New Books in Film
By Marshall Poe
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Category: TV & Film
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Episodes: 649
Description
Interviews with Scholars of Film about their New Books
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
| Episode | Date |
|---|---|
|
First Reformed
|
May 13, 2024 |
|
Emily Strand and Amy H. Sturgis, "Star Wars: Essays Exploring a Galaxy Far, Far Away" (Vernon Press, 2023)
|
May 10, 2024 |
|
Julia Havas, "Woman Up: Invoking Feminism in Quality Television" (Wayne State UP, 2022)
|
May 08, 2024 |
|
Hobson’s Choice
|
May 06, 2024 |
|
Sydney Stern, "The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics" (U Mississippi Press, 2019)
|
May 05, 2024 |
|
Patrick Humphries, "Cleopatra and the Undoing of Hollywood: How One Film Almost Sunk the Studios" (History Press, 2023)
|
May 04, 2024 |
|
John Powers, "Technology and the Making of Experimental Film Culture" (Oxford UP, 2023)
|
May 04, 2024 |
|
Kristi Irene McKim, "Rushmore" (British Film Institute, 2023)
|
May 03, 2024 |
|
Robert Farley on how "Andor" recreates "The Battle of Algiers" (and it works)
|
May 03, 2024 |
|
Katie Gee Salisbury, "Not Your China Doll: The Wild and Shimmering Life of Anna May Wong" (Dutton, 2024)
|
May 02, 2024 |
|
We Own the Night
|
Apr 29, 2024 |
|
Alexander Greenhough, "Albert Brooks: Interviews" (UP of Mississippi, 2024)
|
Apr 24, 2024 |
|
Pamela Robertson Wojcik, "Unhomed: Cycles of Mobility and Placelessness in American Cinema" (U California Press, 2024)
|
Apr 24, 2024 |
|
Cat People
|
Apr 22, 2024 |
|
Diana Leon-Boys, "Elena, Princesa of the Periphery: Disney’s Flexible Latina Girl" (Rutgers UP, 2023)
|
Apr 19, 2024 |
|
Eve Golden, "Strictly Dynamite: The Sensational Life of Lupe Velez" (UP of Kentucky, 2023)
|
Apr 17, 2024 |
|
Cathy Yue Wang, "Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy" (Wayne State UP, 2023)
|
Apr 17, 2024 |
|
The Ladykillers
|
Apr 15, 2024 |
|
Sharrona Pearl, "Mask" (Bloombury, 2024)
|
Apr 14, 2024 |
|
Grazia Ingravalle, "Archival Film Curatorship: Early and Silent Cinema from Analog to Digital" (Amsterdam UP, 2024)
|
Apr 12, 2024 |
|
Pan’s Labyrinth
|
Apr 08, 2024 |
|
Jane M. Ferguson, "Silver Screens and Golden Dreams: A Social History of Burmese Cinema" (U Hawaii Press, 2024)
|
Apr 05, 2024 |
|
Daniel de Visé, "The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic" (Grove Atlantic, 2024)
|
Apr 05, 2024 |
|
Adapting Liu Cixin’s "Three-Body Problem" for Television
|
Apr 02, 2024 |
|
Eternal Sunshine of the Spotless Mind
|
Mar 25, 2024 |
|
Maggie Hennefeld, "Death by Laughter: Female Hysteria and Early Cinema" (Columbia UP, 2024)
|
Mar 25, 2024 |
|
Stephen Lee Naish, "Music and Sound in the Films of Dennis Hopper" (Routledge, 2024)
|
Mar 21, 2024 |
|
Defending Your Life
|
Mar 18, 2024 |
|
Anna Kornbluh, "Immediacy: Or, The Style of Too Late Capitalism" (Verso, 2024)
|
Mar 17, 2024 |
|
Ellen E. Jones, "Screen Deep: How Film and TV Can Solve Racism and Save the World" (Faber and Faber, 2024)
|
Mar 16, 2024 |
|
Nick Jones, "Gooey Media: Screen Entertainment and the Graphic User Interface" (Edinburgh UP, 2023)
|
Mar 15, 2024 |
|
Eleanor Patterson, "Bootlegging the Airwaves: Alternative Histories of Radio and Television Distribution" (U Illinois Press, 2024)
|
Mar 12, 2024 |
|
Magic
|
Mar 11, 2024 |
|
Dune, Part Two: An Interview with Dr. Kara Kennedy
|
Mar 08, 2024 |
|
Baby Face
|
Mar 04, 2024 |
|
Justin Owen Rawlins, "Imagining the Method: Reception, Identity, and American Screen Performance" (U Texas Press, 2024)
|
Mar 03, 2024 |
|
Jinying Li, "Anime's Knowledge Cultures: Geek, Otaku, Zhai" (U Minnesota Press, 2024)
|
Mar 03, 2024 |
|
Jesse David Fox, "Comedy Book:: How Comedy Conquered Culture–and the Magic That Makes It Work" (FSG, 2023)
|
Mar 02, 2024 |
|
Eve Benhamou, "Contemporary Disney Animation: Genre, Gender and Hollywood" (Edinburgh UP, 2022)
|
Feb 27, 2024 |
|
Conan the Barbarian
|
Feb 26, 2024 |
|
Tucker: The Man and His Dream
|
Feb 19, 2024 |
|
Kartik Nair, "Seeing Things: Spectral Materialities of Bombay Horror" (U California Press, 2024)
|
Feb 14, 2024 |
|
Jenna Ng, "The Post-Screen Through Virtual Reality, Holograms and Light Projections: Where Screen Boundaries Lie" (Amsterdam UP, 2021)
|
Feb 14, 2024 |
|
The Hunting Trilogy
|
Feb 12, 2024 |
|
Robert P. Kolker and Nathan Abrams, "Kubrick: An Odyssey" (Pegasus Books, 2024)
|
Feb 06, 2024 |
|
Robert Alpert et al., "Diseased Cinema: Plagues, Pandemics and Zombies in American Movies" (Edinburgh UP, 2023)
|
Feb 06, 2024 |
|
Limelight
|
Feb 05, 2024 |
|
Courtney Brannon Donoghue, "The Value Gap: Female-Driven Films from Pitch to Premiere" (U Texas Press, 2023)
|
Feb 04, 2024 |
|
Andrew David Jackson, "The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea" (Edinburgh UP, 2023)
|
Jan 30, 2024 |
|
Anatomy of a Fall
|
Jan 29, 2024 |
|
Ridley Scott's "Napoleon": A Historian's Review
|
Jan 28, 2024 |
|
Bliss Cua Lim, "The Archival Afterlives of Philippine Cinema" (Duke UP, 2024)
|
Jan 24, 2024 |
|
My Best Fiend
|
Jan 22, 2024 |
|
"Apocalypto" and Mel Gibson (with Jonathon Fessenden)
|
Jan 18, 2024 |
|
Eyes Wide Shut
|
Jan 15, 2024 |
|
Matt Singer, "Opposable Thumbs: How Siskel & Ebert Changed Movies Forever" (G.P. Putnam's Sons, 2023)
|
Jan 13, 2024 |
|
Matthew Kennedy, "On Elizabeth Taylor: An Opinionated Guide" (Oxford UP, 2024)
|
Jan 10, 2024 |
|
Ofer Ashkenazi, "Anti-Heimat Cinema: The Jewish Invention of the German Landscape" (U Michigan Press, 2020)
|
Jan 09, 2024 |
|
The Omen
|
Jan 08, 2024 |
|
Jennifer Cazenave, "An Archive of the Catastrophe: The Unused Footage of Claude Lanzmann’s Shoah" (SUNY Press, 2019)
|
Jan 08, 2024 |
|
Plot
|
Jan 04, 2024 |
|
W. K. Stratton, "The Wild Bunch: Sam Peckinpah, a Revolution in Hollywood, and the Making of a Legendary Film" (Bloomsbury, 2019)
|
Jan 03, 2024 |
|
Patrick Ffrench, "Roland Barthes and Film: Myth, Eroticism and Poetics" (Bloomsbury, 2019)
|
Jan 01, 2024 |
|
Meet John Doe
|
Jan 01, 2024 |
|
Annie McClanahan, "Dead Pledges: Debt, Crisis, and Twenty-First Century Culture" (Stanford UP, 2016)
|
Dec 28, 2023 |
|
Nobuko Ishitate-Okunomiya Yamasaki, "Prostitutes, Hostesses, and Actresses at the Edge of the Japanese Empire" (Routledge, 2023)
|
Dec 25, 2023 |
|
The Sting
|
Dec 25, 2023 |
|
Jie Li, "Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China" (Columbia UP, 2023)
|
Dec 24, 2023 |
|
George MacLeod, "Mediating Violence from Africa: Francophone Literature, Film, and Testimony After the Cold War" (U Nebraska Press, 2023)
|
Dec 24, 2023 |
|
Nate Patrin, "The Needle and the Lens: Pop Goes to the Movies from Rock 'n' Roll to Synthwave" (U Minnesota Press, 2023)
|
Dec 23, 2023 |
|
Olga V. Solovieva, "The Russian Kurosawa: Transnational Cinema, Or the Art of Speaking Differently" (Oxford UP. 2023)
|
Dec 22, 2023 |
|
David Craig, "Apocalypse Television: How The Day After Helped Save the World" (Applause Books, 2023)
|
Dec 20, 2023 |
|
Donnie Darko
|
Dec 18, 2023 |
|
Simone Gigliotti, "Restless Archive: The Holocaust and the Cinema of the Displaced" (Indiana UP, 2023)
|
Dec 16, 2023 |
|
The Man Who Shot Liberty Vallance
|
Dec 11, 2023 |
|
Ervin Malakaj, "Anders als Die Andern" (McGill-Queen's UP, 2023)
|
Dec 11, 2023 |
|
This is the Best Statement of the Simulation Hypothesis We've Seen
|
Dec 08, 2023 |
|
Wild Strawberries
|
Dec 04, 2023 |
|
Daniel Herbert, "Maverick Movies: New Line Cinema and the Transformation of American Film" (U California Press, 2023)
|
Dec 02, 2023 |
|
I Know Where I’m Going!
