New Books in Art
By Marshall Poe
Listen to a podcast, please open Podcast Republic app. Available on Google Play Store and Apple App Store.
Image by Marshall Poe
Category: Visual Arts
Open in Apple Podcasts
Open RSS feed
Open Website
Rate for this podcast
Subscribers: 80
Reviews: 0
Episodes: 994
Description
This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.
Discover our 150+ channels and browse our 28,000+ episodes on our website: newbooksnetwork.com
Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: https://newbooksnetwork.substack.com/
Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
| Episode | Date |
|---|---|
|
Shilla Lee , "Crafting Rural Japan: Traditional Potters and Rural Creativity in Regional Revitalization" (Routledge, 2024)
|
Dec 07, 2025 |
|
Stephen Murphy, "Buddhist Landscapes: Art and Archaeology of the Khorat Plateau, 7th to 11th Centuries (NUS Press, 2024)
|
Dec 01, 2025 |
|
Jean-Thomas Tremblay, "Breathing Aesthetics" (Duke UP, 2022)
|
Nov 30, 2025 |
|
Nicholas Gamso, "Art After Liberalism" (Columbia UP, 2022)
|
Nov 29, 2025 |
|
Taylor McCall, "The Art of Anatomy in Medieval Europe" (Reaktion Books, 2023)
|
Nov 28, 2025 |
|
Sebastian Truskolaski, "Adorno and the Ban on Images" (Bloomsbury, 2022)
|
Nov 24, 2025 |
|
Ilan Kelman, "Antarcticness: Inspirations and Imaginaries" (UCL Press, 2022)
|
Nov 23, 2025 |
|
Ana Patricia Rodríguez, "Avocado Dreams: Remaking Salvadoran Life and Art in the Washington, D.C. Metro Area" (University of Arizona Press, 2025)
|
Nov 20, 2025 |
|
Dustin Condren, "An Imaginary Cinema: Sergei Eisenstein and the Unrealized Film" (Cornell UP, 2024)
|
Nov 19, 2025 |
|
Rizvana Bradley, "Anteaesthetics: Black Aesthesis and the Critique of Form" (Stanford UP, 2023)
|
Nov 15, 2025 |
|
Mattin, "Social Dissonance" (MIT Press, 2022)
|
Nov 07, 2025 |
|
Elizabeth Currie, "Street Style: Art and Dress in the Time of Caravaggio" (Reaktion, 2025)
|
Nov 02, 2025 |
|
Cosima Clara Gillhammer, "Light on Darkness: The Untold Story of the Liturgy" (Reaktion Books, 2025)
|
Oct 30, 2025 |
|
Adair Rounthwaite, "This Is Not My World: Art and Public Space in Socialist Zagreb" (U Minnesota Press, 2024)
|
Oct 29, 2025 |
|
Gilles Deleuze, "On Painting" (U Minnesota Press, 2025)
|
Oct 26, 2025 |
|
Joanna Woronkowicz, "Artists at Work: Rethinking Policy for Artistic Careers" (Stanford UP, 2025)
|
Oct 23, 2025 |
|
Stevie Suan, "Anime's Identity: Performativity and Form Beyond Japan" (U Minnesota Press, 2021)
|
Oct 21, 2025 |
|
Paul Galvez, "Courbet's Landscapes: The Origins of Modern Painting" (Yale UP, 2022)
|
Oct 20, 2025 |
|
Kelley Helmstutler Di Dio, "Shipping Sculptures from Early Modern Italy: The Mechanics, Costs, Risks, and Rewards" (Brepols, 2025)
|
Oct 17, 2025 |
|
Maggie Gram, "The Invention of Design: A Twentieth-Century History" (Basic Books, 2025)
|
Oct 16, 2025 |
|
Michelle Wang, "The Art of Terrestrial Diagrams in Early China" (U Chicago Press, 2023)
|
Oct 14, 2025 |
|
Bronwyn Bailey-Charteris, "The Hydrocene: Eco-Aesthetics in the Age of Water" (Routledge, 2024)
|
Oct 11, 2025 |
|
Zara Anishanslin, "The Painter's Fire: A Forgotten History of the Artists Who Championed the American Revolution" (Harvard UP, 2025)
|
Oct 07, 2025 |
|
Justine De Young, "The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris" (Bloomsbury, 2025)
|
Oct 06, 2025 |
|
Michelle Bumatay, "On Black Bandes Dessinées and Transcolonial Power" (Ohio State UP, 2025)
|
Oct 03, 2025 |
|
Caroline McCaffrey-Howarth, "Lady Charlotte Schreiber, Extraordinary Art Collector" (Lund Humphries, 2025)
|
Sep 27, 2025 |
|
Mary Beth Willard, "Why It's Ok to Enjoy the Work of Immoral Artists" (Routledge, 2021)
|
Sep 22, 2025 |
|
Jack Hartnell, "Wound Man: The Many Lives of a Surgical Image" (Princeton UP, 2025)
|
Sep 18, 2025 |
|
Arriving in a New Country
|
Sep 16, 2025 |
|
Mark Goble, "Downtime: The Twentieth Century in Slow Motion" (Columbia UP, 2025)
|
Sep 15, 2025 |
|
Christopher C. Gorham, "Matisse at War: Art and Resistance in Nazi Occupied France" (Citadel Press, 2025)
|
Sep 09, 2025 |
|
Localisation of Islamic Arts in Malaysia
|
Sep 08, 2025 |
|
Nicole Nehrig, "With Her Own Hands: Women Weaving Their Stories" (W.W. Norton, 2025)
|
Sep 03, 2025 |
|
Diana Souhami, "No Modernism Without Lesbians" (Head of Zeus Book, 2020)
|
Aug 31, 2025 |
|
Amy Von Lintel and Bonnie Roos, "Three Women Artists: Expanding Abstract Expressionism in the American West" (Texas A&M UP, 2022)
|
Aug 27, 2025 |
|
K. Ian Shin, "Imperial Stewards: Chinese Art and the Making of America's Pacific Century" (Stanford UP, 2025)
|
Aug 23, 2025 |
|
Glenn Ligon, "Distinguishing Piss from Rain" (Hauser & Wirth, 2024)
|
Aug 19, 2025 |
|
Prudence Peiffer, "The Slip: The New York City Street That Changed American Art Forever" (Harper, 2023)
|
Aug 15, 2025 |
|
Raffale Bedarida, "Corrado Cagli: Transatlantic Bridges (1938-1947" (Centro Primo Levi, 2023)
|
Aug 13, 2025 |
|
Hannah Star Rogers, "Art, Science, and the Politics of Knowledge (MIT Press, 2022)
|
Aug 13, 2025 |
|
Jirí Anger, "Towards a Film Theory from Below: Archival Film and the Aesthetics of the Crack-Up" (Bloomsbury, 2024)
|
Aug 12, 2025 |
|
Kirin Narayan, "Cave of My Ancestors: Vishwakarma and the Artisans of Ellora" (U Chicago Press, 2024)
|
Aug 11, 2025 |
|
Nathan Wainstein, "Grant Us Eyes: The Art of Paradox in Bloodborne" (2025)
|
Aug 09, 2025 |
|
Irvin Weathersby Jr., "In Open Contempt: Confronting White Supremacy in Art and Public Space" (Viking, 2025)
|
Aug 08, 2025 |
|
Sarah E. K. Smith, "Trading on Art: Cultural Diplomacy and Free Trade in North America" (UBC Press, 2025)
|
Aug 02, 2025 |
|
Bradley Morgan, "Frank Zappa's America" (LSU Press, 2025)
|
Aug 02, 2025 |
|
Anthony Michael Petro, "Provoking Religion: Sex, Art, and the Culture Wars" (Oxford UP, 2025)
|
Aug 01, 2025 |
|
Sarah Teasley, "Designing Modern Japan" (Reaktion Books, 2022)
|
Jul 27, 2025 |
|
Ünver Rüstem, "Ottoman Baroque: The Architectural Refashioning of Eighteenth-Century Istanbul" (Princeton UP, 2019)
|
Jul 27, 2025 |
|
Nadya Bair, "The Decisive Network: Magnum Photos and the Postwar Image Market" (U California Press, 2020)
|
Jul 26, 2025 |
|
Zachari Logan, "Green" (Radiant Press, 2025).
|
Jul 24, 2025 |
|
Jake Kaner and Clive Edwards, "Conservation of Twentieth-Century Furniture" (Routledge, 2024)
|
Jul 18, 2025 |
|
Lanlan Kuang, "Staging Tianxia: Dunhuang Expressive Arts and China's New Cosmopolitan Heritage" (Indiana UP, 2024)
|
Jul 15, 2025 |
|
Cat Dawson, "Monumental: How a New Generation of Artists Is Shaping the Memorial Landscape" (MIT Press, 2025)
|
Jul 15, 2025 |
|
Juliet Rix, "London's Statues of Women" (SafeHaven Books, 2025)
|
Jul 14, 2025 |
|
Ignacio G. Galán, "Furnishing Fascism: Modernist Design and Politics in Italy" (U Minnesota Press, 2025)
|
Jul 12, 2025 |
|
Kirstie Macleod, "The Red Dress: Conversations in Stitch" (Quickthorn, 2025)
|
Jul 09, 2025 |
|
Rhythm, Exorcism, and Confrontation with Lexi Eikelboom
|
Jul 07, 2025 |
|
Illustrating Punk
|
Jul 06, 2025 |
|
Pamela Karimi, "Women, Art, Freedom: Artists and Street Politics in Iran" (Leuven UP, 2024)
|
Jul 04, 2025 |
|
Jade Elizabeth French, "Modernist Poetics of Ageing: The Late Lives and Late Styles of Mina Loy, Djuna Barnes, and H.D." (Oxford UP, 2025)
|
Jun 29, 2025 |
|
Bernd Roeck, "The World at First Light: A New History of the Renaissance" (Princeton UP, 2025)
|
Jun 22, 2025 |
|
Yevgenia Nayberg, "A Party for Florine: Florine Stettheimer and Me" (Neal Porter Books, 2024)
|
Jun 21, 2025 |
|
Andreas Beyer, "Benvenuto Cellini and the Embodiment of the Modern Artist" (Reaktion, 2025)
|
Jun 17, 2025 |
|
Robell Awake, "A Short History of Black Craft in Ten Objects" (Princeton Architectural Press, 2025)
|
Jun 17, 2025 |
|
John Trafton, "Movie-Made Los Angeles" (Wayne State UP, 2023)
|
Jun 11, 2025 |
|
antonio c. cuyler, "Achieving Creative Justice in the U.S. Creative Sector" (Routledge, 2025)
|
Jun 10, 2025 |
|
Stefanie Lenk, "Roman Identity and Lived Religion: Baptismal Art in Late Antiquity" (Cambridge UP, 2025)
|
Jun 09, 2025 |
|
Snotty Punk Bands and Ancient Aliens with Timothy Deane-Freeman
|
Jun 08, 2025 |
|
Katie Beswick, "Slags on Stage: Class, Sex, Art and Desire in British Culture" (Routledge, 2025)
|
May 31, 2025 |
|
Jana Dambrogio and Daniel Starza Smith, "Letterlocking: The Hidden History of the Letter" (MIT Press, 2025)
|
May 27, 2025 |
|
Jaleh Mansoor, "Universal Prostitution and Modernist Abstraction: A Counterhistory" (Duke UP, 2025)
|
May 22, 2025 |
|
Andrew Griebeler, "Botanical Icons: Critical Practices of Illustration in the Premodern Mediterranean" (U Chicago Press, 2024)
|
May 12, 2025 |
|
Alison J. Miller and Eunyoung Park, "Transposed Memory: Visual Sites of National Recollection in 20th and 21st Century East Asia" (Brill, 2024)
|
May 09, 2025 |
|
Samuel Jay Keyser, "Play It Again, Sam: Repetition in the Arts" (MIT Press, 2025)
|
May 08, 2025 |
|
Andrea Pappas, "Embroidering the Landscape: Women, Art and the Environment in British North America, 1740-1770" (Lund Humphries, 2023)
|
May 04, 2025 |
|
No Common Ground: Confederate Monuments and the Ongoing Fight for Racial Justice
|
Apr 29, 2025 |
|
Eike Exner, "Comics and the Origins of Manga: A Revisionist History" (Rutgers UP, 2021)
|
Apr 23, 2025 |
|
Farouk Yahya, "Magic and Divination in Malay Illustrated Manuscripts" (Brill, 2015)
|
Apr 19, 2025 |
|
Faith Tibble, "Crown of Thorns: Humble Gods and Humiliated Kings" (T&T Clark, 2025)
|
Apr 18, 2025 |
|
Jaye Early, "Confessional Video Art and Subjectivity: Private Experiences in Public Spaces" (Bloomsbury, 2025)
|
Apr 11, 2025 |
|
Stephen J. Campbell, "Leonardo da Vinci: An Untraceable Life" (Princeton UP, 2025)
|
Apr 09, 2025 |
|
Rebecca Zorach, "Temporary Monuments: Art, Land, and America's Racial Enterprise" (U Chicago Press, 2024)
|
Apr 08, 2025 |
|
Loretta Vandi, "Eufrasia Burlamacchi" (Getty Publications and Lund Humphries, 2025)
|
Apr 06, 2025 |
|
Sinem Arcak Casale, "Gifts in the Age of Empire: Ottoman-Safavid Cultural Exchange, 1500–1639" (U Chicago Press, 2023)
|
Apr 01, 2025 |
|
Sarah Bassett, "Style and Meaning in Late Antique Art" (Cambridge UP, 2025)
|
Mar 31, 2025 |
|
"Micaiah Carter: What's My Name" (Prestel, 2023)
|
Mar 20, 2025 |
|
Rahul Rao, "The Psychic Lives of Statues: Reckoning with the Rubble of Empire" (Pluto Press, 2025)
|
Mar 19, 2025 |
|
Matt Lodder, "Tattoos: The Untold History of a Modern Art" (Yale UP, 2024)
|
Mar 17, 2025 |
|
Maggie M. Cao, "Painting US Empire: Nineteenth-Century Art and Its Legacies" (U Chicago Press, 2025)
|
Mar 14, 2025 |
|
Michael J. Hatch, "Networks of Touch: A Tactile History of Chinese Art, 1790-1840" (Penn State UP, 2023)
|
Mar 13, 2025 |
|
Harriet Atkinson, "Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53" (Manchester UP, 2024)
|
Mar 12, 2025 |
|
Jamie Jelinski, "Needle Work: A History of Commercial Tattooing in Canada" (McGill-Queen’s UP, 2024)
|
Mar 10, 2025 |
|
Kirsten L. Scheid, "Fantasmic Objects: Art and Sociality from Lebanon, 1920–1950" (Indiana UP, 2022)
|
Mar 09, 2025 |
|
Anna Lise Seastrand, "Body, History, Myth: Early Modern Murals in South India" (Princeton UP, 2024)
|
Mar 06, 2025 |
|
Hallie Franks, "Ancient Sculpture and Twentieth-Century American Womanhood: Venus Envy" (Bloomsbury, 2025)
|
Mar 02, 2025 |
|
Christina Kiaer, "Collective Body: Aleksandr Deineka at the Limit of Socialist Realism" (U Chicago Press, 2024)
|
Feb 26, 2025 |
|
Jaqueline Berndt, "The Cambridge Companion to Manga and Anime" (Cambridge UP, 2024)
|
Feb 11, 2025 |
|
David Graves, "New Realism in Contemporary Israeli Painting" (Austin Macauley, 2023)
|
Feb 11, 2025 |
|
Edward Simon, "The Seven Deadly Sins and Seven Heavenly Virtues: A Visual History" (Cernunnos, 2024)
|
Feb 10, 2025 |
|
Magdalena Buchczyk, "Weaving Europe, Crafting the Museum: Textiles, History and Ethnography at the Museum of European Cultures, Berlin" (Bloomsbury, 2023)
|
Feb 10, 2025 |
|
Hildegard Westerkamp: A Life in Soundscape Composition
|
Feb 10, 2025 |
|
Astrid J. Smith, "Transmediation and the Archive: Decoding Objects in the Digital Age" (Arc Humanities Press, 2024)
|
Feb 10, 2025 |
|
William Gallois, "Qayrawan: The Amuletic City" (Penn State UP, 2024)
|
Feb 07, 2025 |
|
Jean Strouse, "Family Romance: John Singer Sargent and the Wertheimers" (FSG, 2024)
|
Feb 04, 2025 |
|
Elizabeth Campbell, "Museum Worthy: Nazi Art Plunder in Postwar Western Europe" (Oxford UP, 2024)
|
Jan 29, 2025 |
|
Petya Andreeva, "Fantastic Fauna from China to Crimea: Image-Making in Eurasian Nomadic Societies, 700 BCE-500 CE" (Edinburgh UP, 2024)
|
Jan 25, 2025 |
|
Elizabeth King and W. David Todd, "Miracles and Machines: A Sixteenth-Century Automaton and Its Legend" (Getty, 2023)
|
Jan 19, 2025 |
|
(Re)Making Radio with the Shortwave Collective
|
Jan 13, 2025 |
|
Aurelia Campbell, "What the Emperor Built: Architecture and Empire in the Early Ming" (U Washington Press, 2020)
|
Jan 06, 2025 |
|
Fernando Domínguez Rubio, "Still Life: Ecologies of the Modern Imagination at the Art Museum" (U Chicago Press, 2020)
|
Jan 03, 2025 |
|
Shannan Clark, "The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism" (Oxford UP, 2020)
|
Jan 02, 2025 |
|
Deborah Willis, "The Black Civil War Soldier: A Visual History of Conflict and Citizenship" (NYU Press, 2021)
|
Jan 02, 2025 |
|
Rachel Emily Taylor, "Illustration and Heritage" (Bloombury, 2024)
|
Dec 27, 2024 |
|
Theresa Flanigan, "The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence" (Brepols, 2024)
|
Dec 21, 2024 |
|
Erich Hatala Matthes, "What to Save and Why: Identity, Authenticity, and the Ethics of Conservation" (Oxford UP, 2024)
|
Dec 19, 2024 |
|
Aesthetic Conversions
|
Dec 16, 2024 |
|
Christine Coulson, "One Woman Show" (Avid Reader Press, 2023)
|
Dec 14, 2024 |
|
A. L. McClanan, "Griffinology: The Griffin's Place in Myth, History and Art" (Reaktion, 2024)
|
Dec 14, 2024 |
|
Henri Colt, "Becoming Modigliani" (Rake Press, 2024)
|
Dec 09, 2024 |
|
Jonathan Conlin, "The Met: A History of a Museum and Its People" (Columbia UP, 2024)
|
Dec 07, 2024 |
|
Johanna Drucker, "Iliazd: A Meta-Biography of a Modernist" (Johns Hopkins UP, 2020)
|
Nov 29, 2024 |
|
Kerry Meakin, "The Professionalization of Window Display in Britain, 1919-1939" (Bloomsbury, 2024)
|
Nov 25, 2024 |
|
Collaboration, Presentation, and Representation with Dalia Nassar
|
Nov 17, 2024 |
|
Eric Drooker, "Naked City: A Graphic Novel" (Dark Horse Books, 2024)
|
Nov 17, 2024 |
|
Deborah Parker, "Becoming Belle Da Costa Greene: A Visionary Librarian Through Her Letters" (Villa I Tatti, 2024)
|
Nov 16, 2024 |
|
Risk
|
Nov 16, 2024 |
|
Alison Stone, "Women on Philosophy of Art: Britain 1770-1900" (Oxford UP, 2024)
|
Nov 12, 2024 |
|
R. Murray Schaffer (1933-2021), Part 2
|
Nov 11, 2024 |
|
Non-literary Fiction
|
Nov 09, 2024 |
|
R. Murray Schafer (1933-2021), Part 1
|
Nov 04, 2024 |
|
Freya Gowrley, "Fragmentary Forms: A New History of Collage" (Princeton UP, 2024)
|
Nov 02, 2024 |
|
On Listening In
|
Oct 28, 2024 |
|
Paris, Cuba, and David from Any Direction with Lucy Benjamin
|
Oct 27, 2024 |
|
Christopher Smith, "Samurai with Telephones: Anachronism in Japanese Literature" (U Michigan Press, 2024)
|
Oct 18, 2024 |
|
Rochelle Gurstein, "Written in Water: The Ephemeral Life of the Classic in Art" (Yale UP, 2024)
|
Oct 13, 2024 |
|
Eunsong Kim, "The Politics of Collecting: Race and the Aestheticization of Property" (Duke UP, 2024)
|
Oct 12, 2024 |
|
Scott Henderson, "Comics and Pop Culture: Adaptation from Panel to Frame" (U Texas Press, 2019)
|
Oct 08, 2024 |
|
Natalie Wall, "Black Expression and White Generosity: A Theoretical Framework of Race" (Emerald Publishing, 2024)
|
Oct 07, 2024 |
|
For Some Odd Reason
|
Oct 07, 2024 |
|
Jason Weiss, "Listenings" (Spuyten Duyvil, 2023)
|
Sep 29, 2024 |
|
Alessandra Russo, "A New Antiquity: Art and Humanity as Universal, 1400-1600" (Penn State UP, 2024)
|
Sep 26, 2024 |
|
Lucy Weir, "Performance, Masculinity, and Self-Injury" (Routledge, 2024)
|
Sep 21, 2024 |
|
Julia Kindt, "The Trojan Horse and Other Stories: Ten Ancient Creatures That Make Us Human" (Cambridge UP, 2024)
|
Sep 04, 2024 |
|
Jordan Magnuson, "Game Poems: Videogame Design as Lyric Practice" (Amherst College Press, 2023)
|
Sep 04, 2024 |
|
Aaron M. Hyman, "Rubens in Repeat: The Logic of the Copy in Colonial Latin America" (Getty, 2021)
|
Sep 03, 2024 |
|
What is Radio Art?
