New Books in Art
By Marshall Poe
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Category: Visual Arts
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Episodes: 930
Description
Interviews with Scholars of Art about their New Books
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
| Episode | Date |
|---|---|
|
Jaleh Mansoor, "Universal Prostitution and Modernist Abstraction: A Counterhistory" (Duke UP, 2025)
|
May 22, 2025 |
|
Andrew Griebeler, "Botanical Icons: Critical Practices of Illustration in the Premodern Mediterranean" (U Chicago Press, 2024)
|
May 12, 2025 |
|
Alison J. Miller and Eunyoung Park, "Transposed Memory: Visual Sites of National Recollection in 20th and 21st Century East Asia" (Brill, 2024)
|
May 09, 2025 |
|
Samuel Jay Keyser, "Play It Again, Sam: Repetition in the Arts" (MIT Press, 2025)
|
May 08, 2025 |
|
Andrea Pappas, "Embroidering the Landscape: Women, Art and the Environment in British North America, 1740-1770" (Lund Humphries, 2023)
|
May 04, 2025 |
|
No Common Ground: Confederate Monuments and the Ongoing Fight for Racial Justice
|
Apr 29, 2025 |
|
Eike Exner, "Comics and the Origins of Manga: A Revisionist History" (Rutgers UP, 2021)
|
Apr 23, 2025 |
|
Farouk Yahya, "Magic and Divination in Malay Illustrated Manuscripts" (Brill, 2015)
|
Apr 19, 2025 |
|
Faith Tibble, "Crown of Thorns: Humble Gods and Humiliated Kings" (T&T Clark, 2025)
|
Apr 18, 2025 |
|
Jaye Early, "Confessional Video Art and Subjectivity: Private Experiences in Public Spaces" (Bloomsbury, 2025)
|
Apr 11, 2025 |
|
Stephen J. Campbell, "Leonardo da Vinci: An Untraceable Life" (Princeton UP, 2025)
|
Apr 09, 2025 |
|
Rebecca Zorach, "Temporary Monuments: Art, Land, and America's Racial Enterprise" (U Chicago Press, 2024)
|
Apr 08, 2025 |
|
Loretta Vandi, "Eufrasia Burlamacchi" (Getty Publications and Lund Humphries, 2025)
|
Apr 06, 2025 |
|
Sinem Arcak Casale, "Gifts in the Age of Empire: Ottoman-Safavid Cultural Exchange, 1500–1639" (U Chicago Press, 2023)
|
Apr 01, 2025 |
|
Sarah Bassett, "Style and Meaning in Late Antique Art" (Cambridge UP, 2025)
|
Mar 31, 2025 |
|
"Micaiah Carter: What's My Name" (Prestel, 2023)
|
Mar 20, 2025 |
|
Rahul Rao, "The Psychic Lives of Statues: Reckoning with the Rubble of Empire" (Pluto Press, 2025)
|
Mar 19, 2025 |
|
Matt Lodder, "Tattoos: The Untold History of a Modern Art" (Yale UP, 2024)
|
Mar 17, 2025 |
|
Maggie M. Cao, "Painting US Empire: Nineteenth-Century Art and Its Legacies" (U Chicago Press, 2025)
|
Mar 14, 2025 |
|
Michael J. Hatch, "Networks of Touch: A Tactile History of Chinese Art, 1790-1840" (Penn State UP, 2023)
|
Mar 13, 2025 |
|
Harriet Atkinson, "Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53" (Manchester UP, 2024)
|
Mar 12, 2025 |
|
Jamie Jelinski, "Needle Work: A History of Commercial Tattooing in Canada" (McGill-Queen’s UP, 2024)
|
Mar 10, 2025 |
|
Kirsten L. Scheid, "Fantasmic Objects: Art and Sociality from Lebanon, 1920–1950" (Indiana UP, 2022)
|
Mar 09, 2025 |
|
Anna Lise Seastrand, "Body, History, Myth: Early Modern Murals in South India" (Princeton UP, 2024)
|
Mar 06, 2025 |
|
Hallie Franks, "Ancient Sculpture and Twentieth-Century American Womanhood: Venus Envy" (Bloomsbury, 2025)
|
Mar 02, 2025 |
|
Christina Kiaer, "Collective Body: Aleksandr Deineka at the Limit of Socialist Realism" (U Chicago Press, 2024)
|
Feb 26, 2025 |
|
Jaqueline Berndt, "The Cambridge Companion to Manga and Anime" (Cambridge UP, 2024)
|
Feb 11, 2025 |
|
David Graves, "New Realism in Contemporary Israeli Painting" (Austin Macauley, 2023)
|
Feb 11, 2025 |
|
Edward Simon, "The Seven Deadly Sins and Seven Heavenly Virtues: A Visual History" (Cernunnos, 2024)
|
Feb 10, 2025 |
|
Magdalena Buchczyk, "Weaving Europe, Crafting the Museum: Textiles, History and Ethnography at the Museum of European Cultures, Berlin" (Bloomsbury, 2023)
|
Feb 10, 2025 |
|
Hildegard Westerkamp: A Life in Soundscape Composition
|
Feb 10, 2025 |
|
Astrid J. Smith, "Transmediation and the Archive: Decoding Objects in the Digital Age" (Arc Humanities Press, 2024)
|
Feb 10, 2025 |
|
William Gallois, "Qayrawan: The Amuletic City" (Penn State UP, 2024)
|
Feb 07, 2025 |
|
Jean Strouse, "Family Romance: John Singer Sargent and the Wertheimers" (FSG, 2024)
|
Feb 04, 2025 |
|
Elizabeth Campbell, "Museum Worthy: Nazi Art Plunder in Postwar Western Europe" (Oxford UP, 2024)
|
Jan 29, 2025 |
|
Petya Andreeva, "Fantastic Fauna from China to Crimea: Image-Making in Eurasian Nomadic Societies, 700 BCE-500 CE" (Edinburgh UP, 2024)
|
Jan 25, 2025 |
|
Elizabeth King and W. David Todd, "Miracles and Machines: A Sixteenth-Century Automaton and Its Legend" (Getty, 2023)
|
Jan 19, 2025 |
|
(Re)Making Radio with the Shortwave Collective
|
Jan 13, 2025 |
|
Aurelia Campbell, "What the Emperor Built: Architecture and Empire in the Early Ming" (U Washington Press, 2020)
|
Jan 06, 2025 |
|
Fernando Domínguez Rubio, "Still Life: Ecologies of the Modern Imagination at the Art Museum" (U Chicago Press, 2020)
|
Jan 03, 2025 |
|
Shannan Clark, "The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism" (Oxford UP, 2020)
|
Jan 02, 2025 |
|
Deborah Willis, "The Black Civil War Soldier: A Visual History of Conflict and Citizenship" (NYU Press, 2021)
|
Jan 02, 2025 |
|
Rachel Emily Taylor, "Illustration and Heritage" (Bloombury, 2024)
|
Dec 27, 2024 |
|
Theresa Flanigan, "The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence" (Brepols, 2024)
|
Dec 21, 2024 |
|
Erich Hatala Matthes, "What to Save and Why: Identity, Authenticity, and the Ethics of Conservation" (Oxford UP, 2024)
|
Dec 19, 2024 |
|
Aesthetic Conversions
|
Dec 16, 2024 |
|
Christine Coulson, "One Woman Show" (Avid Reader Press, 2023)
|
Dec 14, 2024 |
|
A. L. McClanan, "Griffinology: The Griffin's Place in Myth, History and Art" (Reaktion, 2024)
|
Dec 14, 2024 |
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Henri Colt, "Becoming Modigliani" (Rake Press, 2024)
|
Dec 09, 2024 |
|
Jonathan Conlin, "The Met: A History of a Museum and Its People" (Columbia UP, 2024)
|
Dec 07, 2024 |
|
Johanna Drucker, "Iliazd: A Meta-Biography of a Modernist" (Johns Hopkins UP, 2020)
|
Nov 29, 2024 |
|
Kerry Meakin, "The Professionalization of Window Display in Britain, 1919-1939" (Bloomsbury, 2024)
|
Nov 25, 2024 |
|
Collaboration, Presentation, and Representation with Dalia Nassar
|
Nov 17, 2024 |
|
Eric Drooker, "Naked City: A Graphic Novel" (Dark Horse Books, 2024)
|
Nov 17, 2024 |
|
Deborah Parker, "Becoming Belle Da Costa Greene: A Visionary Librarian Through Her Letters" (Villa I Tatti, 2024)
|
Nov 16, 2024 |
|
Risk
|
Nov 16, 2024 |
|
Alison Stone, "Women on Philosophy of Art: Britain 1770-1900" (Oxford UP, 2024)
|
Nov 12, 2024 |
|
R. Murray Schaffer (1933-2021), Part 2
|
Nov 11, 2024 |
|
Non-literary Fiction
|
Nov 09, 2024 |
|
R. Murray Schafer (1933-2021), Part 1
|
Nov 04, 2024 |
|
Freya Gowrley, "Fragmentary Forms: A New History of Collage" (Princeton UP, 2024)
|
Nov 02, 2024 |
|
On Listening In
|
Oct 28, 2024 |
|
Paris, Cuba, and David from Any Direction with Lucy Benjamin
|
Oct 27, 2024 |
|
Christopher Smith, "Samurai with Telephones: Anachronism in Japanese Literature" (U Michigan Press, 2024)
|
Oct 18, 2024 |
|
Rochelle Gurstein, "Written in Water: The Ephemeral Life of the Classic in Art" (Yale UP, 2024)
|
Oct 13, 2024 |
|
Eunsong Kim, "The Politics of Collecting: Race and the Aestheticization of Property" (Duke UP, 2024)
|
Oct 12, 2024 |
|
Scott Henderson, "Comics and Pop Culture: Adaptation from Panel to Frame" (U Texas Press, 2019)
|
Oct 08, 2024 |
|
Natalie Wall, "Black Expression and White Generosity: A Theoretical Framework of Race" (Emerald Publishing, 2024)
|
Oct 07, 2024 |
|
For Some Odd Reason
|
Oct 07, 2024 |
|
Jason Weiss, "Listenings" (Spuyten Duyvil, 2023)
|
Sep 29, 2024 |
|
Alessandra Russo, "A New Antiquity: Art and Humanity as Universal, 1400-1600" (Penn State UP, 2024)
|
Sep 26, 2024 |
|
Lucy Weir, "Performance, Masculinity, and Self-Injury" (Routledge, 2024)
|
Sep 21, 2024 |
|
Julia Kindt, "The Trojan Horse and Other Stories: Ten Ancient Creatures That Make Us Human" (Cambridge UP, 2024)
|
Sep 04, 2024 |
|
Jordan Magnuson, "Game Poems: Videogame Design as Lyric Practice" (Amherst College Press, 2023)
|
Sep 04, 2024 |
|
Aaron M. Hyman, "Rubens in Repeat: The Logic of the Copy in Colonial Latin America" (Getty, 2021)
|
Sep 03, 2024 |
|
What is Radio Art?
|
Sep 02, 2024 |
|
Sumana Roy, "Provincials: Postcards from the Peripheries" (Yale UP, 2024)
|
Aug 24, 2024 |
|
Jennifer Ponce de León, "Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War" (Duke UP, 2021)
|
Aug 23, 2024 |
|
Karen Patel, "Craft as a Creative Industry" (Routledge, 2024)
|
Aug 20, 2024 |
|
Maria Taroutina and Allison Leigh, "Russian Orientalism in a Global Context: Hybridity, Encounter, and Representation, 1740-1940" (Manchester UP, 2023)
|
Aug 17, 2024 |
|
Gold, Silver, and Bronze with Yuri Cath
|
Aug 12, 2024 |
|
Leslie Ramos, "Philanthropy in the Arts: A Game of Give and Take" (Lund Humphries, 2023)
|
Aug 11, 2024 |
|
Murad Khan Mumtaz, "Faces of God: Images of Devotion in Indo-Muslim Painting, 1500-1800" (Brill, 2023)
|
Aug 08, 2024 |
|
Swati Chattopadhyay, "Small Spaces: Recasting the Architecture of Empire" (Bloomsbury, 2023)
|
Aug 03, 2024 |
|
Sonia-Doris Andras, "The Women of 'Little Paris': Women’s Fashion in Interwar Bucharest" (Bloomsbury, 2024)
|
Jul 26, 2024 |
|
Hannah Freed-Thall, "Modernism at the Beach: Queer Ecologies and the Coastal Commons" (Columbia UP, 2023)
|
Jul 25, 2024 |
|
Breanne Fahs, "Burn It Down: Feminist Manifestos for the Revolution" (Verso, 2020)
|
Jul 21, 2024 |
|
Frances Tanzer, "Vanishing Vienna: Modernism, Philosemitism, and Jews in a Postwar City" (U Pennsylvania Press, 2024)
|
Jul 20, 2024 |
|
Filmmaker, Artist, Writer: A Conversation with Paromita Vohra
|
Jul 19, 2024 |
|
Fantastic Fauna from China to Crimea: Image-Making in Eurasian Nomadic Societies, 700 BCE-500 CE
|
Jul 14, 2024 |
|
Anri Yasuda, "Beauty Matters: Modern Japanese Literature and the Question of Aesthetics, 1890-1930" (Columbia UP, 2024)
|
Jul 12, 2024 |
|
Joanne Leow, "Counter-Cartographies: Reading Singapore Otherwise" (Liverpool UP, 2024)
|
Jul 10, 2024 |
|
Breathing Together
|
Jul 08, 2024 |
|
Tara Ward, "Appreciation Post: Towards an Art History of Instagram" (U California Press, 2024)
|
Jul 05, 2024 |
|
Feng-Mei Heberer, "Asians on Demand: Mediating Race in Video Art and Activism" (U Minnesota Press, 2023)
|
Jul 02, 2024 |
|
Sean Redmond, "The Loneliness Room: A Creative Ethnography of Loneliness" (Manchester UP, 2024)
|
Jun 28, 2024 |
|
Christina M. García, "Corporeal Readings of Cuban Literature and Art: The Body, the Inhuman, and Ecological Thinking" (U Florida Press, 2024)
|
Jun 28, 2024 |
|
"America: Now and Here": A Lecture by Artist Eric FIschl
|
Jun 15, 2024 |
|
Youngna Kim, "Korean Art Since 1945: Challenges and Changes" (Brill, 2024)
|
Jun 08, 2024 |
|
The Quest to Understand the Unconscious in Art, Mind, and Brain, from Vienna 1900 to the Present
|
Jun 02, 2024 |
|
Chris Haufe, "Do the Humanities Create Knowledge?" (Cambridge UP, 2023)
|
May 28, 2024 |
|
Jan Baetens, "Rebuilding Story Worlds: The Obscure Cities by Schuiten and Peeters" (Rutgers UP, 2020)
|
May 26, 2024 |
|
Iris Moon, "Melancholy Wedgwood" (MIT Press, 2024)
|
May 26, 2024 |
|
Mirjam Rajner, "Fragile Images: Jews and Art in Yugoslavia, 1918-1945" (Brill, 2019)
|
May 22, 2024 |
|
Alex Beringer, "Lost Literacies: Experiments in the Nineteenth-Century US Comic Strip" (Ohio State UP, 2024)
|
May 22, 2024 |
|
Jennifer Dorothy Lee, "Anxiety Aesthetics: Maoist Legacies in China, 1978-1985" (U California Press, 2024)
|
May 16, 2024 |
|
Dancing Parkinson's and Queering Science with John Noel Viaña
|
May 14, 2024 |
|
Karen Pechilis et al. ed., "Devotional Visualities: Seeing Bhakti in Indic Material Cultures" (Bloomsbury, 2023)
|
May 09, 2024 |
|
Salar Mameni, "Terracene: A Crude Aesthetics" (Duke UP, 2023)
|
May 05, 2024 |
|
Nadine A. Sinno, "A War of Colors: Graffiti and Street Art in Postwar Beirut" (U Texas Press, 2024)
|
May 02, 2024 |
|
Justin O’Connor, "Culture is Not an Industry: Reclaiming Art and Culture for the Common" (Manchester UP, 2024)
|
May 01, 2024 |
|
Andil Gosine, "Nature's Wild: Love, Sex, and Law in the Caribbean" (Duke UP, 2021)
|
Apr 29, 2024 |
|
Stitching Freedom: Embroidery and Incarceration
|
Apr 25, 2024 |
|
Danielle Taschereau Mamers, "Settler Colonial Ways of Seeing: Documentation, Administration, and the Interventions of Indigenous Art" (Fordham UP, 2023)
|
Apr 23, 2024 |
|
Nathanial Gardner, "The Study of Photography in Latin America: Critical Insights and Methodological Approaches" (U New Mexico Press, 2023)
|
Apr 18, 2024 |
|
Kerry Wallach, "Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit" (Penn State UP, 2024)
|
Apr 16, 2024 |
|
Adam Kabat, "The River Imp and the Stinky Jewel and Other Tales: Monster Comics from Edo Japan" (Columbia UP, 2023)
|
Apr 14, 2024 |
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Paul Williams, "The US Graphic Novel" (Edinburgh UP, 2022)
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Apr 12, 2024 |
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Maaheen Ahmed, "Openness of Comics: Generating Meaning within Flexible Structures" (UP of Mississippi, 2016)
|
Apr 11, 2024 |
|
Enactivism, Embodiment, and the Gorier Stuff with Marilyn Stendera
