New Books in Music
By Marshall Poe
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Category: Music
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Episodes: 648
Description
Interviews with Scholars of Music about their New Books
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
| Episode | Date |
|---|---|
|
Douglas L. Reside, "Fixing the Musical: How Technologies Shaped the Broadway Repertory" (Oxford UP, 2023)
|
May 15, 2024 |
|
Denise Von Glahn, "Circle of Winners: How the Guggenheim Foundation Composition Awards Shaped American Music Culture" (U Illinois Press, 2023)
|
May 12, 2024 |
|
Alyxandra Vesey, "Extending Play: The Feminization of Collaborative Music Merchandise in the Early Twenty-First Century" (Oxford UP, 2023)
|
May 11, 2024 |
|
Kristin M. Franseen, "Imagining Musical Pasts: The Queer Literary Musicology of Vernon Lee, Rosa Newmarch, and Edward Prime-Stevenson" (Clemson UP, 2023)
|
Apr 27, 2024 |
|
Dana Gorzelany-Mostak, "Tracks on the Trail: Popular Music, Race, and the US Presidency" (U Michigan Press, 2023)
|
Apr 26, 2024 |
|
Miriam Piilonen, "Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human" (Oxford UP, 2024)
|
Apr 15, 2024 |
|
Adele Oliver, "Deeping It: Colonialism, Culture & Criminalisation of UK Drill" (404 Ink, 2023)
|
Apr 07, 2024 |
|
Joseph M. Thompson, "Cold War Country: How Nashville's Music Row and the Pentagon Created the Sound of American Patriotism" (UNC Press, 2024)
|
Apr 06, 2024 |
|
Leah Broad, "Quartet: How Four Women Changed the Musical World" (Faber & Faber, 2023)
|
Apr 05, 2024 |
|
Edward Dusinberre, "Distant Melodies: Music in Search of Home" (U Chicago Press, 2022)
|
Apr 04, 2024 |
|
Marc Masters, "High Bias: The Distorted History of the Cassette Tape" (UNC Press, 2023)
|
Apr 03, 2024 |
|
Richard Beaudoin, "Sounds As They Are: The unwritten music in classical recordings" (Oxford UP, 2024)
|
Apr 02, 2024 |
|
Sam McPheeters, "Mutations: Twenty Years Embedded in Hardcore Punk" (Barnacle Book, 2020)
|
Mar 28, 2024 |
|
Caste, Music, and Microinequities with Supriya Subramani
|
Mar 23, 2024 |
|
Stephen Lee Naish, "Music and Sound in the Films of Dennis Hopper" (Routledge, 2024)
|
Mar 21, 2024 |
|
Radha Kapuria, "Music in Colonial Punjab" (Oxford UP, 2023)
|
Mar 21, 2024 |
|
Coretta M. Pittman, "Literacy in a Long Blues Note: Black Women’s Literature and Music in the Late Nineteenth and Early Twentieth Centuries" (UP of Mississippi, 2022)
|
Mar 19, 2024 |
|
Micajah Henley, "The Clash's Sandinista!" (Bloombury, 2024)
|
Mar 14, 2024 |
|
Gavin Butt, "No Machos Or Pop Stars: When the Leeds Art Experiment Went Punk" (Duke UP, 2022)
|
Mar 13, 2024 |
|
Judith Tick, "Becoming Ella Fitzgerald: The Jazz Singer Who Transformed American Song" (Norton, 2023)
|
Mar 12, 2024 |
|
David Savran, "Tell It to the World: The Broadway Musical Abroad" (Oxford UP, 2024)
|
Mar 11, 2024 |
|
Reading Taylor Swift as a Cultural and Political Text
|
Mar 11, 2024 |
|
Amy Coddington, "How Hip Hop Became Hit Pop: Radio, Rap, and Race" (U California Press, 2023)
|
Mar 06, 2024 |
|
Priyanka Basu, "The Poet’s Song: ‘Folk’ and its Cultural Politics in South Asia" (Routledge, 2023)
|
Mar 06, 2024 |
|
Roseen Giles, "Monteverdi and the Marvellous: Poetry, Sound, and Representation" (Cambridge UP, 2023)
|
Mar 04, 2024 |
|
Joseph Cone, "Seeing Opera Anew: A Cultural and Biological Perspective" (Routledge, 2023)
|
Mar 03, 2024 |
|
Steve Ferzacca, "Sonic City: Making Rock Music and Urban Life in Singapore" (NUS Press, 2021)
|
Feb 29, 2024 |
|
Horace J. Maxile, Jr. and Kristen M. Turner, "Race and Gender in the Western Music History Survey: A Teacher's Guide" (Routledge, 2022)
|
Feb 27, 2024 |
|
Kunal Purohit, "H-Pop: The Secretive World of Hindutva Pop Stars" (HarperCollins, 2023)
|
Feb 20, 2024 |
|
John Howland, "Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music" (U California Press, 2021)
|
Feb 18, 2024 |
|
Richard T. Rodríguez, "A Kiss Across the Ocean: Transatlantic Intimacies of British Post-Punk and US Latinidad" (Duke UP, 2022)
|
Feb 09, 2024 |
|
Bryce Henson, "Emergent Quilombos: Black Life and Hip-Hop in Brazil" (U Texas Press, 2023)
|
Feb 07, 2024 |
|
Mark Guarino, "Country and Midwestern: Chicago in the History of Country Music and the Folk Revival" (U Chicago Press, 2023)
|
Feb 05, 2024 |
|
Murray Forman and Mark V. Campbell, "Hip Hop Archives: The Politics and Poetics of Knowledge Production" (Intellect, 2023)
|
Feb 04, 2024 |
|
Michael O'Malley, "The Beat Cop: Chicago's Chief O'Neill and the Creation of Irish Music" (U Chicago Press, 2022)
|
Feb 03, 2024 |
|
Aaron Carnes, "In Defense of Ska: The Ska Now More Than Ever Edition" (Clash Books, 2023)
|
Jan 21, 2024 |
|
Jessica Goethals, "Margherita Costa, Diva of the Baroque Court" (U Toronto Press, 2023)
|
Jan 20, 2024 |
|
Adriana Helbig, "ReSounding Poverty: Romani Music and Development Aid" (Oxford UP, 2023)
|
Jan 19, 2024 |
|
Aniefiok Ekpoudom, "Where We Come From: Rap, Home & Hope in Modern Britain" (Faber and Faber, 2024)
|
Jan 19, 2024 |
|
Katherine Rye Jewell, "Live from the Underground: A History of College Radio" (UNC Press, 2023)
|
Jan 09, 2024 |
|
Alex Pappademas and Joan LeMay, "Quantum Criminals: Ramblers, Wild Gamblers, and Other Sole Survivors from the Songs of Steely Dan" (U Texas Press, 2023)
|
Jan 07, 2024 |
|
Elizabeth Eva Leach, "Medieval Sex Lives: The Sounds of Courtly Intimacy on the Francophone Borders" (Cornell UP, 2023)
|
Jan 06, 2024 |
|
Laurent Dubois, “The Banjo: America’s African Instrument” (Harvard UP, 2016)
|
Dec 30, 2023 |
|
Ralph H. Craig, "Dancing in My Dreams: A Spiritual Biography of Tina Turner" (Eerdmans, 2023)
|
Dec 29, 2023 |
|
Bryan McCann, "The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era" (U Alabama Press, 2017)
|
Dec 26, 2023 |
|
Walter Greason and Tim Fielder, "The Graphic History of Hip Hop" (NYC Department of Education, 2023)
|
Dec 25, 2023 |
|
Nate Patrin, "The Needle and the Lens: Pop Goes to the Movies from Rock 'n' Roll to Synthwave" (U Minnesota Press, 2023)
|
Dec 23, 2023 |
|
Howie Singer and Bill Rosenblatt, "Key Changes: The Ten Times Technology Transformed the Music Industry" (Oxford UP, 2023)
|
Dec 23, 2023 |
|
Michelle R. Scott, "T.O.B.A. Time: Black Vaudeville and the Theater Owners' Booking Association in Jazz-Age America" (U Illinois Press, 2023)
|
Dec 18, 2023 |
|
Lawrence Sherman and Dennis Plies, "Every Brain Needs Music: The Neuroscience of Making and Listening to Music" (Columbia UP, 2023)
|
Dec 16, 2023 |
|
Rob Harvilla, "60 Songs That Explain The 90s" (Twelve, 2023)
|
Dec 12, 2023 |
|
Mark Davidson and Parker Fishel, "Bob Dylan: Mixing Up the Medicine" (Callaway, 2023)
|
Dec 09, 2023 |
|
Hilary French, "Ballroom: A People’s History of Dancing" (Reaktion Books, 2022)
|
Dec 05, 2023 |
|
Ramsey Lewis and Aaron Cohen, "Gentleman of Jazz: A Life in Music" (Blackstone, 2023)
|
Dec 04, 2023 |
|
Ina Rupprecht, ed., "Persecution, Collaboration, Resistance: Music in the ‘Reichskommissariat Norwegen’ (1940–45)" (Waxmann Verlag, 2020)
|
Nov 21, 2023 |
|
Greil Marcus, "Folk Music: A Bob Dylan Biography in Seven Songs" (Yale UP, 2022)
|
Nov 20, 2023 |
|
Warren Zanes, "Deliver Me from Nowhere: The Making of Bruce Springsteen's 'Nebraska' (Crown, 2023)
|
Nov 17, 2023 |
|
Brigid Cohen, "Musical Migration and Imperial New York: Early Cold War Scenes" (U Chicago Press, 2022)
|
Nov 15, 2023 |
|
Pavitra Sundar, "Listening with a Feminist Ear: Soundwork in Bombay Cinema" (U Michigan Press, 2023)
|
Nov 15, 2023 |
|
Gary Tomlinson, "The Machines of Evolution and the Scope of Meaning" (Zone Books, 2023)
|
Nov 14, 2023 |
|
Ralph H. Craig III, "Dancing in My Dreams: A Spiritual Biography of Tina Turner" (Eerdmans, 2023)
|
Nov 10, 2023 |
|
A Deep Dive into Olivia Rodrigo's "Guts"
|
Nov 09, 2023 |
|
Michael Kaler, "Get Shown the Light: Improvisation and Transcendence in the Music of the Grateful Dead" (Duke UP, 2023)
|
Nov 06, 2023 |
|
Greg Beets and Richard Whymark, "A Curious Mix of People: The Underground Scene of '90s Austin" (U Texas Press, 2023)
|
Nov 05, 2023 |
|
Michael Custodis, "Music and Resistance: Cultural Defense During the German Occupation of Norway 1940-45" (Waxmann Verlag, 2021)
|
Nov 02, 2023 |
|
Jennifer Saltzstein, "Song, Landscape, and Identity in Medieval Northern France: Toward an Environmental History" (Oxford UP, 2023)
|
Nov 01, 2023 |
|
Jason Lamb, "NoMeansNo: From Obscurity to Oblivion, an Oral History" (PM Press, 2024)
|
Oct 28, 2023 |
|
Stephen B. Armstrong, "I Want You Around: The Ramones and the Making of Rock 'n' Roll High School" (Backbeat Books, 2023)
|
Oct 27, 2023 |
|
Adam Blum et al., "Here I'm Alive: The Spirit of Music in Psychoanalysis" (Columbia UP, 2023)
|
Oct 15, 2023 |
|
Paul Crenshaw, "Melt with Me: Coming of Age and Other '80s Perils" (Ohio State UP, 2023)
|
Oct 12, 2023 |
|
Scott Creney and Brigette Adair Herron, "The Story of the B-52s: Neon Side of Town" (Palgrave Macmillan, 2023)
|
Oct 07, 2023 |
|
Sheldon Birnie, "Missing Like Teeth: An Oral History of Winnipeg Underground Rock, 1900-2001" (Eternal Cavalier Press, 2015)
|
Oct 04, 2023 |
|
Kiana Fitzgerald, "Ode to Hip-Hop: 50 Albums That Define 50 Years of Trailblazing Music" (Running Press Adult, 2023)
|
Sep 30, 2023 |
|
Jonathan Mael, "Harlem World: How Hip Hop's Super Showdown Changed Music Forever" (Johns Hopkins UP, 2023)
|
Sep 26, 2023 |
|
Kimberly Mack, "Living Colour's Time's Up" (Bloomsbury, 2023)
|
Sep 19, 2023 |
|
Chris Molanphy, "Old Town Road" (Duke UP, 2023)
|
Sep 15, 2023 |
|
Gregory Cahill, "The Golden Voice: The Ballad of Cambodian Rock's Lost Queen" (Life Drawn, 2023)
|
Sep 14, 2023 |
|
Jonathan Leal, "Dreams in Double Time: On Race, Freedom, and Bebop" (Duke UP, 2023)
|
Sep 14, 2023 |
|
A Better Way to Buy Books
|
Sep 12, 2023 |
|
Andrew Chan, "Why Mariah Carey Matters" (U Texas Press, 2023)
|
Sep 05, 2023 |
|
The Philosophy of Music and the Attunement of the Soul
|
Sep 05, 2023 |
|
John Szwed, "Cosmic Scholar: The Life and Times of Harry Smith" (FSG, 2023)
|
Sep 03, 2023 |
|
Anna Kathryn Grau and Lisa Colton, "Female-Voice Song and Women's Musical Agency in the Middle Ages" (Brill, 2022)
|
Sep 01, 2023 |
|
Una McIlvenna, "Singing the News of Death: Execution Ballads in Europe 1500-1900" (Oxford UP, 2022)
|
Aug 31, 2023 |
|
Bonnie Gordon, "Voice Machines: The Castrato, the Cat Piano, and Other Strange Sounds" (U Chicago Press, 2023)
|
Aug 31, 2023 |
|
John Brackett, "Live Dead: The Grateful Dead, Live Recordings, and the Ideology of Liveness" (Duke UP, 2023)
|
Aug 30, 2023 |
|
Chuyun Oh, "K-pop Dance: Fandoming Yourself on Social Media" (Routledge, 2022)
|
Aug 28, 2023 |
|
Polyphony
|
Aug 24, 2023 |
|
Nicholas Tochka, "Rocking in the Free World: Popular Music and the Politics of Freedom in Postwar America" (Oxford UP, 2023)
|
Aug 14, 2023 |
|
Andy Cowan, "B-Side: Pop History Via Its Greatest B-Sides, 1917-2017" (Headpress, 2023)
|
Aug 04, 2023 |
|
Rich Deakin, "Grebo!: The Loud & Lousy Story of Gaye Bykers on Acid and Crazyhead" (Headpress, 2021)
|
Jul 23, 2023 |
|
Howard Fishman, "To Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converse" (Dutton, 2023)
|
Jul 22, 2023 |
|
William Perrine, "Alien Territory: Radical, Experimental, & Irrelevant Music in 1970s San Diego" (Billingsgate Media, 2023)
|
Jul 09, 2023 |
|
Adrian Rifkin, "Future Imperfect: The Past Between My Fingers..." (2021)
|
Jul 02, 2023 |
|
Marie Arleth Skov, "Punk Art History: Artworks from the European No Future Generation" (Intellect, 2023)
|
Jun 30, 2023 |
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Michael Gray, "Song & Dance Man: The Art of Bob Dylan-Vol. 1 Language & Tradition" (FM Press, 2023)
