The Town with Matthew Belloni
By The Ringer
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Category: Society & Culture
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Subscribers: 429
Reviews: 1
Episodes: 410
Nov 20, 2024
Description
Puck founding partner Matthew Belloni takes you inside Hollywood, using exclusive reporting and insight to explain the backstories on everything from Marvel movies to streaming wars. Multiple times each week, Matt will touch on what is getting made and why, who is winning and losing, and what people in show business are actually talking about.
| Episode | Date |
|---|---|
|
The Multi-Billion-Dollar Plan to Improve Going to the Movies
|
Dec 20, 2024 |
|
Making Millions on Dead Celebrities in the AI Age
|
Dec 18, 2024 |
|
The Fate of Warner Bros in 2025, and Iger’s Trump Capitulation
|
Dec 16, 2024 |
|
Which Movies Actually Popped (and Flopped) on Streaming in 2024?
|
Dec 13, 2024 |
|
Which Streaming Shows Hit and Bombed in 2024?
|
Dec 13, 2024 |
|
Winners and Losers of 2024 in Streaming
|
Dec 09, 2024 |
|
ESPN on Disney+, Cable’s Spinoff Moment, and Who Would Buy CNN?
|
Dec 07, 2024 |
|
Equal Pay, Equal Stake: A Filmmaking Experiment
|
Dec 06, 2024 |
|
Does Disney Have Its Movie Mojo Back?
|
Dec 02, 2024 |
|
‘Dune’ Director Denis Villeneuve on Plans for Part 3, ‘Star Wars’ Interest, and Art Vs. Commerce
|
Nov 27, 2024 |
|
The Young Movie Star Draft
|
Nov 25, 2024 |
|
‘Anora’ Actress Mikey Madison. Plus, ‘Wicked’ Vs. ‘Gladiator II’!
|
Nov 22, 2024 |
|
Secrets of the NBA-TNT Divorce Settlement With Bill Simmons
|
Nov 20, 2024 |
|
Disney’s Streaming Turnaround and Netflix’s Boxing Debut
|
Nov 19, 2024 |
|
Digital TV Giants: Amazon, Google, and … Roku?
|
Nov 15, 2024 |
|
Martha Stewart and When a Celeb Disavows Their Doc—With the Director!
|
Nov 13, 2024 |
|
Netflix’s Greta Gerwig Situation, a Buried Clint Eastwood Movie, and Streaming’s Good Week
|
Nov 11, 2024 |
|
Winners and Losers of Hollywood Under Trump 2.0
|
Nov 08, 2024 |
|
How Much Money a Hit TV Show Can Make (and How It’s Changed)
|
Nov 06, 2024 |
|
The Existential Crisis of the Cable Juggernauts
|
Nov 04, 2024 |
|
Is There a Right Way to Use AI to Make Movies?
|
Oct 31, 2024 |
|
FX’s John Landgraf on Resisting the Algorithm, Green-lighting ‘Shogun’, and ‘The Bear’ S3
|
Oct 29, 2024 |
|
FX Chief John Landgraf on Silicon Valley’s Effect on Hollywood
|
Oct 28, 2024 |
|
The Post-Pandemic Life of a Hustling Screenwriter
|
Oct 25, 2024 |
|
Netflix: Unstoppable or Overvalued?
|
Oct 21, 2024 |
|
The New Era of ‘SNL,’ 50th Plans, and ‘Saturday Night’
|
Oct 17, 2024 |
|
The Secret Recipe For an Indie Horror Hit
|
Oct 15, 2024 |
|
The Hollywood Stock Market: Travis Kelce, J.Lo, DC Studios, Prime Video, Todd Phillips, and More!
|
Oct 11, 2024 |
|
Is Hollywood Screwing Up Male Characters?
|
Oct 09, 2024 |
|
The 'Joker 2' Mega Flop and a New CEO at Sony Pictures
|
Oct 07, 2024 |
|
Burning Questions for the Most Uncertain Oscar Race in Years
|
Oct 04, 2024 |
|
The End of the $20M TV Host Era
|
Oct 02, 2024 |
|
How Should Movie and TV Stars Be Paid?
|
Sep 30, 2024 |
|
Lionsgate, Meta, and a Wild Week in AI
|
Sep 27, 2024 |
|
How to Make Your Own TV Show (and Get Netflix to Buy It)
|
Sep 25, 2024 |
|
Biggest Takeaways From Netflix’s New Data Dump
|
Sep 23, 2024 |
|
The War Over the Secret Nine-Hour Prince Documentary
|
Sep 20, 2024 |
|
The Screenwriter Struggle and How to Break Through
|
Sep 18, 2024 |
|
The Real Winners and Losers of the Emmys With the ‘Hacks’ Creators!
|
Sep 16, 2024 |
|
The Dire State of Movie Development
|
Sep 12, 2024 |
|
Seth Meyers on Late Night’s Future, 'SNL' 50, and Lorne’s Successor
|
Sep 11, 2024 |
|
Five Burning Hollywood Questions for the Rest of 2024
|
Sep 09, 2024 |
|
How to Choose the Right Festival to Premiere Your Movie
|
Sep 06, 2024 |
|
Who's to Blame for the ESPN Blackout?
