New Books in Music
By Marshall Poe
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Category: Music
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Episodes: 600
Description
This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.
Discover our 150+ channels and browse our 28,000+ episodes on our website: newbooksnetwork.com
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| Episode | Date |
|---|---|
|
Joe Jackson, "Kahlil Joseph and the Audiovisual Atlantic: Music, Modernity, Transmedia Art" (Bloomsbury, 2024)
|
Sep 20, 2026 |
|
Christopher Freeburg, "Soul: A Brief History of Black Cultural Life" (Yale UP, 2026)
|
Sep 11, 2026 |
|
Ashley Kahn, "Days of Miracle and Wonder: Paul Simon and the Trials and Triumphs of Graceland" (Atria Books, 2026)
|
Sep 05, 2026 |
|
Erin Osmon, "Won't Back Down: Heartland Rock and the Fight for America" (W. W. Norton, 2026)
|
Sep 01, 2026 |
|
Nancy Yunhwa Rao, "Inside Chinese Theater: Community and Artistry in Nineteenth Century California and Beyond" (U Illinois Press, 2025)
|
Aug 31, 2026 |
|
Robyn Hitchcock, "Stranded in the Future" (Akashic Books, 2026)
|
Aug 26, 2026 |
|
Musical Pripetshik: Lyrics and Melodies of Traditional Yiddish Folksongs
|
Aug 25, 2026 |
|
Mhoze Chikowero, "The Military Entertainment Complex: Chimurenga Afrosonic Making of Zimbabwe" (MIT Press, 2026)
|
Aug 24, 2026 |
|
Jehnie Burns on Mixtape Culture
|
Aug 17, 2026 |
|
Scott Peeples, "How Many Roads: A Life of Bob Dylan" (Reaktion, 2026)
|
Aug 17, 2026 |
|
Christopher Campo-Bowen, "Visions of the Village: Ruralness, Identity, and Czech Opera" (Oxford UP, 2025)
|
Aug 10, 2026 |
|
Elijah Wald, "Rock ‘N’ Roll: A Very Short Introduction" (Oxford UP, 2026)
|
Jul 30, 2026 |
|
Stacey Copeland, "Lavender Sounds: From Lesbian Radio to Queer Feminist Soundwork" (U Michigan Press, 2026)
|
Jul 17, 2026 |
|
Gayle F. Wald, "This Is Rhythm: Ella Jenkins, Children’s Music, and the Long Civil Rights Movement" (U Chicago Press, 2025)
|
Jul 15, 2026 |
|
Yiddish Tangos and Klezmer Mambos
|
Jul 10, 2026 |
|
Brad Tolinski and Chris Gill, "Blow by Blow: The Jeff Beck Story" (Da Capo, 2026)
|
Jul 09, 2026 |
|
George Grella, "Minimalist Music" (Bloomsbury, 2026)
|
Jul 07, 2026 |
|
Alexandre Frenette, "Blame the Intern: On (Not) Breaking Into the Creative Economy" (Princeton UP, 2026)
|
Jul 06, 2026 |
|
A.D. Carson, "Owning My Masters (Mastered): The Rhetorics of Rhymes & Revolutions" (U Michigan Press, 2026)
|
Jul 02, 2026 |
|
Caste and Music with T.M. Krishna
|
Jun 29, 2026 |
|
Philip Norman, "Mr. Moonlight: Brian Epstein and the Making of the Beatles" (Da Capo Press, 2026)
|
Jun 26, 2026 |
|
Introducing Periodically: A UC Press Journals Podcast with Journals Director David Famiano
|
Jun 25, 2026 |
|
Hamsa Stainton and Anna Lee White, "Sanskrit Hymns Across Traditions: Studying Stotras" (Routledge, 2026)
|
Jun 25, 2026 |
|
Street Level: HUD at 60
|
Jun 23, 2026 |
|
Olivia Rodrigo Blends Past and Present in Her New Album
|
Jun 22, 2026 |
|
James O'Leary, "The Middlebrow Musical: Between Broadway and Opera in 1940s America" (Oxford UP, 2025)
|
Jun 19, 2026 |
|
Anna Harwell Celenza, "On the Record: Music that Changed America (Norton, 2026)
|
Jun 17, 2026 |
|
Shikha Jhingan, "The Female Playback in Bombay Cinema: Voice, Body, Technology" (Wayne State UP, 2025)
|
Jun 09, 2026 |
|
Ginger Dellenbaugh, "Maria Callas's Lyric and Coloratura Arias" (Bloomsbury, 2021)
|
Jun 06, 2026 |
|
Mary R. Lanni, "Using Nursery Rhymes with Today’s Kids: Their Legacy and Evolution" (Bloomsbury, 2026)
|
Jun 04, 2026 |
|
Andrea Zarafshon Moore, "Audible Loss: New Music and the Crisis of Memory" (Fordham UP, 2025)
|
May 26, 2026 |
|
Shane Breaux, "Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns" (Routledge, 2026)
|
May 24, 2026 |
|
Samuel Markind, "Music Between Your Ears: How Musical Engagement Powers the Human Brain" (JHU Press, 2025)
|
May 24, 2026 |
|
The YIVO Sound Archive at 40: A Celebration
|
May 11, 2026 |
|
Mary Lucia, " What Doesn't Kill Me Makes Me Weirder and Harder to Relate To" (U Minnesota Press, 2025)
|
May 07, 2026 |
|
Nicholas Tochka, "The Musical Lives of Charles Manson: The Beatles, the Beach Boys, and the Invention of the Sixties" (Bloomsbury, 2026)
|
May 03, 2026 |
|
Deirdre Loughridge & Thomas Patteson, "The Museum of Imaginary Musical Instruments" (Reaktion, 2026)
|
Apr 30, 2026 |
|
The Lost World of African American Cantors 1915–1953
|
Apr 28, 2026 |
|
Brook Flagg, "I Go There with You: The U2 Sites of Southern California, from Significant to Sacred" (Nine Criteria, 2025)
|
Apr 26, 2026 |
|
The Barton Brothers, Mickey Katz, and Others: Yiddish-English Bilingual Parody Songs
|
Apr 16, 2026 |
|
Daphne A. Brooks, "Blackstar Rising and the Purple Reign: The Sonic Afterlives of David Bowie and Prince" (Duke UP, 2026)
|
Apr 14, 2026 |
|
David Arditi, "Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok" (Anthem Press, 2026)
|
Apr 07, 2026 |
|
Peter Richardson, "Brand New Beat: The Wild Rise of Rolling Stone Magazine" (U California Press, 2026)
|
Apr 07, 2026 |
|
Daniel Rachel, "This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich" (Akashic Books, 2026)
|
Apr 04, 2026 |
|
Marty Friedman with Jon Wiederhorn, "Dreaming Japanese" (Permuted Press, 2024)
|
Apr 03, 2026 |
|
Melissa Auf der Maur, "Even the Good Girls Will Cry: A '90s Rock Memoir" (DaCapo, 2026)
|
Apr 02, 2026 |
|
The 50th Anniversary Tour of Patti Smith's Horses: A Conversation with Caryn Rose
|
Mar 28, 2026 |
|
Martha Feldman, "Castrato Phantoms: Moreschi, Fellini, and the Sacred Vernacular in Rome" (Zone Books, 2026)
|
Mar 22, 2026 |
|
Mike Huguenor, "Elvis Is Dead, I'm Still Alive: The Story of Asian Man Records" (Clash, 2026)
|
Mar 21, 2026 |
|
Jewface: “Yiddish” Dialect Songs of Tin Pan Alley
|
Mar 16, 2026 |
|
Podcast Intellectuals Podcast Panel #1 with Benjamen Walker and Fanny Gribenski
|
Mar 12, 2026 |
|
Austin McCoy, "Living in a D.A.I.S.Y. Age: The Music, Culture, and World De La Soul Made" (Atria/One Signal, 2026)
|
Mar 11, 2026 |
|
Ailbhe Kenny, "Music Refuge: Living Asylum through Music" (Oxford UP, Press 2025)
|
Mar 03, 2026 |
|
Ani DiFranco and Lauren Coyle Rosen, "The Spirit of Ani: Reflections on Spirituality, Feminism, Music, and Freedom" (Akashic Books, 2026)
|
Mar 03, 2026 |
|
Maurice Rafael Magaña, "Cartographies of Youth Resistance: Hip-Hop, Punk, and Urban Autonomy in Mexico" (U California Press, 2020)
|
Mar 01, 2026 |
|
Michael Glover Smith, "Bob Dylan as Filmmaker: No Time to Think" (McNidder and Grace, 2026)
|
Feb 28, 2026 |
|
Stephen Stacks, "The Resounding Revolution: Freedom Song After 1968" (U Illinois Press, 2025)
|
Feb 24, 2026 |
|
Marc Masters, "High Bias: The Distorted History of the Cassette Tape" (UNC Press, 2023)
|
Feb 22, 2026 |
|
Paul Rees, "Raised on Radio: Power Ballads, Cocaine and Payola - the AOR Glory Years 1976-1986" (De Capo, 2026)
|
Feb 14, 2026 |
|
Ian Gittins, "The Cure: A Perfect Dream" (Gemini Books, 2025)
|
Feb 12, 2026 |
|
Areum Jeong, "K-Pop Fandom: Performing Deokhu from the 1990s to Today" (U Michigan Press, 2026)
|
Feb 10, 2026 |
|
Matti Friedman, "Who by Fire: Leonard Cohen in the Sinai" (Spiegel & Grau, 2022)
|
Feb 09, 2026 |
|
Bill Kopp, "What's the Big Idea: 30 Great Concept Albums" (Hozac, 2025)
|
Feb 07, 2026 |
|
Hilary French, "Ballroom: A People’s History of Dancing" (Reaktion Books, 2022)
|
Feb 07, 2026 |
|
Justin L. Mann, "Breaking the World: Black Insecurity and the Horizons of Speculation" (Duke UP, 2026)
|
Jan 29, 2026 |
|
163* The Drama of Celebrity with Sharon Marcus (JP)
|
Jan 29, 2026 |
|
Kay Dickinson, "Fernando: A Song by ABBA" (Duke UP, 2025)
|
Jan 26, 2026 |
|
M. Hinds and J. Silverman, "Johnny Cash International: How and Why Fans Love the Man in Black" (U Iowa Press, 2020)
|
Jan 26, 2026 |
|
Ben Ratliff, "Run the Song: Writing About Running About Listening" (Graywolf Press, 2025)
|
Jan 23, 2026 |
|
Christopher Lynch, "Formulating Foster: Stephen C. Foster and the Creation of a National Musical Myth" (Oxford UP, 2025)
|
Jan 19, 2026 |
|