|
Sep 02, 2024 |
|
Sumana Roy, "Provincials: Postcards from the Peripheries" (Yale UP, 2024)
|
Aug 24, 2024 |
|
Jennifer Ponce de León, "Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War" (Duke UP, 2021)
|
Aug 23, 2024 |
|
Karen Patel, "Craft as a Creative Industry" (Routledge, 2024)
|
Aug 20, 2024 |
|
Maria Taroutina and Allison Leigh, "Russian Orientalism in a Global Context: Hybridity, Encounter, and Representation, 1740-1940" (Manchester UP, 2023)
|
Aug 17, 2024 |
|
Gold, Silver, and Bronze with Yuri Cath
|
Aug 12, 2024 |
|
Leslie Ramos, "Philanthropy in the Arts: A Game of Give and Take" (Lund Humphries, 2023)
|
Aug 11, 2024 |
|
Murad Khan Mumtaz, "Faces of God: Images of Devotion in Indo-Muslim Painting, 1500-1800" (Brill, 2023)
|
Aug 08, 2024 |
|
Swati Chattopadhyay, "Small Spaces: Recasting the Architecture of Empire" (Bloomsbury, 2023)
|
Aug 03, 2024 |
|
Sonia-Doris Andras, "The Women of 'Little Paris': Women’s Fashion in Interwar Bucharest" (Bloomsbury, 2024)
|
Jul 26, 2024 |
|
Hannah Freed-Thall, "Modernism at the Beach: Queer Ecologies and the Coastal Commons" (Columbia UP, 2023)
|
Jul 25, 2024 |
|
Breanne Fahs, "Burn It Down: Feminist Manifestos for the Revolution" (Verso, 2020)
|
Jul 21, 2024 |
|
Frances Tanzer, "Vanishing Vienna: Modernism, Philosemitism, and Jews in a Postwar City" (U Pennsylvania Press, 2024)
|
Jul 20, 2024 |
|
Filmmaker, Artist, Writer: A Conversation with Paromita Vohra
|
Jul 19, 2024 |
|
Fantastic Fauna from China to Crimea: Image-Making in Eurasian Nomadic Societies, 700 BCE-500 CE
|
Jul 14, 2024 |
|
Anri Yasuda, "Beauty Matters: Modern Japanese Literature and the Question of Aesthetics, 1890-1930" (Columbia UP, 2024)
|
Jul 12, 2024 |
|
Joanne Leow, "Counter-Cartographies: Reading Singapore Otherwise" (Liverpool UP, 2024)
|
Jul 10, 2024 |
|
Breathing Together
|
Jul 08, 2024 |
|
Tara Ward, "Appreciation Post: Towards an Art History of Instagram" (U California Press, 2024)
|
Jul 05, 2024 |
|
Feng-Mei Heberer, "Asians on Demand: Mediating Race in Video Art and Activism" (U Minnesota Press, 2023)
|
Jul 02, 2024 |
|
Sean Redmond, "The Loneliness Room: A Creative Ethnography of Loneliness" (Manchester UP, 2024)
|
Jun 28, 2024 |
|
Christina M. García, "Corporeal Readings of Cuban Literature and Art: The Body, the Inhuman, and Ecological Thinking" (U Florida Press, 2024)
|
Jun 28, 2024 |
|
"America: Now and Here": A Lecture by Artist Eric FIschl
|
Jun 15, 2024 |
|
Youngna Kim, "Korean Art Since 1945: Challenges and Changes" (Brill, 2024)
|
Jun 08, 2024 |
|
The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present
|
Jun 02, 2024 |
|
Chris Haufe, "Do the Humanities Create Knowledge?" (Cambridge UP, 2023)
|
May 28, 2024 |
|
Jan Baetens, "Rebuilding Story Worlds: The Obscure Cities by Schuiten and Peeters" (Rutgers UP, 2020)
|
May 26, 2024 |
|
Iris Moon, "Melancholy Wedgwood" (MIT Press, 2024)
|
May 26, 2024 |
|
Mirjam Rajner, "Fragile Images: Jews and Art in Yugoslavia, 1918-1945" (Brill, 2019)
|
May 22, 2024 |
|
Alex Beringer, "Lost Literacies: Experiments in the Nineteenth-Century US Comic Strip" (Ohio State UP, 2024)
|
May 22, 2024 |
|
Jennifer Dorothy Lee, "Anxiety Aesthetics: Maoist Legacies in China, 1978-1985" (U California Press, 2024)
|
May 16, 2024 |
|
Dancing Parkinson's and Queering Science with John Noel Viaña
|
May 14, 2024 |
|
Karen Pechilis et al. ed., "Devotional Visualities: Seeing Bhakti in Indic Material Cultures" (Bloomsbury, 2023)
|
May 09, 2024 |
|
Salar Mameni, "Terracene: A Crude Aesthetics" (Duke UP, 2023)
|
May 05, 2024 |
|
Nadine A. Sinno, "A War of Colors: Graffiti and Street Art in Postwar Beirut" (U Texas Press, 2024)
|
May 02, 2024 |
|
Justin O’Connor, "Culture is Not an Industry: Reclaiming Art and Culture for the Common" (Manchester UP, 2024)
|
May 01, 2024 |
|
Andil Gosine, "Nature's Wild: Love, Sex, and Law in the Caribbean" (Duke UP, 2021)
|
Apr 29, 2024 |
|
Stitching Freedom: Embroidery and Incarceration
|
Apr 25, 2024 |
|
Danielle Taschereau Mamers, "Settler Colonial Ways of Seeing: Documentation, Administration, and the Interventions of Indigenous Art" (Fordham UP, 2023)
|
Apr 23, 2024 |
|
Nathanial Gardner, "The Study of Photography in Latin America: Critical Insights and Methodological Approaches" (U New Mexico Press, 2023)
|
Apr 18, 2024 |
|
Kerry Wallach, "Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit" (Penn State UP, 2024)
|
Apr 16, 2024 |
|
Adam Kabat, "The River Imp and the Stinky Jewel and Other Tales: Monster Comics from Edo Japan" (Columbia UP, 2023)
|
Apr 14, 2024 |
|
Paul Williams, "The US Graphic Novel" (Edinburgh UP, 2022)
|
Apr 12, 2024 |
|
Maaheen Ahmed, "Openness of Comics: Generating Meaning within Flexible Structures" (UP of Mississippi, 2016)
|
Apr 11, 2024 |
|
Enactivism, Embodiment, and the Gorier Stuff with Marilyn Stendera
|
Apr 07, 2024 |
|
Oliver Wunsch, "A Delicate Matter: Art, Fragility, and Consumption in Eighteenth-Century France" (Penn State UP, 2024)
|
Mar 31, 2024 |
|
Aleksandar Bosković and Steven Teref, "Zenithism (1921-1927): A Yugoslav Avant-Garde Anthology" (Academic Studies Press, 2023)
|
Mar 29, 2024 |
|
Chia-ling Yang, "Appropriating Antiquity for Modern Chinese Painting" (Bloomsbury, 2023)
|
Mar 27, 2024 |
|
Jehanne Dubrow, "Exhibitions: Essays on Art and Atrocity" (U New Mexico Press, 2023)
|
Mar 24, 2024 |
|
Umme Al-wazedi and Afrin Zeenat, "Veil Obsessed: Representations in Literature, Art, and Media" (Syracuse UP, 2024)
|
Mar 17, 2024 |
|
Anna Kornbluh, "Immediacy: Or, The Style of Too Late Capitalism" (Verso, 2024)
|
Mar 17, 2024 |
|
Gavin Butt, "No Machos Or Pop Stars: When the Leeds Art Experiment Went Punk" (Duke UP, 2022)
|
Mar 13, 2024 |
|
Xin Gu, "Cultural Work and Creative Subjectivity: Recentralising the Artist Critique and Social Networks in the Cultural Industries" (Routledge, 2023)
|
Mar 11, 2024 |
|
Jon Robson, "Aesthetic Testimony: An Optimistic Approach" (Oxford UP, 2022)
|
Mar 10, 2024 |
|
Carmen Fracchia, "'Black But Human': Slavery and Visual Arts in Hapsburg Spain, 1480-1700" (Oxford UP, 2019)
|
Mar 08, 2024 |
|
Angie Chau, "Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters" (U Michigan Press, 2023)
|
Mar 06, 2024 |
|
Roseen Giles, "Monteverdi and the Marvellous: Poetry, Sound, and Representation" (Cambridge UP, 2023)
|
Mar 04, 2024 |
|
Alvita Akiboh, "Imperial Material: National Symbols in the US Colonial Empire" (U Chicago Press, 2023)
|
Mar 03, 2024 |
|
Mai Corlin, "The Bishan Commune and the Practice of Socially Engaged Art in Rural China" (Palgrave MacMillan, 2020)
|
Feb 26, 2024 |
|
T. Corey Brennan, "The Fasces: A History of Ancient Rome's Most Dangerous Political Symbol" (Oxford UP, 2022)
|
Feb 21, 2024 |
|
Meredith Martin and Gillian Weiss, "The Sun King at Sea: Maritime Art and Galley Slavery in Louis XIV's France" (Getty, 2022)
|
Feb 17, 2024 |
|
Ed Simon, "Relic" (Bloomsbury. 2024)
|
Feb 15, 2024 |
|
Criticism
|
Feb 15, 2024 |
|
Ana Lucia Araujo, "The Gift: How Objects of Prestige Shaped the Atlantic Slave Trade and Colonialism" (Cambridge UP, 2023)
|
Feb 11, 2024 |
|
Devin Griffiths and Deanna Kreisel, "After Darwin: Literature, Theory, and Criticism in the Twenty-First Century" (Cambridge UP, 2022)
|
Feb 10, 2024 |
|
Sabina Andron, "Urban Surfaces, Graffiti, and the Right to the City" (Routledge, 2024)
|
Feb 04, 2024 |
|
Dustin Kiskaddon, "Blood and Lightening: On Becoming a Tattooer" (Stanford UP, 2023)
|
Feb 04, 2024 |
|
William L. Bird, "In the Arms of Saguaros: Iconography of the Giant Cactus" (U Arizona Press, 2023)
|
Feb 03, 2024 |
|
Alex Burchmore, "New Export China: Translations Across Time and Place in Contemporary Chinese Porcelain Art" (U California Press, 2023)
|
Feb 02, 2024 |
|
Catherine Powell-Warren, "Gender and Self-Fashioning at the Intersection of Art and Science: Agnes Block, Botany, and Networks in the Dutch 17th Century" (Amsterdam UP, 2023)
|
Jan 22, 2024 |
|
Emma Gleadhill, "Taking Travel Home: The Souvenir Culture of British Women Tourists, 1750-1830" (Manchester UP, 2022)
|
Jan 16, 2024 |
|
Ofer Ashkenazi, "Anti-Heimat Cinema: The Jewish Invention of the German Landscape" (U Michigan Press, 2020)
|
Jan 09, 2024 |
|
Seth Bernard, "Building Mid-Republican Rome: Labor, Architecture, and the Urban Economy" (Oxford UP, 2018)
|
Jan 07, 2024 |
|
Amy Von Lintel, "Georgia O'Keeffe's Wartime Texas Letters" (Texas A&M UP, 2020)
|
Jan 06, 2024 |
|
Virginia Chieffo Raguin, "The Illuminated Window: Stories Across Time" (Reaktion Books, 2023)
|
Jan 05, 2024 |
|
Susanna Phillips Newbury, "The Speculative City: Art, Real Estate, and the Making of Global Los Angeles" (U Minnesota Press, 2021)
|
Jan 04, 2024 |
|
Robert R. Janes, "Museums and Societal Collapse: The Museum as Lifeboat" (Routledge, 2023)
|
Jan 02, 2024 |
|
Timothy K. August, "The Refugee Aesthetic: Reimagining Southeast Asian America" (Temple UP, 2020)
|
Dec 30, 2023 |
|
Jordana M. Saggese, "The Jean-Michel Basquiat Reader" (U California Press, 2021)
|
Dec 26, 2023 |
|
Ran Oron, "He Could See a Bird Outside if He Looked Through His Window" (Persimmon Books, 2023)
|
Dec 24, 2023 |
|
Brian Brown and Virginia Kuulei Berndt, "Body Art" (Emerald Publishing, 2023)
|
Dec 19, 2023 |
|
Nettrice R. Gaskins, "Techno-Vernacular Creativity and Innovation: Culturally Relevant Making Inside and Outside of the Classroom" (MIT Press, 2021)
|
Dec 13, 2023 |
|
Genealogies of Modernity Episode 5: Picturing Race in Colonial Mexico
|
Dec 09, 2023 |
|
Paul Fisher Davies, "Comics as Communication: A Functional Approach" (Palgrave MacMillan, 2019)
|
Dec 08, 2023 |
|
Amy Matthewson, "Cartooning China: Punch, Power, & Politics in the Victorian Era" (Routledge, 2022)
|
Dec 06, 2023 |
|
Monica Huerta, "The Unintended: Photography, Property, and the Aesthetics of Racial Capitalism" (NYU Press, 2023)
|
Dec 04, 2023 |
|
Rachel Stephens, "Hidden in Plain Sight: Concealing Enslavement in American Visual Culture" (U Arkansas Press, 2023)
|
Dec 01, 2023 |
|
Vid Simoniti, "Artists Remake the World: A Contemporary Art Manifesto" (Yale UP, 2023)
|
Nov 29, 2023 |
|
Tony Spawforth, "What the Greeks Did for Us" (Yale UP, 2023)
|
Nov 28, 2023 |
|
Peter Bellerby, "The Globemakers: The Curious Story of an Ancient Craft" (Bloomsbury, 2023)
|
Nov 27, 2023 |
|
Michael Rushton, "The Moral Foundations of Public Funding for the Arts" (Palgrave Macmillan, 2023)
|
Nov 25, 2023 |
|
Kai Jun Chen, "Porcelain for the Emperor: Manufacture and Technocracy in Qing China" (U Washington Press, 2023)
|
Nov 13, 2023 |
|
Caroline Levine, "The Activist Humanist: Form and Method in the Climate Crisis" (Princeton UP, 2023)
|
Nov 09, 2023 |
|
Valerie Kivelson et al., "Picturing Russian Empire" (Oxford UP, 2023)
|
Nov 07, 2023 |
|
Peter Nelson, "Computer Games As Landscape Art" (Palgrave Macmillan, 2023)
|
Nov 06, 2023 |
|
Ed Simon, "Elysium: A Visual History of Angelology" (Cernunnos, 2023)
|
Nov 05, 2023 |
|
Maaheen Ahmed, "The Cambridge Companion to Comics" (Cambridge UP, 2023)
|
Nov 04, 2023 |
|
"We are all latecomers": Martin Puchner's "Culture" (JP, EF)
|
Nov 02, 2023 |
|
Henrik Fürst and Erik Nylander, "The Value of Art Education: Cultural Engagements at the Swedish Folk High Schools" (Palgrave MacMillan, 2023)
|
Oct 30, 2023 |
|
Chris Bishop, "Medievalist Comics and the American Century" (UP of Mississippi, 2016)
|
Oct 29, 2023 |
|
Chet Van Duzer, "Frames That Speak: Cartouches on Early Modern Maps" (Brill, 2023)
|
Oct 29, 2023 |
|
Simon Grennan, "A Theory of Narrative Drawing" (Palgrave MacMillan, 2017)
|
Oct 28, 2023 |
|
Pat Thomson and Christine Hall, "Schools and Cultural Citizenship: Arts Education for Life" (Routledge, 2023)
|
Oct 28, 2023 |
|
Valerie Werder, "Thieves: A Novel" (Fence Books, 2023)
|
Oct 27, 2023 |
|
Marisel C. Moreno, "Crossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature and Art" (U Texas Press, 2022)
|
Oct 27, 2023 |
|
Diana Kamin, "Picture-Work: How Libraries, Museums, and Stock Agencies Launched a New Image Economy" (MIT Press, 2023)
|
Oct 25, 2023 |
|
Philip Jenkins, "A Storm of Images: Iconoclasm and Religious Reformation in the Byzantine World" (Baylor UP, 2023)
|
Oct 22, 2023 |
|
Grant H. Kester, "The Sovereign Self: Aesthetic Autonomy from the Enlightenment to the Avant-Garde" (Duke UP, 2023)
|
Oct 21, 2023 |
|
Paraska Tolan-Szkilnik, "Maghreb Noir: The Militant-Artists of North Africa and the Struggle for a Pan-African, Postcolonial Future" (Stanford UP, 2023)
|
Oct 11, 2023 |
|
Visibility
|
Oct 06, 2023 |
|
Mara Mills and Rebecca Sanchez, eds., "Crip Authorship: Disability as Method" (NYU Press, 2023)
|
Oct 06, 2023 |
|
Katrin Nahidi, "The Cultural Politics of Art in Iran: Modernism, Exhibitions, and Art Production" (Cambridge UP, 2023)
|
Oct 04, 2023 |
|
Jessica Lowell Mason and Nicole Crevar, "Madwomen in Social Justice Movements, Literatures, and Art" (Vernon Press, 2023)
|
Sep 26, 2023 |
|
Antony Kalashnikov, "Monuments for Posterity: Self-Commemoration and the Stalinist Culture of Time" (Cornell UP, 2023)
|
Sep 23, 2023 |
|
Alba Griffin, "Reading the Walls of Bogota: Graffiti, Street Art, and the Urban Imaginary of Violence" (U Pittsburgh Press, 2023)
|
Sep 22, 2023 |
|
Bryan Rennie, "An Ethology of Religion and Art: Belief as Behavior" (Routledge, 2020)
|
Sep 16, 2023 |
|
Margaret Galvan, "In Visible Archives: Queer and Feminist Visual Culture in the 1980s" (U Minnesota Press, 2023)
|
Sep 16, 2023 |
|
Jo Shaw and Ben Fletcher-Watson, "The Art of Being Dangerous: Exploring Women and Danger through Creative Expression" (Leuven UP, 2021)
|
Sep 13, 2023 |
|
A Better Way to Buy Books
|
Sep 12, 2023 |
|
Marc Bonners, "Open World Structures: Architecture, Urban and Natural landscape in the Computer Game" (Büchner-Verlag, 2023)
|
Sep 07, 2023 |
|
Caveh Zahedi, "Digging My Own Grave: The Films of Caveh Zahedi" (Factory 25, 2015)
|
Sep 06, 2023 |
|
Stephen Ramsay, "On the Digital Humanities: Essays and Provocations" (U Minnesota Press, 2023)
|
Sep 06, 2023 |
|
Gennifer Weisenfeld, "Gas Mask Nation: Visualizing Civil Air Defense in Wartime Japan" (U Chicago Press, 2023)
|
Sep 05, 2023 |
|
Elise Herrala, "Art of Transition: The Field of Art in Post-Soviet Russia" (Routledge, 2021)
|
Sep 03, 2023 |
|
John Szwed, "Cosmic Scholar: The Life and Times of Harry Smith" (FSG, 2023)
|
Sep 03, 2023 |
|
Heike Bauer et al., "Jewish Women in Comics: Bodies and Borders" (Syracuse UP, 2022)
|
Sep 02, 2023 |
|
Hamid Keshmirshekan, "The Art of Iran in the Twentieth and Twenty-First Centuries: Tracing the Modern and the Contemporary" (Edinburgh UP, 2023)
|
Aug 30, 2023 |
|
Vanessa I. Corredera, "Reanimating Shakespeare's Othello in Post-Racial America" (Edinburgh UP, 2022)
|
Aug 27, 2023 |
|
Travis Holloway, "How to Live at the End of the World: Theory, Art, and Politics for the Anthropocene" (Stanford UP, 2022)
|
Aug 23, 2023 |
|
Adam Jasienski, "Praying to Portraits: Audience, Identity, and the Inquisition in the Early Modern Hispanic World" (Penn State UP, 2023)
|
Aug 21, 2023 |
|
Ramzi Fawaz, "The New Mutants: Superheroes and the Radical Imagination of American Comics" (NYU Press, 2016)
|
Aug 17, 2023 |
|
Daniel Foliard, "The Violence of Colonial Photography" (Manchester UP, 2022)
|
Aug 08, 2023 |
|
What Was Contemporary Art?