|
Jun 22, 2023 |
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Roy Christopher, "Boogie Down Predictions: Hip-Hop, Time, and Afrofuturism" (MIT Press, 2022)
|
Jun 12, 2023 |
|
Paul Metsa and Rick Shefchik, "Blood in the Tracks: The Minnesota Musicians Behind Dylan's Masterpiece" (U Minnesota Press, 2023)
|
Jun 11, 2023 |
|
Arturo Rodríguez Morató and Alvaro Santana-Acuña, "Sociology of the Arts in Action: New Perspectives on Creation, Production, and Reception" (Palgrave MacMillan, 2023)
|
Jun 11, 2023 |
|
Andrew Snyder, "Critical Brass: Street Carnival and Musical Activism in Olympic Rio de Janeiro" (Wesleyan UP, 2022)
|
Jun 09, 2023 |
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Robin James, "The Future of Rock and Roll: 97X WOXY and the Fight for True Independence" (UNC Press, 2023)
|
Jun 07, 2023 |
|
Lisa McCormick, "The Cultural Sociology of Art and Music: New Directions and New Discoveries" (Palgrave MacMillan, 2022)
|
May 28, 2023 |
|
Heather Augustyn, "Rude Girls: Women in 2 Tone and One Step Beyond" (2023)
|
May 25, 2023 |
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Muse, Odalisque, Handmaiden: A Girl's Life in the Incredible String Band
|
May 22, 2023 |
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Mark LeVine, "We'll Play Till We Die: Journeys Across a Decade of Revolutionary Music in the Muslim World" (U California Press, 2022)
|
May 19, 2023 |
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Sebanti Chatterjee, "Choral Voices: Ethnographic Imaginations of Sound and Sacrality" (Bloomsbury, 2023)
|
May 14, 2023 |
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John Klaess, "Breaks in the Air: The Birth of Rap Radio in New York City" (Duke UP, 2022)
|
May 12, 2023 |
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Mark Goodall, "Gathering of the Tribe: A Companion to Occult Music on Vinyl" (Headpress, 2022)
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May 12, 2023 |
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Philip Ewell, "On Music Theory, and Making Music More Welcoming for Everyone" (U Michigan Press, 2023)
|
May 03, 2023 |
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Annie Zaleski, "Lady Gaga: Applause" (Palazzo Editions, 2022)
|
Apr 30, 2023 |
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Craig Leonard, "Uncommon Sense: Aesthetics after Marcuse" (MIT Press, 2022)
|
Apr 29, 2023 |
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Will York, "Who Cares Anyway: Post-Punk San Francisco and the End of the Analog Age" (Headpress, 2023)
|
Apr 25, 2023 |
|
Rachel Anne Gillett, "At Home in Our Sounds: Music, Race, and Cultural Politics in Interwar Paris" (Oxford UP, 2021)
|
Apr 22, 2023 |
|
The Making of "Ways of Hearing"
|
Apr 17, 2023 |
|
Celeste Day Moore, "Soundscapes of Liberation: African American Music in Postwar France" (Duke UP, 2021)
|
Apr 10, 2023 |
|
Simon Strange, "Blank Canvas: Art School Creativity and the Development of Punk, Post Punk and New Wave Music" (Intellect, 2023)
|
Apr 08, 2023 |
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David Rothenberg, "Whale Music: Thousand Mile Songs in a Sea of Sound" (Terra Nova Press, 2023)
|
Apr 04, 2023 |
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Geoff Harkness, "DVS Mindz: The Twenty-Year Saga of the Greatest Rap Group to Almost Make It Outta Kansas" (Columbia UP, 2023)
|
Mar 30, 2023 |
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Wolfgang Marx, "I Don't Belong Anywhere: Gyorgy Ligeti At 100" (Brepols Publishers, 2022)
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Mar 29, 2023 |
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Trent Walker, "Until Nirvana's Time: Buddhist Songs from Cambodia" (Shambhala, 2022)
|
Mar 22, 2023 |
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Rose Marshack, "Play Like a Man: My Life in Poster Children" (U Illinois Press, 2023)
|
Mar 20, 2023 |
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Nicolas Collins on Leonardo Music Journal’s 20th Anniversary
|
Mar 17, 2023 |
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Hugh Hodges, "The Fascist Groove Thing: A History of Thatcher's Britain in 21 Mixtapes" (PM Press, 2023)
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Mar 16, 2023 |
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Computer Music and Human Computer Interaction
|
Mar 15, 2023 |
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Kelsey Klotz, "Dave Brubeck and the Performance of Whiteness" (Oxford UP, 2023)
|
Mar 12, 2023 |
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Brian Harker, "Sportin' Life: John W. Bubbles, an American Classic" (Oxford UP, 2022)
|
Mar 11, 2023 |
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Error, Ego, Humility and Music: A Discussion with Tony Monaco
|
Mar 05, 2023 |
|
Margaret Hall, "Gemignani: Life and Lessons from Broadway and Beyond" (Applause Books, 2022)
|
Mar 01, 2023 |
|
Cassette Culture in Modern Egypt: A Conversation with Andrew Simon
|
Feb 27, 2023 |
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Dan DiPiero, "Contingent Encounters: Improvisation in Music and Everyday Life" (U Michigan Press, 2022)
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Feb 27, 2023 |
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Jen B. Larson, "Hit Girls: Women of Punk in the USA, 1975-1983" (Feral House, 2022)
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Feb 26, 2023 |
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Pete Millwood, "Improbable Diplomats: How Ping-Pong Players, Musicians, and Scientists Remade US-China Relations" (Cambridge UP, 2022)
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Feb 21, 2023 |
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Leila Jancovich and David Stevenson, "Failures in Cultural Participation" (Palgrave Macmillan, 2022)
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Feb 20, 2023 |
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Lauron J. Kehrer, "Queer Voices in Hip Hop: Cultures, Communities, and Contemporary Performance" (U Michigan Press, 2022)
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Feb 14, 2023 |
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Making Meaning Episode 11: Living Music
|
Feb 14, 2023 |
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Nic Brown, "Bang Bang Crash: A Memoir" (Counterpoint, 2023)
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Feb 14, 2023 |
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Making Meaning Episode 8: Gifts of Belonging
|
Feb 11, 2023 |
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Steven Hyden, "Long Road: Pearl Jam and the Soundtrack of a Generation" (Hachette Books, 2022)
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Feb 06, 2023 |
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Deep Cuts: Classic Rock and Hair Metal with Professor and Guitarist Jesse Kavadlo
|
Feb 05, 2023 |
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Nick Seaver, "Computing Taste: Algorithms and the Makers of Music Recommendation" (U Chicago Press, 2022)
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Feb 02, 2023 |
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Maria Sonevytsky, "Wild Music: Sound and Sovereignty in Ukraine" (Wesleyan UP, 2019)
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Jan 28, 2023 |
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Anthony Reed, "Soundworks: Race, Sound, and Poetry in Production" (Duke UP, 2020)
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Jan 28, 2023 |
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Rens Bod, "A New History of the Humanities: The Search for Principles and Patterns from Antiquity to the Present" (Oxford UP, 2014)
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Jan 23, 2023 |
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Dick Weissman, "Bob Dylan's New York: A Historic Guide" (SUNY Press, 2022)
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Jan 22, 2023 |
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Richard Aquila, "Rock & Roll in Kennedy's America: A Cultural History of the Early 1960s" (Johns Hopkins UP, 2022)
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Jan 18, 2023 |
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Oana Serban, "After Thomas Kuhn: The Structure of Aesthetic Revolutions" (de Gruyter, 2022)
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Jan 12, 2023 |
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Albert Glinsky, "Switched On: Bob Moog and the Synthesizer Revolution" (Oxford UP, 2022)
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Jan 07, 2023 |
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Siv B. Lie, "Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France" (U Chicago Press, 2021)
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Jan 04, 2023 |
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Rebecca Binns, "Gee Vaucher: Beyond Punk, Feminism and the Avant-Garde" (Manchester UP, 2022)
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Jan 02, 2023 |
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Comedies of 'Fair Use': Lewis Hyde on Owning Art and Ideas
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Jan 01, 2023 |
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What Makes a Book, Song or Movie Popular? A Conversation with Noah Askin
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Dec 23, 2022 |
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Craig Seymour, "Luther: The Life and Longing of Luther Vandross" (2017)
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Dec 21, 2022 |
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Tom McLeish, "The Poetry and Music of Science: Comparing Creativity in Science and Art" (Oxford UP, 2021)
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Dec 20, 2022 |
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Fearghus Roulston, "Belfast Punk and the Troubles: an Oral History" (Manchester UP, 2022)
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Dec 19, 2022 |
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Chokepoint Capitalism: How Chokepoint Capitalism is Strangling Creative Industries
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Dec 19, 2022 |
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Catherine Bateson, "Irish American Civil War Songs: Identity, Loyalty, and Nationhood" (Louisiana UP, 2022)
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Dec 14, 2022 |
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Philip Nanton, "Riff: The Shake Keane Story" (Papillote Press, 2022)
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Dec 14, 2022 |
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Natasha Lasky, "Britney Spears's Blackout" (Bloomsbury, 2022)
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Dec 11, 2022 |
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Norm Cohen et al., "An American Singing Heritage: Songs from the British-Irish-American Oral Tradition as Recorded in the Early Twentieth Century" (A-R Editions, 2021)
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Dec 08, 2022 |
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Mary Channen Caldwell, "Devotional Refrains in Medieval Latin Song" (Cambridge UP, 2022)
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Dec 07, 2022 |
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Bridget Kies and Megan Connor, "Fandom, the Next Generation" (U Iowa Press, 2022)
