Jams and Tea
By Jams and Tea
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Category: Music Commentary
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Episodes: 176
Description
We are a group of friends from across the globe, and every week we discuss, review, and generally chat about the latest and greatest in music. Every Monday we discuss the latest news and records we've been spinning, on Wednesday we review two new albums, and on Friday we discuss a famous (or 'infamous') album in our Record Club series.
| Episode | Date |
|---|---|
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Breaking Down Taylor Swift and The Tortured Poets Department (plus: Cindy Lee's Diamond Jubilee!)
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May 19, 2024 |
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Our Thoughts on the Kendrick v Drake Beef
|
May 05, 2024 |
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The Best One-Hit Wonders of All Time
|
May 01, 2024 |
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Beyoncé's COWBOY CARTER & Vampire Weekend's ONLY GOD WAS ABOVE US | Album Breakdowns
|
Apr 16, 2024 |
|
Green Day, Glass Beach, Ice Spice, Oscar Nominations & More! | Jams & Tea NOW #30
|
Feb 11, 2024 |
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Our Most Anticipated Albums and Games of 2024
|
Jan 31, 2024 |
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The Fall of Pitchfork, Ariana Grande, Lil Nas X, Kid Cudi, & more! | Jams & Tea NOW #29
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Jan 28, 2024 |
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Overlooked Albums of 2023
|
Dec 20, 2023 |
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Peter Gabriel's Conceptual Comeback and Panopticon's Winter of Death | Full Album Reviews
|
Dec 15, 2023 |
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André 3000, Danny Brown, Beyoncé, Dua Lipa, Björk & Rosalía, and more! | Jams & Tea NOW #28
|
Dec 05, 2023 |
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BLINK-182: Pop-Punk, Aging, and "I Miss You" | Self-Titled Album Breakdown
|
Nov 30, 2023 |
|
Aesop Rock: Hip Hop's Greatest Storyteller? | INTEGRATED TECH SOLUTIONS Review
|
Nov 25, 2023 |
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1989 | A Full Breakdown of Taylor Swift's Pop Opus
|
Nov 20, 2023 |
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The Beatles, King Gizzard, The Mountain Goats, Alan Wake 2, and more! | Jams & Tea NOW #27
|
Nov 15, 2023 |
|
Kristin Hayter and the Duality of Faith: SAVED! + Sampha's Triumphant Return with LAHAI
|
Nov 09, 2023 |
|
Jane Remover, Killers of the Flower Moon, IDLES, The Menzingers, and more! | Jams & Tea NOW #26
|
Nov 03, 2023 |
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QUICK REVIEWS: Yeule, Animal Collective, Oneohtrix Point Never, Code Orange, Earl Sweatshirt
|
Oct 15, 2023 |
|
The Harmony Codex: Steven Wilson's Most Impressive Album Yet | Full Review & Discussion
|
Oct 11, 2023 |
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The National Turn On the Laugh Track and Mitski Reinvents Herself | Full Album Reviews
|
Oct 05, 2023 |
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How It Feels to Be Something On: Sunny Day Real Estate and the Fate of Emo
|
Sep 27, 2023 |
|
Olivia Rodrigo Spills Her GUTS and Sprain Suffer For Art | Full Album Reviews
|
Sep 22, 2023 |
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QUICK REVIEWS: Genesis Owusu, Hozier, Geese, Ratboys, The Armed, The Clientele
|
Sep 18, 2023 |
|
Jeff Rosenstock, Slowdive, Baldur's Gate 3, Starfield | Jams & Tea NOW #25
|
Sep 14, 2023 |
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What Makes RUSH Great: Three Rush Fans Discuss VAPOR TRAILS
|
Sep 09, 2023 |
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Zach Bryan, Spanish Love Songs, SpongeBob AI Covers | Jams & Tea NOW #24
|
Sep 07, 2023 |
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The Greatest Technical Death Metal Album? || Gorguts - Colored Sands || Album Discussion
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Aug 29, 2023 |
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The Most Overrated Albums of 2013
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Aug 23, 2023 |
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Noname, Olivia Rodrigo, NewJeans, The National, Lauren Auder | Jams & Tea NOW #23
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Aug 21, 2023 |
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The Enduring Appeal of Elton John and Billy Joel: Honky Chateau & The Stranger
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Aug 14, 2023 |
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Travis Scott's Search for UTOPIA & George Clanton's Explosive Psych-Pop
|
Aug 10, 2023 |
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Planet of the Bass, Lizzo's Cancellation, Carly Rae Jepsen | Jams & Tea NOW #22
|
Aug 07, 2023 |
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The Most Underrated Albums of 2013
|
Aug 03, 2023 |
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Better Lovers, Big Thief, The Gaslight Anthem, Owl City | Jams & Tea NOW #21
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Aug 01, 2023 |
|
The Return of PJ Harvey and ANOHNI | Full Album Reviews
|
Jul 18, 2023 |
|
HATS | Breaking Down The Blue Nile's Masterpiece
|
Jul 11, 2023 |
|
The Beggar and The Whaler: The Existential Isolation of Swans & Home Is Where (ft. @AdequateEmily)
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Jul 07, 2023 |
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Rolling Stone's Most Inspirational LGBTQ Songs List Sucks (feat. AdequateEmily!)
