Story Nerd

By Valerie Francis, Melanie Hill, Kathleen Foxx

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Subscribers: 4
Reviews: 0
Episodes: 100

Description

For novelists, memoirists and screenwriters who want to write stories readers will love, and who want to work with a literary agent. Each week, editors Valerie Francis and Melanie Hill use films to explain how to craft a story that hooks the reader on page one and holds their attention all the way to the end. On alternate weeks, Valerie and literary agent Kathleen Foxx offer their professional feedback on query letters and writing samples submitted by Story Nerd listeners.

The goal is simple: to help writers realize their dreams of becoming published authors. If you love to write, and you love to tell stories, and you want to see your book out in the world, this podcast is for you!

"The only thing that matters, and that ever will matter, is the story. That's it." - Tom Hanks (Oxford Union 2024)

Episode Date
The AI Witch-Hunt (Part 2)
Aug 17, 2026
The AI Witch-Hunt (Part 1)
Aug 15, 2026
Using Flashbacks and Flashforwards
Aug 14, 2026
The Good Liar (archive)
Aug 12, 2026
Querying Too Soon?
Aug 07, 2026
The Courier (archive)
Aug 05, 2026
Worldbuilding in the Opening Pages
Jul 31, 2026
Vertigo: does it live up to the hype?
Jul 29, 2026
Knowing When to Query (this is a BIG deal)
Jul 24, 2026
What Went Wrong: jason bourne
Jul 22, 2026
How do agents see genre?
Jul 17, 2026
Best Advice: protagonist types and premises
Jul 15, 2026
Spielberg listens to Story Nerd
Jul 10, 2026
Serenity: object of desire MIA
Jul 08, 2026
What Agents Wish Authors Knew BEFORE They Query
Jul 05, 2026
Choosing Comp Titles (it’s an art!)
Jul 03, 2026
Birds of Prey: writing unlikeable characters
Jul 01, 2026
Ronin: what is an antihero?
Jun 24, 2026
Identifying Genre is Trickier than You Think!
Jun 19, 2026
Hidden Figures: your reader’s expectations?
Jun 17, 2026
Notting Hill: why we love it
Jun 10, 2026
Is this a mystery?
Jun 05, 2026
Mrs.Harris Goes to Paris: toothless antagonists
Jun 03, 2026
Sicario: not what we expected
May 27, 2026
Killer Opening Lines
May 22, 2026
Murder She Said: sex or murder?
May 20, 2026
What Went Right: anora
May 13, 2026
The best time to send a query
May 08, 2026
What Went Wrong: 80 for Brady
May 06, 2026
Best Advice: heroes and villains
Apr 29, 2026
AI in Writing and Publishing
Apr 24, 2026
We have news! And it benefits you.
Apr 23, 2026
Thunderbolts: 2 surprising twists
Apr 22, 2026
Men In Black (archive)
Apr 15, 2026
The Devil Wears Prada (archive)
Apr 08, 2026
Dirty Dancing (archive)
Apr 01, 2026
Conclave: a masterclass in nuanced characters
Mar 25, 2026
Do this to Hook an Agent - Interview with Kathleen Foxx
Mar 20, 2026
Mulholland Drive: trippy
Mar 18, 2026
Darkest Hour: darkest villain
Mar 11, 2026
Amour: looks easy, but isn’t!
Mar 04, 2026
Amour: looks easy, but isn’t
Mar 04, 2026
Invitation to a Murder: there’s no plot!
Feb 25, 2026
Erin Brockovich: writing underdogs
Feb 18, 2026
The Man Who Knew too Much: honestly, kinda weird
Feb 11, 2026
What Went Right: the princess bride
Feb 04, 2026
What Went Wrong: the golden compass
Jan 28, 2026
Our Best Advice: hero’s monologue + the shadow
Jan 21, 2026
Rebecca: character shadows
Jan 14, 2026
The Invisible Man (archive)
Jan 07, 2026
Sense and Sensibility (archive)
Dec 31, 2025
The Last of Sheila (archive)
Dec 24, 2025
Wayne’s World (archive)
Dec 17, 2025
Doubt: a quiet story masterpiece (archive)
Dec 10, 2025
The Holdovers: a rare gem
Dec 03, 2025
Tar: writing nuanced characters
Nov 26, 2025
Dial M For Murder: unlikeable characters
Nov 19, 2025
The Incredibles: storytelling gold
Nov 12, 2025
The Proposal: writing dual protagonist stories
Nov 05, 2025
The Substance: ewwwww!
Oct 29, 2025
Backdraft: yes, but why?
Oct 22, 2025
What Went Right: the outrun
Oct 15, 2025
Jett Cooper: Melanie’s New Novel
Oct 08, 2025
What Went Wrong: stayin’ alive
Oct 01, 2025
Our Best Advice: villain’s monologue + turning points
Sep 24, 2025
Black Bag: IYKYK
Sep 17, 2025
Primal Fear: masterful writing
Sep 10, 2025
Legally Blonde (archive)
Sep 03, 2025
No Way Out: conflict triangles (archive)
Aug 27, 2025
Moonstruck: writing female characters (archive)
Aug 20, 2025
The Bourne Identity: build tension, raise stakes (archive)
Aug 13, 2025
Knives Out: mastering the whodunit (archive)
Aug 06, 2025
Foe: offers lots of writing lessons
Jul 30, 2025
The Miracle Club: when the hero is also the villain
Jul 23, 2025
She Said: constant characters
Jul 16, 2025
The Mighty Ducks: weak villains
Jul 09, 2025
How to Avoid a Page-One Rewrite
Jul 04, 2025
What A-List Authors Know that You Don’t
Jul 02, 2025
Mission Impossible: simple yet solid
Jul 02, 2025
Guardians of the Galaxy vol 3: don’t look too closely
Jun 25, 2025
Traditional and Indie Publishing Models
Jun 18, 2025
What Went Right: Juror #2
Jun 11, 2025
What Went Wrong: Ghosted
Jun 04, 2025
Our Best Advice: core event + progressive complictions
May 28, 2025
Women Talking: does what it says on the tin
May 21, 2025
Best Exotic Marigold Hotel: secrets of multi POV stories
May 14, 2025
Anatomy of a Fall: mind blown
May 07, 2025
Shirley: when endings fail
Apr 30, 2025
Mother’s Instinct: keeps you guessing
Apr 23, 2025
Greenbook: when society is the antagonist
Apr 16, 2025
Anyone But You: yeah nah
Apr 09, 2025
The Bank of Dave: def leppard steals the show
Apr 02, 2025
Becoming a Bestselling Author, with Brian Proctor
Mar 26, 2025
Pretty Woman: a masterclass in the fundamentals (archive)
Mar 19, 2025
The Dry: an intro to outback noir (archive)
Mar 12, 2025
Whiplash: why the villain has a point (archive)
Mar 05, 2025
What Went Right: paddington
Feb 26, 2025
What Went Wrong: green lantern
Feb 19, 2025
Our Best Advice: tension + 4SQ
Feb 12, 2025
Sleepless in Seattle: relies on star power?
Feb 05, 2025