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Nov 22, 2022 |
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Elliott H. Powell, "Sounds from the Other Side: Afro-South Asian Collaborations in Black Popular Music" (U Minnesota Press, 2020)
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Nov 21, 2022 |
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Gregor Gall, "The Punk Rock Politics of Joe Strummer: Radicalism, Resistance and Rebellion" (Manchester UP, 2022)
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Nov 18, 2022 |
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Bradley Morgan, "U2's the Joshua Tree: Planting Roots in Mythic America" (Backbeat Books, 2021)
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Nov 17, 2022 |
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Meredith Schweig, "Renegade Rhymes: Rap Music, Narrative, and Knowledge in Taiwan" (U Chicago Press, 2022)
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Nov 11, 2022 |
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Guthrie P. Ramsey, "Who Hears Here?: On Black Music, Pasts and Present" (U California Press, 2022)
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Nov 07, 2022 |
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Nancy November, "String Quartets in Beethoven's Europe" (Academic Studies Press, 2022)
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Oct 31, 2022 |
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Ross Cole, "The Folk: Music, Modernity, and the Political Imagination" (U California Press, 2021)
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Oct 28, 2022 |
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Larisa Kingston Mann, "Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power (UNC Press, 2022)
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Oct 24, 2022 |
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John F. Lyons, "Joy and Fear: The Beatles, Chicago and the 1960s" (Permuted Press, 2020)
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Oct 18, 2022 |
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Charles Sawyer, "B. B. King: From Indianola to Icon: A Personal Odyssey with the 'King of the Blues'" (Schiffer Publishing, 2022)
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Oct 14, 2022 |
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Mark Burford, "Mahalia Jackson and the Black Gospel Field" (Oxford UP, 2019)
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Sep 23, 2022 |
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Nina Sun Eidsheim, "The Race of Sound: Listening, Timbre and Vocality in African American Music" (Duke UP, 2019)
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Sep 22, 2022 |
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Stevie Van Zandt, "Unrequited Infatuations: A Memoir" (Hachette Books, 2022)
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Sep 20, 2022 |
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Emily Bingham, "My Old Kentucky Home: The Astonishing Life and Reckoning of an Iconic American Song" (Knopf, 2022)
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Sep 19, 2022 |
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Steve Adelman, "Nocturnal Admissions: A Nightlife Memoir" (Santa Monica Press, 2022)
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Sep 16, 2022 |
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Eldritch Priest, "Earworm and Event: Music, Daydreams, and Other Imaginary Refrains" (Duke UP, 2022)
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Sep 15, 2022 |
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Nicholas Gamso, "Art After Liberalism" (Columbia UP, 2022)
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Sep 12, 2022 |
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Marissa R. Moss, "Her Country: How the Women of Country Music Became the Success They Were Never Supposed to Be" (Henry Holt, 2022)
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Sep 07, 2022 |
|
Adam Abraham, "Attack of the Monster Musical: A Cultural History of Little Shop of Horrors" (Bloomsbury, 2022)
|
Sep 02, 2022 |
|
Mark Clague, "O Say Can You Hear?: A Cultural Biography of the Star-Spangled Banner" (Norton, 2022)
|
Sep 02, 2022 |
|
Aniket De, "The Boundary of Laughter: Popular Performances Across Borders in South Asia" (Oxford UP, 2022)
|
Sep 01, 2022 |
|
Will Birch, "Cruel to Be Kind: The Life and Music of Nick Lowe" (Da Capo Press, 2019)
|
Aug 31, 2022 |
|
Matti Friedman, "Who by Fire: Leonard Cohen in the Sinai" (Spiegel & Grau, 2022)
|
Aug 30, 2022 |
|
Antonio C. Cuyler, "Access, Diversity, Equity and Inclusion in Cultural Organizations: Insights from the Careers of Executive Opera Managers of Color in the US" (Routledge, 2020)
|
Aug 18, 2022 |
|
Christopher M. Reali, "Music and Mystique in Muscle Shoals" (U Illinois Press, 2022)
|
Aug 12, 2022 |
|
Michael Elliott, "Have a Little Faith: The John Hiatt Story" (Chicago Review Press, 2021)
|
Aug 10, 2022 |
|
M. I. Franklin, "Sampling Politics: Music and the Geocultural" (Oxford UP, 2021)
|
Aug 09, 2022 |
|
Ellis Jones, "DIY Music and the Politics of Social Media" (Bloomsbury, 2020)
|
Aug 03, 2022 |
|
Leah Kardos, "Blackstar Theory: The Last Works of David Bowie" (Bloomsbury, 2022)
|
Aug 01, 2022 |
|
Alan John Ainsworth, "Sight Readings: Photographers and American Jazz, 1900-1960" (Intellect, 2022)
|
Aug 01, 2022 |
|
John M. Shaw, "Following the Drums: African American Fife and Drum Music in Tennessee" (UP of Mississippi, 2022)
|
Aug 01, 2022 |
|
Jeff Hayton, "Culture from the Slums: Punk Rock in East and West Germany" (Oxford UP, 2022)
|
Jul 28, 2022 |
|
Hanan Hammad, "Unknown Past: Layla Murad, the Jewish-Muslim Star of Egypt" (Stanford UP, 2022)
|
Jul 27, 2022 |
|
Caryn Rose, "Why Patti Smith Matters" (U of Texas Press, 2022)
|
Jul 19, 2022 |
|
Tony Perman, "Signs of the Spirit: Music and the Experience of Meaning in Ndau Ceremonial Life" (U Illinois Press, 2020)
|
Jul 15, 2022 |
|
Jennifer Lin, "Beethoven in Beijing: Stories from the Philadelphia Orchestra's Historic Journey to China" (Temple UP, 2022)
|
Jul 14, 2022 |
|
Alexandra Apolloni, "Freedom Girls: Voicing Femininity in 1960s British Pop" (Oxford UP, 2021)
|
Jul 11, 2022 |
|
Xinling Li, "Black Masculinity and Hip-Hop Music: Black Gay Men Who Rap" (Palgrave Macmillan, 2019)
|
Jul 06, 2022 |
|
Jessica Lipsky, "It Ain't Retro: Daptone Records and the 21st-Century Soul Revolution" (Jawbone, 2021)
|
Jul 05, 2022 |
|
Mattin, "Social Dissonance" (MIT Press, 2022)
|
Jul 05, 2022 |
|
Christopher Silver, "Recording History: Jews, Muslims, and Music Across Twentieth-Century North Africa" (Stanford UP, 2022)
|
Jul 04, 2022 |
|
John Luther Adams, "Silences So Deep: Music, Solitude, Alaska" (FSG, 2020)
|
Jun 22, 2022 |
|
Kira Thurman, "Singing Like Germans: Black Musicians in the Land of Bach, Beethoven, and Brahms" (Cornell UP, 2021)
|
Jun 21, 2022 |
|
Andrew Simon, "Media of the Masses: Cassette Culture in Modern Egypt" (Stanford UP, 2022)
|
Jun 16, 2022 |
|
Judith Lochhead et al., "Sound and Affect: Voice, Music, World" (U Chicago Press, 2021)
|
Jun 10, 2022 |
|
Mark Anthony Neal, "Black Ephemera: The Crisis and Challenge of the Musical Archive" (NYU Press, 2022)
|
Jun 10, 2022 |
|
Edward Anthony Avery-Natale, "Ethics, Politics, and Anarcho-Punk Identifications: Punk and Anarchy in Philadelphia" (Lexington, 2016)
|
Jun 10, 2022 |
|
Nikita Braguinski, "Mathematical Music: From Antiquity to Music AI" (Focal Press, 2022)
|
Jun 09, 2022 |
|
Peter C. Zimmerman, "The Jazz Masters: Setting the Record Straight" (UP of Mississippi, 2021)
|
Jun 08, 2022 |
|
Stan BH Tan-Tangbau et al., "Jazz in Socialist Hà Nội: Improvisations Between Worlds" (Routledge, 2022)
|
Jun 08, 2022 |
|
Stephen Deusner, "Where the Devil Don't Stay: Traveling the South with the Drive-By Truckers" (U Texas Press, 2021)
|
Jun 08, 2022 |
|
Mary Beth Willard, "Why It's Ok to Enjoy the Work of Immoral Artists" (Routledge, 2021)
|
Jun 08, 2022 |
|
Shara Rambarran, "Virtual Music: Sound, Music, and Image in the Digital Era" (Bloomsbury, 2021)
|
Jun 03, 2022 |
|
Richard Stamz and Patrick A. Roberts, "Give 'em Soul, Richard!: Race, Radio, and Rhythm and Blues in Chicago" (U Illinois Press, 2010)
|
Jun 01, 2022 |
|
Mike Errico, "Music, Lyrics, and Life: A Field Guide for the Advancing Songwriter" (Backbeat Book, 2022)
|
May 26, 2022 |
|
Alejandro Nava, "Street Scriptures: Between God and Hip-Hop" (U Chicago Press, 2022)
|
May 25, 2022 |
|
Rebecca Dowd Geoffroy-Schwinden, "From Servant to Savant: Musical Privilege, Property, and the French Revolution" (Oxford UP, 2022)
|
May 11, 2022 |
|
Guangtian Ha, "The Sound of Salvation: Voice, Gender, and the Sufi Mediascape in China" (Columbia UP, 2021)
|
May 09, 2022 |
|
Computational Creativity
|
May 06, 2022 |
|
J. Lorenzo Perillo, "Choreographing in Color: Filipinos, Hip-Hop, and the Cultural Politics of Euphemism" (Oxford UP, 2020)
|
May 06, 2022 |
|
Dhanveer Singh Brar, "Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century" (Goldsmiths Press, 2021)
|
May 06, 2022 |
|
Aaron Cohen, "Move On Up: Chicago Soul Music and Black Cultural Power" (U Chicago Press, 2019)
|
May 04, 2022 |
|
Nancy Barile, "I'm Not Holding Your Coat: My Bruises-And-All Memoir of Punk Rock Rebellion" (Bazillion Points, 2021)
|
Apr 28, 2022 |
|
Amanda D. Lotz, "Media Disrupted: Surviving Pirates, Cannibals, and Streaming Wars" (MIT Press, 2021)
|
Apr 27, 2022 |
|
On Rock'n'Roll, aka "The Devil's Music"
|
Apr 22, 2022 |
|
Delinda Collier, "Media Primitivism: Technological Art in Africa" (Duke UP, 2020)
|
Apr 20, 2022 |
|
Patricia A. Banks, "Black Culture, Inc.: How Ethnic Community Support Pays for Corporate America" (Stanford UP, 2022)
|
Apr 19, 2022 |
|
Kenneth Partridge, "Hell of a Hat: The Rise of '90s Ska and Swing" (Pennsylvania State UP, 2021)
|
Apr 15, 2022 |
|
Yana Stainova, "Sonorous Worlds: Musical Enchantment in Venezuela" (U Michigan Press, 2021)
|
Apr 13, 2022 |
|
Richard Brent Turner, "Soundtrack to a Movement: African American Islam, Jazz, and Black Internationalism" (NYU Press, 2021)
|
Apr 08, 2022 |
|
On Punk Rock and Religious Identity
|
Apr 07, 2022 |
|
Louis K. Epstein, "The Creative Labor of Music Patronage in Interwar France" (Boydell, 2021)
|
Apr 06, 2022 |
|
Rebecca Cypess, "Women and Musical Salons in the Enlightenment" (U Chicago Press, 2022)
|
Apr 01, 2022 |
|
Michael Spitzer, "The Musical Human: A History of Life on Earth" (Bloomsbury, 2021)
|
Mar 30, 2022 |
|
Kate Guthrie, "The Art of Appreciation: Music and Middlebrow Culture in Modern Britain" (U California Press, 2021)
|
Mar 29, 2022 |
|
Daudi Abe, "Emerald Street: A History of Hip Hop in Seattle" (U Washington Press, 2020)
|
Mar 23, 2022 |
|
Deirdre Ní Chonghaile, "Collecting Music in the Aran Islands: A Century of History and Practice" (U Wisconsin Press, 2021)
|
Mar 18, 2022 |
|
K. Stephen Prince, "The Ballad of Robert Charles: Searching for the New Orleans Riot Of 1900" (UNC Press, 2021)
|
Mar 17, 2022 |
|
Lily E. Hirsch, "Weird Al: Seriously" (Rowman and Littlefield, 2020)
|
Mar 17, 2022 |
|
Mike McCartney, "Mike McCartney's Early Liverpool" (Genesis Publications, 2021)
|
Mar 15, 2022 |
|
Paul Reitter and Chad Wellmon, "Permanent Crisis: The Humanities in a Disenchanted Age" (U Chicago Press, 2021)
|
Mar 14, 2022 |
|
Tim Smolko and Joanna Smolko, "Atomic Tunes: The Cold War in American and British Popular Music" (Indiana UP, 2021)
|
Mar 11, 2022 |
|
Uwe Schütte, "Kraftwerk: Future Music from Germany" (Penguin, 2021)
|
Mar 10, 2022 |
|