|
Nov 27, 2023 |
|
Michael Rushton, "The Moral Foundations of Public Funding for the Arts" (Palgrave Macmillan, 2023)
|
Nov 25, 2023 |
|
Mia Mask, "Black Rodeo: A History of the African American Western" (U Illinois Press, 2023)
|
Nov 24, 2023 |
|
Jeffrey Angles, ed., "Godzilla and Godzilla Raids Again: The Original Novellas by Shigeru Kayama" (U Minnesota Press, 2023)
|
Nov 23, 2023 |
|
Spirited Away
|
Nov 21, 2023 |
|
Alexa Weik von Mossner, "Affective Ecologies: Empathy, Emotion, and Environmental Narrative" (Ohio State UP, 2017)
|
Nov 18, 2023 |
|
Pavitra Sundar, "Listening with a Feminist Ear: Soundwork in Bombay Cinema" (U Michigan Press, 2023)
|
Nov 15, 2023 |
|
'For All Mankind,’ An Alternate History About the Possibility of Utopia
|
Nov 15, 2023 |
|
Minority Report
|
Nov 13, 2023 |
|
Adrien Sebro, "Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions" (Rutgers UP, 2023)
|
Nov 12, 2023 |
|
What Reality TV Says About Us
|
Nov 08, 2023 |
|
Michael Newton, "It's a Wonderful Life" (British Film Institute, 2023)
|
Nov 08, 2023 |
|
This Will Change Your Perspective on James Bond
|
Nov 07, 2023 |
|
Point Blank
|
Nov 06, 2023 |
|
Jacqueline R. Braitman, "She Damn Near Ran the Studio: The Extraordinary Lives of Ida R. Koverman" (UP of Mississippi, 2020)
|
Nov 02, 2023 |
|
Scott Eyman, "Charlie Chaplin vs. America: When Art, Sex, and Politics Collided" (Simon & Schuster, 2023)
|
Oct 31, 2023 |
|
Babette’s Feast
|
Oct 30, 2023 |
|
Stephen B. Armstrong, "I Want You Around: The Ramones and the Making of Rock 'n' Roll High School" (Backbeat Books, 2023)
|
Oct 27, 2023 |
|
Eric G. Wilson, "Point Blank" (British Film Institute, 2023)
|
Oct 24, 2023 |
|
Big Night
|
Oct 23, 2023 |
|
Scott Feinberg, “The Hollywood Reporter’s 100 Greatest Film Books of All Time” (2023)
|
Oct 21, 2023 |
|
Cutter’s Way
|
Oct 16, 2023 |
|
Smith Mehta, "The New Screen Ecology in India: Digital Transformation of Media" (British Film Institute, 2023)
|
Oct 15, 2023 |
|
Paul Crenshaw, "Melt with Me: Coming of Age and Other '80s Perils" (Ohio State UP, 2023)
|
Oct 12, 2023 |
|
Paraska Tolan-Szkilnik, "Maghreb Noir: The Militant-Artists of North Africa and the Struggle for a Pan-African, Postcolonial Future" (Stanford UP, 2023)
|
Oct 11, 2023 |
|
Marlena Williams, "Night Mother: A Personal and Cultural History of the Exorcist" (Mad Creek Books, 2023)
|
Oct 10, 2023 |
|
Lost in America
|
Oct 09, 2023 |
|
Geraint D'Arcy, "Mise en scène, Acting, and Space in Comics" (Palgrave Macmillan, 2020)
|
Oct 07, 2023 |
|
The Vanishing
|
Oct 02, 2023 |
|
Melanie Williams, "A Taste of Honey" (Bloomsbury, 2023)
|
Oct 01, 2023 |
|
Hieyoon Kim, "Celluloid Democracy: Cinema and Politics in Cold War South Korea" (U California Press, 2023)
|
Sep 27, 2023 |
|
Rope
|
Sep 25, 2023 |
|
Diana Rickard, "The New True Crime: How the Rise of Serialized Storytelling Is Transforming Innocence" (NYU Press, 2023)
|
Sep 23, 2023 |
|
Jeffrey Angles, ed., "Godzilla and Godzilla Raids Again: The Original Novellas by Shigeru Kayama" (U Michigan Press, 2023)
|
Sep 21, 2023 |
|
Sorcerer
|
Sep 19, 2023 |
|
A Better Way to Buy Books
|
Sep 12, 2023 |
|
Kristen Lopez, "But Have You Read the Book?: 52 Literary Gems That Inspired Our Favorite Films" (Running Press Adult, 2023)
|
Sep 12, 2023 |
|
Robyn Muir, "The Disney Princess Phenomenon: A Feminist Analysis" (Bristol UP, 2023)
|
Sep 11, 2023 |
|
The Blues Brothers
|
Sep 11, 2023 |
|
Tingting Hu, "Victims, Perpetrators and Professionals: The Representation of Women in Chinese Crime Films" (Liverpool UP, 2021)
|
Sep 09, 2023 |
|
Chris Yogerst, "The Warner Brothers" (UP of Kentucky, 2023)
|
Sep 08, 2023 |
|
Caveh Zahedi, "Digging My Own Grave: The Films of Caveh Zahedi" (Factory 25, 2015)
|
Sep 06, 2023 |
|
The Wages of Fear
|
Sep 04, 2023 |
|
Diana W. Anselmo, "A Queer Way of Feeling: Girl Fans and Personal Archives of Early Hollywood" (U California Press, 2023)
|
Sep 02, 2023 |
|
Beth Tsai, "Taiwan New Cinema at Film Festivals" (Edinburgh UP, 2023)
|
Aug 28, 2023 |
|
In a Lonely Place
|
Aug 28, 2023 |
|
Karima K. Jeffrey-Legette, "Speculative Film and Moving Images by or about Black Women and Girls" (Lexington Books, 2022)
|
Aug 27, 2023 |
|
Chesya Burke, "Hero Me Not: The Containment of the Most Powerful Black, Female Superhero" (Rutgers UP, 2023)
|
Aug 25, 2023 |
|
PostScript: The Barbie Movie: A Conversation about a Cinematic and Cultural Event
|
Aug 23, 2023 |
|
The French Connection
|
Aug 21, 2023 |
|
David Humphrey, "The Time of Laughter: Comedy and the Media Cultures of Japan" (U Michigan Press, 2023)
|
Aug 15, 2023 |
|
California Split
|
Aug 14, 2023 |
|
William J. Mann, "Bogie and Bacall: The Surprising True Story of Hollywood's Greatest Love Affair" (Harper, 2023)
|
Aug 09, 2023 |
|
Raging Bull
|
Aug 07, 2023 |
|
The Fourth Wise Man (with Jonathon Fessenden)
|
Aug 04, 2023 |
|
Moving Innovation: A History of Computer Animation
|
Aug 03, 2023 |
|
Alix Beeston and Stefan Solomon, "Incomplete: The Feminist Possibilities of the Unfinished Film" (U California Press, 2023)
|
Aug 02, 2023 |
|
The Great Dictator
|
Jul 31, 2023 |
|
Film Chat: Hsin-Chien Huang on VR Film in Taiwan
|
Jul 30, 2023 |
|
Penelope Ingram, "Imperiled Whiteness: How Hollywood and Media Make Race in 'Postracial' America" (UP of Mississippi, 2023)
|
Jul 26, 2023 |
|
Mission Impossible: Dead Reckoning Part One
|
Jul 24, 2023 |
|
Bombay Talkies
|
Jul 20, 2023 |
|
Wirsching: Bombay Talkies B-Side
|
Jul 20, 2023 |
|
Mani Sharpe, "Late-Colonial French Cinema: Filming the Algerian War of Independence" (Edinburgh UP, 2023)
|
Jul 19, 2023 |
|
Xiaoning Lu, "Moulding the Socialist Subject: Cinema and Chinese Modernity (1949-1966)" (Brill, 2020)
|
Jul 18, 2023 |
|
The Matrix
|
Jul 17, 2023 |
|
Michele Meek, "Consent Culture and Teen Films: Adolescent Sexuality in US Movies" (Indiana UP, 2023)
|
Jul 17, 2023 |
|
Mathias F. Clasen, "Why Horror Seduces" (Oxford UP, 2017)
|
Jul 08, 2023 |
|
Ball of Fire
|
Jul 07, 2023 |
|
Robin Steedman, "Creative Hustling: Women Making and Distributing Films from Nairobi" (MIT Press, 2023)
|
Jul 06, 2023 |
|
Suk-Young Kim, "Surviving Squid Game: A Guide to K-Drama, Netflix, and Global Streaming Wars" (Applause Books, 2023)
|
Jul 04, 2023 |
|
Jennifer Caplan, "Funny, You Don't Look Funny: Judaism and Humor from the Silent Generation to Millennials" (Wayne State UP, 2023)
|
Jul 04, 2023 |
|
Tilly Bridges, "Begin Transmission: The Trans Allegories of The Matrix" (BearManor Media, 2023)
|
Jul 04, 2023 |
|
Mulholland Drive
|
Jul 03, 2023 |
|
Jacob Bricca, "How Documentaries Work" (Oxford UP, 2023)
|
Jul 02, 2023 |
|
Stella Dallas
|
Jun 26, 2023 |
|
Sunset Blvd
|
Jun 19, 2023 |
|
Arturo Rodríguez Morató and Alvaro Santana-Acuña, "Sociology of the Arts in Action: New Perspectives on Creation, Production, and Reception" (Palgrave MacMillan, 2023)
|
Jun 11, 2023 |
|
Elephant Man
|
Jun 06, 2023 |
|
Xiaomei Chen, "Performing the Socialist State: Modern Chinese Theater and Film Culture" (Columbia UP, 2023)
|
Jun 05, 2023 |
|
Monika Raesch, "Abbas Kiarostami: Interviews" (UP of Mississippi, 2023)
|
Jun 04, 2023 |
|
Black Film, British Cinema II
|
May 25, 2023 |
|
Brad Krumholz, "Why Do Actors Train?: Embodiment for Theatre Makers and Thinkers" (Bloomsbury, 2023)
|
May 24, 2023 |
|
Thomas Chen, "Made in Censorship: The Tiananmen Movement in Chinese Literature and Film" (Columbia UP, 2022)
|
May 22, 2023 |
|
Catherine Russell, "The Cinema of Barbara Stanwyck: Twenty-Six Short Essays on a Working Star" (U Illinois Press, 2023)
|
May 17, 2023 |
|
Sarah Atkinson and Helen W. Kennedy, "Secret Cinema and the Immersive Experience Industry" (Manchester UP, 2022)
|
May 13, 2023 |
|
Naomi McDougall Jones, "The Wrong Kind of Women: Inside Our Revolution to Dismantle the Gods of Hollywood" (Beacon, 2020)
|
May 12, 2023 |
|
Fiona Gregory, "Actresses and Mental Illness: Histrionic Heroines" (Routledge, 2018)
|
May 09, 2023 |
|
James Charney, "Madness at the Movies: Understanding Mental Illness through Film" (Johns Hopkins UP, 2023)
