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Episode | Date |
---|---|
1093: Michael Geib on his latest album and university life
|
May 15, 2025 |
1092: Mark Bernat on Bach
|
May 08, 2025 |
1091: Margarethe Maierhofer-Lischka on contemporary double bass
|
May 01, 2025 |
1090: Nina Bernat Interview and Recital
|
Apr 24, 2025 |
1089: Gary Upton on double bass innovation
|
Apr 17, 2025 |
1088: ISB Convention Preview with Rodney Jordan and George Speed
|
Apr 10, 2025 |
1087: Melody Ruiz on Thelma Terry
|
Apr 02, 2025 |
1086: Christopher Dammann on the Chicago jazz scene
|
Mar 27, 2025 |
1085: Kathryn Schulmeister and Andrew Mell on starting a double bass event
|
Mar 20, 2025 |
1084: The Artemis Bass Initiative with Nina DeCesare
|
Mar 13, 2025 |
1083: Adam Ben Ezra on Heavy Drops and his creative career
|
Mar 06, 2025 |
1082: TianYang Liu on solo, orchestra, and teaching
|
Feb 27, 2025 |
1081: Bruce Gertz on sight reading
|
Feb 20, 2025 |
1080: Javier Martin on his YouTube Channel
|
Feb 13, 2025 |
1079: Jake Thurston on his YouTube journey
|
Feb 06, 2025 |
1078: The Legacy of Francois Rabbath, from Cincinnati 1978–95 to the World!
|
Jan 30, 2025 |
1077: Alexandre Piazza on the "three worlds" of electric bass, jazz, and classical
|
Jan 23, 2025 |
1076: Yuka Tadano's Musical Odyssey to 1st call Broadway Bassist
|
Jan 16, 2025 |
1075: Redefining Classical Music with Kebra-Seyoun Charles
|
Jan 09, 2025 |
1074: 2024 in review and looking ahead to 2025
|
Jan 02, 2025 |
1073: Sidney King on his multifaceted career
|
Dec 26, 2024 |
1072: Joyful Connections - The Power of Music with Roberto Cassani
|
Dec 19, 2024 |
1071: Tim Cobb on the path to becoming New York Philharmonic Principal Bassist
|
Dec 12, 2024 |
1070: The Story Behind 'Lost Beauty' - Szymon Marciniak on Recording, Repertoire, and Gut Strings
|
Dec 05, 2024 |
1069: Exploring Music and Innovation with Petru Iuga
|
Nov 29, 2024 |
1068: Mastering Double Bass and Digital Presence with Emilse Rios
|
Nov 21, 2024 |
1067: Jazz Bass 101 with Matt Rybicki
|
Nov 15, 2024 |
1066: Brian Powell on Stravinsky for the double bass
|
Nov 07, 2024 |
1065: From Choral Singing to Bass Fiddler - Nate Sabat’s Musical Journey
|
Oct 31, 2024 |
1064: Exploring Intonation - A Double Bass Journey with Lauren Pierce
|
Oct 24, 2024 |
1063: Financial Strategies for Young Musicians with Trevor Jones
|
Oct 17, 2024 |
1062: Ali Watson - A Journey Through Jazz from London to Glasgow and Beyond
|
Oct 10, 2024 |
1061: From Biology to Bass - Aidan Plank's Musical Journey
|
Oct 03, 2024 |
1060: Mastering Auditions Through Technique and Intonation with Daniel Chiva Sanz
|
Sep 26, 2024 |
1059: Exploring the Rich Soundscape of Gut Strings with Ernst Glerum
|
Sep 19, 2024 |
1058: Into the Light with Sasha Witteveen
|
Sep 12, 2024 |
1057: From Naples to Berlin with Giuseppe Bottiglieri
|
Sep 05, 2024 |
1056: Mark Morton and his awesome books
|
Aug 29, 2024 |
1055: Audition prep with Brendan Fitzgerald
|
Aug 22, 2024 |
1054: Exploring the Rhythms of Tango with Pascale Delache Feldman, Emmanuel Feldman, and Victor Cayres
|
Aug 15, 2024 |
1053: Exploring Jazz Innovations with Bassist Richard Andersson
|
Aug 08, 2024 |
1052: Daniel Kimbro's solo album 'Carpet in the Kitchen'
|
Aug 01, 2024 |
1051: Alessandro Fongaro on his journey from Italy to the Netherlands
|
Jul 25, 2024 |
1050: Ben Ticknor on Never Come Down
|
Jul 18, 2024 |
1049: Renata Soares Caceres on Bass Bites
|
Jul 11, 2024 |
1048: Peter Dominguez on The Milt Hinton Institute for Studio Bass
|
Jul 04, 2024 |
1047: Mike Gaisbacher on bowmaking
|
Jun 27, 2024 |
1046: Sam Suggs on his double bass journey
|
Jun 20, 2024 |
1045: Stephanie Patterson on the value of community orchestras
|
Jun 13, 2024 |
1044: Robin Kesselman on Bow Speed Geography
|
Jun 06, 2024 |
1043: Paul Thompson on the evolution of pdbass
|
May 30, 2024 |
1042: Carlos Pino and Dana Saba on Between the Bass
|
May 23, 2024 |
1041: Peter Doubrovsky and Brandino on 5 string double basses
|
May 16, 2024 |
1040: Alejandro Arenas on jazz gigging and teaching
|
May 09, 2024 |
1039: Mark Dresser on Tines of Change
|
May 02, 2024 |
1038: Gustavo Lorenzatti on tango bass and composition
|
Apr 25, 2024 |
1037: Anne Luna on bluegrass bass
|
Apr 18, 2024 |
1036: Matt Rybicki on learning jazz bass
|
Apr 11, 2024 |
1035: Dominik Wagner on his double bass journey
|
Apr 04, 2024 |
1034: Adnata Ensemble on their bass quartet album
|
Mar 28, 2024 |
1033: Sam Loeck on his audition path
|
Mar 21, 2024 |
1032: Stephen Tramontozzi on Basso Novo
|
Mar 14, 2024 |
Bonus: Szymon Marciniak on The Hertl Project
|
Mar 13, 2024 |
1031: Lauren Pierce on Basstudes
|
Mar 07, 2024 |
1030: Sean Michael Casey on Progressive Orchestral Excerpts
|
Feb 29, 2024 |
1029: Jordyn Davis on Compose the Way
|
Feb 22, 2024 |
1028: Jacob Warren on his Debussy Cello Sonata transcription
|
Feb 15, 2024 |
1027: Mark Foley on his Double Bass Concerto
|
Feb 08, 2024 |
1026: The Only Girl in the Orchestra
|
Feb 01, 2024 |
1025: Michael Bates on Lutoslawski
|
Jan 25, 2024 |
1024: Hein Van de Geyn on his jazz bass journey
|
Jan 18, 2024 |
1023: Thoughts on 2023 and beyond
|
Jan 11, 2024 |
1022: Steve Husted on San Francisco, Austin, and his new album
|
Jan 04, 2024 |
1021: Sonia Ray on her creative double bass career
|
Dec 21, 2023 |
1020: Gregg Goodhart on practicing and improvement
|
Dec 14, 2023 |
1019: Cécile-Laure Kouassi on her EP Beaux Jours
|
Dec 07, 2023 |
1018: Drew Banzhaf on his audition path to the Malmö Symphony
|
Nov 30, 2023 |
1017: Gregg August on balancing jazz, classical, and composition
|
Nov 24, 2023 |
1016: Kostas Patsiotis on Greece and October
|
Nov 16, 2023 |
1015: Jesse Dietschi on balancing jazz and classical playing
|
Nov 10, 2023 |
1014: Joseph Whitt on a career as a military bassist
|
Nov 02, 2023 |
1013: Marty Isenberg on "The Way I Feel Inside" - Inspired by the films of Wes Anderson
|
Oct 26, 2023 |
1012: Phoebe Russell on Smash Your Audition
|
Oct 19, 2023 |
1011: Bobby Scharmann on winning an orchestra audition
|
Oct 12, 2023 |
1010: Lorraine Chai on music theory for young double bassists
|
Oct 05, 2023 |
1009: Susan Hagen on her new edition of BASSics for Bass
|
Sep 28, 2023 |
1008: Pete Lampe on building his own double basses
|
Sep 21, 2023 |
1007: Behind the scenes with Ear Trumpet Labs
|
Sep 15, 2023 |
1006: Abe Gumroyan freelancing chat
|
Sep 07, 2023 |
1005: Lauren Pierce on Scales
|
Aug 31, 2023 |
1004: Jacob Warren on his multi-style career
|
Aug 25, 2023 |
1003: Tacet No More with Joseph Conyers and Yumi Kendall
|
Aug 17, 2023 |
1002: Krista Kopper on excavating your creativity
|
Aug 10, 2023 |
1001: Gael McKeon interviews Jason
|
Aug 03, 2023 |
1000: Live in San Francisco with Chuck Israels, Charles Chandler, Amos Yang, and Andres Martin
|
Jul 25, 2023 |
999: How to bring up your energy for a performance with Louis Levitt
|
Jul 20, 2023 |
998: How to warm up in ANY situation (silent and effective!) with Louis Levitt
|
Jul 13, 2023 |
997: Arnold Schnitzer on The Handy Double Bassist
|
Jul 06, 2023 |
996: Change a string in record time with Louis Levitt
|
Jun 29, 2023 |
995: John Kennedy on teaching
|
Jun 22, 2023 |
994: Nick Lloyd on his bench copy of Edgar Meyer's Gabrielli double bass
|
Jun 15, 2023 |
993: Bill Harrison on Making the Low Notes
|
Jun 08, 2023 |
992: Sean O’Hara on long-term progress
|
Jun 01, 2023 |
991: Szymon Marciniak and Evan Mitchell on their bass and piano partnership
|
May 25, 2023 |
990: Nicole Melrose on double bass strings
|
May 18, 2023 |
989: Alexander Verster on composition and London freelance life
|
May 11, 2023 |
988: Kaelan Decman on his audition path and process
|
May 04, 2023 |
987: Jonathan Colbert on career possibilities
|
Apr 27, 2023 |
986: Lauren Pierce on how to learn a piece
|
Apr 20, 2023 |
985: Sebastiano Dessanay on 377 and multidisciplinary creativity
|
Apr 13, 2023 |
984: Dan McCain on Moments in Time
|
Apr 06, 2023 |
983: Nataly Linares on young bassist education
|
Mar 30, 2023 |
982: Zachary Martin and Scott Pingel on double bass restoration
|
Mar 23, 2023 |
981: Jason on the Touching Greatness Podcast
|
Mar 16, 2023 |
980: Podcast vs. Video - How I decide what format to use
|
Mar 09, 2023 |
979: Andy Moritz on Scale Skills for double bass
|
Mar 02, 2023 |
978: Are bridge adjusters a good idea on double bass?
