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Episode | Date |
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Digital repatriation, and 'pitjantja'
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Apr 27, 2024 |
First Nations futurism with Mykaela Saunders, and Songbird
|
Apr 20, 2024 |
Elaine Crombie can do it all, and the Indigenous Literacy Foundation
|
Apr 13, 2024 |
Alone Australia returns, and meet the Desert Stars
|
Apr 06, 2024 |
The growing business of native foods, and 'yamberrang'
|
Mar 30, 2024 |
AmaJayus, and Julie Janson's Compassion
|
Mar 23, 2024 |
'37' and Blak & Bright First Nations Literary Festival
|
Mar 16, 2024 |
Crystal Love Johnson enters the Sydney Biennale, and Marrow
|
Mar 09, 2024 |
Looking back at Lookin' Good, and Blue
|
Mar 02, 2024 |
First Nations First, and 'thilin'
|
Feb 24, 2024 |
Archie Moore's kith and kin, and Returning with Kirli Saunders
|
Feb 17, 2024 |
Returning Waru to Waiben, and Pirritu performs
|
Feb 10, 2024 |
Embedding Kngwarray in her Country, and Marungka Tjalatjunu
|
Feb 03, 2024 |
Uncle Kutcha Edwards' message, and Olive Knight; a hidden gem
|
Jan 27, 2024 |
Stories close to home: Francis Peters-Little and Mo'Ju
|
Jan 20, 2024 |
Debra Dank's 'We Come With this Place' and 20 years of the Stiff Gins
|
Jan 13, 2024 |
Our stories in visual art
|
Jan 06, 2024 |
Awaye marks three decades on the air
|
Dec 30, 2023 |
Saving gyak, and Tia Gostelow's Head Noise
|
Dec 23, 2023 |
Kev Carmody's influence, and 'balanydja'
|
Dec 16, 2023 |
The Warumpi Band's legacy, and GURR ERA OP
|
Dec 09, 2023 |
Tony Birch's tenderness, and Royston Noell is Invincible
|
Dec 02, 2023 |
The legendary Dr Shellie Morris, and 'ngurra'
|
Nov 25, 2023 |
Edenglassie, and A Daylight Connection
|
Nov 18, 2023 |
Leah Purcell's return to theatre, and Miwatj Yolŋu
|
Nov 11, 2023 |
Winhanganha, and changing the face of opera
|
Nov 04, 2023 |
Tarnanthi Art Festival 2023, and Emma Donovan's new era
|
Oct 28, 2023 |
Finding Country in man-made objects, and 'apmere'
|
Oct 21, 2023 |
Emily Wurramara refuses to be labelled, and 'kwatye'
|
Oct 14, 2023 |
A bit of history repeating, and learning Western Arrente
|
Oct 07, 2023 |
Yellamundie Festival 2023, and 'birra'
|
Sep 30, 2023 |
Jane Harrison's The Visitors, and Djinama Yilaga
|
Sep 23, 2023 |
Blaque Showgirls, and Deadly Science
|
Sep 16, 2023 |
The Journey Down, and The Ripple Effect Band
|
Sep 09, 2023 |
Stiff Gins, and Susie Anderson's 'the body country'
|
Sep 02, 2023 |
Ever Present, and Karnpuka
|
Aug 26, 2023 |
Saving gyak, and Tia Gostelow's Head Noise
|
Aug 19, 2023 |
2023 NATSIAAs, and don't ask what the bird look like
|
Aug 12, 2023 |
William Barton, and Bundjalung Nghari
|
Aug 05, 2023 |
proppaNOW art collective, and Kuramanunya
|
Jul 29, 2023 |
The Dark Emu Story, and ghost net weaving
|
Jul 22, 2023 |
Introducing 11-year-old rapper Inkabee, and Reaching Through Time
|
Jul 15, 2023 |
Changing Tides, and Grayson Rotumah's Creation