|
May 02, 2023 |
|
Jonathan Gray, "Dislike-Minded: Media, Audiences, and the Dynamics of Taste" (NYU Press, 2021)
|
Apr 20, 2023 |
|
Michael K. Johnson, "Speculative Wests: Popular Representations of a Region and Genre" (U Nebraska Press, 2023)
|
Apr 20, 2023 |
|
Dwayne Epstein, "Killin' Generals: The Making of The Dirty Dozen, the Most Iconic WW II Movie of All Time" (Citadel Press, 2023)
|
Apr 18, 2023 |
|
Cinegogía: An Open Access Resource for Teaching and Studying Latin American Cinema
|
Apr 14, 2023 |
|
Jeremy Richey, "Sylvia Kristel: From Emmanuelle to Chabrol" (Cult Epics, 2022)
|
Apr 13, 2023 |
|
John Miller, "The Heart of the Forest: Why Woods Matter" (British LIbrary, 2022)
|
Apr 12, 2023 |
|
Johnny Walker, "Rewind, Replay: Britain and the Video Boom, 1978-92" (Edinburgh UP, 2022)
|
Apr 07, 2023 |
|
Mauro Resmini, "Italian Political Cinema: Figure of the Long '68" (U Minnesota Press, 2023)
|
Apr 04, 2023 |
|
Ross Clare, "Ancient Greece and Rome in Modern Science Fiction: Amazing Antiquity" (Liverpool UP, 2022)
|
Apr 03, 2023 |
|
Suzanne Ferriss, "Lost in Translation" (British Film Institute, 2023)
|
Mar 31, 2023 |
|
Colleen Lye and Christopher Nealon, "After Marx: Literature, Theory, and Value in the Twenty-First Century" (Cambridge UP, 2022)
|
Mar 31, 2023 |
|
Ethan Warren, "The Cinema of Paul Thomas Anderson: American Apocrypha" (Columbia UP, 2023)
|
Mar 29, 2023 |
|
Christina Rice, "Mean...Moody...Magnificent!: Jane Russell and the Marketing of a Hollywood Legend" (UP of Kentucky, 2021)
|
Mar 28, 2023 |
|
Larisa Grollemond and Bryan C. Keene, "The Fantasy of the Middle Ages: An Epic Journey through Imaginary Medieval Worlds" (Getty, 2022)
|
Mar 27, 2023 |
|
Nicholas Brown, "Autonomy: The Social Ontology of Art under Capitalism" (Duke UP, 2019)
|
Mar 19, 2023 |
|
Film Chat: Vietnamese Refugee Camps in Penghu
|
Mar 14, 2023 |
|
Nicholas Carnes and Lilly J. Goren, "The Politics of the Marvel Cinematic Universe" (UP of Kansas, 2022)
|
Mar 13, 2023 |
|
The Wooden O and the Iron Throne: Game of Thrones and Shakespeare Part 3
|
Mar 13, 2023 |
|
Stefano Gualeni and Riccardo Fassone, "Fictional Games: A Philosophy of Worldbuilding and Imaginary Play" (Bloomsbury, 2023)
|
Mar 12, 2023 |
|
Film Chat: Queer, Sci-Fi and the Family
|
Mar 11, 2023 |
|
Brian Harker, "Sportin' Life: John W. Bubbles, an American Classic" (Oxford UP, 2022)
|
Mar 11, 2023 |
|
Ross Melnick, "Hollywood's Embassies: How Movie Theaters Projected American Power Around the World" (Columbia UP, 2022)
|
Mar 10, 2023 |
|
Book Chat: "Puppets, Gods and Brands. Theorizing the Age of Animation from Taiwan" (U Hawaii Press, 2019)
|
Mar 10, 2023 |
|
Film Chat: "Whale Island" (2020)
|
Mar 08, 2023 |
|
Once Upon an Algorithm: How Stories Explain Computing
|
Mar 07, 2023 |
|
The Wooden O and the Iron Throne: Game of Thrones and Shakespeare Part 2
|
Mar 06, 2023 |
|
Measure for Measure Episode 4: Movies
|
Mar 05, 2023 |
|
Girish Shambu, "The New Cinephilia" (Caboose, 2022)
|
Mar 04, 2023 |
|
The Wooden O and the Iron Throne: Game of Thrones and Shakespeare Part 1
|
Feb 27, 2023 |
|
Lara Gabrielle, "Captain of Her Soul: The Life of Marion Davies" (U California Press, 2022)
|
Feb 27, 2023 |
|
Patricia Saldarriaga and Emy Manini, "Infected Empires: Decolonizing Zombies" (Rutgers UP, 2022)
|
Feb 23, 2023 |
|
Elora Halim Chowdhury, "Ethical Encounters: Transnational Feminism, Human Rights, and War Cinema in Bangladesh" (Temple UP, 2022)
|
Feb 22, 2023 |
|
Ying Zhu, "Hollywood in China: Behind the Scenes of the World's Largest Movie Market" (New Press, 2022)
|
Feb 18, 2023 |
|
Maya Phillips, "Nerd: Adventures in Fandom from This Universe to the Multiverse" (Atria Books, 2022)
|
Feb 14, 2023 |
|
Star Wars: Andor’s Aldhani and its Real-World Parallels
|
Feb 10, 2023 |
|
Chris Kempshall, "The History and Politics of Star Wars: Death Stars and Democracy" (Routledge, 2022)
|
Feb 07, 2023 |
|
J. W. Rinzler and Lee Unkrich, "Stanley Kubrick's The Shining" (Taschen, 2023)
|
Feb 06, 2023 |
|
Tim Harte, "Faster, Higher, Stronger, Comrades!: Sports, Art, and Ideology in Late Russian and Early Soviet Culture" (U Wisconsin Press, 2020)
|
Feb 05, 2023 |
|
Horton's Cosmic Zoom: A Discussion with Zachary Horton
|
Feb 02, 2023 |
|
Kaelen Wilson-Goldie, "Beautiful, Gruesome, and True: Artists at Work in the Face of War" (Columbia Global Reports, 2022)
|
Jan 29, 2023 |
|
Drew Morton, "After Midnight: Watchmen After Watchmen" (U Mississippi Press, 2022)
|
Jan 20, 2023 |
|
Sabrina Mittermeier, "Fan Phenomena: Disney" (Intellect Books, 2023)
|
Jan 13, 2023 |
|
The Sámi in "Frozen" (Part 2)
|
Jan 12, 2023 |
|
The Sámi in "Frozen" (Part 1)
|
Jan 11, 2023 |
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The Fremen in "Dune"
|
Jan 10, 2023 |
|
Romani Representation in Pop Culture
|
Jan 09, 2023 |
|
Jason Isralowitz, "Nothing to Fear: Alfred Hitchcock and the Wrong Men" (Fayetteville Mafia Press, 2023)
|
Jan 07, 2023 |
|
Ellen Cassedy, "Working 9 to 5: A Women's Movement, a Labor Union, and the Iconic Movie" (Chicago Review Press, 2022)
|
Jan 06, 2023 |
|
Why are Insects so Scary? On Insects in Films.
|
Jan 03, 2023 |
|
Bonus Episode: "Nomadland"
|
Jan 01, 2023 |
|
Catholic Movies, Part 1: "Silence" and "The Scarlet and the Black"
|
Dec 30, 2022 |
|
"Gone with the Wind" Revisited
|
Dec 28, 2022 |
|
Stuart Klawans, "Crooked, But Never Common: The Films of Preston Sturges" (Columbia UP, 2023)
|
Dec 25, 2022 |
|
Eve Golden, "Jayne Mansfield: The Girl Couldn't Help It" (UP of Kentucky, 2021)
|
Dec 25, 2022 |
|
What Makes a Book, Song or Movie Popular? A Conversation with Noah Askin
|
Dec 23, 2022 |
|
Stevie Suan, "Anime's Identity: Performativity and Form Beyond Japan" (U Minnesota Press, 2021)
|
Dec 23, 2022 |
|
Kathe Geist, "Ozu: A Closer Look" (Hong Kong UP, 2022)
|
Dec 21, 2022 |
|
Ariana Huberman. "Keeping the Mystery Alive: Jewish Mysticism in Latin American Cultural Production" (Academic Studies Press, 2022)
|
Dec 20, 2022 |
|
Nicholas de Villiers, "Cruisy, Sleepy, Melancholy: Sexual Disorientation in the Films of Tsai Ming-Liang" (U Minnesota Press, 2022)
|
Dec 14, 2022 |
|
Jake S. Friedman, "The Disney Revolt: The Great Labor War of Animation's Golden Age" (Chicago Review Press, 2022)
|
Dec 10, 2022 |
|
Daniel Immerwahr, "The Galactic Vietnam: Technology, Modernization, and Empire in George Lucas’s Star Wars" (2022)
|
Dec 10, 2022 |
|
Madeline Lane-McKinley, "Comedy Against Work: Utopian Longing in Dystopian Times" (Common Notions, 2022)
|
Dec 04, 2022 |
|
Craig Oldham, "The Shining: A Visual and Cultural Haunting" (Rough Trade Books, 2022)
|
Dec 03, 2022 |
|
Stephen Galloway, "Truly, Madly: Vivien Leigh, Laurence Olivier, and the Romance of the Century" (Grand Central, 2022)
|
Nov 25, 2022 |
|
Carolyne Larrington, "All Men Must Die: Power and Passion in Game of Thrones" (Bloomsbury, 2021)
|
Nov 24, 2022 |
|
Joseph McBride, "Billy Wilder: Dancing on the Edge" (Columbia UP, 2021)
|
Nov 24, 2022 |
|
Burt Kearns, "Lawrence Tierney: Hollywood's Real-Life Tough Guy" (UP of Kentucky, 2022)
|
Nov 23, 2022 |
|
Jeanne Theoharis, "The Rebellious Life of Mrs. Rosa Parks" (Beacon Press, 2015)
|
Nov 23, 2022 |
|
Bridget Kies and Megan Connor, "Fandom, the Next Generation" (U Iowa Press, 2022)
|
Nov 22, 2022 |
|
Cajetan Iheka, "African Ecomedia: Network Forms, Planetary Politics" (Duke UP, 2021)
|
Nov 22, 2022 |
|
Jon Lewis, "The Godfather, Part II" (Bloomsbury, 2022)
|
Nov 21, 2022 |
|
Alan Shuback, "Hollywood at the Races: Film's Love Affair with the Turf" (UP of Kentucky, 2019)
|
Nov 15, 2022 |
|
Bruce Davis, "The Academy and the Award: The Coming of Age of Oscar and the Academy of Motion Picture Arts and Sciences" (Brandeis UP, 2022)
|
Nov 08, 2022 |
|
Laura A. Frahm, "Design in Motion: Film Experiments at the Bauhaus" (MIT Press, 2022)
|
Nov 02, 2022 |
|
Shaken and Stirred
|
Nov 02, 2022 |
|
Joseph McBride, "The Whole Durn Human Comedy: Life According to the Coen Brothers" (Anthem Press, 2022)
|
Oct 28, 2022 |
|
Shall We Play A Game?