|
Feb 27, 2023 |
977: Gael McKeon on building double basses
|
Feb 24, 2023 |
976: 6 apps that help my double bass practicing
|
Feb 20, 2023 |
975: Roberto Cassani of poet / shuts / clock
|
Feb 16, 2023 |
974: About George Bornoff with Jacob Dakon
|
Feb 13, 2023 |
973: Nisse Palm on Chain of Sounds
|
Feb 09, 2023 |
972: Exploring the universe of double bass harmonics
|
Feb 06, 2023 |
971: Dan Carson on his path to the Chicago Symphony bass section
|
Feb 02, 2023 |
970: Four winter bass events you should know about
|
Jan 30, 2023 |
969: Chuck Israels on his new bass and upcoming projects
|
Jan 26, 2023 |
968: Cole Davis - The New Simandl
|
Jan 24, 2023 |
967: Thoughts on Simandl vs Rabbath as foundational double bass methods
|
Jan 19, 2023 |
966: My current favorite solo double bass pieces
|
Jan 12, 2023 |
965: Hagai Bilitzky on New Sound of the Middle East
|
Jan 09, 2023 |
964: 10 most ANNOYING stand partner traits for double bassists
|
Jan 05, 2023 |
963: Nina Bernat on chamber music and career possibilities
|
Jan 02, 2023 |
962: Happy Holidays and plans for 2023
|
Dec 29, 2022 |
961: Nick Scholefield on winning a position in the Atlanta Symphony
|
Dec 26, 2022 |
960: Transcribing pieces for the double bass - pros and cons
|
Dec 22, 2022 |
959: Lynn Hannings on bow making and sustainability
|
Dec 19, 2022 |
958: Choosing double bass strings
|
Dec 15, 2022 |
957: Rufus Reid on his life in jazz
|
Dec 12, 2022 |
956: 15 practicing mistakes and how to fix them
|
Dec 09, 2022 |
955: Christian Hales on auditioning and his path so far
|
Dec 07, 2022 |
954: Tell us your story!
|
Dec 01, 2022 |
953: Gloria Jones Allgood on her Atlanta Symphony Orchestra journey
|
Nov 28, 2022 |
952: The story behind DBHQ
|
Nov 25, 2022 |
951: Richard Andersson on his jazz bass journey
|
Nov 21, 2022 |
950: Choosing double bass rosin - what’s best for your needs?
|
Nov 18, 2022 |
949: Sienna George on double bass mutes
|
Nov 16, 2022 |
948: How to pizzicato faster on double bass!
|
Nov 11, 2022 |
947: Ultimate Music Business Summit 2023
|
Nov 09, 2022 |
946: How DO you find good fingerings for double bass parts?
|
Nov 04, 2022 |
945: Valentina Ciardelli on Ruutsu
|
Nov 02, 2022 |
944: Tenor and Treble clef on double bass
|
Oct 28, 2022 |
943: Mark Roman on his album, Seasonal Allergies
|
Oct 24, 2022 |
938: Remembering Kelly Sill
|
Oct 20, 2022 |
937: Joel Braun on Unaccompanied
|
Oct 17, 2022 |
936: Phrasing on the double bass
|
Oct 06, 2022 |
935: Mark Gollihur on the bass business
|
Oct 03, 2022 |
934: Remembering Wolfgang Guettler
|
Sep 29, 2022 |
933: Don Prell - Double Bass Legend - Part 1
|
Sep 27, 2022 |
932: Scale "hacks" for the double bass
|
Sep 22, 2022 |
931: Debbie Lyle on George Bornoff
|
Sep 19, 2022 |
930: How harmonics work on the double bass
|
Sep 15, 2022 |
929: Ethan Phillion on Charles Mingus
|
Sep 12, 2022 |
928: What I practice when my time is limited
|
Sep 08, 2022 |
927: Holly Reinhardt on being a UK bass student
|
Sep 05, 2022 |
926: What part of the thumb do I use for thumb position?
|
Sep 01, 2022 |
925: Jon Liebman on For Bass Players Only
|
Aug 29, 2022 |
924: The strangest double bass videos
|
Aug 25, 2022 |
923: Cole Davis on scales for jazz bassists
|
Aug 22, 2022 |
922: Top 10 double bass excerpts
|
Aug 18, 2022 |
921: Conversations in Germany
|
Aug 15, 2022 |
920: My recital from the Rabbath Institute Los Angeles (2022)
|
Aug 11, 2022 |
919: Jon Button on The Who, Roger Daltrey, and Shakira (with guest host Katie Thiroux!)
|
Aug 08, 2022 |
918: Parts of the double bass
|
Aug 04, 2022 |
917: Dave Anderson’s bass music back in print!
|
Aug 01, 2022 |
916: How to tune a double bass
|
Jun 30, 2022 |
915: Learning double bass as an adult
|
Jun 27, 2022 |
914: The German double bass scene
|
Jun 23, 2022 |
913: Uli Schneider on the German bass community
|
Jun 20, 2022 |
912: Making Thumb Position less scary for double bass
|
Jun 16, 2022 |
911: Fer Acosta on connecting the Latin American double bass community
|
Jun 13, 2022 |
910: Why extensions on double bass?
|
Jun 09, 2022 |
909: Kyle Motl on harmonics and sound worlds
|
Jun 06, 2022 |
908: A cool new bass quartet for students or pros
|
Jun 02, 2022 |
907: Eli Broxham on his Newgrass path
|
May 30, 2022 |
906: 12 tips to ACTUALLY get better at double bass
|
May 26, 2022 |
905: A cool double bass camp in France!
|
May 23, 2022 |
904: Thoughts on Nicholas Walker's Chorale
|
May 19, 2022 |
903: Renée-Paule Gauthier on life coaching
|
May 16, 2022 |
902: Fixing collapsing left hand fingers
|
May 12, 2022 |
901: Luis Celis on auditioning
|
May 09, 2022 |
900: Joe Policastro live from Cincinnati
|
May 05, 2022 |
899: Barry Green in Ohio
|
May 02, 2022 |
898: Intonation "hacks"
|
Apr 28, 2022 |
897: Tom Fiorini on electric bass concertos
|
Apr 25, 2022 |
896: Bass camps - my thoughts
|
Apr 21, 2022 |
895: Richard Duke on bass camps
|
Apr 18, 2022 |
894: Getting older - my thoughts
|
Apr 14, 2022 |
893: Johnny Hamil's new podcast
|
Apr 11, 2022 |
892: Deliberate practice
|
Apr 07, 2022 |
891: Jackson Jay Kidder on singing and playing the double bass
|
Apr 04, 2022 |
890: Nina DeCesare in San Francisco
|
Mar 31, 2022 |
889: Susan Hagen on warming up on the double bass
|
Mar 28, 2022 |
888: Auditions and more - live from the 2022 Pittsburgh Double Bass Symposium
|
Mar 24, 2022 |
887: Peter Willems on singing plus bass
|
Mar 21, 2022 |
886: Weird bowing sounds
|
Mar 17, 2022 |
885: Gahlord Dewald on moving to Hawaii
|
Mar 14, 2022 |
884: The first bass lesson
|
Mar 10, 2022 |
883: Christopher Sutton On Musical U
|
Mar 07, 2022 |
882: What I carry to the gig
|
Mar 03, 2022 |
881: Paul Cannon on Polyglot and modern music
|
Feb 28, 2022 |
880: Breaking out of your stylistic comfort zone
|
Feb 24, 2022 |
879: Lawrence Wolfe on composition
|
Feb 21, 2022 |
878: Orchestra vs Jazz Pizz
|
Feb 17, 2022 |
877: Stephen Tramontozzi on Urban Bass
|
Feb 14, 2022 |
876: Approaching Bach on the bass - what I’ve learned
|
Feb 10, 2022 |
875: Daniel Spreadbury and Garrett Hope on Dorico
|
Feb 07, 2022 |
874: How I learn a new piece
|
Feb 03, 2022 |
873: Wabass alumni podcast
|
Jan 31, 2022 |
872: Staying healthy on the bass
|
Jan 27, 2022 |
871: Joe Rosato Jr. on storytelling
|
Jan 24, 2022 |
870: German vs French bow
|
Jan 20, 2022 |
869: Ali Cook on moving to Austin and high-level subbing
|
Jan 17, 2022 |
868: Is it cheating to mark the fingerboard?
|
Jan 13, 2022 |
867: Kai Jack on bass community development
|
Jan 10, 2022 |
866: The "rules" of double bass fingering
|
Jan 06, 2022 |
865: Remembering Inez Wyrick
|
Jan 03, 2022 |
864: Reflections on 2021
|
Dec 30, 2021 |
863: Metrics and milestones
|
Dec 27, 2021 |
862 - celebrating 10,000 subscribers!
|
Dec 23, 2021 |
861: Orin O'Brien - from the archives
|
Dec 20, 2021 |
860: Composing new music for double bass
|
Dec 17, 2021 |
859: Molly Sharp on intonation
|
Dec 13, 2021 |
858: Allan Santos on the Touching Greatness podcast
|
Dec 09, 2021 |
857: Steve Tramontozzi on Home Bass
|
Dec 06, 2021 |
856: Peter Seymour on teaching the modern bassist
|
Dec 02, 2021 |
855: Nicole Melrose on early bass pedagogy
|
Nov 27, 2021 |
854: Cole Davis on jazz career development
|
Nov 18, 2021 |
853: Alberto Bocini on Bottesini
|
Nov 15, 2021 |
852: Andrew Arceci on leading from the bass
|
Nov 11, 2021 |
851: Michael Geib on recording two albums
|
Nov 08, 2021 |
850: Noelle Marty on hiking the Pacific Crest Trail
|
Nov 04, 2021 |
849: Ultimate Music Business Summit
|
Nov 01, 2021 |
848: Harvey Estrada and Brandino
|
Oct 28, 2021 |
847: Brandino is back!
|
Oct 25, 2021 |
846: The FBI seized my bass course!
|
Oct 21, 2021 |
845: Andrés Martín’s solo bass launch
|
Oct 18, 2021 |
844: Elsen Price on Gastronomy Astrology
|
Oct 14, 2021 |
843: Marek Romanowski on Contemporary Sonatas
|
Oct 11, 2021 |
842: Stephanie Patterson revisits adult learning
|
Oct 07, 2021 |
841: Marc Johnson on solo bass
|
Oct 04, 2021 |
840: Micah Howard on the Carnegie Mellon University bass program
|
Sep 30, 2021 |
839: Study with Valentina Ciardelli!
|
Sep 27, 2021 |
838: Michael Bates and his jazz journey
|
Sep 23, 2021 |
837: Frank Lestina on teaching
|
Sep 20, 2021 |
836: Christian Fabian catch-up
|
Sep 17, 2021 |
836: Joseph Brown on pipe organs
|
Sep 13, 2021 |
834: Michael Fanelli on Paul Rolland
|
Sep 09, 2021 |
833: Jeffrey Zimmerman on Stuart Knussen
|
Sep 06, 2021 |
832: James Oesi on the Dutch Double Bass Festival
|
Sep 02, 2021 |
832: Ishani Bhoola on International Youth Orchestra Bridges
|
Aug 30, 2021 |
830: Susanna Klein and Randall Pharr on Clipza
|
Aug 26, 2021 |
829: Chris West on Bottesini in Britain
|
Aug 23, 2021 |
828: Paul and Ella Sharpe
|
Aug 19, 2021 |
827: Andrew Reinartz on the South Dakota scene
|
Aug 16, 2021 |
826: Intern with us!