|
Aug 04, 2023 |
|
Why Photography Matters
|
Aug 03, 2023 |
|
Marnie Feneley, "Reconstructing God: Style, Hydraulics, Political Power and Angkor's West Mebon Visnu" (National U of Singapore Press, 2022)
|
Aug 02, 2023 |
|
Taylor McCall, "The Art of Anatomy in Medieval Europe" (Reaktion Books, 2023)
|
Aug 01, 2023 |
|
Ben Highmore, "In Good Taste: How Britain's Middle Classes Found Their Style" (Manchester UP, 2023)
|
Jul 31, 2023 |
|
Tom Young, "Unmaking the East India Company: British Art and Political Reform in Colonial India, c. 1813-1858" (Paul Mellon Centre, 2023)
|
Jul 29, 2023 |
|
Nina Lager Vestberg, "Picture Research: The Work of Intermediation from Pre-Photography to Post-Digitization" (MIT Press, 2023)
|
Jul 26, 2023 |
|
Brigitte Buettner, "The Mineral and the Visual: Precious Stones in Medieval Secular Culture" (Penn State UP, 2022)
|
Jul 23, 2023 |
|
Robert Hillenbrand, "The Great Mongol Shahnameh" (Hali Publications et al., 2022)
|
Jul 20, 2023 |
|
Brahma Prakash, "Body on the Barricades: Life, Art and Resistance in Contemporary India" (LeftWord, 2023)
|
Jul 19, 2023 |
|
Eliot Borenstein, "Marvel Comics in The 1970s: The World Inside Your Head" (Cornell UP, 2023)
|
Jul 11, 2023 |
|
Stephen Davies, "Adornment: What Self-Decoration Tells Us About Who We Are" (Bloomsbury, 2020)
|
Jul 10, 2023 |
|
Katherine Giuffre, "Outrage: The Arts and the Creation of Modernity" (Stanford UP, 2023)
|
Jul 10, 2023 |
|
Robert Mills, "Seeing Sodomy in the Middle Ages" (U Chicago Press, 2015)
|
Jul 09, 2023 |
|
Rose Marie San Juan, "Violence and the Genesis of the Anatomical Image" (Pennsylvania State UP, 2023)
|
Jul 03, 2023 |
|
Adrian Rifkin, "Future Imperfect: The Past Between My Fingers..." (2021)
|
Jul 02, 2023 |
|
Bleak Houses: Disappointment and Failure in Architecture
|
Jul 01, 2023 |
|
Surf Craft: Design and the Culture of Board Riding
|
Jul 01, 2023 |
|
Deirdre Bair on Artist Saul Steinberg
|
Jul 01, 2023 |
|
Marie Arleth Skov, "Punk Art History: Artworks from the European No Future Generation" (Intellect, 2023)
|
Jun 30, 2023 |
|
Yael Rice, "The Brush of Insight: Artists and Agency at the Mughal Court" (U Washington Press, 2023)
|
Jun 30, 2023 |
|
TaTa Dada: The Real Life and Celestial Adventures of Tristan Tzara
|
Jun 29, 2023 |
|
Rebecca Whiteley, "Birth Figures: Early Modern Prints and the Pregnant Body" (U Chicago Press, 2023)
|
Jun 26, 2023 |
|
The Eternal Letter: Two Millennia of the Classical Roman Capital
|
Jun 20, 2023 |
|
Works of Game: On the Aesthetics of Games and Art
|
Jun 19, 2023 |
|
Deborah Stevenson, "Cultural Policy Beyond the Economy: Value, Work and the Social" (Edward Elgar, 2023)
|
Jun 16, 2023 |
|
Brett Brehm, "Kaleidophonic Modernity: Transatlantic Sound, Technology, and Literature" (Fordham UP, 2023)
|
Jun 16, 2023 |
|
Michael B. Gill, "A Philosophy of Beauty: Shaftesbury on Nature, Virtue, and Art" (Princeton UP, 2022)
|
Jun 14, 2023 |
|
Samuel J. Redman, "The Museum: A Short History of Crisis and Resilience" (NYU Press, 2022)
|
Jun 13, 2023 |
|
Arturo Rodríguez Morató and Alvaro Santana-Acuña, "Sociology of the Arts in Action: New Perspectives on Creation, Production, and Reception" (Palgrave MacMillan, 2023)
|
Jun 11, 2023 |
|
Kelcey Ervick and Tom Hart, "The Rose Metal Press Field Guide to Graphic Literature" (Rose Metal Press, 2023)
|
Jun 10, 2023 |
|
Art Auctions and Data Science
|
Jun 04, 2023 |
|
Lance Esplund, "The Art of Looking: How to Read Modern and Contemporary Art" (Basic, 2018)
|
Jun 04, 2023 |
|
Celia Fisher, "The Story of Follies: Architectures of Eccentricity" (Reaktion Books, 2022)
|
Jun 04, 2023 |
|
Monika Raesch, "Abbas Kiarostami: Interviews" (UP of Mississippi, 2023)
|
Jun 04, 2023 |
|
Gender and Equality in Art and Exploration
|
Jun 03, 2023 |
|
A Slow Burning Fire: The Rise of the New Art Practice in Yugoslavia
|
May 29, 2023 |
|
Lisa McCormick, "The Cultural Sociology of Art and Music: New Directions and New Discoveries" (Palgrave MacMillan, 2022)
|
May 28, 2023 |
|
Publishing in Art, Architecture and Visual Culture
|
May 26, 2023 |
|
Nicholas Scott Baker, "In Fortune's Theater: Financial Risk and the Future in Renaissance Italy" (Cambridge UP, 2021)
|
May 26, 2023 |
|
The Place Is Here: The Work of Black Artists in 1980s Britain
|
May 24, 2023 |
|
Jonathan Adeyemi, "Contemporary Art from Nigeria in the Global Markets: Trending in the Margins" (Palgrave MacMillan, 2022)
|
May 21, 2023 |
|
Infrastructural Brutalism: Art and the Necropolitics of Infrastructure
|
May 20, 2023 |
|
Ithell Colquhoun: Genius of The Fern Loved Gully
|
May 19, 2023 |
|
Full Version: Lauren Fournier and McKenzie Wark on Autotheory
|
May 19, 2023 |
|
Autotheory as Feminist Practice in Art, Writing, and Criticism
|
May 18, 2023 |
|
Pamela M. Lee, "Think Tank Aesthetics: Midcentury Modernism, the Cold War, and the Neoliberal Present" (MIT Press, 2020)
|
May 16, 2023 |
|
Sharon Hecker and Raffaele Bedarida, "Curating Fascism: Exhibitions and Memory from the Fall of Mussolini to Today" (Bloomsbury, 2022)
|
May 13, 2023 |
|
Andrew R. Casper, "An Artful Relic: The Shroud of Turin in Baroque Italy" (Pennsylvania State UP, 2021)
|
May 11, 2023 |
|
Benjamin Balint, "Bruno Schulz: An Artist, a Murder, and the Hijacking of History" (Norton, 2023)
|
May 10, 2023 |
|
Saturation: Race, Art, and the Circulation of Value
|
May 10, 2023 |
|
Barbara Penner et al., "Extinct: A Compendium of Obsolete Objects" (Reaktion Books, 2021)
|
May 08, 2023 |
|
5.3 “It’s on the Illabus”
|
May 04, 2023 |
|
John McCannon, "Nicholas Roerich: The Artist Who Would Be King" (U Pittsburgh Press, 2023)
|
May 03, 2023 |
|
Craig Leonard, "Uncommon Sense: Aesthetics after Marcuse" (MIT Press, 2022)
|
Apr 29, 2023 |
|
Computer Graphics
|
Apr 27, 2023 |
|
Haunted Bauhaus: Occult Spirituality, Gender Fluidity, Queer Identities, and Radical Politics
|
Apr 26, 2023 |
|
Ferenc Hörcher, "Art and Politics in Roger Scruton's Conservative Philosophy" (Palgrave Macmillan, 2022)
|
Apr 25, 2023 |
|
Catherine Grant, "A Time of One's Own: Histories of Feminism in Contemporary Art" (Duke UP, 2022)
|
Apr 22, 2023 |
|
Jonathan Gray, "Dislike-Minded: Media, Audiences, and the Dynamics of Taste" (NYU Press, 2021)
|
Apr 20, 2023 |
|
Barbara Sjoholm, "From Lapland to Sápmi: Collecting and Returning Sámi Craft and Culture" (U Minnesota Press, 2023)
|
Apr 19, 2023 |
|
Christopher S. Celenza, "The Italian Renaissance and the Origin of the Humanities: An Intellectual History, 1400-1800" (Cambridge UP, 2021)
|
Apr 13, 2023 |
|
John Miller, "The Heart of the Forest: Why Woods Matter" (British LIbrary, 2022)
|
Apr 12, 2023 |
|
Tina Post, "Deadpan: The Aesthetics of Black Inexpression" (NYU Press, 2023)
|
Apr 12, 2023 |
|
Daniel Neofetou, "Rereading Abstract Expressionism, Clement Greenberg and the Cold War" (Bloomsbury, 2021)
|
Apr 09, 2023 |
|
Simon Strange, "Blank Canvas: Art School Creativity and the Development of Punk, Post Punk and New Wave Music" (Intellect, 2023)
|
Apr 08, 2023 |
|
Bettina Judd, "Feelin: Creative Practice, Pleasure, and Black Feminist Thought" (Northwestern UP, 2022)
|
Apr 08, 2023 |
|
Natilee Harren, "Fluxus Forms: Scores, Multiples, and the Eternal Network" (U Chicago Press, 2020)
|
Apr 05, 2023 |
|
Mauro Resmini, "Italian Political Cinema: Figure of the Long '68" (U Minnesota Press, 2023)
|
Apr 04, 2023 |
|
Rhea Myers, "Proof of Work: Blockchain Provocations 2011-2021" (MIT Press, 2023)
|
Apr 03, 2023 |
|
Mike Jay, "Psychonauts: Drugs and the Making of the Modern Mind" (Yale UP, 2023)
|
Apr 02, 2023 |
|
Colleen Lye and Christopher Nealon, "After Marx: Literature, Theory, and Value in the Twenty-First Century" (Cambridge UP, 2022)
|
Mar 31, 2023 |
|
Larisa Grollemond and Bryan C. Keene, "The Fantasy of the Middle Ages: An Epic Journey through Imaginary Medieval Worlds" (Getty, 2022)
|
Mar 27, 2023 |
|
Kristin Hass, "Blunt Instruments: Recognizing Racist Cultural Infrastructure in Memorials, Museums, and Patriotic Practices" (Beacon Press, 2022)
|
Mar 26, 2023 |
|
Arts, Humanities, and Complex Networks
|
Mar 24, 2023 |
|
Claudia Brittenham, "Unseen Art: Making, Vision, and Power in Ancient Mesoamerica" (U Texas Press, 2023)
|
Mar 24, 2023 |
|
Seeing Truth in the Climate Crisis
|
Mar 23, 2023 |
|
David Houston Jones, "Visual Culture and the Forensic: Culture, Memory, Ethics" (Routledge, 2022)
|
Mar 22, 2023 |
|
Megan Swift, "Picturing the Page: Illustrated Children’s Literature and Reading under Lenin and Stalin" (U Toronto Press, 2020)
|
Mar 20, 2023 |
|
Arya Aryan, "The Postmodern Representation of Reality in Peter Ackroyd's Chatterton" (Cambridge Scholars, 2022)
|
Mar 19, 2023 |
|
Nicholas Brown, "Autonomy: The Social Ontology of Art under Capitalism" (Duke UP, 2019)
|
Mar 19, 2023 |
|
John Miller, "The Philosophy of Tattoos" (British Library, 2021)
|
Mar 19, 2023 |
|
The Sharing of Sound Art
|
Mar 18, 2023 |
|
Annie Pfeifer, "To the Collector Belong the Spoils: Modernism and the Art of Appropriation" (Cornell UP, 2023)
|
Mar 17, 2023 |
|
Rick de Villiers, "Eliot and Beckett's Low Modernism: Humility and Humiliation" (Edinburgh UP, 2021)
|
Mar 17, 2023 |
|
Jan Harrison's “Animal Tongues”
|
Mar 09, 2023 |
|
Elina Gertsman and Barbara H. Rosenwein, "The Middle Ages in 50 Objects" (Cambridge UP, 2018)
|
Mar 08, 2023 |
|
Helen Solterer and Vincent Joos, "Migrants Shaping Europe, Past and Present: Multilingual Literatures, Arts, and Cultures" (Manchester UP, 2022)
|
Mar 03, 2023 |
|
Dave Colangelo, "The Building as Screen: A History, Theory, and Practice of Massive Media" (Amsterdam UP, 2019)
|
Feb 28, 2023 |
|
Frances Howard, "Global Perspectives on Youth Arts Programs: How and Why the Arts Can Make a Difference" (Policy Press, 2022)
|
Feb 27, 2023 |
|
Alexandra Chiriac, "Performing Modernism: A Jewish Avant-Garde in Bucharest" (de Gruyter, 2022)
|
Feb 25, 2023 |
|
Jonathan Homrighausen, "Planting Letters and Weaving Lines: The Song of Songs, and The Saint Johns Bible" (Liturgical Press, 2022)
|
Feb 25, 2023 |
|
Seeing Truth in Photographs
|
Feb 23, 2023 |
|
Leila Jancovich and David Stevenson, "Failures in Cultural Participation" (Palgrave Macmillan, 2022)
|
Feb 20, 2023 |
|
Why Should Cultural Heritage Be Protected?