|
Oct 26, 2022 |
|
Andrei Nae, "Immersion, Narrative, and Gender Crisis in Survival Horror Video Games" (Routledge, 2021)
|
Oct 26, 2022 |
|
Hongwei Bao, "Queer China: Lesbian and Gay Literature and Visual Culture Under Postsocialism" (Routledge, 2020)
|
Oct 26, 2022 |
|
Mallory Lewis and Nat Segaloff, "Shari Lewis and Lamb Chop: The Team That Changed Children's TV" (UP of Kentucky, 2022)
|
Oct 26, 2022 |
|
Larry Ceplair, "The Hollywood Motion Picture Blacklist: Seventy-Five Years Later" (UP of Kentucky, 2022)
|
Oct 26, 2022 |
|
Kyle Stevens, "The Oxford Handbook of Film Theory" (Oxford UP, 2022)
|
Oct 25, 2022 |
|
Scott Bukatman, "Black Panther" (U Texas Press, 2022)
|
Oct 21, 2022 |
|
Wolverines!
|
Oct 19, 2022 |
|
Diane Negra, "Shadow of a Doubt" (Auteur, 2021)
|
Oct 18, 2022 |
|
Erin Keane, "Runaway: Notes on the Myths That Made Me" (Belt Publishing, 2022)
|
Oct 17, 2022 |
|
Alexander Sergeant, "Encountering the Impossible: The Fantastic in Hollywood Fantasy Cinema" (SUNY Press, 2021)
|
Oct 14, 2022 |
|
Ramzi Fawaz, "Queer Forms" (NYU Press, 2022)
|
Oct 13, 2022 |
|
Bonus Episode: A Conversation about Past Episodes and Current Events
|
Oct 12, 2022 |
|
Eran Kaplan, "Projecting the Nation: History and Ideology on the Israeli Screen" (Rutgers UP, 2020)
|
Oct 11, 2022 |
|
Jennifer Wenzel, "The Disposition of Nature: Environmental Crisis and World Literature" (Fordham UP, 2019)
|
Oct 07, 2022 |
|
Pamela Robertson Wojcik, "Gidget: Origins of a Teen Girl Transmedia Franchise" (Routledge, 2022)
|
Oct 06, 2022 |
|
The Two Russias
|
Oct 05, 2022 |
|
Cinema’s First Nasty Women
|
Oct 04, 2022 |
|
Usha Iyer, "Dancing Women: Choreographing Corporeal Histories of Hindi Cinema" (Oxford UP, 2020)
|
Sep 30, 2022 |
|
Jean-Thomas Tremblay, "Breathing Aesthetics" (Duke UP, 2022)
|
Sep 29, 2022 |
|
Samhita Sunya, "Sirens of Modernity: World Cinema via Bombay" (U California Press, 2022)
|
Sep 29, 2022 |
|
Cold War Homefront
|
Sep 28, 2022 |
|
Catherine Lester, "Horror Films for Children: Fear and Pleasure in American Cinema" (Bloomsbury, 2021)
|
Sep 23, 2022 |
|
M. Hennefeld and N. Sammond, "Abjection Incorporated: Mediating the Politics of Pleasure and Violence" (Duke UP, 2020)
|
Sep 22, 2022 |
|
Jon Krampner, "Ernest Lehman: The Sweet Smell of Success" (UP of Kentucky, 2022)
|
Sep 21, 2022 |
|
It’s The End Of The World As We Know It
|
Sep 21, 2022 |
|
A MAD, MAD, World
|
Sep 14, 2022 |
|
Danielle J. Lindemann, "True Story: What Reality TV Says About Us" (FSG, 2022)
|
Sep 12, 2022 |
|
Who Can You Trust?
|
Sep 07, 2022 |
|
88 Underwater Eye: Margaret Cohen explores the Film Aquatic
|
Sep 01, 2022 |
|
Anthony Downey, "Critique in Practice: Renzo Martens' Episode III (Enjoy Poverty)" (Sternberg Press, 2020)
|
Sep 01, 2022 |
|
He May Be a Communist!
|
Aug 31, 2022 |
|
Julie A. Turnock, "The Empire of Effects: Industrial Light and Magic and the Rendering of Realism" (U Texas Press, 2022)
|
Aug 26, 2022 |
|
James Welker, "Queer Transfigurations: Boys Love Media in Asia" (U Hawaii Press, 2022)
|
Aug 25, 2022 |
|
Reality TV
|
Aug 23, 2022 |
|
87* Mike Leigh In Focus (JP)
|
Aug 18, 2022 |
|
Rebecca Weeks, "History by HBO: Televising the American Past" (UP of Kentucky, 2022)
|
Aug 12, 2022 |
|
Nick Davis, "Competing with Idiots: Herman and Joe Mankiewicz, a Dual Portrait" (Knopf, 2021)
|
Aug 10, 2022 |
|
Grant Wiedenfeld, "Hollywood Sports Movies and the American Dream" (Oxford UP, 2022)
|
Aug 08, 2022 |
|
86 Dana Stevens on Buster Keaton (JP EF)
|
Aug 04, 2022 |
|
Hanan Hammad, "Unknown Past: Layla Murad, the Jewish-Muslim Star of Egypt" (Stanford UP, 2022)
|
Jul 27, 2022 |
|
Ryan Uytdewilligen, "Killing John Wayne: The Making of the Conqueror" (Lyons Press, 2021)
|
Jul 21, 2022 |
|
Erika Balsom and Hila Peleg, "Feminist Worldmaking and the Moving Image" (MIT Press, 2022)
|
Jul 20, 2022 |
|
Scott Meslow, "From Hollywood with Love: The Rise and Fall (and Rise Again) of the Romantic Comedy" (Dey Street, 2022)
|
Jul 18, 2022 |
|
Alison Macor, "Making The Best Years of Our Lives: The Hollywood Classic That Inspired a Nation" (U Texas Press, 2022)
|
Jul 08, 2022 |
|
Squid Game
|
Jul 06, 2022 |
|
A. S. Hamrah, "The Earth Dies Streaming: Film Writing, 2002-2018" (N+1 Books, 2018)
|
Jul 04, 2022 |
|
Paul Dobryden, "The Hygienic Apparatus: Weimar Cinema and Environmental Disorder" (Northwestern UP, 2022)
|
Jul 01, 2022 |
|
Katherine E. Sugg, "Apocalypse and Heroism in Popular Culture" (McFarland, 2022)
|
Jun 30, 2022 |
|
Justin Gautreau, "The Last Word: The Hollywood Novel and the Studio System" (Oxford UP, 2020)
|
Jun 21, 2022 |
|
Sara Austin, "Monstrous Youth: Transgressing the Boundaries of Childhood in the United States" (Ohio State UP, 2022)
|
Jun 20, 2022 |
|
Charles Elton, "Cimino: The Deer Hunter, Heaven's Gate, and the Price of a Vision" (Abrams Press, 2022)
|
Jun 15, 2022 |
|
Melissa Vosen Callens, "Ode to Gen X: Institutional Cynicism in 'Stranger Things' and 1980s Film" (UP of Mississippi, 2021)
|
Jun 09, 2022 |
|
Mary Beth Willard, "Why It's Ok to Enjoy the Work of Immoral Artists" (Routledge, 2021)
|
Jun 08, 2022 |
|
Dustin Tahmahkera, "Cinematic Comanches: The Lone Ranger in the Media Borderlands" (U Nebraska Press, 2022)
|
Jun 07, 2022 |
|
Lisa Blackmore and Liliana Gómez, "Liquid Ecologies in Latin American and Caribbean Art" (Routledge, 2020)
|
Jun 07, 2022 |
|
Erich Schwartzel, "Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy" (Penguin, 2022)
|
Jun 06, 2022 |
|
Ryan Watson, "Radical Documentary and Global Crises: Militant Evidence in the Digital Age" (Indiana UP, 2021)
|
Jun 06, 2022 |
|
Rosalind Galt, "Alluring Monsters: The Pontianak and Cinemas of Decolonization" (Columbia UP, 2021)
|
Jun 06, 2022 |
|
Daniel Fairfax, "The Red Years of Cahiers Du Cinéma (1968-1973)" (Amsterdam UP, 2021)
|
Jun 03, 2022 |
|
Jennifer Keishin Armstrong, "When Women Invented Television: The Untold Story of the Female Powerhouses Who Pioneered the Way We Watch Today" (Harper, 2021)
|
Jun 01, 2022 |
|
Chris Wade, "The Films of James Woods" (Wisdom Twins Books, 2022)
|
May 30, 2022 |
|
Zachary F. Price, "Black Dragon: Afro-Asian Performance and the Martial Arts Imagination" (Ohio State UP, 2021)
|
May 13, 2022 |
|
Lorena Cuya Gavilano, "Fictions of Migration: Narratives of Displacement in Peru and Bolivia" (Ohio State UP, 2021)
|
May 10, 2022 |
|
Mila Zuo, "Vulgar Beauty: Acting Chinese in the Global Sensorium" (Duke UP, 2022)
|
May 04, 2022 |
|
Steve A. Wiggins, "Nightmares with the Bible: The Good Book and Cinematic Demons" (Fortress, 2020)
|
Apr 27, 2022 |
|
Amanda D. Lotz, "Media Disrupted: Surviving Pirates, Cannibals, and Streaming Wars" (MIT Press, 2021)
|
Apr 27, 2022 |
|
Delinda Collier, "Media Primitivism: Technological Art in Africa" (Duke UP, 2020)
|
Apr 20, 2022 |
|
Tony Shaw and Giora Goodman, "Hollywood and Israel: A History" (Columbia UP, 2022)
|
Apr 08, 2022 |
|
Lester D. Friedman, "Citizen Spielberg" (U of Illinois Press, 2022)
|
Apr 06, 2022 |
|
Sherryl Vint, "Science Fiction" (MIT Press, 2021)
|
Apr 04, 2022 |
|
Nick Marx, "Sketch Comedy: Identity, Reflexivity, and American Television" (Indiana UP, 2019)
|
Mar 30, 2022 |
|
Robert P. Kolker, "Triumph Over Containment: American Film in the 1950s" (Rutgers UP, 2021)
|
Mar 25, 2022 |
|
Liz Clarke, "The American Girl Goes to War: Women and National Identity in US Silent Film" (Rutgers UP, 2022)
|
Mar 23, 2022 |
|
Annie Berke, "Their Own Best Creations: Women Writers in Postwar Television" (U California Press, 2022)
|
Mar 16, 2022 |
|
René V. Arcilla, "Wim Wenders's Road Movie Philosophy: Education Without Learning" (Bloomsbury, 2020)