|
Jul 05, 2023 |
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Deafheaven's SUNBATHER: Breaking Down the Biggest Metal Album of the 2010s
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Jun 28, 2023 |
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The Best Album of 2023 So Far: Jason Isbell's WEATHERVANES (plus: The Return of Janelle Monae!)
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Jun 26, 2023 |
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The Most Disappointing Reunion Albums (plus: The Idol, Christine & the Queens, Youth Lagoon & more!)
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Jun 24, 2023 |
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Foo Fighters Say Goodbye & Protomartyr Find New Life
|
Jun 15, 2023 |
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SOUTHEASTERN | Looking Back on Jason Isbell's Masterpiece 10 Years Later
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Jun 12, 2023 |
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The Greatest Comeback Albums Ever (plus: Oasis Reunion, The Dare, Ice Spice, and more!)
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May 31, 2023 |
|
The Worst Album of the 2010s
|
May 29, 2023 |
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The Greatest "Final" Albums of All Time (plus: The Return of Blur, Tears of the Kingdom, and more!)
|
May 24, 2023 |
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RANDOM ACCESS MEMORIES at 10: Daft Punk and the Power of Nostalgia
|
May 21, 2023 |
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The Greatest Compilation Albums Ever (plus: Taylor Swift Live, Guardians of the Galaxy 3, and more!)
|
May 18, 2023 |
|
Billy Woods Shows Us Life on the Road & Ed Sheeran Goes Nowhere
|
May 15, 2023 |
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The Best Songs You Won't Hear On An Album (plus: Indigo De Souza, Smashing Pumpkins, and more!)
|
May 11, 2023 |
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The National Are Sadder Than Ever But Jessie Ware! Feels Good!
|
May 08, 2023 |
|
The 10 Best Songs Under 2 Minutes (plus: Jack Harlow, Beach House, Bell Witch, and more!)
|
May 04, 2023 |
|
Everything But the Girl's Electric Comeback & Kara Jackson's Masterful Debut
|
May 01, 2023 |
|
METALLICA IN 2023: 72 Seasons and the Revisionism of St. Anger (plus: Frank Ocean at Coachella)
|
Apr 25, 2023 |
|
How Ben Folds Writes a Song: ROCKIN' THE SUBURBS Album Breakdown
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Apr 22, 2023 |
|
Great Albums... with One Terrible Song (plus: Tim Hecker, Liturgy, HMLTD, and more!)
|
Apr 19, 2023 |
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Hometown Heartbreak: How Wednesday and Ruston Kelly Bring Americana to Indie Rock
|
Apr 17, 2023 |
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LANA DEL REY: The Full Discography Breakdown
|
Apr 14, 2023 |
|
Three Boygenius Fans Review THE RECORD
|
Apr 09, 2023 |
|
SHAKING THE HABITUAL at 10: How The Knife Made Their Masterpiece
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Apr 05, 2023 |
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Why Scaring the Hoes Is Underwhelming (plus: The Funeral of Depeche Mode)
|
Apr 03, 2023 |
|
Fleetwood Mac's Last Masterpiece: TANGO IN THE NIGHT
|
Mar 29, 2023 |
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The SHORTEST Albums You Need To Hear! (plus: M83, Joanna Newsom, Rick Ross and more!)
