Verse Talks
By Verse
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Image by Verse
Category: Arts
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Episodes: 84
Description
Discussing the latest news in digital art with Leyla Fakhr and Jamie Gourlay.
| Episode | Date |
|---|---|
|
sssluke and Brian Droitcour: New Bad Image
|
Apr 29, 2026 |
|
Simon Hudson and Justin Gilanyi: cultural architecture, patronage and Art Basel Hong Kong
|
Apr 13, 2026 |
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Tabor Robak and Harvey Rayner: from Human Resources to Art Basel Hong Kong
|
Mar 22, 2026 |
|
Abigail Miller and Micol Ap: sustainability, growth and long-term thinking
|
Feb 25, 2026 |
|
Jack Butcher, Adrian Pocobelli and Emir Dino: The shifting state of the digital art market
|
Feb 15, 2026 |
|
Tabor Robak: Human Resources and the Tabcorp shared universe
|
Jan 23, 2026 |
|
Rhea Myers: making art to understand the world
|
Jan 09, 2026 |
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Phil Mohun: building Node Foundation and the future of digital art
|
Dec 19, 2025 |
|
Terence Broad: from Blade Runner to (un)stable equilibrium
|
Dec 14, 2025 |
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On the ground inside Zero 10 with Matt Medved
|
Dec 05, 2025 |
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Laurie Simmons: art, identity & experimentation in the age of AI
|
Nov 28, 2025 |
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Refik Anadol: building the world's first museum for AI art and celebrating humanity through machine collaboration
|
Nov 25, 2025 |
|
Tyler Hobbs: From Noise
|
Nov 21, 2025 |
|
Eli Scheinman: digital art coming to Art Basel Miami
|
Nov 14, 2025 |
|
OSF: from a doodle to a $100 million token
|
Nov 07, 2025 |
|
David Shrigley: finding humour in art
|
Oct 31, 2025 |
|
Roundtable with Motzko & Lonliboy: the aesthetic experience of scrolling
|
Oct 28, 2025 |
|
Redbeard: conviction, community and refining your focus
|
Oct 24, 2025 |
|
Hilde Lynn Helphenstein: the real Jerry Gogosian
|
Oct 17, 2025 |
|
Sasha Stiles: poetry in the age of AI
|
Oct 10, 2025 |
|
Raoul Pal: from Real Vision to the new art world
|
Oct 04, 2025 |
|
Adrian Pocobelli: from Ballard to digital art
|
Sep 26, 2025 |
|
Sebastian Sanchez: digital art at Christie's, auction models, and the power of relational dynamics
|
Sep 19, 2025 |
|
Verse round table: Verse secondary auctions, cultural stickiness and trusting the artist
|
Sep 12, 2025 |
|
Eric De Giuli: breaking symmetry
|
Sep 10, 2025 |
|
Rafaël Rozendaal: opening the door to Rooms
|
Sep 09, 2025 |
|
Jared Madere: Galerie Yeche Lange, VVV and the Avant Gay scene
|
Sep 05, 2025 |
|
Paul Pfeiffer: the art of the spectacle
|
Sep 04, 2025 |
|
Verse roundtable: diving into the Solana art trenches, consensus vs. non-consensus, bullposting and long-term value accrual
|
Aug 29, 2025 |
|
Parker Ito: exploring The Pilgrim’s Living Room Crucifixion; Mona Lisa Hyper-Gamble
|
Aug 28, 2025 |
|
Adam Levine: exploring the Toledo Museum of Art, cultural accessibility, platform sustainability, and why Artie is leaving the space
|
Aug 23, 2025 |
|
Harm van den Dorpel: Quantizer, algorithmic archeology, and digital preservation
|
Aug 20, 2025 |
|
Harm van den Dorpel and Regina Harsanyi (Twitter Spaces): the early days of Club Internet, the ephemerality of time based media and the birth of Quantizer
|
Aug 18, 2025 |
|
Steve McKeon, investing in art, the birth of Glitch and the future of digital culture
|
Aug 15, 2025 |
|
Terence Broad and Luba Elliott: unpacking (un)stable equilibrium
|
Aug 10, 2025 |
|
Roger Dickerman: the origin of 24 Hours of Art, finding a deliberate imbalance and the objectivity of price action
|
Aug 09, 2025 |
|
Eli Scheinman: building context, courting the traditional collector and working with Art Basel
|
Jul 25, 2025 |
|
Nikita Diakur: The strangely beautiful world of Ugly, balancing parallel creative paths and his upcoming SOLOS exhibition
|
Jul 14, 2025 |
|
Natalie Stone and Shane Lavalette: The next chapter of CryptoPunks, collecting against the trend and curation as the new PFP
|
Jun 27, 2025 |
|
Tyler Hobbs: navigating the traditional and digital worlds, prioritising the art, and dealing with the effect of a legacy
|
Jun 20, 2025 |
|
