
|
A Solid Low End Can Sound Like Sub-Bass Magic
|
Dec 15, 2025 |
|
Stop forcing the mode, Start following the emotion
|
Dec 09, 2025 |
|
The Magic Of Diatonic Thirds
|
Dec 05, 2025 |
|
Character First, Perfection Later
|
Dec 03, 2025 |
|
The Day A Client Shocked Me In The Studio
|
Dec 01, 2025 |
|
Orchestration is NOT Decoration
|
Nov 28, 2025 |
|
STOP Muddy Strings - Fluent Line Tricks Every Composer Needs
|
Nov 21, 2025 |
|
Scale Your Triads and Get A Great Disney Sound
|
Nov 14, 2025 |
|
Inside a Real Composition Session
|
Nov 07, 2025 |
|
FIX Boring Chords with THIS Interval-Based Move
|
Oct 31, 2025 |
|
Everything you need to know about Great Part Writing in 16 Minutes
|
Oct 24, 2025 |
|
Clarity And Transparency in Your Orchestrations
|
Oct 17, 2025 |
|
3 Orchestration Concepts you must know (plus 3 Bonus Tips)
|
Oct 10, 2025 |
|
The Secret of the Low End (What Great Orchestrators Already Know)
|
Oct 03, 2025 |
|
Why Gathering Before Sketching Changes Everything
|
Sep 26, 2025 |
|
How to Use Counterpoint in Modern Composition
|
Sep 19, 2025 |
|
The Harmony Trick Every Composer Needs for Better Music
|
Sep 12, 2025 |
|
From Chaos to Clarity
|
Sep 05, 2025 |
|
Why 10 minutes a day can change your music forever
|
Aug 29, 2025 |
|
No Samples, No Tricks - Just Sibelius and NotePerformer
|
Aug 22, 2025 |
|
A Balcony, a Jazz Festival, and a Lesson in Sound
|
Aug 15, 2025 |
|
When the Director Talks to the Composer
|
Aug 08, 2025 |
|
Steve and the Spells
|
Aug 01, 2025 |
|
The Scoring Workshop Recap and Insights
|
Jul 25, 2025 |
|
The day I decided to break the rules
|
Jul 18, 2025 |
|
Why you don't finish your music, and how to fix it easily
|
Jul 11, 2025 |
|
Music Theory for Composers - And what no Teacher told me
|
Jul 04, 2025 |
|
122 - Why some melodies STICK in your head
|
Jun 27, 2025 |
|
121 - Why Most Film Scores Sound The Same and How to Fix that
|
Jun 20, 2025 |
|
120 - Transform Your Sketch FAST - Using Beethoven's Fifth Symphony
|
Jun 13, 2025 |
|
119 - Sketch like a Pro - Beethoven's Trick Still Works
|
Jun 06, 2025 |
|
One Sketch, Three Worlds - How to Orchestrate Emotion with Intervals
|
May 30, 2025 |
|
The Interval Sketch Method
|
May 23, 2025 |
|
Why Counterpoint Never Worked for Me - Until I did THIS
|
May 16, 2025 |
|
What No Teacher Ever Told Me About the Overtone Series
|
May 09, 2025 |
|
How I Compose Without Thinking in Chords
|
May 02, 2025 |
|
The Best Exercise to Boost your Line Writing Skills
|
Apr 25, 2025 |
|
My Advice for Interval Theory Beginners - START HERE!
|
Apr 18, 2025 |
|
Breaking and Building at the same time!
|
Apr 11, 2025 |
|
Avoid These Boring Chord Progressions
|
Apr 04, 2025 |
|
How to Derive More Music From a Theme
|
Mar 28, 2025 |
|
My Full Scoring Process For Animation
|
Mar 21, 2025 |
|
What you need to know about Interval Theory
|
Mar 14, 2025 |
|
Composition vs. Production - What do you need REALLY as a Composer
|
Mar 07, 2025 |
|
Bernard Herrmann - Intervallic Deep Dive
|
Feb 28, 2025 |
|
Diatonic VS. Intervallic Theory - Which one is better?