|
Aug 12, 2021 |
825: Wabass Institute 2021 - a look back
|
Aug 09, 2021 |
824: Rabbath Institute 2021
|
Aug 05, 2021 |
823: Why I Keep Doing This Podcast
|
Aug 02, 2021 |
822: Nick Tsiavos on his bass universe
|
Jul 29, 2021 |
821: Isaline Leloup on 18th Century Viennese Bass Music
|
Jul 26, 2021 |
820: Rodney Jordan and Christian Fabian on Conversations
|
Jul 22, 2021 |
819: Eleanor Martindale on RCR Double Bass Camp 2021
|
Jul 19, 2021 |
818: Christian Gray on opera bass life
|
Jul 15, 2021 |
817: Ben Hanlon on Stravinsky in duo form
|
Jul 12, 2021 |
816: Noah Reitman on his path to the Vancouver Symphony
|
Jul 08, 2021 |
815: Bram De Man on his luthier journey
|
Jul 06, 2021 |
814: Travis Harrison on the Canadian School of Double Bass
|
Jul 01, 2021 |
813: Bass Players for Black Composers
|
Jun 28, 2021 |
812: Paul Leverger on Newzik
|
Jun 24, 2021 |
811: Patrick Staples on bowmaking
|
Jun 21, 2021 |
810: Christopher Jeffer on Cat's Cradle
|
Jun 17, 2021 |
809: Trevor Jones on our sheet music store
|
Jun 14, 2021 |
808: Rob Knopper on online learning
|
Jun 10, 2021 |
807: Build a Bass 2021
|
Jun 07, 2021 |
806: Nicky Schwartz on Stolen Pearls
|
Jun 03, 2021 |
805: Nina DeCesare on moving to Baltimore
|
May 31, 2021 |
804: Jonathan Borden on YouTube
|
May 27, 2021 |
803: Tony Alcock on three-dimensional careers
|
May 24, 2021 |
802: Isaac Trapkus on IMSLP and his path
|
May 20, 2021 |
801: Marc Gelfo on the art of learning
|
May 17, 2021 |
800: Erica Bramham on pandemic projects
|
May 13, 2021 |
799: Mary Rannie on writing Life on the G String
|
May 10, 2021 |
798: Michael Fuller on his orchestral journey
|
May 06, 2021 |
797: Daniel Chiva Sanz on a newly discovered bass concerto
|
May 03, 2021 |
796: Peter Rofé on his orchestral career
|
Apr 29, 2021 |
795: Kenneth Knudson on Uummat and beyond
|
Apr 26, 2021 |
794: Bassists with Boobs
|
Apr 22, 2021 |
793: Roberto Cassani on Ansema We Stand
|
Apr 19, 2021 |
792: Mark Helias on pandemic collaborations
|
Apr 15, 2021 |
791: Petru Iuga on teaching and inspiration
|
Apr 12, 2021 |
790: Bernardo Alviz on working through an injury
|
Apr 08, 2021 |
789: Shawn Conley on his bass path
|
Apr 05, 2021 |
788: Travis Gore on orchestra life during a pandemic
|
Apr 01, 2021 |
787: ISB Young Bassist Program Preview
|
Mar 29, 2021 |
786: Stephen Street on publishing and Bottesini
|
Mar 25, 2021 |
785: Anne-Gabrièle Douce on piano and bass
|
Mar 22, 2021 |
784: Makram Aboul Hosn on the Beirut jazz scene
|
Mar 18, 2021 |
783: John Goldsby on Tell Your Story
|
Mar 15, 2021 |
782: Dave Anderson on a life in composition
|
Mar 11, 2021 |
781: Charles Laux on podcasting for orchestra teachers
|
Mar 08, 2021 |
780: Ivy Wong on her orchestral path
|
Mar 04, 2021 |
779: Charles Chandler, Amos Yang, and Shinji Eshima on 2LOW
|
Mar 01, 2021 |
778: Mitch Moehring on his luthier journey
|
Feb 25, 2021 |
777: Tobias Glöckler on urtext editions
|
Feb 22, 2021 |
776: James Barket on teaching and bass history
|
Feb 18, 2021 |
775: Katie Eakes on Alaskan bass life
|
Feb 15, 2021 |
774: Dave Krehbiel on going through the door
|
Feb 11, 2021 |
773: Korneel Le Compte on early bass traditions
|
Feb 08, 2021 |
780: Ivy Wong on her orchestral path
|
Feb 04, 2021 |
772: Danny Ziemann on jazz bass soloing
|
Feb 04, 2021 |
779: Charles Chandler, Amos Yang, and Shinji Eshima on 2LOW
|
Feb 01, 2021 |
771: Krista Kopper on two years of podcasting
|
Feb 01, 2021 |
770: Barry Green on thinking ahead
|
Jan 28, 2021 |
769: Hal Robinson, Ranaan Meyer, and Eric Larson on Wabass
|
Jan 25, 2021 |
768: Aaron Olguin on orchestral playing
|
Jan 21, 2021 |
767: John Van Lierop on orchestral playing
|
Jan 18, 2021 |
766: Thomas Fiorini on orchestral playing
|
Jan 14, 2021 |
765: Michael Kurth on composition
|
Jan 11, 2021 |
764: Brent Edmondson on composing for Netflix
|
Jan 07, 2021 |
763: Paul Thompson on developing his YouTube Channel
|
Jan 04, 2021 |
762: Jon McCullough-Benner on The Auditioning Bassist's Tool Kit
|
Jan 02, 2021 |
761: Zach VanderGraaff on teaching general music during a pandemic
|
Dec 28, 2020 |
760: Garrett Hope on Dorico and portfolio careers
|
Dec 26, 2020 |
759: Susan Cahill on reimagining senior recitals
|
Dec 21, 2020 |
758: Trevor Jones on the cost of college
|
Dec 17, 2020 |
757: David White on music school vs real world experience
|
Dec 14, 2020 |
756: Brandi Disterheft on Surfboard and NYC life
|
Dec 10, 2020 |
755: Jeremy Watt on pandemic projects and auditioning later in life
|
Dec 07, 2020 |
754: Kris Funn on life in the greatest city in America
|
Dec 03, 2020 |
753: Bobby Scharmann on leveling up on YouTube
|
Nov 30, 2020 |
752: James Newcomb and Jason talk podcasting and business
|
Nov 23, 2020 |
751: Alison Rayner on a life in jazz
|
Nov 19, 2020 |
750: Scott Pingel and Metallica
|
Nov 16, 2020 |
749: Mike Bullock on the experimental bass scene
|
Nov 12, 2020 |
748: Luke Stewart on the Washington, DC music scene
|
Nov 09, 2020 |
747: Daniel Spreadbury on next-generation music notation
|
Nov 05, 2020 |
746: Nicholas Walker on benefits of remote teaching
|
Nov 02, 2020 |
745: Heiri Kaenzig on jazz and World Music
|
Oct 29, 2020 |
744: Networked Music Performance with Michael Dessen, Mark Dresser, and Jan Stoltenberg
|
Oct 26, 2020 |
743: Do We Need Music School with Jason Haaheim
|
Oct 22, 2020 |
742: An Impossible Choice with Zach Finkelstein and Dana Lynne Varga
|
Oct 19, 2020 |
741: Derrick Hodge on Color of Noize
|
Oct 15, 2020 |
740: Linda May Han Oh on her artistic journey
|
Oct 12, 2020 |
739: Jeff Picker on creating his own genre
|
Oct 08, 2020 |
Christopher Still launches Honesty Pill podcast
|
Oct 07, 2020 |
Adam Booker and Miles Brown on new ISB youth competition
|
Oct 07, 2020 |
738: Ian Hallas on four auditions for the same ensemble
|
Oct 05, 2020 |
737: Musicians for the World
|
Oct 01, 2020 |
736: Fumi Tomita on playing jazz and academia
|
Sep 28, 2020 |
735: Chris Lightcap on forging a path in jazz
|
Sep 24, 2020 |
Creating a Discover Double Bass Course - a look inside my process
|
Sep 23, 2020 |
734: Heidi Kay Begay of Flute 360 podcast
|
Sep 21, 2020 |
733: Alan Lewine on Sephardic Treasures
|
Sep 17, 2020 |
732: Tomoya Amori of AKDuo
|
Sep 14, 2020 |
731: Katie Thiroux launches The Hump
|
Sep 10, 2020 |
730: Deep Tones for Peace with Mark Dresser and William Parker
|
Sep 07, 2020 |
729: Jon Liebman on developing For Bass Players Only
|
Sep 03, 2020 |
728: Ian Allison on finding his niche
|
Aug 31, 2020 |
727: Alyssa Peterson on launching a podcast
|
Aug 27, 2020 |
726: Jason Haahiem on how to actually improve
|
Aug 24, 2020 |
725: Richard Myron on early music
|
Aug 20, 2020 |
724: Jonathan Haskell reflects on new directions
|
Aug 17, 2020 |
723: T. Alan Stewart on his musical journey
|
Aug 13, 2020 |
722: Andrea Beyer on auditions and teaching
|
Aug 10, 2020 |
721: Gahlord Dewald on water tank acoustics
|
Aug 06, 2020 |
720: Giovanni Sanguineti on visual composition
|
Aug 03, 2020 |
719: Olivier Babaz on The Creative Improvisor
|
Jul 30, 2020 |
718: Brendan Fitzgerald on audition prep
|
Jul 27, 2020 |
717: Josh Skinner on the Lionel Hampton Jazz Festival
|
Jul 23, 2020 |
716: Christian Dillingham on joining the Indiana University faculty
|
Jul 20, 2020 |
715: Sam Morel on bass making
|
Jul 16, 2020 |
714: Stephen P. Brown on flipping your approach
|
Jul 14, 2020 |
713: Annie Bosler and Trevor Jones
|
Jul 09, 2020 |
713: Rob Kassinger and Trevor Jones: The Scholarship Roadmap
|
Jul 08, 2020 |
712: James Day and Trevor Jones: The Scholarship Roadmap
|
Jul 07, 2020 |
711: The Scholarship Roadmap with Trevor Jones
|
Jul 06, 2020 |
710: Dan Turkos on crowdfunding during a crisis
|
Jul 02, 2020 |
Johnny Hamil on Bassists 4 Bassists
|
Jul 01, 2020 |
709: Helen Svoboda on her solo album
|
Jun 29, 2020 |
708: Chris Fitzgerald on jujitsu and bass
|
Jun 25, 2020 |
Bonus: Sara Neilson, Online Beginner Bass Camp
|
Jun 24, 2020 |
707: Susanna Klein on Practizma
|
Jun 22, 2020 |
706: Tom Walley on staying active during quarantine
|
Jun 18, 2020 |
705: Hans Roelofsen and Rudolf Senn on bass duo adventures
|
Jun 15, 2020 |
704: Bill Rinehart and Jaime Slutzky on online learning
|
Jun 11, 2020 |
703: Abo Gumroyan on taking chances
|
Jun 08, 2020 |
702: Mary Javian on career development
|
Jun 04, 2020 |
701: Carlos Barriento and Opportunity Music Project
|
Jun 01, 2020 |
700: Drew Gress on jazz, birdwatching, and creativity
|
May 28, 2020 |
699: Marcos Machado on Tao of Bass Volume 2
|
May 25, 2020 |
698: Miles Perkin on extended techniques
|
May 21, 2020 |
697: Susan Cahill on staying inspired under quarantine
|
May 18, 2020 |
696: Jaromir Honzak on the Czech jazz scene
|
May 14, 2020 |
695: Andrew Goins on the Texas Online Bass Camp
|
May 12, 2020 |
694: Ryan Roberts on podcasting
|
May 11, 2020 |
693: Elisa Janson Jones on online learning
|
May 07, 2020 |
692: Elsen Price on diverse projects
|
May 04, 2020 |
691: Hugh Sung on online teaching
|
Apr 30, 2020 |
690: Morgan Daly of ContraCover
|
Apr 27, 2020 |
689: Dmitry Gorodetsky on reinventing himself
|
Apr 23, 2020 |
688: Christian Fabian on a life in jazz
|
Apr 20, 2020 |
687: Eleanor Martindale on RCR Bass Camp
|
Apr 16, 2020 |
686: Dennis Whittaker on Incredibly Useful Exercises
|
Apr 13, 2020 |
685: Barry Lieberman on retirement and bass legends
|
Apr 10, 2020 |
684: Kieran Hanlon on Bass Fest and Eccles
|
Apr 06, 2020 |
683: Valentina Ciardelli on arranging
|
Apr 02, 2020 |
682: Lizzie Burns on chamber music and community engagement
|
Mar 31, 2020 |
681: Gary Karr and his Influence
|
Mar 26, 2020 |
680: Working as a Jazz Bassist
|
Mar 23, 2020 |
679: Ranaan Meyer on COVID-19 and staying positive
|
Mar 20, 2020 |
678: Inside America's Major Orchestras
|
Mar 19, 2020 |
677: Bass Gear Geek-out
|
Mar 16, 2020 |
676: Working With the Jazz Greats
|
Mar 12, 2020 |
675: Improv and Learning in Jazz
|
Mar 09, 2020 |
674: Developing Your Sound
|
Mar 05, 2020 |
673: What Makes a Teacher Great?