|
Sep 03, 2024 |
|
Should Someone Step In to Save Warner Bros. Discovery?
|
Aug 29, 2024 |
|
Summer Box Office Winners, Losers, and Head-Scratchers
|
Aug 27, 2024 |
|
The Billionaire Battle for Paramount and the Return of 'Ted Lasso'
|
Aug 26, 2024 |
|
Are Expensive Showrunner Deals Worth It?
|
Aug 23, 2024 |
|
The Arms Race Behind Where Movies Shoot
|
Aug 21, 2024 |
|
A New Setback in Hollywood's Cable Crisis
|
Aug 19, 2024 |
|
The Legacy of the Infamous Sony Hack, 10 Years Later
|
Aug 15, 2024 |
|
Kamala’s Hollywood Connections: Do They Help or Hurt?
|
Aug 14, 2024 |
|
Why Can’t Apple Figure Out Movies?
|
Aug 12, 2024 |
|
The Biggest Losers of Hollywood’s Cable-pocalypse
|
Aug 09, 2024 |
|
Disney’s Streaming Profits and Parks Problem
|
Aug 07, 2024 |
|
Has the Music Industry Peaked?
|
Aug 05, 2024 |
|
The 2024 Intellectual Property Draft
|
Jul 31, 2024 |
|
‘Deadpool & Wolverine’ and Marketing Disney’s First R-Rated Marvel Movie
|
Jul 29, 2024 |
|
WBD’s Billion-Dollar War on the NBA
|
Jul 26, 2024 |
|
The High Stakes of Broadcasting the Olympics
|
Jul 24, 2024 |
|
Is Netflix or YouTube the King in Streaming?
|
Jul 22, 2024 |
|
Warner's M&A Options and an NBA Rights Scoop
|
Jul 19, 2024 |
|
The 'Star Wars' Ratings Problem and What To Do Next
|
Jul 17, 2024 |
|
Does Hollywood Need Deregulation?
|
Jul 15, 2024 |
|
Betting on Theaters, Embracing Tech, and ‘Wicked’ With Director Jon M. Chu
|
Jul 11, 2024 |
|
Burning Questions About the Future of Paramount
|
Jul 09, 2024 |
|
Skydance’s David Ellison on His Plans for Paramount
|
Jul 08, 2024 |
|
The NFL's $15B Sunday Ticket Problem
|
Jul 03, 2024 |
|
The Biggest Over- and Underreactions of the First Half of 2024
|
Jul 01, 2024 |
|
Will the Debate Debacle Revive TV News?
|
Jun 28, 2024 |
|
How Much Kevin Costner Stands to Win or Lose on ‘Horizon’
|
Jun 26, 2024 |
|
Is Hollywood Really That Effed Up?
|
Jun 24, 2024 |
|
Hollywood’s Big Big Tech Problem
|
Jun 20, 2024 |
|
Sony Bought a Movie Theatre Chain. Plus, Pixar’s Big Comeback
|
Jun 18, 2024 |
|
Jon Stewart on AI Fears, Election Plans, and ‘Daily Show’ End Date
|
Jun 14, 2024 |
|
Jon Stewart Talks Apple Split, Corporate Constraints, and Media’s Regression
|
Jun 13, 2024 |
|
Paramount-Skydance Is Dead. What Now?
|
Jun 12, 2024 |
|
Will Smith’s Comeback and the Butts-in-Seats Star Ranking
|
Jun 11, 2024 |
|
The Science of Green-Lighting Movies
|
Jun 07, 2024 |
|
Is Netflix Fumbling Ads?
|
Jun 05, 2024 |
|
The 2024 Summer Concert Tour Draft
|
Jun 03, 2024 |
|
TV Viewers Are Getting Old. Do Advertisers Care?
|
May 31, 2024 |
|
The Memorial Day Box Office Meltdown
|
May 28, 2024 |
|
Everyone Hates Ticketmaster, but Is It a Monopoly?
|
May 24, 2024 |
|
Scarlett Johansson Vs. OpenAI: Does She Have a Case?
|
May 22, 2024 |
|
A War Is Coming Over Hollywood Pay
|
May 20, 2024 |
|
NFL on Netflix, and Big Tech’s TV Upfronts Takeover
|
May 16, 2024 |
|
Latinos See More Movies Than Anyone. Why Is Hollywood Ignoring Them?
|
May 15, 2024 |
|
Disney+ and Max Have Bundled, Who’s Next?
|
May 13, 2024 |
|
Are Producers in Hollywood Nearing Extinction?
|
May 09, 2024 |
|
The Year of Peacock?
|
May 08, 2024 |
|
‘The Fall Guy’ Swung and Missed … Should We Panic?
|
May 06, 2024 |
|
The 2024 Summer Blockbuster Confidence Scale
|
May 03, 2024 |
|
The Fight for the Last NBA Rights With Bill Simmons
|
May 01, 2024 |
|
A CEO Firing, and the Chaos at Paramount
|
Apr 30, 2024 |
|
The Rise of Tubi and If “Free” Is Really the Future of Entertainment
|
Apr 29, 2024 |
|
Aaron Sorkin, Live From D.C.