Vicki L. Brennan, "Singing Yoruba Christianity: Music, Media, and Morality" (Indiana UP, 2018)
|
Mar 08, 2022 |
|
James Lapine, "Putting It Together: How Stephen Sondheim and I Created 'Sunday in the Park with George'" (FSG, 2021)
|
Mar 04, 2022 |
|
William Sites, "Sun Ra's Chicago: Afrofuturism and the City" (U Chicago Press, 2021)
|
Feb 24, 2022 |
|
John Fenn and Lisa Gilman, "Handbook for Folklore and Ethnomusicology Fieldwork" (Indiana UP, 2019)
|
Feb 22, 2022 |
|
Katie Rios, "This Is America: Race, Gender, and Politics in America's Musical Landscape" (Lexington Books, 2021)
|
Feb 09, 2022 |
|
Bruce Iglauer and Patrick A. Roberts, "Bitten by the Blues: The Alligator Records Story" (U Chicago Press, 2018)
|
Feb 08, 2022 |
|
I'm Possible: A Conversation with Tuba Professor Dr. Richard White
|
Feb 03, 2022 |
|
Michael Stewart Foley, "Citizen Cash: The Political Life and Times of Johnny Cash" (Basic Books, 2021)
|
Feb 02, 2022 |
|
Olga Rodríguez-Ulloa and Rodrigo Quijano, "Punk! Las Américas Edition" (Intellect, 2022)
|
Jan 18, 2022 |
|
Vivian Kirkfield, "Making Their Voices Heard: The Inspiring Friendship of Ella Fitzgerald and Marilyn Monroe" (Little Bee Books, 2020)
|
Jan 13, 2022 |
|
Jake Johnson, "Lying in the Middle: Musical Theater and Belief at the Heart of America" (U Illinois Press, 2021)
|
Jan 13, 2022 |
|
Carol J. Oja and Charles Garrett, "Sounding Together: Collaborative Perspectives on U. S. Music in the 21st Century" (U Michigan Press, 2021)
|
Jan 07, 2022 |
|
Rosa Hawkins and Steve Bergsman, "Chapel of Love: The Story of New Orleans Girl Group the Dixie Cups" (UP of Mississippi, 2021)
|
Jan 05, 2022 |
|
Stan BH Tan-Tangbau and Quyền Văn Minh, "Playing Jazz in Socialist Vietnam: Quyền Văn Minh and Jazz in Hà Nội" (UP of Mississippi, 2021)
|
Jan 04, 2022 |
|
David Sulzer, "Music, Math, and Mind: The Physics and Neuroscience of Music" (Columbia UP, 2021)
|
Dec 30, 2021 |
|
David Politzer, “The Physics of Banjos” (Open Agenda, 2021)
|
Dec 23, 2021 |
|
Jeffrey Brooks, "The Firebird and the Fox: Russian Culture under Tsars and Bolsheviks" (Cambridge UP, 2019)
|
Dec 22, 2021 |
|
Marcia Pally, "From This Broken Hill I Sing to You: God, Sex, and Politics in the Work of Leonard Cohen" (Bloomsbury, 2021)
|
Dec 21, 2021 |
|
Mary Talusan, "Instruments of Empire: Filipino Musicians, Black Soldiers, and Military Band Music During US Colonization of the Philippines" (UP of Mississippi, 2021)
|
Dec 20, 2021 |
|
Sonia Gollance, "It Could Lead to Dancing: Mixed-Sex Dancing and Jewish Modernity" (Stanford UP, 2021)
|
Dec 07, 2021 |
|
John Holmes McDowell et al., "Performing Environmentalisms: Expressive Culture and Ecological Change" (U Illinois Press, 2021)
|
Nov 30, 2021 |
|
Nina Kraus, "Of Sound Mind: How Our Brain Constructs a Meaningful Sonic World" (MIT Press, 2021)
|
Nov 26, 2021 |
|
Nolan Gasser, "Why You Like It: The Science and Culture of Musical Taste" (Flatiron Books, 2019)
|
Nov 24, 2021 |
|
Sunhee Koo, "Sound of the Border: Music and Identity of Korean Minority Nationality in China" (U Hawaii Press, 2021)
|
Nov 24, 2021 |
|
Daniel K. L. Chua and Alexander Rehding, "Alien Listening: Voyager's Golden Record and Music from Earth" (Zone Book, 2021)
|
Nov 16, 2021 |
|
Adam Lehrer, "Communions" (Hyperidean Press, 2021)
|
Nov 12, 2021 |
|
Hiromu Nagahara, "Tokyo Boogie-Woogie: Japan's Pop Era and Its Discontents" (Harvard UP, 2017)
|
Nov 11, 2021 |
|
Andrea Warner, "Buffy Sainte-Marie: The Authorized Biography" (Graystone Books, 2018)
|
Nov 05, 2021 |
|
Samantha Durbin, "Raver Girl: Coming of Age in the 90s" (She Writes Press, 2021)
|
Nov 05, 2021 |
|
Raphael Cormack, "Midnight in Cairo: The Divas of Egypt's Roaring 20s" (Norton, 2021)
|
Nov 02, 2021 |
|
William Robin, "Industry: Bang on a Can and New Music in the Marketplace" (Oxford UP, 2021)
|
Oct 29, 2021 |
|
Caroline A. Kita, "Jewish Difference and the Arts in Vienna: Composing Compassion in Music and Biblical Theater" (Indiana UP, 2019)
|
Oct 26, 2021 |
|
David Pearson, "Rebel Music in the Triumphant Empire: Punk Rock in the 1990s United States" (Oxford UP, 2020)
|
Oct 26, 2021 |
|
Kelefa Sanneh, "Major Labels: A History of Popular Music in Seven Genres" (Penguin, 2021)
|
Oct 22, 2021 |
|
Alex E. Chávez, "Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño" (Duke UP, 2017)
|
Oct 21, 2021 |
|
Adesola Akinleye, "(Re:) Claiming Ballet" (Intellect Books, 2021)
|
Oct 21, 2021 |
|
Peter Toohey, "Hold On: The Life, Science, and Art of Waiting" (Oxford UP, 2020)
|
Oct 20, 2021 |
|
Joseph L. Clarke, "Echo's Chambers: Architecture and the Idea of Acoustic Space" (U Pittsburgh Press, 2021)
|
Oct 19, 2021 |
|
Aaron Cometbus and Scott Satterwhite, "A Punkhouse in the Deep South: The Oral History Of 309" (UP of Florida, 2021)
|
Oct 18, 2021 |
|
Mike Dines et al., "The Punk Reader: Research Transmissions from the Local and the Global" (Intellect, 2019)
|
Oct 12, 2021 |
|
Anne Bogart, "The Art of Resonance" (Methuen Drama, 2021)
|
Oct 06, 2021 |
|
Panayotis F. League, "Echoes of the Great Catastrophe: Re-Sounding Anatolian Greekness in Diaspora" (U Michigan Press, 2021)
|
Oct 04, 2021 |
|
Shayna Maskell, "Politics as Sound: The Washington, DC, Hardcore Scene, 1978-1983" (U Illinois Press, 2021)
|
Sep 28, 2021 |
|
J. P. M. Drury and S. A. M. Drury, "Rhetoric, Politics, and Hamilton: an American Musical" (Peter Lang, 2021)
|
Sep 16, 2021 |
|
Franz Nicolay, "Someone Should Pay for Your Pain" (Gibson House Press, 2021)
|
Sep 15, 2021 |
|
Mary Gauthier, "Saved by a Song: The Art and Healing Power of Songwriting" (St. Martin's Essentials, 2021)
|
Sep 10, 2021 |
|
Robin Wallace: Inspired By Beethoven
|
Sep 01, 2021 |
|
Caseen Gaines, "Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way" (Sourcebooks, 2021)
|
Aug 31, 2021 |
|
Janaki Bakhle, "Two Men and Music: Nationalism in the Making of an Indian Classical Tradition" (Oxford UP, 2005)
|
Aug 25, 2021 |
|
Patricia Bickers, "The Ends of Art Criticism" (Lund Humphries Publishers, 2021)
|
Aug 06, 2021 |
|
Angela Williams, "Hip Hop Harem: Women, Rap and Representation in the Middle East" (Peter Lang, 2020)
|
Aug 06, 2021 |
|
Mark A. Johnson, "Rough Tactics: Black Performance in Political Spectacles, 1877-1932" (UP of Mississippi, 2021)
|
Aug 05, 2021 |
|
Malcolm James, "Sonic Intimacy: Reggae Sound Systems, Jungle Pirate Radio and Grime YouTube Music Videos" (Bloomsbury, 2020)
|
Aug 04, 2021 |
|
Diana Deutsch, “Believing Your Ears: Examining Auditory Illusions” (Open Agenda, 2021)
|
Aug 02, 2021 |
|
Jessica Hopper, "The First Collection of Criticism by a Living Female Rock Critic" (MCD x Fsg Originals, 2021)
|
Jul 30, 2021 |
|
Joseph Curtin, “The Science of Siren Songs: Stradivari Unveiled” (Open Agenda, 2021)
|
Jul 30, 2021 |
|
Pablo Palomino, "The Invention of Latin American Music" (Oxford UP, 2020)
|
Jul 20, 2021 |
|
Andrew F. Jones, "Circuit Listening: Chinese Popular Music in the Global 1960s" (U Minnesota Press, 2020)
|
Jul 16, 2021 |
|
Cynthia J. Becker, "Blackness in Morocco: Gnawa Identity Through Music and Visual Culture" (U Minnesota Press, 2020)
|
Jul 16, 2021 |
|
Brooke McCorkle Okazaki, "Shonen Knife’s Happy Hour" (Bloomsbury, 2020)
|
Jul 15, 2021 |
|
Kate Kennedy, "Dweller in Shadows: A Life of Ivor Gurney" (Princeton UP, 2021)
|
Jul 15, 2021 |
|
Ruth Ahnert et al., "The Network Turn: Changing Perspectives in the Humanities" (Cambridge UP, 2021)
|
Jul 14, 2021 |
|
Candace Bailey, "Unbinding Gentility: Women Making Music in the Nineteenth-Century South" (U Illinois Press, 2021)
|
Jul 13, 2021 |
|
Jonathan Wright and Dawson Barrett, "Punks in Peoria: Making a Scene in the American Heartland" (U Illinois Press, 2021)
|
Jul 12, 2021 |
|
Benjamin Steege, "An Unnatural Attitude: Phenomenology in Weimar Musical Thought" (U Chicago Press, 2021)
|
Jul 07, 2021 |
|
Jeanne Pitre Soileau, "Yo' Mama, Mary Mack, and Boudreaux and Thibodeaux: Louisiana Children's Folklore and Play" (UP of Mississippi, 2016)
|
Jul 06, 2021 |
|
Assaf Shelleg, "Theological Stains: Art Music and the Zionist Project" (Oxford UP, 2020)
|
Jul 02, 2021 |
|
Caroline Seymour-Jorn, "Creating Spaces of Hope: Young Artists and the New Imagination in Egypt" (AU in Cairo Press, 2021)
|
Jun 30, 2021 |
|
Katherine K. Preston, "George Frederick Bristow" (U Illinois Press, 2020)
|
Jun 24, 2021 |
|
Richard Thompson, "Beeswing: Losing My Way and Finding My Voice 1967-1975" (Algonquin Books, 2021)
|
Jun 21, 2021 |
|
Claudrena N. Harold, "When Sunday Comes: Gospel Music in the Soul and Hip-Hop Eras" (U Illinois Press, 2020)
|
Jun 16, 2021 |
|
Mark Mordue, "Boy On Fire: The Young Nick Cave" (HarperCollins, 2020)
|
Jun 16, 2021 |
|
David Arditi, "Getting Signed: Record Contracts, Musicians, and Power in Society" (Palgrave Macmillan, 2020)
|
Jun 16, 2021 |
|
Douglas W. Shadle, "Antonín Dvořák's New World Symphony" (Oxford UP, 2021)
|
Jun 11, 2021 |
|
W. Patrick McCray, "Making Art Work: How Cold War Engineers and Artists Forged a New Creative Culture" (MIT Press, 2020)
|
Jun 09, 2021 |
|
Louis Menand, "The Free World: Art and Thought in the Cold War" (FSG, 2021)
|
Jun 07, 2021 |
|
Axel Englund, "Deviant Opera: Sex, Power, and Perversion on Stage" (U California Press, 2020)
|
Jun 07, 2021 |
|
Women Singer-Songwriters of 1970s Japan: A Discussion with Satoko Naito
|
Jun 04, 2021 |
|
K. E. Goldschmitt, "Bossa Mundo: Brazilian Music in Transnational Media Industries" (Oxford UP, 2019)
|
May 28, 2021 |
|
Benjamin Piekut, "Henry Cow: The World Is a Problem" (Duke UP, 2019)
|
May 28, 2021 |
|
Makis Solomos, "From Music to Sound: The Emergence of Sound in 20th and 21st-century Music" (Routledge, 2019)
|
May 21, 2021 |
|
David Monod, "Vaudeville and the Making of Modern Entertainment, 1890–1925" (UNC Press, 2020)
|
May 19, 2021 |
|
Amit Chaudhuri, "Finding the Raga: An Improvisation on Indian Music" (NYRB, 2021)
|
May 06, 2021 |
|
Michael L. Siciliano, "Creative Control: The Ambivalence of Work in the Culture Industries" (Columbia UP, 2021)
|
May 06, 2021 |
|
Maureen Mahon, "Black Diamond Queens: African American Women and Rock and Roll" (Duke UP, 2020)
|
May 04, 2021 |
|
Tara T. Green, "Reimagining the Middle Passage: Black Resistance in Literature, Television, and Song" (Ohio State UP, 2018)
|
Apr 30, 2021 |
|
Philip Auslander, "In Concert: Performing Musical Persona" (U Michigan Press, 2021)
|
Apr 30, 2021 |
|
Bill Nowlin, "Vinyl Ventures: My Fifty Years at Rounder Records" (Equinox, 2021)
|
Apr 20, 2021 |
|
Regina N. Bradley, "Chronicling Stankonia: The Rise of the Hip-Hop South" (UNC Press, 2021)
|
Apr 19, 2021 |
|
W. David O. Taylor, "Glimpses of the New Creation: Worship and the Formative Power of the Arts" (Eerdmans, 2019)
|
Apr 09, 2021 |
|
Anne Searcy, "Ballet in the Cold War: A Soviet-American Exchange" (Oxford UP, 2020)
|
Apr 09, 2021 |
|
Sibbie O'Sullivan, "My Private Lennon: Explorations from a Fan Who Never Screamed" (Mad Creek Books, 2020)
|
Apr 09, 2021 |
|
Monique M. Ingalls, "Singing the Congregation: How Contemporary Worship Music Forms Evangelical Community" (Oxford UP, 2018)
|
Apr 08, 2021 |
|
Shannan Clark, "The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism" (Oxford UP, 2020)
|
Apr 06, 2021 |
|
Maurice Rafael Magaña, "Cartographies of Youth Resistance: Hip-Hop, Punk, and Urban Autonomy in Mexico" (U California Press, 2020)
|
Apr 06, 2021 |
|
Amanda Ann Klein, "Millennials Killed the Video Star: MTV's Transition to Reality Programming" (Duke UP, 2021)
|
Apr 05, 2021 |
|
M. I. Devine, "Warhol's Mother's Pantry: Art, America, and the Mom in Pop" (Mad Creek Books, 2020)
|
Apr 02, 2021 |
|
Richard C. Jankowsky, "Ambient Sufism: Ritual Niches and the Social Work of Musical Form" (U Chicago Press, 2021)