Lukas Foss: A "New American Music Series" Gallatin Lecture, April 15, 1982
|
Jan 15, 2026 |
|
Vanessa Díaz and Petra R. Rivera-Rideau, "P FKN R: How Bad Bunny Became the Global Voice of Puerto Rican Resistance" (Duke UP, 2026)
|
Jan 14, 2026 |
|
"Plenty for All: The Art of Rick Fröberg" (Akashic Books, Ltd., 2016)
|
Jan 11, 2026 |
|
Rob Harvilla, "60 Songs That Explain The 90s" (Twelve, 2023)
|
Jan 10, 2026 |
|
Caitlin Vincent, "Opera Wars: Inside the World of Opera and the Battles for Its Future" (Simon and Schuster, 2026)
|
Jan 09, 2026 |
|
Kelsey Klotz, "Dave Brubeck and the Performance of Whiteness" (Oxford UP, 2023)
|
Jan 05, 2026 |
|
Andy Cowan, "B-Side: A Flipsided History of Pop" (Headpress, 2023)
|
Dec 30, 2025 |
|
Jane Eisner, "Carole King: She Made the Earth Move" (Yale UP, 2025)
|
Dec 21, 2025 |
|
Max Brzezinski, "Under Pressure: A Song by David Bowie and Queen" (Duke UP, 2025)
|
Dec 19, 2025 |
|
Renee Lapp Norris, "Opera Parody Songs of Blackface Minstrels (1844–1860)" (A-R Editions, 2025)
|
Dec 10, 2025 |
|
Jibola Fagbamiye and Conor McCreery, "Fela: Music Is the Weapon" (Amistad Press, 2025)
|
Dec 09, 2025 |
|
Marc Sommers, "We the Young Fighters: Pop Culture, Terror, and War in Sierra Leone" (U Georgia Press, 2023)
|
Nov 30, 2025 |
|
Sharon White Rewires Disco
|
Nov 25, 2025 |
|
Michael Brown, "Eyeliner’s Buy Now" (Bloomsbury 2025)
|
Nov 22, 2025 |
|
Lucy Caplan, "Dreaming in Ensemble: How Black Artists Transformed American Opera" (Harvard UP, 2025)
|
Nov 15, 2025 |
|
James Brown's War on Disco
|
Nov 11, 2025 |
|
Springsteen’s "Nebraska" as a Political, Sonic, and Personal Document
|
Nov 05, 2025 |
|
Strings of Identity: The Horse-Head Fiddle and Mongolian Identity in China (with Ying Song)
|
Nov 05, 2025 |
|
Anand, "The Notbook of Kabir: Thinner than Water, Fiercer than Fire" (India Viking, 2025)
|
Nov 04, 2025 |
|
Cosima Clara Gillhammer, "Light on Darkness: The Untold Story of the Liturgy" (Reaktion Books, 2025)
|
Oct 30, 2025 |
|
Disco's Revenge
|
Oct 28, 2025 |
|
A Song for the Horses: Musical Heritage for More-than-Human Futures in Mongolia
|
Oct 27, 2025 |
|
Greg Soden, "Unscripted Moments: Conversations with Propagandhi (2020-2025)" (Earth Island Books, 2025)
|
Oct 22, 2025 |
|
Delia Casadei, "Risible: Laughter without Reason and the Reproduction of Sound" (U California Press, 2024)
|
Oct 21, 2025 |
|
Peter C. Zimmerman, "The Jazz Masters: Setting the Record Straight" (UP of Mississippi, 2021)
|
Oct 20, 2025 |
|
Bradley Morgan, "U2: Until the End of the World" (Weldon Owen, 2025)
|
Oct 19, 2025 |
|
Arnar Eggert Thoroddsen, "Icelandic Pop: Then, Today, Tomorrow, Next Week" (Reaktion Books, 2025)
|
Oct 18, 2025 |
|
Nancy Newman, "Songs and Sounds of the Anti-Rent Movement in Upstate New York: Including Twenty-Two New Settings of Period Tunes" (SUNY Press, 2025)
|
Oct 18, 2025 |
|
Michael T. Bertrand, "Southern History Remixed: On Rock 'n' Roll and the Dilemma of Race" (UP Florida, 2024)
|
Oct 17, 2025 |
|
Signal Award Re-Release: Lost Women of Disco
|
Oct 14, 2025 |
|
Darren Mueller, "At the Vanguard of Vinyl: A Cultural History of the Long-Playing Record in Jazz" (Duke UP, 2024)
|
Oct 12, 2025 |
|
Jason Schneider, "That Gun in Your Hand: The Strange Saga of Hey Joe' and Popular Music's History of Violence" (Anvil Press, 2025)
|
Oct 11, 2025 |
|
Chris Dalla Riva, "Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves" (Bloomsbury, 2025)
|
Oct 11, 2025 |
|
John R. Davis, "Keep Your Ear to the Ground: A History of Punk Fanzines in Washington, DC" (Georgetown UP, 2025)
|
Oct 10, 2025 |
|
John Minton, "Folk Music and Song in the WPA Ex-Slave Narratives" (UP of Mississippi, 2025)
|
Oct 09, 2025 |
|
In The Life of a Showgirl, Taylor Swift Addresses Love, Glamour, and Grit
|
Oct 07, 2025 |
|
Audrey Golden, "Shouting Out Loud: Lives of the Raincoats" (Da Capo Press, 2025)
|
Oct 04, 2025 |
|
Árni Heimir Ingólfsson, "Music at World's End: Three Exiled Musicians from Nazi Germany and Austria and Their Contribution to Music in Iceland" (SUNY Press, 2025)
|
Oct 04, 2025 |
|
Emília Barna, "Working in Music on the Semi-Periphery: Local Cultural Production and Global Capitalism" (CEU Press, 2025)
|
Oct 03, 2025 |
|
Disco Sucks
|
Sep 30, 2025 |
|
Christa Anne Bentley et al, eds., "Taylor Swift: The Star, The Songs, The Fans" (Routledge, 2025)
|
Sep 27, 2025 |
|
Árni Heimir Ingólfsson , "Jón Leifs and the Musical Invention of Iceland" (Indiana UP, 2019)
|
Sep 27, 2025 |
|
Sahan Jayasuriya, "Don't Say Please: The Oral History of Die Kreuzen" (Feral House, 2025)
|
Sep 26, 2025 |
|
Mary Beth Willard, "Why It's Ok to Enjoy the Work of Immoral Artists" (Routledge, 2021)
|
Sep 22, 2025 |
|
James Campion, "Revolution: Prince, the Band, the Era" (Backbeat Books, 2025)
|
Sep 18, 2025 |
|
Night at the Baths
|
Sep 16, 2025 |
|
From Stonewall to Studio 54
|
Sep 10, 2025 |
|
Joelle Kidd, "Jesusland: Stories from the Upside Down World of Christian Pop Culture" (ECW Press, 2025)
|
Sep 07, 2025 |
|
Cary Baker, "Down On The Corner: Adventures in Busking & Street Music" (Jawbone Press, 2025)
|
Sep 05, 2025 |
|
Disco's "Latin Tinge"
|
Aug 19, 2025 |
|
Christopher M. Reali, "Music and Mystique in Muscle Shoals" (U Illinois Press, 2022)
|
Aug 17, 2025 |
|
Inna Faliks, "Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage" (Backbeat Books, 2023)
|
Aug 15, 2025 |
|
Richard Mainwaring, "What the Ear Hears (And Doesn't): Inside the Extraordinary Everyday World of Frequency" (Sourcebooks, 2022)
|
Aug 13, 2025 |
|
"Swiz" (Akashic Books, 2025)
|
Aug 11, 2025 |
|
Robert Fitzgerald, "Hardcore Punk in the Age of Reagan: The Lyrical Lashing of an American Presidency" (UNC Press, 2025)
|
Aug 06, 2025 |
|
A Spatial History of Disco
|
Aug 05, 2025 |
|
Julia Sneeringer, "A Social History of Early Rock ‘n’ Roll in Germany: Hamburg from Burlesque to The Beatles, 1956-69" (Bloomsbury, 2018)
|
Aug 03, 2025 |
|
Bradley Morgan, "Frank Zappa's America" (LSU Press, 2025)
|
Aug 02, 2025 |
|
Gavin Williams, "Format Friction: Perspectives on the Shellac Disc" (U Chicago Press, 2024)
|
Aug 01, 2025 |
|
Jess Reia, "Urban Music Governance: What Busking Can Teach Us about Data, Policy and Our Cities" (Intellect, 2025)
|
Jul 29, 2025 |
|
Charlotte Bentley, "New Orleans and the Creation of Transatlantic Opera, 1819–1859" (U of Chicago Press, 2022)
|
Jul 25, 2025 |
|
Brian Fauteux, "Music in Orbit: Satellite Radio in the Streaming Space Age" (Univ of California Press, 2025)
|
Jul 23, 2025 |
|
Turning the Page, Tuning the Dial
|
Jul 23, 2025 |
|
Lost Women of Disco
|
Jul 22, 2025 |
|
Kelefa Sanneh, "Major Labels: A History of Popular Music in Seven Genres" (Penguin, 2021)
|
Jul 20, 2025 |
|
Jubilee (1978)
|
Jul 19, 2025 |
|
Megan Volpert, "Why Alanis Morissette Matters" (University of Texas Press, 2025)
|
Jul 18, 2025 |
|
Triauna Carey, "The Revolution Will Be Spotified: Music As a Rhetorical Mode of Resistance" (Lexington Books, 2024)
|
Jul 18, 2025 |
|
Rock 'N' Roll Resurrection
|
Jul 12, 2025 |
|
Neil Gregor, "The Symphony Concert in Nazi Germany" (U Chicago Press, 2025)
|
Jul 12, 2025 |
|
Andrew S. Berish, "Hating Jazz: A History of Its Disparagement, Mockery, and Other Forms of Abuse" (U of Chicago Press, 2025)
|
Jul 10, 2025 |
|
Shain Shapiro, "This Must Be the Place: How Music Can Make Your City Better" (Watkins Media Limited, 2023)
|
Jul 10, 2025 |
|
Jasper Waugh-Quasebarth, "Finding the Singing Spruce: Musical Instrument Makers and Appalachia's Mountain Forests" (West Virginia UP, 2023)
|
Jul 09, 2025 |
|
Love Saves the Day: On the 1970s New York Club Scene
|
Jul 08, 2025 |
|
Rhythm, Exorcism, and Confrontation with Lexi Eikelboom
|
Jul 07, 2025 |
|
S1.E7. Greetings from Asbury Park, NJ
|
Jul 07, 2025 |
|
A Queer Etymology of Punk
|
Jul 05, 2025 |
|
Sounds of the City Collapsing
|
Jul 04, 2025 |
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How Punk Broke the Binary
|
Jul 03, 2025 |
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S1.E2. Wayne County at the Trucks (1974)
|
Jul 02, 2025 |
|
Gender Crisis N.Y.C.