|
Apr 26, 2024 |
|
Which Bidder Is Best for Paramount?
|
Apr 24, 2024 |
|
Netflix’s Backtrack on Transparency
|
Apr 22, 2024 |
|
Taylor Swift’s Questionable Return to TikTok
|
Apr 18, 2024 |
|
Hollywood’s Struggle to Reinvent Itself
|
Apr 17, 2024 |
|
The Best and Worst Media Mergers of the 21st Century
|
Apr 15, 2024 |
|
Can IMAX Save Movie Theaters?
|
Apr 11, 2024 |
|
Hollywood vs. Big Tech in the Age of Consolidation
|
Apr 10, 2024 |
|
Early Winners and Losers of 2024
|
Apr 08, 2024 |
|
Why Documentaries Are Better and Worse Than Ever With Sheila Nevins
|
Apr 04, 2024 |
|
A WWE Business Smackdown With Nick Khan
|
Apr 03, 2024 |
|
The Disney Proxy War: Does Peltz Have a Shot Against Iger?
|
Apr 01, 2024 |
|
Inside TMZ’s Cozy Relationship With Hollywood
|
Mar 29, 2024 |
|
The Battle for Attention: Streaming Vs. Social
|
Mar 25, 2024 |
|
How AI Is Already Transforming Moviemaking
|
Mar 21, 2024 |
|
Lemon, Tucker, and the Cable News Star Turned Influencer
|
Mar 20, 2024 |
|
The Juice List: The Most Powerful People in Hollywood
|
Mar 18, 2024 |
|
‘The Holdovers’ Plagiarism Claim and How to Protect Your Script
|
Mar 15, 2024 |
|
Inside Netflix’s Calculated Sports Strategy
|
Mar 14, 2024 |
|
Oscar Winners and Losers and the Updated Movie Studio Power Rankings
|
Mar 12, 2024 |
|
Insider Tips to Predict the Oscar Winners
|
Mar 07, 2024 |
|
The Money and Power Behind the Oscars’ Red Carpet
|
Mar 06, 2024 |
|
New Film Heads and a New Direction for Netflix and Disney
|
Mar 04, 2024 |
|
The Awards Season Awards: Which Oscars Campaigns Worked (and Didn’t)
|
Mar 01, 2024 |
|
Will AI Video Replace Hollywood?
|
Feb 28, 2024 |
|
Panic Time for Max and Warner Bros. Discovery?
|
Feb 26, 2024 |
|
The Harsh Data Behind ‘Barbie’ and Taylor Swift’s Success
|
Feb 22, 2024 |
|
Peacock-Paramount+ Merger Rumors, Questions, and What-Ifs
|
Feb 20, 2024 |
|
How to Win Best Picture on a Budget, With Neon’s Tom Quinn
|
Feb 17, 2024 |
|
Hopeful or Hopeless? Takeaways From 2024's Bleak Box Office Beginning
|
Feb 15, 2024 |
|
Live From Las Vegas: Oscars Pressure, Late-Night TV, and the Vegas Sports Boom With Jimmy Kimmel
|
Feb 12, 2024 |
|
Did Disney Get Its Magic Back?
|
Feb 09, 2024 |
|
Will the New All-in-One Sports App Finally Kill Cable?
|
Feb 08, 2024 |
|
Five Major Music Business Questions After the Grammy's
|
Feb 05, 2024 |
|
TikTok vs. Universal Music: Why Taylor, Drake and Others Were Yanked
|
Feb 02, 2024 |
|
The Politics of Studios and Movie Stars
|
Feb 01, 2024 |
|
A Wild Week at Netflix: Stuber’s Out, WWE Is In, and Subs Are Up
|
Jan 29, 2024 |
|
A Top Dealmaker’s Media M&A Predictions
|
Jan 25, 2024 |
|
Can Sundance Save Indie Film? With CEO Joana Vicente
|
Jan 24, 2024 |
|
The 2024 Box Office Draft
|
Jan 22, 2024 |
|
The 'SNL' Succession Sweepstakes
|
Jan 19, 2024 |
|
Peacock’s NFL Debut and the Viability of Streaming-Only Sports
|
Jan 16, 2024 |
|
The Billionaire Blueprint to Buy Paramount
|
Jan 12, 2024 |
|
The McAfee Hail Mary and ESPN's Search for Answers
|
Jan 10, 2024 |
|
Four Burning Hollywood Questions to Kick Off 2024
|
Jan 09, 2024 |
|
Are the Golden Globes Unkillable?
|
Jan 04, 2024 |
|
The Young Movie Star Power Rankings
|
Jan 03, 2024 |
|
The Townies, Part 2: Who Won the Year in Hollywood?
|
Dec 28, 2023 |
|
The Townies: Hollywood’s Best and Worst of 2023
|
Dec 28, 2023 |
|
Warner Bros. and Paramount Are Talking. Should They Merge?