|
Mar 16, 2022 |
|
Helene Meyers, "Movie-Made Jews: An American Tradition" (Rutgers UP, 2021)
|
Mar 11, 2022 |
|
Nadir Lahiji, "Architecture, Philosophy, and the Pedagogy of Cinema: From Benjamin to Badiou" (Routledge, 2021)
|
Mar 11, 2022 |
|
Dahlia Schweitzer, "Haunted Homes" (Rutgers UP, 2021)
|
Mar 10, 2022 |
|
Dana Stevens, "Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century" (Simon and Schuster, 2022)
|
Mar 09, 2022 |
|
Edward Tyerman, "Internationalist Aesthetics: China and Early Soviet Culture" (Columbia UP, 2021)
|
Mar 08, 2022 |
|
3.3 In the Editing Room with Ruth Ozeki and Rebecca Evans (EH)
|
Mar 03, 2022 |
|
David Schwartz, "David Cronenberg: Interviews" (UP of Mississippi, 2021)
|
Feb 24, 2022 |
|
Rebecca Janzen, "Unholy Trinity: State, Church, and Film in Mexico" (SUNY Press, 2021)
|
Feb 24, 2022 |
|
Kathryn Millard, "Double Exposure: How Social Psychology Fell in Love with the Movies" (Rutgers UP, 2022)
|
Feb 17, 2022 |
|
Abby S. Waysdorf, "Fan Sites: Film Tourism and Contemporary Fandom" (U Iowa Press, 2021)
|
Feb 09, 2022 |
|
James S. Williams, "Ethics and Aesthetics in Contemporary African Cinema: The Politics of Beauty" (Bloomsbury, 2019)
|
Feb 08, 2022 |
|
Susan Jolliffe Napier, "Miyazakiworld: A Life in Art" (Yale UP, 2018)
|
Feb 08, 2022 |
|
Karen Redrobe and Jeff Scheible, "Deep Mediations: Thinking Space in Cinema and Digital Cultures" (U Minnesota Press, 2021)
|
Feb 04, 2022 |
|
Joseph W. Ho, "Developing Mission: Photography, Filmmaking, and American Missionaries in Modern China" (Cornell UP, 2022)
|
Feb 02, 2022 |
|
Isaac Butler, "The Method: How the Twentieth Century Learned to Act" (Bloomsbury, 2022)
|
Feb 01, 2022 |
|
Rich Brownstein, "Holocaust Cinema Complete: A History and Analysis of 400 Films, with a Teaching Guide" (McFarland, 2021)
|
Feb 01, 2022 |
|
The 15 Best Films about the Holocaust
|
Jan 27, 2022 |
|
Henry K. Miller, "The First True Hitchcock: The Making of a Filmmaker" (U California Press, 2022)
|
Jan 25, 2022 |
|
Dana Polan, "Dreams of Flight: 'The Great Escape' in American Film and Culture" (U California Press, 2021)
|
Jan 21, 2022 |
|
Esther De Dauw and Daniel J. Connell, "Toxic Masculinity: Mapping the Monstrous in Our Heroes" (UP of Mississippi, 2020)
|
Jan 20, 2022 |
|
Amy Holdsworth, "On Living with Television" (Duke UP, 2021)
|
Jan 18, 2022 |
|
Alexandra Cosima Budabin and Lisa Ann Richey, "Batman Saves the Congo: How Celebrities Disrupt the Politics of Development" (U Minnesota Press, 2021)
|
Jan 17, 2022 |
|
Vivian Kirkfield, "Making Their Voices Heard: The Inspiring Friendship of Ella Fitzgerald and Marilyn Monroe" (Little Bee Books, 2020)
|
Jan 13, 2022 |
|
Olivier Delers and Martin Sulzer-Reichel, "Wim Wenders: Making Films that Matter" (Bloomsbury, 2020)
|
Jan 07, 2022 |
|
Stephanie M. Pridgeon, "Revolutionary Visions: Jewish Life and Politics in Latin American Film" (U Toronto Press, 2020)
|
Jan 05, 2022 |
|
Rich Brownstein, "Holocaust Cinema Complete: A History and Analysis of 400 Films, with a Teaching Guide" (McFarland, 2021)
|
Dec 31, 2021 |
|
Proust Questionnaire 36: Haaz Sleiman, Actor
|
Dec 30, 2021 |
|
Jennifer Fay, "Inhospitable World: Cinema in the Time of the Anthropocene" (Oxford UP, 2018)
|
Dec 27, 2021 |
|
Rayna Denison, "Anime: A Critical Introduction" (Bloomsbury, 2015)
|
Dec 16, 2021 |
|
Matthew H. Brown, "Indirect Subjects: Nollywood's Local Address" (Duke UP, 2021)
|
Dec 15, 2021 |
|
"Bambi" isn't about what you think it's about: Jack Zipes explains
|
Dec 15, 2021 |
|
Kate Fortmueller, "Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID" (U Texas Press, 2021)
|
Dec 09, 2021 |
|
Alisa Freedman, "Japan on American TV: Screaming Samurai Join Anime Clubs in the Land of the Lost" (Association for Asian Studies, 2021)
|
Dec 08, 2021 |
|
Caetlin Benson-Allott, "The Stuff of Spectatorship: Material Cultures of Film and Television" (U California Press, 2021)
|
Dec 06, 2021 |
|
Noah Isenberg ed., Shelley Frisch, trans., "Billy Wilder on Assignment: Dispatches from Weimar Berlin and Interwar Vienna" (Princeton UP, 2021)
|
Dec 01, 2021 |
|
John Holmes McDowell et al., "Performing Environmentalisms: Expressive Culture and Ecological Change" (U Illinois Press, 2021)
|
Nov 30, 2021 |
|
Raymond C. Kuo, "Following the Leader: Alliance Design, Security Strategies, and Institutional Emulation" (Stanford UP, 2021)
|
Nov 29, 2021 |
|
Kate Fortmueller, "Below the Stars: How the Labor of Working Actors and Extras Shapes Media Production" (U Texas Press, 2021)
|
Nov 18, 2021 |
|
Genevieve Yue, "Girl Head: Feminism and Film Materiality" (Fordham UP, 2020)
|
Nov 03, 2021 |
|
Gary Bettinson, "The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance" (Hong Kong UP, 2014)
|
Oct 22, 2021 |
|
Esther De Dauw, "Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic" (Rutgers UP, 2021)
|
Oct 21, 2021 |
|
Rebecca L. Stein, "Screen Shots: State Violence on Camera in Israel and Palestine" (Stanford UP, 2021)
|
Oct 20, 2021 |
|
Christie Milliken and Steve F. Anderson, "Reclaiming Popular Documentary" (Indiana UP, 2021)
|
Oct 19, 2021 |
|
Cyrus R. K. Patell, "Lucasfilm: Filmmaking, Philosophy, and the Star Wars Universe" (Bloomsbury, 2021)
|
Oct 18, 2021 |
|
Leslie Barnes and Joseph Mai, "The Cinema of Rithy Panh: Everything Has a Soul" (Rutgers UP, 2021)
|
Oct 15, 2021 |
|
Luci Marzola, "Engineering Hollywood: Technology, Technicians, and the Science of Building the Studio System" (Oxford UP, 2021)
|
Oct 13, 2021 |
|
Richard Grusin and Jocelyn Szczepaniak-Gillece, "Ends of Cinema" (U Minnesota Press, 2020)
|
Oct 13, 2021 |
|
Phil Rosenzweig, "Reginald Rose and the Journey of 12 Angry Men" (Fordham UP, 2021)
|
Oct 11, 2021 |
|
Christina Lane, "Phantom Lady: Hollywood Producer Joan Harrison, the Forgotten Woman Behind Hitchcock" (Chicago Review Press, 2020)
|
Oct 07, 2021 |
|
Mathias Clasen, "A Very Nervous Person's Guide to Horror Movies" (Oxford UP, 2021)
|
Oct 01, 2021 |
|
Stephen Lee Naish, "Screen Captures: Film in the Age of Emergency" (New Star Books, 2021)
|
Sep 29, 2021 |
|
Erin Y. Huang, "Urban Horror: Neoliberal Post-Socialism and the Limits of Visibility" (Duke UP, 2020)
|
Sep 26, 2021 |
|
Amanda Konkle and Charles Burnetts, "Perspectives on Crazy Ex-Girlfriend: Nuanced Postnetwork Television" (Syracuse UP, 2020)
|
Sep 24, 2021 |
|
Kristian Petersen, "Muslims in the Movies: A Global Anthology" (Ilex Foundation, 2021)
|
Sep 17, 2021 |
|
Martin Harris, "Leatherface Vs. Tricky Dick: The Texas Chain Saw Massacre as Political Satire" (Headpress, 2021)
|
Sep 15, 2021 |
|
Bernard F. Dick, "Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood" (U Kentucky Press, 2021)
|
Sep 15, 2021 |
|
Cameron Crookston, "The Cultural Impact of Rupaul's Drag Race: Why Are We All Gagging?" (Intellect, 2021)
|
Sep 06, 2021 |
|
Chenshu Zhou, "Cinema Off Screen: Moviegoing in Socialist China" (U California Press, 2021)
|
Jul 28, 2021 |
|
Scott Krzych, "Beyond Bias: Conservative Media, Documentary Form, and the Politics of Hysteria" (Oxford UP, 2021)
|
Jul 23, 2021 |
|
Alyssa Goldstein Sepinwall, "Slave Revolt on Screen: The Haitian Revolution in Film and Video Games" (UP of Mississippi, 2021)
|
Jul 22, 2021 |
|
James Leo Cahill and Luca Caminati, "Cinema of Exploration: Essays on an Adventurous Film Practice" (Routledge, 2020)
|
Jul 22, 2021 |
|
Ellen Seiter and Stefania Marghitu, "Teen TV" (Routledge, 2021)
|
Jul 09, 2021 |
|
Rossen Djagalov, "From Internationalism to Postcolonialism: Literature and Cinema Between the Second and the Third Worlds" (McGill-Queen's UP, 2020)
|
Jul 06, 2021 |