|
Jul 01, 2025 |
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Shayna M. Silverstein, "Fraught Balance: The Embodied Politics of Dabke Dance Music in Syria" (Wesleyan UP, 2024)
|
Jun 27, 2025 |
|
Maya J. Berry, "Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons" (Duke UP, 2025)
|
Jun 25, 2025 |
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Michael Broyles, "Revolutions in American Music: Three Decades That Changed a Country and Its Sounds" (Norton, 2024)
|
Jun 21, 2025 |
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Leah Lax, "Not From Here: the Song of America" (Pegasus Elliot MacKenzie, 2024)
|
Jun 17, 2025 |
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Frederick Reece, "Forgery in Musical Composition: Aesthetics, History, and the Canon" (Oxford University Press, 2025)
|
Jun 17, 2025 |
|
Niko Stratis, "The Dad Rock That Made Me a Woman" (University of Texas Press, 2025)
|
Jun 14, 2025 |
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antonio c. cuyler, "Achieving Creative Justice in the U.S. Creative Sector" (Routledge, 2025)
|
Jun 10, 2025 |
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Snotty Punk Bands and Ancient Aliens with Timothy Deane-Freeman
|
Jun 08, 2025 |
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Gwynne Kuhner Brown, "William L. Dawson" (University of Illinois Press, 2024)
|
Jun 08, 2025 |
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Colleen Renihan, John Spilker, and Trudi Wright eds., "Sound Pedagogy: Radical Care in Music" (University of Illinois Press, 2024)
|
Jun 02, 2025 |
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Live from the Underground: A History of College Radio
|
May 29, 2025 |
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Matthew Restall, "On Elton John: An Opinionated Guide" (Oxford UP, 2025)
|
May 15, 2025 |
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Annie Zaleski, "I Got You Babe: A Celebration of Cher" (Running Press Adult, 2025)
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May 14, 2025 |
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Robert F. Darden and Stephen M. Newby, "Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch" (Oxford UP, 2025)
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May 13, 2025 |
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Mike Miley, "David Lynch’s American Dreamscape: Music, Literature, Cinema" (Bloomsbury, 2025)
|
May 11, 2025 |
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Samuel Jay Keyser, "Play It Again, Sam: Repetition in the Arts" (MIT Press, 2025)
|
May 08, 2025 |
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John Lee Hooker Jr., "From the Shadow of the Blues: My Story of Music, Addiction, and Redemption" (Rowman & Littlefield, 2025)
|
May 06, 2025 |
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Liz Pelly, "Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist" (Atria, 2025)
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May 05, 2025 |
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Katie Milestone and Simon A. Morrison, "Transatlantic Drift: The Ebb and Flow of Dance Music" (Reaktion Books, 2025)
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May 04, 2025 |
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Ford to City: Drop Dead
|
May 02, 2025 |
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Yuma Hampejs and Marcel Schulze, "Electronic Body Music" (Mionaetti, 2024)
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Apr 30, 2025 |
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Alexandra Birch, "Hitler’s Twilight of the Gods: Music and the Orchestration of War and Genocide in Europe" (U Toronto Press, 2025)
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Apr 25, 2025 |
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Maurice Jackson, "Rhythms of Resistance and Resilience: How Black Washingtonians Used Music and Sports in the Fight for Equality" (Georgetown UP, 2025)
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Apr 12, 2025 |
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Anna Maria Busse Berger and Henry Spiller, "Missionaries, Anthropologists, and Music in the Indonesian Archipelago" (U California Press, 2025)
|
Apr 09, 2025 |
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Mark Doyle, "John Cale's Paris 1919" (Bloomsbury, 2025)
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Apr 08, 2025 |
|
Warren Zanes: Rockstar Biographer
|
Apr 07, 2025 |
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Julie Malnig, "Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s" (Oxford UP, 2023)
|
Apr 04, 2025 |
|
Liz William, "Rough Music: Folk Customs, Transgression and Alternative Britain" (Reaktion, 2025)
|
Mar 29, 2025 |
|
Koen Galle, "Fuse, Thirty Years of Making Noise" (AfterClub, 2024)
|
Mar 28, 2025 |
|
Simon Morrison, "Tchaikovsky's Empire: A New Life of Russia's Greatest Composer" (Yale UP, 2024)
|
Mar 25, 2025 |
|
Paul R. Laird and Elizabeth A. Wells, "The Cambridge Companion to West Side Story" (Cambridge UP, 2024)
|
Mar 25, 2025 |
|
Radha Kapuria and Vebhuti Duggal, "Punjab Sounds: In and Beyond the Region" (Routledge, 2024)
|
Mar 19, 2025 |
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Lauren E. Osborne, "Hearing Islam: The Sounds of a Global Religious Tradition" (Routledge, 2024)
|
Mar 15, 2025 |
|
John Cage: Echoes of the Anechoic
|
Mar 10, 2025 |
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Ariane Sherine, "The Real Sinéad O'Connor" (White Owl, 2024)
|
Mar 08, 2025 |
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Richard Heppner, "Woodstock: From World War to Culture Wars" (SUNY Press, 2024)
|
Mar 07, 2025 |
|
Elizabeth T. Craft, "Yankee Doodle Dandy: George M. Cohan and the Broadway Stage" (Oxford UP, 2024)
|
Mar 05, 2025 |
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Simona Valeriani, "The Royal Albert Hall: Building the Arts and Sciences" (Brepols, 2024)
|
Mar 05, 2025 |
|
Paul Lisicky, "Song So Wild and Blue: A Life with the Music of Joni Mitchell" (HarperOne, 2025)
|
Mar 04, 2025 |
|
Sonic AI
|
Mar 03, 2025 |
|
Tiziano Manca, "Before Sound: Re-Composing Material, Time, and Bodies in Music" (Transcript Verlag, 2023)
|
Feb 28, 2025 |
|
The Soundworld of Harriet Tubman
|
Feb 17, 2025 |
|
Joseph Straus, "Cultural Narratives of Old Age in the Lives, Work, and Reception of Old Musicians" (Routledge, 2024)
|
Feb 15, 2025 |
|
Hildegard Westerkamp: A Life in Soundscape Composition
|
Feb 10, 2025 |
|
Katie Beisel Hollenbach, "The Business of Bobbysoxers: Cultural Production in 1940s Frank Sinatra Fandom" (Oxford UP, 2024)
|
Feb 09, 2025 |
|
Jeff Gomez, "There Was No Alternative: Generation X, AIDS, and the Making of a Classic Nineties Record" (McFarland, 2023)
|
Feb 08, 2025 |
|
Samantha Ege, "South Side Impresarios: How Race Women Transformed Chicago's Classical Music Scene" (U Illinois Press, 2024)
|
Feb 07, 2025 |
|
Thanks to Life: A Biography of Violeta Parra
|
Feb 06, 2025 |
|
Neil Fox, "Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music" (Bloomsbury, 2024)
|
Feb 05, 2025 |
|
Robert Dayton, "Cold Glitter: The Untold Story of Canadian Glam" (Feral House, 2024)
|
Feb 03, 2025 |
|
Monica A. Hershberger, "Women in American Operas of The 1950s: Undoing Gendered Archetypes" (U Rochester Press, 2023)
|
Jan 20, 2025 |
|
Lily E. Hirsch, "Taking Funny Music Seriously" (Indiana UP, 2024)
|
Jan 17, 2025 |
|
In One Ear, Out The Other
|
Jan 06, 2025 |
|
I. Augustus Durham, "Stay Black and Die: On Melancholy and Genius" (Duke UP, 2023)
|
Jan 02, 2025 |
|
Fela Kuti and the Black Atlantic
|
Dec 30, 2024 |
|
Andrew David Field, "Rocking China: Music Scenes in Beijing and Beyond" (Earnshaw Books, 2023)
|
Dec 27, 2024 |
|
Johny Brown, "Corpse Flower" (Skill, 2024)
|
Dec 25, 2024 |
|
Awfully Viral
|
Dec 23, 2024 |
|
Toby Manning, "Mixing Pop and Politics: A Marxist History of Popular Music" (Repeater, 2024)
|
Dec 13, 2024 |
|
Kathleen A. Abromeit and Dyani Sabin, "Music Information Literacy: Inclusion and Advocacy" (Library Juice Press, 2024)
|
Dec 11, 2024 |
|
Leah Kardos, "Kate Bush's Hounds of Love" (Bloomsbury, 2024)
|
Dec 11, 2024 |
|
Eric Drott, "Streaming Music, Streaming Capital" (Duke UP, 2024)
|
Dec 06, 2024 |
|
Toby Bennett, "Corporate Life in the Digital Music Industry: Remaking the Major Record Label from the Inside Out" (Bloomsbury, 2024)
|
Dec 05, 2024 |
|
Joy White, "Like Lockdown Never Happened: Music and Culture During Covid" (Repeater, 2024)
|
Dec 04, 2024 |
|
Seth Rogovoy, "Within You Without You: Listening to George Harrison" (Oxford UP, 2024)
|
Nov 29, 2024 |
|
Veronica Keller and Sabrina Mittermeier, "From Broadway to the Bronx: New York City’s History through Song" (Intellect, 2024)
|
Nov 25, 2024 |
|
David Suisman, "Instrument of War: Music and the Making of America's Soldiers" (U Chicago Press, 2024)
|
Nov 25, 2024 |
|
Margaret Mehl, "Music and the Making of Modern Japan: Joining the Global Concert" (Open Book, 2024)
|
Nov 23, 2024 |
|
Fiona Smyth, "Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century" (Manchester UP, 2024)
|
Nov 22, 2024 |
|
Benjamin Barson, "Brassroots Democracy: Maroon Ecologies and the Jazz Commons" (Wesleyan UP, 2024)
|
Nov 19, 2024 |
|
Connie DeNave, "The Image Maker: Shattering Rock and Roll's Glass" (2023)
|
Nov 18, 2024 |
|
Richard Schoch, "How Sondheim Can Change Your Life" (Atria Books, 2024)
|
Nov 14, 2024 |
|
Lisa Nielson, "Music and Musicians in the Medieval Islamicate World: A Social History" (Bloomsbury, 2021)
|
Nov 12, 2024 |
|
R. Murray Schaffer (1933-2021), Part 2
|
Nov 11, 2024 |
|
John Duffus, "Backstage in Hong Kong: A Life with the Philharmonic, Broadway Musicals and Classical Superstars" (Blacksmith Books, 2024)
|
Nov 07, 2024 |
|
David Rowell, "The Endless Refrain: Memory, Nostalgia, and the Threat to New Music" (Melville House, 2024)
|
Nov 06, 2024 |
|
R. Murray Schafer (1933-2021), Part 1
|
Nov 04, 2024 |
|
Kristina Kolbe, "The Sound of Difference: Race, Class and the Politics of 'Diversity' in Classical Music" (Manchester UP, 2024)
|
Nov 02, 2024 |
|
On Listening In
|
Oct 28, 2024 |
|
Landon Palmer, "Rock Star/Movie Star: Power and Performance in Cinematic Rock Stardom" (Oxford UP, 2020)
|
Oct 26, 2024 |
|
Megan Steigerwald Ille, "Opera for Everyone: The Industry's Experiments with American Opera in the Digital Age" (U Michigan Press, 2024)
|
Oct 25, 2024 |
|
Ashawnta Jackson, "Soul-Folk" (Bloomsbury, 2024)
|
Oct 19, 2024 |
|
Boris Adjemian, "The Brass Band of the King: Armenians in Ethiopia" (Bloomsbury, 2024)
|
Oct 12, 2024 |
|
For Some Odd Reason
|
Oct 07, 2024 |
|
Kristina Kolbe, "The Sound of Difference: Race, Class and the Politics of 'Diversity' in Classical Music" (Manchester UP, 2024)
|
Oct 05, 2024 |
|
Voice of Yoko
|
Sep 30, 2024 |
|
Jason Weiss, "Listenings" (Spuyten Duyvil, 2023)
|
Sep 29, 2024 |
|
Francesco Lotoro, "The Lost Music of the Holocaust: Bringing the Music of the Camps to the Ears of the World at Last" (Headline, 2024)
|
Sep 24, 2024 |
|
Forest Listening Rooms
|
Sep 23, 2024 |
|
Grant Olwage, "Paul Robeson's Voices" (Oxford UP, 2023)
|
Sep 13, 2024 |
|
Jennifer L. Lambe, "The Subject of Revolution: Between Political and Popular Culture in Cuba" (UNC Press, 2024)
|
Sep 13, 2024 |
|
The Political Evolution of Taylor Swift
|
Sep 12, 2024 |
|
A Life Based on an Experiment
|
Sep 09, 2024 |
|
Trevor Boffone, "TikTok Broadway: Musical Theatre Fandom in the Digital Age" (Oxford UP, 2024)
|
Sep 08, 2024 |
|
Tom Boniface-Webb, "Modern Music Masters: Oasis" (MMM, 2020)
|
Sep 07, 2024 |
|
Yiu Fai Chow et al., "It’s My Party: Tat Ming Pair and the Postcolonial Politics of Popular Music in Hong Kong" (Palgrave Macmillan, 2024)
|
Sep 07, 2024 |
|
Mark Blake, "Dreams: The Many Lives of Fleetwood Mac" (Pegasus Books, 2024)
|
Sep 06, 2024 |
|
What is Radio Art?