|
Mar 27, 2023 |
|
100 Gecs Make an Explosive Comeback & Yves Tumor Seeks the God Inside
|
Mar 25, 2023 |
|
The LONGEST Albums You Need To Hear (plus: Oscars 2023, Morgan Wallen, Macklemore)
|
Mar 23, 2023 |
|
Fever Ray's Radical Romantics & the Endless Summer Frustration of Miley Cyrus
|
Mar 20, 2023 |
|
RAIN DOGS: How Tom Waits Made a Masterpiece
|
Mar 17, 2023 |
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When "BAD" Artists Make GREAT Albums
|
Mar 14, 2023 |
|
Slowthai's UGLY Unraveling & Kali Uchis's Emotional Return
|
Mar 12, 2023 |
|
When GREAT Bands Make TERRIBLE Albums (plus: Model/Actriz, BCNR, Caroline Polachek, Skrillex & more)
|
Mar 07, 2023 |
|
Gorillaz Take Us to Cracker Island & Algiers Leave Us Shook!
|
Mar 04, 2023 |
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Our Favorite Movie Soundtracks! (plus: Lana Del Rey, Kelela, Liv.e, and more!)
|
Feb 21, 2023 |
|
The Return of Paramore + Yo La Tengo's Late-Career Masterpiece
|
Feb 19, 2023 |
|
LINCOLN: What Makes They Might Be Giants a Great Band
|
Feb 17, 2023 |
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Our Favorite Love Songs (plus: Grammys 2023, Pink Floyd Beef, Return of Depeche Mode)
|
Feb 14, 2023 |
|
Young Fathers and The Go! Team Make Triumphant Fight Music
|
Feb 12, 2023 |
|
Parannoul's Magical Masterpiece + Lil Yachty's Dramatic Reinvention
|
Feb 09, 2023 |
|
Our "Guilty Pleasure" Songs (PLUS: Smashing Pumpkins, Jason Isbell Live Review & MORE!)
|
Feb 07, 2023 |
|
GIVE UP at 20: What Makes The Postal Service's Only Album a Modern Classic
|
Feb 05, 2023 |
|
The First Albums We Ever Owned
|
Jan 31, 2023 |
|
BE HERE NOW: Oasis & the Art of Excess
|
Jan 28, 2023 |
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Our Favorite Songwriters of All Time (plus: Ryuichi Sakamoto, Natural Snow Buildings, Ahab & more!)
|
Jan 24, 2023 |
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Danger Days: Why MCR's Most Ambitious Rock Opera Doesn't Work (Even Though They're a Great Band)
|
Jan 18, 2023 |
|
Our Favorite Films of 2022! PLUS: Prefab Sprout, Pharoah Sanders, Fireworks & The Latest Music News
|
Jan 16, 2023 |
|
Michael Jackson's THRILLER at 40: Breaking Down the Biggest Pop Album of All Time
|
Jan 14, 2023 |
|
The Sprawling Return of SZA & the Righteous Fury of Little Simz: S.O.S. & NO THANK YOU
|
Jan 11, 2023 |
|
Our Most Anticipated Albums of 2023! PLUS: Flying Lotus, Sade, Quadeca, Lamb of God, Weezer, & MORE!
