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| Episode | Date |
|---|---|
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Auto-Tune… WTF?! — The Bugs, the Workarounds, and the Alternatives FREE
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Jun 11, 2026 |
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Idarose on "IloveitIloveitIloveit," Making the Music for Smile 2 & Co-Writing "Glimpse of Us" FREE VERSION
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Jun 04, 2026 |
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Collin Pastore & Jake Finch on Making Raw, Human-Sounding Records for boygenius, Lucy Dacus & Ashe FREE VERSION
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May 27, 2026 |
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Gian Stone on Vocal Production, "Stuck with U," and Making Pop at the Highest Level FREE VERSION
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May 20, 2026 |
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Season 3 Begins May 20th! Become a Producer Pal Subscriber!
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May 12, 2026 |
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Roundtable: The Future of Indie Plugin Design with Purafied & Nudist Audio
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Oct 04, 2025 |
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Jon Buscema on Building Devon Again’s Sound & Chasing What Inspires Him
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Sep 24, 2025 |
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Gavin Chops on Live Drumming, Love Language & Running Pack Records
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Sep 16, 2025 |
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How Andrew J. Gomez Made Guitars Slam for Knox & Drums Smack for John Harvie
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Sep 09, 2025 |
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Roundtable: The Sync Episode!
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Sep 06, 2025 |
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Unlike Pluto on “Everything Black,” Finding His Voice & Releasing 11 Albums Since 2019
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Sep 03, 2025 |
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Dasha’s “Austin” — Travis Heidelman on Producing Hits That Feel Alive
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Aug 26, 2025 |
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Roundtable: Building a Home Studio on a Budget — With Producers Behind Sabrina Carpenter, Cameron Whitcomb & Robert DeLong
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Aug 23, 2025 |
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HOLYCHILD’s Brat Pop Blueprint — Louie Diller on Creating Ahead of the Curve
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Aug 19, 2025 |
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From Writing “Mad at Disney” to Producing “Dirty Martini” — Salem Ilese on Becoming the Artist She Needed
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Aug 12, 2025 |
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Artists Are Writing WAY Too Many Songs | Hot Take
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Aug 07, 2025 |
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Behind the Scenes of “Sunroof”: Dazy on Viral Moments, Ableton Hacks & Drum Perfection
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Aug 05, 2025 |
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Jake Scott on “She Likes It” with Russell Dickerson, Minimal Production & Finding His Voice
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Jul 29, 2025 |
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Roundtable: FINNEAS to Lin-Manuel Miranda: Vocal Tuning Tips from the Industry’s Best
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Jul 26, 2025 |
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From Cameron Whitcomb to Emeline — David Schaeman on Genre-Fluid Production
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Jul 22, 2025 |
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Elie Rizk : Producing KESHI, Bella Poarch and Crafting Modern Pop
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Jul 15, 2025 |
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Roundtable: Day One Bounce Survival Guide — Demoitis, Mixbus, & Vocals
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Jul 12, 2025 |
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Inside the Sonic World of POM POM: From John Legend to Suki Waterhouse
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Jul 08, 2025 |
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Cambo on Working with Doja Cat, Jackson Wang & Reinventing Country Music
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Jul 01, 2025 |
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Roundtable: How to Co-Produce Without Killing Each Other
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Jun 28, 2025 |
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Hazey Eyes on Producing Jeremy Zucker & Suki Waterhouse’s Most Emotional Tracks
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Jun 24, 2025 |
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Lo-Fi Vibes to Folk Anthems — Sarcastic Sounds on Collaborating with Lil Wayne & David Kushner
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Jun 17, 2025 |
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Roundtable: Self-Releasing Music in 2025 — What Still Works?