|
Apr 07, 2024 |
|
Oliver Wunsch, "A Delicate Matter: Art, Fragility, and Consumption in Eighteenth-Century France" (Penn State UP, 2024)
|
Mar 31, 2024 |
|
Aleksandar Bosković and Steven Teref, "Zenithism (1921-1927): A Yugoslav Avant-Garde Anthology" (Academic Studies Press, 2023)
|
Mar 29, 2024 |
|
Chia-ling Yang, "Appropriating Antiquity for Modern Chinese Painting" (Bloomsbury, 2023)
|
Mar 27, 2024 |
|
Jehanne Dubrow, "Exhibitions: Essays on Art and Atrocity" (U New Mexico Press, 2023)
|
Mar 24, 2024 |
|
Umme Al-wazedi and Afrin Zeenat, "Veil Obsessed: Representations in Literature, Art, and Media" (Syracuse UP, 2024)
|
Mar 17, 2024 |
|
Anna Kornbluh, "Immediacy: Or, The Style of Too Late Capitalism" (Verso, 2024)
|
Mar 17, 2024 |
|
Gavin Butt, "No Machos Or Pop Stars: When the Leeds Art Experiment Went Punk" (Duke UP, 2022)
|
Mar 13, 2024 |
|
Xin Gu, "Cultural Work and Creative Subjectivity: Recentralising the Artist Critique and Social Networks in the Cultural Industries" (Routledge, 2023)
|
Mar 11, 2024 |
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Jon Robson, "Aesthetic Testimony: An Optimistic Approach" (Oxford UP, 2022)
|
Mar 10, 2024 |
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Carmen Fracchia, "'Black But Human': Slavery and Visual Arts in Hapsburg Spain, 1480-1700" (Oxford UP, 2019)
|
Mar 08, 2024 |
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Angie Chau, "Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters" (U Michigan Press, 2023)
|
Mar 06, 2024 |
|
Roseen Giles, "Monteverdi and the Marvellous: Poetry, Sound, and Representation" (Cambridge UP, 2023)
|
Mar 04, 2024 |
|
Alvita Akiboh, "Imperial Material: National Symbols in the US Colonial Empire" (U Chicago Press, 2023)
|
Mar 03, 2024 |
|
Mai Corlin, "The Bishan Commune and the Practice of Socially Engaged Art in Rural China" (Palgrave MacMillan, 2020)
|
Feb 26, 2024 |
|
T. Corey Brennan, "The Fasces: A History of Ancient Rome's Most Dangerous Political Symbol" (Oxford UP, 2022)
|
Feb 21, 2024 |
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Meredith Martin and Gillian Weiss, "The Sun King at Sea: Maritime Art and Galley Slavery in Louis XIV's France" (Getty, 2022)
|
Feb 17, 2024 |
|
Ed Simon, "Relic" (Bloomsbury. 2024)
|
Feb 15, 2024 |
|
Criticism
|
Feb 15, 2024 |
|
Ana Lucia Araujo, "The Gift: How Objects of Prestige Shaped the Atlantic Slave Trade and Colonialism" (Cambridge UP, 2023)
|
Feb 11, 2024 |
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Devin Griffiths and Deanna Kreisel, "After Darwin: Literature, Theory, and Criticism in the Twenty-First Century" (Cambridge UP, 2022)
|
Feb 10, 2024 |
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Sabina Andron, "Urban Surfaces, Graffiti, and the Right to the City" (Routledge, 2024)
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Feb 04, 2024 |
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Dustin Kiskaddon, "Blood and Lightening: On Becoming a Tattooer" (Stanford UP, 2023)
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Feb 04, 2024 |
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William L. Bird, "In the Arms of Saguaros: Iconography of the Giant Cactus" (U Arizona Press, 2023)
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Feb 03, 2024 |
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Alex Burchmore, "New Export China: Translations Across Time and Place in Contemporary Chinese Porcelain Art" (U California Press, 2023)
|
Feb 02, 2024 |
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Catherine Powell-Warren, "Gender and Self-Fashioning at the Intersection of Art and Science: Agnes Block, Botany, and Networks in the Dutch 17th Century" (Amsterdam UP, 2023)
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Jan 22, 2024 |
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Emma Gleadhill, "Taking Travel Home: The Souvenir Culture of British Women Tourists, 1750-1830" (Manchester UP, 2022)
|
Jan 16, 2024 |
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Ofer Ashkenazi, "Anti-Heimat Cinema: The Jewish Invention of the German Landscape" (U Michigan Press, 2020)
|
Jan 09, 2024 |
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Seth Bernard, "Building Mid-Republican Rome: Labor, Architecture, and the Urban Economy" (Oxford UP, 2018)
|
Jan 07, 2024 |
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Amy Von Lintel, "Georgia O'Keeffe's Wartime Texas Letters" (Texas A&M UP, 2020)
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Jan 06, 2024 |
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Virginia Chieffo Raguin, "The Illuminated Window: Stories Across Time" (Reaktion Books, 2023)
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Jan 05, 2024 |
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Susanna Phillips Newbury, "The Speculative City: Art, Real Estate, and the Making of Global Los Angeles" (U Minnesota Press, 2021)
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Jan 04, 2024 |
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Robert R. Janes, "Museums and Societal Collapse: The Museum as Lifeboat" (Routledge, 2023)
|
Jan 02, 2024 |
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Timothy K. August, "The Refugee Aesthetic: Reimagining Southeast Asian America" (Temple UP, 2020)
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Dec 30, 2023 |
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Denise Y. Ho, “Curating Revolution: Politics on Display in Mao’s China” (Cambridge UP, 2017)
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Dec 30, 2023 |
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Jordana M. Saggese, "The Jean-Michel Basquiat Reader" (U California Press, 2021)
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Dec 26, 2023 |
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Ran Oron, "He Could See a Bird Outside if He Looked Through His Window" (Persimmon Books, 2023)
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Dec 24, 2023 |
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Brian Brown and Virginia Kuulei Berndt, "Body Art" (Emerald Publishing, 2023)
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Dec 19, 2023 |
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Nettrice R. Gaskins, "Techno-Vernacular Creativity and Innovation: Culturally Relevant Making Inside and Outside of the Classroom" (MIT Press, 2021)
|
Dec 13, 2023 |
|
Genealogies of Modernity Episode 5: Picturing Race in Colonial Mexico
|
Dec 09, 2023 |
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Paul Fisher Davies, "Comics as Communication: A Functional Approach" (Palgrave MacMillan, 2019)
|
Dec 08, 2023 |
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Amy Matthewson, "Cartooning China: Punch, Power, & Politics in the Victorian Era" (Routledge, 2022)
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Dec 06, 2023 |
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Monica Huerta, "The Unintended: Photography, Property, and the Aesthetics of Racial Capitalism" (NYU Press, 2023)
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Dec 04, 2023 |
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Rachel Stephens, "Hidden in Plain Sight: Concealing Enslavement in American Visual Culture" (U Arkansas Press, 2023)
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Dec 01, 2023 |
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Vid Simoniti, "Artists Remake the World: A Contemporary Art Manifesto" (Yale UP, 2023)
|
Nov 29, 2023 |
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Tony Spawforth, "What the Greeks Did for Us" (Yale UP, 2023)
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Nov 28, 2023 |
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Peter Bellerby, "The Globemakers: The Curious Story of an Ancient Craft" (Bloomsbury, 2023)
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Nov 27, 2023 |
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Michael Rushton, "The Moral Foundations of Public Funding for the Arts" (Palgrave Macmillan, 2023)
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Nov 25, 2023 |
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Kai Jun Chen, "Porcelain for the Emperor: Manufacture and Technocracy in Qing China" (U Washington Press, 2023)
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Nov 13, 2023 |
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Caroline Levine, "The Activist Humanist: Form and Method in the Climate Crisis" (Princeton UP, 2023)
|
Nov 09, 2023 |
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Valerie Kivelson et al., "Picturing Russian Empire" (Oxford UP, 2023)
|
Nov 07, 2023 |
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Peter Nelson, "Computer Games As Landscape Art" (Palgrave Macmillan, 2023)
|
Nov 06, 2023 |
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Ed Simon, "Elysium: A Visual History of Angelology" (Cernunnos, 2023)
|
Nov 05, 2023 |
|
Maaheen Ahmed, "The Cambridge Companion to Comics" (Cambridge UP, 2023)
|
Nov 04, 2023 |
|
"We are all latecomers": Martin Puchner's "Culture" (JP, EF)
|
Nov 02, 2023 |
|
Henrik Fürst and Erik Nylander, "The Value of Art Education: Cultural Engagements at the Swedish Folk High Schools" (Palgrave MacMillan, 2023)
|
Oct 30, 2023 |
|
Chris Bishop, "Medievalist Comics and the American Century" (UP of Mississippi, 2016)
|
Oct 29, 2023 |
|
Chet Van Duzer, "Frames That Speak: Cartouches on Early Modern Maps" (Brill, 2023)
|
Oct 29, 2023 |
|
Simon Grennan, "A Theory of Narrative Drawing" (Palgrave MacMillan, 2017)
|
Oct 28, 2023 |
|
Pat Thomson and Christine Hall, "Schools and Cultural Citizenship: Arts Education for Life" (Routledge, 2023)
|
Oct 28, 2023 |
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Valerie Werder, "Thieves: A Novel" (Fence Books, 2023)
|
Oct 27, 2023 |
|
Marisel C. Moreno, "Crossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature and Art" (U Texas Press, 2022)
|
Oct 27, 2023 |
|
Diana Kamin, "Picture-Work: How Libraries, Museums, and Stock Agencies Launched a New Image Economy" (MIT Press, 2023)
|
Oct 25, 2023 |
|
Philip Jenkins, "A Storm of Images: Iconoclasm and Religious Reformation in the Byzantine World" (Baylor UP, 2023)
|
Oct 22, 2023 |
|
Grant H. Kester, "The Sovereign Self: Aesthetic Autonomy from the Enlightenment to the Avant-Garde" (Duke UP, 2023)
|
Oct 21, 2023 |
|
Paraska Tolan-Szkilnik, "Maghreb Noir: The Militant-Artists of North Africa and the Struggle for a Pan-African, Postcolonial Future" (Stanford UP, 2023)
|
Oct 11, 2023 |
|
Visibility
|
Oct 06, 2023 |
|
Mara Mills and Rebecca Sanchez, eds., "Crip Authorship: Disability as Method" (NYU Press, 2023)
|
Oct 06, 2023 |
|
Katrin Nahidi, "The Cultural Politics of Art in Iran: Modernism, Exhibitions, and Art Production" (Cambridge UP, 2023)
|
Oct 04, 2023 |
|
Jessica Lowell Mason and Nicole Crevar, "Madwomen in Social Justice Movements, Literatures, and Art" (Vernon Press, 2023)
|
Sep 26, 2023 |
|
Antony Kalashnikov, "Monuments for Posterity: Self-Commemoration and the Stalinist Culture of Time" (Cornell UP, 2023)
|
Sep 23, 2023 |
|
Alba Griffin, "Reading the Walls of Bogota: Graffiti, Street Art, and the Urban Imaginary of Violence" (U Pittsburgh Press, 2023)
|
Sep 22, 2023 |
|
Bryan Rennie, "An Ethology of Religion and Art: Belief as Behavior" (Routledge, 2020)
|
Sep 16, 2023 |
|
Margaret Galvan, "In Visible Archives: Queer and Feminist Visual Culture in the 1980s" (U Minnesota Press, 2023)
|
Sep 16, 2023 |
|
Jo Shaw and Ben Fletcher-Watson, "The Art of Being Dangerous: Exploring Women and Danger through Creative Expression" (Leuven UP, 2021)
|
Sep 13, 2023 |
|
A Better Way to Buy Books
|
Sep 12, 2023 |
|
Marc Bonners, "Open World Structures: Architecture, Urban and Natural landscape in the Computer Game" (Büchner-Verlag, 2023)
|
Sep 07, 2023 |
|
Caveh Zahedi, "Digging My Own Grave: The Films of Caveh Zahedi" (Factory 25, 2015)
|
Sep 06, 2023 |
|
Stephen Ramsay, "On the Digital Humanities: Essays and Provocations" (U Minnesota Press, 2023)
|
Sep 06, 2023 |
|
Gennifer Weisenfeld, "Gas Mask Nation: Visualizing Civil Air Defense in Wartime Japan" (U Chicago Press, 2023)
|
Sep 05, 2023 |
|
Elise Herrala, "Art of Transition: The Field of Art in Post-Soviet Russia" (Routledge, 2021)
|
Sep 03, 2023 |
|
John Szwed, "Cosmic Scholar: The Life and Times of Harry Smith" (FSG, 2023)
|
Sep 03, 2023 |
|
Heike Bauer et al., "Jewish Women in Comics: Bodies and Borders" (Syracuse UP, 2022)
|
Sep 02, 2023 |
|
Hamid Keshmirshekan, "The Art of Iran in the Twentieth and Twenty-First Centuries: Tracing the Modern and the Contemporary" (Edinburgh UP, 2023)
|
Aug 30, 2023 |
|
Vanessa I. Corredera, "Reanimating Shakespeare's Othello in Post-Racial America" (Edinburgh UP, 2022)
|
Aug 27, 2023 |
|
Travis Holloway, "How to Live at the End of the World: Theory, Art, and Politics for the Anthropocene" (Stanford UP, 2022)
|
Aug 23, 2023 |
|
Adam Jasienski, "Praying to Portraits: Audience, Identity, and the Inquisition in the Early Modern Hispanic World" (Penn State UP, 2023)
|
Aug 21, 2023 |
|
Ramzi Fawaz, "The New Mutants: Superheroes and the Radical Imagination of American Comics" (NYU Press, 2016)
|
Aug 17, 2023 |
|
Daniel Foliard, "The Violence of Colonial Photography" (Manchester UP, 2022)
|
Aug 08, 2023 |
|
What Was Contemporary Art?
