As the 1970s come to a close, so does Viva’s run as one of America’s first feminist porn magazines. We explore what the legacy of Viva magazine tells us about issues of female sexuality and sexual autonomy, and how many of these battles are still being fought today.

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As a last Hail Mary to save Viva, Bob and Kathy hire a young, up-and-coming fashion director — none other than a fresh-faced, pre-Vogue Anna Wintour. But will she be enough to save the floundering publication?

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As Viva reaches the third of its six-year run, it’s having its own version of a midlife crisis, and the editors have to make some tough decisions about what kind of magazine Viva needs to be to survive.

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As Viva continues to stumble along and figure itself out, so does seemingly everyone else in the 1970s. In the midst of the sexual revolution and the rise of “Porno Chic,” there’s a chorus of anti-porn feminists attacking Bob Guccione’s publishing empire, and Viva’s caught in the middle.

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The Viva staff have hit their stride and are finally publishing smart, progressive, feminist content alongside the magazine’s male nudes, and their latest issue is about to be their most revolutionary – and controversial – one to date.

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On the one-year anniversary of Viva’s publication, there’s a big, exciting change — a woman is now at the top of the masthead: Bob’s wife and business partner Kathy Keeton. And she’s about to push the magazine in a much more “revealing” direction.

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After critics skewer Viva’s first issue, Bob Guccione decides to double down on his flawed vision for the magazine. Meanwhile, his feminist editorial staff finds a secret window into making the content they actually desire. 

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Coming off the massive success of his men's sex magazine Penthouse, porn publishing king Bob Guccione has a new project… but for women this time. Enter Viva, one of the first erotic magazines for women.

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What happens when a group of scrappy feminist journalists teams up with a porn king? The true story of Bob Guccione, VIVA magazine, and 1970s feminist porn.

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