|
Dec 21, 2023 |
|
The Biggest Debacles of 2023: Studio Screwups, Executive Misfires, and Underrated Disasters
|
Dec 18, 2023 |
|
The Animation Arms Race With Illumination CEO Chris Meledandri
|
Dec 14, 2023 |
|
Ted Sarandos on Netflix’s New Era of Data Transparency
|
Dec 13, 2023 |
|
Are Streamers Helping or Hurting the Movie Business?
|
Dec 08, 2023 |
|
The Companies Most Likely to Be Bought or Sold in 2024
|
Dec 07, 2023 |
|
The Murky Metrics of Podcast Success
|
Dec 05, 2023 |
|
The Biggest Streaming Power Moves of 2023
|
Dec 01, 2023 |
|
Hollywood’s Star-making Problem, with a Top Casting Director
|
Dec 01, 2023 |
|
Who Will Buy Paramount?
|
Nov 28, 2023 |
|
Does Big Tech Belong in Hollywood?
|
Nov 22, 2023 |
|
Unexpected Winners and Losers of the Hollywood Labor Strikes
|
Nov 20, 2023 |
|
Potential Backfires in the Actors AI Deal
|
Nov 17, 2023 |
|
Rupert’s Retirement and Fox’s Place in Hollywood
|
Nov 14, 2023 |
|
Bob Iger’s Year One: Highs, Lows, and Marvel Woes
|
Nov 13, 2023 |
|
The End of the Actors Strike With Duncan Crabtree-Ireland
|
Nov 09, 2023 |
|
How the Strike Derailed Oscar Season
|
Nov 08, 2023 |
|
Why Batman and Everything Else Is Coming to Netflix
|
Nov 07, 2023 |
|
Should Reality Stars Have a Union? With Bethenny Frankel
|
Nov 02, 2023 |
|
The Reboot Era and TV’s IP Obsession
|
Nov 01, 2023 |
|
How Screwed Is the 2024 Movie Calendar?
|
Oct 30, 2023 |
|
Town Hall: Hasan Minhaj, a SAG Stalemate, and Apple’s Scorsese Bet
|
Oct 27, 2023 |
|
Marvel’s Post-‘Avengers’ Mismanagement
|
Oct 25, 2023 |
|
There Is Netflix, and There Is Everyone Else
|
Oct 23, 2023 |
|
NBA TV Rights and Players Owning Teams With Rich Paul
|
Oct 20, 2023 |
|
How Long Can the Live Concert Boom Last?
|
Oct 18, 2023 |
|
The Hollywood Stock Market: Travis Kelce’s Media Career, Netflix With Ads, Mega Music Docs, and More!
|
Oct 16, 2023 |
|
Taylor Swift, Olivia Rodrigo, and the Fights Over Song Credits
|
Oct 12, 2023 |
|
Price Hikes and the Streaming Class System
|
Oct 10, 2023 |
|
Live Sports on Max, and the Inevitable All-In-One App
|
Oct 05, 2023 |
|
Influencers Don’t Need Hollywood Anymore
|
Oct 04, 2023 |
|
The Post-Strike State of TV and Movie Writing
|
Oct 02, 2023 |
|
Lessons From the ‘Must-See TV’ Era, with Warren Littlefield
|
Sep 29, 2023 |
|
What the Writers Guild Won, With a Negotiator
|
Sep 27, 2023 |
|
The Writers Strike Is Over. Can We All Be Friends Again?
|
Sep 25, 2023 |
|
The End of Fox News and the Murdoch Empire
|
Sep 21, 2023 |
|
From Sports to Hollywood With Casey Wasserman
|
Sep 20, 2023 |
|
The Strike’s Permanent Damage: Who Will Suffer the Most?
|
Sep 19, 2023 |
|
Why Can’t Bob Iger Find a Successor?
|
Sep 14, 2023 |
|
A WWE and UFC Tag Team, With Endeavor’s Mark Shapiro
|
Sep 12, 2023 |
|
CAA’s New Billionaire Owner and the (Over)Value of Talent Agencies
|
Sep 11, 2023 |
|
Fall Festival Buzz and the Beginning of Oscar Season With the Head of TIFF
|
Sep 07, 2023 |
|
Disney’s ESPN Fight and Taylor’s Movie Takeover
|
Sep 06, 2023 |
|
The Summer Box Office Awards Show
|
Aug 31, 2023 |
|
The Growing Power of IMAX, With Its CEO
|
Aug 30, 2023 |
|
The Three Biggest Hold-ups in the Writers Strike
|
Aug 28, 2023 |
|
Is Apple’s Sports Experiment Working?
|
Aug 25, 2023 |
|
Justin, Ariana, and the Scooter Braun Mess
|
Aug 24, 2023 |
|
Predicting Hollywood’s September Surprises
|
Aug 21, 2023 |
|
How Much Money Does a Hit Movie Really Make (and a Flop Really Lose)?
|
Aug 17, 2023 |
|
Disney’s ESPN Dilemma: to Sell or Not to Sell?
|
Aug 14, 2023 |
|
The Doomsday AI Scenario In Hollywood
|
Aug 10, 2023 |
|
Everyone Running Hollywood Is Old. Does That Matter?
|
Aug 09, 2023 |
|
Will Anyone Budge on Data Transparency in Hollywood?