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Jun 15, 2025 |
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Joe Pepe on MGK, Travis Barker, and Kiana Lede: Crafting Drums That Punch and Guitars That Bite
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Jun 10, 2025 |
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Your Favorite Plugin is Ruining Your Mix! (Part 2)
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Jun 07, 2025 |
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Ryan Hunter on Sync, Cinematic Production & His Evolution from Envy on the Coast to 1st Vows
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Jun 03, 2025 |
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Your Favorite Plugin is Ruining Your Mix! (Part 1)
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May 31, 2025 |
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Daylight on Producing “Stitches,” Studio Philosophy, and Balancing Art & Career
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May 27, 2025 |
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Nevin Sastry on Producing “A Bar Song (Tipsy)” & Turning Down Med School for Music
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May 20, 2025 |
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Falconry Breaks Down ‘numb little bug’ and the Power of Performance-Based Production
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May 13, 2025 |
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Diamond Pistols on bbno$, Yung Gravy & the Wild Art of Sound Design
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May 06, 2025 |
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Getting Discovered in 2025 — Tips from the Producers Behind Benson Boone, GAYLE & ITZY
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May 03, 2025 |
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From ‘Shut Up and Dance’ to Benson Boone: Captain Cuts on Crafting Iconic Pop
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Apr 29, 2025 |
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Roundtable: Analog vs. Digital with The Mixers Behind Death Cab, NOFX & David Kushner
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Apr 25, 2025 |
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Roundtable: How To Level Up - From Bedroom Beats to Hits for Khalid, LP & David Kushner
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Apr 18, 2025 |
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Delayed, Devalued, Disrespected: Why Aren’t We Getting Paid?
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Apr 10, 2025 |
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Roundtable: Letting Go of Perfectionism in Music Production
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Apr 04, 2025 |
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Roundtable: How the Producers Behind Powfu, Tinashe & Ella Mai Built Lasting Careers
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Mar 21, 2025 |
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Roundtable: Vocal Production Secrets from the Pros Behind Sabrina Carpenter, BTS & Shawn Mendes
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Mar 14, 2025 |
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Roundtable: Spotify’s Pay Cuts: What It Means for Songwriters & Producers
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Feb 27, 2025 |
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Doja Cat, Oliver Tree & the Art of Controlled Chaos with Imad Royal
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Sep 11, 2024 |
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Charlotte Sands to Catie Turner: Ruslan Odnoralov’s Creative Process Revealed
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Sep 04, 2024 |
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From JP Saxe to Sabrina Carpenter: Ryan Marrone on Writing What Hurts
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Aug 28, 2024 |
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From ‘Mad at Disney’ to Global Pop: Bendik Møller’s Melodic Journey
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Aug 21, 2024 |
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Petro AP on Producing Renee Rapp, Scoring Musicals, and Embracing the Future
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Aug 14, 2024 |
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Doug Schadt on Crafting Maggie Rogers’ ‘Alaska’ and Finding Beauty in the Unpolished
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Aug 07, 2024 |
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From POWERS to LP: Mike Del Rio on Creating Music That Lasts
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Jul 31, 2024 |
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Benson Boone, Bollywood, and Beyond: David Arkwright’s International Sound
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Jul 24, 2024 |
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Tuned to Perfection: Scott Robinson on Demi, Avril & the Art of Vocal Production
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Jul 17, 2024 |
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Charli, Chainsmokers & Chappell Roan: Mike Wise on Pop Without Limits
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Jul 10, 2024 |
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From ‘Stick Season’ to Stadiums: Gabe Simon on Producing with Heart
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Jul 03, 2024 |
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Viral Wisdom & Pop Precision: Alina Smith’s Blueprint for Global Hits
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Jun 26, 2024 |
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Behind the Balance: Yianni AP on Mixing Kushner, Zucker & More
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Jun 19, 2024 |
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Global Pop Architect: Lindgren on Producing BTS, Dua Lipa & BLACKPINK
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Jun 12, 2024 |
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From half•alive to Thrice: Inside Eric Palmquist’s Sonic Lab
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Jun 05, 2024 |
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From Struggles to Soundboards: Midi Jones's Path to Musical Success
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May 29, 2024 |
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Heart Over Hype: How Davis Naish Crafts Emotionally-Driven Hits
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May 22, 2024 |
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From "Pretty Poison" to "Beautiful Things": Evan Blair’s Pop Takeover
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May 15, 2024 |
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Producer Points Teaser
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May 09, 2024 |