|
Sep 02, 2024 |
|
Randall Stephens, "The Devil’s Music: How Christians Inspired, Condemned, and Embraced Rock n’ Roll" (Harvard UP, 2018)
|
Aug 28, 2024 |
|
Steve Moriarty, "Mia Zapata and the Gits: A True Story of Art, Rock and Revolution" (Ferel House, 2024)
|
Aug 26, 2024 |
|
The Sounds of Silents
|
Aug 19, 2024 |
|
Soar and Chill
|
Aug 12, 2024 |
|
Leslie Ramos, "Philanthropy in the Arts: A Game of Give and Take" (Lund Humphries, 2023)
|
Aug 11, 2024 |
|
George Musgrave, "The England No One Cares About: Lyrics from Suburbia" (Goldsmiths Press, 2023)
|
Aug 10, 2024 |
|
Gavin Steingo, "Interspecies Communication: Sound and Music Beyond Humanity" (U Chicago Press, 2024)
|
Aug 10, 2024 |
|
Franz Nicolay, "Band People: Life and Work in Popular Music" (U Texas Press, 2024)
|
Aug 06, 2024 |
|
Nadirah Simmons, "First Things First: Hip-Hop Ladies Who Changed the Game" (Twelve, 2024)
|
Aug 04, 2024 |
|
Jim Higgins, "Sweet, Wild and Vicious: Listening to Lou Reed and the Velvet Underground" (Trouser Press, 2024)
|
Jul 30, 2024 |
|
Resonant Grains
|
Jul 29, 2024 |
|
Sheila Curran Bernard, "Bring Judgment Day: Reclaiming Lead Belly's Truths from Jim Crow's Lies" (Cambridge UP, 2024)
|
Jul 28, 2024 |
|
Robyn Hitchcock, "1967: How I Got There and Why I Never Left" (Akashic Books, 2024)
|
Jul 27, 2024 |
|
40 Years of Purple Rain: What to Make of the Movie/Album in 2024
|
Jul 25, 2024 |
|
Kevin Mattson, "We're Not Here to Entertain: Punk Rock, Ronald Reagan, and the Real Culture War of 1980s America" (Oxford UP, 2020)
|
Jul 22, 2024 |
|
Emily Wilbourne, "Voice, Slavery, and Race in Seventeenth-Century Florence" (Oxford UP, 2023)
|
Jul 16, 2024 |
|
Emily J. Lordi, "The Meaning of Soul: Black Music and Resilience Since the 1960s" (Duke UP, 2020)
|
Jul 15, 2024 |
|
AI and Music: The Future is Here (featuring "There I Ruined It")
|
Jul 13, 2024 |
|
Danielle Antoinette Hidalgo, "Dance Music Spaces: Clubs, Clubbers, and DJs Navigating Authenticity, Branding, and Commercialism" (Lexington, 2023)
|
Jul 12, 2024 |
|
Paul Rekret, "Take This Hammer: Work, Song, Crisis" (Goldsmiths Press, 2024)
|
Jul 10, 2024 |
|
Jake Johnson, "The Possibility Machine: Music and Myth in Las Vegas" (U Illinois Press, 2023)
|
Jul 07, 2024 |
|
On Michael Jackson: A Lecture by Margo Jefferson
|
Jun 29, 2024 |
|
A Drummer's Tale
|
Jun 24, 2024 |
|
Ann Powers, "Traveling: On the Path of Joni Mitchell" (Dey Street Books, 2024)
|
Jun 24, 2024 |
|
Christopher T. Conner and David R. Dickens, "Electronic Dance Music: From Deviant Subculture to Culture Industry" (Rowman & Littlefield, 2023)
|
Jun 23, 2024 |
|
Laura Davis-Chanin and Liz Lamere, "Infinite Dreams: The Life of Alan Vega" (Backbeat Books, 2024)
|
Jun 11, 2024 |
|
Screwed and Chopped
|
Jun 10, 2024 |
|
Timothy P. Storhoff, "Harmony and Normalization: US-Cuban Musical Diplomacy" (UP of Mississippi, 2020)
|
Jun 09, 2024 |
|
Corey J. Miles, "Vibe: The Sound and Feeling of Black Life in the American South" (U Mississippi Press, 2024)
|
Jun 07, 2024 |
|
Matthew D. Morrison, "Blacksound: Making Race and Popular Music in the United States" (U California Press, 2024)
|
Jun 05, 2024 |
|
Tara López, "Chuco Punk: Sonic Insurgency in El Paso" (U Texas Press, 2024)
|
Jun 04, 2024 |
|
Kyle Barnett, "Record Cultures: The Transformation of the U.S. Recording Industry" (U Michigan Press, 2020)
|
Jun 02, 2024 |
|
Daniel Rachel, "Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation" (Akashic Books, 2024)
|
Jun 01, 2024 |
|
Ryan White, "Springsteen: Album by Album" (Palazzo Editions, 2024)
|
May 31, 2024 |
|
Bodie A. Ashton, "The Pet Shop Boys and the Political: Queerness, Culture, Identity, and Society" (Bloomsbury, 2024)
|
May 28, 2024 |
|
Ears Racing
|
May 27, 2024 |
|
Rob Drew, "Unspooled: How the Cassette Made Music Shareable" (Duke UP, 2023)
|
May 20, 2024 |
|
Dirty Rat
|
May 20, 2024 |
|
James A. Cosby, "Rock Music, Authority and Western Culture, 1964-1980" (McFarland, 2024)
|
May 19, 2024 |
|
Douglas L. Reside, "Fixing the Musical: How Technologies Shaped the Broadway Repertory" (Oxford UP, 2023)
|
May 15, 2024 |
|
Denise Von Glahn, "Circle of Winners: How the Guggenheim Foundation Composition Awards Shaped American Music Culture" (U Illinois Press, 2023)
|
May 12, 2024 |
|
Alyxandra Vesey, "Extending Play: The Feminization of Collaborative Music Merchandise in the Early Twenty-First Century" (Oxford UP, 2023)
|
May 11, 2024 |
|
Kristin M. Franseen, "Imagining Musical Pasts: The Queer Literary Musicology of Vernon Lee, Rosa Newmarch, and Edward Prime-Stevenson" (Clemson UP, 2023)
|
Apr 27, 2024 |
|
Dana Gorzelany-Mostak, "Tracks on the Trail: Popular Music, Race, and the US Presidency" (U Michigan Press, 2023)
|
Apr 26, 2024 |
|
Miriam Piilonen, "Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human" (Oxford UP, 2024)
|
Apr 15, 2024 |
|
Adele Oliver, "Deeping It: Colonialism, Culture & Criminalisation of UK Drill" (404 Ink, 2023)
|
Apr 07, 2024 |
|
Joseph M. Thompson, "Cold War Country: How Nashville's Music Row and the Pentagon Created the Sound of American Patriotism" (UNC Press, 2024)
|
Apr 06, 2024 |
|
Leah Broad, "Quartet: How Four Women Changed the Musical World" (Faber & Faber, 2023)
|
Apr 05, 2024 |
|
Edward Dusinberre, "Distant Melodies: Music in Search of Home" (U Chicago Press, 2022)
|
Apr 04, 2024 |
|
Richard Beaudoin, "Sounds As They Are: The unwritten music in classical recordings" (Oxford UP, 2024)
|
Apr 02, 2024 |
|
Sam McPheeters, "Mutations: Twenty Years Embedded in Hardcore Punk" (Barnacle Book, 2020)
|
Mar 28, 2024 |
|
Caste, Music, and Microinequities with Supriya Subramani
|
Mar 23, 2024 |
|
Stephen Lee Naish, "Music and Sound in the Films of Dennis Hopper" (Routledge, 2024)
|
Mar 21, 2024 |
|
Radha Kapuria, "Music in Colonial Punjab" (Oxford UP, 2023)
|
Mar 21, 2024 |
|
Coretta M. Pittman, "Literacy in a Long Blues Note: Black Women’s Literature and Music in the Late Nineteenth and Early Twentieth Centuries" (UP of Mississippi, 2022)
|
Mar 19, 2024 |
|
Micajah Henley, "The Clash's Sandinista!" (Bloombury, 2024)
|
Mar 14, 2024 |
|
Gavin Butt, "No Machos Or Pop Stars: When the Leeds Art Experiment Went Punk" (Duke UP, 2022)
|
Mar 13, 2024 |
|
Judith Tick, "Becoming Ella Fitzgerald: The Jazz Singer Who Transformed American Song" (Norton, 2023)
|
Mar 12, 2024 |
|
David Savran, "Tell It to the World: The Broadway Musical Abroad" (Oxford UP, 2024)
|
Mar 11, 2024 |
|
Reading Taylor Swift as a Cultural and Political Text
|
Mar 11, 2024 |
|
Amy Coddington, "How Hip Hop Became Hit Pop: Radio, Rap, and Race" (U California Press, 2023)
|
Mar 06, 2024 |
|
Priyanka Basu, "The Poet’s Song: ‘Folk’ and its Cultural Politics in South Asia" (Routledge, 2023)
|
Mar 06, 2024 |
|
Roseen Giles, "Monteverdi and the Marvellous: Poetry, Sound, and Representation" (Cambridge UP, 2023)
|
Mar 04, 2024 |
|
Joseph Cone, "Seeing Opera Anew: A Cultural and Biological Perspective" (Routledge, 2023)
|
Mar 03, 2024 |
|
Steve Ferzacca, "Sonic City: Making Rock Music and Urban Life in Singapore" (NUS Press, 2021)
|
Feb 29, 2024 |
|
Horace J. Maxile, Jr. and Kristen M. Turner, "Race and Gender in the Western Music History Survey: A Teacher's Guide" (Routledge, 2022)
|
Feb 27, 2024 |
|
Kunal Purohit, "H-Pop: The Secretive World of Hindutva Pop Stars" (HarperCollins, 2023)
|
Feb 20, 2024 |
|
John Howland, "Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music" (U California Press, 2021)
|
Feb 18, 2024 |
|
Richard T. Rodríguez, "A Kiss Across the Ocean: Transatlantic Intimacies of British Post-Punk and US Latinidad" (Duke UP, 2022)
|
Feb 09, 2024 |
|
Bryce Henson, "Emergent Quilombos: Black Life and Hip-Hop in Brazil" (U Texas Press, 2023)
|
Feb 07, 2024 |
|
Mark Guarino, "Country and Midwestern: Chicago in the History of Country Music and the Folk Revival" (U Chicago Press, 2023)
|
Feb 05, 2024 |
|
Murray Forman and Mark V. Campbell, "Hip Hop Archives: The Politics and Poetics of Knowledge Production" (Intellect, 2023)
|
Feb 04, 2024 |
|
Michael O'Malley, "The Beat Cop: Chicago's Chief O'Neill and the Creation of Irish Music" (U Chicago Press, 2022)
|
Feb 03, 2024 |
|
Aaron Carnes, "In Defense of Ska: The Ska Now More Than Ever Edition" (Clash Books, 2023)
|
Jan 21, 2024 |
|
Jessica Goethals, "Margherita Costa, Diva of the Baroque Court" (U Toronto Press, 2023)
|
Jan 20, 2024 |
|
Adriana Helbig, "ReSounding Poverty: Romani Music and Development Aid" (Oxford UP, 2023)
|
Jan 19, 2024 |
|
Aniefiok Ekpoudom, "Where We Come From: Rap, Home & Hope in Modern Britain" (Faber and Faber, 2024)
|
Jan 19, 2024 |
|
Katherine Rye Jewell, "Live from the Underground: A History of College Radio" (UNC Press, 2023)
|
Jan 09, 2024 |
|
Alex Pappademas and Joan LeMay, "Quantum Criminals: Ramblers, Wild Gamblers, and Other Sole Survivors from the Songs of Steely Dan" (U Texas Press, 2023)
|