|
Mar 02, 2020 |
672: Stephen Newton on composition
|
Feb 27, 2020 |
671: Eleonore Oppenheim on creating your own opportunities
|
Feb 24, 2020 |
670: Stuart Riley on global musical adventures
|
Feb 20, 2020 |
669: Ben Hanlon on the Melbourne jazz scene
|
Feb 17, 2020 |
668: Sebastiano Dessanay on cycling across Sardinia
|
Feb 13, 2020 |
667: Lila Horovitz on tango, Spain, and theater
|
Feb 10, 2020 |
666: Kees Boersma on Sydney Symphony principal bass life
|
Feb 06, 2020 |
665: Cécile-Laure Kouassi on France, Norway, and development
|
Feb 03, 2020 |
664: Yuriy Galkin on Russia, composition, and adventure
|
Jan 30, 2020 |
663: Sasha Witteveen on building a bass career
|
Jan 27, 2020 |
662: Steve Reeves on principal bass roles
|
Jan 24, 2020 |
661: Kirsty McCahon on a life in music
|
Jan 20, 2020 |
660: Maxime Bibeau on Gasparo de Salo basses
|
Jan 16, 2020 |
659: Ben Robertson on jazz bass in Australia
|
Jan 13, 2020 |
658: Jack Unzicker and Martha Walvoord new duo album
|
Jan 09, 2020 |
657: Diego Zecharies on launching new projects
|
Jan 06, 2020 |
656: Collegia Houston with Grace Lewis
|
Jan 02, 2020 |
655: A look back at 2019
|
Dec 30, 2019 |
654: Stephen P Brown on building a performing career
|
Dec 26, 2019 |
653: Sean Perrin on business
|
Dec 23, 2019 |
652: Gary Peacock - best of
|
Dec 19, 2019 |
651: Christian McBride
|
Dec 16, 2019 |
650: Larry Grenadier - best of
|
Dec 12, 2019 |
649: Angela Beeching on Beyond Talent
|
Dec 09, 2019 |
648: Jory Herman on narration and bass
|
Dec 05, 2019 |
647: Don Messina on Lennie Tristano
|
Dec 02, 2019 |
646: Jeremy Baguyos on computer music
|
Nov 29, 2019 |
645: Norman Ludwin on orchestration
|
Nov 25, 2019 |
644: Susan Hagen on Boston bass life
|
Nov 21, 2019 |
643: Pawel Knapik on Polish bass music
|
Nov 18, 2019 |
642: Roberto Cassani on folk music and fame
|
Nov 14, 2019 |
641: Brianna Goldberg on bows and business
|
Nov 11, 2019 |
640: Low Down Publishing with Danny Ziemann
|
Nov 07, 2019 |
639: Nina Harries on celebrating creativity
|
Nov 04, 2019 |
638: Dan Robbins on balancing multiple interests
|
Oct 31, 2019 |
637: Robert Landfermann on free jazz
|
Oct 28, 2019 |
636: David Neubert on online learning
|
Oct 24, 2019 |
635: Xavier Foley on empire building
|
Oct 21, 2019 |
634: Dan Styffe on exploring new musical territories
|
Oct 17, 2019 |
633: Nick Scales on West Texas life
|
Oct 14, 2019 |
632: Fausto Borem on Brazilian musical explorations
|
Oct 10, 2019 |
631: Helen Svoboda on finding your voice
|
Oct 07, 2019 |
630: Vassilis Papavassiliou revisits vibrato
|
Oct 03, 2019 |
Help make Walking the Changes happen on Kickstarter!
|
Oct 01, 2019 |
629: Bert Witzel on auditioning
|
Sep 30, 2019 |
628: Michael Trowbridge on conducting and arranging
|
Sep 26, 2019 |
Melbourne Bass Day preview with Rob Nairn
|
Sep 24, 2019 |
627: Andres Martin on changing your life
|
Sep 23, 2019 |
626: Elisa Janson Jones on vulnerability and challenges
|
Sep 19, 2019 |
625: Brian Bromberg on drums, education, and recording a bass
|
Sep 16, 2019 |
624: Jean-Philippe Viret on jazz and composition
|
Sep 12, 2019 |
623: Valentina Ciardelli on making your own path
|
Sep 09, 2019 |
622: Christian Dillingham
|
Sep 05, 2019 |
621: Erica Bramham on her double bass journey
|
Sep 02, 2019 |
620: Ehud Ettun on jazz explorations
|
Aug 29, 2019 |
619: Lloyd Goldstein on making a difference
|
Aug 26, 2019 |
618: Departure Duo on 30 hours of new music
|
Aug 22, 2019 |
617: Amanda Rice-Johnston on freelance life
|
Aug 19, 2019 |
616: Larry Hutchinson on a life in music
|
Aug 15, 2019 |
615: Brett Shurtliffe on auditions and winter adventures
|
Aug 12, 2019 |
614: Naj Qureshi of Ottava Imports
|
Aug 08, 2019 |
613: Chris Kosky on The Thumb Transition Zone
|
Aug 05, 2019 |
612: Hector Tirado on proprioception
|
Aug 01, 2019 |
611: Tom Knific on creative careers
|
Jul 29, 2019 |
610: Audrey Jo Williams on teaching
|
Jul 25, 2019 |
609: Claus Freudenstein and UNIO
|
Jul 22, 2019 |
608: Trevor Jones on building this business
|
Jul 18, 2019 |
607: Sarah Hogan Kaiser on mid-career auditions
|
Jul 15, 2019 |
606: Maggie Cox on the PAGE Project
|
Jul 11, 2019 |
605: Joel Braun and Jeremy Kurtz-Harris on growth and development
|
Jul 08, 2019 |
604: Jay Starkes on Lisle Atkinson and the Neo Bass Ensemble
|
Jul 05, 2019 |
603: Desmond Bratton on meditation and purpose
|
Jul 01, 2019 |
602: Adam Booker and Danny Ziemann on jazz education
|
Jun 27, 2019 |
601: Aaron Olguin on solo playing
|
Jun 24, 2019 |
600: Longevity and the Bassist
|
Jun 20, 2019 |
599: Blake Hilley is in high gear
|
Jun 17, 2019 |
598: Sélène Saint-Aime on afro-french explorations
|
Jun 13, 2019 |
597: Stephanie Patterson on adult learners
|
Jun 10, 2019 |
596: Cory Palmer on auditioning and practicing
|
Jun 06, 2019 |
595: Sascha Jacobsen on Tango Bass
|
Jun 03, 2019 |
594: Olivier Babaz on Jazz Bowing
|
May 30, 2019 |
593: Justin Carney and the Kill The Bass Podcast
|
May 27, 2019 |
592: Krista Kopper and The Backstage Creative Podcast
|
May 23, 2019 |
591: Dutch Double Bass Festival
|
May 20, 2019 |
590: Meet New ISB President-Elect Hans Sturm
|
May 16, 2019 |
589: John Goldsby on his Building Up course
|
May 13, 2019 |
588: Kiyoe Wellington on forging your own path
|
May 09, 2019 |
587: Utah Symposium for Double Bass
|
May 06, 2019 |
586: Phoebe Russell on her musical journey
|
May 02, 2019 |
585: Charles Winters of Miami String
|
Apr 29, 2019 |
584: Pablo Aslan on recording projects
|
Apr 25, 2019 |
583: Don Greene on college prep
|
Apr 22, 2019 |
582: Annette Costanzi on developing Progressive Repertoire
|
Apr 18, 2019 |
581: Fumiko Wellington on George Wellington's life and legacy
|
Apr 15, 2019 |
580: Career Advice panel discussion
|
Apr 11, 2019 |
579: Pete Coco
|
Apr 08, 2019 |
578: Bob Phillips
|
Apr 04, 2019 |
577: George Vance in his own words
|
Apr 01, 2019 |
576: Apps I Use for Teaching and Performing
|
Mar 28, 2019 |
575: Modacity and forScore
|
Mar 25, 2019 |
574: EDM and Teaching
|
Mar 21, 2019 |
573: Building Better Bass Sections
|
Mar 18, 2019 |
572: Aligning Life's Activities
|
Mar 14, 2019 |
571: Daily Routines
|
Mar 11, 2019 |
570: study bass in the South of France!
|
Mar 07, 2019 |
569: Andrew Arceci on period performance
|
Mar 04, 2019 |
568: Kenneth Knudson on the Language of Jazz
|
Feb 28, 2019 |
567: Grace Lewis on the ISB
|
Feb 25, 2019 |
567: Lindsay Lam on the ISB
|
Feb 21, 2019 |
566: Patricia Weitzel on the ISB
|
Feb 18, 2019 |
565: Danny Ziemann on jazz harmony
|
Feb 14, 2019 |
564: Rex Surany
|
Feb 11, 2019 |
563: Instrument Rentals with Gareth Montanarello
|
Feb 07, 2019 |
562 - Women in bass with Megan McDevitt
|
Feb 04, 2019 |
561: College Audition Prep
|
Jan 31, 2019 |
560: Mock Auditions at the San Francisco Academy
|
Jan 28, 2019 |
559: effective practice with Don Greene
|
Jan 24, 2019 |
558: Brian Marcus on Feldenkrais Method
|
Jan 21, 2019 |
557: Ralph Alcala on building basses
|
Jan 17, 2019 |
556: Aaron Olguin on solo bass
|
Jan 14, 2019 |
555: Recital Preparation
|
Jan 10, 2019 |
554: Section Bassists
|
Jan 07, 2019 |
553: Musicality vs Technique
|
Jan 04, 2019 |
552: Principal Bassists
|
Jan 02, 2019 |
551: Gary Karr new course!