|
Aug 07, 2023 |
|
Checking in on Warner Bros. Discovery and the Max Platform
|
Aug 04, 2023 |
|
The Barbie Effect on Female Filmmakers
|
Aug 03, 2023 |
|
Villains, Saviors, and Developments Three Months Into Hollywood’s Shutdown
|
Jul 31, 2023 |
|
Selling ‘Barbie’: Inside the Marketing Phenomenon
|
Jul 26, 2023 |
|
How 'Sound of Freedom' Outperformed 'Mission: Impossible'
|
Jul 24, 2023 |
|
Has Netflix Officially Won the Streaming War?
|
Jul 20, 2023 |
|
‘Barbie’ and ‘Oppenheimer's’ Epic Weekend Face-Off
|
Jul 19, 2023 |
|
Bob Iger’s Fire Sale: The Fate of ESPN, ABC, and Hulu
|
Jul 17, 2023 |
|
Inside the Actors Strike With Its Top Negotiator
|
Jul 14, 2023 |
|
BREAKING: Actors Go on Strike
|
Jul 14, 2023 |
|
The State of R-Rated Comedies, With Evan Goldberg
|
Jul 12, 2023 |
|
Amazon’s Spending Spree Under Scrutiny
|
Jul 10, 2023 |
|
Town Hall: Bob Iger’s Legacy, Summer Flops, and Streamer Mega-Mergers
|
Jul 05, 2023 |
|
Is David Zaslav Misunderstood?
|
Jul 03, 2023 |
|
What Will Bring Gen Z to Theaters?
|
Jun 30, 2023 |
|
How Taylor Swift's Eras Tour is Becoming the Most Successful in History
|
Jun 29, 2023 |
|
The 2023 Executive Draft
|
Jun 26, 2023 |
|
It’s Time to Break Up Hollywood
|
Jun 22, 2023 |
|
Is the Superhero Era Finally Ending?
|
Jun 20, 2023 |
|
Has Pixar Lost its Magic Touch?
|
Jun 16, 2023 |
|
'The Flash' and Marketing a Movie With a Controversial Star
|
Jun 14, 2023 |
|
Netflix Top 10 Lists and the Era of Streamer Manipulation
|
Jun 12, 2023 |
|
What the Writers Really Fear About AI in Hollywood
|
Jun 08, 2023 |
|
CNN’s Messy Chris Licht Era Is Over, Now What?
|
Jun 07, 2023 |
|
Hollywood’s Stealth Winners and Losers of the First Half of 2023
|
Jun 05, 2023 |
|
Who Is on the Studios' Side in the Writers Strike?
|
Jun 01, 2023 |
|
Cannes Winners, Losers, Scandals, and Big Takeaways
|
May 30, 2023 |
|
Disney’s Prickly Theme Parks Problem
|
May 25, 2023 |
|
How to Pull Off a Real-Life Mockumentary
|
May 24, 2023 |
|
Netflix Crashes TV’s Ad Party
|
May 22, 2023 |
|
The NBA Team Blowing Up Sports TV
|
May 19, 2023 |
|
Hollywood’s China Problem
|
May 17, 2023 |
|
Bob Iger’s Six-Month Report Card at Disney
|
May 15, 2023 |
|
The Struggle of the Modern TV Writer With Mike Schur
|
May 11, 2023 |
|
The Weird State of Media and Hollywood’s Role in It
|
May 10, 2023 |
|
The 5 Biggest Narratives After Week 1 of the Writers Strike
|
May 08, 2023 |
|
The 2023 Summer Blockbuster Confidence Scale
|
May 04, 2023 |
|
Inside the Writers Strike With a WGA Negotiator
|
May 02, 2023 |
|
The Writers' Strike Deadline Is Here. What Will Happen?
|
May 01, 2023 |
|
60 Is the New 30: The Revealing Ranking of Biggest Movie Stars
|
Apr 28, 2023 |
|
Ben Winston Refuses to Declare Late-Night TV Dead
|
Apr 26, 2023 |
|
Another Executive Sex Scandal? How NBCU Can Pick Up the Pieces
|
Apr 24, 2023 |
|
One Year After the Crash: Is the New Netflix Working?
|
Apr 20, 2023 |
|
Inside Fox’s $787M Settlement With Dominion and the Future of Fox News
|
Apr 19, 2023 |
|
Is ‘Air’ a Hit? Why That's Harder Than Ever to Answer
|
Apr 17, 2023 |
|
Inside Rupert Murdoch’s Succession Drama
|
Apr 14, 2023 |
|
How the Fox News Billion-Dollar Lawsuit Will Unfold
|
Apr 12, 2023 |
|
One Year After the Merger: Is Warner Bros. Discovery Actually Working?
|
Apr 10, 2023 |
|
Disney vs. DeSantis: Who Will Win
|
Apr 06, 2023 |
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From Viral Videos to Hit TV With Dave Burd
|
Apr 05, 2023 |
|
WWE Sells, Netflix Pulls Back, and the Oscars' Bold Bid on Theaters
|
Apr 03, 2023 |
|
Has Hollywood Finally Figured Out Video Games?