|
Aug 04, 2023 |
|
Why Photography Matters
|
Aug 03, 2023 |
|
Marnie Feneley, "Reconstructing God: Style, Hydraulics, Political Power and Angkor's West Mebon Visnu" (National U of Singapore Press, 2022)
|
Aug 02, 2023 |
|
Taylor McCall, "The Art of Anatomy in Medieval Europe" (Reaktion Books, 2023)
|
Aug 01, 2023 |
|
Ben Highmore, "In Good Taste: How Britain's Middle Classes Found Their Style" (Manchester UP, 2023)
|
Jul 31, 2023 |
|
Tom Young, "Unmaking the East India Company: British Art and Political Reform in Colonial India, c. 1813-1858" (Paul Mellon Centre, 2023)
|
Jul 29, 2023 |
|
Nina Lager Vestberg, "Picture Research: The Work of Intermediation from Pre-Photography to Post-Digitization" (MIT Press, 2023)
|
Jul 26, 2023 |
|
Brigitte Buettner, "The Mineral and the Visual: Precious Stones in Medieval Secular Culture" (Penn State UP, 2022)
|
Jul 23, 2023 |
|
Robert Hillenbrand, "The Great Mongol Shahnameh" (Hali Publications et al., 2022)
|
Jul 20, 2023 |
|
Brahma Prakash, "Body on the Barricades: Life, Art and Resistance in Contemporary India" (LeftWord, 2023)
|
Jul 19, 2023 |
|
Eliot Borenstein, "Marvel Comics in The 1970s: The World Inside Your Head" (Cornell UP, 2023)
|
Jul 11, 2023 |
|
Stephen Davies, "Adornment: What Self-Decoration Tells Us About Who We Are" (Bloomsbury, 2020)
|
Jul 10, 2023 |
|
Katherine Giuffre, "Outrage: The Arts and the Creation of Modernity" (Stanford UP, 2023)
|
Jul 10, 2023 |
|
Robert Mills, "Seeing Sodomy in the Middle Ages" (U Chicago Press, 2015)
|
Jul 09, 2023 |
|
Rose Marie San Juan, "Violence and the Genesis of the Anatomical Image" (Pennsylvania State UP, 2023)
|
Jul 03, 2023 |
|
Adrian Rifkin, "Future Imperfect: The Past Between My Fingers..." (2021)
|
Jul 02, 2023 |
|
Bleak Houses: Disappointment and Failure in Architecture
|
Jul 01, 2023 |
|
Surf Craft: Design and the Culture of Board Riding
|
Jul 01, 2023 |
|
Deirdre Bair on Artist Saul Steinberg
|
Jul 01, 2023 |
|
Marie Arleth Skov, "Punk Art History: Artworks from the European No Future Generation" (Intellect, 2023)
|
Jun 30, 2023 |
|
Yael Rice, "The Brush of Insight: Artists and Agency at the Mughal Court" (U Washington Press, 2023)
|
Jun 30, 2023 |
|
TaTa Dada: The Real Life and Celestial Adventures of Tristan Tzara
|
Jun 29, 2023 |
|
Rebecca Whiteley, "Birth Figures: Early Modern Prints and the Pregnant Body" (U Chicago Press, 2023)
|
Jun 26, 2023 |
|
The Eternal Letter: Two Millennia of the Classical Roman Capital
|
Jun 20, 2023 |
|
Works of Game: On the Aesthetics of Games and Art
|
Jun 19, 2023 |
|
Deborah Stevenson, "Cultural Policy Beyond the Economy: Value, Work and the Social" (Edward Elgar, 2023)
|
Jun 16, 2023 |
|
Brett Brehm, "Kaleidophonic Modernity: Transatlantic Sound, Technology, and Literature" (Fordham UP, 2023)
|
Jun 16, 2023 |
|
Michael B. Gill, "A Philosophy of Beauty: Shaftesbury on Nature, Virtue, and Art" (Princeton UP, 2022)
|
Jun 14, 2023 |
|
Samuel J. Redman, "The Museum: A Short History of Crisis and Resilience" (NYU Press, 2022)
|
Jun 13, 2023 |
|
Arturo Rodríguez Morató and Alvaro Santana-Acuña, "Sociology of the Arts in Action: New Perspectives on Creation, Production, and Reception" (Palgrave MacMillan, 2023)
|
Jun 11, 2023 |
|
Kelcey Ervick and Tom Hart, "The Rose Metal Press Field Guide to Graphic Literature" (Rose Metal Press, 2023)
|
Jun 10, 2023 |
|
Art Auctions and Data Science
|
Jun 04, 2023 |
|
Lance Esplund, "The Art of Looking: How to Read Modern and Contemporary Art" (Basic, 2018)
|
Jun 04, 2023 |
|
Celia Fisher, "The Story of Follies: Architectures of Eccentricity" (Reaktion Books, 2022)
|
Jun 04, 2023 |
|
Monika Raesch, "Abbas Kiarostami: Interviews" (UP of Mississippi, 2023)
|
Jun 04, 2023 |
|
Gender and Equality in Art and Exploration
|
Jun 03, 2023 |
|
A Slow Burning Fire: The Rise of the New Art Practice in Yugoslavia
|
May 29, 2023 |
|
Lisa McCormick, "The Cultural Sociology of Art and Music: New Directions and New Discoveries" (Palgrave MacMillan, 2022)
|
May 28, 2023 |
|
Publishing in Art, Architecture and Visual Culture
|
May 26, 2023 |
|
Nicholas Scott Baker, "In Fortune's Theater: Financial Risk and the Future in Renaissance Italy" (Cambridge UP, 2021)
|
May 26, 2023 |
|
The Place Is Here: The Work of Black Artists in 1980s Britain
|
May 24, 2023 |
|
Jonathan Adeyemi, "Contemporary Art from Nigeria in the Global Markets: Trending in the Margins" (Palgrave MacMillan, 2022)
|
May 21, 2023 |
|
Infrastructural Brutalism: Art and the Necropolitics of Infrastructure
|
May 20, 2023 |
|
Ithell Colquhoun: Genius of The Fern Loved Gully
|
May 19, 2023 |
|
Full Version: Lauren Fournier and McKenzie Wark on Autotheory
|
May 19, 2023 |
|
Autotheory as Feminist Practice in Art, Writing, and Criticism
|
May 18, 2023 |
|
Pamela M. Lee, "Think Tank Aesthetics: Midcentury Modernism, the Cold War, and the Neoliberal Present" (MIT Press, 2020)
|
May 16, 2023 |
|
Sharon Hecker and Raffaele Bedarida, "Curating Fascism: Exhibitions and Memory from the Fall of Mussolini to Today" (Bloomsbury, 2022)
|
May 13, 2023 |
|
Andrew R. Casper, "An Artful Relic: The Shroud of Turin in Baroque Italy" (Pennsylvania State UP, 2021)
|
May 11, 2023 |
|
Benjamin Balint, "Bruno Schulz: An Artist, a Murder, and the Hijacking of History" (Norton, 2023)
|
May 10, 2023 |
|
Saturation: Race, Art, and the Circulation of Value
|
May 10, 2023 |
|
Barbara Penner et al., "Extinct: A Compendium of Obsolete Objects" (Reaktion Books, 2021)
|
May 08, 2023 |
|
5.3 “It’s on the Illabus”
|
May 04, 2023 |
|
John McCannon, "Nicholas Roerich: The Artist Who Would Be King" (U Pittsburgh Press, 2023)
|
May 03, 2023 |
|
Craig Leonard, "Uncommon Sense: Aesthetics after Marcuse" (MIT Press, 2022)
|
Apr 29, 2023 |
|
Computer Graphics
|
Apr 27, 2023 |
|
Haunted Bauhaus: Occult Spirituality, Gender Fluidity, Queer Identities, and Radical Politics
|
Apr 26, 2023 |
|
Ferenc Hörcher, "Art and Politics in Roger Scruton's Conservative Philosophy" (Palgrave Macmillan, 2022)
|
Apr 25, 2023 |
|
Catherine Grant, "A Time of One's Own: Histories of Feminism in Contemporary Art" (Duke UP, 2022)
|
Apr 22, 2023 |
|
Jonathan Gray, "Dislike-Minded: Media, Audiences, and the Dynamics of Taste" (NYU Press, 2021)
|
Apr 20, 2023 |
|
Barbara Sjoholm, "From Lapland to Sápmi: Collecting and Returning Sámi Craft and Culture" (U Minnesota Press, 2023)
|
Apr 19, 2023 |
|
Christopher S. Celenza, "The Italian Renaissance and the Origin of the Humanities: An Intellectual History, 1400-1800" (Cambridge UP, 2021)
|
Apr 13, 2023 |
|
John Miller, "The Heart of the Forest: Why Woods Matter" (British LIbrary, 2022)
|
Apr 12, 2023 |
|
Tina Post, "Deadpan: The Aesthetics of Black Inexpression" (NYU Press, 2023)
|
Apr 12, 2023 |
|
Daniel Neofetou, "Rereading Abstract Expressionism, Clement Greenberg and the Cold War" (Bloomsbury, 2021)
|
Apr 09, 2023 |
|
Simon Strange, "Blank Canvas: Art School Creativity and the Development of Punk, Post Punk and New Wave Music" (Intellect, 2023)
|
Apr 08, 2023 |
|
Bettina Judd, "Feelin: Creative Practice, Pleasure, and Black Feminist Thought" (Northwestern UP, 2022)
|
Apr 08, 2023 |
|
Natilee Harren, "Fluxus Forms: Scores, Multiples, and the Eternal Network" (U Chicago Press, 2020)
|
Apr 05, 2023 |
|
Mauro Resmini, "Italian Political Cinema: Figure of the Long '68" (U Minnesota Press, 2023)
|
Apr 04, 2023 |
|
Rhea Myers, "Proof of Work: Blockchain Provocations 2011-2021" (MIT Press, 2023)
|
Apr 03, 2023 |
|
Mike Jay, "Psychonauts: Drugs and the Making of the Modern Mind" (Yale UP, 2023)
|
Apr 02, 2023 |
|
Colleen Lye and Christopher Nealon, "After Marx: Literature, Theory, and Value in the Twenty-First Century" (Cambridge UP, 2022)
|
Mar 31, 2023 |
|
Larisa Grollemond and Bryan C. Keene, "The Fantasy of the Middle Ages: An Epic Journey through Imaginary Medieval Worlds" (Getty, 2022)
|
Mar 27, 2023 |
|
Kristin Hass, "Blunt Instruments: Recognizing Racist Cultural Infrastructure in Memorials, Museums, and Patriotic Practices" (Beacon Press, 2022)
|
Mar 26, 2023 |
|
Arts, Humanities, and Complex Networks
|
Mar 24, 2023 |
|
Claudia Brittenham, "Unseen Art: Making, Vision, and Power in Ancient Mesoamerica" (U Texas Press, 2023)
|
Mar 24, 2023 |
|
Seeing Truth in the Climate Crisis
|
Mar 23, 2023 |
|
David Houston Jones, "Visual Culture and the Forensic: Culture, Memory, Ethics" (Routledge, 2022)
|
Mar 22, 2023 |
|
Megan Swift, "Picturing the Page: Illustrated Children’s Literature and Reading under Lenin and Stalin" (U Toronto Press, 2020)
|
Mar 20, 2023 |
|
Arya Aryan, "The Postmodern Representation of Reality in Peter Ackroyd's Chatterton" (Cambridge Scholars, 2022)
|
Mar 19, 2023 |
|
Nicholas Brown, "Autonomy: The Social Ontology of Art under Capitalism" (Duke UP, 2019)
|
Mar 19, 2023 |
|
John Miller, "The Philosophy of Tattoos" (British Library, 2021)
|
Mar 19, 2023 |
|
The Sharing of Sound Art
|
Mar 18, 2023 |
|
Annie Pfeifer, "To the Collector Belong the Spoils: Modernism and the Art of Appropriation" (Cornell UP, 2023)
|
Mar 17, 2023 |
|
Rick de Villiers, "Eliot and Beckett's Low Modernism: Humility and Humiliation" (Edinburgh UP, 2021)
|
Mar 17, 2023 |
|
Jan Harrison's “Animal Tongues”
|
Mar 09, 2023 |
|
Elina Gertsman and Barbara H. Rosenwein, "The Middle Ages in 50 Objects" (Cambridge UP, 2018)
|
Mar 08, 2023 |
|
Helen Solterer and Vincent Joos, "Migrants Shaping Europe, Past and Present: Multilingual Literatures, Arts, and Cultures" (Manchester UP, 2022)
|
Mar 03, 2023 |
|
Dave Colangelo, "The Building as Screen: A History, Theory, and Practice of Massive Media" (Amsterdam UP, 2019)
|
Feb 28, 2023 |
|
Frances Howard, "Global Perspectives on Youth Arts Programs: How and Why the Arts Can Make a Difference" (Policy Press, 2022)
|
Feb 27, 2023 |
|
Alexandra Chiriac, "Performing Modernism: A Jewish Avant-Garde in Bucharest" (de Gruyter, 2022)
|
Feb 25, 2023 |
|
Jonathan Homrighausen, "Planting Letters and Weaving Lines: The Song of Songs, and The Saint Johns Bible" (Liturgical Press, 2022)
|
Feb 25, 2023 |
|
Seeing Truth in Photographs
|
Feb 23, 2023 |
|
Leila Jancovich and David Stevenson, "Failures in Cultural Participation" (Palgrave Macmillan, 2022)
|
Feb 20, 2023 |
|
Why Should Cultural Heritage Be Protected?
|
Feb 20, 2023 |
|
Jacob Birken, "Video Games: Digital Image Cultures" (Verlag Klaus Wagenbach, 2022)
|
Feb 19, 2023 |
|
Lesly Deschler Canossi and Zoraida Lopez-Diago, "Black Matrilineage, Photography, and Representation: Another Way of Knowing" (Leuven UP, 2022)
|
Feb 12, 2023 |
|
Andrea Acri and Peter Sharrock, "The Creative South: Buddhist and Hindu Art in Mediaeval Maritime Asia" (Iseas-Yusof Ishak Institute, 2022)
|
Feb 11, 2023 |
|
Michael Murawski, "Museums as Agents of Change: A Guide to Becoming a Changemaker" (Rowman & Littlefield, 2021)
|
Feb 07, 2023 |
|
Tim Harte, "Faster, Higher, Stronger, Comrades!: Sports, Art, and Ideology in Late Russian and Early Soviet Culture" (U Wisconsin Press, 2020)
|
Feb 05, 2023 |
|
Susan Stewart, "The Ruins Lesson: Meaning and Material in Western Culture" (U Chicago Press, 2020)
|
Feb 04, 2023 |
|
Angela Vanhaelen, "The Moving Statues of Seventeenth-Century Amsterdam: Automata, Waxworks, Fountains, Labyrinths" (Penn State UP, 2022)
|
Jan 30, 2023 |
|
Sebastian Truskolaski, "Adorno and the Ban on Images" (Bloomsbury, 2022)
|
Jan 30, 2023 |
|
Collaborations between Cold War Scientists and Artists
|
Jan 29, 2023 |
|
Kaelen Wilson-Goldie, "Beautiful, Gruesome, and True: Artists at Work in the Face of War" (Columbia Global Reports, 2022)
|
Jan 29, 2023 |
|
Seeing Truth in Museums
|
Jan 26, 2023 |
|
Padma Kaimal, "Opening Kailasanatha: The Temple in Kanchipuram Revealed in Time and Space" (U Washington Press, 2020)
|
Jan 26, 2023 |
|
Eric Adler, "The Battle of the Classics: How a Nineteenth-Century Debate Can Save the Humanities Today" (Oxford UP, 2020)
|
Jan 25, 2023 |
|
Rens Bod, "A New History of the Humanities: The Search for Principles and Patterns from Antiquity to the Present" (Oxford UP, 2014)
|
Jan 23, 2023 |
|
Christopher Bartel, "Video Games, Violence, and the Ethics of Fantasy: Killing Time" (Bloomsbury, 2020)
|
Jan 14, 2023 |
|
Gilah Yelin Hirsch, "Archaeology of Metaphor: The Art of Gilah Yelin Hirsch" (Skira, 2022)
|
Jan 14, 2023 |
|
Oana Serban, "After Thomas Kuhn: The Structure of Aesthetic Revolutions" (de Gruyter, 2022)
|
Jan 12, 2023 |
|
Rousseau's Ideas About Censorship in the Arts
|
Jan 09, 2023 |
|
Rock Art in the Nomadic Landscape of the Black Desert
|
Jan 04, 2023 |
|
Rebecca Binns, "Gee Vaucher: Beyond Punk, Feminism and the Avant-Garde" (Manchester UP, 2022)
|
Jan 02, 2023 |
|
Iraqi Bedouin and Intangible Cultural Heritage
|
Jan 02, 2023 |
|
Comedies of 'Fair Use': Lewis Hyde on Owning Art and Ideas
|
Jan 01, 2023 |
|
Aaron Moulton, "The Influencing Machine" (Ujazdowski Castle Centre for Contemporary Art, 2022)
|
Dec 31, 2022 |
|
Mark McKinney, "Postcolonialism and Migration in French Comics" (Leuven UP, 2021)
|
Dec 24, 2022 |
|
Stevie Suan, "Anime's Identity: Performativity and Form Beyond Japan" (U Minnesota Press, 2021)
|
Dec 23, 2022 |
|
Pamela Karimi, "Alternative Iran: Contemporary Art and Critical Spatial Practice" (Stanford UP, 2022)
|
Dec 22, 2022 |
|
Sam Slote et al., "Annotations to James Joyce's Ulysses" (Oxford UP, 2022)
|
Dec 22, 2022 |
|
Geert Lovink, "Sad by Design: On Platform Nihilism" (Pluto Press, 2019)
|
Dec 22, 2022 |
|
Sandra Frimmel, "Art Judgements: Art on Trial in Russia After Perestroika" (Vernon Press, 2021)