|
Dec 28, 2018 |
550: Scott Dixon on rebuilding your playing
|
Dec 26, 2018 |
549: Bradley Lovelace on touring life
|
Dec 20, 2018 |
548: iDouble Bass
|
Dec 17, 2018 |
547: Persistence
|
Dec 13, 2018 |
546 - Expat Adventures
|
Dec 10, 2018 |
545: Traveling with a Bass
|
Dec 06, 2018 |
544: Bass Humor
|
Dec 03, 2018 |
543: Yung-Ho Fu on Bach
|
Nov 29, 2018 |
542: Valentina Ciardelli on Frank Zappa and chamber music
|
Nov 26, 2018 |
541: Sean Conly on being a working jazz musician
|
Nov 21, 2018 |
540: Mike Forfia on career decisions
|
Nov 19, 2018 |
539: Michael Thurber on endless possibilities
|
Nov 15, 2018 |
538: Marco Panascia
|
Nov 12, 2018 |
537: ISB - State of the Union
|
Nov 08, 2018 |
536: South African Double Bass Course
|
Nov 05, 2018 |
535: Lisle Atkinson and Jazz legends
|
Nov 01, 2018 |
534: Alanna Jones on auditioning in New Zealand
|
Oct 29, 2018 |
533: Kenny Davis on Jazz and Classical chops
|
Oct 25, 2018 |
532: Blake Hinson on auditioning and practicing
|
Oct 22, 2018 |
531: Ron Wasserman on 1000 Nutcrackers and career diversity
|
Oct 18, 2018 |
530: Barrie Kolstein on 70 years of business
|
Oct 15, 2018 |
529: Upton Bass
|
Oct 11, 2018 |
528: Kieran Hanlon on Bach for the bass
|
Oct 08, 2018 |
527: Michel Taddei on balancing many roles
|
Oct 05, 2018 |
526: Kristin Zoernig on early music
|
Oct 01, 2018 |
525: Geoff Chalmers and the future of technology
|
Sep 27, 2018 |
524: George Vance and his influence
|
Sep 24, 2018 |
[BONUS] Jason Heath on Mind Over Finger Podcast
|
Sep 21, 2018 |
523: David Daly on Titanic Double Bass
|
Sep 20, 2018 |
522: Amy Baltzell on performance anxiety
|
Sep 17, 2018 |
521: Herbert Smith on Brazil and his path there
|
Sep 13, 2018 |
520: Leon Bosch on getting things done
|
Sep 10, 2018 |
519: Carbon Fiber Soundposts
|
Sep 06, 2018 |
518: Vibrato with Vassilis Papavassiliou
|
Sep 03, 2018 |
517: Hagai Bilitzky on Middle Eastern bass
|
Aug 30, 2018 |
516: Jennifer Downing Olsson and her musical journey
|
Aug 27, 2018 |
515: practice better with Modacity
|
Aug 23, 2018 |
514: Grace Lewis is building a cool career
|
Aug 20, 2018 |
513: Bass and Psychotherapy
|
Aug 16, 2018 |
512: What I Wish I'd Known - Advice for Young Musicians
|
Aug 13, 2018 |
511: Edwin Livingston
|
Aug 09, 2018 |
510: Joel Reist of the Nashville Symphony
|
Aug 06, 2018 |
509: Joe Zon, Michael Manring, & Billy Gould
|
Aug 02, 2018 |
508: Ethan Jodziewicz on blazing a path
|
Jul 30, 2018 |
507: gear talk with Donovan Stokes
|
Jul 26, 2018 |
506: Megan McDevitt - Bass + Gender presentation
|
Jul 23, 2018 |
506: Megan McDevitt on women in the bass world
|
Jul 23, 2018 |
505: Matthew Tucker on innovations in bass luthiery
|
Jul 19, 2018 |
504: Katie Thiroux and her dynamic Jazz career
|
Jul 16, 2018 |
503: Micah Howard on life in the Pittsburgh Symphony
|
Jul 12, 2018 |
502: BASS2018 Lucca final details
|
Jul 09, 2018 |
501: How to Practice with Lauren Pierce
|
Jul 09, 2018 |
500: Live from San Francisco!
|
Jul 05, 2018 |
499: Marek Romanowski
|
Jul 02, 2018 |
498: Steve Tramontozzi on his path through the music world
|
Jun 28, 2018 |
497: The State of Young Bass Teaching
|
Jun 25, 2018 |
496: Audition Thoughts from Colin Corner
|
Jun 21, 2018 |
495: Victor Wooten
|
Jun 20, 2018 |
494: Luthier Round Table
|
Jun 18, 2018 |
493: Geoff Neuman balances conducting and gigging
|
Jun 14, 2018 |
492: Joseph McFadden on being true to yourself
|
Jun 11, 2018 |
491: Lois Robinson on disaster recovery
|
Jun 07, 2018 |
490: Thomas Zera on orchestral bass section differences
|
Jun 04, 2018 |
How to work in Germany as a double bass player
|
Jun 01, 2018 |
489: Eric Hansen on teaching and learning
|
May 31, 2018 |
488: Matthew Golombisky on starting a record label
|
May 28, 2018 |
487: Bernard Gallone on left handed bass playing
|
May 24, 2018 |
486: James Ham on double bass innovations
|
May 21, 2018 |
485: Haruki Gonai on competitions
|
May 18, 2018 |
484: Sperger Competition details with Christine Hoock
|
May 16, 2018 |
483: Gael McKeon on his luthier journey
|
May 15, 2018 |
482: Charley Sabatino on the power of theory
|
May 10, 2018 |
481: Ole Wilson on pickups
|
May 07, 2018 |
480: Yoshi Horiguchi on George Vance
|
May 03, 2018 |
479 : Dominic Duval Jr.
|
Apr 30, 2018 |
478: Cielito de Jesus
|
Apr 26, 2018 |
477: Christian McBride
|
Apr 23, 2018 |
476: Chris West on thumb position
|
Apr 19, 2018 |
475: The Bass Player's Guide to the Trio
|
Apr 17, 2018 |
474: Dan Carson on auditioning and taking a leap
|
Apr 16, 2018 |
473: Jacqueline Pickett on a well-rounded education
|
Apr 12, 2018 |
472: Colin Corner Recital
|
Apr 09, 2018 |
471: Choosing Strings - What's Right for You?
|
Apr 06, 2018 |
470: Dan Chmielinski on Jazz at Juilliard
|
Apr 02, 2018 |
469: Pascale Delache-Feldman on French traditions
|
Mar 30, 2018 |
468: Melody Chia on careers, marketing, and Australia
|
Mar 28, 2018 |
467: Chuck Israels on Bill Evans and a life in music
|
Mar 22, 2018 |
466: Colin Corner on auditions and being principal bass
|
Mar 19, 2018 |
465: Henry Chen on China, Taiwan, and Chicago
|
Mar 15, 2018 |
464: Volkan Orhon
|
Mar 12, 2018 |
463: The Mental Game
|
Mar 08, 2018 |
462: Posture with Barry Green
|
Mar 05, 2018 |
461: Erik Higgins on chamber music careers
|
Mar 01, 2018 |
460: James Oesi on going for what you believe in
|
Feb 26, 2018 |
459: Music School Auditions - Advice from the pros
|
Feb 22, 2018 |
TCU International Double Bass Festival Preview
|
Feb 20, 2018 |
458: Gary Karr home
|
Feb 19, 2018 |
457: Thorkild Larsen of REMIC
|
Feb 15, 2018 |
456: Left Hand Technique with Lauren Pierce
|
Feb 12, 2018 |
455: How to Learn a Piece
|
Feb 07, 2018 |
454: Daniel Smith on Bali, pre-med, and auditioning
|
Feb 05, 2018 |
453: Injury Prevention
|
Feb 01, 2018 |
452: Joe McNalley on imagination
|
Jan 29, 2018 |
451: Paul Johnson on teaching
|
Jan 25, 2018 |
450: Teymur Phell on Killer Walking Bass
|
Jan 23, 2018 |
449: best of - Miles Mosley
|
Jan 18, 2018 |
448: best of - Adam Ben Ezra
|
Jan 15, 2018 |
447: How to start a podcast
|
Jan 11, 2018 |
446: Eric Snoza on starting your own project
|
Jan 08, 2018 |
445: The Pareto Principle
|
Jan 04, 2018 |
444: Nathan Cole on Stand Partners for Life
|
Jan 01, 2018 |
443: best of - Leon Bosch
|
Dec 28, 2017 |
442: best of - Lloyd Goldstein
|
Dec 25, 2017 |
441: Strings Q&A
|
Dec 21, 2017 |
440: A Look Back at 2017
|
Dec 18, 2017 |
439: Kevin Smith on Willie Nelson and Texas slap bass
|
Dec 14, 2017 |
438: Leigh Mesh on discipline, fitness, and stories from the pit
|
Dec 11, 2017 |
437: Nash Tomey on overcoming adversity
|
Dec 08, 2017 |
436: Anthony Manzo on chamber music
|
Dec 06, 2017 |
435: Diego Zecharies on inspiration, passion, and balance
|
Dec 04, 2017 |
434: Patrick Charton on innovations in building double basses
|
Dec 01, 2017 |
433: Carmen Rodríguez on Panama and coming to the United States
|
Nov 29, 2017 |
432: Eric Revis on gut strings, funk, and influences
|
Nov 27, 2017 |
431: Karl Fenner on auditions and continuing your development
|
Nov 24, 2017 |
430: Catalin Rotaru on Bottesini's Testore double bass
|
Nov 22, 2017 |
429: Susan Wulff on dance, auditioning, and progress
|
Nov 20, 2017 |
428: The Puzzle of Our Lives with Jack Unzicker
|
Nov 17, 2017 |
427: Hans Sturm on Rose Fingered Dawn
|
Nov 15, 2017 |
426: Mark Dresser on bi-tones, expressivity, and telematic performance
|
Nov 13, 2017 |
425: Paul Ellison and his students
|
Nov 10, 2017 |
424: Matthew McDonald (from the archives)
|
Nov 08, 2017 |
423: Ron Carter (from the archives)
|
Nov 06, 2017 |
422: Winning the Audition (complete)
|
Nov 03, 2017 |
421: Bert Turetzky (from the archives)
|
Nov 01, 2017 |
Halloween Special: The Curse of the Dittersdorf starring James VanDemark
|
Oct 31, 2017 |
419: Andrés Martín (from the archives)
|
Oct 30, 2017 |
418: Gene Perla on Elvin Jones, Broadway, and the business of music
|
Oct 27, 2017 |
417: The English Double Bass Book
|
Oct 26, 2017 |
416: Milton Masciadri on being a UNESCO Artist for Peace
|
Oct 25, 2017 |
415: Alexandra Scott on Simon Rattle, German bow, and preparation
|
Oct 23, 2017 |
414: Scott Lang wants one million new music students... each year!