Jan 07, 2024 |
|
Elizabeth Eva Leach, "Medieval Sex Lives: The Sounds of Courtly Intimacy on the Francophone Borders" (Cornell UP, 2023)
|
Jan 06, 2024 |
|
Laurent Dubois, “The Banjo: America’s African Instrument” (Harvard UP, 2016)
|
Dec 30, 2023 |
|
Ralph H. Craig, "Dancing in My Dreams: A Spiritual Biography of Tina Turner" (Eerdmans, 2023)
|
Dec 29, 2023 |
|
Bryan McCann, "The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era" (U Alabama Press, 2017)
|
Dec 26, 2023 |
|
Walter Greason and Tim Fielder, "The Graphic History of Hip Hop" (NYC Department of Education, 2023)
|
Dec 25, 2023 |
|
Nate Patrin, "The Needle and the Lens: Pop Goes to the Movies from Rock 'n' Roll to Synthwave" (U Minnesota Press, 2023)
|
Dec 23, 2023 |
|
Howie Singer and Bill Rosenblatt, "Key Changes: The Ten Times Technology Transformed the Music Industry" (Oxford UP, 2023)
|
Dec 23, 2023 |
|
Michelle R. Scott, "T.O.B.A. Time: Black Vaudeville and the Theater Owners' Booking Association in Jazz-Age America" (U Illinois Press, 2023)
|
Dec 18, 2023 |
|
Lawrence Sherman and Dennis Plies, "Every Brain Needs Music: The Neuroscience of Making and Listening to Music" (Columbia UP, 2023)
|
Dec 16, 2023 |
|
Mark Davidson and Parker Fishel, "Bob Dylan: Mixing Up the Medicine" (Callaway, 2023)
|
Dec 09, 2023 |
|
Hilary French, "Ballroom: A People’s History of Dancing" (Reaktion Books, 2022)
|
Dec 05, 2023 |
|
Ramsey Lewis and Aaron Cohen, "Gentleman of Jazz: A Life in Music" (Blackstone, 2023)
|
Dec 04, 2023 |
|
Ina Rupprecht, ed., "Persecution, Collaboration, Resistance: Music in the ‘Reichskommissariat Norwegen’ (1940–45)" (Waxmann Verlag, 2020)
|
Nov 21, 2023 |
|
Greil Marcus, "Folk Music: A Bob Dylan Biography in Seven Songs" (Yale UP, 2022)
|
Nov 20, 2023 |
|
Warren Zanes, "Deliver Me from Nowhere: The Making of Bruce Springsteen's 'Nebraska' (Crown, 2023)
|
Nov 17, 2023 |
|
Brigid Cohen, "Musical Migration and Imperial New York: Early Cold War Scenes" (U Chicago Press, 2022)
|
Nov 15, 2023 |
|
Pavitra Sundar, "Listening with a Feminist Ear: Soundwork in Bombay Cinema" (U Michigan Press, 2023)
|
Nov 15, 2023 |
|
Gary Tomlinson, "The Machines of Evolution and the Scope of Meaning" (Zone Books, 2023)
|
Nov 14, 2023 |
|
Ralph H. Craig III, "Dancing in My Dreams: A Spiritual Biography of Tina Turner" (Eerdmans, 2023)
|
Nov 10, 2023 |
|
A Deep Dive into Olivia Rodrigo's "Guts"
|
Nov 09, 2023 |
|
Michael Kaler, "Get Shown the Light: Improvisation and Transcendence in the Music of the Grateful Dead" (Duke UP, 2023)
|
Nov 06, 2023 |
|
Greg Beets and Richard Whymark, "A Curious Mix of People: The Underground Scene of '90s Austin" (U Texas Press, 2023)
|
Nov 05, 2023 |
|
Michael Custodis, "Music and Resistance: Cultural Defense During the German Occupation of Norway 1940-45" (Waxmann Verlag, 2021)
|
Nov 02, 2023 |
|
Jennifer Saltzstein, "Song, Landscape, and Identity in Medieval Northern France: Toward an Environmental History" (Oxford UP, 2023)
|
Nov 01, 2023 |
|
Jason Lamb, "NoMeansNo: From Obscurity to Oblivion, an Oral History" (PM Press, 2024)
|
Oct 28, 2023 |
|
Stephen B. Armstrong, "I Want You Around: The Ramones and the Making of Rock 'n' Roll High School" (Backbeat Books, 2023)
|
Oct 27, 2023 |
|
Adam Blum et al., "Here I'm Alive: The Spirit of Music in Psychoanalysis" (Columbia UP, 2023)
|
Oct 15, 2023 |
|
Paul Crenshaw, "Melt with Me: Coming of Age and Other '80s Perils" (Ohio State UP, 2023)
|
Oct 12, 2023 |
|
Scott Creney and Brigette Adair Herron, "The Story of the B-52s: Neon Side of Town" (Palgrave Macmillan, 2023)
|
Oct 07, 2023 |
|
Sheldon Birnie, "Missing Like Teeth: An Oral History of Winnipeg Underground Rock, 1900-2001" (Eternal Cavalier Press, 2015)
|
Oct 04, 2023 |
|
Kiana Fitzgerald, "Ode to Hip-Hop: 50 Albums That Define 50 Years of Trailblazing Music" (Running Press Adult, 2023)
|
Sep 30, 2023 |
|
Jonathan Mael, "Harlem World: How Hip Hop's Super Showdown Changed Music Forever" (Johns Hopkins UP, 2023)
|
Sep 26, 2023 |
|
Kimberly Mack, "Living Colour's Time's Up" (Bloomsbury, 2023)
|
Sep 19, 2023 |
|
Chris Molanphy, "Old Town Road" (Duke UP, 2023)
|
Sep 15, 2023 |
|
Gregory Cahill, "The Golden Voice: The Ballad of Cambodian Rock's Lost Queen" (Life Drawn, 2023)
|
Sep 14, 2023 |
|
Jonathan Leal, "Dreams in Double Time: On Race, Freedom, and Bebop" (Duke UP, 2023)
|
Sep 14, 2023 |
|
A Better Way to Buy Books
|
Sep 12, 2023 |
|
Andrew Chan, "Why Mariah Carey Matters" (U Texas Press, 2023)
|
Sep 05, 2023 |
|
The Philosophy of Music and the Attunement of the Soul
|
Sep 05, 2023 |
|
John Szwed, "Cosmic Scholar: The Life and Times of Harry Smith" (FSG, 2023)
|
Sep 03, 2023 |
|
Anna Kathryn Grau and Lisa Colton, "Female-Voice Song and Women's Musical Agency in the Middle Ages" (Brill, 2022)
|
Sep 01, 2023 |
|
Una McIlvenna, "Singing the News of Death: Execution Ballads in Europe 1500-1900" (Oxford UP, 2022)
|
Aug 31, 2023 |
|
Bonnie Gordon, "Voice Machines: The Castrato, the Cat Piano, and Other Strange Sounds" (U Chicago Press, 2023)
|
Aug 31, 2023 |
|
John Brackett, "Live Dead: The Grateful Dead, Live Recordings, and the Ideology of Liveness" (Duke UP, 2023)
|
Aug 30, 2023 |
|
Chuyun Oh, "K-pop Dance: Fandoming Yourself on Social Media" (Routledge, 2022)
|
Aug 28, 2023 |
|
Polyphony
|
Aug 24, 2023 |
|
Nicholas Tochka, "Rocking in the Free World: Popular Music and the Politics of Freedom in Postwar America" (Oxford UP, 2023)
|
Aug 14, 2023 |
|
Andy Cowan, "B-Side: Pop History Via Its Greatest B-Sides, 1917-2017" (Headpress, 2023)
|
Aug 04, 2023 |
|
Rich Deakin, "Grebo!: The Loud & Lousy Story of Gaye Bykers on Acid and Crazyhead" (Headpress, 2021)
|
Jul 23, 2023 |
|
Howard Fishman, "To Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converse" (Dutton, 2023)
|
Jul 22, 2023 |
|
William Perrine, "Alien Territory: Radical, Experimental, & Irrelevant Music in 1970s San Diego" (Billingsgate Media, 2023)
|
Jul 09, 2023 |
|
Adrian Rifkin, "Future Imperfect: The Past Between My Fingers..." (2021)
|
Jul 02, 2023 |
|
Marie Arleth Skov, "Punk Art History: Artworks from the European No Future Generation" (Intellect, 2023)
|
Jun 30, 2023 |
|
Michael Gray, "Song & Dance Man: The Art of Bob Dylan-Vol. 1 Language & Tradition" (FM Press, 2023)
|
Jun 22, 2023 |
|
Roy Christopher, "Boogie Down Predictions: Hip-Hop, Time, and Afrofuturism" (MIT Press, 2022)
|
Jun 12, 2023 |
|
Paul Metsa and Rick Shefchik, "Blood in the Tracks: The Minnesota Musicians Behind Dylan's Masterpiece" (U Minnesota Press, 2023)
|
Jun 11, 2023 |
|
Arturo Rodríguez Morató and Alvaro Santana-Acuña, "Sociology of the Arts in Action: New Perspectives on Creation, Production, and Reception" (Palgrave MacMillan, 2023)
|
Jun 11, 2023 |
|
Andrew Snyder, "Critical Brass: Street Carnival and Musical Activism in Olympic Rio de Janeiro" (Wesleyan UP, 2022)
|
Jun 09, 2023 |
|
Robin James, "The Future of Rock and Roll: 97X WOXY and the Fight for True Independence" (UNC Press, 2023)
|
Jun 07, 2023 |
|
Lisa McCormick, "The Cultural Sociology of Art and Music: New Directions and New Discoveries" (Palgrave MacMillan, 2022)
|
May 28, 2023 |
|
Heather Augustyn, "Rude Girls: Women in 2 Tone and One Step Beyond" (2023)
|
May 25, 2023 |
|
Muse, Odalisque, Handmaiden: A Girl's Life in the Incredible String Band
|
May 22, 2023 |
|
Mark LeVine, "We'll Play Till We Die: Journeys Across a Decade of Revolutionary Music in the Muslim World" (U California Press, 2022)
|
May 19, 2023 |
|
Sebanti Chatterjee, "Choral Voices: Ethnographic Imaginations of Sound and Sacrality" (Bloomsbury, 2023)
|
May 14, 2023 |
|
John Klaess, "Breaks in the Air: The Birth of Rap Radio in New York City" (Duke UP, 2022)
|
May 12, 2023 |
|
Mark Goodall, "Gathering of the Tribe: A Companion to Occult Music on Vinyl" (Headpress, 2022)
|
May 12, 2023 |
|
Philip Ewell, "On Music Theory, and Making Music More Welcoming for Everyone" (U Michigan Press, 2023)
|
May 03, 2023 |
|
Annie Zaleski, "Lady Gaga: Applause" (Palazzo Editions, 2022)
|
Apr 30, 2023 |
|
Craig Leonard, "Uncommon Sense: Aesthetics after Marcuse" (MIT Press, 2022)
|
Apr 29, 2023 |
|
Will York, "Who Cares Anyway: Post-Punk San Francisco and the End of the Analog Age" (Headpress, 2023)
|
Apr 25, 2023 |
|
Rachel Anne Gillett, "At Home in Our Sounds: Music, Race, and Cultural Politics in Interwar Paris" (Oxford UP, 2021)
|
Apr 22, 2023 |
|
The Making of "Ways of Hearing"
|
Apr 17, 2023 |
|
Celeste Day Moore, "Soundscapes of Liberation: African American Music in Postwar France" (Duke UP, 2021)
|
Apr 10, 2023 |
|
Simon Strange, "Blank Canvas: Art School Creativity and the Development of Punk, Post Punk and New Wave Music" (Intellect, 2023)
|
Apr 08, 2023 |
|
David Rothenberg, "Whale Music: Thousand Mile Songs in a Sea of Sound" (Terra Nova Press, 2023)
|
Apr 04, 2023 |
|
Geoff Harkness, "DVS Mindz: The Twenty-Year Saga of the Greatest Rap Group to Almost Make It Outta Kansas" (Columbia UP, 2023)