|
Feb 21, 2025 |
|
103 - My 3 Steps To Creating Unique-Sounding Compositions
|
Jan 17, 2025 |
|
102 - Interval Theory & The Orchestration - Insights For Composing Action Music
|
Jan 10, 2025 |
|
101 - Your Letter to the Musician
|
Dec 20, 2024 |
|
100 - Music Publishing Rights - Big Studios vs. Small Clients
|
Dec 13, 2024 |
|
099 - Harmony in Collaboration - Lessons from the brass section
|
Dec 06, 2024 |
|
098 - Scoring the Moment - Pirate Scene
|
Nov 29, 2024 |
|
097 - How to improve your Composition Skills
|
Nov 22, 2024 |
|
096 - Composition Techniques vs. Creativity
|
Nov 15, 2024 |
|
095 - The Mixolydian Mode in the Genre of Romantic Comedy
|
Nov 08, 2024 |
|
094 - From Schneider to Disney
|
Nov 01, 2024 |
|
093 - How I Modulate to Any Tonal Center Easily
|
Oct 25, 2024 |
|
092 - Blending Interval Theory with Diatonic Thinking
|
Oct 18, 2024 |
|
091 - Let's Create Some Mystery Music
|
Oct 11, 2024 |
|
090 - I Followed Advice From Jerry Goldsmith
|
Oct 04, 2024 |
|
089 - Improving Sound & Skill
|
Sep 27, 2024 |
|
088 - Orchestration Techniques That Have Served Me Well
|
Sep 20, 2024 |
|
087 - Enhancing the Dorian Mode With Interval Theory
|
Aug 30, 2024 |
|
086 - How I Pump More Energy Into Static Chord Progressions
|
Aug 23, 2024 |
|
085 - Composing with Chromatic Transitions
|
Aug 16, 2024 |
|
084 - The Use of Percussion in Orchestral Works
|
Aug 09, 2024 |
|
083 - The Musical Influences of a Master Composer
|
Aug 02, 2024 |
|
082 - Ethics of Using AI in Music
|
Jul 26, 2024 |
|
081 - My Composition Tricks for Film Noir-Style Music
|
Jul 19, 2024 |
|
080 - Sketch Development on the Piano
|
Jul 12, 2024 |
|
079 - Ethics in Music
|
Jul 05, 2024 |
|
78 - Playing the Same Music Through All the Modes
|
Jun 28, 2024 |
|
077 - Fluent Part Writing
|
Jun 21, 2024 |
|
076 - My Musical Influences
|
Jun 14, 2024 |
|
075 - How I Compose An Interesting Canon
|
Jun 07, 2024 |
|
074 - A Deep Discussion about Creativity
|
May 31, 2024 |
|
073 - Polytonality For Piano
|
May 24, 2024 |
|
072 - Orchestration Masterclass on Action-Adventure
|
May 17, 2024 |
|
071 - Dave from the 52Cues Podcast Interviews TC & Frank
|
May 10, 2024 |
|
070 - With Pro Musician John Isley
|
May 03, 2024 |
|
069 - 5 Ways to Use Chromatic Lines with Scales
|
Apr 26, 2024 |
|
068 - Orchestration Insights
|
Apr 19, 2024 |
|
067 - Whistle all over the place
|
Apr 12, 2024 |
|
066 - Scoring Workshop Recap
|
Apr 06, 2024 |
|
065 - Let's Talk About Bass
|
Mar 15, 2024 |
|
064 - From Sketch to Symphony With Marc Bercovitz
|
Mar 08, 2024 |
|
063 - 52Cues Interviewing TC and Frank
|
Mar 01, 2024 |
|
062 - Guitar Gymnastics
|
Feb 23, 2024 |
|
061 - Crafting the Extraordinary - A Piano With 112 Keys
|
Feb 16, 2024 |
|
060 - What If Beethven Was A Film Composer
|
Feb 09, 2024 |
|
059 - 5 Composition Techniques You Should Know
|
Feb 02, 2024 |
|
058 - All About Rhythm
|
Jan 26, 2024 |
|
057 - Unleash Your Creative Potential
|
Jan 19, 2024 |
|
056 - Composing On Guitar - Part 8 - Orchestral Composition
|
Jan 15, 2024 |
|
055 - Composing On Guitar - Part 7 - Voice-Leading & Why
|
Jan 13, 2024 |
|
054 - Composing On Guitar - Part 6 - Application