|
Oct 20, 2017 |
413: Marlene Rosenberg on jazz education and the changing gig scene
|
Oct 18, 2017 |
[BONUS] The State of the Orchestra
|
Oct 16, 2017 |
412: Orchestra Confidential with John Grillo
|
Oct 16, 2017 |
411: Elsen Price on world music
|
Oct 13, 2017 |
410: Charles Chandler on auditions, excerpts, and chamber music
|
Oct 11, 2017 |
409: Caitlyn Kamminga on life in Trinidad and Tobago
|
Oct 09, 2017 |
408: Milt Hinton memories with Kurt Morrow
|
Oct 06, 2017 |
407: Patricia Weitzel on competition, being direct, and opportunity
|
Oct 04, 2017 |
406: Chris Fitzgerald on anti-dogma, YouTube, and publish or perish
|
Oct 02, 2017 |
405: Four Bassists That Will Change The World
|
Sep 29, 2017 |
404: The Bassinova Quartet
|
Sep 28, 2017 |
403: Kate Jones on Suzuki bass teaching
|
Sep 27, 2017 |
402: Jack Unzicker on practicing and musicality
|
Sep 26, 2017 |
401: Brian Perry on auditioning and motivation
|
Sep 25, 2017 |
400: Zach Rowden on forging your own path and doing what you want
|
Sep 22, 2017 |
399: Miles Brown on Alarm Will Sound, extended techniques, and versatility
|
Sep 21, 2017 |
398: Max Dimoff and Ranaan Meyer on team teaching at the University of Michigan
|
Sep 20, 2017 |
397: John Goldsby on writing books, life overseas, and innovation
|
Sep 19, 2017 |
396: Orin O'Brien on Leonard Bernstein, Fred Zimmerman, and life in the New York Philharmonic
|
Sep 18, 2017 |
395: Todd Parks on Nashville, technology, and the acoustic music scene
|
Sep 14, 2017 |
394: New Album from Nick Villalobos and Simply Three
|
Sep 13, 2017 |
393: Level Up Your Music Career With Jennifer Rosenfeld
|
Sep 12, 2017 |
392: Jeff Denson on jazz education, finishing projects, and motivation
|
Sep 11, 2017 |
391: Gary Peacock on Zen, self, and the muse
|
Sep 08, 2017 |
390: Susan Cahill on technique, eye movement, and composition
|
Sep 04, 2017 |
389: Benedict Puglisi's luthier journey
|
Aug 31, 2017 |
388: Caroline Emery on Bow Works, pacing, and motivation
|
Aug 28, 2017 |
387: Lucia Turino's best gig disaster stories
|
Aug 24, 2017 |
386: Larry Grenadier on sound, technique, and fluidity
|
Aug 21, 2017 |
385: Nick Mainella teaches jazz in just 10 minutes
|
Aug 17, 2017 |
384: Dennis Tobenski talks careers, business, composing, and podcasting
|
Aug 16, 2017 |
383: The Orchestral Dream is Dead with Matt Waters
|
Aug 14, 2017 |
382: standing vs. sitting - the double bassist's dilemma
|
Aug 10, 2017 |
381: developing bow strokes
|
Aug 07, 2017 |
380: Jonathan Glawe on landing jobs, delegation, and the state of music education
|
Aug 03, 2017 |
379: Dennis Whittaker on opera life, endurance, and career paths
|
Jul 31, 2017 |
378: how wood choice affects tone with Seth Kimmel
|
Jul 27, 2017 |
377: Alexis Cuadrado on technique, composition, and 21st-century careers
|
Jul 24, 2017 |
376: how strings are made with Lyris Hung
|
Jul 20, 2017 |
375: Jessica Valls on improvisation, emotion, and finding your voice
|
Jul 18, 2017 |
374: being an adult amateur with Stuart Pearce
|
Jul 13, 2017 |
373: Rebecca Lawrence on the state of women in the bass world and life as a music student
|
Jul 10, 2017 |
372: finding your path with Louis Levitt
|
Jul 07, 2017 |
371: when life throws you curveballs with Jennifer Bradbury
|
Jul 06, 2017 |
370: Gahlord Dewald on modular synthesis
|
Jul 04, 2017 |
369: Kieran Hanlon on teaching the fundamentals
|
Jul 03, 2017 |
368: John Davis on communication and business skills
|
Jun 30, 2017 |
367: Jon Liebman on 500+ bass player interviews
|
Jun 29, 2017 |
366: Rick Jones of Acoustic Image
|
Jun 28, 2017 |
365: Curtis Burris on delightful stories from the orchestra trenches
|
Jun 27, 2017 |
364: Gaelen McCormick on Young Bassists and Mastering the Bow
|
Jun 26, 2017 |
363: David Neubert on teaching and ISB history
|
Jun 23, 2017 |
362: David Gage talks shop
|
Jun 22, 2017 |
361: Bass Europe 2018 Lucca Preview
|
Jun 21, 2017 |
360: The Making of the ISB
|
Jun 20, 2017 |
359: Gary Karr on his remarkable journey
|
Jun 19, 2017 |
358: Orchestra and Opera Excerpts
|
Jun 16, 2017 |
357: Top 10 Gig Dos and Don'ts
|
Jun 14, 2017 |
356: James VanDemark on boxing, projection, and 40 years of teaching at Eastman
|
Jun 12, 2017 |
355: Tom Mendel on Hamilton, pedal boards, and finding joy in playing
|
Jun 08, 2017 |
354: Derek Jones on Cirque du Soleil, gear, and being fearless
|
Jun 05, 2017 |
353: the ISB Convention app
|
May 31, 2017 |
352: Fingerboard Geometry with Joey Naeger
|
May 30, 2017 |
351: Ramp-Up to ISB 2017
|
May 29, 2017 |
350: Heather Miller Lardin's early and modern music explorations
|
May 26, 2017 |
349: Audition Tactics for Success
|
May 18, 2017 |
348: Andrew Pedersen - Houston Symphony audition winner
|
May 18, 2017 |
347: Tim Dilenschneider - Baltimore Symphony audition winner
|
May 16, 2017 |
346: Jon McCullough-Benner - Milwaukee Symphony principal bass
|
May 15, 2017 |
345: jazz legends on the business of music
|
May 12, 2017 |
344: what David Arend does to stand out from the crowd
|
May 11, 2017 |
343: why Matt Ulery started his own record label
|
May 10, 2017 |
342: where Normand Guilbeault's creativity has led him
|
May 09, 2017 |
341: how Bob Nieske teaches the bass
|
May 08, 2017 |
340: Dr. Don Greene on peak performance
|
May 04, 2017 |
339: Inside the 2017 ISB Convention with Nicholas Walker
|
May 02, 2017 |
338: Dr. Randy Kertz on injury prevention
|
May 01, 2017 |
337: Clair Condit on Marketing Yourself
|
Apr 27, 2017 |
336: Practicing Technique - Advice from the Masters
|
Apr 24, 2017 |
335: Paul Cannon on contemporary music, Frank Zappa, and opportunities
|
Apr 20, 2017 |
334: Ranaan Meyer - Round Two Interview
|
Apr 17, 2017 |
333: Nick Villalobos on great hooks and creating your own career
|
Apr 13, 2017 |
332: Steve Metcalf on mock auditions, recording, and perspective
|
Apr 10, 2017 |
331: Artem Chirkov on solo careers, borrowed basses, and musical family
|
Apr 06, 2017 |
330: Weekly Update for 4/3/17 - Double Bass News
|
Apr 03, 2017 |
329: Michael Valerio on Studio Work, Professionalism, and Skill Development
|
Mar 30, 2017 |
328: Weekly Update for 3/27/17 - Double Bass News
|
Mar 27, 2017 |
327: Join Us at the 2017 Golden Gate Bass Camp!
|
Mar 26, 2017 |
326: Miles Mosley on career diversification, effects, and living a creative life
|
Mar 23, 2017 |
325: behind-the-scenes with Bass Works
|
Mar 21, 2017 |
324: Weekly Update for 3/20/17 - Double Bass News
|
Mar 20, 2017 |
323: Daniel Kimbro on newgrass, crazy venues, and life on the road
|
Mar 16, 2017 |
322: Weekly Update for 3/13/17 - Double Bass News
|
Mar 13, 2017 |
321: John Feeney on gut strings, the 8 foot register, and the real history of the bass
|
Mar 09, 2017 |
320: Weekly Update for 3/6/17 - Double Bass News
|
Mar 06, 2017 |
319: Andrew Hitz on hard work and blue ocean strategy
|
Mar 01, 2017 |
318: Marcos Machado on the Tao of Bass
|
Feb 27, 2017 |
317: Concorso Bottesini Competition Overview
|
Feb 22, 2017 |
316: Enrico Fagone on yoga, meditation, and evolving musically
|
Feb 20, 2017 |
315: Audition Breakthrough Summit
|
Feb 15, 2017 |
314: Patrick Neher on pivots, natural tempos, and warming up
|
Feb 13, 2017 |
313: Tracy Rowell on sound, balance, and teaching
|
Feb 09, 2017 |
312: Chromatic Endpin Kickstarter
|
Feb 07, 2017 |
311: Bernard O'Neill on arranging, teaching, and recording
|
Feb 03, 2017 |
310: Sean Perrin on one year of podcasting
|
Feb 02, 2017 |
309: Ted Botsford on auditioning, teaching, and tone research
|
Feb 01, 2017 |
308: Composed: A Performance Anxiety Documentary
|
Jan 31, 2017 |
307: Weekly Update for 1/30/17 - Double Bass News
|
Jan 30, 2017 |
306: Kevin Brown on auditioning, solo playing, and living a musical life
|
Jan 27, 2017 |
305: Eric Steffens on Vienna, studying abroad, and life in a German orchestra
|
Jan 25, 2017 |
304: Weekly Update for 1/23/17 - Double Bass News
|
Jan 23, 2017 |
303: David Heyes interviews Jason Heath
|
Jan 19, 2017 |
302: Galicia Graves International Festival and Competition Preview
|
Jan 17, 2017 |
301: Weekly Update for 1/16/17 - Double Bass News
|
Jan 16, 2017 |
300: Dan Styffe on solo projects, life in Norway, and the importance of sound
|
Jan 13, 2017 |
299: Brandino on winning seven Grammys and being a jack of all trades
|
Jan 12, 2017 |
298: 2nd International Bradetich Double Bass Solo Competition Preview
|
Jan 11, 2017 |
297: Weekly Update for 1/9/17 - Double Bass News
|
Jan 09, 2017 |
296: Adam Booker on strings, Milt Hinton, and jazz mythology
|
Jan 05, 2017 |
295: Weekly Update for 1/2/17 - Double Bass News
|
Jan 02, 2017 |
294: 10th Anniversary Show!
|
Jan 01, 2017 |
293: Crushing Classical with Tracy Friedlander
|
Dec 30, 2016 |
292: podcasting talk with James Newcomb of MusicPreneur
|
Dec 28, 2016 |
291: The Best of 2016
|
Dec 28, 2016 |
290: Audition Winner Caleb Quillen
|
Dec 23, 2016 |
289: Chris Hanulik on auditioning, expressiveness, and life in the LA Phil
|
Dec 21, 2016 |
288: Weekly Update for 12/19/16 - Double Bass News
|
Dec 19, 2016 |
287: Bill Merchant luthier chat
|
Dec 16, 2016 |
286: Ben Allison on streaming, crowdsourcing, and DIY artist life
|
Dec 14, 2016 |
285: Weekly Update for 12/12/16 - Double Bass News
|
Dec 12, 2016 |
284: Scott Devine is transforming online music education
|
Dec 09, 2016 |
283: Weekly Update for 12/7/16 - Double Bass News and Events
|
Dec 07, 2016 |
282: Dave Swift on Paul Simon, Eric Clapton, and being an industrial bassist
|
Dec 05, 2016 |
281: Fitness and healthy living
|
Dec 02, 2016 |
280: News Hour
|
Nov 30, 2016 |
279: Round Two with David Allen Moore
|
Nov 28, 2016 |
278: Rob Anzellotti on bass capos and extensions
|
Nov 25, 2016 |
277: Florian Pertzborn on Europoean orchestral experiences
|
Nov 23, 2016 |
276: Petia Bagovska on Bulgarian bass traditions
|
Nov 21, 2016 |
275: get your copy of Winning the Audition now!