|
Jul 08, 2023 |
The meaning of Eldership with WIlliam Tilmouth, and the National Indigenous Art Fair
|
Jul 01, 2023 |
Caring for Country, and 'paitya'
|
Jun 24, 2023 |
black&write! 2023, and 'kauwirlta'
|
Jun 17, 2023 |
Yuldea with Frances Rings, and Kindred
|
Jun 10, 2023 |
Waripa with Uncle Kutcha Edwards, and 'pardupardu-apinthi'
|
Jun 03, 2023 |
We Come With This Place, and trailblazers No Fixed Address
|
May 27, 2023 |
she is the earth, and the return of The Sunshine Club
|
May 20, 2023 |
Birdz talks Girra, and exploring shadows through Turrangka
|
May 13, 2023 |
Jimmy Little: A Yorta Yorta Man, and 'Gangirrinyja'
|
May 06, 2023 |
Nathan Maynard's play At What Cost? returns, and The National 4
|
Apr 29, 2023 |
The Bleeding Tree, and the Yindyamarra podcast
|
Apr 22, 2023 |
Mo'ju releases their fourth album, and Burrbgaja Yaliraa 2
|
Apr 15, 2023 |
Alexis Wright talks Praiseworthy, and Parrtjima 2023
|
Apr 08, 2023 |
The deadly funny Janty Blair, and Alone Australia brings something different
|
Apr 01, 2023 |
Dan Sultan is taking back control, and Danny Eastwood talks through his art
|
Mar 25, 2023 |
The Stars Descend, and the return of the Birrarangga Film Festival
|
Mar 18, 2023 |
Returned cultural treasures, and a hidden gem
|
Mar 11, 2023 |
Finding community in music, and 'Mibuladululbay'
|
Mar 04, 2023 |
Celebrating Sydney WorldPride, and 'Nghandi-Wa'
|
Feb 25, 2023 |
Venice Biennale, and talking 'pride' with Deborah Cheetham
|
Feb 18, 2023 |
Labor's National Cultural Policy, and 'Gunhinarrung'
|
Feb 11, 2023 |
30 Years of Awaye!, and the meaning of Pride
|
Feb 04, 2023 |
Julie Janson's Indigenous crime fiction, and the return of Dance Clan
|
Jan 28, 2023 |
Going Beyond Good Intentions
|
Jan 21, 2023 |
Janet's Vagrant Love, and Adolescent Wonderland
|
Jan 14, 2023 |
Unlimited Futures: Speculative, Visionary and Black fiction
|
Jan 07, 2023 |
Writing is a political act
|
Dec 24, 2022 |
Honouring the legacies of Uncle Jack Charles and Uncle Archie Roach
|
Dec 17, 2022 |
It Begins with Recognition, and water ripples in Dharawal
|
Dec 10, 2022 |
Blaktivism, and Song With No Boss
|
Dec 03, 2022 |
Joel Bray's Garabari, and Song With No Boss
|
Nov 26, 2022 |
Growing Up Wiradjuri, and Song With No Boss
|
Nov 19, 2022 |
Kodie Bedford talks screenwriting, and Song With No Boss
|
Nov 12, 2022 |
Song With No Boss, and Purrumpa
|
Nov 05, 2022 |
Meet the Unaipon Award winner for 2022, and Bedtime Stories from Wiradjuri Country
|
Oct 29, 2022 |
Marloo's Blues, and Vince Copley's The Wonder of Little Things
|
Oct 22, 2022 |
Celebrating the Black excellence of Sidney Myer Creative Fellowship, and The Dirty Mile
|
Oct 15, 2022 |
Counter Monuments and Anti-Racism Interventions
|
Oct 08, 2022 |
50 years of the Koori Knockout, and introducing Jem Cassar-Daley
|
Oct 01, 2022 |
The Australian Wars, and Na Djinang Circus
|
Sep 24, 2022 |
Remembering an icon of Blak theatre
|
Sep 17, 2022 |
Blak led flood recovery, and finding the space in silence