|
Feb 20, 2023 |
|
Jacob Birken, "Video Games: Digital Image Cultures" (Verlag Klaus Wagenbach, 2022)
|
Feb 19, 2023 |
|
Lesly Deschler Canossi and Zoraida Lopez-Diago, "Black Matrilineage, Photography, and Representation: Another Way of Knowing" (Leuven UP, 2022)
|
Feb 12, 2023 |
|
Andrea Acri and Peter Sharrock, "The Creative South: Buddhist and Hindu Art in Mediaeval Maritime Asia" (Iseas-Yusof Ishak Institute, 2022)
|
Feb 11, 2023 |
|
Michael Murawski, "Museums as Agents of Change: A Guide to Becoming a Changemaker" (Rowman & Littlefield, 2021)
|
Feb 07, 2023 |
|
Tim Harte, "Faster, Higher, Stronger, Comrades!: Sports, Art, and Ideology in Late Russian and Early Soviet Culture" (U Wisconsin Press, 2020)
|
Feb 05, 2023 |
|
Susan Stewart, "The Ruins Lesson: Meaning and Material in Western Culture" (U Chicago Press, 2020)
|
Feb 04, 2023 |
|
Angela Vanhaelen, "The Moving Statues of Seventeenth-Century Amsterdam: Automata, Waxworks, Fountains, Labyrinths" (Penn State UP, 2022)
|
Jan 30, 2023 |
|
Sebastian Truskolaski, "Adorno and the Ban on Images" (Bloomsbury, 2022)
|
Jan 30, 2023 |
|
Collaborations between Cold War Scientists and Artists
|
Jan 29, 2023 |
|
Kaelen Wilson-Goldie, "Beautiful, Gruesome, and True: Artists at Work in the Face of War" (Columbia Global Reports, 2022)
|
Jan 29, 2023 |
|
Seeing Truth in Museums
|
Jan 26, 2023 |
|
Padma Kaimal, "Opening Kailasanatha: The Temple in Kanchipuram Revealed in Time and Space" (U Washington Press, 2020)
|
Jan 26, 2023 |
|
Eric Adler, "The Battle of the Classics: How a Nineteenth-Century Debate Can Save the Humanities Today" (Oxford UP, 2020)
|
Jan 25, 2023 |
|
Rens Bod, "A New History of the Humanities: The Search for Principles and Patterns from Antiquity to the Present" (Oxford UP, 2014)
|
Jan 23, 2023 |
|
Christopher Bartel, "Video Games, Violence, and the Ethics of Fantasy: Killing Time" (Bloomsbury, 2020)
|
Jan 14, 2023 |
|
Gilah Yelin Hirsch, "Archaeology of Metaphor: The Art of Gilah Yelin Hirsch" (Skira, 2022)
|
Jan 14, 2023 |
|
Oana Serban, "After Thomas Kuhn: The Structure of Aesthetic Revolutions" (de Gruyter, 2022)
|
Jan 12, 2023 |
|
Rousseau's Ideas About Censorship in the Arts
|
Jan 09, 2023 |
|
Rock Art in the Nomadic Landscape of the Black Desert
|
Jan 04, 2023 |
|
Rebecca Binns, "Gee Vaucher: Beyond Punk, Feminism and the Avant-Garde" (Manchester UP, 2022)
|
Jan 02, 2023 |
|
Iraqi Bedouin and Intangible Cultural Heritage
|
Jan 02, 2023 |
|
Comedies of 'Fair Use': Lewis Hyde on Owning Art and Ideas
|
Jan 01, 2023 |
|
Aaron Moulton, "The Influencing Machine" (Ujazdowski Castle Centre for Contemporary Art, 2022)
|
Dec 31, 2022 |
|
Mark McKinney, "Postcolonialism and Migration in French Comics" (Leuven UP, 2021)
|
Dec 24, 2022 |
|
Stevie Suan, "Anime's Identity: Performativity and Form Beyond Japan" (U Minnesota Press, 2021)
|
Dec 23, 2022 |
|
Pamela Karimi, "Alternative Iran: Contemporary Art and Critical Spatial Practice" (Stanford UP, 2022)
|
Dec 22, 2022 |
|
Sam Slote et al., "Annotations to James Joyce's Ulysses" (Oxford UP, 2022)
|
Dec 22, 2022 |
|
Geert Lovink, "Sad by Design: On Platform Nihilism" (Pluto Press, 2019)
|
Dec 22, 2022 |
|
Sandra Frimmel, "Art Judgements: Art on Trial in Russia After Perestroika" (Vernon Press, 2021)
|
Dec 21, 2022 |
|
Tom McLeish, "The Poetry and Music of Science: Comparing Creativity in Science and Art" (Oxford UP, 2021)
|
Dec 20, 2022 |
|
Ariana Huberman. "Keeping the Mystery Alive: Jewish Mysticism in Latin American Cultural Production" (Academic Studies Press, 2022)
|
Dec 20, 2022 |
|
Chokepoint Capitalism: How Chokepoint Capitalism is Strangling Creative Industries
|
Dec 19, 2022 |
|
Sean Metzger, "The Chinese Atlantic: Seascapes and the Theatricality of Globalization" (Indiana UP, 2020)
|
Dec 16, 2022 |
|
Sean Metzger, "The Chinese Atlantic: Seascapes and the Theatricality of Globalization" (Indiana UP, 2020)
|
Dec 16, 2022 |
|
Amanda Wangwright, "The Golden Key: Women Artists and Gender Negotiations in Republican China (1911-1949)" (Brill, 2020)
|
Dec 14, 2022 |
|
Nicholas de Villiers, "Cruisy, Sleepy, Melancholy: Sexual Disorientation in the Films of Tsai Ming-Liang" (U Minnesota Press, 2022)
|
Dec 14, 2022 |
|
Edward S. Cooke, "Global Objects: Toward a Connected Art History" (Princeton UP, 2022)
|
Dec 06, 2022 |
|
Hettie Judah, "Lapidarium: The Secret Lives of Stones" (Penguin, 2022)
|
Dec 05, 2022 |
|
Andrew Spira, "Foreshadowed: Malevich’s "Black Square" and Its Precursors" (Reaktion Books, 2022)
|
Dec 03, 2022 |
|
Adam Brookes, "Fragile Cargo: The World War II Race to Save the Treasures of China's Forbidden City" (Atria Books, 2022)
|
Dec 02, 2022 |
|
Monica Juneja and Sumathi Ramaswamy, "Motherland: Pushpamala N.'s 'Woman and Nation'" (Roli Books, 2022)
|
Nov 29, 2022 |
|
Jasmine Nichole Cobb, "New Growth: The Art and Texture of Black Hair" (Duke UP, 2022)
|
Nov 25, 2022 |
|
Cajetan Iheka, "African Ecomedia: Network Forms, Planetary Politics" (Duke UP, 2021)
|
Nov 22, 2022 |
|
Caroline Roope, "The History of the London Underground Map" (Pen and Sword Transport, 2022)
|
Nov 18, 2022 |
|
Seeing Truth in Making and Unmaking Art
|
Nov 17, 2022 |
|
Women In Art Magazine: A Conversation with Laureline Latour
|
Nov 16, 2022 |
|
Ryan Poll, "Aquaman and the War Against Oceans: Comics Activism and Allegory in the Anthropocene" (U Nebraska Press, 2022)
|
Nov 14, 2022 |
|
Graham Harman, "Architecture and Objects" (U Minnesota Press, 2022)
|
Nov 04, 2022 |
|
Peter Rehberg, "Hipster Porn: Queer Masculinities and Affective Sexualities in the Fanzine 'Butt'" (Routledge, 2022)
|
Nov 04, 2022 |
|
Laura A. Frahm, "Design in Motion: Film Experiments at the Bauhaus" (MIT Press, 2022)
|
Nov 02, 2022 |
|
Joanna Ebenstein, "Frederik Ruysch and His Thesaurus Anatomicus: A Morbid Guide" (MIT Press, 2022)
|
Nov 02, 2022 |
|
David Morgan, "The Thing about Religion: An Introduction to the Material Study of Religions" (UNC Press, 2021)
|
Nov 01, 2022 |
|
Rachel Aumiller, "A Touch of Doubt: On Haptic Scepticism" (de Gruyter, 2021)
|
Oct 27, 2022 |
|
Hongwei Bao, "Queer China: Lesbian and Gay Literature and Visual Culture Under Postsocialism" (Routledge, 2020)
|
Oct 26, 2022 |
|
Leonardo da Vinci and Vassari’s "Lives of the Painters"
|
Oct 25, 2022 |
|
Yoshiko Okuyama, "Reframing Disability in Manga" (U Hawaii Press, 2020)
|
Oct 24, 2022 |
|
Eden Collinsworth, "What the Ermine Saw: The Extraordinary Journey of Leonardo Da Vinci's Most Mysterious Portrait" (Doubleday Books, 2022)
|
Oct 20, 2022 |
|
Jacque Lynn Foltyn and Laura Petican, "In Fashion: Culture, Commerce, Craft, and Identity" (Brill, 2022)
|
Oct 17, 2022 |
|
Leslie A. Geddes, "Watermarks: Leonardo Da Vinci and the Mastery of Nature" (Princeton UP, 2020)
|
Oct 17, 2022 |
|
Salim Tamari, "Camera Palaestina: Photography and Displaced Histories of Palestine" (U California Press, 2022)
|
Oct 13, 2022 |
|
Ethics, Utopia and Materiality: Glimpses of Everyday Creativity and Hope in Indonesian Papua
|
Oct 13, 2022 |
|
Bruce Robbins, "Criticism and Politics: A Polemical Introduction" (Stanford UP, 2022)
|
Oct 11, 2022 |
|
Ewa Stańczyk, "Comics and Nation: Power, Pop Culture, and Political Transformation in Poland" (Ohio State UP, 2022)
|
Oct 11, 2022 |
|
Asha Rogers, "State Sponsored Literature: Britain and Cultural Diversity After 1945" (Oxford UP, 2020)
|
Oct 06, 2022 |
|
Clémentine Deliss, "The Metabolic Museum" (Hatje Cantz, 2020)
|
Oct 04, 2022 |
|
C. Thi Nguyen, "Games: Agency as Art" (Oxford UP, 2020)
|
Oct 04, 2022 |
|
Natalie J. Goodison, "Introducing the Medieval Swan" (U Wales Press, 2022)
|
Oct 04, 2022 |
|
Bob Brier, "Tutankhamun and the Tomb That Changed the World" (Oxford UP, 2022)
|
Oct 03, 2022 |
|
Juliane Noth, "Transmedial Landscapes and Modern Chinese Painting" (Harvard UP, 2022)
|
Sep 30, 2022 |
|
Jean-Thomas Tremblay, "Breathing Aesthetics" (Duke UP, 2022)
|
Sep 29, 2022 |
|
The Women Who Transformed the National Gallery of Canada
|
Sep 28, 2022 |
|
Gregory Sholette, "The Art of Activism and the Activism of Art" (Lund Humphries, 2021)
|
Sep 27, 2022 |
|
Annie-B Parson, "The Choreography of Everyday Life" (Verso, 2022)
|
Sep 23, 2022 |
|
Olúfemi Táíwò, "Against Decolonization: Taking African Agency Seriously" (Hurst, 2022)
|
Sep 22, 2022 |
|
Paula Serafini, "Creating Worlds Otherwise: Art, Collective Action, And (Post)Extractivism" (Vanderbilt UP, 2022)
|
Sep 22, 2022 |
|
Stephen F. Auth, "Pilgrimage to the Museum: Man's Search for God Through Art and Time" (Sophia Institute Press, 2022)
|
Sep 21, 2022 |
|
Alex Nathanson, "A History of Solar Power Art and Design" (Routledge, 2021)
|
Sep 19, 2022 |
|
Mrill Ingram, "Loving Orphaned Space: The Art and Science of Belonging to Earth" (Temple UP, 2022)
|
Sep 16, 2022 |
|
Jennifer L. Allen, "Sustainable Utopias: The Art and Politics of Hope in Germany" (Harvard UP, 2022)
|
Sep 14, 2022 |
|
Pamela N. Corey, "The City in Time: Contemporary Art and Urban Form in Vietnam and Cambodia" (U Washington Press, 2021)
|
Sep 13, 2022 |
|
On Japanese Buddhist Art
|
Sep 01, 2022 |
|
On Filippo Tomasso Marinetti's "Manifesto of Futurism"
|
Sep 01, 2022 |
|
Anthony Downey, "Critique in Practice: Renzo Martens' Episode III (Enjoy Poverty)" (Sternberg Press, 2020)
|
Sep 01, 2022 |
|
Jos van Beurden, "Inconvenient Heritage: Colonial Collections and Restitution in the Netherlands and Belgium" (Amsterdam UP, 2022)
|
Aug 31, 2022 |
|
Karen Archey, "After Institutions" (Les presses du réel, 2022)
|
Aug 22, 2022 |
|
Selene Wendt, "Beyond the Door of No Return: Confronting Hidden Colonial Histories Through Contemporary Art" (The Africa Institute and Skira, 2021)
|
Aug 19, 2022 |
|
Julia Walker, "Berlin Contemporary: Architecture and Politics After 1990" (Bloomsbury, 2021)
|
Aug 16, 2022 |
|
Andrea Karnes, "Women Painting Women" (Delmonico Books, 2022)
|
Aug 11, 2022 |
|
Jarrod Hore, "Visions of Nature: How Landscape Photography Shaped Settler Colonialism" (U California Press, 2022)
|
Aug 10, 2022 |
|
Sara Farrington, "The Lost Conversation: Interviews with an Enduring Avant-Garde" (53rd State Press, 2021)
|
Aug 10, 2022 |
|
Heide Hinrichs and Jo-Ey Tang, "Shelf Documents: Art Library as Practice" (Royal Academy of Fine Arts in Antwerp, 2021)
|
Aug 05, 2022 |
|
Kajri Jain, "Gods in the Time of Democracy" (Duke UP, 2021)
|
Aug 04, 2022 |
|
Alan John Ainsworth, "Sight Readings: Photographers and American Jazz, 1900-1960" (Intellect, 2022)
|
Aug 01, 2022 |
|
Cole Roskam, "Designing Reform: Architecture in the People's Republic of China, 1970-1992" (Yale UP, 2021)
|
Jul 26, 2022 |
|
Katharine A. Burnett and Monica Carol Miller, "The Tacky South" (LSU Press, 2022)
|
Jul 19, 2022 |
|
Monuments
|
Jul 15, 2022 |
|
Nicole Erin Morse, "Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art" (Duke UP, 2022)
|
Jul 13, 2022 |
|
Matt Reingold, "Reenvisioning Israel Through Political Cartoons: Visual Discourses During the 2018-2021 Electoral Crisis" (Lexington, 2022)
|
Jul 11, 2022 |
|
Andrew Witt, "Formulations: Architecture, Mathematics, Culture" (MIT Press, 2022)
|
Jul 08, 2022 |
|
Naman P. Ahuja, "Marg Magazine: Readings on the Temple"
|
Jul 07, 2022 |
|
Ashley Remer and Tiffany Isselhardt, "Exploring American Girlhood through 50 Historic Treasures" (Rowman and Littlefield, 2021)
|
Jul 06, 2022 |
|
Ben Davis, "Art in the After-Culture: Capitalist Crisis and Cultural Strategy" (Haymarket Books, 2022)
|
Jul 06, 2022 |
|
Mary Wellesley, "Hidden Hands: The Lives of Manuscripts and Their Makers" (Riverrun, 2021)
|
Jul 04, 2022 |
|
Peter Hughes, "A History of Love and Hate in 21 Statues" (Aurum Press, 2021)
|
Jul 04, 2022 |
|
Biscuit Art
|
Jul 04, 2022 |
|
Jasmina Tumbas, "I Am Jugoslovenka!: Feminist Performance Politics During and After Yugoslav Socialism" (Manchester UP, 2022)
|
Jul 01, 2022 |
|
Paul Dobryden, "The Hygienic Apparatus: Weimar Cinema and Environmental Disorder" (Northwestern UP, 2022)
|
Jul 01, 2022 |
|
Kuba Szreder, "The ABC of the Projectariat: Living and Working in a Precarious Art World" (Manchester UP, 2021)
|
Jul 01, 2022 |
|
Elena Tajima Creef, "Shadow Traces: Seeing Japanese/American and Ainu Women in Photographic Archives" (U Illinois Press, 2022)
|
Jun 17, 2022 |
|
Lilianne Milgrom, "L' Origine: The Secret Life of the World's Most Erotic Masterpiece" (Girl Friday Books, 2021)
|
Jun 15, 2022 |
|
Wanda M. Corn, "Georgia O'Keeffe: Living Modern" (Prestel Publishing, 2017)
|
Jun 14, 2022 |
|
Sarah Teasley, "Designing Modern Japan" (Reaktion Books, 2022)
|
Jun 13, 2022 |
|
Sherri Irvin, "Immaterial: Rules in Contemporary Art" (Oxford UP, 2022)
|
Jun 10, 2022 |
|
Yi Gu, "Chinese Ways of Seeing and Open-Air Painting" (Harvard UP, 2021)
|
Jun 10, 2022 |
|
Hentyle Yapp, "Minor China: Method, Materialisms, and the Aesthetic" (Duke UP, 2021)
|
Jun 09, 2022 |
|
Fleur Watson, "The New Curator: Exhibiting Architecture and Design" (Routledge, 2021)
|
Jun 07, 2022 |
|
Joshua Citarella, "Politigram and the Post-Left" (Blurb, 2021)
|
Jun 07, 2022 |
|
Lisa Blackmore and Liliana Gómez, "Liquid Ecologies in Latin American and Caribbean Art" (Routledge, 2020)
|
Jun 07, 2022 |
|
Andrew Shortland and Patrick Degryse, "When Art Isn’t Real: The World's Most Controversial Objects under Investigation" (Leuven UP, 2022)
|
Jun 03, 2022 |
|
Shara Rambarran, "Virtual Music: Sound, Music, and Image in the Digital Era" (Bloomsbury, 2021)
|
Jun 03, 2022 |
|
Realism
|
Jun 02, 2022 |
|
On Nibiiro Art, the Dalai Lama, and Buddhism
|
May 31, 2022 |
|
Amanda Phillips, "Sea Change: Ottoman Textiles Between the Mediterranean and the Indian Ocean" (U California Press, 2021)
|
May 27, 2022 |
|
Christopher J. Gilbert, "Caricature and National Character: The United States at War" (Pennsylvania State UP, 2021)
|
May 26, 2022 |
|
Farah Nayeri, "Takedown: Art and Power in the Digital Age" (Astra Publishing, 2022)
|
May 24, 2022 |
|
Autotheory
|
May 23, 2022 |
|
Catherine McCormack, "Women in the Picture: What Culture Does with Female Bodies" (Norton, 2021)
|
May 23, 2022 |
|
Elizabeth Oyler and Katherine Saltzman-Li, "Cultural Imprints: War and Memory in the Samurai Age" (Cornell UP, 2022)