|
Dec 21, 2022 |
|
Tom McLeish, "The Poetry and Music of Science: Comparing Creativity in Science and Art" (Oxford UP, 2021)
|
Dec 20, 2022 |
|
Ariana Huberman. "Keeping the Mystery Alive: Jewish Mysticism in Latin American Cultural Production" (Academic Studies Press, 2022)
|
Dec 20, 2022 |
|
Chokepoint Capitalism: How Chokepoint Capitalism is Strangling Creative Industries
|
Dec 19, 2022 |
|
Sean Metzger, "The Chinese Atlantic: Seascapes and the Theatricality of Globalization" (Indiana UP, 2020)
|
Dec 16, 2022 |
|
Sean Metzger, "The Chinese Atlantic: Seascapes and the Theatricality of Globalization" (Indiana UP, 2020)
|
Dec 16, 2022 |
|
Amanda Wangwright, "The Golden Key: Women Artists and Gender Negotiations in Republican China (1911-1949)" (Brill, 2020)
|
Dec 14, 2022 |
|
Nicholas de Villiers, "Cruisy, Sleepy, Melancholy: Sexual Disorientation in the Films of Tsai Ming-Liang" (U Minnesota Press, 2022)
|
Dec 14, 2022 |
|
Edward S. Cooke, "Global Objects: Toward a Connected Art History" (Princeton UP, 2022)
|
Dec 06, 2022 |
|
Hettie Judah, "Lapidarium: The Secret Lives of Stones" (Penguin, 2022)
|
Dec 05, 2022 |
|
Andrew Spira, "Foreshadowed: Malevich’s "Black Square" and Its Precursors" (Reaktion Books, 2022)
|
Dec 03, 2022 |
|
Adam Brookes, "Fragile Cargo: The World War II Race to Save the Treasures of China's Forbidden City" (Atria Books, 2022)
|
Dec 02, 2022 |
|
Monica Juneja and Sumathi Ramaswamy, "Motherland: Pushpamala N.'s 'Woman and Nation'" (Roli Books, 2022)
|
Nov 29, 2022 |
|
Jasmine Nichole Cobb, "New Growth: The Art and Texture of Black Hair" (Duke UP, 2022)
|
Nov 25, 2022 |
|
Cajetan Iheka, "African Ecomedia: Network Forms, Planetary Politics" (Duke UP, 2021)
|
Nov 22, 2022 |
|
Caroline Roope, "The History of the London Underground Map" (Pen and Sword Transport, 2022)
|
Nov 18, 2022 |
|
Seeing Truth in Making and Unmaking Art
|
Nov 17, 2022 |
|
Women In Art Magazine: A Conversation with Laureline Latour
|
Nov 16, 2022 |
|
Ryan Poll, "Aquaman and the War Against Oceans: Comics Activism and Allegory in the Anthropocene" (U Nebraska Press, 2022)
|
Nov 14, 2022 |
|
Graham Harman, "Architecture and Objects" (U Minnesota Press, 2022)
|
Nov 04, 2022 |
|
Peter Rehberg, "Hipster Porn: Queer Masculinities and Affective Sexualities in the Fanzine 'Butt'" (Routledge, 2022)
|
Nov 04, 2022 |
|
Laura A. Frahm, "Design in Motion: Film Experiments at the Bauhaus" (MIT Press, 2022)
|
Nov 02, 2022 |
|
Joanna Ebenstein, "Frederik Ruysch and His Thesaurus Anatomicus: A Morbid Guide" (MIT Press, 2022)
|
Nov 02, 2022 |
|
David Morgan, "The Thing about Religion: An Introduction to the Material Study of Religions" (UNC Press, 2021)
|
Nov 01, 2022 |
|
Rachel Aumiller, "A Touch of Doubt: On Haptic Scepticism" (de Gruyter, 2021)
|
Oct 27, 2022 |
|
Hongwei Bao, "Queer China: Lesbian and Gay Literature and Visual Culture Under Postsocialism" (Routledge, 2020)
|
Oct 26, 2022 |
|
Leonardo da Vinci and Vassari’s "Lives of the Painters"
|
Oct 25, 2022 |
|
Yoshiko Okuyama, "Reframing Disability in Manga" (U Hawaii Press, 2020)
|
Oct 24, 2022 |
|
Eden Collinsworth, "What the Ermine Saw: The Extraordinary Journey of Leonardo Da Vinci's Most Mysterious Portrait" (Doubleday Books, 2022)
|
Oct 20, 2022 |
|
Jacque Lynn Foltyn and Laura Petican, "In Fashion: Culture, Commerce, Craft, and Identity" (Brill, 2022)
|
Oct 17, 2022 |
|
Leslie A. Geddes, "Watermarks: Leonardo Da Vinci and the Mastery of Nature" (Princeton UP, 2020)
|
Oct 17, 2022 |
|
Salim Tamari, "Camera Palaestina: Photography and Displaced Histories of Palestine" (U California Press, 2022)
|
Oct 13, 2022 |
|
Ethics, Utopia and Materiality: Glimpses of Everyday Creativity and Hope in Indonesian Papua
|
Oct 13, 2022 |
|
Bruce Robbins, "Criticism and Politics: A Polemical Introduction" (Stanford UP, 2022)
|
Oct 11, 2022 |
|
Ewa Stańczyk, "Comics and Nation: Power, Pop Culture, and Political Transformation in Poland" (Ohio State UP, 2022)
|
Oct 11, 2022 |
|
Asha Rogers, "State Sponsored Literature: Britain and Cultural Diversity After 1945" (Oxford UP, 2020)
|
Oct 06, 2022 |
|
Clémentine Deliss, "The Metabolic Museum" (Hatje Cantz, 2020)
|
Oct 04, 2022 |
|
C. Thi Nguyen, "Games: Agency as Art" (Oxford UP, 2020)
|
Oct 04, 2022 |
|
Natalie J. Goodison, "Introducing the Medieval Swan" (U Wales Press, 2022)
|
Oct 04, 2022 |
|
Bob Brier, "Tutankhamun and the Tomb That Changed the World" (Oxford UP, 2022)
|
Oct 03, 2022 |
|
Juliane Noth, "Transmedial Landscapes and Modern Chinese Painting" (Harvard UP, 2022)
|
Sep 30, 2022 |
|
Jean-Thomas Tremblay, "Breathing Aesthetics" (Duke UP, 2022)
|
Sep 29, 2022 |
|
The Women Who Transformed the National Gallery of Canada
|
Sep 28, 2022 |
|
Gregory Sholette, "The Art of Activism and the Activism of Art" (Lund Humphries, 2021)
|
Sep 27, 2022 |
|
Annie-B Parson, "The Choreography of Everyday Life" (Verso, 2022)
|
Sep 23, 2022 |
|
Olúfemi Táíwò, "Against Decolonization: Taking African Agency Seriously" (Hurst, 2022)
|
Sep 22, 2022 |
|
Paula Serafini, "Creating Worlds Otherwise: Art, Collective Action, And (Post)Extractivism" (Vanderbilt UP, 2022)
|
Sep 22, 2022 |
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Stephen F. Auth, "Pilgrimage to the Museum: Man's Search for God Through Art and Time" (Sophia Institute Press, 2022)
|
Sep 21, 2022 |
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Alex Nathanson, "A History of Solar Power Art and Design" (Routledge, 2021)
|
Sep 19, 2022 |
|
Mrill Ingram, "Loving Orphaned Space: The Art and Science of Belonging to Earth" (Temple UP, 2022)
|
Sep 16, 2022 |
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Jennifer L. Allen, "Sustainable Utopias: The Art and Politics of Hope in Germany" (Harvard UP, 2022)
|
Sep 14, 2022 |
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Pamela N. Corey, "The City in Time: Contemporary Art and Urban Form in Vietnam and Cambodia" (U Washington Press, 2021)
|
Sep 13, 2022 |
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Nicholas Gamso, "Art After Liberalism" (Columbia UP, 2022)
|
Sep 12, 2022 |
|
On Japanese Buddhist Art
|
Sep 01, 2022 |
|
On Filippo Tomasso Marinetti's "Manifesto of Futurism"
|
Sep 01, 2022 |
|
Anthony Downey, "Critique in Practice: Renzo Martens' Episode III (Enjoy Poverty)" (Sternberg Press, 2020)
|
Sep 01, 2022 |
|
Jos van Beurden, "Inconvenient Heritage: Colonial Collections and Restitution in the Netherlands and Belgium" (Amsterdam UP, 2022)
|
Aug 31, 2022 |
|
Karen Archey, "After Institutions" (Les presses du réel, 2022)
|
Aug 22, 2022 |
|
Selene Wendt, "Beyond the Door of No Return: Confronting Hidden Colonial Histories Through Contemporary Art" (The Africa Institute and Skira, 2021)
|
Aug 19, 2022 |
|
Amy Von Lintel and Bonnie Roos, "Three Women Artists: Expanding Abstract Expressionism in the American West" (Texas A&M UP, 2022)
|
Aug 17, 2022 |
|
Julia Walker, "Berlin Contemporary: Architecture and Politics After 1990" (Bloomsbury, 2021)
|
Aug 16, 2022 |
|
Andrea Karnes, "Women Painting Women" (Delmonico Books, 2022)
|
Aug 11, 2022 |
|
Jarrod Hore, "Visions of Nature: How Landscape Photography Shaped Settler Colonialism" (U California Press, 2022)
|
Aug 10, 2022 |
|
Sara Farrington, "The Lost Conversation: Interviews with an Enduring Avant-Garde" (53rd State Press, 2021)
|
Aug 10, 2022 |
|
Heide Hinrichs and Jo-Ey Tang, "Shelf Documents: Art Library as Practice" (Royal Academy of Fine Arts in Antwerp, 2021)
|
Aug 05, 2022 |
|
Kajri Jain, "Gods in the Time of Democracy" (Duke UP, 2021)
|
Aug 04, 2022 |
|
Alan John Ainsworth, "Sight Readings: Photographers and American Jazz, 1900-1960" (Intellect, 2022)
|
Aug 01, 2022 |
|
Cole Roskam, "Designing Reform: Architecture in the People's Republic of China, 1970-1992" (Yale UP, 2021)
|
Jul 26, 2022 |
|
Katharine A. Burnett and Monica Carol Miller, "The Tacky South" (LSU Press, 2022)
|
Jul 19, 2022 |
|
Monuments
|
Jul 15, 2022 |
|
Nicole Erin Morse, "Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art" (Duke UP, 2022)
|
Jul 13, 2022 |
|
Matt Reingold, "Reenvisioning Israel Through Political Cartoons: Visual Discourses During the 2018-2021 Electoral Crisis" (Lexington, 2022)
|
Jul 11, 2022 |
|
Andrew Witt, "Formulations: Architecture, Mathematics, Culture" (MIT Press, 2022)
|
Jul 08, 2022 |
|
Naman P. Ahuja, "Marg Magazine: Readings on the Temple"
|
Jul 07, 2022 |
|
Ashley Remer and Tiffany Isselhardt, "Exploring American Girlhood through 50 Historic Treasures" (Rowman and Littlefield, 2021)
|
Jul 06, 2022 |
|
Ben Davis, "Art in the After-Culture: Capitalist Crisis and Cultural Strategy" (Haymarket Books, 2022)
|
Jul 06, 2022 |
|
Mattin, "Social Dissonance" (MIT Press, 2022)
|
Jul 05, 2022 |
|
Mary Wellesley, "Hidden Hands: The Lives of Manuscripts and Their Makers" (Riverrun, 2021)
|
Jul 04, 2022 |
|
Peter Hughes, "A History of Love and Hate in 21 Statues" (Aurum Press, 2021)
|
Jul 04, 2022 |
|
Biscuit Art
|
Jul 04, 2022 |
|
Jasmina Tumbas, "I Am Jugoslovenka!: Feminist Performance Politics During and After Yugoslav Socialism" (Manchester UP, 2022)
|
Jul 01, 2022 |
|
Paul Dobryden, "The Hygienic Apparatus: Weimar Cinema and Environmental Disorder" (Northwestern UP, 2022)
|
Jul 01, 2022 |
|
Kuba Szreder, "The ABC of the Projectariat: Living and Working in a Precarious Art World" (Manchester UP, 2021)
|
Jul 01, 2022 |
|
Elena Tajima Creef, "Shadow Traces: Seeing Japanese/American and Ainu Women in Photographic Archives" (U Illinois Press, 2022)
|
Jun 17, 2022 |
|
Lilianne Milgrom, "L' Origine: The Secret Life of the World's Most Erotic Masterpiece" (Girl Friday Books, 2021)
|
Jun 15, 2022 |
|
Wanda M. Corn, "Georgia O'Keeffe: Living Modern" (Prestel Publishing, 2017)
|
Jun 14, 2022 |
|
Sarah Teasley, "Designing Modern Japan" (Reaktion Books, 2022)
|
Jun 13, 2022 |
|
Sherri Irvin, "Immaterial: Rules in Contemporary Art" (Oxford UP, 2022)
|
Jun 10, 2022 |
|
Yi Gu, "Chinese Ways of Seeing and Open-Air Painting" (Harvard UP, 2021)
|
Jun 10, 2022 |
|
Hentyle Yapp, "Minor China: Method, Materialisms, and the Aesthetic" (Duke UP, 2021)
|
Jun 09, 2022 |
|
Mary Beth Willard, "Why It's Ok to Enjoy the Work of Immoral Artists" (Routledge, 2021)
|
Jun 08, 2022 |
|
Fleur Watson, "The New Curator: Exhibiting Architecture and Design" (Routledge, 2021)
|
Jun 07, 2022 |
|
Joshua Citarella, "Politigram and the Post-Left" (Blurb, 2021)
|
Jun 07, 2022 |
|
Lisa Blackmore and Liliana Gómez, "Liquid Ecologies in Latin American and Caribbean Art" (Routledge, 2020)
|
Jun 07, 2022 |
|
Andrew Shortland and Patrick Degryse, "When Art Isn’t Real: The World's Most Controversial Objects under Investigation" (Leuven UP, 2022)
|
Jun 03, 2022 |
|
Shara Rambarran, "Virtual Music: Sound, Music, and Image in the Digital Era" (Bloomsbury, 2021)
|
Jun 03, 2022 |
|
Paul Galvez, "Courbet's Landscapes: The Origins of Modern Painting" (Yale UP, 2022)
|
Jun 02, 2022 |
|
Realism
|
Jun 02, 2022 |
|
On Nibiiro Art, the Dalai Lama, and Buddhism
|
May 31, 2022 |
|
Amanda Phillips, "Sea Change: Ottoman Textiles Between the Mediterranean and the Indian Ocean" (U California Press, 2021)
|
May 27, 2022 |
|
Christopher J. Gilbert, "Caricature and National Character: The United States at War" (Pennsylvania State UP, 2021)
|
May 26, 2022 |
|
Farah Nayeri, "Takedown: Art and Power in the Digital Age" (Astra Publishing, 2022)
|
May 24, 2022 |
|
Autotheory
|
May 23, 2022 |
|
Catherine McCormack, "Women in the Picture: What Culture Does with Female Bodies" (Norton, 2021)
|
May 23, 2022 |
|
Elizabeth Oyler and Katherine Saltzman-Li, "Cultural Imprints: War and Memory in the Samurai Age" (Cornell UP, 2022)
|
May 20, 2022 |
|
Mike Watson, "The Memeing of Mark Fisher: How the Frankfurt School Foresaw Capitalist Realism and What to Do about It" (Zero Books, 2021)
|
May 18, 2022 |
|
Paddy Docherty, "Blood and Bronze: The British Empire and the Sack of Benin" (Hurst, 2022)
|
May 17, 2022 |
|
Sandra Johnston, et al., "Actional Poetics-Ash She He: The Performance Actuations of Alastair MacLennan, 1971-2020" (Intellect, 2022)
|
May 16, 2022 |
|
Samuel J. Redman, "Prophets and Ghosts: The Story of Salvage Anthropology" (Harvard UP, 2021)
|
May 11, 2022 |
|
The Problem with Museums: A Conversation with Georgina Adam and Nizan Shaked
|
May 10, 2022 |
|
Glenda E. Gilmore, "Romare Bearden in the Homeland of His Imagination: An Artist's Reckoning with the South" (UNC Press, 2022)
|
May 10, 2022 |
|
Computational Creativity
|
May 06, 2022 |
|
Mimesis
|
May 04, 2022 |
|
The Future of Statues: A Conversation with Alex Von Tunzelmann
|
May 03, 2022 |
|
Michael Mackenzie, "Otto Dix and the First World War: Grotesque Humor, Camaraderie and Remembrance" (Peter Lang, 2019)
|
May 03, 2022 |
|
Paul Geary, "Experimental Dining: Performance, Experience and Ideology in Contemporary Creative Restaurants" (Intellect Books, 2022)
|
May 02, 2022 |
|
What Remains: Textiles from Tuol Sleng
|
Apr 22, 2022 |
|
Ayelet Zohar and Alison J. Miller, "The Visual Culture of Meiji Japan: Negotiating the Transition to Modernity" (Routledge, 2021)
|
Apr 21, 2022 |
|
Emmelyn Butterfield-Rosen, "Modern Art and the Remaking of Human Disposition" (U Chicago Press, 2021)
|
Apr 21, 2022 |
|
Delinda Collier, "Media Primitivism: Technological Art in Africa" (Duke UP, 2020)
|
Apr 20, 2022 |
|
Lisa Reilly, "The Invention of Norman Visual Culture: Art, Politics, and Dynastic Ambition" (Cambridge UP, 2020)
|
Apr 20, 2022 |
|
Charles Dellheim, "Belonging and Betrayal: How Jews Made the Art World Modern" (Brandeis UP, 2021)