|
Nov 17, 2016 |
274: Yung-chiao Wei on overcoming challenges, Carnegie Hall recitals, and living through music
|
Nov 14, 2016 |
273: My New Book!
|
Nov 10, 2016 |
272: Reuben Rogers is a "Super-Sideman"
|
Nov 07, 2016 |
271: George Amorim on building a double bass empire
|
Nov 04, 2016 |
270: Alexandre Ritter on method books, new works, and Brazilian double bass
|
Nov 03, 2016 |
269: Dennis Bergevin on public school teaching, professional development, and advising
|
Nov 02, 2016 |
268: Cornelia Watkins on private lesson teaching and Comprehensive Musicianship through Performance
|
Nov 01, 2016 |
267: Johnny Hamil on student motivation and building bass events
|
Oct 31, 2016 |
266: Garrett Hope on portfolio careers
|
Oct 27, 2016 |
265: Szymon Marciniak on DVDs, travel, and freelance life
|
Oct 25, 2016 |
264: David Heyes on leaving a legacy
|
Oct 24, 2016 |
263: the intriguing Jonathan Haskell
|
Oct 21, 2016 |
262: Allan Santos on finding your purpose
|
Oct 19, 2016 |
261: rob knopper is the auditionhacker
|
Oct 17, 2016 |
260: Break into the Scene with Seth Hanes
|
Oct 14, 2016 |
259: Trevor Davis on his luthier path
|
Oct 13, 2016 |
258: RCM International Double Bass Festival Preview
|
Oct 12, 2016 |
257: Sandor Ostlund on musical influences, practicing, and career possibilities
|
Oct 10, 2016 |
256: Shinji Eshima on pit experiences, David Walter, and composing for the ballet
|
Oct 06, 2016 |
255: Frank Proto on jazz influences, bebop violin, and deadlines
|
Oct 03, 2016 |
254: Craig Butterfield on careers, ProTools, and American roots music
|
Sep 29, 2016 |
253: Corey Brown on No Treble, Jaco Pastorius, and the opportunity of being first
|
Sep 26, 2016 |
252: Nina DeCesare on injuries, auditioning, and George Vance
|
Sep 22, 2016 |
251: Hans Sturm on motion capture, François Rabbath, and A Day in Paris
|
Sep 15, 2016 |
250: Diana Gannett on her musical journey
|
Sep 12, 2016 |
249: Hugh Sung on Musical Entrepreneurship
|
Sep 09, 2016 |
248: Peter Seymour on Hard Work
|
Sep 08, 2016 |
247: Danny Ziemann on Jazz Bass Lines
|
Sep 07, 2016 |
246: Lauren Pierce on YouTube fame
|
Sep 06, 2016 |
245: Emilio Guarino on Making It
|
Sep 05, 2016 |
244: Christine Hoock on DJs, egoless playing, and patience
|
Sep 01, 2016 |
243: Pablo Aslan on tango bass life
|
Aug 28, 2016 |
242: Sam Suggs on Music Cognition, Jamming in Bars, and the Elements of Execution
|
Aug 25, 2016 |
241: My Biggest Podcasting Screw-Ups
|
Aug 22, 2016 |
240: Thierry Barbé on expressive music, German bow, and French basses
|
Aug 18, 2016 |
Take Our Listener Survey!
|
Aug 17, 2016 |
239: Seven Lessons I’ve Learned About Interviewing
|
Aug 15, 2016 |
238: Thomas Martin on Bottesini, gut strings, and the bass revolution
|
Aug 11, 2016 |
Winning the Audition 4: Sealing the Deal
|
Aug 08, 2016 |
236: Matthew McDonald on resonance, bow distribution, and mindset
|
Aug 04, 2016 |
Winning the Audition 3: Preparation Routines That Work
|
Aug 01, 2016 |
234: Justin Locke returns!
|
Jul 28, 2016 |
Winning the Audition 2: Practicing Techniques for Peak Auditions
|
Jul 25, 2016 |
232: Jory Herman on community engagement, balance, and resonant churches
|
Jul 21, 2016 |
Winning the Audition: Preparing for Audition Success
|
Jul 18, 2016 |
230: Taking the Podcast to the Next Level
|
Jul 14, 2016 |
229: BASS2016 Prague European Biennial Double Bass Congress Preview
|
Jul 11, 2016 |
228: David White on Broadway, New York City, and Networking
|
Jul 07, 2016 |
227: Lloyd Goldstein on Yoga, Habits and Entrainment
|
Jul 04, 2016 |
226: ISB 2017 Convention Preview
|
Jun 28, 2016 |
225: Nicholas Walker on musical influences, performing, and Domaine Forget
|
Jun 27, 2016 |
224: Peter Tambroni on Student-Centered Teaching and Life Planning
|
Jun 23, 2016 |
223: Katie Ernst on Singing, Jazz Bass, and Creativity
|
Jun 20, 2016 |
222: Lucy and the Count: Love Dreams from Transylvania
|
Jun 16, 2016 |
221: Brandon McLean on audition strategies
|
Jun 13, 2016 |
220: Gabe Katz on switching from music performance to education
|
Jun 09, 2016 |
219: Gjorgji Cincievski on arranging, multi-meter, and life in paradise
|
Jun 06, 2016 |
218: Arnold Schnitzer on dirty jobs, ergonomic basses, and maker competitions
|
Jun 02, 2016 |
217: Jerry Fuller on early music, creativity, and business world lessons
|
May 30, 2016 |
216: Todd Coolman on jazz bass lines, recording projects, and classical foundations
|
May 26, 2016 |
215: Robin Kesselman on audition strategies, injury recovery, and bow arm practicing
|
May 23, 2016 |
214: Terry Plumeri tribute
|
May 19, 2016 |
213: Leon Bosch - the Sherlock Holmes of the double bass
|
May 16, 2016 |
212: Real Men Don’t Rehearse with Justin Locke (from the archives)
|
May 12, 2016 |
211: Madeleine Crouch on managing the ISB, organizing conventions, and innovating online
|
May 09, 2016 |
210: Jeremy Attanaseo plays the Prokofiev Quintet
|
May 05, 2016 |
209: Joe Conyers on Curtis, being yourself, and musical entrepreneurship
|
May 02, 2016 |
208: Guy Tuneh on transcriptions, live performance, and musical curiosity
|
Apr 28, 2016 |
207: Claus Freudenstein on heavy metal, minibasses, and arranging
|
Apr 25, 2016 |
206: Auditioning for Music Schools
|
Apr 22, 2016 |
205: Trevor Jones on musical pit work, scheduling creativity, and finding balance
|
Apr 20, 2016 |
204: Tips for Teachers with Peter Tambroni
|
Apr 18, 2016 |
203: Adam Ben Ezra on YouTube fame, looping, and percussive techniques
|
Apr 11, 2016 |
202: Chuck Israels on rhythm, amplification and jazz education
|
Apr 04, 2016 |
201: Ira Gold on bow strokes, musical curiosity, and practicing techniques
|
Mar 31, 2016 |
200: Living a Fulfilling Life
|
Mar 28, 2016 |
199: Federico Marchesano and The Inner Bass
|
Mar 24, 2016 |
198: Todd Coolman new release
|
Mar 21, 2016 |
197: Bert Turetzky on forging new paths, compositional language, and commissioning over 300 works
|
Mar 17, 2016 |
196: Andrés Martín on the creative process, the composer mind, and forging a bass scene
|
Mar 14, 2016 |
195: Gaelen McCormick on bow strokes, Progressive Repertoire, and the Pomodoro Technique
|
Mar 10, 2016 |
194: Inez Wyrick on 911 bass teaching, creating artists, and teaching the whole fingerboard
|
Mar 07, 2016 |
193: Gary Karr on making recordings, “retired” life, and arranging Baroque music
|
Mar 04, 2016 |
192: Michael Klinghoffer on driving a double bass, how not to hold the bow, and directions in education
|
Mar 02, 2016 |
191: David Murray on the Karr sound, bow technique, and the spirit of Koussevitzky
|
Feb 29, 2016 |
190: Czardas with Andy Anderson - the making of an arrangement
|
Feb 26, 2016 |
189: Barry Green and Jeff Bradetich on the Anna's Promise Project
|
Feb 24, 2016 |
188: Ron Carter on technical development, an orchestral foundation, and developing the next generation of music lovers
|
Feb 22, 2016 |
187: Chris Threlkeld-Wiegand on working at Robertson's, building extensions, and aesthetic wood choices
|
Feb 19, 2016 |
186: Barrie Kolstein on making rosin, lessons learned from his father, and bass trunk technology
|
Feb 18, 2016 |
185: George Martin on challenging restorations, the art of varnishing, and riding horses in the English countryside
|
Feb 17, 2016 |
184: Nick Lloyd on the craft of bass making, building flat backs, and traveling to Pakistan
|
Feb 16, 2016 |
183: Susan Lipkins on crafting bows, tonal characteristics of wood, and how to choose a bow
|
Feb 15, 2016 |
182: Brent Edmondson on developing a satisfying career, subbing with the Philadelphia Orchestra, and gaps in music school training
|
Feb 11, 2016 |
181: Carlos Henriquez on playing with Wynton Marsalis, developing a creative voice, and creating effective Afro-Cuban bass lines
|
Feb 08, 2016 |
180: Ian Hallas on winning a Lyric Opera bass section spot, effective excerpt practicing, and routines for audition success
|
Feb 04, 2016 |
179: Douglas Mapp on successful freelancing, life as a jazz bass professor, and ISB insider insight
|
Feb 01, 2016 |
Crazy Gig Stories!
|
Jan 30, 2016 |
178: Useful Music Apps
|
Jan 28, 2016 |
177: Bruce Bransby on principal bassist roles, life in the Indiana University bass studio, and optimizing bass gear
|
Jan 25, 2016 |
Moving to San Francisco!