|
Mar 30, 2023 |
|
Marvel’s Bad CGI and the Firing of a “Kingmaker”
|
Mar 30, 2023 |
|
Apple’s Billion-Dollar Bet on Movie Theaters
|
Mar 27, 2023 |
|
Lionsgate Film Chief Joe Drake on ‘John Wick’ and the Modern Independent Studio
|
Mar 24, 2023 |
|
BET and the Future of Small Streamers
|
Mar 23, 2023 |
|
Is the Franchise Model Starting to Fatigue in Hollywood?
|
Mar 20, 2023 |
|
Matt’s Year One Prediction Report Card
|
Mar 16, 2023 |
|
Michael B. Jordan and How to Build a Modern Movie Star Career
|
Mar 15, 2023 |
|
The Oscar Bump: Which Young Stars Won Awards Season?
|
Mar 13, 2023 |
|
Academy CEO Bill Kramer on the New and Improved (?) Oscars
|
Mar 09, 2023 |
|
Tips, Trends, and Storylines to Help You Bet on the Oscars
|
Mar 08, 2023 |
|
The End of Peak TV Is Finally Here
|
Mar 06, 2023 |
|
The Ploys and Tactics Behind Oscar Campaigning
|
Mar 03, 2023 |
|
How F--ked Is Fox News?
|
Mar 03, 2023 |
|
The Perfect Storm for a Writers Strike
|
Feb 28, 2023 |
|
Watching Your Favorite Team Is About to Get Harder
|
Feb 23, 2023 |
|
The 2023 Box Office Draft
|
Feb 21, 2023 |
|
The Companies Most Likely to Be Sold or Acquired in 2023
|
Feb 16, 2023 |
|
The Soap Opera Fight Over Paramount and CBS
|
Feb 14, 2023 |
|
Will Bob Iger Sell Hulu or ESPN?
|
Feb 13, 2023 |
|
How to Write a Hit Rom-Com
|
Feb 09, 2023 |
|
True Crime Is Murdering Documentaries
|
Feb 08, 2023 |
|
The Death and “Rebirth” of Showtime
|
Feb 06, 2023 |
|
DC Is Going Big, but Can It Catch Marvel?
|
Feb 02, 2023 |
|
The Future of Live Events and Late Night TV With Grammys EP Ben Winston
|
Feb 01, 2023 |
|
Peacock’s Promising Start to 2023 Might Not Be a Fluke
|
Jan 31, 2023 |
|
How an Indie Film Becomes an Oscar Winner
|
Jan 27, 2023 |
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Is the Sundance Dream Still Alive?
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Jan 26, 2023 |
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How the Shocking Andrea Riseborough Oscar Nomination Happened
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Jan 25, 2023 |
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Inside the Netflix Executive Shake-up
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Jan 23, 2023 |
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Making Movie Stars Younger With AI
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Jan 19, 2023 |
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Should Disney Be Afraid of Nelson Peltz?
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Jan 17, 2023 |
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Around the World With Netflix’s Head of TV
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Jan 13, 2023 |
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‘M3GAN,' and How to Market a Movie to Young People
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Jan 11, 2023 |
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Vince McMahon’s Return and the WWE’s Most Intriguing Suitors
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Jan 09, 2023 |
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The New Black List and the Original Screenwriting Recession
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Jan 05, 2023 |
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Why Audiences Have Given Up on Awards Movies
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Jan 03, 2023 |
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The Townies Part 2: Hollywood’s Best and Worst of 2022
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Dec 28, 2022 |
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The Townies: Hollywood’s Best and Worst of 2022
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Dec 27, 2022 |
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Why YouTube Landed NFL ‘Sunday Ticket’
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Dec 23, 2022 |
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2022 Debacles Part 2: The 2023 Hot Seat and Hollywood’s Biggest Loser
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Dec 20, 2022 |
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2022 Debacles Part 1: Movie Bombs, Executive Misfires, and Secret Disasters
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Dec 19, 2022 |
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The Stranglehold of Streaming, With United Talent Agency CEO Jeremy Zimmer
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Dec 16, 2022 |
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‘Avatar: The Way of Water’ With Producer Jon Landau
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Dec 15, 2022 |
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The Biggest Flexes of the Year in Hollywood
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Dec 12, 2022 |
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John Skipper on the Rise of the Sports Documentary and Bob Iger’s Big Plans
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Dec 08, 2022 |
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Rob McElhenney on Merging Soccer, Celebrity, and a TV Empire
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Dec 07, 2022 |
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Smoke or Fire? The Most Troubled Hollywood Companies
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Dec 05, 2022 |
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The Streaming Year-End Review: Biggest Hits, Misses, and Questions
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Dec 02, 2022 |
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The Big Business of Christmas Movies
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Nov 30, 2022 |
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Disney’s Five Biggest Dilemmas in the New Bob Iger Era
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Nov 28, 2022 |
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The Taylor Swift Ticketmaster Debacle, Explained
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Nov 23, 2022 |
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A Major Disney Shake-up: Former CEO Bob Iger Is Back
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Nov 21, 2022 |
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Oscars Watch Begins: Front-Runners, Story Lines, and the ‘Top Gun’ Debate
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Nov 18, 2022 |
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The Secrets of Marvel’s Magic
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Nov 16, 2022 |
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The 2022 Directors Draft
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Nov 14, 2022 |
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Town Hall: Apple Buying Disney? 'SNL's Host Problem, and a Ryan Murphy Apology
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Nov 10, 2022 |
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Predicting the Opening Weekend for ‘Black Panther: Wakanda Forever’
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Nov 09, 2022 |
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What a Wall Street Meltdown Means for the Consumer
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Nov 07, 2022 |
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Netflix vs. HBO: The TV Rivalry of the Century
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Nov 03, 2022 |
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Why Are Movies Longer Than Ever?
