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Episode | Date |
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I Need a Critic: May 2025 Edition
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May 08, 2025 |
How “Sinners” Revives the Vampire
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May 01, 2025 |
War Movies: What Are They Good For?
|
Apr 17, 2025 |
“The Studio” Pokes Fun at Hollywood’s Existential Struggle
|
Apr 10, 2025 |
Gossip, Then and Now
|
Apr 03, 2025 |
Joe Rogan, Hasan Piker, and the Art of the Hang
|
Mar 27, 2025 |
Critics at Large Live: The Right to Get It Wrong
|
Mar 20, 2025 |
Our Modern Glut of Choice
|
Mar 13, 2025 |
How “The Pitt” Diagnoses America's Ills
|
Mar 06, 2025 |
In “Severance,” the Gothic Double Lives On
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Feb 27, 2025 |
The Staying Power of the “S.N.L.” Machine
|
Feb 20, 2025 |
How Romantasy Seduces Its Readers
|
Feb 13, 2025 |
David Lynch’s Unsolvable Puzzles
|
Feb 06, 2025 |
The Splendor of Nature, Now Streaming
|
Jan 30, 2025 |
The New Western Gold Rush
|
Jan 16, 2025 |
The Elusive Promise of the First Person
|
Jan 09, 2025 |
Hayao Miyazaki’s Magical Realms
|
Dec 26, 2024 |
Critics at Large Live: The Year of the Flop
|
Dec 19, 2024 |
After “Wicked,” What Do We Want from the Musical?
|
Dec 12, 2024 |
The Modern-Day Fight for Ancient Rome
|
Dec 05, 2024 |
Will Kids Online, In Fact, Be All Right?
|
Nov 21, 2024 |
The Value—and Limits—of Seeking Comfort in Art
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Nov 14, 2024 |
Critics at Large Live: Julio Torres’s Dreamy Surrealism
|
Oct 31, 2024 |
Help, I Need a Critic!
|
Oct 24, 2024 |
A Controversial Trump Bio-pic and the Villains We Make
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Oct 10, 2024 |
“The Substance” and the New Horror of the Modified Body
|
Oct 03, 2024 |
The Fate of the Finance Bro
|
Sep 26, 2024 |
Sally Rooney’s Beautiful Deceptions
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Sep 19, 2024 |
Was Abraham Lincoln Gay . . . And Should We Care?
|
Sep 12, 2024 |
The Trap of the Trad Wife
|
Sep 05, 2024 |
Tarot, Tech, and Our Age of Magical Thinking
|
Aug 29, 2024 |
The Irresistible Myth of Las Vegas
|
Aug 22, 2024 |
Charli XCX, Chappell Roan, and the Unstable Hierarchy of Pop
|
Aug 15, 2024 |
Why We Want What Tom Ripley Has
|
Aug 08, 2024 |
The Kamala Harris Vibe Shift
|
Aug 01, 2024 |
From Vanity Fair’s “Dynasty”: Can Harry and Meghan’s Hollywood Dream Last?
|
Jul 25, 2024 |
Alice Munro’s Fall from Grace
|
Jul 18, 2024 |
The Changing World of Nature Documentaries
|
Jul 11, 2024 |
From The New Yorker Radio Hour: Emily Nussbaum on the Beginnings of Reality TV
|
Jul 04, 2024 |
Summer Obsessions
|
Jun 27, 2024 |
The Therapy Episode
|
Jun 20, 2024 |
Is Travel Broken?
|
Jun 13, 2024 |
The Many Faces of the Hit Man
|
Jun 06, 2024 |
The Rising Tide of Slowness
|
May 30, 2024 |
The New Midlife Crisis
|
May 23, 2024 |
Kendrick Lamar, Drake, and the Benefits of Beef
|
May 16, 2024 |
Our Collective Obsession with True Crime
|
May 09, 2024 |
Why the Sports Movie Always Wins
|
May 02, 2024 |
“Civil War” ’s Unsettling Images
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Apr 18, 2024 |
“Curb Your Enthusiasm” and the Art of the Finale
|
Apr 11, 2024 |
Why We Want What Tom Ripley Has
|
Apr 04, 2024 |
Kate Middleton and the Internet’s Communal Fictions
|
Mar 28, 2024 |
Is Science Fiction the New Realism?
|
Mar 21, 2024 |
The New Coming-of-Age Story
|
Mar 14, 2024 |
Why We Love an Office Drama
|
Mar 07, 2024 |
The Politics of the Oscar Race
|
Feb 29, 2024 |
How Usher, Beyoncé, and Taylor Swift Build Their Own Legacies
|
Feb 15, 2024 |
The Painful Pleasure of “Wretched Love”
|
Feb 08, 2024 |
Why We Can’t Quit the Mean Girl
|
Feb 01, 2024 |
From In the Dark: The Runaway Princesses
|
Jan 30, 2024 |
What Is the Comic For?
|
Jan 25, 2024 |
The Case for Criticism
|
Jan 18, 2024 |
Can Slowness Save Us?
|
Jan 11, 2024 |
Portraits of the Artist
|
Jan 04, 2024 |
From The New Yorker Radio Hour: a Conversation with Dolly Parton
|
Dec 28, 2023 |
The Year of the Doll
|
Dec 21, 2023 |
George Santos and the Art of the Scam
|
Dec 14, 2023 |
Hayao Miyazaki’s Magical Realms
|
Dec 07, 2023 |
The Past, Present, and Future of the Period Drama
|
Nov 30, 2023 |
Samantha Irby Knows How to Be Funny
|
Nov 21, 2023 |
Is “The Golden Bachelor” Too Good to Be True?
|
Nov 16, 2023 |
Why We Dine Out (or Don’t)
|
Nov 09, 2023 |
Britney Spears Tells Her Horror Story
|
Nov 02, 2023 |
Martin Scorsese’s America
|
Oct 26, 2023 |
Are Straight Couples O.K.?
|
Oct 19, 2023 |
Spies, Sex, and John le Carré
|
Oct 12, 2023 |
Taylor Swift Is Everywhere All at Once
|
Oct 05, 2023 |
The Myth-Making of Elon Musk
|
Sep 28, 2023 |
What Is Cringecore, and Why Is It Everywhere?
|
Sep 28, 2023 |
Introducing: Critics at Large
|
Sep 21, 2023 |