|
May 20, 2022 |
|
Mike Watson, "The Memeing of Mark Fisher: How the Frankfurt School Foresaw Capitalist Realism and What to Do about It" (Zero Books, 2021)
|
May 18, 2022 |
|
Paddy Docherty, "Blood and Bronze: The British Empire and the Sack of Benin" (Hurst, 2022)
|
May 17, 2022 |
|
Sandra Johnston, et al., "Actional Poetics-Ash She He: The Performance Actuations of Alastair MacLennan, 1971-2020" (Intellect, 2022)
|
May 16, 2022 |
|
Samuel J. Redman, "Prophets and Ghosts: The Story of Salvage Anthropology" (Harvard UP, 2021)
|
May 11, 2022 |
|
The Problem with Museums: A Conversation with Georgina Adam and Nizan Shaked
|
May 10, 2022 |
|
Glenda E. Gilmore, "Romare Bearden in the Homeland of His Imagination: An Artist's Reckoning with the South" (UNC Press, 2022)
|
May 10, 2022 |
|
Computational Creativity
|
May 06, 2022 |
|
The Future of Statues: A Conversation with Alex Von Tunzelmann
|
May 03, 2022 |
|
Michael Mackenzie, "Otto Dix and the First World War: Grotesque Humor, Camaraderie and Remembrance" (Peter Lang, 2019)
|
May 03, 2022 |
|
Paul Geary, "Experimental Dining: Performance, Experience and Ideology in Contemporary Creative Restaurants" (Intellect Books, 2022)
|
May 02, 2022 |
|
What Remains: Textiles from Tuol Sleng
|
Apr 22, 2022 |
|
Ayelet Zohar and Alison J. Miller, "The Visual Culture of Meiji Japan: Negotiating the Transition to Modernity" (Routledge, 2021)
|
Apr 21, 2022 |
|
Emmelyn Butterfield-Rosen, "Modern Art and the Remaking of Human Disposition" (U Chicago Press, 2021)
|
Apr 21, 2022 |
|
Delinda Collier, "Media Primitivism: Technological Art in Africa" (Duke UP, 2020)
|
Apr 20, 2022 |
|
Lisa Reilly, "The Invention of Norman Visual Culture: Art, Politics, and Dynastic Ambition" (Cambridge UP, 2020)
|
Apr 20, 2022 |
|
Charles Dellheim, "Belonging and Betrayal: How Jews Made the Art World Modern" (Brandeis UP, 2021)
|
Apr 19, 2022 |
|
Hilton Judin, "Architecture, State Modernism and Cultural Nationalism in the Apartheid Capital" (Routledge, 2021)
|
Apr 19, 2022 |
|
Paul R. Deslandes, "The Culture of Male Beauty in Britain: From the First Photographs to David Beckham" (U Chicago Press, 2021)
|
Apr 19, 2022 |
|
Anadelia Romo, "Selling Black Brazil: Race, Nation, and Visual Culture in Salvador, Bahia" (U Texas Press, 2022)
|
Apr 13, 2022 |
|
Autonomous Work of Art
|
Apr 12, 2022 |
|
Josef Benson and Doug Singsen, "Bandits, Misfits, and Superheroes: Whiteness and Its Borderlands in American Comics and Graphic Novels" (UP of Mississippi, 2022)
|
Apr 12, 2022 |
|
David Maroto, "The Artist's Novel: A New Medium" (Mousse, 2020)
|
Apr 11, 2022 |
|
Manu Pillai, "False Allies: India’s Maharajahs in the Age of Ravi Varma" (Juggernaut, 2021)
|
Apr 07, 2022 |
|
Aura
|
Apr 04, 2022 |
|
Lucy Donkin, "Standing on Holy Ground in the Middle Ages" (Cornell UP, 2022)
|
Apr 01, 2022 |
|
Abigail Susik, "Surrealist Sabotage and the War on Work" (Manchester UP, 2021)
|
Mar 31, 2022 |
|
Erin L. Thompson, "Smashing Statues: The Rise and Fall of America's Public Monuments" (Norton, 2022)
|
Mar 30, 2022 |
|
Hannah Star Rogers, "Routledge Handbook of Art, Science, and Technology Studies" (Routledge, 2021))
|
Mar 30, 2022 |
|
Ilan Kelman, "Antarcticness: Inspirations and Imaginaries" (UCL Press, 2022)
|
Mar 29, 2022 |
|
On Japanese Buddhist Art
|
Mar 25, 2022 |
|
Eiren L. Shea, "Mongol Court Dress, Identity Formation, and Global Exchange" (Routledge, 2020)
|
Mar 25, 2022 |
|
Elayne Oliphant, "The Privilege of Being Banal: Art, Secularism, and Catholicism in Paris" (UChicago Press, 2021)
|
Mar 25, 2022 |
|
Lily E. Hirsch, "Weird Al: Seriously" (Rowman and Littlefield, 2020)
|
Mar 17, 2022 |
|
On Bushi Sculpting, Filmmaking, and "Carving the Divine"
|
Mar 16, 2022 |
|
Paul Reitter and Chad Wellmon, "Permanent Crisis: The Humanities in a Disenchanted Age" (U Chicago Press, 2021)
|
Mar 14, 2022 |
|
Nadir Lahiji, "Architecture, Philosophy, and the Pedagogy of Cinema: From Benjamin to Badiou" (Routledge, 2021)
|
Mar 11, 2022 |
|
Dana Stevens, "Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century" (Simon and Schuster, 2022)
|
Mar 09, 2022 |
|
Sarah-Neel Smith, "Metrics of Modernity: Art and Development in Postwar Turkey" (U California Press, 2022)
|
Mar 08, 2022 |
|
Edward Tyerman, "Internationalist Aesthetics: China and Early Soviet Culture" (Columbia UP, 2021)
|
Mar 08, 2022 |
|
Celia Stahr, "Frida in America: The Creative Awakening of a Great Artist" (St. Martin's Press, 2020)
|
Mar 07, 2022 |
|
Julian Stallabrass, "Killing for Show: Photography, War, and the Media in Vietnam and Iraq" (Rowman and Littlefield, 2020)
|
Mar 04, 2022 |
|
3.3 In the Editing Room with Ruth Ozeki and Rebecca Evans (EH)
|
Mar 03, 2022 |
|
Michael Merrill, "Louis Kahn: The Importance of Drawing" (Lars Muller Publishers, 2020)
|
Mar 03, 2022 |
|
Candace M. Keller, "Imaging Culture: Photography in Mali, West Africa" (Indiana UP, 2021)
|
Feb 28, 2022 |
|
Anneka Lenssen, "Beautiful Agitation: Modern Painting and Politics in Syria" (U California Press, 2020)
|
Feb 28, 2022 |
|
Kerry Dean Carso, "Follies in America: A History of Garden and Park Architecture" (Cornell UP, 2021)
|
Feb 23, 2022 |
|
Kristina Wilson, "Mid-Century Modernism and the American Body: Race, Gender, and the Politics of Power in Design" (Princeton UP, 2021)
|
Feb 22, 2022 |
|
Keller Easterling, "Medium Design: Knowing How to Work on the World" (Verso, 2021)
|
Feb 17, 2022 |
|
Michelle Millar Fisher and Amber Winick, "Designing Motherhood: Things that Make and Break Our Births" (MIT Press, 2021)
|
Feb 15, 2022 |
|
Peggy Wang, "The Future History of Contemporary Chinese Art" (U Minnesota Press, 2021)
|
Feb 14, 2022 |
|
Susan Jolliffe Napier, "Miyazakiworld: A Life in Art" (Yale UP, 2018)
|
Feb 08, 2022 |
|
Jonathan Fenderson, "Building the Black Arts Movement: Hoyt Fuller and the Cultural Politics of the 1960s" (U Illinois Press, 2019)
|
Feb 07, 2022 |
|
Kimberly Cassibry, "Destinations in Mind: Portraying Places on the Roman Empire's Souvenirs" (Oxford UP, 2021)
|
Feb 04, 2022 |
|
Simon Critchley, "Bald: 35 Philosophical Short Cuts" (Yale UP, 2021)
|
Feb 03, 2022 |
|
Grant Tavinor, "The Aesthetics of Virtual Reality" (Routledge, 2021)
|
Jan 28, 2022 |
|
Midori Yamamura, "Yayoi Kusama: Inventing the Singular" (MIT Press, 2015)
|
Jan 28, 2022 |
|
Jeffrey H. Jackson, "Paper Bullets: Two Artists Who Risked Their Lives to Defy the Nazis" (Algonquin Books, 2020)
|
Jan 28, 2022 |
|
Bojana Videkanic, "Nonaligned Modernism: Socialist Postcolonial Aesthetics in Yugoslavia, 1945-1985" (McGill-Queen's UP, 2020)
|
Jan 27, 2022 |
|
Samuel J. Spinner, "Jewish Primitivism" (Stanford UP, 2021)
|
Jan 26, 2022 |
|
Eleanor Janega and Neil Max Emmanuel, "The Middle Ages: A Graphic History" (Icon Books, 2020)
|
Jan 25, 2022 |
|
Howard Philips Smith, "A Sojourn in Paradise: Jack Robinson in 1950s New Orleans" (UP of Mississippi, 2020)
|
Jan 24, 2022 |
|
Sarah Jane Cervenak, "Black Gathering: Art, Ecology, Ungiven Life" (Duke UP, 2021)
|
Jan 21, 2022 |
|
Aleksandra Prica, "Decay and Afterlife: Form, Time, and the Textuality of Ruins, 1100 to 1900" (U Chicago Press, 2021)
|
Jan 21, 2022 |
|
Sanjukta Sunderason, "Partisan Aesthetics: Modern Art and India's Long Decolonization" (Stanford UP, 2020)
|
Jan 18, 2022 |
|
Ginger Nolan, "Savage Mind to Savage Machine: Racial Science and Twentieth-Century Design" (U Minnesota Press, 2021)
|
Jan 18, 2022 |
|
Michael Newall, "A Philosophy of the Art School" (Routledge, 2021)
|
Jan 13, 2022 |
|
Andrew J. Kunka, "The Life and Comics of Howard Cruse: Taking Risks in the Service of Truth" (Rutgers UP, 2021)
|
Jan 12, 2022 |
|
Gil Z. Hochberg, "Becoming Palestine: Toward an Archival Imagination of the Future" (Duke UP, 2021)
|
Jan 12, 2022 |
|
Miranda Campbell, "Reimagining the Creative Industries: Youth Creative Work, Communities of Care" (Routledge, 2021)
|
Jan 11, 2022 |
|
Philip J. Deloria, "Becoming Mary Sully: Toward an American Indian Abstract" (U Washington Press, 2019)
|
Jan 10, 2022 |
|
David Karmon, "Architecture and the Senses in the Italian Renaissance: The Varieties of Architectural Experience" (Cambridge UP, 2021)
|
Jan 07, 2022 |
|
Export China: Reimagining Chineseness through the Ceramics Trade in Southeast Asia
|
Jan 07, 2022 |
|
Anna Watkins Fisher, "The Play in the System: The Art of Parasitical Resistance" (Duke UP, 2020)
|
Jan 06, 2022 |
|
D. Fairchild Ruggles, "Tree of Pearls: The Extraordinary Architectural Patronage of the 13th-Century Egyptian Slave-Queen Shajar Al-Durr" (Oxford UP, 2020)
|
Jan 05, 2022 |
|
Dominique Townsend, "A Buddhist Sensibility: Aesthetic Education at Tibet's Mindröling Monastery" (Columbia UP, 2021)
|
Jan 03, 2022 |
|
Carol Diehl, "Banksy: Completed" (MIT Press, 2021)
|
Dec 30, 2021 |
|
Anna Bokov, "Avant-Garde as Method: Vkhutemas and the Pedagogy of Space, 1920-1930" (Park Publishing, 2020)
|
Dec 29, 2021 |
|
Jeffrey Brooks, "The Firebird and the Fox: Russian Culture under Tsars and Bolsheviks" (Cambridge UP, 2019)
|
Dec 22, 2021 |
|
Anna McSweeney, "From Granada to Berlin: The Alhambra Cupola" (Kettler Verlag, 2020)
|
Dec 21, 2021 |
|
Aurelia Campbell, "What the Emperor Built: Architecture and Empire in the Early Ming" (U Washington Press, 2020)
|
Dec 20, 2021 |
|
Rayna Denison, "Anime: A Critical Introduction" (Bloomsbury, 2015)
|
Dec 16, 2021 |
|
Eike Exner, "Comics and the Origins of Manga: A Revisionist History" (Rutgers UP, 2021)
|
Dec 15, 2021 |
|
Winka Dubbeldam, "Strange Objects, New Solids and Massive Forms" (Actar, 2022)
|
Dec 09, 2021 |
|
Jennifer Ferng and Lauren R. Cannady, "Crafting Enlightenment: Artisanal Histories and Transnational Networks" (Voltaire Foundation, 2021)
|
Dec 08, 2021 |
|
Philip Larratt-Smith and Juliet Mitchell, "Louise Bourgeois, Freud's Daughter" (Yale UP, 2021)
|
Dec 08, 2021 |
|
Aldona Jonaitis, "Art of the Northwest Coast," Second Edition (U Washington Press, 2021)
|
Dec 06, 2021 |
|
A Conversation with Anne F. Harris, Medieval Art Historian and President of Grinnell College
|
Dec 01, 2021 |
|
John Holmes McDowell et al., "Performing Environmentalisms: Expressive Culture and Ecological Change" (U Illinois Press, 2021)
|
Nov 30, 2021 |
|
Kim Charnley, "Sociopolitical Aesthetics: Art, Crisis and Neoliberalism" (Bloomsbury, 2021)
|
Nov 30, 2021 |
|
Bahia Shehab and Haytham Nawar, "A History of Arab Graphic Design" (AU of Cairo Press, 2020)
|
Nov 26, 2021 |
|
Molly Thomasy Blasing, "Snapshots of the Soul: Photo-Poetic Encounters in Modern Russian Culture" (Cornell UP, 2021)
|
Nov 23, 2021 |
|
Svitlana Biedarieva, "Contemporary Ukrainian and Baltic Art" (Ibidem Press, 2021)
|
Nov 16, 2021 |
|
Karla Huebner, "Magnetic Woman: Toyen and the Surrealist Erotic" (U Pittsburgh Press, 2020)
|
Nov 16, 2021 |
|
Adam Lehrer, "Communions" (Hyperidean Press, 2021)
|
Nov 12, 2021 |
|
Katja Praznik, "Art Work: Invisible Labour and the Legacy of Yugoslav Socialism" (U Toronto Press, 2021)
|
Nov 11, 2021 |
|
Genevieve Yue, "Girl Head: Feminism and Film Materiality" (Fordham UP, 2020)
|
Nov 03, 2021 |
|
Hsuan L. Hsu, "The Smell of Risk: Environmental Disparities and Olfactory Aesthetics" (NYU Press, 2020)
|
Nov 02, 2021 |
|
Courtney J. Campbell and Allegra Giovine, "Empty Spaces: Perspectives on Emptiness in Modern History" (U London Press, 2019)
|
Oct 28, 2021 |
|
Hongjian Wang, "Decadence in Modern Chinese Literature and Culture: A Comparative and Literary-Historical Reevaluation" (Cambria Press, 2020)
|
Oct 26, 2021 |
|
Justin Beal, "Sandfuture" (MIT Press, 2021)
|
Oct 22, 2021 |
|
Peter Toohey, "Hold On: The Life, Science, and Art of Waiting" (Oxford UP, 2020)
|
Oct 20, 2021 |
|
Matthew Fuller, "Investigative Aesthetics: Conflicts and Commons in the Politics of Truth" (Verso, 2021)
|
Oct 19, 2021 |
|
David Kunzle, "Rebirth of the English Comic Strip: A Kaleidoscope, 1847-1870" (UP of Mississippi, 2021)
|
Oct 18, 2021 |
|
Alana Jelinek, "Between Discipline and a Hard Place: The Value of Contemporary Art" (Bloomsbury, 2020)
|
Oct 13, 2021 |
|
M. E. J. Huff and Carole Ann King, "Alabama Quilts: Wilderness Through World War II, 1682-1950" (UP of Mississippi, 2020)
|
Oct 12, 2021 |
|
Christian Parreno, "Boredom, Architecture, and Spatial Experience" (Bloomsbury, 2021)
|
Oct 07, 2021 |
|
Anne Bogart, "The Art of Resonance" (Methuen Drama, 2021)
|
Oct 06, 2021 |
|
Hannah Turner, "Cataloguing Culture: Legacies of Colonialism in Museum Documentation" (UBC Press, 2020)
|
Oct 05, 2021 |
|
Antoine Picon, "The Materiality of Architecture" (U Minnesota Press, 2021)
|
Oct 01, 2021 |
|
Art, Irrepressible: Titian, Comics and Hip Hop
|
Sep 29, 2021 |
|
Dan Fox, "Limbo" (Fitzcarraldo, 2019)
|
Sep 27, 2021 |
|
It's a Mad, Mad, Mad, Mad World: Chinese-Inspired Architecture
|
Sep 22, 2021 |
|
Susanna Phillips Newbury, "The Speculative City: Art, Real Estate, and the Making of Global Los Angeles" (U Minnesota Press, 2021)
|
Sep 17, 2021 |
|
Alexander Wragge-Morley, "Aesthetic Science: Representing Nature in the Royal Society of London, 1650-1720" (U Chicago Press, 2020)
|
Sep 17, 2021 |
|
Amelia Jones, "In Between Subjects: A Critical Genealogy of Queer Performance" (Routledge, 2020)
|
Sep 03, 2021 |
|
Thomas O. Haakenson, "Grotesque Visions: The Science of Berlin Dada" (Bloomsbury, 2021)
|
Aug 31, 2021 |
|
Michael Benedikt, "Architecture Beyond Experience" (Applied Research & Design, 2020)
|
Aug 17, 2021 |
|
Hannah Wohl, "Bound by Creativity: How Contemporary Art Is Created and Judged" (U Chicago Press, 2021)
|
Aug 13, 2021 |
|
Emilia Bachrach, "In the Service of Krishna: Illustrating the Lives of Eighty-Four Vaishnavas from a 1702 Manuscript" (Mapin, 2020)
|
Aug 12, 2021 |
|
Julia Jarcho, "Writing and the Modern Stage: Theater beyond Drama" (Cambridge UP, 2017)
|
Aug 11, 2021 |
|
Patricia Bickers, "The Ends of Art Criticism" (Lund Humphries Publishers, 2021)
|
Aug 06, 2021 |
|
Frans-Willem Korsten, "Art as an Interface of Law and Justice: Affirmation, Disturbance, Disruption" (Hart Publishing, 2021)
|
Aug 04, 2021 |
|
Exploring Perspectives on Imagination and Art through the Lens of Contemporary Theory