|
Mar 30, 2023 |
|
Wolfgang Marx, "I Don't Belong Anywhere: Gyorgy Ligeti At 100" (Brepols Publishers, 2022)
|
Mar 29, 2023 |
|
Trent Walker, "Until Nirvana's Time: Buddhist Songs from Cambodia" (Shambhala, 2022)
|
Mar 22, 2023 |
|
Rose Marshack, "Play Like a Man: My Life in Poster Children" (U Illinois Press, 2023)
|
Mar 20, 2023 |
|
Nicolas Collins on Leonardo Music Journal’s 20th Anniversary
|
Mar 17, 2023 |
|
Hugh Hodges, "The Fascist Groove Thing: A History of Thatcher's Britain in 21 Mixtapes" (PM Press, 2023)
|
Mar 16, 2023 |
|
Computer Music and Human Computer Interaction
|
Mar 15, 2023 |
|
Brian Harker, "Sportin' Life: John W. Bubbles, an American Classic" (Oxford UP, 2022)
|
Mar 11, 2023 |
|
Error, Ego, Humility and Music: A Discussion with Tony Monaco
|
Mar 05, 2023 |
|
Margaret Hall, "Gemignani: Life and Lessons from Broadway and Beyond" (Applause Books, 2022)
|
Mar 01, 2023 |
|
Cassette Culture in Modern Egypt: A Conversation with Andrew Simon
|
Feb 27, 2023 |
|
Dan DiPiero, "Contingent Encounters: Improvisation in Music and Everyday Life" (U Michigan Press, 2022)
|
Feb 27, 2023 |
|
Jen B. Larson, "Hit Girls: Women of Punk in the USA, 1975-1983" (Feral House, 2022)
|
Feb 26, 2023 |
|
Pete Millwood, "Improbable Diplomats: How Ping-Pong Players, Musicians, and Scientists Remade US-China Relations" (Cambridge UP, 2022)
|
Feb 21, 2023 |
|
Leila Jancovich and David Stevenson, "Failures in Cultural Participation" (Palgrave Macmillan, 2022)
|
Feb 20, 2023 |
|
Lauron J. Kehrer, "Queer Voices in Hip Hop: Cultures, Communities, and Contemporary Performance" (U Michigan Press, 2022)
|
Feb 14, 2023 |
|
Making Meaning Episode 11: Living Music
|
Feb 14, 2023 |
|
Nic Brown, "Bang Bang Crash: A Memoir" (Counterpoint, 2023)
|
Feb 14, 2023 |
|
Making Meaning Episode 8: Gifts of Belonging
|
Feb 11, 2023 |
|
Steven Hyden, "Long Road: Pearl Jam and the Soundtrack of a Generation" (Hachette Books, 2022)
|
Feb 06, 2023 |
|
Deep Cuts: Classic Rock and Hair Metal with Professor and Guitarist Jesse Kavadlo
|
Feb 05, 2023 |
|
Nick Seaver, "Computing Taste: Algorithms and the Makers of Music Recommendation" (U Chicago Press, 2022)
|
Feb 02, 2023 |
|
Maria Sonevytsky, "Wild Music: Sound and Sovereignty in Ukraine" (Wesleyan UP, 2019)
|
Jan 28, 2023 |
|
Anthony Reed, "Soundworks: Race, Sound, and Poetry in Production" (Duke UP, 2020)
|
Jan 28, 2023 |
|
Rens Bod, "A New History of the Humanities: The Search for Principles and Patterns from Antiquity to the Present" (Oxford UP, 2014)
|
Jan 23, 2023 |
|
Dick Weissman, "Bob Dylan's New York: A Historic Guide" (SUNY Press, 2022)
|
Jan 22, 2023 |
|
Richard Aquila, "Rock & Roll in Kennedy's America: A Cultural History of the Early 1960s" (Johns Hopkins UP, 2022)
|
Jan 18, 2023 |
|
Oana Serban, "After Thomas Kuhn: The Structure of Aesthetic Revolutions" (de Gruyter, 2022)
|
Jan 12, 2023 |
|
Albert Glinsky, "Switched On: Bob Moog and the Synthesizer Revolution" (Oxford UP, 2022)
|
Jan 07, 2023 |
|
Siv B. Lie, "Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France" (U Chicago Press, 2021)
|
Jan 04, 2023 |
|
Rebecca Binns, "Gee Vaucher: Beyond Punk, Feminism and the Avant-Garde" (Manchester UP, 2022)
|
Jan 02, 2023 |
|
Comedies of 'Fair Use': Lewis Hyde on Owning Art and Ideas
|
Jan 01, 2023 |
|
What Makes a Book, Song or Movie Popular? A Conversation with Noah Askin
|
Dec 23, 2022 |
|
Craig Seymour, "Luther: The Life and Longing of Luther Vandross" (2017)
|
Dec 21, 2022 |
|
Tom McLeish, "The Poetry and Music of Science: Comparing Creativity in Science and Art" (Oxford UP, 2021)
|
Dec 20, 2022 |
|
Fearghus Roulston, "Belfast Punk and the Troubles: an Oral History" (Manchester UP, 2022)
|
Dec 19, 2022 |
|
Chokepoint Capitalism: How Chokepoint Capitalism is Strangling Creative Industries
|
Dec 19, 2022 |
|
Catherine Bateson, "Irish American Civil War Songs: Identity, Loyalty, and Nationhood" (Louisiana UP, 2022)
|
Dec 14, 2022 |
|
Philip Nanton, "Riff: The Shake Keane Story" (Papillote Press, 2022)
|
Dec 14, 2022 |
|
Natasha Lasky, "Britney Spears's Blackout" (Bloomsbury, 2022)
|
Dec 11, 2022 |
|
Norm Cohen et al., "An American Singing Heritage: Songs from the British-Irish-American Oral Tradition as Recorded in the Early Twentieth Century" (A-R Editions, 2021)
|
Dec 08, 2022 |
|
Mary Channen Caldwell, "Devotional Refrains in Medieval Latin Song" (Cambridge UP, 2022)
|
Dec 07, 2022 |
|
Bridget Kies and Megan Connor, "Fandom, the Next Generation" (U Iowa Press, 2022)
|
Nov 22, 2022 |
|
Elliott H. Powell, "Sounds from the Other Side: Afro-South Asian Collaborations in Black Popular Music" (U Minnesota Press, 2020)
|
Nov 21, 2022 |
|
Gregor Gall, "The Punk Rock Politics of Joe Strummer: Radicalism, Resistance and Rebellion" (Manchester UP, 2022)
|
Nov 18, 2022 |
|
Bradley Morgan, "U2's the Joshua Tree: Planting Roots in Mythic America" (Backbeat Books, 2021)
|
Nov 17, 2022 |
|
Meredith Schweig, "Renegade Rhymes: Rap Music, Narrative, and Knowledge in Taiwan" (U Chicago Press, 2022)
|
Nov 11, 2022 |
|
Guthrie P. Ramsey, "Who Hears Here?: On Black Music, Pasts and Present" (U California Press, 2022)
|
Nov 07, 2022 |
|
Nancy November, "String Quartets in Beethoven's Europe" (Academic Studies Press, 2022)
|
Oct 31, 2022 |
|
Ross Cole, "The Folk: Music, Modernity, and the Political Imagination" (U California Press, 2021)
|
Oct 28, 2022 |
|
Larisa Kingston Mann, "Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power (UNC Press, 2022)
|
Oct 24, 2022 |
|
John F. Lyons, "Joy and Fear: The Beatles, Chicago and the 1960s" (Permuted Press, 2020)
|
Oct 18, 2022 |
|
Charles Sawyer, "B. B. King: From Indianola to Icon: A Personal Odyssey with the 'King of the Blues'" (Schiffer Publishing, 2022)
|
Oct 14, 2022 |
|
Mark Burford, "Mahalia Jackson and the Black Gospel Field" (Oxford UP, 2019)
|
Sep 23, 2022 |
|
Nina Sun Eidsheim, "The Race of Sound: Listening, Timbre and Vocality in African American Music" (Duke UP, 2019)
|
Sep 22, 2022 |
|
Stevie Van Zandt, "Unrequited Infatuations: A Memoir" (Hachette Books, 2022)
|
Sep 20, 2022 |
|
Emily Bingham, "My Old Kentucky Home: The Astonishing Life and Reckoning of an Iconic American Song" (Knopf, 2022)
|
Sep 19, 2022 |
|
Steve Adelman, "Nocturnal Admissions: A Nightlife Memoir" (Santa Monica Press, 2022)
|
Sep 16, 2022 |
|
Eldritch Priest, "Earworm and Event: Music, Daydreams, and Other Imaginary Refrains" (Duke UP, 2022)
|
Sep 15, 2022 |
|
Nicholas Gamso, "Art After Liberalism" (Columbia UP, 2022)
|
Sep 12, 2022 |
|
Marissa R. Moss, "Her Country: How the Women of Country Music Became the Success They Were Never Supposed to Be" (Henry Holt, 2022)
|
Sep 07, 2022 |
|
Adam Abraham, "Attack of the Monster Musical: A Cultural History of Little Shop of Horrors" (Bloomsbury, 2022)
|
Sep 02, 2022 |
|
Mark Clague, "O Say Can You Hear?: A Cultural Biography of the Star-Spangled Banner" (Norton, 2022)
|
Sep 02, 2022 |
|
Aniket De, "The Boundary of Laughter: Popular Performances Across Borders in South Asia" (Oxford UP, 2022)
|
Sep 01, 2022 |
|
Will Birch, "Cruel to Be Kind: The Life and Music of Nick Lowe" (Da Capo Press, 2019)
|
Aug 31, 2022 |
|
Antonio C. Cuyler, "Access, Diversity, Equity and Inclusion in Cultural Organizations: Insights from the Careers of Executive Opera Managers of Color in the US" (Routledge, 2020)
|
Aug 18, 2022 |
|
Michael Elliott, "Have a Little Faith: The John Hiatt Story" (Chicago Review Press, 2021)
|
Aug 10, 2022 |
|
M. I. Franklin, "Sampling Politics: Music and the Geocultural" (Oxford UP, 2021)
|
Aug 09, 2022 |
|
Ellis Jones, "DIY Music and the Politics of Social Media" (Bloomsbury, 2020)
|
Aug 03, 2022 |
|
Leah Kardos, "Blackstar Theory: The Last Works of David Bowie" (Bloomsbury, 2022)
|
Aug 01, 2022 |
|
Alan John Ainsworth, "Sight Readings: Photographers and American Jazz, 1900-1960" (Intellect, 2022)
|
Aug 01, 2022 |
|
John M. Shaw, "Following the Drums: African American Fife and Drum Music in Tennessee" (UP of Mississippi, 2022)
|
Aug 01, 2022 |
|
Jeff Hayton, "Culture from the Slums: Punk Rock in East and West Germany" (Oxford UP, 2022)
|
Jul 28, 2022 |
|
Hanan Hammad, "Unknown Past: Layla Murad, the Jewish-Muslim Star of Egypt" (Stanford UP, 2022)
|
Jul 27, 2022 |
|
Caryn Rose, "Why Patti Smith Matters" (U of Texas Press, 2022)
|
Jul 19, 2022 |
|
Tony Perman, "Signs of the Spirit: Music and the Experience of Meaning in Ndau Ceremonial Life" (U Illinois Press, 2020)
|
Jul 15, 2022 |
|
Jennifer Lin, "Beethoven in Beijing: Stories from the Philadelphia Orchestra's Historic Journey to China" (Temple UP, 2022)
|
Jul 14, 2022 |
|
Alexandra Apolloni, "Freedom Girls: Voicing Femininity in 1960s British Pop" (Oxford UP, 2021)
|
Jul 11, 2022 |
|
Xinling Li, "Black Masculinity and Hip-Hop Music: Black Gay Men Who Rap" (Palgrave Macmillan, 2019)