|
Sep 10, 2022 |
Tiddas goes from page to stage, and Jazz Money guest curates MWF
|
Sep 03, 2022 |
Frank Byrne living in hope, and theatre on rollerskates
|
Aug 27, 2022 |
Whitefella Yella Tree, and Masked Histories
|
Aug 20, 2022 |
Blak coming of age stories, and Djabarrpuyngu Matha
|
Aug 13, 2022 |
The 2022 Telstra NATSIAAs, and a farewell to Uncle Archie Roach
|
Aug 06, 2022 |
The NIMAs are coming home, and A Murriality
|
Jul 30, 2022 |
NATSIAA finalists Aunty Gail Mabo and Juanella MacKenzie, and Didgeridoozy
|
Jul 23, 2022 |
NAIDOC Female Elder of the Year, and Debra Dank's We Come with This Place
|
Jul 16, 2022 |
Blak Theatre Excellence
|
Jul 09, 2022 |
Get up, Stand up, Show up: Celebrating NAIDOC Week 2022
|
Jul 02, 2022 |
Celebrating sounds of Country
|
Jun 25, 2022 |
Tony Birch on being a Fitzroy Blak, and Naomi Hobson's Adolescent Wonderland
|
Jun 18, 2022 |
Daniel Boyd's Treasure Island, and Nardi Simpson talks Another Australia
|
Jun 11, 2022 |
Terrain returns to the stage, and centenarian Uncle Wes Marne
|
Jun 04, 2022 |
Leah Purcell on The Drover's Wife, and Stephen Page wins a Red Ochre Award
|
May 28, 2022 |
Awaye live from Sydney Writers Festival
|
May 21, 2022 |
Celebrating a decade of Ngana Barangarai, and Troy Russell's The Last Shot
|
May 14, 2022 |
Evelyn Araluen's Stella Prize win, and the Possum Skin Cloak Story
|
May 07, 2022 |
Clancestry, Eskatology, and the scarification of trees
|
Apr 30, 2022 |
The responsibility of culture
|
Apr 23, 2022 |
Unlimited Futures, and 'stillness' in Batjamalh
|
Apr 16, 2022 |
Repatriation and creation
|
Apr 09, 2022 |
SJ Norman's The Bone Library, and Kolour Me Kweer
|
Apr 02, 2022 |
Art and community, across all platforms, and all Nations
|
Mar 26, 2022 |
Mapping Frontier massacres, and telling "un-truths"
|
Mar 19, 2022 |
Blak hearts and minds
|
Mar 12, 2022 |
Theatre coast to coast, and Blak flood relief
|
Mar 05, 2022 |
Talkin' Up to the White Woman, and Warralgurniya
|
Feb 26, 2022 |
Dulka Warngiid and 'Circling Time' with Kutcher Edwards
|
Feb 19, 2022 |
Blak excellence on the page and stage
|
Feb 12, 2022 |
The next big Blak musical, and Kitchen Table Yarns with Archie Roach
|
Feb 05, 2022 |
Fanning flames of knowledge
|
Jan 29, 2022 |
Myths, icons, and a Blak literary canon
|
Jan 15, 2022 |
From stage to screen — who tells your story
|
Dec 25, 2021 |
Guwayu For All Times, and 'belonging' in Gundungurra
|
Dec 18, 2021 |
Stephen Page steps down from Bangarra, and hunting vampires in Coober Peddy
|
Dec 11, 2021 |
Paying tribute to David Gulpilil, and reawakening Kayardild language
|
Dec 04, 2021 |
Indigenous performance across generations
|
Nov 27, 2021 |
Music legends and classical composers
|
Nov 20, 2021 |
Role models and the Adnyamathanha word for 'rainbow'
|
Nov 13, 2021 |
Total Control and revisiting 'Kura Tungar-Songs from the River'
|
Nov 06, 2021 |
Introducing Baker Boy's album 'Gela' and Celebrating 10 Years of black&write!