|
Apr 19, 2022 |
|
Hilton Judin, "Architecture, State Modernism and Cultural Nationalism in the Apartheid Capital" (Routledge, 2021)
|
Apr 19, 2022 |
|
Paul R. Deslandes, "The Culture of Male Beauty in Britain: From the First Photographs to David Beckham" (U Chicago Press, 2021)
|
Apr 19, 2022 |
|
Anadelia Romo, "Selling Black Brazil: Race, Nation, and Visual Culture in Salvador, Bahia" (U Texas Press, 2022)
|
Apr 13, 2022 |
|
Autonomous Work of Art
|
Apr 12, 2022 |
|
Josef Benson and Doug Singsen, "Bandits, Misfits, and Superheroes: Whiteness and Its Borderlands in American Comics and Graphic Novels" (UP of Mississippi, 2022)
|
Apr 12, 2022 |
|
David Maroto, "The Artist's Novel: A New Medium" (Mousse, 2020)
|
Apr 11, 2022 |
|
Manu Pillai, "False Allies: India’s Maharajahs in the Age of Ravi Varma" (Juggernaut, 2021)
|
Apr 07, 2022 |
|
Aura
|
Apr 04, 2022 |
|
Lucy Donkin, "Standing on Holy Ground in the Middle Ages" (Cornell UP, 2022)
|
Apr 01, 2022 |
|
Abigail Susik, "Surrealist Sabotage and the War on Work" (Manchester UP, 2021)
|
Mar 31, 2022 |
|
Erin L. Thompson, "Smashing Statues: The Rise and Fall of America's Public Monuments" (Norton, 2022)
|
Mar 30, 2022 |
|
Hannah Star Rogers, "Routledge Handbook of Art, Science, and Technology Studies" (Routledge, 2021))
|
Mar 30, 2022 |
|
Ilan Kelman, "Antarcticness: Inspirations and Imaginaries" (UCL Press, 2022)
|
Mar 29, 2022 |
|
On Japanese Buddhist Art
|
Mar 25, 2022 |
|
Eiren L. Shea, "Mongol Court Dress, Identity Formation, and Global Exchange" (Routledge, 2020)
|
Mar 25, 2022 |
|
Elayne Oliphant, "The Privilege of Being Banal: Art, Secularism, and Catholicism in Paris" (UChicago Press, 2021)
|
Mar 25, 2022 |
|
Lily E. Hirsch, "Weird Al: Seriously" (Rowman and Littlefield, 2020)
|
Mar 17, 2022 |
|
On Bushi Sculpting, Filmmaking, and "Carving the Divine"
|
Mar 16, 2022 |
|
Paul Reitter and Chad Wellmon, "Permanent Crisis: The Humanities in a Disenchanted Age" (U Chicago Press, 2021)
|
Mar 14, 2022 |
|
Nadir Lahiji, "Architecture, Philosophy, and the Pedagogy of Cinema: From Benjamin to Badiou" (Routledge, 2021)
|
Mar 11, 2022 |
|
Dana Stevens, "Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century" (Simon and Schuster, 2022)
|
Mar 09, 2022 |
|
Sarah-Neel Smith, "Metrics of Modernity: Art and Development in Postwar Turkey" (U California Press, 2022)
|
Mar 08, 2022 |
|
Edward Tyerman, "Internationalist Aesthetics: China and Early Soviet Culture" (Columbia UP, 2021)
|
Mar 08, 2022 |
|
Celia Stahr, "Frida in America: The Creative Awakening of a Great Artist" (St. Martin's Press, 2020)
|
Mar 07, 2022 |
|
Julian Stallabrass, "Killing for Show: Photography, War, and the Media in Vietnam and Iraq" (Rowman and Littlefield, 2020)
|
Mar 04, 2022 |
|
3.3 In the Editing Room with Ruth Ozeki and Rebecca Evans (EH)
|
Mar 03, 2022 |
|
Michael Merrill, "Louis Kahn: The Importance of Drawing" (Lars Muller Publishers, 2020)
|
Mar 03, 2022 |
|
Candace M. Keller, "Imaging Culture: Photography in Mali, West Africa" (Indiana UP, 2021)
|
Feb 28, 2022 |
|
Anneka Lenssen, "Beautiful Agitation: Modern Painting and Politics in Syria" (U California Press, 2020)
|
Feb 28, 2022 |
|
Kerry Dean Carso, "Follies in America: A History of Garden and Park Architecture" (Cornell UP, 2021)
|
Feb 23, 2022 |
|
Kristina Wilson, "Mid-Century Modernism and the American Body: Race, Gender, and the Politics of Power in Design" (Princeton UP, 2021)
|
Feb 22, 2022 |
|
Keller Easterling, "Medium Design: Knowing How to Work on the World" (Verso, 2021)
|
Feb 17, 2022 |
|
Michelle Millar Fisher and Amber Winick, "Designing Motherhood: Things that Make and Break Our Births" (MIT Press, 2021)
|
Feb 15, 2022 |
|
Peggy Wang, "The Future History of Contemporary Chinese Art" (U Minnesota Press, 2021)
|
Feb 14, 2022 |
|
Susan Jolliffe Napier, "Miyazakiworld: A Life in Art" (Yale UP, 2018)
|
Feb 08, 2022 |
|
Jonathan Fenderson, "Building the Black Arts Movement: Hoyt Fuller and the Cultural Politics of the 1960s" (U Illinois Press, 2019)
|
Feb 07, 2022 |
|
Kimberly Cassibry, "Destinations in Mind: Portraying Places on the Roman Empire's Souvenirs" (Oxford UP, 2021)
|
Feb 04, 2022 |
|
Simon Critchley, "Bald: 35 Philosophical Short Cuts" (Yale UP, 2021)
|
Feb 03, 2022 |
|
Grant Tavinor, "The Aesthetics of Virtual Reality" (Routledge, 2021)
|
Jan 28, 2022 |
|
Midori Yamamura, "Yayoi Kusama: Inventing the Singular" (MIT Press, 2015)
|
Jan 28, 2022 |
|
Jeffrey H. Jackson, "Paper Bullets: Two Artists Who Risked Their Lives to Defy the Nazis" (Algonquin Books, 2020)
|
Jan 28, 2022 |
|
Bojana Videkanic, "Nonaligned Modernism: Socialist Postcolonial Aesthetics in Yugoslavia, 1945-1985" (McGill-Queen's UP, 2020)
|
Jan 27, 2022 |
|
Samuel J. Spinner, "Jewish Primitivism" (Stanford UP, 2021)
|
Jan 26, 2022 |
|
Eleanor Janega and Neil Max Emmanuel, "The Middle Ages: A Graphic History" (Icon Books, 2020)
|
Jan 25, 2022 |
|
Howard Philips Smith, "A Sojourn in Paradise: Jack Robinson in 1950s New Orleans" (UP of Mississippi, 2020)
|
Jan 24, 2022 |
|
Sarah Jane Cervenak, "Black Gathering: Art, Ecology, Ungiven Life" (Duke UP, 2021)
|
Jan 21, 2022 |
|
Aleksandra Prica, "Decay and Afterlife: Form, Time, and the Textuality of Ruins, 1100 to 1900" (U Chicago Press, 2021)
|
Jan 21, 2022 |
|
Sanjukta Sunderason, "Partisan Aesthetics: Modern Art and India's Long Decolonization" (Stanford UP, 2020)
|
Jan 18, 2022 |
|
Ginger Nolan, "Savage Mind to Savage Machine: Racial Science and Twentieth-Century Design" (U Minnesota Press, 2021)
|
Jan 18, 2022 |
|
Michael Newall, "A Philosophy of the Art School" (Routledge, 2021)
|
Jan 13, 2022 |
|
Andrew J. Kunka, "The Life and Comics of Howard Cruse: Taking Risks in the Service of Truth" (Rutgers UP, 2021)
|
Jan 12, 2022 |
|
Gil Z. Hochberg, "Becoming Palestine: Toward an Archival Imagination of the Future" (Duke UP, 2021)
|
Jan 12, 2022 |
|
Miranda Campbell, "Reimagining the Creative Industries: Youth Creative Work, Communities of Care" (Routledge, 2021)
|
Jan 11, 2022 |
|
Philip J. Deloria, "Becoming Mary Sully: Toward an American Indian Abstract" (U Washington Press, 2019)
|
Jan 10, 2022 |
|
David Karmon, "Architecture and the Senses in the Italian Renaissance: The Varieties of Architectural Experience" (Cambridge UP, 2021)
|
Jan 07, 2022 |
|
Export China: Reimagining Chineseness through the Ceramics Trade in Southeast Asia
|
Jan 07, 2022 |
|
Anna Watkins Fisher, "The Play in the System: The Art of Parasitical Resistance" (Duke UP, 2020)
|
Jan 06, 2022 |
|
D. Fairchild Ruggles, "Tree of Pearls: The Extraordinary Architectural Patronage of the 13th-Century Egyptian Slave-Queen Shajar Al-Durr" (Oxford UP, 2020)
|
Jan 05, 2022 |
|
Dominique Townsend, "A Buddhist Sensibility: Aesthetic Education at Tibet's Mindröling Monastery" (Columbia UP, 2021)
|
Jan 03, 2022 |
|
Carol Diehl, "Banksy: Completed" (MIT Press, 2021)
|
Dec 30, 2021 |
|
Anna Bokov, "Avant-Garde as Method: Vkhutemas and the Pedagogy of Space, 1920-1930" (Park Publishing, 2020)
|
Dec 29, 2021 |
|
Jeffrey Brooks, "The Firebird and the Fox: Russian Culture under Tsars and Bolsheviks" (Cambridge UP, 2019)
|
Dec 22, 2021 |
|
Anna McSweeney, "From Granada to Berlin: The Alhambra Cupola" (Kettler Verlag, 2020)
|
Dec 21, 2021 |
|
Aurelia Campbell, "What the Emperor Built: Architecture and Empire in the Early Ming" (U Washington Press, 2020)
|
Dec 20, 2021 |
|
Rayna Denison, "Anime: A Critical Introduction" (Bloomsbury, 2015)
|
Dec 16, 2021 |
|
Eike Exner, "Comics and the Origins of Manga: A Revisionist History" (Rutgers UP, 2021)
|
Dec 15, 2021 |
|
Winka Dubbeldam, "Strange Objects, New Solids and Massive Forms" (Actar, 2022)
|
Dec 09, 2021 |
|
Jennifer Ferng and Lauren R. Cannady, "Crafting Enlightenment: Artisanal Histories and Transnational Networks" (Voltaire Foundation, 2021)
|
Dec 08, 2021 |
|
Philip Larratt-Smith and Juliet Mitchell, "Louise Bourgeois, Freud's Daughter" (Yale UP, 2021)
|
Dec 08, 2021 |
|
Aldona Jonaitis, "Art of the Northwest Coast," Second Edition (U Washington Press, 2021)
|
Dec 06, 2021 |
|
A Conversation with Anne F. Harris, Medieval Art Historian and President of Grinnell College
|
Dec 01, 2021 |
|
John Holmes McDowell et al., "Performing Environmentalisms: Expressive Culture and Ecological Change" (U Illinois Press, 2021)
|
Nov 30, 2021 |
|
Kim Charnley, "Sociopolitical Aesthetics: Art, Crisis and Neoliberalism" (Bloomsbury, 2021)
|
Nov 30, 2021 |
|
Bahia Shehab and Haytham Nawar, "A History of Arab Graphic Design" (AU of Cairo Press, 2020)
|
Nov 26, 2021 |
|
Molly Thomasy Blasing, "Snapshots of the Soul: Photo-Poetic Encounters in Modern Russian Culture" (Cornell UP, 2021)
|
Nov 23, 2021 |
|
Svitlana Biedarieva, "Contemporary Ukrainian and Baltic Art" (Ibidem Press, 2021)
|
Nov 16, 2021 |
|
Karla Huebner, "Magnetic Woman: Toyen and the Surrealist Erotic" (U Pittsburgh Press, 2020)
|
Nov 16, 2021 |
|
Adam Lehrer, "Communions" (Hyperidean Press, 2021)
|
Nov 12, 2021 |
|
Katja Praznik, "Art Work: Invisible Labour and the Legacy of Yugoslav Socialism" (U Toronto Press, 2021)
|
Nov 11, 2021 |
|
Genevieve Yue, "Girl Head: Feminism and Film Materiality" (Fordham UP, 2020)
|
Nov 03, 2021 |
|
Hsuan L. Hsu, "The Smell of Risk: Environmental Disparities and Olfactory Aesthetics" (NYU Press, 2020)
|
Nov 02, 2021 |
|
Courtney J. Campbell and Allegra Giovine, "Empty Spaces: Perspectives on Emptiness in Modern History" (U London Press, 2019)
|
Oct 28, 2021 |
|
Hongjian Wang, "Decadence in Modern Chinese Literature and Culture: A Comparative and Literary-Historical Reevaluation" (Cambria Press, 2020)
|
Oct 26, 2021 |
|
Justin Beal, "Sandfuture" (MIT Press, 2021)
|
Oct 22, 2021 |
|
Peter Toohey, "Hold On: The Life, Science, and Art of Waiting" (Oxford UP, 2020)
|
Oct 20, 2021 |
|
Matthew Fuller, "Investigative Aesthetics: Conflicts and Commons in the Politics of Truth" (Verso, 2021)
|
Oct 19, 2021 |
|
David Kunzle, "Rebirth of the English Comic Strip: A Kaleidoscope, 1847-1870" (UP of Mississippi, 2021)
|
Oct 18, 2021 |
|
Alana Jelinek, "Between Discipline and a Hard Place: The Value of Contemporary Art" (Bloomsbury, 2020)
|
Oct 13, 2021 |
|
M. E. J. Huff and Carole Ann King, "Alabama Quilts: Wilderness Through World War II, 1682-1950" (UP of Mississippi, 2020)
|
Oct 12, 2021 |
|
Christian Parreno, "Boredom, Architecture, and Spatial Experience" (Bloomsbury, 2021)
|
Oct 07, 2021 |
|
Anne Bogart, "The Art of Resonance" (Methuen Drama, 2021)
|
Oct 06, 2021 |
|
Hannah Turner, "Cataloguing Culture: Legacies of Colonialism in Museum Documentation" (UBC Press, 2020)
|
Oct 05, 2021 |
|
Antoine Picon, "The Materiality of Architecture" (U Minnesota Press, 2021)
|
Oct 01, 2021 |
|
Art, Irrepressible: Titian, Comics and Hip Hop
|
Sep 29, 2021 |
|
Dan Fox, "Limbo" (Fitzcarraldo, 2019)
|
Sep 27, 2021 |
|
It's a Mad, Mad, Mad, Mad World: Chinese-Inspired Architecture
|
Sep 22, 2021 |
|
Susanna Phillips Newbury, "The Speculative City: Art, Real Estate, and the Making of Global Los Angeles" (U Minnesota Press, 2021)
|
Sep 17, 2021 |
|
Alexander Wragge-Morley, "Aesthetic Science: Representing Nature in the Royal Society of London, 1650-1720" (U Chicago Press, 2020)
|
Sep 17, 2021 |
|
Amelia Jones, "In Between Subjects: A Critical Genealogy of Queer Performance" (Routledge, 2020)
|
Sep 03, 2021 |
|
Thomas O. Haakenson, "Grotesque Visions: The Science of Berlin Dada" (Bloomsbury, 2021)
|
Aug 31, 2021 |
|
Michael Benedikt, "Architecture Beyond Experience" (Applied Research & Design, 2020)
|
Aug 17, 2021 |
|
Hannah Wohl, "Bound by Creativity: How Contemporary Art Is Created and Judged" (U Chicago Press, 2021)
|
Aug 13, 2021 |
|
Emilia Bachrach, "In the Service of Krishna: Illustrating the Lives of Eighty-Four Vaishnavas from a 1702 Manuscript" (Mapin, 2020)
|
Aug 12, 2021 |
|
Julia Jarcho, "Writing and the Modern Stage: Theater beyond Drama" (Cambridge UP, 2017)
|
Aug 11, 2021 |
|
Patricia Bickers, "The Ends of Art Criticism" (Lund Humphries Publishers, 2021)
|
Aug 06, 2021 |
|
Frans-Willem Korsten, "Art as an Interface of Law and Justice: Affirmation, Disturbance, Disruption" (Hart Publishing, 2021)
|
Aug 04, 2021 |
|
Exploring Perspectives on Imagination and Art through the Lens of Contemporary Theory
|
Jul 28, 2021 |
|
Simon Ferdinand, "Mapping Beyond Measure: Art, Cartography, and the Space of Global Modernity" (U Nebraska Press, 2019)
|
Jul 27, 2021 |
|
Lisa Heschong, "Visual Delight in Architecture: Visual Delight in Architecture" (Routledge, 2021)
|
Jul 23, 2021 |
|
Deborah Willis, "The Black Civil War Soldier: A Visual History of Conflict and Citizenship" (NYU Press, 2021)
|
Jul 21, 2021 |
|
Nadya Bair, "The Decisive Network: Magnum Photos and the Postwar Image Market" (U California Press, 2020)
|
Jul 20, 2021 |
|
Cynthia J. Becker, "Blackness in Morocco: Gnawa Identity Through Music and Visual Culture" (U Minnesota Press, 2020)
|
Jul 16, 2021 |
|
Under the Arch of Titus: A Gateway to the Jewish Community
|
Jul 14, 2021 |
|
Ruth Ahnert et al., "The Network Turn: Changing Perspectives in the Humanities" (Cambridge UP, 2021)
|
Jul 14, 2021 |
|
Diana Seave Greenwald, "Painting by Numbers: Data-Driven Histories of Nineteenth-Century Art" (Princeton UP, 2021)
|
Jul 09, 2021 |
|
Grace Ong Yan, "Building Brands: The Architecture of Corporate Modernism" (Lund Humphries, 2021)
|
Jul 08, 2021 |
|
Christopher Wood, "A History of Art History" (Princeton UP, 2019)
|
Jul 07, 2021 |
|