|
Jul 06, 2022 |
|
Jessica Lipsky, "It Ain't Retro: Daptone Records and the 21st-Century Soul Revolution" (Jawbone, 2021)
|
Jul 05, 2022 |
|
Mattin, "Social Dissonance" (MIT Press, 2022)
|
Jul 05, 2022 |
|
Christopher Silver, "Recording History: Jews, Muslims, and Music Across Twentieth-Century North Africa" (Stanford UP, 2022)
|
Jul 04, 2022 |
|
John Luther Adams, "Silences So Deep: Music, Solitude, Alaska" (FSG, 2020)
|
Jun 22, 2022 |
|
Kira Thurman, "Singing Like Germans: Black Musicians in the Land of Bach, Beethoven, and Brahms" (Cornell UP, 2021)
|
Jun 21, 2022 |
|
Andrew Simon, "Media of the Masses: Cassette Culture in Modern Egypt" (Stanford UP, 2022)
|
Jun 16, 2022 |
|
Judith Lochhead et al., "Sound and Affect: Voice, Music, World" (U Chicago Press, 2021)
|
Jun 10, 2022 |
|
Mark Anthony Neal, "Black Ephemera: The Crisis and Challenge of the Musical Archive" (NYU Press, 2022)
|
Jun 10, 2022 |
|
Edward Anthony Avery-Natale, "Ethics, Politics, and Anarcho-Punk Identifications: Punk and Anarchy in Philadelphia" (Lexington, 2016)
|
Jun 10, 2022 |
|
Nikita Braguinski, "Mathematical Music: From Antiquity to Music AI" (Focal Press, 2022)
|
Jun 09, 2022 |
|
Stan BH Tan-Tangbau et al., "Jazz in Socialist Hà Nội: Improvisations Between Worlds" (Routledge, 2022)
|
Jun 08, 2022 |
|
Stephen Deusner, "Where the Devil Don't Stay: Traveling the South with the Drive-By Truckers" (U Texas Press, 2021)
|
Jun 08, 2022 |
|
Mary Beth Willard, "Why It's Ok to Enjoy the Work of Immoral Artists" (Routledge, 2021)
|
Jun 08, 2022 |
|
Shara Rambarran, "Virtual Music: Sound, Music, and Image in the Digital Era" (Bloomsbury, 2021)
|
Jun 03, 2022 |
|
Richard Stamz and Patrick A. Roberts, "Give 'em Soul, Richard!: Race, Radio, and Rhythm and Blues in Chicago" (U Illinois Press, 2010)
|
Jun 01, 2022 |
|
Mike Errico, "Music, Lyrics, and Life: A Field Guide for the Advancing Songwriter" (Backbeat Book, 2022)
|
May 26, 2022 |
|
Alejandro Nava, "Street Scriptures: Between God and Hip-Hop" (U Chicago Press, 2022)
|
May 25, 2022 |
|
Rebecca Dowd Geoffroy-Schwinden, "From Servant to Savant: Musical Privilege, Property, and the French Revolution" (Oxford UP, 2022)
|
May 11, 2022 |
|
Guangtian Ha, "The Sound of Salvation: Voice, Gender, and the Sufi Mediascape in China" (Columbia UP, 2021)
|
May 09, 2022 |
|
Computational Creativity
|
May 06, 2022 |
|
J. Lorenzo Perillo, "Choreographing in Color: Filipinos, Hip-Hop, and the Cultural Politics of Euphemism" (Oxford UP, 2020)
|
May 06, 2022 |
|
Dhanveer Singh Brar, "Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century" (Goldsmiths Press, 2021)
|
May 06, 2022 |
|
Aaron Cohen, "Move On Up: Chicago Soul Music and Black Cultural Power" (U Chicago Press, 2019)
|
May 04, 2022 |
|
Nancy Barile, "I'm Not Holding Your Coat: My Bruises-And-All Memoir of Punk Rock Rebellion" (Bazillion Points, 2021)
|
Apr 28, 2022 |
|
Amanda D. Lotz, "Media Disrupted: Surviving Pirates, Cannibals, and Streaming Wars" (MIT Press, 2021)
|
Apr 27, 2022 |
|
On Rock'n'Roll, aka "The Devil's Music"
|
Apr 22, 2022 |
|
Delinda Collier, "Media Primitivism: Technological Art in Africa" (Duke UP, 2020)
|
Apr 20, 2022 |
|
Patricia A. Banks, "Black Culture, Inc.: How Ethnic Community Support Pays for Corporate America" (Stanford UP, 2022)
|
Apr 19, 2022 |
|
Kenneth Partridge, "Hell of a Hat: The Rise of '90s Ska and Swing" (Pennsylvania State UP, 2021)
|
Apr 15, 2022 |
|
Yana Stainova, "Sonorous Worlds: Musical Enchantment in Venezuela" (U Michigan Press, 2021)
|
Apr 13, 2022 |
|
Richard Brent Turner, "Soundtrack to a Movement: African American Islam, Jazz, and Black Internationalism" (NYU Press, 2021)
|
Apr 08, 2022 |
|
On Punk Rock and Religious Identity
|
Apr 07, 2022 |
|
Louis K. Epstein, "The Creative Labor of Music Patronage in Interwar France" (Boydell, 2021)
|
Apr 06, 2022 |
|
Rebecca Cypess, "Women and Musical Salons in the Enlightenment" (U Chicago Press, 2022)
|
Apr 01, 2022 |
|
Michael Spitzer, "The Musical Human: A History of Life on Earth" (Bloomsbury, 2021)
|
Mar 30, 2022 |
|
Kate Guthrie, "The Art of Appreciation: Music and Middlebrow Culture in Modern Britain" (U California Press, 2021)
|
Mar 29, 2022 |
|
Daudi Abe, "Emerald Street: A History of Hip Hop in Seattle" (U Washington Press, 2020)
|
Mar 23, 2022 |
|
Deirdre Ní Chonghaile, "Collecting Music in the Aran Islands: A Century of History and Practice" (U Wisconsin Press, 2021)
|
Mar 18, 2022 |
|
K. Stephen Prince, "The Ballad of Robert Charles: Searching for the New Orleans Riot Of 1900" (UNC Press, 2021)
|
Mar 17, 2022 |
|
Lily E. Hirsch, "Weird Al: Seriously" (Rowman and Littlefield, 2020)
|
Mar 17, 2022 |
|
Mike McCartney, "Mike McCartney's Early Liverpool" (Genesis Publications, 2021)
|
Mar 15, 2022 |
|
Paul Reitter and Chad Wellmon, "Permanent Crisis: The Humanities in a Disenchanted Age" (U Chicago Press, 2021)
|
Mar 14, 2022 |
|
Tim Smolko and Joanna Smolko, "Atomic Tunes: The Cold War in American and British Popular Music" (Indiana UP, 2021)
|
Mar 11, 2022 |
|
Uwe Schütte, "Kraftwerk: Future Music from Germany" (Penguin, 2021)
|
Mar 10, 2022 |
|
Vicki L. Brennan, "Singing Yoruba Christianity: Music, Media, and Morality" (Indiana UP, 2018)
|
Mar 08, 2022 |
|
James Lapine, "Putting It Together: How Stephen Sondheim and I Created 'Sunday in the Park with George'" (FSG, 2021)
|
Mar 04, 2022 |
|
William Sites, "Sun Ra's Chicago: Afrofuturism and the City" (U Chicago Press, 2021)
|
Feb 24, 2022 |
|
John Fenn and Lisa Gilman, "Handbook for Folklore and Ethnomusicology Fieldwork" (Indiana UP, 2019)
|
Feb 22, 2022 |
|
Katie Rios, "This Is America: Race, Gender, and Politics in America's Musical Landscape" (Lexington Books, 2021)
|
Feb 09, 2022 |
|
Bruce Iglauer and Patrick A. Roberts, "Bitten by the Blues: The Alligator Records Story" (U Chicago Press, 2018)
|
Feb 08, 2022 |
|
I'm Possible: A Conversation with Tuba Professor Dr. Richard White
|
Feb 03, 2022 |
|
Michael Stewart Foley, "Citizen Cash: The Political Life and Times of Johnny Cash" (Basic Books, 2021)
|
Feb 02, 2022 |
|
Olga Rodríguez-Ulloa and Rodrigo Quijano, "Punk! Las Américas Edition" (Intellect, 2022)
|
Jan 18, 2022 |
|
Vivian Kirkfield, "Making Their Voices Heard: The Inspiring Friendship of Ella Fitzgerald and Marilyn Monroe" (Little Bee Books, 2020)
|
Jan 13, 2022 |
|
Jake Johnson, "Lying in the Middle: Musical Theater and Belief at the Heart of America" (U Illinois Press, 2021)
|
Jan 13, 2022 |
|
Carol J. Oja and Charles Garrett, "Sounding Together: Collaborative Perspectives on U. S. Music in the 21st Century" (U Michigan Press, 2021)
|
Jan 07, 2022 |
|
Rosa Hawkins and Steve Bergsman, "Chapel of Love: The Story of New Orleans Girl Group the Dixie Cups" (UP of Mississippi, 2021)
|
Jan 05, 2022 |
|
Stan BH Tan-Tangbau and Quyền Văn Minh, "Playing Jazz in Socialist Vietnam: Quyền Văn Minh and Jazz in Hà Nội" (UP of Mississippi, 2021)
|
Jan 04, 2022 |
|
David Sulzer, "Music, Math, and Mind: The Physics and Neuroscience of Music" (Columbia UP, 2021)
|
Dec 30, 2021 |
|
David Politzer, “The Physics of Banjos” (Open Agenda, 2021)
|
Dec 23, 2021 |
|
Jeffrey Brooks, "The Firebird and the Fox: Russian Culture under Tsars and Bolsheviks" (Cambridge UP, 2019)
|
Dec 22, 2021 |
|
Marcia Pally, "From This Broken Hill I Sing to You: God, Sex, and Politics in the Work of Leonard Cohen" (Bloomsbury, 2021)
|
Dec 21, 2021 |
|
Mary Talusan, "Instruments of Empire: Filipino Musicians, Black Soldiers, and Military Band Music During US Colonization of the Philippines" (UP of Mississippi, 2021)
|
Dec 20, 2021 |
|
Sonia Gollance, "It Could Lead to Dancing: Mixed-Sex Dancing and Jewish Modernity" (Stanford UP, 2021)
|
Dec 07, 2021 |
|
John Holmes McDowell et al., "Performing Environmentalisms: Expressive Culture and Ecological Change" (U Illinois Press, 2021)
|
Nov 30, 2021 |
|
Nina Kraus, "Of Sound Mind: How Our Brain Constructs a Meaningful Sonic World" (MIT Press, 2021)
|
Nov 26, 2021 |
|
Nolan Gasser, "Why You Like It: The Science and Culture of Musical Taste" (Flatiron Books, 2019)
|
Nov 24, 2021 |
|
Sunhee Koo, "Sound of the Border: Music and Identity of Korean Minority Nationality in China" (U Hawaii Press, 2021)
|
Nov 24, 2021 |
|
Daniel K. L. Chua and Alexander Rehding, "Alien Listening: Voyager's Golden Record and Music from Earth" (Zone Book, 2021)
|
Nov 16, 2021 |
|
Adam Lehrer, "Communions" (Hyperidean Press, 2021)
|
Nov 12, 2021 |
|
Hiromu Nagahara, "Tokyo Boogie-Woogie: Japan's Pop Era and Its Discontents" (Harvard UP, 2017)
|
Nov 11, 2021 |
|
Andrea Warner, "Buffy Sainte-Marie: The Authorized Biography" (Graystone Books, 2018)
|
Nov 05, 2021 |
|
Samantha Durbin, "Raver Girl: Coming of Age in the 90s" (She Writes Press, 2021)
|
Nov 05, 2021 |
|
Raphael Cormack, "Midnight in Cairo: The Divas of Egypt's Roaring 20s" (Norton, 2021)
|
Nov 02, 2021 |
|