|
Frank Burke et al., "A Companion to Federico Fellini" (Wiley-Blackwell, 2020)
|
Jul 05, 2021 |
|
Carey Purcell, "From Aphra Behn to Fun Home: A Cultural History of Feminist Theater" (Rowman & Littlefield, 2019)
|
Jun 25, 2021 |
|
Badia Ahad-legardy, "Afro-Nostalgia: Feeling Good in Contemporary Black Culture" (U Illinois Press, 2021)
|
Jun 23, 2021 |
|
Veronika Pehe, "Velvet Retro: Postsocialist Nostalgia and the Politics of Heroism in Czech Popular Culture" (Berghahn Books, 2020)
|
Jun 21, 2021 |
|
Lisa Z. Sigel, "The People's Porn: A History of Handmade Pornography in America" (Reaktion Books, 2020)
|
Jun 18, 2021 |
|
Vernadette Vicuña Gonzalez, "Empire's Mistress, Starring Isabel Rosario Cooper" (Duke UP, 2021)
|
Jun 17, 2021 |
|
Sean Guynes and Martin Lund, "Unstable Masks: Whiteness and American Superhero Comics" (Ohio State UP, 2020)
|
Jun 17, 2021 |
|
Heather Berg, "Porn Work: Sex, Labor, and Late Capitalism" (UNC Press, 2021)
|
Jun 03, 2021 |
|
Exploring the Diasporic Imagination in Recent Indonesian Popular Novels and Films (2000-2020)
|
Jun 03, 2021 |
|
Patrick Maille, "The Cards: The Evolution and Power of Tarot" (UP of Mississippi, 2021)
|
Jun 01, 2021 |
|
Sergio Rigoletto, "Le norme traviate: Saggi sul genere e sulla sessualità nel cinema e nella televisione italiana" (Meltemi Publishers, 2020)
|
May 31, 2021 |
|
Pamela Hamilton, "Lady Be Good: The Life and Times of Dorothy Hale" (Koehler Books, 2021)
|
May 28, 2021 |
|
Michael D. Nichols, "Religion and Myth in the Marvel Cinematic Universe" (McFarland, 2021)
|
May 21, 2021 |
|
David Monod, "Vaudeville and the Making of Modern Entertainment, 1890–1925" (UNC Press, 2020)
|
May 19, 2021 |
|
Kathleen Collins, "From Rabbit Ears to the Rabbit Hole: A Life with Television" (UP of Mississippi, 2021)
|
May 13, 2021 |
|
Wazhmah Osman, "Television and the Afghan Culture Wars: Brought to You by Foreigners, Warlords, and Local Activists" (U of Illinois Press, 2020)
|
May 12, 2021 |
|
Michael L. Siciliano, "Creative Control: The Ambivalence of Work in the Culture Industries" (Columbia UP, 2021)
|
May 06, 2021 |
|
Marko Dumancic, "Men Out of Focus: The Soviet Masculinity Crisis in the Long Sixties" (U Toronto Press, 2021)
|
May 05, 2021 |
|
Jörg Matthias Determann, "Islam, Science Fiction and Extraterrestrial Life: The Culture of Astrobiology in the Muslim World" (I. B. Tauris, 2020)
|
May 05, 2021 |
|
Carol Dyhouse, "Love Lives: From Cinderella to Frozen" (Oxford UP, 2021)
|
May 03, 2021 |
|
Tara T. Green, "Reimagining the Middle Passage: Black Resistance in Literature, Television, and Song" (Ohio State UP, 2018)
|
Apr 30, 2021 |
|
Jack Black, "Race, Racism and Political Correctness in Comedy: A Psychoanalytic Exploration" (Routledge, 2021)
|
Apr 28, 2021 |
|
Alfred L. Martin, Jr., "The Generic Closet: Black Gayness and the Black-Cast Sitcom" (Indiana UP, 2021)
|
Apr 27, 2021 |
|
Steven Capsuto, "Alternate Channels: Queer Images on 20th-Century TV" (2020)
|
Apr 23, 2021 |
|
Maria San Filippo, "Provocauteurs and Provocations: Screening Sex in 21st Century Media" (Indiana UP, 2021)
|
Apr 13, 2021 |
|
Sheila E. Jelen, "Salvage Poetics: Post-Holocaust American Jewish Folk Ethnographies" (Wayne State UP, 2020
|
Apr 12, 2021 |
|
Ramsey McGlazer, "Old Schools: Modernism, Education, and the Critique of Progress" (Fordham UP, 2020)
|
Apr 07, 2021 |
|
Shannan Clark, "The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism" (Oxford UP, 2020)
|
Apr 06, 2021 |
|
Amanda Ann Klein, "Millennials Killed the Video Star: MTV's Transition to Reality Programming" (Duke UP, 2021)
|
Apr 05, 2021 |
|
James Elkins and Erna Fiorentini, "Visual Worlds: Looking, Images, Visual Disciplines" (Oxford UP, 2020)
|
Apr 01, 2021 |
|
D. A. Miller, "Hidden Hitchcock" (U Chicago Press, 2016)
|
Mar 31, 2021 |
|
Xiaomei Chen, "Staging Chinese Revolution: Theater, Film, and the Afterlives of Propaganda" (Columbia UP, 2016)
|
Mar 10, 2021 |
|
Frances Galt, "Women’s Activism Behind the Screens: Trade Unions and Gender Inequality in the British Film and Television Industries" (Bristol UP, 2020)
|
Mar 05, 2021 |
|
Morton Schoolman, "A Democratic Enlightenment: The Reconciliation Image, Aesthetic Education, Possible Politics" (Duke UP, 2020)
|
Mar 04, 2021 |
|
Debashree Mukherjee, "Bombay Hustle: Making Movies in a Colonial City" (Columbia UP, 2020)
|
Feb 25, 2021 |
|
J. Lahti and R. Weaver-Hightower, "Cinematic Settlers: The Settler Colonial World in Film" (Routledge, 2020)
|
Feb 24, 2021 |
|
I. Stavans and J. Lambert, "How Yiddish Changed America and How America Changed Yiddish" (Restless Books, 2020)
|
Feb 23, 2021 |
|
Paola Bonifazio, "The Photoromance: A Feminist Reading of Popular Culture" (MIT Press, 2020)
|
Feb 19, 2021 |
|
Tavia Nyong’o, "Afro-Fabulations: The Queer Drama of Black Life" (NYU Press, 2028)
|
Feb 05, 2021 |
|
Linda C. Ehrlich, "The Films of Kore-eda Hirokazu: An Elemental Cinema" (Palgrave, 2019)
|
Feb 05, 2021 |
|
André Gregory, "This Is Not My Memoir" (FSG, 2020)
|
Jan 20, 2021 |
|
Thomas Doherty, "Little Lindy Is Kidnapped: How the Media Covered the Crime of the Century" (Columbia UP, 2020)
|
Jan 11, 2021 |
|
Woojeong Joo, "Cinema of Ozu Yasujiro: Histories of the Everyday" (Edinburgh UP, 2017)
|
Jan 11, 2021 |
|
Mike Miley, "Truth and Consequences: Game Shows in Fiction and Film" (UP Mississippi, 2020)
|
Jan 08, 2021 |
|
Courtenay Stallings, "Laura's Ghost: Women Speak about Twin Peaks" (Fayetteville Mafia Press, 2020)
|
Jan 06, 2021 |
|
Charles R. Acland, "American Blockbuster: Movies, Technology, and Wonder" (Duke UP, 2020)
|
Dec 29, 2020 |
|
Trevor C. Pederson, "Psychoanalysis and Hidden Narrative in Film: Reading the Symptom" (Routledge, 2018)
|
Dec 28, 2020 |
|
Dan Callahan, "The Camera Lies: Acting for Hitchcock" (Oxford UP, 2020)
|
Dec 22, 2020 |
|
Waleed F. Mahdi, "Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation" (Syracuse UP, 2020)
|
Dec 15, 2020 |
|
Samantha Langsdale and Elizabeth Rae Coody, "Monstrous Women in Comics" (UP of Mississippi, 2020)
|
Dec 02, 2020 |
|
Rebecca Harrison, "The Empire Strikes Back" (Bloomsbury, 2020)
|
Nov 30, 2020 |
|
Chris Richardson, "Batman and the Joker: Contested Sexuality in Popular Culture" (Routledge, 2020)
|
Nov 25, 2020 |
|
Liza Black, "Picturing Indians: Native Americans in Film, 1941-1960" (U Nebraska Press, 2020)
|
Nov 20, 2020 |
|
Ara H. Merjian, "Against the Avant-Garde: Pier Paolo Pasolini, Contemporary Art, and Neocapitalism" (U Chicago Press, 2020)
|
Nov 18, 2020 |
|
E. Goldberg et al, "Bollywood Horrors: Religion, Violence and Cinematic Fears in India" (Bloomsbury, 2020)
|
Nov 18, 2020 |
|
Charles L. Leavitt IV, "Italian Neorealism: A Cultural History" (U Toronto Press, 2020)
|
Nov 16, 2020 |
|
Eithne Quinn, "A Piece of the Action: Race and Labor in Post–Civil Rights Hollywood" (Columbia UP, 2019)
|
Nov 16, 2020 |
|
Mark Glancy, "Cary Grant: The Making of a Hollywood Legend" (Oxford UP, 2020)
|
Nov 11, 2020 |
|
Eric San Juan, "The Films of Martin Scorsese: Gangsters, Greed, and Guilt" (Rowman and Littlefield, 2020)
|
Oct 20, 2020 |
|
Yvonne Rainer, "Revisions: Essays by Apollo Musagète, Yvonne Rainer, and Others" (No Place Press, 2020)
|
Oct 14, 2020 |
|
Dave O’Brien, "Culture is Bad for You: Inequality in the Cultural and Creative Industries" (Manchester UP, 2020)
|
Oct 12, 2020 |
|
Chris Fenton, "Feeding the Dragon: Inside the Trillion Dollar Dilemma Facing Hollywood, the NBA, and American Business" (Post Hill Press, 2020)
|
Oct 05, 2020 |
|
Glenn Kenny, "Made Men: The Story of Goodfellas" (Hanover Square, 2020)
|
Sep 30, 2020 |
|