Katarzyna Murawska-Muthesius, "Imaging and Mapping Eastern Europe: Imaging and Mapping Eastern Europe" (Routledge, 2021)
|
Jul 06, 2021 |
|
Frank Burke et al., "A Companion to Federico Fellini" (Wiley-Blackwell, 2020)
|
Jul 05, 2021 |
|
Sergio Lopez-Pineiro, "A Glossary of Urban Voids" (Jovis Verlag, 2020)
|
Jul 05, 2021 |
|
Ruth Mazo Karras, "Thou Art the Man: The Masculinity of David in the Christian and Jewish Middle Ages" (U Pennsylvania Press, 2021)
|
Jul 02, 2021 |
|
Assaf Shelleg, "Theological Stains: Art Music and the Zionist Project" (Oxford UP, 2020)
|
Jul 02, 2021 |
|
Stuart Walker, "Design and Spirituality: A Philosophy of Material Cultures" (Routledge, 2021)
|
Jun 30, 2021 |
|
Caroline Seymour-Jorn, "Creating Spaces of Hope: Young Artists and the New Imagination in Egypt" (AU in Cairo Press, 2021)
|
Jun 30, 2021 |
|
Nuala Morse, "The Museum as a Space of Social Care" (Routledge, 2020)
|
Jun 29, 2021 |
|
Samuel Smiles, "The Late Works of J. M. W. Turner: The Artist and His Critics" (Paul Mellon Centre, 2020)
|
Jun 18, 2021 |
|
Jessica Helfand, "Face: A Visual Odyssey" (MIT Press, 2019)
|
Jun 17, 2021 |
|
Elizabeth Emery, "Reframing Japonisme: Women and the Asian Art Market in Nineteenth-Century France, 1853-1914" (Bloomsbury, 2020)
|
Jun 17, 2021 |
|
François Matarasso, "A Restless Art: How Participation Won, and Why it Matters" (CGF, 2019)
|
Jun 16, 2021 |
|
Alexander Nemerov, "Fierce Poise: Helen Frankenthaler and 1950s New York" (Penguin Press, 2021)
|
Jun 14, 2021 |
|
Donna Stein, "The Empress and I: How an Ancient Empire Collected, Rejected and Rediscovered Modern Art" (Skira, 2020)
|
Jun 09, 2021 |
|
W. Patrick McCray, "Making Art Work: How Cold War Engineers and Artists Forged a New Creative Culture" (MIT Press, 2020)
|
Jun 09, 2021 |
|
Martha Moffitt Peacock, "Heroines, Harpies, and Housewives: Imaging Women of Consequence in the Dutch Golden Age" (Brill, 2020)
|
Jun 08, 2021 |
|
Mary D. Garrard, "Artemisia Gentileschi and Feminism in Early Modern Europe" (Reaktion Books, 2020)
|
Jun 08, 2021 |
|
Sven Saaler, "Men in Metal: A Topography of Public Bronze Statuary in Modern Japan" (Brill, 2020)
|
Jun 08, 2021 |
|
Louis Menand, "The Free World: Art and Thought in the Cold War" (FSG, 2021)
|
Jun 07, 2021 |
|
Suzanne L. Marchand, "Porcelain: A History from the Heart of Europe" (Princeton UP, 2020)
|
Jun 04, 2021 |
|
Carla Diana, "My Robot Gets Me: How Social Design Can Make New Products More Human" (Harvard Business, 2021)
|
Jun 03, 2021 |
|
Marisol D'Andrea, "The Power of Artistic Thinking: Think Like an Artist and Innovate" (CGRN, 2019)
|
Jun 01, 2021 |
|
Heba Y. Amin, "The General's Stork" (Sternberg Press, 2020)
|
May 25, 2021 |
|
Nicole Tersigni, "Men to Avoid in Art and Life" (Chronicle Books, 2020)
|
May 20, 2021 |
|
Adam Rogers, "Full Spectrum: How the Science of Color Made Us Modern" (Houghton Mifflin, 2021)
|
May 17, 2021 |
|
Simon Unwin, "Analysing Architecture: The Universal Language of Place-Making" (Routledge, 2020)
|
May 17, 2021 |
|
Louis Nelson, "Mosaic: War Monument Mystery" (239 Productions, 2021)
|
May 14, 2021 |
|
Diana Souhami, "No Modernism Without Lesbians" (Head of Zeus Book, 2020)
|
May 13, 2021 |
|
Scott Berkun, "How Design Makes the World" (2020)
|
May 11, 2021 |
|
Steve Dixon, "Cybernetic-Existentialism: Freedom, Systems, and Being-for-Others in Contemporary Arts and Performance" (Routledge, 2020)
|
May 11, 2021 |
|
Philip Ball, "The Beauty of Chemistry: Art, Wonder, and Science" (MIT Press, 2021)
|
May 10, 2021 |
|
Michael L. Siciliano, "Creative Control: The Ambivalence of Work in the Culture Industries" (Columbia UP, 2021)
|
May 06, 2021 |
|
Clemena Antonova, "Visual Thought in Russian Religious Philosophy: Pavel Florensky's Theory of the Icon" (Routledge, 2019)
|
May 05, 2021 |
|
Danielle Child, "Working Aesthetics: Labour, Art and Capitalism" (Bloomsbury Academic, 2019)
|
Apr 29, 2021 |
|
Catherine E. McKinley, "The African Lookbook: A Visual History of 100 Years of African Womanhood" (Bloomsbury, 2021)
|
Apr 29, 2021 |
|
K. Bunn-Marcuse and A. Jonaitis, "Unsettling Native Art Histories on the Northwest Coast" (U Washington Press, 2020)
|
Apr 27, 2021 |
|
R. Armstrong and R. Hughes "The Art of Experiment: Post-Pandemic Knowledge Practices for 21st-Century Architecture and Design" (Routledge, 2020)
|
Apr 19, 2021 |
|
W. David O. Taylor, "Glimpses of the New Creation: Worship and the Formative Power of the Arts" (Eerdmans, 2019)
|
Apr 09, 2021 |
|
Reshaping the Lost Wax Casting Technique: The Methods of Medardo Rosso
|
Apr 07, 2021 |
|
Helen Zughaib and Elia Zughaib, "Stories My Father Told Me: Memories of a Childhood in Syria and Lebanon" (Cune Press, 2020)
|
Apr 07, 2021 |
|
M. I. Devine, "Warhol's Mother's Pantry: Art, America, and the Mom in Pop" (Mad Creek Books, 2020)
|
Apr 02, 2021 |
|
James Elkins and Erna Fiorentini, "Visual Worlds: Looking, Images, Visual Disciplines" (Oxford UP, 2020)
|
Apr 01, 2021 |
|
Aaron Tugendhaft, "The Idols of ISIS: From Assyria to the Internet" (U Chicago Press, 2020)
|
Mar 25, 2021 |
|
Eric Hayot, "Humanist Reason: A History. An Argument. A Plan" (Columbia UP, 2021)
|
Mar 17, 2021 |
|
Francoise Bollack, "Material Transfers: Metaphor, Craft, and Place in Contemporary Architecture" (Monacelli Press, 2020)
|
Mar 12, 2021 |
|
Peter Langland-Hassan, "Explaining Imagination" (Oxford UP, 2020)
|
Mar 10, 2021 |
|
Amanda Brickell Bellows, "American Slavery and Russian Serfdom in the Post-Emancipation Imagination" (UNC Press, 2020)
|
Mar 10, 2021 |
|
J. L. Heilbron, "The Ghost of Galileo: In a Forgotten Painting from the English Civil War" (Oxford UP, 2021)
|
Mar 10, 2021 |
|
Morton Schoolman, "A Democratic Enlightenment: The Reconciliation Image, Aesthetic Education, Possible Politics" (Duke UP, 2020)
|
Mar 04, 2021 |
|
J. Jay Garfinkel, "Heirlooms : Memory and Cherished Objects" (One Family Foundation, 2020)
|
Mar 01, 2021 |
|
Fiona Greenland, "Ruling Culture: Art Police, Tomb Raiders, and the Rise of Cultural Power in Italy" (U of Chicago Press, 2021)
|
Feb 26, 2021 |
|
A Thai Contemporary Artist on Identity, Power, and the Space In-Between: A Discussion with Phaptawan Suwannakudt
|
Feb 25, 2021 |
|
Luc Sante, "Maybe the People Would Be the Times" (Verse Chorus Press, 2020)
|
Feb 25, 2021 |
|
Enrico Bonadio, "Protecting Art in the Street: A Guide to Copyright in Street Art and Graffiti" (Dokument Forlag, 2020)
|
Feb 25, 2021 |
|
William C. Brumfield, "Journeys through the Russian Empire: The Photographic Legacy of Sergey Prokudin-Gorsky" (Duke UP, 2020)
|
Feb 15, 2021 |
|
Tavia Nyong’o, "Afro-Fabulations: The Queer Drama of Black Life" (NYU Press, 2028)
|
Feb 05, 2021 |
|
Jonas Staal, "Propaganda Art in the 21st Century" (MIT Press, 2019)
|
Feb 04, 2021 |
|
Leigh Claire La Berge, "Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art" (Duke UP, 2019)
|
Jan 28, 2021 |
|
GerShun Avilez, "Black Queer Freedom: Spaces of Injury and Paths of Desire" (U Illinois Press, 2020)
|
Jan 26, 2021 |
|
David C. Lane, "Other End of the Needle: Continuity and Change Among Tattoo Workers" (Rutgers UP, 2020)
|
Jan 19, 2021 |
|
Rachel Berenson Perry, "The Life and Art of Felrath Hines: From Dark to Light" (Indiana UP, 2019)
|
Jan 15, 2021 |
|
Janis Tomlinson, "Goya: A Portrait of the Artist" (Princeton UP, 2020)
|
Jan 15, 2021 |
|
Rob DeSalle, "A Natural History of Color: The Science Behind What We See and How We See it" (Pegasus Books, 2020)
|
Jan 13, 2021 |
|
Tom Holert, "Knowledge Beside Itself: Contemporary Art's Epistemic Politics" (Sternberg Press, 2020)
|
Jan 12, 2021 |
|
Myroslav Shkandrij, "Avant-Garde Art in Ukraine, 1910-1930: Contested Memory" (Academic Studies Press, 2019)
|
Dec 30, 2020 |
|
Robin Mitchell, "Vénus Noire: Black Women and Colonial Fantasies in Nineteenth-Century France" (U Georgia Press, 2020)
|
Dec 29, 2020 |
|
Sexuality, Gender, and Race in the Middle Ages: A Discussion with Roland Betancourt
|
Dec 15, 2020 |
|
Peter Gordon and Juan José Morales, "Painter and Patron: The Maritime Silk Road in the Códice Casanatense" (Abbreviated Press, 2020)
|
Nov 30, 2020 |
|
Philip D. Plowright, "Making Architecture Through Being Human: A Handbook of Design Ideas" (Routledge, 2019)
|
Nov 27, 2020 |
|
Ara H. Merjian, "Against the Avant-Garde: Pier Paolo Pasolini, Contemporary Art, and Neocapitalism" (U Chicago Press, 2020)
|
Nov 18, 2020 |
|
Marisa Anne Bass, "Insect Artifice: Nature and Art in the Dutch Revolt" (Princeton UP, 2019)
|
Nov 17, 2020 |
|
Charlotte Eubanks, "The Art of Persistence: Akamatsu Toshiko and the Visual Cultures of Transwar Japan" (U Hawaii Press, 2019)
|
Nov 16, 2020 |
|
Charles L. Leavitt IV, "Italian Neorealism: A Cultural History" (U Toronto Press, 2020)
|
Nov 16, 2020 |
|
Arlene Davila, "Latinx Art: Artists, Markets, and Politics" (Duke UP, 2020)
|
Nov 13, 2020 |
|
Anne Gerritsen, "The City of Blue and White: Chinese Porcelain and the Early Modern World" (Cambridge UP, 2020)
|
Nov 12, 2020 |
|
Stephen H. Whiteman, "Where Dragon Veins Meet: The Kangxi Emperor and His Estate at Rehe" (U Washington Press, 2020)
|
Nov 11, 2020 |
|
C. Thi Nguyen, "Games: Agency as Art" (Oxford UP, 2020)
|
Nov 10, 2020 |
|
Silvie Jacobi, "Art Schools and Place: Geographies of Emerging Artists and Art Scenes" (Rowman and Littlefield, 2020)
|
Nov 03, 2020 |
|
Sianne Ngai, "Theory of the Gimmick: Aesthetic Judgment and Capitalist Form" (Harvard UP, 2020)
|
Oct 20, 2020 |
|
Jessica Zychowicz, "Superfluous Women: Art, Feminism, and Revolution in Twenty-First Century Ukraine" (U Toronto Press, 2020)
|
Oct 16, 2020 |
|
William P. Seeley, "Attentional Engines: A Perceptual Theory of the Arts" (Oxford UP, 2020)
|
Oct 12, 2020 |
|
Dave O’Brien, "Culture is Bad for You: Inequality in the Cultural and Creative Industries" (Manchester UP, 2020)
|
Oct 12, 2020 |
|
Jill Richards, "The Fury Archives: Female Citizenship, Human Rights, and the International Avant-Gardes" (Columbia UP, 2020)
|
Oct 08, 2020 |
|
Prita Meier, "Swahili Port Cities: The Architecture of Elsewhere" (Indiana UP, 2016)
|
Oct 05, 2020 |
|
Tamar Herzig, "A Convert’s Tale: Art, Crime, and Jewish Apostasy in Renaissance Italy" (Harvard UP, 2019)
|
Sep 04, 2020 |
|
Ronak K. Kapadia, "Insurgent Aesthetics: Security and the Queer Life of the Forever War"(Duke UP, 2019)
|
Sep 03, 2020 |
|
Beth Pickens, "Your Art Will Save Your Life" (The Feminist Press at CUNY, 2018)
|
Aug 21, 2020 |
|
T. Fischer and C.M. Herr, "Design Cybernetics: Navigating the New" (Springer, 2019)
|
Aug 20, 2020 |
|
Madina Tlostanova, "What Does it Mean to be Post-Soviet? Decolonial Art from the Ruins of the Soviet Empire" (Duke UP, 2018)
|
Aug 14, 2020 |
|
Vesna Kittelson, "Lost and Found in America" (U Minnesota Press, 2020)
|
Aug 13, 2020 |
|
Karen Patel, "The Politics of Expertise in Cultural Labour: Arts, Work and Inequalities" (Rowman and Littlefield, 2020)
|
Aug 12, 2020 |
|
Nozomi Naoi, "Yumeji Modern: Designing the Everyday in Twentieth-Century Japan" (U Washington Press, 2020)
|
Aug 05, 2020 |
|
Linda Goddard, "Savage Tales: The Writings of Paul Gauguin" (Yale UP, 2019)
|
Jul 31, 2020 |
|
Brett Dakin, "American Daredevil: Comics, Communism, and The Battles of Lev Gleason" (Chapterhouse Publishing, 2020)
|
Jul 30, 2020 |
|
Junior Tomlin, "Junior Tomlin: Flyer and Cover Art" (Velocity Press, 2020)
|
Jul 28, 2020 |
|
Emily Wallace, "Road Sides: An Illustrated Companion to Dining and Driving in the American South" (U Texas Press, 2019)
|
Jul 24, 2020 |
|
Laurie Olin, "Be Seated" (ORO Editions, 2017)
|
Jul 22, 2020 |
|
Angela S. Chiu, "The Buddha in Lanna: Art, Lineage, Power, and Place in Northern Thailand" (U Hawaii Press, 2017)
|
Jul 20, 2020 |
|
Laurie Olin, "France Sketchbook" (ORO Editions, 2020)
|
Jul 15, 2020 |
|
Yuhang Li, "Becoming Guanyin: Artistic Devotion of Buddhist Women in Late Imperial China" (Columbia UP, 2020)
|
Jul 14, 2020 |
|
Christopher Bonanos, "Flash: The Making of Weegee the Famous" (Henry Holt, 2018)
|
Jul 10, 2020 |
|
Christian Kleinbub, "Michelangelo’s Inner Anatomies" (Penn State UP, 2020)
|
Jul 07, 2020 |
|
A Very Square Peg: A Podcast Series about Polymath Robert Eisler. Episode 3: Eisler vs. the Flat Earth
|
Jun 23, 2020 |
|
Ana María Reyes, "The Politics of Taste: Beatriz González and Cold War Aesthetics" (Duke UP, 2019)
|
Jun 09, 2020 |
|
Anne Godfrey, "Active Landscape Photography: Theoretical Groundwork for Landscape Architecture" (Routledge, 2020)
|
Jun 05, 2020 |
|
Scott Henderson, "Comics and Pop Culture: Adaptation from Panel to Frame" (U Texas Press, 2019)
|
Jun 05, 2020 |
|
Susie Hodge, "The Short Story of Architecture" (Laurence King Publishing, 2019)
|
Jun 04, 2020 |
|
Breanne Fahs, "Burn It Down: Feminist Manifestos for the Revolution" (Verso, 2020)
|
Jun 03, 2020 |
|
Pablo Meninato, "Unexpected Affinities: The History of Type in Architectural Project from Laugier to Duchamp" (Routledge, 2018)
|
Jun 03, 2020 |
|
Brian Greene, "Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe" (Random House, 2020)
|
Jun 02, 2020 |
|
Roxann Prazniak, "Sudden Appearances: The Mongol Turn in Commerce, Belief, and Art" (U Hawaii Press 2019)
|
Jun 02, 2020 |
|
Iva Glisic, "The Futurist Files: Avant-Garde, Politics, and Ideology in Russia, 1905–1930" (NIU Press, 2018)
|
May 21, 2020 |
|
Leslie M. Harris, "Slavery and the University: Histories and Legacies" (U Georgia Press, 2019)
|
Apr 28, 2020 |
|
Ünver Rüstem, "Ottoman Baroque: The Architectural Refashioning of Eighteenth-Century Istanbul" (Princeton UP, 2019)