|
Jul 28, 2021 |
|
Simon Ferdinand, "Mapping Beyond Measure: Art, Cartography, and the Space of Global Modernity" (U Nebraska Press, 2019)
|
Jul 27, 2021 |
|
Lisa Heschong, "Visual Delight in Architecture: Visual Delight in Architecture" (Routledge, 2021)
|
Jul 23, 2021 |
|
Deborah Willis, "The Black Civil War Soldier: A Visual History of Conflict and Citizenship" (NYU Press, 2021)
|
Jul 21, 2021 |
|
Cynthia J. Becker, "Blackness in Morocco: Gnawa Identity Through Music and Visual Culture" (U Minnesota Press, 2020)
|
Jul 16, 2021 |
|
Under the Arch of Titus: A Gateway to the Jewish Community
|
Jul 14, 2021 |
|
Ruth Ahnert et al., "The Network Turn: Changing Perspectives in the Humanities" (Cambridge UP, 2021)
|
Jul 14, 2021 |
|
Diana Seave Greenwald, "Painting by Numbers: Data-Driven Histories of Nineteenth-Century Art" (Princeton UP, 2021)
|
Jul 09, 2021 |
|
Grace Ong Yan, "Building Brands: The Architecture of Corporate Modernism" (Lund Humphries, 2021)
|
Jul 08, 2021 |
|
Christopher Wood, "A History of Art History" (Princeton UP, 2019)
|
Jul 07, 2021 |
|
Katarzyna Murawska-Muthesius, "Imaging and Mapping Eastern Europe: Imaging and Mapping Eastern Europe" (Routledge, 2021)
|
Jul 06, 2021 |
|
Frank Burke et al., "A Companion to Federico Fellini" (Wiley-Blackwell, 2020)
|
Jul 05, 2021 |
|
Sergio Lopez-Pineiro, "A Glossary of Urban Voids" (Jovis Verlag, 2020)
|
Jul 05, 2021 |
|
Ruth Mazo Karras, "Thou Art the Man: The Masculinity of David in the Christian and Jewish Middle Ages" (U Pennsylvania Press, 2021)
|
Jul 02, 2021 |
|
Assaf Shelleg, "Theological Stains: Art Music and the Zionist Project" (Oxford UP, 2020)
|
Jul 02, 2021 |
|
Stuart Walker, "Design and Spirituality: A Philosophy of Material Cultures" (Routledge, 2021)
|
Jun 30, 2021 |
|
Caroline Seymour-Jorn, "Creating Spaces of Hope: Young Artists and the New Imagination in Egypt" (AU in Cairo Press, 2021)
|
Jun 30, 2021 |
|
Nuala Morse, "The Museum as a Space of Social Care" (Routledge, 2020)
|
Jun 29, 2021 |
|
Samuel Smiles, "The Late Works of J. M. W. Turner: The Artist and His Critics" (Paul Mellon Centre, 2020)
|
Jun 18, 2021 |
|
Jessica Helfand, "Face: A Visual Odyssey" (MIT Press, 2019)
|
Jun 17, 2021 |
|
Elizabeth Emery, "Reframing Japonisme: Women and the Asian Art Market in Nineteenth-Century France, 1853-1914" (Bloomsbury, 2020)
|
Jun 17, 2021 |
|
François Matarasso, "A Restless Art: How Participation Won, and Why it Matters" (CGF, 2019)
|
Jun 16, 2021 |
|
Alexander Nemerov, "Fierce Poise: Helen Frankenthaler and 1950s New York" (Penguin Press, 2021)
|
Jun 14, 2021 |
|
Donna Stein, "The Empress and I: How an Ancient Empire Collected, Rejected and Rediscovered Modern Art" (Skira, 2020)
|
Jun 09, 2021 |
|
W. Patrick McCray, "Making Art Work: How Cold War Engineers and Artists Forged a New Creative Culture" (MIT Press, 2020)
|
Jun 09, 2021 |
|
Martha Moffitt Peacock, "Heroines, Harpies, and Housewives: Imaging Women of Consequence in the Dutch Golden Age" (Brill, 2020)
|
Jun 08, 2021 |
|
Mary D. Garrard, "Artemisia Gentileschi and Feminism in Early Modern Europe" (Reaktion Books, 2020)
|
Jun 08, 2021 |
|
Sven Saaler, "Men in Metal: A Topography of Public Bronze Statuary in Modern Japan" (Brill, 2020)
|
Jun 08, 2021 |
|
Louis Menand, "The Free World: Art and Thought in the Cold War" (FSG, 2021)
|
Jun 07, 2021 |
|
Suzanne L. Marchand, "Porcelain: A History from the Heart of Europe" (Princeton UP, 2020)
|
Jun 04, 2021 |
|
Carla Diana, "My Robot Gets Me: How Social Design Can Make New Products More Human" (Harvard Business, 2021)
|
Jun 03, 2021 |
|
Marisol D'Andrea, "The Power of Artistic Thinking: Think Like an Artist and Innovate" (CGRN, 2019)
|
Jun 01, 2021 |
|
Heba Y. Amin, "The General's Stork" (Sternberg Press, 2020)
|
May 25, 2021 |
|
Nicole Tersigni, "Men to Avoid in Art and Life" (Chronicle Books, 2020)
|
May 20, 2021 |
|
Adam Rogers, "Full Spectrum: How the Science of Color Made Us Modern" (Houghton Mifflin, 2021)
|
May 17, 2021 |
|
Simon Unwin, "Analysing Architecture: The Universal Language of Place-Making" (Routledge, 2020)
|
May 17, 2021 |
|
Louis Nelson, "Mosaic: War Monument Mystery" (239 Productions, 2021)
|
May 14, 2021 |
|
Diana Souhami, "No Modernism Without Lesbians" (Head of Zeus Book, 2020)
|
May 13, 2021 |
|
Scott Berkun, "How Design Makes the World" (2020)
|
May 11, 2021 |
|
Steve Dixon, "Cybernetic-Existentialism: Freedom, Systems, and Being-for-Others in Contemporary Arts and Performance" (Routledge, 2020)
|
May 11, 2021 |
|
Philip Ball, "The Beauty of Chemistry: Art, Wonder, and Science" (MIT Press, 2021)
|
May 10, 2021 |
|
Michael L. Siciliano, "Creative Control: The Ambivalence of Work in the Culture Industries" (Columbia UP, 2021)
|
May 06, 2021 |
|
Clemena Antonova, "Visual Thought in Russian Religious Philosophy: Pavel Florensky's Theory of the Icon" (Routledge, 2019)
|
May 05, 2021 |
|
Danielle Child, "Working Aesthetics: Labour, Art and Capitalism" (Bloomsbury Academic, 2019)
|
Apr 29, 2021 |
|
Catherine E. McKinley, "The African Lookbook: A Visual History of 100 Years of African Womanhood" (Bloomsbury, 2021)
|
Apr 29, 2021 |
|
K. Bunn-Marcuse and A. Jonaitis, "Unsettling Native Art Histories on the Northwest Coast" (U Washington Press, 2020)
|
Apr 27, 2021 |
|
R. Armstrong and R. Hughes "The Art of Experiment: Post-Pandemic Knowledge Practices for 21st-Century Architecture and Design" (Routledge, 2020)
|
Apr 19, 2021 |
|
W. David O. Taylor, "Glimpses of the New Creation: Worship and the Formative Power of the Arts" (Eerdmans, 2019)
|
Apr 09, 2021 |
|
Reshaping the Lost Wax Casting Technique: The Methods of Medardo Rosso
|
Apr 07, 2021 |
|
Helen Zughaib and Elia Zughaib, "Stories My Father Told Me: Memories of a Childhood in Syria and Lebanon" (Cune Press, 2020)
|
Apr 07, 2021 |
|
M. I. Devine, "Warhol's Mother's Pantry: Art, America, and the Mom in Pop" (Mad Creek Books, 2020)
|
Apr 02, 2021 |
|
James Elkins and Erna Fiorentini, "Visual Worlds: Looking, Images, Visual Disciplines" (Oxford UP, 2020)
|
Apr 01, 2021 |
|
Aaron Tugendhaft, "The Idols of ISIS: From Assyria to the Internet" (U Chicago Press, 2020)
|
Mar 25, 2021 |
|
Eric Hayot, "Humanist Reason: A History. An Argument. A Plan" (Columbia UP, 2021)
|
Mar 17, 2021 |
|
Francoise Bollack, "Material Transfers: Metaphor, Craft, and Place in Contemporary Architecture" (Monacelli Press, 2020)
|
Mar 12, 2021 |
|
Peter Langland-Hassan, "Explaining Imagination" (Oxford UP, 2020)
|
Mar 10, 2021 |
|
Amanda Brickell Bellows, "American Slavery and Russian Serfdom in the Post-Emancipation Imagination" (UNC Press, 2020)
|
Mar 10, 2021 |
|
J. L. Heilbron, "The Ghost of Galileo: In a Forgotten Painting from the English Civil War" (Oxford UP, 2021)
|
Mar 10, 2021 |
|
Morton Schoolman, "A Democratic Enlightenment: The Reconciliation Image, Aesthetic Education, Possible Politics" (Duke UP, 2020)
|
Mar 04, 2021 |
|
J. Jay Garfinkel, "Heirlooms : Memory and Cherished Objects" (One Family Foundation, 2020)
|
Mar 01, 2021 |
|
Fiona Greenland, "Ruling Culture: Art Police, Tomb Raiders, and the Rise of Cultural Power in Italy" (U of Chicago Press, 2021)
|
Feb 26, 2021 |
|
A Thai Contemporary Artist on Identity, Power, and the Space In-Between: A Discussion with Phaptawan Suwannakudt
|
Feb 25, 2021 |
|
Luc Sante, "Maybe the People Would Be the Times" (Verse Chorus Press, 2020)
|
Feb 25, 2021 |
|
Enrico Bonadio, "Protecting Art in the Street: A Guide to Copyright in Street Art and Graffiti" (Dokument Forlag, 2020)
|
Feb 25, 2021 |
|
William C. Brumfield, "Journeys through the Russian Empire: The Photographic Legacy of Sergey Prokudin-Gorsky" (Duke UP, 2020)
|
Feb 15, 2021 |
|
Tavia Nyong’o, "Afro-Fabulations: The Queer Drama of Black Life" (NYU Press, 2028)
|
Feb 05, 2021 |
|
Jonas Staal, "Propaganda Art in the 21st Century" (MIT Press, 2019)
|
Feb 04, 2021 |
|
Leigh Claire La Berge, "Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art" (Duke UP, 2019)
|
Jan 28, 2021 |
|
GerShun Avilez, "Black Queer Freedom: Spaces of Injury and Paths of Desire" (U Illinois Press, 2020)
|
Jan 26, 2021 |
|
David C. Lane, "Other End of the Needle: Continuity and Change Among Tattoo Workers" (Rutgers UP, 2020)
|
Jan 19, 2021 |
|
Rachel Berenson Perry, "The Life and Art of Felrath Hines: From Dark to Light" (Indiana UP, 2019)
|
Jan 15, 2021 |
|
Janis Tomlinson, "Goya: A Portrait of the Artist" (Princeton UP, 2020)
|
Jan 15, 2021 |
|
Rob DeSalle, "A Natural History of Color: The Science Behind What We See and How We See it" (Pegasus Books, 2020)
|
Jan 13, 2021 |
|
Tom Holert, "Knowledge Beside Itself: Contemporary Art's Epistemic Politics" (Sternberg Press, 2020)
|
Jan 12, 2021 |
|
Myroslav Shkandrij, "Avant-Garde Art in Ukraine, 1910-1930: Contested Memory" (Academic Studies Press, 2019)
|
Dec 30, 2020 |
|
Robin Mitchell, "Vénus Noire: Black Women and Colonial Fantasies in Nineteenth-Century France" (U Georgia Press, 2020)
|
Dec 29, 2020 |
|
Sexuality, Gender, and Race in the Middle Ages: A Discussion with Roland Betancourt
|
Dec 15, 2020 |
|
Peter Gordon and Juan José Morales, "Painter and Patron: The Maritime Silk Road in the Códice Casanatense" (Abbreviated Press, 2020)
|
Nov 30, 2020 |
|
Philip D. Plowright, "Making Architecture Through Being Human: A Handbook of Design Ideas" (Routledge, 2019)
|
Nov 27, 2020 |
|
Ara H. Merjian, "Against the Avant-Garde: Pier Paolo Pasolini, Contemporary Art, and Neocapitalism" (U Chicago Press, 2020)
|
Nov 18, 2020 |
|
Marisa Anne Bass, "Insect Artifice: Nature and Art in the Dutch Revolt" (Princeton UP, 2019)
|
Nov 17, 2020 |
|
Charlotte Eubanks, "The Art of Persistence: Akamatsu Toshiko and the Visual Cultures of Transwar Japan" (U Hawaii Press, 2019)
|
Nov 16, 2020 |
|
Charles L. Leavitt IV, "Italian Neorealism: A Cultural History" (U Toronto Press, 2020)
|
Nov 16, 2020 |
|
Arlene Davila, "Latinx Art: Artists, Markets, and Politics" (Duke UP, 2020)
|
Nov 13, 2020 |
|
Anne Gerritsen, "The City of Blue and White: Chinese Porcelain and the Early Modern World" (Cambridge UP, 2020)
|
Nov 12, 2020 |
|
Stephen H. Whiteman, "Where Dragon Veins Meet: The Kangxi Emperor and His Estate at Rehe" (U Washington Press, 2020)
|
Nov 11, 2020 |
|
C. Thi Nguyen, "Games: Agency as Art" (Oxford UP, 2020)
|
Nov 10, 2020 |
|
Silvie Jacobi, "Art Schools and Place: Geographies of Emerging Artists and Art Scenes" (Rowman and Littlefield, 2020)
|
Nov 03, 2020 |
|
Sianne Ngai, "Theory of the Gimmick: Aesthetic Judgment and Capitalist Form" (Harvard UP, 2020)
|
Oct 20, 2020 |
|
Jessica Zychowicz, "Superfluous Women: Art, Feminism, and Revolution in Twenty-First Century Ukraine" (U Toronto Press, 2020)
|
Oct 16, 2020 |
|
William P. Seeley, "Attentional Engines: A Perceptual Theory of the Arts" (Oxford UP, 2020)
|
Oct 12, 2020 |
|
Dave O’Brien, "Culture is Bad for You: Inequality in the Cultural and Creative Industries" (Manchester UP, 2020)
|
Oct 12, 2020 |
|
Jill Richards, "The Fury Archives: Female Citizenship, Human Rights, and the International Avant-Gardes" (Columbia UP, 2020)
|
Oct 08, 2020 |
|
Prita Meier, "Swahili Port Cities: The Architecture of Elsewhere" (Indiana UP, 2016)
|
Oct 05, 2020 |
|
Tamar Herzig, "A Convert’s Tale: Art, Crime, and Jewish Apostasy in Renaissance Italy" (Harvard UP, 2019)
|
Sep 04, 2020 |
|
Ronak K. Kapadia, "Insurgent Aesthetics: Security and the Queer Life of the Forever War"(Duke UP, 2019)
|
Sep 03, 2020 |
|
Beth Pickens, "Your Art Will Save Your Life" (The Feminist Press at CUNY, 2018)
|
Aug 21, 2020 |
|
T. Fischer and C.M. Herr, "Design Cybernetics: Navigating the New" (Springer, 2019)
|
Aug 20, 2020 |
|
Madina Tlostanova, "What Does it Mean to be Post-Soviet? Decolonial Art from the Ruins of the Soviet Empire" (Duke UP, 2018)
|
Aug 14, 2020 |
|
Vesna Kittelson, "Lost and Found in America" (U Minnesota Press, 2020)
|
Aug 13, 2020 |
|
Karen Patel, "The Politics of Expertise in Cultural Labour: Arts, Work and Inequalities" (Rowman and Littlefield, 2020)
|
Aug 12, 2020 |
|
Nozomi Naoi, "Yumeji Modern: Designing the Everyday in Twentieth-Century Japan" (U Washington Press, 2020)
|
Aug 05, 2020 |
|
Linda Goddard, "Savage Tales: The Writings of Paul Gauguin" (Yale UP, 2019)
|
Jul 31, 2020 |
|
Brett Dakin, "American Daredevil: Comics, Communism, and The Battles of Lev Gleason" (Chapterhouse Publishing, 2020)
|
Jul 30, 2020 |
|
Junior Tomlin, "Junior Tomlin: Flyer and Cover Art" (Velocity Press, 2020)
|
Jul 28, 2020 |
|
Emily Wallace, "Road Sides: An Illustrated Companion to Dining and Driving in the American South" (U Texas Press, 2019)
|
Jul 24, 2020 |
|
Laurie Olin, "Be Seated" (ORO Editions, 2017)
|
Jul 22, 2020 |
|
Angela S. Chiu, "The Buddha in Lanna: Art, Lineage, Power, and Place in Northern Thailand" (U Hawaii Press, 2017)
|
Jul 20, 2020 |
|
Laurie Olin, "France Sketchbook" (ORO Editions, 2020)
|
Jul 15, 2020 |
|
Yuhang Li, "Becoming Guanyin: Artistic Devotion of Buddhist Women in Late Imperial China" (Columbia UP, 2020)
|
Jul 14, 2020 |
|
Christopher Bonanos, "Flash: The Making of Weegee the Famous" (Henry Holt, 2018)
|
Jul 10, 2020 |
|
Christian Kleinbub, "Michelangelo’s Inner Anatomies" (Penn State UP, 2020)
|
Jul 07, 2020 |
|
A Very Square Peg: A Podcast Series about Polymath Robert Eisler. Episode 3: Eisler vs. the Flat Earth
|
Jun 23, 2020 |
|
Ana María Reyes, "The Politics of Taste: Beatriz González and Cold War Aesthetics" (Duke UP, 2019)
|
Jun 09, 2020 |
|
Anne Godfrey, "Active Landscape Photography: Theoretical Groundwork for Landscape Architecture" (Routledge, 2020)
|
Jun 05, 2020 |
|
Scott Henderson, "Comics and Pop Culture: Adaptation from Panel to Frame" (U Texas Press, 2019)
|
Jun 05, 2020 |
|
Susie Hodge, "The Short Story of Architecture" (Laurence King Publishing, 2019)
|
Jun 04, 2020 |
|
Breanne Fahs, "Burn It Down: Feminist Manifestos for the Revolution" (Verso, 2020)
|
Jun 03, 2020 |
|
Pablo Meninato, "Unexpected Affinities: The History of Type in Architectural Project from Laugier to Duchamp" (Routledge, 2018)
|
Jun 03, 2020 |
|