Bruce Isaacs, "The Art of Pure Cinema: Hitchcock and His Imitators" (Oxford UP, 2020)
|
Sep 28, 2020 |
|
Giorgio Bertellini, "The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America" (U California Press, 2019)
|
Sep 25, 2020 |
|
Joseph Clark, "News Parade: The American Newsreel and the World as Spectacle" (U Minnesota Press, 2020)
|
Sep 15, 2020 |
|
Rodrigo Quian Quiroga, "NeuroScience Fiction" (Benbella Books, 2020)
|
Sep 10, 2020 |
|
Chris Yogerst, "Hollywood Hates Hitler!: Jew-bating, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures" (U Mississippi, 2020)
|
Aug 28, 2020 |
|
Steven C. Smith, "Music by Max Steiner: The Epic Life of Hollywood’s Most Influential Composer" (Oxford UP, 2020)
|
Aug 21, 2020 |
|
Waleed Mahdi, "Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation" (Syracuse UP, 2020)
|
Aug 20, 2020 |
|
Russell J. A. Kilbourn, "The Cinema of Paolo Sorrentino: Commitment to Style" (Wallflower Press, 2020)
|
Aug 04, 2020 |
|
The Joker: How a “Typical Hoodlum” Character of the ‘40s Attained Cult Status Today
|
Jul 29, 2020 |
|
Kevin J. Bryne, "Minstrel Traditions: Mediated Blackface in the Jazz Age" (Routledge, 2020)
|
Jul 29, 2020 |
|
Justin Gomer, "White Balance: How Hollywood Shaped Colorblind Ideology and Undermined Civil Rights" (UNC Press, 2020)
|
Jul 24, 2020 |
|
Telory Arendell, "The Autistic Stage: How Cognitive Disability Changed 20th-Century Performance" (Sense Publishers, 2015)
|
Jul 24, 2020 |
|
Greg Mitchell, "The Beginning or the End: How Hollywood—and America—Learned to Stop Worrying and Love the Bomb" (The New Press, 2020)
|
Jul 07, 2020 |
|
Creshema R. Murray, "Leadership Through the Lens: Interrogating Production, Presentation, and Power" (Rowman and Littlefield, 2017)
|
Jul 06, 2020 |
|
Kendra Preston Leonard, "Music for the Kingdom of Shadows: Cinema Accompaniment in the Age of Spiritualism" (Humanities Commons, 2010)
|
Jul 06, 2020 |
|
Greg Burris, "The Palestinian Idea: Film, Media, and the Radical Imagination" (Temple UP, 2019)
|
Jul 03, 2020 |
|
Adam Brown, "Judging 'Privileged' Jews: Holocaust Ethics, Representation, and the 'Grey Zone'" (Berghahn, 2015)
|
Jul 02, 2020 |
|
Greg Garrett, "A Long, Long Way: Hollywood’s Unfinished Journey from Racism to Reconciliation" (Oxford UP, 2020)
|
Jun 24, 2020 |
|
Clifford Mason, "Macbeth in Harlem: Black Theater in America from the Beginning to Raisin in the Sun" (Rutgers UP, 2020)
|
Jun 22, 2020 |
|
David Slucki et al., "Laughter After: Humor and the Holocaust" (Wayne State UP, 2020)
|
Jun 22, 2020 |
|
Jeremy Black, "The World of James Bond: The Lives and Times of 007" (Rowman and Littlefield, 2017)
|
Jun 18, 2020 |
|
Robert Pippin, "Filmed Thought: Cinema as Reflective Form" (U Chicago Press, 2020)
|
Jun 11, 2020 |
|
Jon Wilkman, "Screening Reality: How Documentary Filmmakers Reimagined America" (Bloomsbury, 2020)
|
Jun 08, 2020 |
|
Scott Henderson, "Comics and Pop Culture: Adaptation from Panel to Frame" (U Texas Press, 2019)
|
Jun 05, 2020 |
|
Brian Greene, "Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe" (Random House, 2020)
|
Jun 02, 2020 |
|
Brian Crim, "Planet Auschwitz: Holocaust Representation in Science Fiction and Horror Film and Television" (Rutgers UP, 2020)
|
May 29, 2020 |
|
Leslie M. Harris, "Slavery and the University: Histories and Legacies" (U Georgia Press, 2019)
|
Apr 28, 2020 |
|
Joseph Rex Young, "George R.R. Martin and the Fantasy Form" (Routledge, 2019)
|
Apr 15, 2020 |
|
Matt Cook, "Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy" (MIT Press, 2020)
|
Mar 30, 2020 |
|
Kunio Hara, "Joe Hisaishi's Soundtrack for My Neighbor Totoro" (Bloomsbury Academic, 2020)
|
Mar 26, 2020 |
|
Kristen Hoerl, "Bad Sixties: Hollywood Memories of the Counterculture, Antiwar, and Black Power Movements" (UP of Mississippi, 2018)
|
Mar 24, 2020 |
|
Joshua Foa Dienstag, "Cinema Pessimism: A Political Theory of Representation and Reciprocity" (Oxford UP, 2019)
|
Mar 23, 2020 |
|
Áine O'Healy, "Migrant Anxieties: Italian Cinema in a Transnational Frame" (Indiana UP, 2019)
|
Mar 20, 2020 |
|
Erika Engstrom, "Feminism, Gender, and Politics in NBC’s Parks and Recreation" (Peter Lang, 2017)
|
Mar 03, 2020 |
|
Phillipa Chong, “Inside the Critics’ Circle: Book Reviewing in Uncertain Times” (Princeton UP, 2020)
|
Feb 25, 2020 |
|
K. Linder et al., "Going Alt-Ac: A Guide to Alternative Academic Careers" (Stylus Publishing, 2020)
|
Jan 30, 2020 |
|
Carol Dyhouse, "Hearthrobs: A History of Women and Desire" (Oxford UP, 2017)
|
Jan 24, 2020 |
|
Jennifer Cazenave, "An Archive of the Catastrophe: The Unused Footage of Claude Lanzmann’s Shoah" (SUNY Press, 2019)
|
Jan 20, 2020 |
|
Stephen Benedict Dyson, "Imagining Politics: Interpretations in Political Science and Political Television" (U Michigan Press, 2019)
|
Jan 13, 2020 |
|
Seán Crosson, "Gaelic Games on Film" (Cork UP, 2019)
|
Dec 30, 2019 |
|
Hunter Vaughan, "Hollywood’s Dirtiest Secret: The Hidden Environmental Costs of the Movies" (Columbia UP, 2019)
|
Dec 11, 2019 |
|
Simone Knox and Kai Hanno Schwind, "Friends: A Reading of the Sitcom" (Palgrave Macmillan, 2019)
|
Dec 10, 2019 |
|
Alberto Cairo, "How Charts Lie: Getting Smarter about Visual Information" (Norton, 2019)
|
Dec 03, 2019 |
|
Claudia Moscovici, "Holocaust Memories: A Survey of Holocaust Memoirs, Histories, Novels, and Films" (Hamilton, 2019)
|
Dec 02, 2019 |
|
Alicia Izharuddin, “Gender and Islam in Indonesian Cinema” (Palgrave Macmillan, 2017)
|
Nov 12, 2019 |
|
Liz Gloyn, "Tracking Classical Monsters in Popular Culture" (Bloomsbury Academic, 2019)
|
Nov 12, 2019 |
|
Elena Past, "Italian Ecocinema: Beyond the Human" (Indiana UP, 2019)
|
Nov 04, 2019 |
|
Kathryn Conrad on University Press Publishing
|
Nov 03, 2019 |
|
Aisha Shillingford and Terry Marshall, "Black Freedom Beyond Borders: Re-Imaging Gender in Wakanda" (WDL, 2019)
|
Oct 28, 2019 |
|
J. Neuhaus, "Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers" (West Virginia UP, 2019)
|
Oct 24, 2019 |
|
Rico Issacs, "Film and Identity in Kazakhstan: Soviet and Post-Soviet Culture in Central Asia" (I.B. Tauris, 2018)
|
Sep 09, 2019 |
|
Jennifer C. Lena, "Entitled: Discriminating Tastes and the Expansion of the Arts" ( Princeton UP, 2019)
|
Aug 29, 2019 |
|
Lindsey Green-Simms, "Postcolonial Automobility: Car Culture in West Africa" (U Minnesota Press, 2019)
|
Aug 15, 2019 |
|
Polina Kroik, "Cultural Production and the Politics of Women’s Work in American Film and Literature" (Routledge, 2019)
|
Aug 12, 2019 |
|
Grégory Pierrot, "The Black Avenger in Atlantic Culture" (U Georgia Press, 2019)
|
Aug 07, 2019 |
|
David Resnick, "Representing Education In Film: How Hollywood Portrays Educational Thought, Settings and Issues" (Palgrave Macmillan, 2018)
|
Jul 29, 2019 |
|
Jinah Kim, "Postcolonial Grief: The Afterlives of the Pacific Wars in the Americas" (Duke UP, 2019)
|
Jul 11, 2019 |
|
Liat Steir-Livny, "Remaking Holocaust Memory: Documentary Cinema by Third Generation Survivors in Israel" (Syracuse UP, 2019)
|
Jul 11, 2019 |
|
Anne A. Cheng, "Ornamentalism" (Oxford UP, 2019)
|
Jun 21, 2019 |
|
Eleonor Gilburd, "To See Paris and Die: The Soviet Lives of Western Culture" (Harvard UP, 2018)
|
Jun 19, 2019 |
|
Kara Ritzheimer, "'Trash,' Censorship, and National Identity in Early Twentieth-Century Germany" (Cambridge UP, 2016)
|
Jun 18, 2019 |
|
Sara K. Eskridge, "Rube Tube: CBS and Rural Comedy in the Sixties" (U Missouri Press, 2019)
|
Jun 14, 2019 |
|
Brian Cremins, "Captain Marvel and the Art of Nostalgia" (UP of Mississippi, 2017)
|
Jun 11, 2019 |
|