|
Apr 02, 2021 |
|
Tyler Sonnichsen, "Capitals of Punk: DC, Paris, and Circulation in the Urban Underground" (Palgrave MacMillan, 2019)
|
Mar 29, 2021 |
|
Nate Chinen, "Playing Changes: Jazz for the New Century" (Vintage, 2019)
|
Mar 26, 2021 |
|
David A. Less, "Memphis Mayhem: A Story of the Music That Shook Up the World" (ECW Press, 2020)
|
Mar 25, 2021 |
|
Rebecca Hope Dirksen, "After the Dance, the Drums Are Heavy: Carnival, Politics, and Musical Engagement in Haiti" (Oxford UP, 2020)
|
Mar 17, 2021 |
|
Gascia Ouzounian, "Stereophonica: Sound and Space in Science, Technology, and the Arts" (MIT Press, 2021)
|
Mar 16, 2021 |
|
J. DeLapp-Birkett and Aaron Sherber, "Appalachian Spring: Original Ballet Version" (A-R Edtions, 2019)
|
Mar 15, 2021 |
|
Njoroge M. Njoroge, "Chocolate Surrealism: Music, Movement, Memory, and History in the Circum-Caribbean" (UP of Mississippi, 2016)
|
Mar 11, 2021 |
|
B. Brian Foster, "I Don't Like the Blues: Race, Place, and the Backbeat of Black Life" (UNC Press, 2020)
|
Mar 11, 2021 |
|
Evan Rapport, "Damaged: Musicality and Race in Early American Punk" (UP of Mississippi, 2020)
|
Mar 01, 2021 |
|
Luc Sante, "Maybe the People Would Be the Times" (Verse Chorus Press, 2020)
|
Feb 25, 2021 |
|
Daphne A. Brooks, "Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound" (Harvard UP, 2021)
|
Feb 23, 2021 |
|
Robert L. Stone, "Can’t Nobody Do Me Like Jesus! Photographs from the Sacred Steel Community" (U of Mississippi Press, 2020)
|
Feb 23, 2021 |
|
Dan Moller, "The Way of Bach: Three Years with the Man, the Music, and the Piano" (Simon and Schuster, 2020)
|
Feb 19, 2021 |
|
Oliver Craske, "Indian Sun: The Life and Music of Ravi Shankar" (Hachette, 2020)
|
Feb 11, 2021 |
|
Paul O. Jenkins, "Bluegrass Ambassadors: The McLain Family Band in Appalachia and the World" (West Virginia UP, 2020)
|
Feb 11, 2021 |
|
Ray Allen, "Jump Up!: Caribbean Carnival Music in New York City" (Oxford UP, 2019)
|
Feb 09, 2021 |
|
Jillian C. Rogers, "Resonant Recoveries: French Music and Trauma Between the World Wars" (Oxford UP, 2021)
|
Feb 08, 2021 |
|
Kimberly Mack, "Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White" (U Mass Press, 2020)
|
Feb 05, 2021 |
|
Andrea Bohlman, "Musical Solidarities: Political Action and Music in Late Twentieth-Century Poland" (Oxford UP, 2020)
|
Jan 26, 2021 |
|
Daniel M. Harrison, "Live At Jackson Station: Music, Community, and Tragedy in a Southern Blues Bar" (U South Carolina Press, 2021)
|
Jan 18, 2021 |
|
David Chaffetz, "Three Asian Divas: Women, Art and Culture In Shiraz, Delhi and Yangzhou" (Abbreviated Press, 2019)
|
Jan 14, 2021 |
|
Gerry Smyth, "Sailor Song: The Shanties and Ballads of the High Seas" (U Washington Press, 2020)
|
Jan 12, 2021 |
|
Ari Y. Kelman, "Shout to the Lord: Making Worship Music in Evangelical America" (NYU Press, 2018)
|
Jan 07, 2021 |
|
Anthony Valerio, "Before the Sidewalk Ended: A Walk with Shel Silverstein" (Daisy H. Productions, 2020)
|
Jan 04, 2021 |
|
Sophia Chang, "The Baddest Bitch in the Room" (Catapult, 2020)
|
Dec 31, 2020 |
|
Mark James Porter, "Ecologies of Resonance in Christian Musicking" (Oxford UP, 2020)
|
Dec 30, 2020 |
|
Tom Boniface-Webb, "Modern Music Masters: Oasis" (MMM, 2020)
|
Dec 23, 2020 |
|
Laurent Fintoni, "Bedroom Beats & B-Sides: Instrumental Hip-Hop & Electronic Music at the Turn of the Century" (Velocity Press, 2020)
|
Dec 21, 2020 |
|
R. Garofalo, E. T. Allen, A. Snyder, "Honk!: A Street Band Renaissance of Music and Activism" (Routledge, 2019)
|
Dec 21, 2020 |
|
Tony Bolden, "Groove Theory: The Blues Foundation of Funk" (UP of Mississippi, 2020)
|
Dec 14, 2020 |
|
N. Mclaughlin and J. Braniff, "How Belfast Got the Blues: A Cultural History of Popular Music in The 1960s" (Intellect, 2020)
|
Dec 14, 2020 |
|
Timothy Hampton, "Bob Dylan: How the Songs Work" (Zone Books, 2020)
|
Dec 11, 2020 |
|
Timothy P. Storhoff, "Harmony and Normalization: US-Cuban Musical Diplomacy" (UP of Mississippi, 2020)
|
Dec 08, 2020 |
|
George Musgrave, "Can Music Make You Sick?: Measuring the Price of Musical Ambition" (U Westminster Press, 2020)
|
Nov 20, 2020 |
|
Kevin Mattson, "We're Not Here to Entertain: Punk Rock, Ronald Reagan, and the Real Culture War of 1980s America" (Oxford UP, 2020)
|
Nov 11, 2020 |
|
Billy Coleman, "Harnessing Harmony: Music, Power, and Politics in the United States, 1788-1865" (UNC Press, 2020)
|
Nov 06, 2020 |
|
Emily J. Lordi, "The Meaning of Soul: Black Music and Resilience Since the 1960s" (Duke UP, 2020)
|
Oct 30, 2020 |
|
Felicia Angeja Viator, "To Live and Defy in LA: How Gangsta Rap Changed America" (Harvard UP, 2020)
|
Oct 26, 2020 |
|
Bonny H. Miller, "Augusta Browne: Composer and Woman of Letters in Nineteenth-Century America" (U Rochester Press, 2020)
|
Oct 26, 2020 |
|
Simone C. Drake, "Are You Entertained?: Black Popular Culture in the Twenty-First Century" (Duke UP, 2020)
|
Oct 22, 2020 |
|
Joel Miller, "Memoir of a Roadie: Axl Said I made a Great Cup of Tea…" (2020)
|
Oct 13, 2020 |
|
William P. Seeley, "Attentional Engines: A Perceptual Theory of the Arts" (Oxford UP, 2020)
|
Oct 12, 2020 |
|
Dave O’Brien, "Culture is Bad for You: Inequality in the Cultural and Creative Industries" (Manchester UP, 2020)
|
Oct 12, 2020 |
|
Farzaneh Hemmasi, "Tehrangeles Dreaming: Intimacy and Imagination in Southern California's Iranian Pop Music" (Duke UP, 2020)
|
Oct 12, 2020 |
|
Fabian Holt, "Everyone Loves Live Music: A Theory of Performance Institutions" (U Chicago Press, 2020)
|
Sep 29, 2020 |
|
Bethany Klein, "Selling Out: Culture, Commerce and Popular Music" (Bloomsbury, 2020)
|
Sep 21, 2020 |
|
Julia Sneeringer, "A Social History of Early Rock ‘n’ Roll in Germany: Hamburg from Burlesque to The Beatles, 1956-69" (Bloomsbury, 2018)
|
Sep 18, 2020 |
|
Glenda Goodman, "Cultivated by Hand: Amateur Musicians in the Early American Republic" (Oxford UP, 2020)
|
Sep 10, 2020 |
|
Stooges Brass Band, "Can’t Be Faded: Twenty Years in the New Orleans Brass Band Game" (U Mississippi Press, 2020)
|
Sep 07, 2020 |
|
Joanna Stingray, "Red Wave: An American in the Soviet Music Underground" (Doppelhouse Press, 2020)
|
Sep 04, 2020 |
|
M. Hinds and J. Silverman, "Johnny Cash International: How and Why Fans Love the Man in Black" (U Iowa Press, 2020)
|
Sep 02, 2020 |
|
Steven C. Smith, "Music by Max Steiner: The Epic Life of Hollywood’s Most Influential Composer" (Oxford UP, 2020)
|
Aug 21, 2020 |
|
Lauren Michele Jackson, "White Negroes: When Cornrows Were in Vogue ... and Other Thoughts on Cultural Appropriation" (Beacon, 2019)
|
Aug 19, 2020 |
|
Rae Linda Brown, "Heart of a Woman: The Life and Music of Florence B. Price" (U Illinois Press, 2020)
|
Aug 14, 2020 |
|
Kyle Barnett, "Record Cultures: The Transformation of the U.S. Recording Industry" (U Michigan Press, 2020)
|
Aug 13, 2020 |
|
Mack Hagood, "Hush: Media and Sonic Self-Control" (Duke UP, 2019)
|
Aug 12, 2020 |
|
Karen Patel, "The Politics of Expertise in Cultural Labour: Arts, Work and Inequalities" (Rowman and Littlefield, 2020)
|
Aug 12, 2020 |
|
Caridad Svich, "Mitchell and Trask’s Hedwig and the Angry Inch" (Routledge, 2019
|
Aug 03, 2020 |
|
Gabriel Dattatreyan, "The Globally Familiar: Digital Hip-Hop, Masculinity, and Urban Space in Delhi" (Duke UP, 2020)
|
Aug 03, 2020 |
|
Martin James, "State of Base: The Origins of Jungle/Drum and Bass" (Velocity Press, 2020)
|
Jul 31, 2020 |
|
Sunny Stalter-Pace, "Imitation Artist: Gertrude Hoffman’s Life in Vaudeville and Dance" (Northwestern UP, 2020)
|
Jul 31, 2020 |
|
Junior Tomlin, "Junior Tomlin: Flyer and Cover Art" (Velocity Press, 2020)
|
Jul 28, 2020 |
|
Manuel Betancourt, "Judy Garland's Judy at Carnegie Hall" (Bloomsbury Academic, 2020)
|
Jul 23, 2020 |
|
Marianna Ritchey, "Composing Capital: Classical Music in the Neoliberal Era" (U Chicago Press, 2019)
|
Jul 08, 2020 |
|
Rachel Mundy, "Animal Musicalities: Birds, Beasts, and Evolutionary Listening" (Wesleyan UP, 2018)
|
Jul 07, 2020 |
|
Kendra Preston Leonard, "Music for the Kingdom of Shadows: Cinema Accompaniment in the Age of Spiritualism" (Humanities Commons, 2010)
|
Jul 06, 2020 |
|
Grace Elizabeth Hale, "Cool Town: How Athens, Georgia, Launched Alternative Music and Changed American Culture" (UNC Press, 2020)
|
Jul 03, 2020 |
|
Shana Redmond, "Everything Man: The Form and Function of Paul Robeson" (Duke UP, 2020)
|
Jun 23, 2020 |
|
R. Farrugia and K. D. Hay, "Women Rapping Revolution: Hip Hop and Community Building in Detroit" (U California Press, 2020)
|
Jun 17, 2020 |
|
Kenneth Womack, "Solid State: The Story of Abbey Road and The End of The Beatles" (Cornell UP, 2019)
|
Jun 04, 2020 |
|
Brian Greene, "Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe" (Random House, 2020)
|
Jun 02, 2020 |
|
Dale Cockrell, "Everybody’s Doin’ It: Sex, Music, and Dance in New York, 1840-1917" (Norton, 2019)
|
Jun 02, 2020 |
|
Stacy Wolf, "Beyond Broadway: The Pleasure and Promise of Musical Theatre Across America" (Oxford UP, 2019)
|
May 18, 2020 |
|
Nick Prior, "Popular Music, Digital Technology and Society" (SAGE, 2018)
|
May 18, 2020 |
|
Paul Harkins, "Digital Sampling: The Design and Use of Music Technologies" (Routledge, 2019)
|
May 14, 2020 |
|
Forrest Stuart, "Ballad of the Bullet: Gangs, Drill Music, and the Power of Online Infamy" (Princeton UP, 2020)
|
May 13, 2020 |
|
Tyler Bickford, "Tween Pop: Children’s Music and Public Culture" (Duke UP, 2020)
|
May 05, 2020 |
|
Leslie M. Harris, "Slavery and the University: Histories and Legacies" (U Georgia Press, 2019)
|
Apr 28, 2020 |
|
Caspar Melville, "It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City" (Manchester UP, 2019)
|
Apr 24, 2020 |
|
Peter La Chapelle, "I’d Fight the World: A Political History of Old-Time, Hillbilly, and Country Music" (U Chicago Press, 2019)
|
Apr 24, 2020 |
|
Jacki Apple, "Performance / Media / Art / Culture: Selected Essays 1983-2018" (Intellect Books, 2019)
|
Apr 23, 2020 |
|
Thor Magnusson, "Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions" (Bloomsbury Academic, 2019)
|
Apr 15, 2020 |
|
Richard M. Gamble, "A Fiery Gospel: The Battle Hymn of the Republic and the Road to Righteous War" (Cornell UP, 2019)
|
Apr 13, 2020 |
|
Anna Bull, "Class, Control, and Classical Music" (Oxford UP, 2019)
|
Apr 07, 2020 |
|
Matt Cook, "Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy" (MIT Press, 2020)
|
Mar 30, 2020 |
|
Kunio Hara, "Joe Hisaishi's Soundtrack for My Neighbor Totoro" (Bloomsbury Academic, 2020)
|
Mar 26, 2020 |
|
Nick Crossley, "Connecting Sounds: The Social Life of Music" (Manchester UP, 2020)
|
Mar 16, 2020 |
|
Phillipa Chong, “Inside the Critics’ Circle: Book Reviewing in Uncertain Times” (Princeton UP, 2020)
|
Feb 25, 2020 |
|
Ryan Weber, "Cosmopolitanism and Transatlantic Circles in Music and Literature" (Palgrave MacMillan, 2018)
|
Feb 20, 2020 |
|
Kyle Devine, "Decomposed: The Political Ecology of Music" (MIT Press, 2019)
|
Feb 05, 2020 |
|
K. Linder et al., "Going Alt-Ac: A Guide to Alternative Academic Careers" (Stylus Publishing, 2020)
|
Jan 30, 2020 |
|
Mark Katz, "Build: The Power of Hip Hop Diplomacy in a Divided World" (Oxford UP, 2019)
|
Jan 28, 2020 |
|
Jane D. Hatter, "Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and Practice" (Cambridge UP, 2019)
|
Dec 23, 2019 |
|
Alberto Cairo, "How Charts Lie: Getting Smarter about Visual Information" (Norton, 2019)
|
Dec 03, 2019 |
|
Laura K. T. Stokes, "Fanny Hensel: A Research and Information Guide" (Routledge, 2019)
|
Nov 28, 2019 |
|
Richard F. Thomas, "Why Bob Dylan Matters" (Dey Street, 2017)
|
Nov 26, 2019 |
|