Brian Greene, "Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe" (Random House, 2020)
|
Jun 02, 2020 |
|
Roxann Prazniak, "Sudden Appearances: The Mongol Turn in Commerce, Belief, and Art" (U Hawaii Press 2019)
|
Jun 02, 2020 |
|
Iva Glisic, "The Futurist Files: Avant-Garde, Politics, and Ideology in Russia, 1905–1930" (NIU Press, 2018)
|
May 21, 2020 |
|
Leslie M. Harris, "Slavery and the University: Histories and Legacies" (U Georgia Press, 2019)
|
Apr 28, 2020 |
|
Ünver Rüstem, "Ottoman Baroque: The Architectural Refashioning of Eighteenth-Century Istanbul" (Princeton UP, 2019)
|
Apr 28, 2020 |
|
Jacki Apple, "Performance / Media / Art / Culture: Selected Essays 1983-2018" (Intellect Books, 2019)
|
Apr 23, 2020 |
|
Rachel Kauder Nalebuff, "Stages: On Dying, Working, and Feeling" (Thick Press, 2020)
|
Apr 23, 2020 |
|
Alex Berke, "Beautiful Symmetry: A Coloring Book about Math" (MIT Press, 2020)
|
Apr 22, 2020 |
|
Christiane Gruber, “The Praiseworthy One: The Prophet Muhammad in Islamic Texts and Images" (Indiana UP, 2019)
|
Apr 17, 2020 |
|
Mari Coates, "The Pelton Papers" (She Writes Press, 2020)
|
Apr 13, 2020 |
|
Margaret Hillenbrand, "Negative Exposures: Knowing What Not to Know in Contemporary China" (Duke UP, 2020)
|
Apr 02, 2020 |
|
Matt Cook, "Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy" (MIT Press, 2020)
|
Mar 30, 2020 |
|
Elizabeth Goldring, "Nicholas Hilliard: Life of an Artist" (Yale UP, 2019)
|
Mar 12, 2020 |
|
Phillipa Chong, “Inside the Critics’ Circle: Book Reviewing in Uncertain Times” (Princeton UP, 2020)
|
Feb 25, 2020 |
|
Caitlin Frances Bruce, "Painting Publics: Transnational Legal Graffiti Scenes as Spaces for Encounter" (Temple UP, 2019)
|
Feb 19, 2020 |
|
Maria Taroutina, "The Icon and the Square: Russian Modernism and the Russo-Byzantine Revival" (Penn State UP, 2018)
|
Feb 18, 2020 |
|
Alex Dika Seggerman, "Modernism on the Nile: Art in Egypt between the Islamic and the Contemporary" (UNC Press, 2019)
|
Feb 04, 2020 |
|
K. Linder et al., "Going Alt-Ac: A Guide to Alternative Academic Careers" (Stylus Publishing, 2020)
|
Jan 30, 2020 |
|
Identity Crisis: The Self-Portrait of a Thirteen-Year-Old Van Gogh
|
Jan 10, 2020 |
|
Jane D. Hatter, "Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and Practice" (Cambridge UP, 2019)
|
Dec 23, 2019 |
|
K. B. Berzock, "Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa" (Princeton UP, 2019)
|
Dec 23, 2019 |
|
April Eisman, "Bernhard Heisig and the Fight for Modern Art in East Germany" (Camden House, 2018)
|
Dec 20, 2019 |
|
Fran Altvater, "Sacramental Theology and the Decoration of Baptismal Fonts" (Cambridge Scholars, 2017)
|
Dec 13, 2019 |
|
Thomas Yarrow, "Architects: Portraits of a Practice" (Cornell UP, 2019)
|
Dec 12, 2019 |
|
Erin Schoneveld, "Shirakaba and Japanese Modernism: Art Magazines, Artistic Collectives, and the Early Avant-Garde" (Brill, 2018)
|
Dec 06, 2019 |
|
Alberto Cairo, "How Charts Lie: Getting Smarter about Visual Information" (Norton, 2019)
|
Dec 03, 2019 |
|
Roland Elliot Brown, "Godless Utopia: Soviet Anti-Religious Propaganda" (FUEL, 2019)
|
Nov 26, 2019 |
|
Gary Meisner, "The Golden Ratio: The Divine Beauty of Mathematics" (Race Point Press, 2018)
|
Nov 22, 2019 |
|
Johanna Taylor, "The Art Museum Redefined: Power, Opportunity, and Community Engagement" (Palgrave, 2019)
|
Nov 13, 2019 |
|
Noelle Giuffrida, "Separating Sheep from Goats: Sherman E. Lee and Chinese Art Collecting in Postwar America" (U California Press, 2018)
|
Nov 09, 2019 |
|
Kathryn Conrad on University Press Publishing
|
Nov 03, 2019 |
|
J. Neuhaus, "Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers" (West Virginia UP, 2019)
|
Oct 24, 2019 |
|
Catherine Clark, "Paris and the Cliché of History: The City in Photographs, 1860-1970" (Oxford UP, 2018)
|
Oct 18, 2019 |
|
Gabriel Jones, "Splashes" (RVB Press, 2018)
|
Sep 19, 2019 |
|
Jennifer C. Lena, "Entitled: Discriminating Tastes and the Expansion of the Arts" ( Princeton UP, 2019)
|
Aug 29, 2019 |
|
Susan Jaques, "The Caesar of Paris: Napoleon Bonaparte, Rome, and the Artistic Obsession That Shaped An Empire" (Pegasus Books, 2018)
|
Aug 22, 2019 |
|
Sean Foley, "Changing Saudi Arabia: Art, Culture and Society in the Kingdom" (Lynne Rienner, 2019)
|
Aug 08, 2019 |
|
Elizabeth Otto, "Haunted Bauhaus: Occult Spirituality, Gender Fluidity, Queer Identities, and Radical Politics" (MIT Press, 2019)
|
Aug 06, 2019 |
|
Carlos Garrido Castellano, "Beyond Representation in Contemporary Caribbean Art" (Rutgers UP, 2019)
|
Jul 17, 2019 |
|
Melissa McCormick, "The Tale of Genji: A Visual Companion" (Princeton UP, 2018)
|
Jul 17, 2019 |
|
Nancy S. Steinhardt, "Chinese Architecture: A History" (Princeton UP, 2019)
|
Jul 16, 2019 |
|
Sarah Anne Carter, "Object Lessons: How Nineteenth-Century Americans Learned to Make Sense of the Material World" (Oxford UP, 2018)
|
Jul 10, 2019 |
|
Kimberly Alexander, "Treasures Afoot: Shoe Stories from the Georgian Era" (Johns Hopkins UP, 2018)
|
Jun 26, 2019 |
|
Amy Lippert, "Consuming Identities: Visual Culture in Nineteenth-Century San Francisco" (Oxford UP, 2018)
|
Jun 25, 2019 |
|
Eleonor Gilburd, "To See Paris and Die: The Soviet Lives of Western Culture" (Harvard UP, 2018)
|
Jun 19, 2019 |
|
John Etty, "Graphic Satire in the Soviet Union: Krokodil’s Political Cartoons" (UP of Mississippi, 2019)
|
May 30, 2019 |
|
Linda M. Grasso, "Equal under the Sky: Georgia O’Keeffe and Twentieth-Century Feminism" (U New Mexico Press, 2017)
|
May 27, 2019 |
|
John J. Curley, "Global Art and the Cold War" (Laurence King Publishers, 2019)
|
May 27, 2019 |
|
Dia Da Costa, "Politicizing Creative Economy: Activism and a Hunger Called Theater" (U Illinois Press, 2016)
|
May 24, 2019 |
|
Anne A. Cheng, "Ornamentalism" (Oxford UP, 2019)
|
May 22, 2019 |
|
Lisa Blee and Jean M. O'Brien, "Monumental Mobility: The Memory Work of Massasoit" (UNC Press, 2019)
|
May 22, 2019 |
|
Chip Sullivan, “Cartooning the Landscape” (U Virginia Press, 2016)
|
May 16, 2019 |
|
Caitlín Eilís Barrett, "Domesticating Empire: Egyptian Landscapes in Pompeian Gardens" (Oxford UP, 2019)
|
May 07, 2019 |
|
Chip Colwell, "Plundered Skulls and Stolen Spirits: Inside the Fight to Reclaim Native America's Culture" (U Chicago Press, 2017)
|
Apr 19, 2019 |
|
Harold Holzer, "Monument Man: The Life and Art of Daniel Chester French" (Princeton Architectural Press, 2019)
|
Apr 19, 2019 |
|
Sigrid Lien, "Pictures of Longing: Photography and the Norwegian-American Migration" (U Minnesota Press, 2018)
|
Apr 08, 2019 |
|
Anne Cheng, "Second Skin: Josephine Baker and the Modern Surface" (Oxford UP, 2017)
|
Mar 25, 2019 |
|
Discussion of Massive Online Peer Review and Open Access Publishing
|
Mar 19, 2019 |
|
Seth Bernard, "Building Mid-Republican Rome: Labor, Architecture, and the Urban Economy" (Oxford UP, 2018)
|
Mar 14, 2019 |
|
Farhana Shaikh, "From Imposter to Impact: Arts Leadership in the 21st Century" (Dahlia Publishing, 2019)
|
Mar 05, 2019 |
|
Alexander Langlands, "Cræft: An Inquiry into the Origins and True Meaning of Traditional Crafts" (Norton, 2017)
|
Mar 04, 2019 |
|
S. A. Duncan and A. McClellan, "The Art of Curating: Paul J. Sachs and the Museum Course at Harvard" (Getty Research Institute, 2018)
|
Feb 27, 2019 |
|
Nadia Amoroso, "Representing Landscapes: A Visual Collection of Landscape Architectural Drawings" (Routledge, 2012)
|
Feb 22, 2019 |
|
Sun-Young Park, "Ideals of the Body: Architecture, Urbanism, and Hygiene in Postrevolutionary Paris" (U Pittsburgh Press, 2018)
|
Feb 01, 2019 |
|
Elizabeth Macaulay-Lewis. "Classical New York: Discovering Greece and Rome in Gotham" (Empire States Editions, 2018)
|
Jan 30, 2019 |
|
Elizabeth A. Fraser, "Mediterranean Encounters: Artists Between Europe and the Ottoman Empire, 1774–1839" (Penn State UP, 2017)
|
Jan 23, 2019 |
|
Benoît Majerus, "From the Middle Ages to Today: Experiences and Representations of Madness in Paris" (Parigramme, 2018)
|
Jan 16, 2019 |
|
Kellie Jones, "South of Pico: African American Artists in the 1960s and 1970s" (Duke UP, 2017)
|
Dec 24, 2018 |
|
McKenzie Wark, "General Intellects: Twenty-One Thinkers for the Twenty-First Century" (Verso, 2017)
|
Dec 06, 2018 |
|
Catherine Russell, "Archiveology: Walter Benjamin and Archival Film Practices" (Duke UP, 2018)
|
Nov 29, 2018 |
|
Mark J. Blechner, "The Mindbrain and Dreams: An Exploration of Dreaming, Thinking, and Artistic Creation" (Routledge, 2018)
|
Nov 28, 2018 |
|
Nivedita Lakhera, “Pillow of Dreams” (Nivedita Lakhera, 2017)
|
Nov 21, 2018 |
|
Eric D. Weitz, “Weimar Germany: Promise and Tragedy” (Princeton UP, 2018)
|
Nov 20, 2018 |
|
Pedith Pui Chan, “The Making of a Modern Art World: Institutionalization and Legitimization of Guohua in Republican Shanghai” (Brill, 2017)
|
Nov 20, 2018 |
|
Ronald Rael, “Borderwall as Architecture: A Manifesto for the U.S.-Mexico Boundary” (U California Press, 2017)
|
Nov 16, 2018 |
|
Dustin Parsons, “Exploded View: Essays on Fatherhood, with Diagrams” (U Georgia Press, 2018)
|
Nov 07, 2018 |
|
Gary Alan Fine, “Talking Art: The Culture of Practice and the Practice of Culture in MFA Education” (U Chicago Press, 2018)
|
Oct 25, 2018 |
|
Jorge Coronado, “Portraits in the Andes: Photography and Agency, 1900-1950” (U Pittsburgh Press, 2018)
|
Sep 24, 2018 |
|
Denise Y. Ho, “Curating Revolution: Politics on Display in Mao’s China” (Cambridge UP, 2017)
|
Aug 27, 2018 |
|
Laura Kina and Jan Christian Bernabe, “Queering Contemporary Asian American Art” (U Washington Press, 2017)
|
Aug 08, 2018 |
|
Simone Wesner, “Artists’ Voices in Cultural Policy: Careers, Myths and the Creative Profession after German Unification” (Palgrave MacMillan, 2018)
|
Aug 03, 2018 |
|
Reginald Jackson, “Textures of Mourning: Calligraphy, Mortality, and The Tale of Genji Scrolls” (U Michigan Press, 2018)
|
Aug 02, 2018 |
|
Jo Weldon, “Fierce: The History of Leopard Print” (Harper Design, 2018)
|
Jul 31, 2018 |
|
Marsha MacDowell, Clare Luz, and Beth Donaldson, “Quilts and Health” (Indiana UP, 2017)
|
Jul 25, 2018 |
|
madison moore, “Fabulous: The Rise of the Beautiful Eccentric” (Yale UP, 2018)
|
Jul 23, 2018 |
|
Stacey Pierson, “Private Collecting, Exhibitions, and the Shaping of Art History in London: The Burlington Fine Arts Club” (Routledge, 2017)
|
Jul 11, 2018 |
|
Ari Heinrich, “Chinese Surplus: Biopolitical Aesthetics and the Medically Commodified Body” (Duke UP, 2018)
|
Jul 10, 2018 |
|
Cary Cordova, “The Heart of the Mission: Latino Art and Politics in San Francisco” (U Pennsylvania Press, 2017)
|
Jul 10, 2018 |
|
Michelle C. Wang, “Mandalas in the Making: The Visual Culture of Esoteric Buddhism at Dunhuang” (Brill, 2018)
|
Jul 05, 2018 |
|
Paula Serafini, “Performance Action: The Politics of Art Activism” (Routledge, 2018)
|
Jun 28, 2018 |
|
Pamela Potter, “Art of Suppression: Confronting the Nazi Past in Histories of the Visual and Performing Arts” (U California Press, 2016)
|
Jun 27, 2018 |
|
Laura Kalba, “Color in the Age of Impressionism: Commerce, Technology, and Art” (Penn State UP, 2018)
|
Jun 14, 2018 |
|
Steven Lubar, “Inside the Lost Museum: Curating, Past and Present” (Harvard UP, 2017)
|
Jun 13, 2018 |
|
Wojtek Sawa, “The Wall Speaks: Voices of the Unheard” (National Center of Culture, 2016)
|
Jun 05, 2018 |
|
Catherine Soussloff, “Foucault on Painting” (U Minnesota Press, 2017)
|
May 22, 2018 |
|
Joseph Sciorra, “Built with Faith: Italian American Imagination and Catholic Material Culture in NYC” (U Tennessee Press, 2018)
|
May 08, 2018 |
|
Erin Edwards, “The Modernist Corpse: Posthumanism and the Posthumous” (U Minnesota Press, 2018)
|
May 07, 2018 |
|
Susan M. Squier, “Epigenetic Landscapes: Drawings as Metaphor” (Duke UP, 2017)
|
Apr 17, 2018 |
|
Nadia Yaqub and Rula Quawas, “Bad Girls of the Arab World” (U Texas Press, 2017)
|
Apr 16, 2018 |
|
Stephen Monteiro, “The Fabric of Interface: Mobile Media, Design, and Gender” (MIT Press, 2017)
|
Apr 06, 2018 |
|
Craig Clunas, “Chinese Painting and Its Audiences” (Princeton UP, 2017)
|
Apr 05, 2018 |
|
Natchee Blu Barnd, “Native Space: Geographic Strategies to Unsettle Settler Colonialism” (Oregon State UP, 2017)
|
Mar 29, 2018 |
|
Jo Farb Hernandez, “Singular Spaces: From the Eccentric to the Extraordinary in Spanish Art Environments” (Raw Vision, 2013)
|
Mar 28, 2018 |
|
Looted Episode 4: Village Pillage (“Field Notes”)
|
Mar 10, 2018 |
|
James Reston, Jr., “A Rift in the Earth: Art, Memory and the Fight for a Vietnam War Memorial” (Arcade Publishing, 2017)
|
Mar 07, 2018 |
|
Molly Wright Steenson, “Architectural Intelligence: How Designers and Architects Created the Digital Landscape” (MIT Press, 2017)
|
Feb 27, 2018 |
|
Stephen Sheehi, “The Arab Imago: A Social History of Indigenous Photography 1860-1910” (Princeton UP, 2016)
|
Feb 15, 2018 |
|
James Delbourgo, “Collecting the World: The Life and Curiosity of Hans Sloane” (Allen Lane, 2017)
|
Feb 09, 2018 |
|
Kevin Patrick, “The Phantom Unmasked: America’s First Superhero” (U Iowa Press, 2017)
|
Feb 02, 2018 |
|
Alison Gerber, “The Work of Art: Value in Creative Careers” (Stanford UP, 2017)
|
Jan 19, 2018 |
|
Thomas Mullaney, “The Chinese Typewriter: A History” (MIT Press, 2017)
|
Jan 09, 2018 |
|
Looted Episode 3: Big Bronzes
|
Jan 02, 2018 |
|
miriam cooke, “Dancing in Damascus: Creativity, Resilience, and the Syrian Revolution” (Routledge, 2017)
|
Jan 02, 2018 |
|
Bob Batchelor, “Stan Lee: The Man Behind Marvel” (Rowman and Littlefield, 2017)
|
Dec 12, 2017 |
|
John Neel, “Focus in Photography: Master the Advanced Techniques That Will Change Your Photography Forever (Ilex Press, 2016)
|
Nov 29, 2017 |
|
Laura E. Smith, “Horace Poolaw: Photographer of American Indian Modernity” (U. Nebraska Press, 2016)
|
Nov 28, 2017 |
|
Looted Episode 2: Figure Drawing
|
Nov 24, 2017 |
|
Amanda Bidnall, “The West Indian Generation: Remaking British Culture in London, 1945-1965” (Liverpool UP, 2017)
|
Nov 24, 2017 |
|
Kathryn Brown. ed., “Perspectives on Degas” (Routledge, 2016)
|
Nov 22, 2017 |
|
Ian Brodie, “A Vulgar Art: A New Approach to Stand-Up Comedy” (UP of Mississippi, 2014).