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Nov 02, 2022 |
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TikTok Killed the Pop Star
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Oct 31, 2022 |
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Ad-Supported Television Was the Past, and It Might Be the Future
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Oct 27, 2022 |
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Can James Gunn Deliver as New Head of the DC Universe?
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Oct 26, 2022 |
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The Riskiest Hollywood Bets for the Rest of 2022
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Oct 24, 2022 |
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Netflix Is Back, Baby!
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Oct 19, 2022 |
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The Looming NBA Rights Bonanza
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Oct 18, 2022 |
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The Best and Worst Deals of the Past 10 Years in Entertainment
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Oct 17, 2022 |
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Endeavor President Mark Shapiro
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Oct 14, 2022 |
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The Unfunny Decline of Comedy Central
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Oct 11, 2022 |
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Tom Cruise and an Explosive Scientology Book
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Oct 06, 2022 |
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Angelina Jolie vs. Brad Pitt Goes Nuclear
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Oct 05, 2022 |
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‘House of the Dragon’ vs. ‘The Rings of Power,’ Who Is Winning?
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Oct 03, 2022 |
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Can ‘SNL’ Get Back to Making Stars?
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Sep 30, 2022 |
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Hollywood’s (Still) Embarrassing Gender Gap
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Sep 29, 2022 |
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Millions Are Watching the NFL on Amazon Prime. Is This the Future?
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Sep 26, 2022 |
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Town Hall: Star Wars Missteps, Top Gun’s Oscar Potential, and Where Is James Bond?
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Sep 22, 2022 |
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‘Don’t Worry Darling’ and How Controversy Impacts the Box Office
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Sep 21, 2022 |
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Did a $200M Direct-to-Streaming Movie Ever Make Sense?
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Sep 19, 2022 |
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Is TV Saving or Killing College Football?
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Sep 16, 2022 |
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HBO’s Reassertion, Quinta Brunson’s Breakout, and More Emmy Takeaways
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Sep 13, 2022 |
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A Status Check on Disney and CEO Bob Chapek
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Sep 12, 2022 |
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The Summer Box Office Reckoning
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Sep 08, 2022 |
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The Biggest Threat to YouTube’s World Domination
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Sep 06, 2022 |
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Florence Pugh or Pete Davidson? Buying or Selling Hollywood’s Biggest Stars Under 30, Part 2
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Sep 02, 2022 |
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Chalamet or Holland? Buying or Selling Hollywood’s Biggest Stars Under 30
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Sep 01, 2022 |
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The Troubled Coexistence of Movie Theaters and Streaming
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Aug 31, 2022 |
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Winners and Losers of NBC Axing an Hour of Prime-Time TV
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Aug 29, 2022 |
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MoviePass CEO Stacy Spikes On Reinventing Moviegoing (Again)
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Aug 26, 2022 |
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David Zaslav Doesn’t Care About Your Favorite HBO Shows
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Aug 24, 2022 |
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The 2022 Showrunner Draft
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Aug 22, 2022 |
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The Wackiest CEO in Entertainment
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Aug 18, 2022 |
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The Lawsuit Striking Fear Into Fox News (Plus 'LOTR' Predictions)
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Aug 17, 2022 |
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Should Disney Sell ESPN?
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Aug 16, 2022 |
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Disney+ and the Streaming Price Hike
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Aug 11, 2022 |
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TikTok’s Dominance and Hollywood’s Place in the Creator Economy
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Aug 10, 2022 |
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Springsteen and the Scourge of Concert Ticket Pricing
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Aug 08, 2022 |
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The Great TV Purge Is Coming
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Aug 05, 2022 |
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Why Warner Bros. Just Made the $90M ‘Batgirl’ Movie Disappear
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Aug 03, 2022 |
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Will Smith's Apology and Apple’s Predicament
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Aug 01, 2022 |
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Town Hall: Writers vs. Hollywood, an 'E.T.' Legacy Sequel, and Apple’s Animation Bet
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Jul 27, 2022 |
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The 2022 Intellectual Property Draft
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Jul 25, 2022 |
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How the Metaverse Could Transform the Entertainment Industry
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Jul 21, 2022 |
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Release the Snyder Article
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Jul 20, 2022 |
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Is the Netflix Movie Model Broken?