Lincoln A. Mitchell, "San Francisco Year Zero" (Rutgers UP, 2019)
|
Nov 21, 2019 |
|
Kathryn Conrad on University Press Publishing
|
Nov 03, 2019 |
|
J. Neuhaus, "Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers" (West Virginia UP, 2019)
|
Oct 24, 2019 |
|
Jennifer C. Lena, "Entitled: Discriminating Tastes and the Expansion of the Arts" ( Princeton UP, 2019)
|
Aug 29, 2019 |
|
William Gibbons, "Unlimited Replays: Video Games and Classical Music" (Oxford UP, 2018)
|
Aug 06, 2019 |
|
Ann Powers, "Good Booty: Love and Sex, Black and White, Body and Soul in American Music" (Dey St. Books, 2017)
|
Jul 17, 2019 |
|
Candace L. Bailey, "Charleston Belles Abroad: The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord" (U South Carolina Press, 2019)
|
Jun 26, 2019 |
|
Stephen R. Duncan, "The Rebel Café: Sex, Race, and Politics in Cold War America’s Nightclub Underground" (Johns Hopkins UP, 2018)
|
Jun 24, 2019 |
|
E. Douglas Bomberger, "Making Music American: 1917 and the Transformation of Culture" (Oxford UP, 2018)
|
Jun 13, 2019 |
|
Bryan McCann, "The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era" (U Alabama Press, 2017)
|
Jun 12, 2019 |
|
Fernando Orejuela and Stephanie Shonekan, "Black Lives Matter and Music: Protest, Intervention, Reflection" (Indiana UP, 2018)
|
May 07, 2019 |
|
Vivi Lachs, "Whitechapel Noise: Jewish Immigrant Life in Yiddish Song and Verse, London, 1884-1914" (Wayne State UP, 2018)
|
Apr 25, 2019 |
|
René Weis, "The Real Traviata: The Song of Marie Duplessis" (Oxford UP, 2015)
|
Apr 22, 2019 |
|
Randall Stephens, "The Devil’s Music: How Christians Inspired, Condemned, and Embraced Rock n’ Roll" (Harvard UP, 2018)
|
Apr 10, 2019 |
|
Su'ad Abdul Khabeer, “Muslim Cool: Race, Religion, and Hip Hop in the United States” (NYU Press, 2016)
|
Apr 05, 2019 |
|
Nancy Yunhwa Rao, "Chinatown Opera Theater in North America" (U Illinois Press, 2017)
|
Apr 03, 2019 |
|
Levi S. Gibbs, "Song King: Connecting People, Places and Past in Contemporary China" (U Hawaii Press, 2018)
|
Apr 02, 2019 |
|
Jules Evans, "The Art of Losing Control: A Philosopher's Search for Ecstatic Experience" (Canongate Books, 2017)
|
Mar 28, 2019 |
|
Discussion of Massive Online Peer Review and Open Access Publishing
|
Mar 19, 2019 |
|
Suk-Young Kim, "K-Pop Live: Fans, Idols, and Multimedia Performance" (Stanford UP, 2018)
|
Mar 13, 2019 |
|
Jennifer Ronyak, "Intimacy, Performance, and the Lied in the Early Nineteenth Century" (Indiana UP, 2018)
|
Mar 08, 2019 |
|
Nick Soulsby, "Sacrifice and Transcendence: The Oral History of Swans" (Jawbone Press, 2018)
|
Feb 14, 2019 |
|
Robin Wallace, "Hearing Beethoven: A Story of Musical Loss and Discovery" (UChicago Press, 2018)
|
Feb 07, 2019 |
|
Tim Mohr, "Burning Down the Haus: Punk Rock, Revolution, and the Fall of the Berlin Wall" (Algonquin Books, 2018)
|
Jan 17, 2019 |
|
Katherine K. Preston, "Opera for the People: English-Language Opera and Women Managers in Late 19th-Century America" (Oxford UP, 2017)
|
Dec 21, 2018 |
|
Patrick B. Mullen, "Right to the Juke Joint: A Personal History of American Music" (U Illinois Press, 2018)
|
Dec 14, 2018 |
|
McKenzie Wark, "General Intellects: Twenty-One Thinkers for the Twenty-First Century" (Verso, 2017)
|
Dec 06, 2018 |
|
John C. Hajduk, "Music Wars: Money, Politics, and Race in the Construction of Rock and Roll Culture, 1940–1960" (Lexington Books, 2018)
|
Dec 03, 2018 |
|
Tracy Fessenden, “Religion Around Billie Holiday” (Penn State UP, 2018)
|
Nov 14, 2018 |
|
Lee Bidgood, “Czech Bluegrass: Notes from the Heart of Europe” (U Illinois Press, 2017)
|
Nov 14, 2018 |
|
R. C. Romano and C. B. Potter, “Historians on Hamilton: How a Blockbuster Musical is Restaging America’s Past” (Rutgers UP,
|
Nov 07, 2018 |
|
Zachary Lechner, “The South of the Mind: American Imaginings of White Southernness, 1960–1980” (U Georgia Press, 2018)
|
Oct 31, 2018 |
|
Robert Fink, Melinda Latour, and Zachary Wallmark, “The Relentless Pursuit of Tone: Timbre in Popular Music” (Oxford UP, 2018)
|
Oct 12, 2018 |
|
Tala Jarjour, “Sense and Sadness: Syriac Chant in Aleppo” (Oxford UP, 2018)
|
Sep 28, 2018 |
|
Stephen Lee Naish, “Riffs & Meaning: Manic Street Preachers and Know Your Enemy” (Headpress, 2018)
|
Sep 11, 2018 |
|
David García, “Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins” (Duke UP, 2017)
|
Sep 05, 2018 |
|
James P. Leary, “Folksongs of Another America: Field Recordings from the Upper Midwest, 1937–1946” (U Wisconsin Press, 2015)
|
Aug 22, 2018 |
|
Naomi André, “Black Opera: History, Power, Engagement” (U Illinois Press, 2018)
|
Aug 08, 2018 |
|
Ben Blackwell, “The Blue Series: The Story Behind the Color” (Third Man Books, 2017)
|
Jul 25, 2018 |
|
Eli Maor, “Music by the Numbers: From Pythagoras to Schoenberg” (Princeton UP, 2018)
|
Jul 18, 2018 |
|
David Novak and Matt Sakakeeny, “Keywords in Sound” (Duke UP, 2015)
|
Jul 13, 2018 |
|
Rebekah J. Buchanan, “Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics” (Peter Lang, 2018)
|
Jul 09, 2018 |
|
M. L. Liebler, “Heaven Was Detroit: From Jazz to Hip-Hop and Beyond” (Wayne State UP, 2016)
|
Jul 06, 2018 |
|
Denise Von Glahn, “Libby Larsen: Composing an American Life” (U Illinois Press,
|
Jun 26, 2018 |
|
Sandra Jean Graham, “Spirituals and the Birth of a Black Entertainment Industry” (U Illinois Press, 2018)
|
Jun 12, 2018 |
|
James Cook, “Memory Songs: A Personal Journey into the Music that Shaped the 90s” (Unbound, 2018)
|
Jun 07, 2018 |
|
Charles Hughes, “Country Soul: Making Music and Making Race in the American South” (UNC Press, 2015)
|
Jun 06, 2018 |
|
Christina Scharff, “Gender, Subjectivity, and Cultural Work: The Classical Music Profession” (Routledge, 2018)
|
May 29, 2018 |
|
Michael Ramirez, “Destined for Greatness: Passions, Dreams, and Aspirations in a College Music Town” (Rutgers UP, 2018)
|
May 18, 2018 |
|
Gillian M. Rodger, “Just One of the Boys: Female-to-Male Cross-Dressing on the American Variety Stage” (U Illinois Press, 2018)
|
May 16, 2018 |
|
John Gennari, “Flavor and Soul: Italian America and Its African American Edge” (U Chicago Press, 2017)
|
Apr 25, 2018 |
|
Imani Perry, “May We Forever Stand: A History of the Black National Anthem” (UNC Press, 2018)
|
Apr 23, 2018 |
|
Marc Hertzman, “Making Samba: A New History of Race and Music in Brazil” (Duke UP, 2013)
|
Apr 19, 2018 |
|
Emily Petermann, “The Musical Novel: Imitation of Musical Structure, Performance, and Reception in Contemporary Fiction” (Camden House, 2014)
|
Apr 17, 2018 |
|
Kimberly A. Francis, “Teaching Stravinsky: Nadia Boulanger and the Consecration of a Modernist Icon” (Oxford UP, 2015)
|
Apr 11, 2018 |
|
Marian Wilson Kimber, “The Elocutionists: Women, Music, and the Spoken Word” (U Illinois Press, 2017)
|
Mar 13, 2018 |
|
Jean R. Freedman, “Peggy Seeger: A Life of Music, Love, and Politics” (U Illinois Press, 2017)
|
Mar 08, 2018 |
|
Sterling Murray, “The Career of an Eighteenth-Century Kapellmeister: The Life and Music of Antonio Rosetti” (U Rochester Press, 2014)
|
Mar 05, 2018 |
|
C. Grant and H. Schippers, “Sustainable Futures for Music Cultures: An Ecological Perspective” (Oxford UP, 2016)
|
Feb 19, 2018 |
|
Larry Wolff, “The Singing Turk” (Stanford UP, 2016)
|
Feb 19, 2018 |
|
Douglas W. Shadle, “Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise” (Oxford UP, 2015)
|
Feb 13, 2018 |
|
Kevin Bartig, “Sergei Prokofiev’s Alexander Nevsky” (Oxford UP, 2017)
|
Jan 29, 2018 |
|
Benjamin Teitelbaum, “Lions of the North: Sounds of the New Nordic Radical Nationalism” (Oxford UP, 2017)
|
Jan 24, 2018 |
|
Franz Rickaby, et al., “Pinery Boys: Songs and Songcatching in the Lumberjack Era” (U Wisconsin Press, 2017)
|
Jan 10, 2018 |
|
Jonathan R. Wynn, “Music/City: American Festivals and Placemaking in Austin, Nashville, and Newport” (U of Chicago, 2015)
|
Jan 05, 2018 |
|
Rebecca Tuhus-Dubrow, “Personal Stereo” (Bloomsbury Academic, 2017)
|
Dec 12, 2017 |
|
Mark Fleischman, “Inside Studio 54” (Rare Bird Books, 2017)
|
Dec 08, 2017 |
|
Jenny Natasha and Tom Boniface-Webb, “I Was Britpopped: The A-Z of Britpop” (Valley Press, 2017)
|
Nov 30, 2017 |
|
Richard Power Sayeed, “1997: The Future that Never Happened (Zed Books, 2017)
|
Nov 25, 2017 |
|
Daniel Kane, “Do You Have a Band?”: Poetry and Punk Rock in New York City” (Columbia UP, 2017)
|
Nov 02, 2017 |
|
Joel Dinerstein, “The Origins of Cool in Postwar America” (U. Chicago Press, 2017)
|
Oct 31, 2017 |
|
Rebecca Mitchell, “Nietzsche’s Orphans: Music, Metaphysics, and the Twilight of the Russian Empire” (Yale UP, 2015)
|
Oct 23, 2017 |
|
Rosemary Lucy Hill, “Gender, Metal and the Media: Women Fans and the Gendered Experience of Music” (Palgrave Macmillan 2016)
|
Sep 05, 2017 |
|
Johari Jabir, “Conjuring Freedom: Music and Masculinity in the Civil War’s ‘Gospel Army'” (Ohio State UP, 2017)
|
Aug 29, 2017 |
|
Karmen MacKendrick, “The Matter of Voice: Sensual Soundings” (Fordham UP, 2016)
|
Aug 19, 2017 |
|
Jennifer Fleeger, “Mismatched Women: The Siren’s Song Through the Machine” (Oxford UP, 2014)
|
Aug 13, 2017 |
|
Adriana Helbig, “Hip Hop Ukraine: Music, Race, and African Migration” (Indiana UP, 2014)
|
Jul 25, 2017 |
|
Franz Nicolay, “The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar” (The New Press, 2016)
|
Jul 12, 2017 |
|
Paul C. Jasen, “Low End Theory: Bass, Bodies and the Materiality of Sonic Experience” (Bloomsbury, 2016)
|
Jul 08, 2017 |
|
Danny Goldberg, “In Search of the Lost Chord: 1967 and the Hippie Idea” (Akashic Books, 2017)
|
Jun 23, 2017 |
|
Andre Sirois, “Hip-Hop DJs and the Evolution of Technology: Cultural Exchange, Innovation, and Democratization” (Peter Lang, 2016)
|
Jun 13, 2017 |
|
Paul Youngquist, “A Pure Solar World: Sun Ra and the Birth of Afrofuturism” (U. Texas Press, 2016)
|
May 27, 2017 |
|
James A. Cosby, “Devil’s Music, Holy Rollers and Hillbillies: How America Gave Birth to Rock and Roll” (McFarland, 2016)
|
Apr 18, 2017 |
|
Petra R. Rivera-Rideau, “Remixing Reggaeton: The Cultural Politics of Race in Puerto Rico” (Duke UP, 2015)
|
Apr 12, 2017 |
|
Anna Harwell Celenza, “Jazz Italian Style: From its Origins in New Orleans to Fascist Italy and Sinatra” (Cambridge UP, 2017)
|
Apr 10, 2017 |
|
Tyina Steptoe, “Houston Bound: Culture and Color in a Jim Crow City” (U. California Press, 2015)
|
Mar 09, 2017 |
|
Melissa Hidalgo, “Mozlandia: Morrissey Fans in the Borderlands” (Headpress, 2016)
|
Feb 13, 2017 |
|
Ben Westhhoff, “Original Gangtas: The Untold Story of Dr. Dre, Eazy-E, Ice Cube, Tupac Shakur, and the Birth of West Coast Rap” (Hachette, 2016)
|
Jan 09, 2017 |
|
David W. Stowe, “Song of Exile: The Enduring Mystery of Psalm 137” (Oxford UP, 2016)
|
Dec 29, 2016 |
|
Jack Hamilton, “Just Around Midnight: Rock and Roll and the Racial Imagination” (Harvard UP, 2016)
|
Oct 11, 2016 |
|
Alisa Solomon, “Wonder of Wonders: A Cultural History of Fiddler on the Roof” (Metropolitan, 2013)
|
Oct 03, 2016 |
|
David Ensminger, “The Politics of Punk: Protest and Revolt from the Streets” (Rowman and Littlefield, 2016)
|
Sep 30, 2016 |
|
Andrew Schulman, “Waking the Spirit: A Musician’s Journey Healing Body, Mind, and Soul (Picador 2016)
|
Sep 08, 2016 |
|
Michelle Cruz Gonzales, “The Spitboy Rule: Tales of Xicana in a Female Punk Band” (PM Press, 2016)
|
Aug 12, 2016 |
|
Paul Roquet, “Ambient Media: Japanese Atmospheres of Self” (U. of Minnesota Press, 2016)
|
Jul 31, 2016 |
|
Noriko Manabe, “The Revolution Will Not Be Televised: Protest Music After Fukushima” (Oxford UP, 2015)
|
Jul 09, 2016 |
|
Ed Berlin, “King of Ragtime: Scott Joplin and His Era” (Oxford UP, 2016)
|
Jun 15, 2016 |
|