|
Jan 09, 2023 |
|
Richard Dawson's The Ruby Cord Predicts the Future & Brockhampton's The Family is a Bitter Farewell | Jams & Tea #116
|
Nov 29, 2022 |
|
WISH at 30: Breaking Down The Cure's Last Masterpiece | Record Club #116
|
Nov 25, 2022 |
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The Re-NAS-Sance of Hip-Hop's GOAT + Weyes Blood Finds Heart in the Darkness | Jams & Tea #115
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Nov 22, 2022 |
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Team Sleep: The Forgotten Shoegaze Supergroup Led by Chino Moreno | Record Club #115
|
Nov 16, 2022 |
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The Metalcore Band That Covered Björk (plus: Devin Townsend Blends Every Sound into Lightwork) | Jams & Tea #114
|
Nov 14, 2022 |
|
Garden of Delete: The Story Behind Oneohtrix Point Never's Traumatic Cyber-Emo Opus | Record Club #114
|
Nov 09, 2022 |
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Backxwash Completes a Masterful Trilogy + Show Me the Body Bring Hip-Hop to Synth-Punk | Jams & Tea #113
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Nov 07, 2022 |
|
Hopesfall's THE SATELLITE YEARS Is a Forgotten Screamo Classic | Record Club #113
|
Nov 02, 2022 |
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Taylor Swift Meets Us at Midnight & Carly Rae Jepsen Gets Lonely | Jams & Tea #112
|
Oct 31, 2022 |
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The Incredible Music of Jeff Buckley: Grace / Sketches for My Sweetheart the Drunk | Record Club #112
|
Oct 26, 2022 |
|
The 1975 Are Looking for Love & Wild Pink Love You So Much | Jams & Tea #111
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Oct 24, 2022 |
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Why The Tragically Hip Are the Definitive Canadian Band | FULLY COMPLETELY Album Discussion
|
Oct 19, 2022 |
|
Alvvays' Blue Rev Is an Instant Classic (plus: King Gizzard, Gilla Band, Counterparts) | Jams & Tea #110
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Oct 16, 2022 |
|
THE TERROR: The Flaming Lips' Apocalyptic Masterpiece | Record Club #110
|
Oct 12, 2022 |
|
Björk Returns to Earth with FOSSORA | Album Review & Discussion (PLUS: City of Caterpillar!) | Jams & Tea #109
|
Oct 09, 2022 |
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The Forgotten Legacy of Screaming Trees | SWEET OBLIVION Turns 30 [R.I.P. Mark Lanegan] | Record Club #109
|
Oct 05, 2022 |
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The Wonder Years Stay Young Forever & Alex G Continues to Blossom | Jams & Tea #108
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Oct 02, 2022 |
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SONGS FOR THE DEAF Turns 20: Reflecting on Queens of the Stone Age's Biggest and Boldest Album | Record Club #108
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Sep 28, 2022 |
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The Mars Volta Are Back! PLUS: Death Cab for Cutie, Rina Sawayama, & The Beths | Jams & Tea #107
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Sep 25, 2022 |
|
Built to Spill Are Back to Thrill & Preoccupations Arrange Some New Fire | Jams & Tea #106
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Sep 21, 2022 |
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THE QUEEN IS DEAD: Why The Smiths' Provocative Masterpiece Remains A Landmark In Pop Music | Record Club #107
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Sep 14, 2022 |
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The Callous Daoboys Make Indescribable Noise & Megadeth Are Sicker Than Ever | Jams & Tea #105
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Sep 11, 2022 |
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Remembering Taio Cruz: How Nobody's Rokstarr Became Chart Dynamite | Record Club #106
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Sep 07, 2022 |
|
J.I.D Drops a Masterpiece & Muse Go Goblin Mode: THE FOREVER STORY + WILL OF THE PEOPLE Reviews | Jams & Tea #104
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Sep 04, 2022 |
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Joy Division: Chasing the Ghost of Punk Rock | UNKNOWN PLEASURES + CLOSER | Record Club #105
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Aug 31, 2022 |
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The Mountain Goats Make a Killer Record & Panic! at the Disco Return to Rock | Jams & Tea #103
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Aug 28, 2022 |
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How Colin Stetson Plays the Saxophone: TO SEE MORE LIGHT Album Review | Record Club #104
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Aug 24, 2022 |
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The Reset of Animal Collective and the Rebirth of Black Thought: How Collaboration Brings Them Alive | Jams & Tea #102
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Aug 21, 2022 |
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The Moon Is a Dead World: Breaking Down Gospel's Post-Hardcore Jazz Prog Opus | Record Club #103
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Aug 17, 2022 |
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Beyoncé’s Renaissance Is Her Masterpiece + Chat Pile Are America’s Best New Punk Band | Jams & Tea #101
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Aug 14, 2022 |
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THE JAMS & TEA 100TH EPISODE SPECIAL
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Aug 08, 2022 |
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Damon Albarn and the Art of the Concept Album: BLUR'S 13 vs. GORILLAZ' PLASTIC BEACH | Record Club #101
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Aug 03, 2022 |
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Joey Bada$$ Makes a Confident Comeback & Imperial Triumphant Fuse Jazz with Death Metal | Jams & Tea #99
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Jul 31, 2022 |
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The "American Idiot" of the 2010s: THE GREATEST GENERATION by The Wonder Years | Record Club #100
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Jul 27, 2022 |
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Black Midi: Folly, Fear, and HELLFIRE (plus: Lizzo's Ridiculous Return) | feat. AdequateEmily!