|
Oct 30, 2021 |
Slowing down with Ellen van Neervan, and SJ Norman's haunting debut 'Permafrost'
|
Oct 23, 2021 |
One By One with Ancestress, and five years of Word Up
|
Oct 16, 2021 |
Celebrating with Ali Murphy-Oates, and 'Falling' with Bumpy
|
Oct 09, 2021 |
Podcasting for a Blak Nation, and 25 years of Marrugeku
|
Oct 02, 2021 |
Bob Weatherall's Restless Dream, and recovering from COVID
|
Sep 25, 2021 |
Deadly Science and even deadlier scientists
|
Sep 18, 2021 |
Dark as Last Night, and SFF First Nations Fellow Darlene Johnson
|
Sep 11, 2021 |
Moogai, hauntings and 'Lies Damned Lies'
|
Sep 04, 2021 |
Incarceration Nation, and The Word from Wilcannia
|
Aug 28, 2021 |
Honouring The Wave Hill Walk Off, and creating a community of Kullilli speakers
|
Aug 21, 2021 |
The poetics of Indigenous languages, and Megan Wilding wins the Griffin Award
|
Aug 14, 2021 |
The Telstra NATSIAA 2021, and 'platapus' in palawa kani
|
Aug 07, 2021 |
Through a First Nations lens
|
Jul 31, 2021 |
Introducing Beau James, and public exhibitions
|
Jul 24, 2021 |
True Tracks and wallowing in emotions with Alice Skye
|
Jul 17, 2021 |
Healing our rivers and country
|
Jul 10, 2021 |
Healing Country
|
Jul 03, 2021 |
Stories from the Great Sandy Desert, and a new era at Australian Museum
|
Jun 19, 2021 |
A Historic Appointment, and Yarning Country with Rachael Hocking
|
Jun 12, 2021 |
Art for activist sake with Richard Bell, and representing country
|
Jun 05, 2021 |
Songwomen, and the Butchella word for 'dingo'
|
May 29, 2021 |
Performing grief, and 'Unbroken Connections'
|
May 22, 2021 |
Thin Black Line, and sovereignty with sequins
|
May 15, 2021 |
Thin Black Line, and the cosmic force of music
|
May 01, 2021 |
The Waters' family legacy and 'sky' in Gamilaraay
|
Apr 24, 2021 |
Black blood and white tears
|
Apr 17, 2021 |
Yhonnie Scarce's Missile Park and Shareena Clanton on experiencing racism on set
|
Apr 10, 2021 |
Deepening the conversation and what 'ngarraanga' means
|
Apr 03, 2021 |
30 Years on from the Royal Commission into Aboriginal Deaths in Custody, and the return of Yirramboi Festival
|
Mar 27, 2021 |
A haunting relic of scientific racism
|
Mar 20, 2021 |
We need to (re)centre Black women's voices and the winner the 2020 David Unaipon Award
|
Mar 13, 2021 |
Classical reimaginings and postcards from Yindjibarndi
|
Mar 06, 2021 |
Myths, icons and Dropbear
|
Feb 27, 2021 |
Legends through a new lens and the Kaurna word for scorpion
|
Feb 20, 2021 |
Blak books and "mischief" in Wiradjuri
|
Feb 06, 2021 |
Wesley Enoch throws down a challenge and the heartfelt memoir of a broken childhood
|
Jan 30, 2021 |
30 years of Speaking Out
|
Jan 23, 2021 |
Artist digs Cook's grave and a new podcast about black resistance heroes
|
Jan 16, 2021 |
Miss Georgia Lee and Kwini language revival
|
Jan 09, 2021 |
The epic story of the Maralinga Tjarutja and poetry in isolation
|
Jan 02, 2021 |
A unique landmark in Australian poetry and The Merindas debut album
|
Dec 26, 2020 |
Igniting a Blak poetry renaissance and words in Dja Dja Wurrung
|
Dec 19, 2020 |
A date with Destiny (Deacon) and Ensemble Dutala
|
Dec 12, 2020 |
Bringing the story of Evonne Goolagong-Cawley to the stage and reforming Indigenous mental health services
|
Dec 05, 2020 |
Kodie Bedford's "Cursed!", and fighting fake Indigenous art
|
Nov 28, 2020 |
Jub Clerc's directorial debut and saving Skid Row Radio
|
Nov 21, 2020 |
The life of an Aboriginal prophet
|
Nov 14, 2020 |
The righteous William Cooper and a 'river of stars' in Gumbaynggirr
|
Nov 07, 2020 |
Revisiting the Aboriginal tent embassy
|
Oct 31, 2020 |
Living water and reflecting on 30 years of Archie Roach's 'Charcoal Lane'
|
Oct 24, 2020 |
Digging deep and Nardi Simpson's debut novel
|
Oct 17, 2020 |
Give me land, lots of land: The legacy of Eddie Mabo
|
Oct 10, 2020 |
Emma Donovan's dream band and the epic journey of a song
|
Oct 03, 2020 |
New songlines
|
Sep 26, 2020 |
Is rock art contemporary?
|
Sep 19, 2020 |
Is walking a spiritual practice?
|
Sep 12, 2020 |
Is art a time machine?