Erik Swahn: inside Soma
|
Jun 18, 2025 |
|
Sofia Garcia: the birth of ARTXCODE, building relationships and the future of art
|
Jun 13, 2025 |
|
Making markets, creating value and building for the long-term
|
Jun 06, 2025 |
|
Ciphrd & Cosimo from fx(hash): open-form, $FXH, art coins and the importance of an open platform
|
May 30, 2025 |
|
Snowfro: democratising art, navigating success and the realities of gatekeeping
|
May 23, 2025 |
|
Beeple: 69 problems but p*nises ain't one
|
May 16, 2025 |
|
Phantom Scribbler: are aesthetics dead, the social stickiness of NFTs, memetic value and an impulsive approach to art
|
May 09, 2025 |
|
Adam Berninger: Heft, physical spaces for the digital community, institutional vs influencer gatekeeping and the culture casino
|
May 02, 2025 |
|
A conversation with Kenny Schachter, plus Sketchbook B, Zora's content coins and Rodeo's USD pivot
|
Apr 25, 2025 |
|
Jack Butcher: this episode may or may not be notable
|
Apr 18, 2025 |
|
Toxic positivity within the space, are panel discussions boring? Leyla's wallet boycott, Jack Kaido and SuperRare
|
Apr 12, 2025 |
|
The Deviates secret revealed (SPOILERS), Chat GPT's Ghibli moment and life with personalised slop machines
|
Apr 04, 2025 |
|
Opening the sketchbook: A conversation with William Mapan
|
Mar 28, 2025 |
|
Blue chip art in a red chip world, Jeff Magid and traditional perspectives, converging towards consensus
|
Mar 21, 2025 |
|
Hot deals or falling knives, the pullback and its cultural impact, thinking about historical context
|
Mar 14, 2025 |
|
The Giraffe, pretension vs fun, building in the space and the team's 2 ETH picks
|
Mar 07, 2025 |
|
A conversation with Alejandro Cartagena, competition and collaboration, curating AI Agents and the power of machine artists
|
Feb 28, 2025 |
|
Unpacking Geometric Fluidity, concept vs aesthetics, SuperRare's Discord closure
|
Feb 21, 2025 |
|
Botto post-performance, the Christie's letter, art vs slop
|
Feb 14, 2025 |
|
Is marketing the new curating, navigating the algorithm, chain dynamics
|
Feb 07, 2025 |
|
Simon Hudson on the future of Botto and the power of the DAO
|
Feb 05, 2025 |
|
Mario Klingemann on the evolution of Botto
|
Jan 31, 2025 |
|
AI and the art market, emerging artists, Kim Asendorf's PXL DEX
|
Jan 24, 2025 |
|
Breaking new ground with Botto, Ivan heads up Artist Rooms, the Rodeo continues
|
Jan 17, 2025 |
|
Rodeo takes off, defining importance and "the" list
|
Jan 11, 2025 |
|
Predictions, collecting and curating in 2025
|
Jan 03, 2025 |
|
Team picks and highlights of 2024
|
Dec 31, 2024 |
|
Looking back on 2024, systems art vs object fetishism, platform tokens
|
Dec 20, 2024 |
|
Inside TABCORP LABS: a conversation with Tabor Robak
|
Dec 16, 2024 |
|
Art Basel & shl0ms recap, 'drops' vs ongoing releases, do curators need to be collectors
|
Dec 13, 2024 |
|
Release Dynamics, PFPs and community, discipline to collecting, Shl0ms is God
|
Dec 06, 2024 |
|
Reflecting on the Banana, memes and virality, gearing up for Miami, the final act of Shl0ms' Security
|
Nov 29, 2024 |
|
AI agents, meme coins, Marfa recap
|
Nov 22, 2024 |
|
Virality in art, shared cultural realities, navigating the market
|
Nov 15, 2024 |
|
Investment funds involvement with institutions, ethics in the space, $BAN fall out and Paris Photo
|
Nov 08, 2024 |
|
AI season, Botto's evolution, artist meme coins, ArtBlocks partners with OpenSea
|
Nov 01, 2024 |
|
Artie Handz news, ArtBlocks Curated returns, Foundation's Pivot
|
Oct 26, 2024 |
|
Frieze rundown, are fairs still relevant, the bleeding edge, emotion versus technicality in art
|
Oct 18, 2024 |
|
Artist sustainability, posturing and authenticity, collector mentality, Shl0ms' Security
|
Oct 11, 2024 |
|
BURNT UMBER BROKEN SILVER AMERICAN SPIRIT, a conversation with Petra Cortright
|
Oct 07, 2024 |
|
Shape goes live, private sales vs the ethos of the space, is crypto hurting us, Verse's new secondary market and SOLOS fall programme
|
Oct 04, 2024 |
|
Silk Road run down, competition in the space, Mat Dryhurst's post, is conceptual art a scam?
|
Sep 27, 2024 |
|
Bad taste in the space? What is good art? Verse product updates
|
Sep 20, 2024 |
|
Supply dynamics, platforms bidding at auction, gallery representation, the Verse curation board
|
Sep 13, 2024 |