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Jul 24, 2022 |
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The Darkest Nu-Metal Album Ever? Looking Back at Slipknot's IOWA | Record Club #99
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Jul 20, 2022 |
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Viagra Boys Are A Terrible Band: CAVE WORLD Review (plus: Wormrot!) | Jams & Tea #97
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Jul 17, 2022 |
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How Phoebe Bridgers Writes a Song: STRANGER IN THE ALPS Review & Breakdown | Record Club #98
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Jul 13, 2022 |
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Moor Mother Imagines the Future of Jazz & The Dear Hunter Begin An Ambitious New Chapter
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Jul 10, 2022 |
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What Makes Tom Waits Great: Mule Variations & the Spectacular Failure of Scarlett Johansson
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Jul 05, 2022 |
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Porcupine Tree's CLOSURE / CONTINUATION & Regina Spektor's HOME, BEFORE AND AFTER | Jams & Tea #95
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Jul 03, 2022 |
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THE INCIDENT: Porcupine Tree's Overlooked High-Concept Suite | Record Club #96
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Jun 28, 2022 |
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Perfume Genius Makes Music to Decompose To (plus: Asian Glow, Bartees Strange, Weezer, and Foals!) | Jams & Tea #94
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Jun 26, 2022 |
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Fiona Apple's Greatest Album: WHEN THE PAWN | Full Breakdown
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Jun 21, 2022 |
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THE GREAT JAMS & TEA MUSIC QUIZ 2022
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Jun 20, 2022 |
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Heroin, Heartbreak, and Hell Itself: Depeche Mode's SONGS OF FAITH AND DEVOTION | Record Club #94
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Jun 14, 2022 |
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Post Malone & the Legacy of Pinkerton (plus: Angel Olsen's Unexpected New Sound!) | Jams & Tea #93
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Jun 12, 2022 |
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Everything Everything Embrace the Future & Cave In Are Reborn: RAW DATA FEEL & HEAVY PENDULUM | Jams & Tea #92
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May 29, 2022 |
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Pearl Jam and the Death of Grunge: VITALOGY Album Review & Discussion | Record Club #93
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May 26, 2022 |
|
The Radical Humanization of Kendrick Lamar (plus: The Smile, Ethel Cain, and Gospel!) | Jams & Tea #91
|
May 22, 2022 |
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Remembering FORT MINOR: Mike Shinoda, Jay-Z, and Hip-Hop in 2005 | THE RISING TIED Album Review
|
May 17, 2022 |
|
Arcade Fire’s Catastrophic Comeback & Sharon van Etten’s Sublime Return | Jams & Tea #90
|
May 15, 2022 |
|
HENRY’S DREAM at 30: Examining Nick Cave and the Bad Seeds’ Most Underrated Classic | Record Club #91
|
May 10, 2022 |
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Let’s Eat Grandma Devour Our Hearts & Bloc Party Fall Apart | TWO RIBBONS & ALPHA GAMES Reviews
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May 08, 2022 |
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Switchfoot vs Skillet: The Highs and Lows of Christian Radio Rock | Record Club #90
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May 03, 2022 |
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Pusha T Dries Up & King Gizzard Throw Down | IT’S ALMOST DRY & OMNIUM GATHERUM Reviews
|
May 01, 2022 |
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Porcupine Tree’s FEAR OF A BLANK PLANET: Full Album Breakdown | Record Club #89
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Apr 26, 2022 |
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Billy Woods’ Disturbing New Opus & The Blissful Progressive Folk of Daniel Rossen | Jams & Tea #87
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Apr 24, 2022 |
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DIG YOUR OWN HOLE at 25: The Chemical Brothers and the Big Beat Explosion
|
Apr 19, 2022 |
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Father John Misty's Baroque Groove & Jack White's Experimental Blues | Jams & Tea #86
|
Apr 17, 2022 |
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Michael Bolton and the Death of the 80s | Record Club #87
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Apr 12, 2022 |
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Placebo’s Comeback & PUP’s Unraveling (plus: Limited Love for Red Hot Chili Peppers) | Jams & Tea #85
|
Apr 10, 2022 |
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FALLEN: How Evanescence Changed the Face of Alternative Metal
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Apr 05, 2022 |
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Soul Glo Will Beat Your Ass & Denzel Curry Will Melt Your Eyez (plus: MGK Will Ruin Your Genre) | Jams & Tea #84