Jason Bivins, “Spirits Rejoice! Jazz and American Religion” (Oxford UP, 2015)
|
May 31, 2016 |
|
Doug Bradley and Craig Werner, “We Gotta Get Out Of This Place: The Soundtrack of the Vietnam War” (U of Massachusetts Press, 2015)
|
Apr 30, 2016 |
|
Roshanak Kheshti, “Modernity’s Ear: Listening to Race and Gender in World Music” (NYU Press, 2015)
|
Apr 01, 2016 |
|
Lisa McCormick, “Performing Civility: International Competitions in Classical Music” (Cambridge UP, 2015)
|
Mar 18, 2016 |
|
Geoffrey Baker, “El Sistema: Orchestrating Venezuela’s Youth” (Oxford UP, 2014)
|
Mar 02, 2016 |
|
George Cotkin, “Feast of Excess: A Cultural History of the New Sensibility” (Oxford UP, 2015)
|
Jan 22, 2016 |
|
Jennifer Bain, “Hildegard of Bingen and Musical Reception: The Modern Revival of Medieval Composer” (Cambridge UP, 2015)
|
Jan 19, 2016 |
|
Aisha Durham, “Home With Hip Hop Feminism” (Peter Lang, 2014)
|
Jan 14, 2016 |
|
Guntis Smidchens, “The Power of Song: Nonviolent National Culture in the Baltic Singing Revolution” (University of Washington Press, 2014)
|
Dec 18, 2015 |
|
Phil Ford, “Dig: Sound and Music in Hip Culture” (Oxford UP, 2013)
|
Dec 10, 2015 |
|
Grace Wang, “Soundtracks of Asian America: Navigating Race Through Musical Performance”
|
Nov 09, 2015 |
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Jonathyne Briggs, “Sounds French: Globalization, Cultural Communities, and Pop Music, 1958-1980” (Oxford UP, 2015)
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Sep 30, 2015 |
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John McMillian, “Beatles vs. Stones” (Simon and Schuster, 2013)
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Sep 14, 2015 |
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Deborah R. Vargas, “Dissonant Divas in Chicana Music: The Limits of La Onda” (U of Minnesota Press, 2012)
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Sep 14, 2015 |
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Patty Farmer, “Playboy Swings! How Hugh Hefner and Playboy Changed the Face of Music” (Beaufort Books, 2015)
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Sep 09, 2015 |
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Preston Lauterbach, “Beale Street Dynasty: Sex, Song, and the Struggle for the Soul of Memphis” (Norton, 2015)
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Aug 04, 2015 |
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Amber R. Clifford-Napoleone “Queerness in Heavy Metal Music: Metal Bent” (Routledge 2015)
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Jul 26, 2015 |
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Chris O’Leary, “Rebel Rebel” (Zero Books, 2015)
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Jun 20, 2015 |
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Felicia McCarren, “French Moves: The Cultural Politics of le hip hop” (Oxford UP, 2013)
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Jun 10, 2015 |
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Robin James, “Resistance and Melancholy: Pop Music, Feminism and Neo-Liberalism” (Zero Books, 2015)
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Jun 02, 2015 |
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Alex Ogg, “Dead Kennedys: Fresh Fruit for Rotting Vegetables: The Early Years” (PM Press, 2014)
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May 19, 2015 |
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Nick Crossley, “Networks of Sound, Style, and Subversion” (Manchester UP, 2015)
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May 18, 2015 |
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Ana Marcia Ochoa Gautier, “Aurality: Listening and Knowledge in Nineteenth-Century Colombia” (Duke UP, 2014)
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Apr 17, 2015 |
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Christina Dunbar-Hester, “Low Power to the People: Pirates, Protest, and Politics in FM Radio Activism” (MIT Press, 2014)
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Mar 25, 2015 |
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Alexander R. Galloway, “Laruelle: Against the Digital” (University of Minnesota Press, 2014)
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Mar 05, 2015 |
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Donald Deardorff, “Bruce Springsteen: American Poet and Prophet” (Scarecrow Press, 2014)
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Feb 19, 2015 |
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Kutter Callaway, “Scoring Transcendence: Contemporary Film Music as Religious Experience” (Baylor UP, 2013)
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Feb 16, 2015 |
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Heather Augustyn, “Ska: The Rhythm of Liberation” (Scarecrow, 2013)
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Feb 02, 2015 |
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S. Duncan Reid, “Cal Tjader: The Life and Recordings of the Man Who Revolutionized Latin Jazz” (McFarland, 2013)
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Dec 18, 2014 |
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Rachel Clare Donaldson, “I Hear America Singing: Folk Music and National Identity” (Temple UP, 2014)
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Nov 12, 2014 |
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Nadine Hubbs, “Rednecks, Queers, and Country Music” (University of California Press, 2014)
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Nov 05, 2014 |
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Randal Doane, “Stealing All Transmissions: A Secret History of the Clash” (PM Press, 2014)
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Oct 22, 2014 |
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Adrienne Trier-Bieniek, “Sing Us a Song, Piano Woman: Female Fans and the Music of Tori Amos” (The Scarecrow Press, 2013)
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Sep 30, 2014 |
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Gabriel Solis, “Thelonious Monk Quartet with John Coltrane at Carnegie Hall” (Oxford UP, 2013)
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Sep 07, 2014 |
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Tim Anderson, “Popular Music in a Digital Music Economy” (Routledge, 2014)
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Aug 23, 2014 |
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Lorena Turner, “The Michael Jacksons” (Little Moth Press, 2014)
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Jul 23, 2014 |
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David Hesmondhalgh, “Why Music Matters” (Wiley Blackwell, 2014)
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Jun 19, 2014 |
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Isaac Weiner, “Religion Out Loud: Religious Sound, Public Space, and American Pluralism” (NYU Press, 2014)
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Jun 08, 2014 |
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Mark Prado, “Living Colour: Beyond the Cult of Personality” (CreateSpace, 2014)
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Jun 03, 2014 |
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Nicholas Harkness, “Songs of Seoul” (University of California Press, 2013)
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May 06, 2014 |
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Kristin Lieb “Gender, Branding, and the Modern Music Industry” (Routledge, 2013)
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May 03, 2014 |
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Marc Myers “Why Jazz Happened” (University of California Press, 2014)
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Apr 06, 2014 |
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Derrick Bang, “Vince Guaraldi at the Piano” (McFarland Press, 2012)
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Apr 03, 2014 |
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Steve Miller, “Detroit Rock City: The Uncensored History of Rock ‘n’ Roll in America’s Loudest City” (Da Capo Press, 2013)
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Mar 17, 2014 |
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Marcia Alesan Dawkins, “Eminem: The Real Slim Shady” (Praeger, 2013)
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Feb 28, 2014 |
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Keith Waters, “The Studio Recordings of the Miles Davis Quintet, 1965-1968” (Oxford UP, 2011)
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Jan 18, 2014 |
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Erica Cusi Wortham, “Indigenous Media in Mexico: Culture, Community, and the State” (Duke University Press, 2013)
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Jan 14, 2014 |
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Michael Walker, “What You Want is in the Limo” (Spiegel and Grau, 2013)
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Jan 13, 2014 |
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D.X. Ferris, “Slayer 66 2/3: The Jeff and Dave Years” (6623 Press, 2013)
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Dec 18, 2013 |
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David Novak, “Japanoise: Music at the Edge of Circulation” (Duke UP, 2013)
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Dec 03, 2013 |
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Andrea S. Goldman, “Opera and the City: The Politics of Culture in Beijing 1770-1900” (Stanford UP, 2012)
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Nov 26, 2013 |
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Thomas Bey William Bailey, “Unofficial Release: Self-Released and Handmade Audio in Post-Industrial Society” (Belsona Books, 2012)
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Nov 22, 2013 |
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Greg Hainge, “Noise Matters: Towards an Ontology of Noise” (Bloomsbury Academic, 2013)
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Oct 19, 2013 |
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Jonathan Sterne, “MP3: The Meaning of a Format” (Duke UP, 2012)
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Oct 10, 2013 |
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James Greene Jr., “This Music Leaves Stains: The Complete Story of the Misfits” (Scarecrow Press, 2013)
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Sep 27, 2013 |
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Richie Unterberger, “Won’t Get Fooled Again: The Who from Lifehouse to Quadrophenia” (Jawbone, 2011)
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Sep 20, 2013 |
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William J. Bush, “Greenback Dollar: The Incredible Rise of the Kingston Trio” (The Scarecrow Press, 2013)
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Sep 10, 2013 |
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Brian Harker, “Louis Armstrong’s Hot Five and Hot Seven Recordings” (Oxford UP, 2011)
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Sep 02, 2013 |
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Michael J. Kramer, “The Republic of Rock: Music and Citizenship in the Sixties Counterculture” (Oxford UP, 2013)
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Sep 02, 2013 |
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Dan LeRoy, “Paul’s Boutique” (Continuum, 2009)
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Aug 07, 2013 |