|
Sep 05, 2020 |
The indigenous Sami are at the mercury of climate change
|
Aug 29, 2020 |
A national treasure, translating medical terminology and Search Engine Sex
|
Aug 22, 2020 |
Superheroes wielding ancestral power, celestial words and a rising star in science
|
Aug 15, 2020 |
Uncensored blak poetry, evoking country and 'Helicopter story'
|
Aug 08, 2020 |
Racist cheese, undoing settler colonialism and Dobby's new single
|
Aug 01, 2020 |
The boss of his own story
|
Jul 25, 2020 |
Emerging Blak poetry, racial polemics and Tessa's melodic new turn
|
Jul 18, 2020 |
Artist digs Cook's grave and a new podcast about black resistance heroes
|
Jul 11, 2020 |
30 years of Speaking Out
|
Jul 04, 2020 |
Deepening the conversation and what 'ngarraanga' means
|
Jun 27, 2020 |
Monumental lies and the metaphors of black deaths in custody
|
Jun 20, 2020 |
Tracking the ancestors and the spirit of Mudburra
|
Jun 13, 2020 |
Can we hope for racial equality in the new normal?
|
Jun 06, 2020 |
Blak poetry renaissance
|
May 30, 2020 |
Kinchela's traumatic legacy and Allan Clarke brings us The Word
|
May 23, 2020 |
The epic story of the Maralinga Tjarutja and The Word from Los Angeles
|
May 16, 2020 |
A haunting relic of scientific racism
|
May 09, 2020 |
This story's right, this story's true
|
May 02, 2020 |
Blak poetry renaissance and The Word from Townsville
|
Apr 25, 2020 |
The Word from Kununurra and stories that offend your mother
|
Apr 18, 2020 |
The warrior poet bullied into silence and The Word from Cape Barren Island
|
Apr 11, 2020 |
A unique landmark in Australian poetry and The Word from Alice Springs
|
Apr 04, 2020 |
Making art in a public health emergency and the word from Yarrabah
|
Mar 28, 2020 |
The harrowing life story of Archie Roach
|
Mar 21, 2020 |
Indigenous-led dialogues at the Biennale of Sydney and reviving Nyul Nyul
|
Mar 14, 2020 |
One discordant note and an academic look at Aboriginal humour with Angelina Hurley
|
Mar 07, 2020 |
Love Rights and Kwini language revival
|
Feb 29, 2020 |
Nardi Simpson adds yet another string to her bow and an intercultural love story
|
Feb 22, 2020 |
A 'faboriginal' new game show and the High Court's question of Indigenous aliens
|
Feb 15, 2020 |
Black Comedy's final season and curator leads deeper engagement at NGA
|
Feb 08, 2020 |
Larissa Behrendt on legacies and the history-making all-Aboriginal cricket team
|
Feb 01, 2020 |
Shakespeare in Noongar and reckoning with January 25
|
Jan 25, 2020 |
Constable Care and honouring an Indigenous media pioneer
|
Jan 18, 2020 |
Talking truth and giving voice
|
Jan 11, 2020 |
Briggs takes aim at white privilege and can we heal our rivers?
|
Jan 04, 2020 |
New blak poetry and Malgana language revival
|
Dec 28, 2019 |
Melissa Lucashenko gets lippy and guided meditation, Anangu style
|
Dec 21, 2019 |
Clarence Walden is the boss of his own story
|
Dec 14, 2019 |
Reimagining first contact and a bunggul for Dr G
|
Dec 07, 2019 |
Koorioke carpool and ethics, Island way
|
Nov 30, 2019 |
Redrawing the map and art meets architecture
|
Nov 23, 2019 |
The voice of Australia
|
Nov 16, 2019 |
Decolonising the future
|
Nov 09, 2019 |
From the rock to the bight
|
Nov 02, 2019 |
Blurring the lines between traditional and contemporary
|
Oct 26, 2019 |
The life of an Aboriginal prophet
|
Oct 19, 2019 |
Helicopter Tjungurrayi and blood feuds in western Sydney
|
Oct 12, 2019 |
A force of nature in Total Control
|
Oct 05, 2019 |
Family secrets and official lies
|
Sep 28, 2019 |
English blackfella way
|
Sep 21, 2019 |
Saturday 14 September 2019
|
Sep 14, 2019 |
A strange ethnographic object
|
Sep 07, 2019 |
Saturday 31 August 2019
|
Aug 31, 2019 |