|
Nov 20, 2017 |
|
Confederate Monuments with Kevin Levin
|
Nov 16, 2017 |
|
Looted Episode 1: Gold Digger
|
Nov 02, 2017 |
|
Richard Rabinowitz, “Curating America: Journeys through Storyscapes of the American Past” (UNC Press, 2016)
|
Oct 30, 2017 |
|
Martha J. Cutter, “The Illustrated Slave: Empathy, Graphic Narratives, and the Visual Culture of the Transatlantic Abolition Movement, 1800-1853” (U. Georgia Press, 2017)
|
Oct 19, 2017 |
|
Marion Deshmukh, “Max Liebermann: Modern Art and Modern Germany” (Routledge, 2015)
|
Oct 17, 2017 |
|
Robert W. Cherny, “Victor Arnautoff and the Politics of Art” (U. Illinois Press, 2017)
|
Oct 04, 2017 |
|
Lauren Lessing, et.al., “A Usable Past: American Folk Art at the Colby College Museum of Art”(Colby College Museum of Art, 2016)
|
Aug 15, 2017 |
|
Donna M. Cassidy, Elizabeth Finch, and Randall R. Griffey, “Marsden Hartley’s Maine” (Yale UP, 2017)
|
Jul 28, 2017 |
|
Laura Larson, “Hidden Mother” (Saint Lucy Press, 2017)
|
Jul 20, 2017 |
|
Dana Mills, “Dance and Politics: Moving Beyond Boundaries” (Manchester University Press, 2017)
|
Jul 10, 2017 |
|
Jeanine Michna-Bales, “Through Darkness to Light: Photographs Along the Underground Railroad” (Princeton Architectural Press, 2017)
|
Jun 23, 2017 |
|
David J. Carol, “No Plan B” (Peanut Press, 2017)
|
Jun 21, 2017 |
|
Gillian McIver, “Art History for Filmmakers: The Art of Visual Storytelling” (Bloomsbury, 2016)
|
Jun 14, 2017 |
|
Paul Youngquist, “A Pure Solar World: Sun Ra and the Birth of Afrofuturism” (U. Texas Press, 2016)
|
May 27, 2017 |
|
Adair Rounthwaite, “Asking the Audience: Participatory Art in 1980s New York” (U. Minnesota Press, 2017)
|
May 23, 2017 |
|
Discussion with George White, President of Up With Paper/Jumping Jack Press (Bologna Book Fair, 2017)
|
May 23, 2017 |
|
Amy Elkins, “Black is the Day, Black is the Night” (Self Published, 2016)
|
May 22, 2017 |
|
Matteo Faglia, “Pop-Up Show: The Magic Inside Books” (Bologna Children’s Book Fair Exhibition, 2017)
|
May 21, 2017 |
|
Dorothy Ko, “The Social Life of Inkstones: Artisans and Scholars in Early Qing China” (U. of Washington Press, 2017)
|
May 18, 2017 |
|
Mark Alice Durant, “27 Contexts – An Anecdotal History in Photography” (Saint Lucy Books, 2017)
|
Apr 26, 2017 |
|
Benjamin Fondane, “Existential Monday” (NYRB Classics, 2016)
|
Apr 07, 2017 |
|
Ruth Beckford and Careth Reid, “The Picture Man: From the Collection of Bay Area Photographer E. F. Joseph” (Arcadia, 2017)
|
Mar 30, 2017 |
|
Andrew Causey, “Drawn to See: Drawing as Ethnographic Method” (U. Toronto Press, 2016)
|
Mar 27, 2017 |
|
Karl Baden, “The Americans by Car” (Retroactive Press, 2016)
|
Mar 25, 2017 |
|
Christopher Pizzino, “Arresting Development: Comics at the Boundaries of Literature” (U of Texas Press, 2016)
|
Mar 19, 2017 |
|
Damion Searls, “The Inkblots: Hermann Rorschach, His Iconic Test, and the Power of Seeing” (Crown, 2017)
|
Mar 07, 2017 |
|
Paul LeValley, “Art Follows Nature: A Worldwide History of the Nude” (Edition One Books, 2016)
|
Mar 07, 2017 |
|
Elana Shapira, “Style and Seduction: Jewish Patrons, Architecture, and Design in Fin de Siecle Vienna” (Brandeis UP, 2016)
|
Mar 02, 2017 |
|
Daniel Magaziner, “The Art of Life in South Africa” (Ohio University Press, 2016)
|
Feb 17, 2017 |
|
Daniel W. Coburn, “The Hereditary Estate” (Kehrer Verlag, 2015)
|
Feb 13, 2017 |
|
David Shafer, “Antonin Artaud” (Reaktion/U Chicago Press, 2016)
|
Jan 04, 2017 |
|
Leon Borensztein, “Sharon” (Kehrer Verlag, 2016)
|
Dec 23, 2016 |
|
Amy Von Lintel, “Georgia O’Keeffe: Watercolors, 1916-1918” (Radius, 2016)
|
Dec 17, 2016 |
|
Paul Benneworth et al., “The Impact and Future of Arts and Humanities Research” (Palgrave, 2016)
|
Dec 13, 2016 |
|
Amani Willett, “Amani Willett: Disquiet” (Damiani Factory, 2013)
|
Dec 10, 2016 |
|
Darcy Grimaldo Grigsby, “Enduring Truths: Sojourner’s Shadows and Substance” (U. of Chicago Press, 2015)
|
Nov 29, 2016 |
|
Scot McKendrick and Kathleen Doyle, “The Art of the Bible: Illuminated Manuscripts from the Medieval World” (Thames and Hudson, 2016)
|
Nov 28, 2016 |
|
Federica Goffi, “Time Matter(s): Invention and Reimagination in Built Conservation” (Routledge, 2013)
|
Nov 23, 2016 |
|
Byrd Williams, “Proof: Photographs from Four Generations of a Texas Family” (U. of North Texas Press, 2016)
|
Nov 19, 2016 |
|
Kirsty Sedgman, “Locating the Audience: How People Found Value in National Theatre Wales” (Intellect Books 2016)
|
Nov 19, 2016 |
|
Paul C. Taylor, “Black is Beautiful: A Philosophy of Black Aesthetics” (Wiley Blackwell, 2016)
|
Nov 15, 2016 |
|
Robert Brain, “The Pulse of Modernism: Physiological Aesthetics in Fin-de-Siecle Europe (U. of Washington Press, 2015)
|
Nov 12, 2016 |
|
April Dammann, “Corita Kent: Art and Soul: The Biography” (Angel City Press, 2015)
|
Oct 21, 2016 |
|
Stephen Dupont, “Piksa Niugini” (Peabody Press/Radius Books, 2013)
|
Oct 18, 2016 |
|
Stevphen Shukaitis, “The Composition of Movements to Come: Aesthetics and Cultural Labor after the Avant-Garde” (Rowman and Littlefield, 2016)
|
Oct 05, 2016 |
|
Robert Herman, “The New Yorkers” (Proof Positive Press, 2015)
|
Sep 30, 2016 |
|
E.R. Truitt, “Medieval Robots: Mechanism, Magic, Nature, and Art” (U. of Pennsylvania Press, 2015)
|
Sep 21, 2016 |
|
Jade Doskow, “Lost Utopias” (Black Dog Publishing, 2016)
|
Sep 21, 2016 |
|
Alfred S. Posamentier and Robert Geretschlager, “The Circle: A Mathematical Exploration Beyond the Line” (Prometheus Books, 2016)
|
Sep 11, 2016 |
|
Miki Kratsman with Ariella Azoulay, “The Resolution of the Suspect” (Radius Books, 2016)
|
Aug 30, 2016 |
|
Stephen Lee Naish, “Create or Die: Essays on the Artistry of Dennis Hopper” (Amsterdam UP, 2016)
|
Aug 24, 2016 |
|
Silvia Jonas, “Ineffability and Its Metaphysics: The Unspeakable in Art, Religion, and Philosophy” (Palgrave Macmillan, 2016)
|
Aug 15, 2016 |
|
Morgan Pitelka, “Spectacular Accumulation: Material Culture, Tokugawa Ieyasu, and Samurai Sociability” (U. of Hawaii Press, 2016)
|
Aug 10, 2016 |
|
Rachel Price, “Planet/Cuba: Art, Culture and the Future of the Island” (Verso, 2015)
|
Aug 02, 2016 |
|
Paul Roquet, “Ambient Media: Japanese Atmospheres of Self” (U. of Minnesota Press, 2016)
|
Jul 31, 2016 |
|
Diana L. Linden, “Ben Shahn’s New Deal Murals: Jewish Identity in the American Scene” (Wayne State UP, 2015)
|
Jul 28, 2016 |
|
Susan Cahan, “Mounting Frustration: The Art Museum in the Age of Black Power” (Duke UP, 2016)
|
Jul 21, 2016 |
|
Kevin Bubriski, “Look into My Eyes: Nuevomexicanos por Vida, ’81-’83” (Museum of New Mexico Press, 2016)
|
Jul 10, 2016 |
|
Brent Walker, “The Hidden South–Come Home” (Beaver’s Pond Press, 2016)
|
Jul 01, 2016 |
|
Sandow Birk, “American Qur’an” (Liveright, 2015)
|
Jun 15, 2016 |
|
John Brian King, “Nude Reagan” (Spurl Editions, 2016)
|
Jun 13, 2016 |
|
Ken Light, “Whats Going On? 1969 -1974” (Lighted Square Media, 2015)
|
May 20, 2016 |
|
Stern, et al., “The Monk’s Haggadah: A Fifteenth-Century Illuminated Codex from the Monastery of Tegernsee” (Penn State UP, 2015)
|
Apr 20, 2016 |
|
Pamela D. Winfield, “Icons and Iconoclasm in Japanese Buddhism: Kukai and Dogen on the Art of Enlightenment” (Oxford UP, 2013)
|
Mar 29, 2016 |
|
Tahneer Oksman, “How Come Boys Get to Keep Their Noses?” (Columbia UP, 2016)
|
Mar 24, 2016 |
|
Eubanks, Abel and Chen, eds., “Verge: Studies in Global Asias 1.2: Collecting Asias” (U of Minnesota Press, 2015)
|
Mar 18, 2016 |
|
Hillary Chute, “Disaster Drawn: Visual Witness, Comics, and Documentary Form” (Harvard UP, 2016)
|
Mar 14, 2016 |
|
Krista A. Thompson, “Shine: The Visual Economy of Light in African Diasporic Aesthetic Practice” (Duke UP, 2015)
|
Mar 04, 2016 |
|
Kishwar Rizvi, “The Transnational Mosque: Architecture and Historical Memory in the Contemporary Middle East” (UNC Press, 2015)
|
Feb 08, 2016 |
|
David Wright, “Understanding Cultural Taste: Sensation, Skill and Sensibility,” (Palgrave Macmillan, 2015)
|
Feb 03, 2016 |
|
George Cotkin, “Feast of Excess: A Cultural History of the New Sensibility” (Oxford UP, 2015)
|
Jan 22, 2016 |
|
Lynn Gamwell, “Mathematics and Art: A Cultural History” (Princeton UP, 2015)
|
Jan 05, 2016 |
|
Roberta Wue, “Art Worlds: Artists, Images, and Audiences in Late 19th-Century Shanghai” (U of Hawaii Press, 2014)
|
Dec 11, 2015 |
|
Rebecca Gordon-Nesbitt, “To Defend the Revolution is to Defend Culture: The Cultural Policy of The Cuban Revolution” (PM Press, 2015)
|
Dec 01, 2015 |
|
Megan Prelinger, “Inside the Machine: Art and Invention in the Electronic Age” (Norton, 2015)
|
Nov 19, 2015 |
|
Ping Foong, “The Efficacious Landscape: On the Authorities of Painting at the Northern Song Court” (Harvard UP, 2015)
|
Nov 09, 2015 |
|
Paul Bonin-Rodriguez, “Performing Policy” (Palgrave, 2014)
|
Oct 20, 2015 |
|
Ilan Stavans and Jorge J. E. Garcia, “Thirteen Ways of Looking At Latino Art” (Duke UP, 2014)
|
Sep 30, 2015 |
|
Darren Middleton, “Rastafari and the Arts: An Introduction” (Routledge, 2015)
|
Aug 31, 2015 |
|
Derek Sayer, “Prague, Capital of the Twentieth Century: A Surrealist History” (Princeton UP 2013)
|
Jul 24, 2015 |
|
Jonathan M. Reynolds, “Allegories of Time and Space: Japanese Identity in Photography and Architecture” (U of Hawaii Press, 2015)
|
Jul 24, 2015 |
|
Nick Sousanis, “Unflattening” (Harvard UP, 2015)
|
Jun 12, 2015 |
|
Meryle Secrest, “Elsa Schiaparelli: A Biography” (Knopf, 2014)
|
Jun 02, 2015 |
|
Greg Barnhisel, “Cold War Modernists: Art, Literature, and American Cultural Diplomacy” (Columbia UP, 2015)
|
Jun 02, 2015 |
|
Magda Romanska, “The Post-Traumatic Theatre of Grotowski and Kantor” (Anthem Press, 2014)
|
Jun 02, 2015 |
|
John Sharp, “Works of Game: On the Aesthetics of Games and Art” (MIT Press, 2015)
|
Jun 01, 2015 |
|
Winnie Won Yin Wong, "Van Gogh on Demand: China and the Readymade" (U Chicago Press, 2014)
|
May 26, 2015 |
|
Ritu G. Khanduri, “Caricaturing Culture in India: Cartoons and History in the Modern World” (Cambridge UP, 2014)
|
Apr 20, 2015 |
|
Melissa Dabakis, “A Sisterhood of Sculptors: American Artists in Nineteenth-Century Rome (Penn State UP, 2014)
|
Apr 20, 2015 |
|
Kristina Kleutghen, “Imperial Illusions: Crossing Pictorial Boundaries in the Qing Palaces” (U of Washington Press, 2015)
|
Feb 20, 2015 |
|
Ann C. Pizzorusso, “Tweeting Da Vinci” (Da Vinci Press, 2014)
|
Feb 18, 2015 |
|
Jen Harvie, “Fair Play: Art, Performance and Neoliberalism” (Palgrave, 2013)
|
Feb 09, 2015 |
|
Steven Shaviro, “The Universe of Things: On Speculative Realism” (University of Minnesota Press, 2014)
|
Jan 16, 2015 |
|
Gene Luen Yang, “Boxers & Saints” (First Second, 2013)
|
Jan 08, 2015 |
|
Daniel Margocsy, “Commercial Visions: Science, Trade, and Visual Culture in the Dutch Golden Age” (University of Chicago Press, 2014)
|
Dec 09, 2014 |
|
Carolyn L. Kane, “Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics after Code” (U of Chicago Press, 2014)
|
Dec 03, 2014 |
|
Joan Kee, “Contemporary Korean Art: Tansaekhwa and the Urgency of Method” (University of Minnesota Press, 2013)
|
Nov 07, 2014 |
|
Catherine W. Bishir, ‘Crafting Lives: African American Artisans in New Bern, North Carolina, 1770-1900’ (UNC Press, 2013)
|
Oct 28, 2014 |
|
Lara Jaishree Netting, “A Perpetual Fire: John C. Ferguson and His Quest for Chinese Art and Culture” (Hong Kong UP, 2013)
|
Sep 11, 2014 |
|
James Nisbet, “Ecologies, Environments, and Energy Systems in Art of the 1960s and 1970s” (MIT Press, 2014)
|
Sep 10, 2014 |
|
Craig Clunas, “Screen of Kings: Royal Art and Power in Ming China” (University of Hawaii Press, 2013)
|
Jul 02, 2014 |
|
Omar W. Nasim, “Observing by Hand: Sketching the Nebulae in the Nineteenth Century” (University of Chicago Press, 2013)
|
Jun 02, 2014 |
|
Matthew C. Hunter, “Wicked Intelligence” (University of Chicago Press, 2013)
|
Mar 23, 2014 |
|
Eli Maor and Eugen Jost, “Beautiful Geometry” (Princeton UP, 2014)
|
Feb 11, 2014 |
|
Brian Jay Jones, “Jim Henson: The Biography” (Ballantine Books, 2013)
|
Dec 06, 2013 |
|
Daniel Sherman, "French Primitivism and the Ends of Empire, 1945-1975" (U Chicago Press, 2011)
|
Dec 05, 2013 |
|
Christine Yano, “Pink Globalization: Hello Kitty’s Trek across the Pacific” (Duke UP, 2013)
|
Aug 28, 2013 |
|
Pauline Turner Strong, “American Indians and the American Imaginary: Cultural Representation Across the Centuries” (Paradigm Publishers, 2012)
|
Aug 20, 2013 |
|
Jonathan Hay, “Sensuous Surfaces: The Decorative Object in Early Modern China” (University of Hawaii Press, 2010)
|
Aug 19, 2013 |
|
Anne-Marie O’Connor, “The Lady in Gold: The Extraordinary Tale of Gustav Klimt’s Masterpiece, Portrait of Adele Bloch-Bauer” (Knopf, 2012)
|
Jul 12, 2013 |
|
Amanda MacKenzie Stuart, “Empress of Fashion: Diana Vreeland, A Life”
|
Jun 26, 2013 |
|
Kathryn Livingston, “Lilly: Palm Beach, Tropical Glamour, and the Birth of a Fashion Legend” (Wiley, 2012)
|
Jun 02, 2013 |
|
William Marotti, “Money, Trains, and Guillotines: Art and Revolution in 1960s Japan” (Duke UP, 2013)
|
May 22, 2013 |
|
Ian Condry, “The Soul of Anime” (Duke UP, 2013)
|
Apr 30, 2013 |
|
Gennifer Weisenfeld, “Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923” (University of California Press, 2012)
|
Mar 01, 2013 |
|
Lois Rudnick, “The Suppressed Memoirs of Mabel Dodge Luhan” (University of New Mexico Press, 2012)
|
Jan 29, 2013 |
|
Janice Neri, “The Insect and the Image: Visualizing Nature in Early Modern Europe, 1500-1700” (University of Minnesota Press, 2011)
|
Dec 13, 2012 |
|
Daniela Bleichmar, “Visible Empire: Botanical Expeditions and Visual Culture in the Hispanic Enlightenment” (University of Chicago Press, 2012)
|
Nov 26, 2012 |
|
Shih-Shan Susan Huang, “Picturing the True Form: Daoist Visual Culture in Traditional China” (Harvard University Asia Center, 2012)
|
Oct 31, 2012 |
|
Jennifer Hall-Witt, “Fashionable Acts: Opera and Elite Culture in London, 1780-1880” (University of New Hampshire Press, 2007)
|
Oct 16, 2012 |
|
Ben Cawthra, “Blue Notes in Black and White: Photography in Jazz” (University of Chicago Press, 2011)
|
Sep 18, 2012 |
|
Miryam Sas, “Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return” (Harvard University Asia Center, 2011)
|
Aug 23, 2012 |
|
Andrew Field, “Shanghai’s Dancing World: Cabaret Culture and Urban Politics, 1919-1954” (The Chinese University Press, 2010)
|
Mar 07, 2012 |
|
David Ciarlo, “Advertising Empire: Race and Visual Culture in Imperial Germany” (Harvard UP, 2011)
|
Nov 17, 2011 |
|
Allen Guttmann, “Sports and American Art from Benjamin West to Andy Warhol” (University of Massachusetts Press, 2011)
|
Sep 12, 2011 |
|
Erin Haney, “Exposures: Photography and Africa” (Reaktion Books, 2010)
|
Jul 13, 2011 |
|
Antonia Levi, Mark McHarry, and Dru Pagliasotti, “Boy’s Love Manga: Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre” (McFarland, 2010)
|
Jul 13, 2011 |
|
Lee Ambrozy, “Ai Weiwei’s Blog: Writings, Interviews, and Digital Rants, 2006-2009” (MIT Press, 2011)
|
Jun 21, 2011 |
|
Bhanu Athaiya, “The Art of Costume Design” (HarperCollins, 2010)
|
May 01, 2011 |
|
Benjamin Binstock, “Vermeer’s Family Secrets: Genius, Discovery, and the Unknown Apprentice” (Routledge, 2009)
|
Mar 09, 2011 |
|
Kyra Hicks, “This I Accomplish: Harriet Powers’ Bible Quilt and Other Pieces” (Black Threads Press, 2009)
|
Nov 19, 2010 |
|
Greg Castillo, “Cold War on the Home Front: The Soft Power of Midcentury Design” (Minnesota UP, 2009)
|
May 07, 2010 |