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Steve Bergsman, “The Death of Johnny Ace” (Dancing Traveler Publishing, 2012)
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Jul 24, 2013 |
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Michael Streissguth, “Outlaw: Waylon, Willie, Kris, and the Renegades of Nashville” (It Books, 2013)
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Jul 18, 2013 |
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D.X. Ferris, “Reign in Blood” (Continuum, 2008)
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Jul 02, 2013 |
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Greg Kot, “Ripped: How the Wired Generation Revolutionized Music” (Scribner, 2009)
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Jun 25, 2013 |
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Howard Marshall, “Play Me Something Quick and Devilish: Old-Time Fiddlers in Missouri” (University of Missouri Press, 2012))
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Jun 18, 2013 |
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Steve Waksman, “This Ain’t the Summer of Love: Conflict and Crossover in Heavy Metal and Punk” (University of California Press, 2009)
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Jun 06, 2013 |
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Monica R. Miller, “Religion and Hip Hop” (Routledge, 2012)
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Jun 03, 2013 |
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Don McLeese, “Dwight Yoakam: A Thousand Miles from Nowhere” (University of Texas Press, 2012)
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May 23, 2013 |
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Stevie Chick, “Spray Paint the Walls: The Black Flag Story” (Omnibus, 2010)
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May 17, 2013 |
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Steven Roby and Brad Schreiber, “Becoming Jimi Hendrix” (Da Capo, 2010)
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May 03, 2013 |
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Alexandra Hui, “The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840-1910” (MIT Press, 2013)
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Apr 30, 2013 |
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Amanda Weidman, “Singing the Classical, Voicing the Modern: The Postcolonial Politics of Music in South India” (Duke UP, 2006)
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Apr 30, 2013 |
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Laina Dawes, “What are You Doing Here?: A Black Woman’s Life and Liberation in Heavy Metal” (Bazillion Points, 2012)
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Apr 25, 2013 |
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Erica Fox Brindley, “Music, Cosmology, and the Politics of Harmony in Early China” (SUNY Press, 2012)
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Apr 16, 2013 |
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Matt Rahaim, “Musicking Bodies: Gesture and Voice in Hindustani Music” (Wesleyan UP, 2012)
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Apr 13, 2013 |
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Nathan Hesselink, “SamulNori: Contemporary Korean Drumming and the Rebirth of Itinerant Performance Culture” (University of Chicago Press, 2012)
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Mar 28, 2013 |
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Catherine Tackley, “Benny Goodman’s Famous 1939 Carnegie Hall Jazz Concert” (Oxford UP, 2011)
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Mar 19, 2013 |
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Peter Benjaminson, “Mary Wells: The Tumultuous Life of Motown’s First Superstar” (Chicago Review Press, 2012)
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Mar 09, 2013 |
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Reiland Rabaka, “Hip Hop’s Amnesia: From Blues and the Black Women’s Club Movement to Rap and the Hip Hop Movement” (Lexington Books, 2012)
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Feb 19, 2013 |
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Preston Lauterbach, “The Chitlin’ Circuit and the Road to Rock ‘n’ Roll” (W. W. Norton, 2011)
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Jan 15, 2013 |
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Jesse Jarnow, “Big Day Coming: Yo La Tengo and the Rise of Indie Rock” (Gotham Books, 2012)
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Dec 20, 2012 |
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Dave Gluck, “Rhythms of the Game: The Link Between Musical and Athletic Performance” (Hal Leonard, 2011)
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Dec 05, 2012 |
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Greg Prato, “Too High to Die: Meet the Meat Puppets” (Lulu, 2012)
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Nov 17, 2012 |
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Shawn Bender, “Taiko Boom: Japanese Drumming in Place and Motion” (University of California Press, 2012)
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Oct 13, 2012 |
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David Kirby, “Little Richard: The Birth of Rock ‘n’ Roll” (Continuum, 2009)
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Oct 02, 2012 |
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Stuart Henderson, “Making the Scene: Yorkville and Hip Toronto in the 1960s” (University of Toronto Press, 2011)
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Sep 19, 2012 |
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Ben Cawthra, “Blue Notes in Black and White: Photography in Jazz” (University of Chicago Press, 2011)
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Sep 18, 2012 |
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Reiland Rabaka, “Hip Hop’s Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement” (Lexington Books, 2011)
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Sep 11, 2012 |
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Andrew S. Berish, “Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and ’40s” (University of Chicago, 2012)
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Aug 23, 2012 |
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Dave Oliphant, “KD: A Jazz Biography” (Wings Press, 2012)
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Aug 10, 2012 |
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Sara Marcus, “Girls to the Front: The True Story of the Riot Grrrl Revolution” (Harper Perennial, 2010)
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Jul 03, 2012 |
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Kathy Sloane, “Keystone Korner: Portrait of a Jazz Club” (Indiana UP, 2011)
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Jun 20, 2012 |
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Bob Riesman, “I Feel So Good: The Life and Times of Big Bill Broonzy” (University of Chicago Press, 2011)
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Jun 13, 2012 |
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Kevin Whitehead, “Why Jazz? A Concise Guide” (Oxford UP, 2011)
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May 21, 2012 |
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Barry Kernfeld, “Pop Song Piracy: Disobedient Music Distribution Since 1929” (University of Chicago Press, 2011)
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May 17, 2012 |
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Matthew Delmont, “The Nicest Kids in Town: American Bandstand, Rock ‘n’ Roll, and the Struggle for Civil Rights in 1950s Philadelphia” (University of California Press, 2011)
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Apr 20, 2012 |
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Will Hermes, “Love Goes to Buildings on Fire: Five Years in New York that Changed Music Forever” (Faber and Faber, 2011)
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Apr 18, 2012 |
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Robert Pielke, “Rock Music in American Culture: The Sounds of Revolution” (2nd Edition; McFarland, 2012)
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Mar 13, 2012 |
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Carolyn Burke, “No Regrets: The Life of Edith Piaf” (Knopf, 2011)
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Mar 01, 2012 |
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Andy Neill, “Had Me a Real Good Time: Faces Before, During, and After” (Omnibus, 2011)
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Feb 09, 2012 |
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Kevin Avery, “Everything is an Afterthought: The Life and Writings of Paul Nelson” (Fantagraphics, 2011)
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Jan 24, 2012 |
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Alice Bag, “Violence Girl: East L.A. Rage to Hollywood Stage, a Chicana Punk Story” (Feral House, 2011)
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Dec 16, 2011 |
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Roberto Avant-Mier, “Rock the Nation: Latin/o Identites and the Latin Rock Diaspora” (Continuum, 2010)
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Nov 15, 2011 |
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Sean Wilentz, “Bob Dylan in America” (Doubleday, 2010)
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Oct 25, 2011 |
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Lester K. Spence, “Stare in the Darkness: The Limits of Hip-hop and Black Politics” (University of Minnesota Press, 2011)
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Oct 25, 2011 |
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Kevin Fellezs, “Birds of a Fire: Jazz, Rock, Funk, and the Creation of Fusion” (Duke UP, 2011)
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Oct 11, 2011 |
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Heather Augustyn, “Ska: An Oral History” (McFarland, 2010)
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Sep 05, 2011 |
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Kimbrew McLeod and Peter DiCola, “Creative License: The Law and Culture of Digital Sampling” (Duke University Press, 2011)
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Aug 04, 2011 |
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Eric C. Schneider, “Smack: Heroin and the American City” (University of Pennsylvania Press, 2008)
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Jun 15, 2011 |
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Sheree Homer, “Catch that Rockabilly Fever: Personal Stories of Life on the Road and in the Studio” (McFarland, 2010)
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Jun 14, 2011 |
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Peter Filichia, “Broadway Musicals: The Biggest Hit and the Biggest Flop of the Season 1959-2009” (Applause, 2010)
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May 27, 2011 |
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Joe Carducci, “Enter Naomi: SST, L.A. and All That…” (Redoubt Press, 2007)
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May 20, 2011 |
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Simon Morrison, “The People’s Artist: Prokofiev’s Soviet Years” (Oxford UP, 2009)
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Feb 20, 2009 |