|
Jan 11, 2024 |
|
053 - Composing On Guitar - Part 5 - Connecting the Intervals
|
Jan 09, 2024 |
|
052 - Composing On Guitar - Part 4 - Open Intervals
|
Jan 07, 2024 |
|
051 - Composing On Guitar - Part 3 - Tweaking The Major Scale
|
Jan 05, 2024 |
|
050 - Composing On Guitar - Part 2 - Spice Up Your Playing
|
Jan 03, 2024 |
|
049 - Composing On Guitar - Part 1 - Dominant Intervals
|
Jan 01, 2024 |
|
048 - Orchestration Tips for an Epic Sound
|
Dec 15, 2023 |
|
047 - The Emotions of the Intervals
|
Dec 01, 2023 |
|
046 - Exploring the Work of A Master Composer
|
Nov 15, 2023 |
|
045 - 2 True Stories from the Music Industry
|
Nov 01, 2023 |
|
044 - Why Composers Need to Have Faith
|
Oct 15, 2023 |
|
043 - How To Write Long-Form Compositions
|
Oct 01, 2023 |
|
042 - A Taste Of Flamenco Ukulele
|
Sep 15, 2023 |
|
041 - A Reliable Process To Repeating Your Musical Successes
|
Sep 01, 2023 |
|
040 - Live Guitar Session with MITA Members
|
Aug 15, 2023 |
|
039 - 9 Traps Untrained Composers Fall Into
|
Aug 01, 2023 |
|
038 - Gathering with 1s on the Guitar
|
Jul 15, 2023 |
|
037 - The MITA Philosophy
|
Jul 01, 2023 |
|
036 - Getting more out of Scale #1 (The Major Scale)
|
Jun 15, 2023 |
|
035 - The Power of Your Demoreel
|
Jun 01, 2023 |
|
034 - Analyzing Prokofiev with Interval Theory
|
May 15, 2023 |
|
033 - 1st-Hand Insights from a Pro Composer
|
May 01, 2023 |
|
032 - Basin Street Blues on the Guitar
|
Apr 15, 2023 |
|
031 - Misconceptions about the Music Industry
|
Apr 01, 2023 |
|
030 - 11s and 10s in Blues
|
Mar 15, 2023 |
|
029 - Interview with AI about Music
|
Mar 01, 2023 |
|
028 - Unlocking the Secrets of 9th-Chords
|
Feb 15, 2023 |
|
027 - The Business Booster
|
Feb 01, 2023 |
|
026 - The Book of 1
|
Jan 15, 2023 |
|
025 - My Top 10 Gathering Techniques
|
Jan 01, 2023 |
|
024 - Bitter Fruit
|
Dec 15, 2022 |
|
023 - The Top 3 Traps Most Composers Fall Into
|
Dec 01, 2022 |
|
022 - How I learned the Music Business
|
Nov 15, 2022 |
|
021 - The Sketching Piano
|
Nov 01, 2022 |
|
020 - Insights from Interval Theory Master Composers
|
Oct 15, 2022 |
|
019 - How We Hear
|
Oct 01, 2022 |
|
018 - Stop Mystifying Negative Harmony
|
Sep 15, 2022 |
|
017 - Orchestrating Toodles
|
Sep 01, 2022 |
|
016 - Don't Let the Piano Fool You
|
Aug 15, 2022 |
|
015 - Triads - The Final Frontier
|
Aug 01, 2022 |
|
014 - The Unsung Hero in Music Composition
|
Jul 15, 2022 |
|
013 - Pentatonic Dominant
|
Jul 01, 2022 |
|
012 - Sketch Quickly - Here's Why
|
Jun 15, 2022 |
|
011 - Power Pentatonic
|
Jun 01, 2022 |
|
010 - The 3-Step Process to Composition
|
May 15, 2022 |
|
009 - Casual Co-Host Conversations
|
May 01, 2022 |
|
008 - Using the OI '11' and '10'
|
Apr 15, 2022 |
|
007 - What You Need to Know About '13's
|
Apr 01, 2022 |
|
006 - The Lydian Mode Gathering
|
Mar 15, 2022 |
|
005 - 7 Reasons Why You Should Sketch
|
Mar 01, 2022 |
|
004 - The Nature of '1'
|
Feb 15, 2022 |
|
003 - The Big Picture of Music Theory
|
Feb 01, 2022 |
|
002 - The DNA of Creativity
|
Jan 15, 2022 |
|
001 - Why you should listen to this podcast
|
Jan 01, 2022 |
|
Trailer - Welcome to the MITA Podcast
|
Dec 29, 2021 |