|
Jan 23, 2016 |
176: Andrew Raciti on living in Australia, studying with Paul Ellison, and helpful student mindsets
|
Jan 21, 2016 |
175: Ju-Fang Liu on growing up in Taiwan, the path from student to principal bassist, and a love of teaching
|
Jan 18, 2016 |
174: Per questa bella mano with John Grillo
|
Jan 14, 2016 |
173: Marc Ramirez on Portugal, life as an expat, and differences between American and European orchestras
|
Jan 11, 2016 |
172: Lauren Pierce and Geoff Chalmers on innovating online
|
Jan 07, 2016 |
171: Paul Ellison on musical athletes, period performance, and the comprehensive undergraduate experience
|
Jan 04, 2016 |
170: Blair Tindall on Mozart in the Jungle, searching for a new career path, and observations on the orchestral world
|
Dec 30, 2015 |
169: Shigeru Ishikawa on Switzerland and Japan, premiering new works, and studying bass in the United States
|
Dec 28, 2015 |
Learn Double Bass - new app for iOS from Brian Johnson
|
Dec 23, 2015 |
168: Lawrence Hurst Interview (complete)
|
Dec 21, 2015 |
167: Scott Pingel on accelerated musical development, life as principal bass of San Francisco, and differences between conservatory and university teaching
|
Dec 14, 2015 |
166: Larry Gray on multi-instrumentalism, thinking in jazz, and the history behind Chicago's Jazz Showcase
|
Dec 07, 2015 |
165: Ed Barker Interview (from the archives)
|
Nov 30, 2015 |
164: The Karr-Koussevitzky bass
|
Nov 23, 2015 |
163: Kurt Muroki Interview
|
Nov 09, 2015 |
162: David Allen Moore Interview (from the archives)
|
Nov 07, 2015 |
161: Alex Hanna Interview
|
Nov 06, 2015 |
160: Barry Lieberman Interview (2014)
|
May 24, 2014 |
159: Paul Ramsier Interview
|
Nov 14, 2011 |
158: Charles DeRamus interview
|
May 22, 2011 |
157: Koussevitzky recordings
|
Oct 13, 2010 |
156: Gunnelpumpers
|
Aug 07, 2010 |
155: Frederick Zimmermann Practice Tapes
|
Jul 24, 2010 |
153: Bottesini with Leon Bosch
|
May 08, 2010 |
151: Barre Phillips
|
Mar 25, 2010 |
150: ISB 2011 Convention Details
|
Feb 20, 2010 |
Music Episode: Doug Stuart
|
Jan 23, 2010 |
148: Happy New Year from Guy Tuneh
|
Jan 01, 2010 |
147: Barry Green Interview
|
Dec 23, 2009 |
145: David Cutler and The Savvy Musician
|
Nov 17, 2009 |
144: Advice from James Knabe
|
Oct 28, 2009 |
143: Jeff Weisner Interview
|
Oct 22, 2009 |
142: Alan Steiner and Audition Tapes
|
Oct 12, 2009 |
141: David Grossman Interview
|
Sep 26, 2009 |
139: The American String Project
|
Sep 25, 2009 |
137: Todd Coolman Interview
|
Sep 11, 2009 |
136: Joel Quarrington Interview
|
Aug 31, 2009 |
135: Matt Heller Interview
|
Aug 28, 2009 |
134: Colin Corner update and music
|
Aug 21, 2009 |
133: Scott Best Interview
|
Aug 15, 2009 |
128: David Allen Moore Interview
|
Jul 11, 2009 |
131: Jiri Slavik Interview
|
Jul 09, 2009 |
130: P. Kellach Waddle Interview
|
Jul 09, 2009 |
126: Art Davis Retrospective
|
Jun 30, 2009 |
124: ISB 2009 Impressions
|
Jun 28, 2009 |
123: Klauss Stoll Interview
|
Jun 21, 2009 |
120: Ed Barker Interview
|
Jun 06, 2009 |
122: Top Music School Considerations
|
Jun 04, 2009 |
121: Ben Jensen Performance
|
Jun 02, 2009 |
118: Jon Burr Interview
|
May 15, 2009 |
117: Mark Morton interview part 2
|
May 08, 2009 |
116: Lawrence Wolfe Interview part 3
|
Apr 22, 2009 |
Music Episode: Haberdashery
|
Apr 10, 2009 |
The State of the Orchestra
|
Apr 10, 2009 |
115: Jeremy McCoy Interview
|
Mar 27, 2009 |
114: Mark Morton interview
|
Mar 27, 2009 |
Music Episode: Ira Gold
|
Mar 24, 2009 |
113: Lawrence Wolfe Interview part 2
|
Mar 19, 2009 |
112: Max Dimoff Interview part 2
|
Mar 13, 2009 |
110: Lawrence Wolfe Interview
|
Feb 27, 2009 |
109: Max Dimoff Interview
|
Feb 18, 2009 |
Music Episode: Leon Bosch
|
Feb 12, 2009 |
108: Dan Krekeler Interview part 2
|
Feb 09, 2009 |
107: Michelle Fiore Interview
|
Jan 31, 2009 |
106: Dan Krekeler Interview
|
Jan 27, 2009 |
105: Jeremy Kurtz Interview part 2
|
Jan 13, 2009 |
103: Jeff Bradetich Interview part 2
|
Dec 15, 2008 |
102: Jeremy McCoy Interview
|
Nov 29, 2008 |
101: Jeff Bradetich Interview
|
Nov 06, 2008 |
100: Origins
|
Oct 28, 2008 |
99: Jeremy Kurtz Interview
|
Oct 17, 2008 |
98: Marshall Fine Sonata for Double Bass
|
Oct 09, 2008 |
95: The Bass Gang Rocks!
|
Sep 13, 2008 |
93: DaXun Zhang Interview part 2
|
Aug 28, 2008 |
92: DaXun Zhang Interview
|
Aug 23, 2008 |
91: Barry Lieberman Interview part 2
|
Jul 27, 2008 |
90: Barry Lieberman Interview
|
Jul 27, 2008 |
89: An Afternoon With Gary Karr
|
Jul 23, 2008 |
87: Rufus Reid Interview
|
Jul 08, 2008 |
84: Hans Sturm and the Rabbath technique
|
Jun 20, 2008 |
83: Jack Budrow Interview part 3
|
Jun 12, 2008 |
82: Anthony Stoops Interview part 2
|
Jun 06, 2008 |
81: Students Speak Out
|
May 29, 2008 |
80: Peter Askim Interview
|
May 23, 2008 |
79: Kristin Korb Interview
|
May 16, 2008 |
77: Dave Anderson Interview part 2
|
May 02, 2008 |
76: Jack Budrow Interview part 2 and Peter Askim music
|
Apr 25, 2008 |
Music Episode: Dave Anderson
|
Apr 22, 2008 |
75: Dave Anderson Interview
|
Apr 18, 2008 |
74: Robert Meyer Interview
|
Apr 11, 2008 |
73: Jack Budrow Interview
|
Apr 04, 2008 |
Music Episode: Frederick Charlton, Lila Horovitz, and Bill Koehler
|
Apr 01, 2008 |
72: Barrie Kolstein Interview part 2
|
Mar 27, 2008 |
71: Bad Boyz of Bass Interview
|
Mar 21, 2008 |
70: Barrie Kolstein Interview
|
Mar 14, 2008 |
Music Episode: Brahms Serenade No. 1 in D Major
|
Mar 10, 2008 |
69: Chris Threlkeld-Wiegand Interview
|
Mar 07, 2008 |
68: Owen Lee Interview part 3
|
Mar 03, 2008 |
67: Anthony Stoops Interview
|
Feb 29, 2008 |
66: Owen Lee Interview part 2
|
Feb 22, 2008 |
65: Peter Seymour Interview part 2 and music from Project
|
Feb 16, 2008 |
64: Chicago Bass Ensemble
|
Feb 08, 2008 |
63: Chatting About Opera and Orchestra Bass Playing with John Grillo
|
Feb 06, 2008 |
62: Opera Excerpt Breakdown with John Grillo
|
Jan 31, 2008 |
61: Justin Locke Interview part 2
|
Jan 28, 2008 |
60: Lynn Seaton Interview
|
Jan 25, 2008 |
59: Jeff Turner Interview part 2
|
Jan 18, 2008 |
Music Episode: Dvorak Serenade and Schubert String Quintet
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Jan 10, 2008 |
56: Reflections on one year of podcasting
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Jan 02, 2008 |
57: Jerry Fuller interviews Jason!
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Jan 02, 2008 |
55: Owen Lee Interview
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Dec 29, 2007 |
54: Steve Reinfranck luthier chat
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Dec 22, 2007 |
53: Peter Seymour Interview
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Dec 15, 2007 |
52: Virginia Dixon Interview
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Dec 08, 2007 |
Music Episode: Haydn Divertimento and Rossini Duetto
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Dec 07, 2007 |
51: Lawrence Hurst Interview part 3
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Dec 05, 2007 |
50: Justin Locke Interview
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Dec 02, 2007 |
49: Donovan Stokes Interview part 2
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Nov 24, 2007 |
48: Brad Opland Interview part 2
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Nov 18, 2007 |
47: Peter Tambroni Interview part 2
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Nov 11, 2007 |
46: Ira Gold Interview part 3
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Nov 03, 2007 |
45: Colin Corner Interview part 2
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Oct 27, 2007 |
44: Rob Kassinger Interview part 2
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Oct 21, 2007 |
43: Michael Hovnanian Interview part 3
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Oct 14, 2007 |
42: Ranaan Meyer Interview part 2 and music from Time for Three
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Oct 07, 2007 |
41: Orchestral Excerpts Breakdown
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Sep 30, 2007 |
40: Donovan Stokes Interview
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Sep 23, 2007 |
39: Scott Rosenthal Interview
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Sep 16, 2007 |
38: Eric Hochberg Interview part 2
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Sep 13, 2007 |
37: Brad Opland Interview
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Sep 09, 2007 |
36: Bjorn Berkhout Interview part 2
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Sep 02, 2007 |
35: Greg Sarchet Interview part 2
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Aug 26, 2007 |
34: Colin Corner Interview
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Aug 19, 2007 |
33: Guy Tuneh Interview part 2
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Aug 12, 2007 |
32: Peter Tambroni Interview
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Aug 05, 2007 |
31: François Rabbath Interview part 3
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Jul 29, 2007 |
30: Guy Tuneh interview
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Jul 22, 2007 |
29: Michael Hovnanian Interview part 2
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Jul 15, 2007 |
28: Ranaan Meyer Interview
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Jul 08, 2007 |
27: Kathryn Nettleman Interview part 2
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Jul 01, 2007 |
26: Jeff Turner Interview
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Jun 24, 2007 |
25: Rob Kassinger Interview
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Jun 16, 2007 |
24: Michael Hovnanian Interview
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Jun 10, 2007 |
23: Lawrence Hurst Interview part 2
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Jun 03, 2007 |
22: François Rabbath Interview part 2
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May 27, 2007 |
21: Eric Hochberg Interview
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May 20, 2007 |
20: Lawrence Hurst Interview
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May 13, 2007 |
Music Episode: Peter Lawson Recital
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May 10, 2007 |
19: Greg Sarchet Interview
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May 06, 2007 |
18: Ira Gold Interview part 2
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Apr 29, 2007 |
Music Episode: Phillip Serna recital
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Apr 26, 2007 |
17: Andrew Anderson Interview part 3
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Apr 21, 2007 |
16: François Rabbath Interview
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Apr 15, 2007 |
15: Ira Gold Interview
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Apr 08, 2007 |
14: John Grillo Interview part 3
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Mar 31, 2007 |
13: Weldon Anderson Interview
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Mar 25, 2007 |
12: Kathryn Nettleman interview
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Mar 18, 2007 |
11: Andrew Anderson Recital Showcase
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Mar 11, 2007 |
10: Bjorn Berkhout Interview
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Mar 04, 2007 |
9: John Grillo Interview part 2
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Feb 24, 2007 |
8: Phillip Serna Interview part 2
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Feb 18, 2007 |
John Grillo Recital Showcase
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Feb 12, 2007 |
7: Andrew Anderson Interview part 2
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Feb 11, 2007 |
6: John Grillo Interview
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Feb 05, 2007 |
5: Phillip Serna Interview
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Jan 28, 2007 |
4: Andrew Anderson Interview
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Jan 21, 2007 |
3: Freelance Tips and Great Tracks
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Jan 13, 2007 |
2: Audition news and more
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Jan 08, 2007 |
1: Welcome to the Show!
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Jan 01, 2007 |