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Jul 18, 2022 |
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The Uncertain Futures of Netflix, Hulu, and Apple
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Jul 15, 2022 |
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Snubs, Surprises, and Industry Takeaways From the 2022 Emmy Nominations
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Jul 12, 2022 |
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A New Look at Harvey Weinstein and Hollywood’s Enablers
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Jul 11, 2022 |
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The 10 Nicest Stars in Hollywood
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Jul 07, 2022 |
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Predictions for Sun Valley’s Summer Camp for Billionaires
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Jul 05, 2022 |
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CAA and the New Reality of Talent Agencies
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Jul 01, 2022 |
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Producer Jason Blum on Money vs. Creativity
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Jun 29, 2022 |
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The 2022 Half-Year Hollywood Awards
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Jun 27, 2022 |
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You Will Pay More for Disney Parks and You Will Like It
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Jun 23, 2022 |
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How the Pandemic Changed the Way You Consume Entertainment
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Jun 21, 2022 |
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Who Survives at the New CNN?
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Jun 16, 2022 |
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The ‘Stranger Things’ vs. ‘Obi-Wan Kenobi’ Value War
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Jun 13, 2022 |
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What the Heck Is Going On at Disney?
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Jun 09, 2022 |
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NBA Finals Ratings and ESPN's Future in Sports Television
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Jun 08, 2022 |
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‘Everything Everywhere All at Once’ and A24’s Mystique
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Jun 07, 2022 |
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Town Hall: Tom Cruise’s Pay Day, ‘LOTR’ Buzz, and HBO’s Secrets
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Jun 03, 2022 |
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Johnny Depp Wins: Inside the Verdict and the Fallout
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Jun 01, 2022 |
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‘Top Gun: Maverick’: Fluke or Future of the Summer Box Office?
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May 31, 2022 |
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The Summer Blockbuster Confidence Scale
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May 26, 2022 |
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Can Lorne Michaels Reinvent ‘SNL’ One Last Time?
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May 25, 2022 |
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The Hollywood Stock Market: Netflix, Star Wars, Harry Styles, Pete Davidson, and More!
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May 23, 2022 |
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What Happened to Comedy in Hollywood?
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May 19, 2022 |
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Amber Heard Testifies: How Did It Go?
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May 18, 2022 |
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You May Not Be Watching, but Broadcast TV Still Makes Billions
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May 17, 2022 |
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Disney vs. Netflix: The Deathmatch of Streaming
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May 12, 2022 |
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Does Marvel Have a Quality Problem?
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May 11, 2022 |
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The 2022 Streaming Service Draft
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May 09, 2022 |
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A Scientology Star in the Spotlight
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May 05, 2022 |
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Did Johnny Depp Really Lose ‘Pirates’ Because of Amber’s Op-Ed?
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May 04, 2022 |
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Have We Finally Reached the End of Peak TV?
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May 02, 2022 |
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Does Jerry West Have a Case Against HBO’s ‘Winning Time’?
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Apr 28, 2022 |
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The Legal Loophole That Could Strip Marvel of Its Superheroes
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Apr 27, 2022 |
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The New Netflix (With Ads!) and How to Get People Back In Theaters
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Apr 25, 2022 |
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Why the Late Night Talk Show Is Dead, and ‘SNL’ After Lorne
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Apr 21, 2022 |
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Netflix’s Crash and the Company's Future in Streaming
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Apr 20, 2022 |
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Coachella’s Dominance, and Why You Are Paying More Than Ever for Concert Tickets
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Apr 18, 2022 |
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Is Rupert Murdoch the Most Dangerous Man in the World?
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Apr 14, 2022 |
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Film Producer Neal Moritz on Video Games as Movies, the 'Fast & Furious' Franchise, and Theaters vs. Streaming
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Apr 13, 2022 |
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‘Ambulance’ and the Death of Original Action Movies, Plus Apple TV+’s MLB Debut
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Apr 11, 2022 |
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Why Was Bruce Willis Still Working?
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Apr 07, 2022 |
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WarnerMedia CEO Jason Kilar on HBO Max, What’s Next for Streaming, and His Resignation
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Apr 06, 2022 |
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Winners and Losers of the 2022 Grammys
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Apr 04, 2022 |
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Will Smith Resigns From the Academy
|
Apr 02, 2022 |
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The 2022 Grammy Awards and the State of the Music Industry
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Mar 31, 2022 |
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WWE President Nick Khan
|
Mar 30, 2022 |
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The Oscars Aftermath
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Mar 28, 2022 |
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Live From Inside the Oscars: The Will Smith-Chris Rock Slap
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Mar 28, 2022 |
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How to Gamble on the Oscars
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Mar 25, 2022 |
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Do the Oscars Need to Be Saved?
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Mar 24, 2022 |
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The NFL Sunday Ticket Bidding War and How Peyton and LeBron Went Hollywood
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Mar 23, 2022 |
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Do Stars Still Need Agents? Plus, Iger vs. Chapek, and Oscar Drama Begins!
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Mar 21, 2022 |
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Amazon Closes Deal to Acquire MGM. Now What?
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Mar 17, 2022 |
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Netflix’s Password Crackdown and Their Struggle to Make Movies People Care About
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Mar 16, 2022 |
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'The Batman' Ticket Upcharge and the Future of Moviegoing
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Mar 14, 2022 |
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Introducing ‘The Town With Matthew Belloni’
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Mar 08, 2022 |