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Apr 03, 2022 |
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The Best Foo Fighters Album: There Is Nothing Left to Lose [RIP Taylor Hawkins]
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Mar 30, 2022 |
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Charli XCX Crashes to Earth & Destroyer Hit the Dancefloor | Jams & Tea #83
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Mar 27, 2022 |
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The Best Emo Pop Album You've Never Heard
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Mar 22, 2022 |
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The New Ghost Album Kicks Ass + Nilüfer Yanya’s Painless Is Pop Catharsis | Jams & Tea #82
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Mar 20, 2022 |
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Coheed and Cambria’s THE SECOND STAGE TURBINE BLADE at 20 | Album Review & Discussion
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Mar 15, 2022 |
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Our Favorite EPs: FKA Twigs, Autechre, Saosin, Alice in Chains
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Mar 13, 2022 |
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Faith No More’s ANGEL DUST at 30 | Album Review & Discussion
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Mar 08, 2022 |
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Gang of Youths Are The Best Band In the World Right Now: ANGEL IN REALTIME Review | Jams & Tea #80
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Mar 06, 2022 |
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Nick Drake’s PINK MOON at 50: Inside One of the Most Intimate and Haunting Albums Ever Made
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Mar 03, 2022 |
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ALL HAIL WEST TEXAS: The Mountain Goats’ Cross-Country Masterpiece Turns 20
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Mar 01, 2022 |
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Big Thief’s New Album Is a Sprawling Triumph & Beach House Drop a String-Laden Opus | Jams & Tea #79
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Feb 27, 2022 |
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GEOGADDI: Boards of Canada Embrace the Darkness
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Feb 22, 2022 |
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Zeal and Ardor Bring Blues to Black Metal & Cult of Luna Unleash an Explosive Opus | Jams & Tea #78
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Feb 20, 2022 |
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How The Velvet Underground Invented Noise Rock: WHITE LIGHT / WHITE HEAT Album Review & Breakdown
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Feb 15, 2022 |
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Ants From Up There: The Triumphant Collapse of Black Country New Road (plus: Mitski & Rolo Tomassi!)
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Feb 13, 2022 |
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Little Earthquakes: How Tori Amos Made a Masterpiece On Her Own Terms | Record Club #78
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Feb 08, 2022 |
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Walker Hayes’ New Album Is a Garbage Fire + Pinegrove’s Emo-Country Fusion | Jams & Tea #76
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Feb 06, 2022 |
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Where Emo Meets Musical Theatre: The Operatic Extravagance of Say Anything's ...Is a Real Boy | Record Club #77
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Feb 01, 2022 |
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Foxtails Are The Future of Screamo & Boris Invent Post-Drone? | Jams & Tea #75
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Jan 31, 2022 |
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Maudlin of the Well Made a Metal Masterpiece: Bath / Leaving Your Body Map | Record Club #76
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Jan 31, 2022 |
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Earl Sweatshirt’s SICK! + FKA Twigs’ CAPRISONGS: Album Reviews | Jams & Tea #74
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Jan 31, 2022 |
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Pet Sounds vs. Revolver: How The Beach Boys & The Beatles Revolutionized Pop Music | Record Club #75
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Jan 31, 2022 |
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The Weeknd’s DAWN FM + tricot’s JODEKI: Album Reviews | Jams & Tea #73
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Jan 31, 2022 |
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OCEAN MACHINE: Devin Townsend’s Progressive Metal Opus | Record Club #74
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Jan 31, 2022 |
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Richard Dawson & Circle’s HENKI + Aeon Station’s OBSERVATORY: Album Reviews | Jams & Tea #72
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Jan 31, 2022 |
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The Big Day: The Tragic Fall of Chance the Rapper | Record Club #73
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Jan 31, 2022 |