|
Apr 28, 2020 |
|
Jacki Apple, "Performance / Media / Art / Culture: Selected Essays 1983-2018" (Intellect Books, 2019)
|
Apr 23, 2020 |
|
Rachel Kauder Nalebuff, "Stages: On Dying, Working, and Feeling" (Thick Press, 2020)
|
Apr 23, 2020 |
|
Alex Berke, "Beautiful Symmetry: A Coloring Book about Math" (MIT Press, 2020)
|
Apr 22, 2020 |
|
Christiane Gruber, “The Praiseworthy One: The Prophet Muhammad in Islamic Texts and Images" (Indiana UP, 2019)
|
Apr 17, 2020 |
|
Mari Coates, "The Pelton Papers" (She Writes Press, 2020)
|
Apr 13, 2020 |
|
Margaret Hillenbrand, "Negative Exposures: Knowing What Not to Know in Contemporary China" (Duke UP, 2020)
|
Apr 02, 2020 |
|
Matt Cook, "Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy" (MIT Press, 2020)
|
Mar 30, 2020 |
|
Elizabeth Goldring, "Nicholas Hilliard: Life of an Artist" (Yale UP, 2019)
|
Mar 12, 2020 |
|
Phillipa Chong, “Inside the Critics’ Circle: Book Reviewing in Uncertain Times” (Princeton UP, 2020)
|
Feb 25, 2020 |
|
Caitlin Frances Bruce, "Painting Publics: Transnational Legal Graffiti Scenes as Spaces for Encounter" (Temple UP, 2019)
|
Feb 19, 2020 |
|
Maria Taroutina, "The Icon and the Square: Russian Modernism and the Russo-Byzantine Revival" (Penn State UP, 2018)
|
Feb 18, 2020 |
|
Alex Dika Seggerman, "Modernism on the Nile: Art in Egypt between the Islamic and the Contemporary" (UNC Press, 2019)
|
Feb 04, 2020 |
|
K. Linder et al., "Going Alt-Ac: A Guide to Alternative Academic Careers" (Stylus Publishing, 2020)
|
Jan 30, 2020 |
|
Identity Crisis: The Self-Portrait of a Thirteen-Year-Old Van Gogh
|
Jan 10, 2020 |
|
Jane D. Hatter, "Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and Practice" (Cambridge UP, 2019)
|
Dec 23, 2019 |
|
K. B. Berzock, "Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa" (Princeton UP, 2019)
|
Dec 23, 2019 |
|
April Eisman, "Bernhard Heisig and the Fight for Modern Art in East Germany" (Camden House, 2018)
|
Dec 20, 2019 |
|
Fran Altvater, "Sacramental Theology and the Decoration of Baptismal Fonts" (Cambridge Scholars, 2017)
|
Dec 13, 2019 |
|
Thomas Yarrow, "Architects: Portraits of a Practice" (Cornell UP, 2019)
|
Dec 12, 2019 |
|
Erin Schoneveld, "Shirakaba and Japanese Modernism: Art Magazines, Artistic Collectives, and the Early Avant-Garde" (Brill, 2018)
|
Dec 06, 2019 |
|
Alberto Cairo, "How Charts Lie: Getting Smarter about Visual Information" (Norton, 2019)
|
Dec 03, 2019 |
|
Roland Elliot Brown, "Godless Utopia: Soviet Anti-Religious Propaganda" (FUEL, 2019)
|
Nov 26, 2019 |
|
Gary Meisner, "The Golden Ratio: The Divine Beauty of Mathematics" (Race Point Press, 2018)
|
Nov 22, 2019 |
|
Johanna Taylor, "The Art Museum Redefined: Power, Opportunity, and Community Engagement" (Palgrave, 2019)
|
Nov 13, 2019 |
|
Noelle Giuffrida, "Separating Sheep from Goats: Sherman E. Lee and Chinese Art Collecting in Postwar America" (U California Press, 2018)
|
Nov 09, 2019 |
|
Kathryn Conrad on University Press Publishing
|
Nov 03, 2019 |
|
J. Neuhaus, "Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers" (West Virginia UP, 2019)
|
Oct 24, 2019 |
|
Catherine Clark, "Paris and the Cliché of History: The City in Photographs, 1860-1970" (Oxford UP, 2018)
|
Oct 18, 2019 |
|
Gabriel Jones, "Splashes" (RVB Press, 2018)
|
Sep 19, 2019 |
|
Jennifer C. Lena, "Entitled: Discriminating Tastes and the Expansion of the Arts" ( Princeton UP, 2019)
|
Aug 29, 2019 |
|
Susan Jaques, "The Caesar of Paris: Napoleon Bonaparte, Rome, and the Artistic Obsession That Shaped An Empire" (Pegasus Books, 2018)
|
Aug 22, 2019 |
|
Sean Foley, "Changing Saudi Arabia: Art, Culture and Society in the Kingdom" (Lynne Rienner, 2019)
|
Aug 08, 2019 |
|
Elizabeth Otto, "Haunted Bauhaus: Occult Spirituality, Gender Fluidity, Queer Identities, and Radical Politics" (MIT Press, 2019)
|
Aug 06, 2019 |
|
Carlos Garrido Castellano, "Beyond Representation in Contemporary Caribbean Art" (Rutgers UP, 2019)
|
Jul 17, 2019 |
|
Melissa McCormick, "The Tale of Genji: A Visual Companion" (Princeton UP, 2018)
|
Jul 17, 2019 |
|
Nancy S. Steinhardt, "Chinese Architecture: A History" (Princeton UP, 2019)
|
Jul 16, 2019 |
|
Sarah Anne Carter, "Object Lessons: How Nineteenth-Century Americans Learned to Make Sense of the Material World" (Oxford UP, 2018)
|
Jul 10, 2019 |
|
Kimberly Alexander, "Treasures Afoot: Shoe Stories from the Georgian Era" (Johns Hopkins UP, 2018)
|
Jun 26, 2019 |
|
Amy Lippert, "Consuming Identities: Visual Culture in Nineteenth-Century San Francisco" (Oxford UP, 2018)
|
Jun 25, 2019 |
|
Eleonor Gilburd, "To See Paris and Die: The Soviet Lives of Western Culture" (Harvard UP, 2018)
|
Jun 19, 2019 |
|
John Etty, "Graphic Satire in the Soviet Union: Krokodil’s Political Cartoons" (UP of Mississippi, 2019)
|
May 30, 2019 |
|
Linda M. Grasso, "Equal under the Sky: Georgia O’Keeffe and Twentieth-Century Feminism" (U New Mexico Press, 2017)
|
May 27, 2019 |
|
John J. Curley, "Global Art and the Cold War" (Laurence King Publishers, 2019)
|
May 27, 2019 |
|
Dia Da Costa, "Politicizing Creative Economy: Activism and a Hunger Called Theater" (U Illinois Press, 2016)
|
May 24, 2019 |
|
Anne A. Cheng, "Ornamentalism" (Oxford UP, 2019)
|
May 22, 2019 |
|
Lisa Blee and Jean M. O'Brien, "Monumental Mobility: The Memory Work of Massasoit" (UNC Press, 2019)
|
May 22, 2019 |
|
Chip Sullivan, “Cartooning the Landscape” (U Virginia Press, 2016)
|
May 16, 2019 |
|
Caitlín Eilís Barrett, "Domesticating Empire: Egyptian Landscapes in Pompeian Gardens" (Oxford UP, 2019)
|
May 07, 2019 |
|
Chip Colwell, "Plundered Skulls and Stolen Spirits: Inside the Fight to Reclaim Native America's Culture" (U Chicago Press, 2017)
|
Apr 19, 2019 |
|
Harold Holzer, "Monument Man: The Life and Art of Daniel Chester French" (Princeton Architectural Press, 2019)
|
Apr 19, 2019 |
|
Sigrid Lien, "Pictures of Longing: Photography and the Norwegian-American Migration" (U Minnesota Press, 2018)
|
Apr 08, 2019 |
|
Anne Cheng, "Second Skin: Josephine Baker and the Modern Surface" (Oxford UP, 2017)
|
Mar 25, 2019 |
|
Discussion of Massive Online Peer Review and Open Access Publishing
|
Mar 19, 2019 |
|
Seth Bernard, "Building Mid-Republican Rome: Labor, Architecture, and the Urban Economy" (Oxford UP, 2018)
|
Mar 14, 2019 |
|
Farhana Shaikh, "From Imposter to Impact: Arts Leadership in the 21st Century" (Dahlia Publishing, 2019)
|
Mar 05, 2019 |
|
Alexander Langlands, "Cræft: An Inquiry into the Origins and True Meaning of Traditional Crafts" (Norton, 2017)
|
Mar 04, 2019 |
|
S. A. Duncan and A. McClellan, "The Art of Curating: Paul J. Sachs and the Museum Course at Harvard" (Getty Research Institute, 2018)
|
Feb 27, 2019 |
|
Nadia Amoroso, "Representing Landscapes: A Visual Collection of Landscape Architectural Drawings" (Routledge, 2012)
|
Feb 22, 2019 |
|
Sun-Young Park, "Ideals of the Body: Architecture, Urbanism, and Hygiene in Postrevolutionary Paris" (U Pittsburgh Press, 2018)
|
Feb 01, 2019 |
|
Elizabeth Macaulay-Lewis. "Classical New York: Discovering Greece and Rome in Gotham" (Empire States Editions, 2018)
|
Jan 30, 2019 |
|
Elizabeth A. Fraser, "Mediterranean Encounters: Artists Between Europe and the Ottoman Empire, 1774–1839" (Penn State UP, 2017)
|
Jan 23, 2019 |
|
Benoît Majerus, "From the Middle Ages to Today: Experiences and Representations of Madness in Paris" (Parigramme, 2018)
|
Jan 16, 2019 |
|
Kellie Jones, "South of Pico: African American Artists in the 1960s and 1970s" (Duke UP, 2017)
|
Dec 24, 2018 |
|
McKenzie Wark, "General Intellects: Twenty-One Thinkers for the Twenty-First Century" (Verso, 2017)
|
Dec 06, 2018 |
|
Catherine Russell, "Archiveology: Walter Benjamin and Archival Film Practices" (Duke UP, 2018)
|
Nov 29, 2018 |
|
Mark J. Blechner, "The Mindbrain and Dreams: An Exploration of Dreaming, Thinking, and Artistic Creation" (Routledge, 2018)
|
Nov 28, 2018 |
|
Nivedita Lakhera, “Pillow of Dreams” (Nivedita Lakhera, 2017)
|
Nov 21, 2018 |
|
Eric D. Weitz, “Weimar Germany: Promise and Tragedy” (Princeton UP, 2018)
|
Nov 20, 2018 |
|
Pedith Pui Chan, “The Making of a Modern Art World: Institutionalization and Legitimization of Guohua in Republican Shanghai” (Brill, 2017)
|
Nov 20, 2018 |
|
Ronald Rael, “Borderwall as Architecture: A Manifesto for the U.S.-Mexico Boundary” (U California Press, 2017)
|
Nov 16, 2018 |
|
Dustin Parsons, “Exploded View: Essays on Fatherhood, with Diagrams” (U Georgia Press, 2018)
|
Nov 07, 2018 |
|
Gary Alan Fine, “Talking Art: The Culture of Practice and the Practice of Culture in MFA Education” (U Chicago Press, 2018)
|
Oct 25, 2018 |
|
Jorge Coronado, “Portraits in the Andes: Photography and Agency, 1900-1950” (U Pittsburgh Press, 2018)
|
Sep 24, 2018 |
|
Laura Kina and Jan Christian Bernabe, “Queering Contemporary Asian American Art” (U Washington Press, 2017)
|
Aug 08, 2018 |
|
Simone Wesner, “Artists’ Voices in Cultural Policy: Careers, Myths and the Creative Profession after German Unification” (Palgrave MacMillan, 2018)
|
Aug 03, 2018 |
|
Reginald Jackson, “Textures of Mourning: Calligraphy, Mortality, and The Tale of Genji Scrolls” (U Michigan Press, 2018)
|
Aug 02, 2018 |
|
Jo Weldon, “Fierce: The History of Leopard Print” (Harper Design, 2018)
|
Jul 31, 2018 |
|
Marsha MacDowell, Clare Luz, and Beth Donaldson, “Quilts and Health” (Indiana UP, 2017)
|
Jul 25, 2018 |
|
madison moore, “Fabulous: The Rise of the Beautiful Eccentric” (Yale UP, 2018)
|
Jul 23, 2018 |
|
Stacey Pierson, “Private Collecting, Exhibitions, and the Shaping of Art History in London: The Burlington Fine Arts Club” (Routledge, 2017)
|
Jul 11, 2018 |
|
Ari Heinrich, “Chinese Surplus: Biopolitical Aesthetics and the Medically Commodified Body” (Duke UP, 2018)
|
Jul 10, 2018 |
|
Cary Cordova, “The Heart of the Mission: Latino Art and Politics in San Francisco” (U Pennsylvania Press, 2017)
|
Jul 10, 2018 |
|
Michelle C. Wang, “Mandalas in the Making: The Visual Culture of Esoteric Buddhism at Dunhuang” (Brill, 2018)
|
Jul 05, 2018 |
|
Paula Serafini, “Performance Action: The Politics of Art Activism” (Routledge, 2018)
|
Jun 28, 2018 |
|
Pamela Potter, “Art of Suppression: Confronting the Nazi Past in Histories of the Visual and Performing Arts” (U California Press, 2016)
|
Jun 27, 2018 |
|
Laura Kalba, “Color in the Age of Impressionism: Commerce, Technology, and Art” (Penn State UP, 2018)
|
Jun 14, 2018 |
|
Steven Lubar, “Inside the Lost Museum: Curating, Past and Present” (Harvard UP, 2017)
|
Jun 13, 2018 |
|
Wojtek Sawa, “The Wall Speaks: Voices of the Unheard” (National Center of Culture, 2016)
|
Jun 05, 2018 |
|
Catherine Soussloff, “Foucault on Painting” (U Minnesota Press, 2017)
|
May 22, 2018 |
|
Joseph Sciorra, “Built with Faith: Italian American Imagination and Catholic Material Culture in NYC” (U Tennessee Press, 2018)
|
May 08, 2018 |
|
Erin Edwards, “The Modernist Corpse: Posthumanism and the Posthumous” (U Minnesota Press, 2018)
|
May 07, 2018 |
|
Susan M. Squier, “Epigenetic Landscapes: Drawings as Metaphor” (Duke UP, 2017)
|
Apr 17, 2018 |
|
Nadia Yaqub and Rula Quawas, “Bad Girls of the Arab World” (U Texas Press, 2017)
|
Apr 16, 2018 |
|
Stephen Monteiro, “The Fabric of Interface: Mobile Media, Design, and Gender” (MIT Press, 2017)
|
Apr 06, 2018 |
|
Craig Clunas, “Chinese Painting and Its Audiences” (Princeton UP, 2017)
|
Apr 05, 2018 |
|
Natchee Blu Barnd, “Native Space: Geographic Strategies to Unsettle Settler Colonialism” (Oregon State UP, 2017)
|
Mar 29, 2018 |
|
Jo Farb Hernandez, “Singular Spaces: From the Eccentric to the Extraordinary in Spanish Art Environments” (Raw Vision, 2013)
|
Mar 28, 2018 |
|
Looted Episode 4: Village Pillage (“Field Notes”)
|
Mar 10, 2018 |
|
James Reston, Jr., “A Rift in the Earth: Art, Memory and the Fight for a Vietnam War Memorial” (Arcade Publishing, 2017)
|
Mar 07, 2018 |
|
Molly Wright Steenson, “Architectural Intelligence: How Designers and Architects Created the Digital Landscape” (MIT Press, 2017)
|
Feb 27, 2018 |
|
Stephen Sheehi, “The Arab Imago: A Social History of Indigenous Photography 1860-1910” (Princeton UP, 2016)
|
Feb 15, 2018 |
|
James Delbourgo, “Collecting the World: The Life and Curiosity of Hans Sloane” (Allen Lane, 2017)
|
Feb 09, 2018 |
|
Kevin Patrick, “The Phantom Unmasked: America’s First Superhero” (U Iowa Press, 2017)
|
Feb 02, 2018 |
|
Alison Gerber, “The Work of Art: Value in Creative Careers” (Stanford UP, 2017)
|
Jan 19, 2018 |
|
Thomas Mullaney, “The Chinese Typewriter: A History” (MIT Press, 2017)
|
Jan 09, 2018 |
|
Looted Episode 3: Big Bronzes
|
Jan 02, 2018 |
|
miriam cooke, “Dancing in Damascus: Creativity, Resilience, and the Syrian Revolution” (Routledge, 2017)
|
Jan 02, 2018 |
|
Bob Batchelor, “Stan Lee: The Man Behind Marvel” (Rowman and Littlefield, 2017)
|
Dec 12, 2017 |
|
John Neel, “Focus in Photography: Master the Advanced Techniques That Will Change Your Photography Forever (Ilex Press, 2016)
|
Nov 29, 2017 |
|
Laura E. Smith, “Horace Poolaw: Photographer of American Indian Modernity” (U. Nebraska Press, 2016)
|
Nov 28, 2017 |
|
Looted Episode 2: Figure Drawing
|
Nov 24, 2017 |
|
Amanda Bidnall, “The West Indian Generation: Remaking British Culture in London, 1945-1965” (Liverpool UP, 2017)
|
Nov 24, 2017 |
|
Kathryn Brown. ed., “Perspectives on Degas” (Routledge, 2016)
|
Nov 22, 2017 |
|
Ian Brodie, “A Vulgar Art: A New Approach to Stand-Up Comedy” (UP of Mississippi, 2014).