William Robin, "Industry: Bang on a Can and New Music in the Marketplace" (Oxford UP, 2021)
|
Oct 29, 2021 |
|
Caroline A. Kita, "Jewish Difference and the Arts in Vienna: Composing Compassion in Music and Biblical Theater" (Indiana UP, 2019)
|
Oct 26, 2021 |
|
David Pearson, "Rebel Music in the Triumphant Empire: Punk Rock in the 1990s United States" (Oxford UP, 2020)
|
Oct 26, 2021 |
|
Alex E. Chávez, "Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño" (Duke UP, 2017)
|
Oct 21, 2021 |
|
Adesola Akinleye, "(Re:) Claiming Ballet" (Intellect Books, 2021)
|
Oct 21, 2021 |
|
Peter Toohey, "Hold On: The Life, Science, and Art of Waiting" (Oxford UP, 2020)
|
Oct 20, 2021 |
|
Joseph L. Clarke, "Echo's Chambers: Architecture and the Idea of Acoustic Space" (U Pittsburgh Press, 2021)
|
Oct 19, 2021 |
|
Aaron Cometbus and Scott Satterwhite, "A Punkhouse in the Deep South: The Oral History Of 309" (UP of Florida, 2021)
|
Oct 18, 2021 |
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Mike Dines et al., "The Punk Reader: Research Transmissions from the Local and the Global" (Intellect, 2019)
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Oct 12, 2021 |
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Anne Bogart, "The Art of Resonance" (Methuen Drama, 2021)
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Oct 06, 2021 |
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Panayotis F. League, "Echoes of the Great Catastrophe: Re-Sounding Anatolian Greekness in Diaspora" (U Michigan Press, 2021)
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Oct 04, 2021 |
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Shayna Maskell, "Politics as Sound: The Washington, DC, Hardcore Scene, 1978-1983" (U Illinois Press, 2021)
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Sep 28, 2021 |
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J. P. M. Drury and S. A. M. Drury, "Rhetoric, Politics, and Hamilton: an American Musical" (Peter Lang, 2021)
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Sep 16, 2021 |
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Franz Nicolay, "Someone Should Pay for Your Pain" (Gibson House Press, 2021)
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Sep 15, 2021 |
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Mary Gauthier, "Saved by a Song: The Art and Healing Power of Songwriting" (St. Martin's Essentials, 2021)
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Sep 10, 2021 |
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Robin Wallace: Inspired By Beethoven
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Sep 01, 2021 |
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Caseen Gaines, "Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way" (Sourcebooks, 2021)
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Aug 31, 2021 |
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Janaki Bakhle, "Two Men and Music: Nationalism in the Making of an Indian Classical Tradition" (Oxford UP, 2005)
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Aug 25, 2021 |
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Patricia Bickers, "The Ends of Art Criticism" (Lund Humphries Publishers, 2021)
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Aug 06, 2021 |
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Angela Williams, "Hip Hop Harem: Women, Rap and Representation in the Middle East" (Peter Lang, 2020)
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Aug 06, 2021 |
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Mark A. Johnson, "Rough Tactics: Black Performance in Political Spectacles, 1877-1932" (UP of Mississippi, 2021)
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Aug 05, 2021 |
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Malcolm James, "Sonic Intimacy: Reggae Sound Systems, Jungle Pirate Radio and Grime YouTube Music Videos" (Bloomsbury, 2020)
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Aug 04, 2021 |
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Diana Deutsch, “Believing Your Ears: Examining Auditory Illusions” (Open Agenda, 2021)
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Aug 02, 2021 |
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Jessica Hopper, "The First Collection of Criticism by a Living Female Rock Critic" (MCD x Fsg Originals, 2021)
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Jul 30, 2021 |
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Joseph Curtin, “The Science of Siren Songs: Stradivari Unveiled” (Open Agenda, 2021)
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Jul 30, 2021 |
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Pablo Palomino, "The Invention of Latin American Music" (Oxford UP, 2020)
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Jul 20, 2021 |
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Andrew F. Jones, "Circuit Listening: Chinese Popular Music in the Global 1960s" (U Minnesota Press, 2020)
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Jul 16, 2021 |
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Cynthia J. Becker, "Blackness in Morocco: Gnawa Identity Through Music and Visual Culture" (U Minnesota Press, 2020)
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Jul 16, 2021 |
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Brooke McCorkle Okazaki, "Shonen Knife’s Happy Hour" (Bloomsbury, 2020)
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Jul 15, 2021 |
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Kate Kennedy, "Dweller in Shadows: A Life of Ivor Gurney" (Princeton UP, 2021)
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Jul 15, 2021 |
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Ruth Ahnert et al., "The Network Turn: Changing Perspectives in the Humanities" (Cambridge UP, 2021)
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Jul 14, 2021 |
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Candace Bailey, "Unbinding Gentility: Women Making Music in the Nineteenth-Century South" (U Illinois Press, 2021)
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Jul 13, 2021 |
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Jonathan Wright and Dawson Barrett, "Punks in Peoria: Making a Scene in the American Heartland" (U Illinois Press, 2021)
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Jul 12, 2021 |
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Benjamin Steege, "An Unnatural Attitude: Phenomenology in Weimar Musical Thought" (U Chicago Press, 2021)
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Jul 07, 2021 |
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Jeanne Pitre Soileau, "Yo' Mama, Mary Mack, and Boudreaux and Thibodeaux: Louisiana Children's Folklore and Play" (UP of Mississippi, 2016)
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Jul 06, 2021 |
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Assaf Shelleg, "Theological Stains: Art Music and the Zionist Project" (Oxford UP, 2020)
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Jul 02, 2021 |
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Caroline Seymour-Jorn, "Creating Spaces of Hope: Young Artists and the New Imagination in Egypt" (AU in Cairo Press, 2021)
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Jun 30, 2021 |
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Katherine K. Preston, "George Frederick Bristow" (U Illinois Press, 2020)
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Jun 24, 2021 |
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Richard Thompson, "Beeswing: Losing My Way and Finding My Voice 1967-1975" (Algonquin Books, 2021)
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Jun 21, 2021 |
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Claudrena N. Harold, "When Sunday Comes: Gospel Music in the Soul and Hip-Hop Eras" (U Illinois Press, 2020)
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Jun 16, 2021 |
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Mark Mordue, "Boy On Fire: The Young Nick Cave" (HarperCollins, 2020)
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Jun 16, 2021 |
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David Arditi, "Getting Signed: Record Contracts, Musicians, and Power in Society" (Palgrave Macmillan, 2020)
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Jun 16, 2021 |
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Douglas W. Shadle, "Antonín Dvořák's New World Symphony" (Oxford UP, 2021)
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Jun 11, 2021 |
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W. Patrick McCray, "Making Art Work: How Cold War Engineers and Artists Forged a New Creative Culture" (MIT Press, 2020)
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Jun 09, 2021 |