|
Nov 20, 2017 |
|
Confederate Monuments with Kevin Levin
|
Nov 16, 2017 |
|
Looted Episode 1: Gold Digger
|
Nov 02, 2017 |
|
Richard Rabinowitz, “Curating America: Journeys through Storyscapes of the American Past” (UNC Press, 2016)
|
Oct 30, 2017 |
|
Martha J. Cutter, “The Illustrated Slave: Empathy, Graphic Narratives, and the Visual Culture of the Transatlantic Abolition Movement, 1800-1853” (U. Georgia Press, 2017)
|
Oct 19, 2017 |
|
Marion Deshmukh, “Max Liebermann: Modern Art and Modern Germany” (Routledge, 2015)
|
Oct 17, 2017 |
|
Robert W. Cherny, “Victor Arnautoff and the Politics of Art” (U. Illinois Press, 2017)
|
Oct 04, 2017 |
|
Lauren Lessing, et.al., “A Usable Past: American Folk Art at the Colby College Museum of Art”(Colby College Museum of Art, 2016)
|
Aug 15, 2017 |
|
Donna M. Cassidy, Elizabeth Finch, and Randall R. Griffey, “Marsden Hartley’s Maine” (Yale UP, 2017)
|
Jul 28, 2017 |
|
Laura Larson, “Hidden Mother” (Saint Lucy Press, 2017)
|
Jul 20, 2017 |
|
Dana Mills, “Dance and Politics: Moving Beyond Boundaries” (Manchester University Press, 2017)
|
Jul 10, 2017 |
|
Jeanine Michna-Bales, “Through Darkness to Light: Photographs Along the Underground Railroad” (Princeton Architectural Press, 2017)
|
Jun 23, 2017 |
|
David J. Carol, “No Plan B” (Peanut Press, 2017)
|
Jun 21, 2017 |
|
Gillian McIver, “Art History for Filmmakers: The Art of Visual Storytelling” (Bloomsbury, 2016)
|
Jun 14, 2017 |
|
Paul Youngquist, “A Pure Solar World: Sun Ra and the Birth of Afrofuturism” (U. Texas Press, 2016)
|
May 27, 2017 |
|
Adair Rounthwaite, “Asking the Audience: Participatory Art in 1980s New York” (U. Minnesota Press, 2017)
|
May 23, 2017 |
|
Discussion with George White, President of Up With Paper/Jumping Jack Press (Bologna Book Fair, 2017)
|
May 23, 2017 |
|
Amy Elkins, “Black is the Day, Black is the Night” (Self Published, 2016)
|
May 22, 2017 |
|
Matteo Faglia, “Pop-Up Show: The Magic Inside Books” (Bologna Children’s Book Fair Exhibition, 2017)
|
May 21, 2017 |
|
Dorothy Ko, “The Social Life of Inkstones: Artisans and Scholars in Early Qing China” (U. of Washington Press, 2017)
|
May 18, 2017 |
|
Mark Alice Durant, “27 Contexts – An Anecdotal History in Photography” (Saint Lucy Books, 2017)
|
Apr 26, 2017 |
|
Benjamin Fondane, “Existential Monday” (NYRB Classics, 2016)
|
Apr 07, 2017 |
|
Ruth Beckford and Careth Reid, “The Picture Man: From the Collection of Bay Area Photographer E. F. Joseph” (Arcadia, 2017)
|
Mar 30, 2017 |
|
Andrew Causey, “Drawn to See: Drawing as Ethnographic Method” (U. Toronto Press, 2016)
|
Mar 27, 2017 |
|
Karl Baden, “The Americans by Car” (Retroactive Press, 2016)
|
Mar 25, 2017 |
|
Christopher Pizzino, “Arresting Development: Comics at the Boundaries of Literature” (U of Texas Press, 2016)
|
Mar 19, 2017 |
|
Damion Searls, “The Inkblots: Hermann Rorschach, His Iconic Test, and the Power of Seeing” (Crown, 2017)
|
Mar 07, 2017 |
|
Paul LeValley, “Art Follows Nature: A Worldwide History of the Nude” (Edition One Books, 2016)
|
Mar 07, 2017 |
|
Elana Shapira, “Style and Seduction: Jewish Patrons, Architecture, and Design in Fin de Siecle Vienna” (Brandeis UP, 2016)
|
Mar 02, 2017 |
|
Daniel Magaziner, “The Art of Life in South Africa” (Ohio University Press, 2016)
|
Feb 17, 2017 |
|
Daniel W. Coburn, “The Hereditary Estate” (Kehrer Verlag, 2015)
|
Feb 13, 2017 |
|
David Shafer, “Antonin Artaud” (Reaktion/U Chicago Press, 2016)
|
Jan 04, 2017 |
|
Leon Borensztein, “Sharon” (Kehrer Verlag, 2016)
|
Dec 23, 2016 |
|
Amy Von Lintel, “Georgia O’Keeffe: Watercolors, 1916-1918” (Radius, 2016)
|
Dec 17, 2016 |
|
Paul Benneworth et al., “The Impact and Future of Arts and Humanities Research” (Palgrave, 2016)
|
Dec 13, 2016 |
|
Amani Willett, “Amani Willett: Disquiet” (Damiani Factory, 2013)
|
Dec 10, 2016 |
|
Darcy Grimaldo Grigsby, “Enduring Truths: Sojourner’s Shadows and Substance” (U. of Chicago Press, 2015)
|
Nov 29, 2016 |
|
Scot McKendrick and Kathleen Doyle, “The Art of the Bible: Illuminated Manuscripts from the Medieval World” (Thames and Hudson, 2016)
|
Nov 28, 2016 |
|
Federica Goffi, “Time Matter(s): Invention and Reimagination in Built Conservation” (Routledge, 2013)
|
Nov 23, 2016 |
|
Byrd Williams, “Proof: Photographs from Four Generations of a Texas Family” (U. of North Texas Press, 2016)
|
Nov 19, 2016 |
|
Kirsty Sedgman, “Locating the Audience: How People Found Value in National Theatre Wales” (Intellect Books 2016)
|
Nov 19, 2016 |
|
Paul C. Taylor, “Black is Beautiful: A Philosophy of Black Aesthetics” (Wiley Blackwell, 2016)
|
Nov 15, 2016 |
|
Robert Brain, “The Pulse of Modernism: Physiological Aesthetics in Fin-de-Siecle Europe (U. of Washington Press, 2015)
|
Nov 12, 2016 |
|
April Dammann, “Corita Kent: Art and Soul: The Biography” (Angel City Press, 2015)
|
Oct 21, 2016 |
|
Stephen Dupont, “Piksa Niugini” (Peabody Press/Radius Books, 2013)
|
Oct 18, 2016 |
|
Stevphen Shukaitis, “The Composition of Movements to Come: Aesthetics and Cultural Labor after the Avant-Garde” (Rowman and Littlefield, 2016)
|
Oct 05, 2016 |
|
Robert Herman, “The New Yorkers” (Proof Positive Press, 2015)
|
Sep 30, 2016 |
|
E.R. Truitt, “Medieval Robots: Mechanism, Magic, Nature, and Art” (U. of Pennsylvania Press, 2015)
|
Sep 21, 2016 |
|
Jade Doskow, “Lost Utopias” (Black Dog Publishing, 2016)
|
Sep 21, 2016 |
|
Alfred S. Posamentier and Robert Geretschlager, “The Circle: A Mathematical Exploration Beyond the Line” (Prometheus Books, 2016)
|
Sep 11, 2016 |
|
Miki Kratsman with Ariella Azoulay, “The Resolution of the Suspect” (Radius Books, 2016)
|
Aug 30, 2016 |
|
Stephen Lee Naish, “Create or Die: Essays on the Artistry of Dennis Hopper” (Amsterdam UP, 2016)
|
Aug 24, 2016 |
|
Silvia Jonas, “Ineffability and Its Metaphysics: The Unspeakable in Art, Religion, and Philosophy” (Palgrave Macmillan, 2016)
|
Aug 15, 2016 |
|
Morgan Pitelka, “Spectacular Accumulation: Material Culture, Tokugawa Ieyasu, and Samurai Sociability” (U. of Hawaii Press, 2016)
|
Aug 10, 2016 |
|
Rachel Price, “Planet/Cuba: Art, Culture and the Future of the Island” (Verso, 2015)
|
Aug 02, 2016 |
|
Paul Roquet, “Ambient Media: Japanese Atmospheres of Self” (U. of Minnesota Press, 2016)
|
Jul 31, 2016 |
|
Diana L. Linden, “Ben Shahn’s New Deal Murals: Jewish Identity in the American Scene” (Wayne State UP, 2015)
|
Jul 28, 2016 |
|
Susan Cahan, “Mounting Frustration: The Art Museum in the Age of Black Power” (Duke UP, 2016)
|
Jul 21, 2016 |
|
Kevin Bubriski, “Look into My Eyes: Nuevomexicanos por Vida, ’81-’83” (Museum of New Mexico Press, 2016)
|
Jul 10, 2016 |
|
Brent Walker, “The Hidden South–Come Home” (Beaver’s Pond Press, 2016)
|
Jul 01, 2016 |
|
Sandow Birk, “American Qur’an” (Liveright, 2015)
|
Jun 15, 2016 |
|
John Brian King, “Nude Reagan” (Spurl Editions, 2016)
|
Jun 13, 2016 |
|
Ken Light, “Whats Going On? 1969 -1974” (Lighted Square Media, 2015)
|
May 20, 2016 |
|
Stern, et al., “The Monk’s Haggadah: A Fifteenth-Century Illuminated Codex from the Monastery of Tegernsee” (Penn State UP, 2015)
|
Apr 20, 2016 |
|
Pamela D. Winfield, “Icons and Iconoclasm in Japanese Buddhism: Kukai and Dogen on the Art of Enlightenment” (Oxford UP, 2013)
|
Mar 29, 2016 |
|
Tahneer Oksman, “How Come Boys Get to Keep Their Noses?” (Columbia UP, 2016)
|
Mar 24, 2016 |
|
Eubanks, Abel and Chen, eds., “Verge: Studies in Global Asias 1.2: Collecting Asias” (U of Minnesota Press, 2015)
|
Mar 18, 2016 |
|
Hillary Chute, “Disaster Drawn: Visual Witness, Comics, and Documentary Form” (Harvard UP, 2016)
|
Mar 14, 2016 |
|
Krista A. Thompson, “Shine: The Visual Economy of Light in African Diasporic Aesthetic Practice” (Duke UP, 2015)
|
Mar 04, 2016 |
|
Kishwar Rizvi, “The Transnational Mosque: Architecture and Historical Memory in the Contemporary Middle East” (UNC Press, 2015)
|
Feb 08, 2016 |
|
David Wright, “Understanding Cultural Taste: Sensation, Skill and Sensibility,” (Palgrave Macmillan, 2015)
|
Feb 03, 2016 |
|
George Cotkin, “Feast of Excess: A Cultural History of the New Sensibility” (Oxford UP, 2015)
|
Jan 22, 2016 |
|
Lynn Gamwell, “Mathematics and Art: A Cultural History” (Princeton UP, 2015)
|
Jan 05, 2016 |
|
Roberta Wue, “Art Worlds: Artists, Images, and Audiences in Late 19th-Century Shanghai” (U of Hawaii Press, 2014)
|
Dec 11, 2015 |
|
Rebecca Gordon-Nesbitt, “To Defend the Revolution is to Defend Culture: The Cultural Policy of The Cuban Revolution” (PM Press, 2015)
|
Dec 01, 2015 |
|
Megan Prelinger, “Inside the Machine: Art and Invention in the Electronic Age” (Norton, 2015)
|
Nov 19, 2015 |
|
Ping Foong, “The Efficacious Landscape: On the Authorities of Painting at the Northern Song Court” (Harvard UP, 2015)
|
Nov 09, 2015 |
|
Paul Bonin-Rodriguez, “Performing Policy” (Palgrave, 2014)
|
Oct 20, 2015 |
|
Ilan Stavans and Jorge J. E. Garcia, “Thirteen Ways of Looking At Latino Art” (Duke UP, 2014)
|
Sep 30, 2015 |
|
Darren Middleton, “Rastafari and the Arts: An Introduction” (Routledge, 2015)
|
Aug 31, 2015 |
|
Derek Sayer, “Prague, Capital of the Twentieth Century: A Surrealist History” (Princeton UP 2013)
|
Jul 24, 2015 |
|
Jonathan M. Reynolds, “Allegories of Time and Space: Japanese Identity in Photography and Architecture” (U of Hawaii Press, 2015)
|
Jul 24, 2015 |
|
Nick Sousanis, “Unflattening” (Harvard UP, 2015)
|
Jun 12, 2015 |
|
Meryle Secrest, “Elsa Schiaparelli: A Biography” (Knopf, 2014)
|
Jun 02, 2015 |
|
Greg Barnhisel, “Cold War Modernists: Art, Literature, and American Cultural Diplomacy” (Columbia UP, 2015)
|
Jun 02, 2015 |
|
Magda Romanska, “The Post-Traumatic Theatre of Grotowski and Kantor” (Anthem Press, 2014)
|
Jun 02, 2015 |
|
John Sharp, “Works of Game: On the Aesthetics of Games and Art” (MIT Press, 2015)
|
Jun 01, 2015 |
|
Winnie Won Yin Wong, "Van Gogh on Demand: China and the Readymade" (U Chicago Press, 2014)
|
May 26, 2015 |
|
Ritu G. Khanduri, “Caricaturing Culture in India: Cartoons and History in the Modern World” (Cambridge UP, 2014)
|
Apr 20, 2015 |
|
Melissa Dabakis, “A Sisterhood of Sculptors: American Artists in Nineteenth-Century Rome (Penn State UP, 2014)
|
Apr 20, 2015 |
|
Kristina Kleutghen, “Imperial Illusions: Crossing Pictorial Boundaries in the Qing Palaces” (U of Washington Press, 2015)
|
Feb 20, 2015 |
|
Ann C. Pizzorusso, “Tweeting Da Vinci” (Da Vinci Press, 2014)
|
Feb 18, 2015 |
|
Jen Harvie, “Fair Play: Art, Performance and Neoliberalism” (Palgrave, 2013)
|
Feb 09, 2015 |
|
Steven Shaviro, “The Universe of Things: On Speculative Realism” (University of Minnesota Press, 2014)
|
Jan 16, 2015 |
|
Gene Luen Yang, “Boxers & Saints” (First Second, 2013)
|
Jan 08, 2015 |
|
Daniel Margocsy, “Commercial Visions: Science, Trade, and Visual Culture in the Dutch Golden Age” (University of Chicago Press, 2014)
|
Dec 09, 2014 |
|
Carolyn L. Kane, “Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics after Code” (U of Chicago Press, 2014)
|
Dec 03, 2014 |
|
Joan Kee, “Contemporary Korean Art: Tansaekhwa and the Urgency of Method” (University of Minnesota Press, 2013)
|
Nov 07, 2014 |
|
Catherine W. Bishir, ‘Crafting Lives: African American Artisans in New Bern, North Carolina, 1770-1900’ (UNC Press, 2013)
|
Oct 28, 2014 |
|
Lara Jaishree Netting, “A Perpetual Fire: John C. Ferguson and His Quest for Chinese Art and Culture” (Hong Kong UP, 2013)
|
Sep 11, 2014 |
|
James Nisbet, “Ecologies, Environments, and Energy Systems in Art of the 1960s and 1970s” (MIT Press, 2014)
|
Sep 10, 2014 |
|
Craig Clunas, “Screen of Kings: Royal Art and Power in Ming China” (University of Hawaii Press, 2013)
|
Jul 02, 2014 |
|
Omar W. Nasim, “Observing by Hand: Sketching the Nebulae in the Nineteenth Century” (University of Chicago Press, 2013)
|
Jun 02, 2014 |
|
Matthew C. Hunter, “Wicked Intelligence” (University of Chicago Press, 2013)
|
Mar 23, 2014 |
|
Eli Maor and Eugen Jost, “Beautiful Geometry” (Princeton UP, 2014)
|
Feb 11, 2014 |
|
Brian Jay Jones, “Jim Henson: The Biography” (Ballantine Books, 2013)
|
Dec 06, 2013 |
|
Daniel Sherman, "French Primitivism and the Ends of Empire, 1945-1975" (U Chicago Press, 2011)
|
Dec 05, 2013 |
|
Christine Yano, “Pink Globalization: Hello Kitty’s Trek across the Pacific” (Duke UP, 2013)
|
Aug 28, 2013 |
|
Pauline Turner Strong, “American Indians and the American Imaginary: Cultural Representation Across the Centuries” (Paradigm Publishers, 2012)
|
Aug 20, 2013 |
|
Jonathan Hay, “Sensuous Surfaces: The Decorative Object in Early Modern China” (University of Hawaii Press, 2010)
|
Aug 19, 2013 |
|
Anne-Marie O’Connor, “The Lady in Gold: The Extraordinary Tale of Gustav Klimt’s Masterpiece, Portrait of Adele Bloch-Bauer” (Knopf, 2012)
|
Jul 12, 2013 |
|
Amanda MacKenzie Stuart, “Empress of Fashion: Diana Vreeland, A Life”
|
Jun 26, 2013 |
|
Kathryn Livingston, “Lilly: Palm Beach, Tropical Glamour, and the Birth of a Fashion Legend” (Wiley, 2012)
|
Jun 02, 2013 |
|
William Marotti, “Money, Trains, and Guillotines: Art and Revolution in 1960s Japan” (Duke UP, 2013)
|
May 22, 2013 |
|
Ian Condry, “The Soul of Anime” (Duke UP, 2013)
|
Apr 30, 2013 |
|
Gennifer Weisenfeld, “Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923” (University of California Press, 2012)
|
Mar 01, 2013 |
|
Lois Rudnick, “The Suppressed Memoirs of Mabel Dodge Luhan” (University of New Mexico Press, 2012)
|
Jan 29, 2013 |
|
Janice Neri, “The Insect and the Image: Visualizing Nature in Early Modern Europe, 1500-1700” (University of Minnesota Press, 2011)
|
Dec 13, 2012 |
|
Daniela Bleichmar, “Visible Empire: Botanical Expeditions and Visual Culture in the Hispanic Enlightenment” (University of Chicago Press, 2012)
|
Nov 26, 2012 |
|
Shih-Shan Susan Huang, “Picturing the True Form: Daoist Visual Culture in Traditional China” (Harvard University Asia Center, 2012)
|
Oct 31, 2012 |
|
Jennifer Hall-Witt, “Fashionable Acts: Opera and Elite Culture in London, 1780-1880” (University of New Hampshire Press, 2007)
|
Oct 16, 2012 |
|
Ben Cawthra, “Blue Notes in Black and White: Photography in Jazz” (University of Chicago Press, 2011)
|
Sep 18, 2012 |
|
Miryam Sas, “Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return” (Harvard University Asia Center, 2011)
|
Aug 23, 2012 |
|
Andrew Field, “Shanghai’s Dancing World: Cabaret Culture and Urban Politics, 1919-1954” (The Chinese University Press, 2010)
|
Mar 07, 2012 |
|
David Ciarlo, “Advertising Empire: Race and Visual Culture in Imperial Germany” (Harvard UP, 2011)
|
Nov 17, 2011 |
|
Allen Guttmann, “Sports and American Art from Benjamin West to Andy Warhol” (University of Massachusetts Press, 2011)
|
Sep 12, 2011 |
|
Erin Haney, “Exposures: Photography and Africa” (Reaktion Books, 2010)
|
Jul 13, 2011 |
|
Antonia Levi, Mark McHarry, and Dru Pagliasotti, “Boy’s Love Manga: Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre” (McFarland, 2010)
|
Jul 13, 2011 |
|
Lee Ambrozy, “Ai Weiwei’s Blog: Writings, Interviews, and Digital Rants, 2006-2009” (MIT Press, 2011)
|
Jun 21, 2011 |
|
Bhanu Athaiya, “The Art of Costume Design” (HarperCollins, 2010)
|
May 01, 2011 |
|
Benjamin Binstock, “Vermeer’s Family Secrets: Genius, Discovery, and the Unknown Apprentice” (Routledge, 2009)
|
Mar 09, 2011 |
|
Kyra Hicks, “This I Accomplish: Harriet Powers’ Bible Quilt and Other Pieces” (Black Threads Press, 2009)
|
Nov 19, 2010 |
|
Greg Castillo, “Cold War on the Home Front: The Soft Power of Midcentury Design” (Minnesota UP, 2009)
|
May 07, 2010 |