Annie McClanahan, "Dead Pledges: Debt, Crisis, and Twenty-First Century Culture" (Stanford UP, 2016)
|
Jun 07, 2019 |
|
Jinhua Dai (ed. Lisa Rofel), "After the Post-Cold War: The Future of Chinese History" (Duke UP, 2018)
|
May 23, 2019 |
|
Dan Golding, "Star Wars after Lucas: A Critical Guide to the Future of the Galaxy" (U Minnesota Press, 2019)
|
May 13, 2019 |
|
Nicholas Baer et al. "Unwatchable" (Rutgers UP, 2019)
|
May 09, 2019 |
|
Eric T. Kasper and Quentin D. Vieregge, "The United States Constitution in Film: Part of Our National Culture" (Lexington Books, 2018)
|
Apr 30, 2019 |
|
Michael Benson, "Space Odyssey: Stanley Kubrick, Arthur C. Clark and The Making of a Masterpiece" (Simon and Schuster, 2018)
|
Apr 29, 2019 |
|
Robert Matzen, "Dutch Girl: Audrey Hepburn and World War II" (GoodKnight Books, 2019)
|
Apr 16, 2019 |
|
Racquel J. Gates, "Double Negative: The Black Image and Popular Culture" (Duke UP, 2018)
|
Apr 03, 2019 |
|
Joan Neuberger, "This Thing of Darkness: Eisenstein’s Ivan the Terrible in Stalin’s Russia" (Cornell UP, 2019)
|
Mar 21, 2019 |
|
Discussion of Massive Online Peer Review and Open Access Publishing
|
Mar 19, 2019 |
|
Meredith McCarroll, "Unwhite: Appalachia, Race, and Film" (U Georgia Press, 2018)
|
Mar 07, 2019 |
|
Margaret Hennefeld, "Specters of Slapstick and Silent Film Comediennes" (Columbia UP, 2018)
|
Mar 05, 2019 |
|
Kendall Phillips, "A Place of Darkness: The Rhetoric of Horror in Early American Cinema" (U Texas, 2018)
|
Feb 20, 2019 |
|
Pema Tseden, "Enticement" (SUNY Press, 2018)
|
Feb 19, 2019 |
|
Nathan Holmes, "Welcome to Fear City: Crime Film, Crisis, and the Urban Imagination" (SUNY Press, 2018)
|
Feb 11, 2019 |
|
Arnika Fuhrmann, "Ghostly Desires: Queer Sexuality and Vernacular Buddhism in Contemporary Thai Cinema" (Duke UP, 2016)
|
Jan 22, 2019 |
|
Shanna de la Torre, "Sex for Structuralists: The Non-Oedipal Logics of Femininity and Psychosis" (Palgrave Macmillan, 2018)
|
Jan 17, 2019 |
|
Joe Street, "Dirty Harry’s America: Clint Eastwood, Harry Callahan, and the Conservative Backlash" (UP of Florida, 2016)
|
Jan 07, 2019 |
|
David LaRocca, "The Philosophy of War Films" (U Press of Kentucky, 2018)
|
Dec 31, 2018 |
|
Christian B. Long, "The Imaginary Geography of Hollywood Cinema 1960-2000" (Intellect, 2017)
|
Dec 28, 2018 |
|
Tison Pugh, "The Queer Fantasies of the American Family Sitcom" (Rutgers UP, 2018)
|
Dec 18, 2018 |
|
Annabel Cooper, "Filming the Colonial Past: The New Zealand Wars on Screen" (Otago UP, 2018)
|
Dec 14, 2018 |
|
McKenzie Wark, "General Intellects: Twenty-One Thinkers for the Twenty-First Century" (Verso, 2017)
|
Dec 06, 2018 |
|
Kevin Hamilton and Ned O’Gorman, "Lookout America!: The Secret Hollywood Studio at the Heart of the Cold War" (Dartmouth College Press, 2018)
|
Dec 05, 2018 |
|
Catherine Russell, "Archiveology: Walter Benjamin and Archival Film Practices" (Duke UP, 2018)
|
Nov 29, 2018 |
|
Alicia Malone, “The Female Gaze: Essential Movies Made by Women” (Mango Publishing Group, 2018)
|
Nov 16, 2018 |
|
Anindita Banerjee, “Russian Science Fiction Literature and Cinema: A Critical Reader” (Academic Studies Press, 2018)
|
Nov 08, 2018 |
|
Zachary Lechner, “The South of the Mind: American Imaginings of White Southernness, 1960–1980” (U Georgia Press, 2018)
|
Oct 31, 2018 |
|
Anthony Slide, “Magnificent Obsession: The Outrageous History of Film Buffs, Collectors, Scholars, and Fanatics” (UP of Mississippi, 2018)
|
Oct 30, 2018 |
|
Richard Baxstrom and Todd Meyers, “Violence’s Fabled Experiment” (August Verlag, 2018)
|
Oct 11, 2018 |
|
Rachel Harris, “Warriors, Witches, Whores: Women in Israeli Cinema” (Wayne State UP, 2017)
|
Oct 10, 2018 |
|
Becky Aikman, “Off the Cliff: How the Making of ‘Thelma & Louise’ Drove Hollywood to the Edge” (Penguin, 2018)
|
Aug 23, 2018 |
|
Rachel Morley, “Performing Femininity: Woman as Performer in Early Russian Cinema” (I. B. Tauris, 2016)
|
Aug 01, 2018 |
|
Martin Shuster, “New Television: The Aesthetics and Politics of a Genre” (U Chicago Press, 2017)
|
Jul 19, 2018 |
|
Chris Nashawaty, “Caddyshack: The Making of a Hollywood Cinderella Story” (Flatiron Books, 2018)
|
Jul 18, 2018 |
|
Yaron Peleg, “Directed by God: Jewishness in Contemporary Israeli Film and Television” (University of Texas Press, 2016)
|
Jun 12, 2018 |
|
Discussion with Dahlia Schweitzer (“Going Viral”) and Rob Thomas (“Veronica Mars”)
|
May 15, 2018 |
|
Mark A. McCutcheon, “The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology” (Athabasca UP, 2018)
|
May 03, 2018 |
|
Jacob Bricca, “Documentary Editing: Principles and Practice” (Focal Press, 2018)
|
Apr 24, 2018 |
|
Brian Tochterman, “The Dying City: Postwar New York and the Ideology of Fear” (UNC Press, 2017)
|
Apr 23, 2018 |
|
Mehal Krayem, “Heroes, Villains and the Muslim Exception: Muslim and Arab Men in Australian Crime Drama” (Melbourne UP, 2017)
|
Apr 20, 2018 |
|
Dahlia Schweitzer, “Going Viral: Zombies, Viruses, and the End of the World” (Rutgers UP, 2018)
|
Mar 29, 2018 |
|
Kerry Wallach, “Passing Illusions: Jewish Visibility in Weimar Germany” (U Michigan Press, 2017)
|
Mar 29, 2018 |
|
Vanda Krefft, “The Man Who Made the Movies: The Meteoric Rise and Tragic Fall of William Fox” (Harper, 2017)
|
Mar 28, 2018 |
|
Bruce Clarke, “Neocybernetics and Narrative” (University of Minnesota Press, 2014)
|
Mar 22, 2018 |
|
Jennifer Frost, “Producer of Controversy: Stanley Kramer, Hollywood Liberalism and the Cold War” (UP of Kansas, 2017)
|
Feb 21, 2018 |
|
Carla M. Wilson, “Curious Impossibilities: Ten Cinematic Riffs” (Black Scat Books, 2017)
|
Feb 12, 2018 |
|
Becky Aikman, “Off the Cliff: How the Making of Thelma and Louise Drove Hollywood to the Edge” (Penguin Books, 2017)
|
Jan 30, 2018 |
|
Kevin Bartig, “Sergei Prokofiev’s Alexander Nevsky” (Oxford UP, 2017)
|
Jan 29, 2018 |
|
Zach Sands, “Film Comedy and the American Dream” (Routledge, 2017)
|
Jan 25, 2018 |
|
Leslie Kealhofer-Kemp, “Muslim Women in French Cinema: Voices of Maghrebi Migrants in France” (Liverpool UP, 2016)
|
Jan 18, 2018 |
|
Stephen Most, “Stories Make the World: Reflections on Storytelling and the Art of the Documentary” (Berghahn Books, 2017)
|
Jan 03, 2018 |
|
Vanda Krefft, “The Man Who Made the Movies: The Meteoric Rise and Tragic Fall of William Fox” (Harper, 2017)
|
Nov 27, 2017 |
|
Mary Tomsic, “Beyond the Silver Screen: A History of Women, Filmmaking and Film Culture in Australia, 1920-1990” (Melbourne UP, 2017)
|
Nov 17, 2017 |
|
Matthew S. Rindge, “Profane Parables: Film and the American Dream” (Baylor UP, 2016)
|
Nov 10, 2017 |
|
Joel Dinerstein, “The Origins of Cool in Postwar America” (U. Chicago Press, 2017)
|
Oct 31, 2017 |
|
Stephen Pimpare, “Ghettos, Tramps, and Welfare Queens: Down and Out on the Silver Screen” (Oxford UP, 2017)
|
Sep 25, 2017 |
|
Noel Brown, “The Children’s Film: Genre, Nation and Narrative” (Wallflower Press, 2017)
|
Aug 19, 2017 |
|
Patty Farmer, “Starring the Plaza: Hollywood, Broadway, and High Society Visit the World’s Favorite Hotel” (Beaufort Books, 2017)
|
Aug 14, 2017 |
|
Jennifer Fleeger, “Mismatched Women: The Siren’s Song Through the Machine” (Oxford UP, 2014)
|
Aug 13, 2017 |
|
Don Nunley with Marshall Terrill, “Steve McQueen: Le Mans in the Rearview Mirror” (Dalton Watson, 2017)
|
Aug 02, 2017 |
|
Blake Atwood, “Reform Cinema in Iran: Film and Political Change in the Islamic Republic” (Columbia UP, 2016)
|
Jun 26, 2017 |
|
William Elison, et.al. “Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation” (Harvard UP, 2016)
|
Jun 20, 2017 |
|
Gary Kulik, “War Stories: False Atrocity Tales, Swift Boaters, and Winter Soldiers” (Potomac Books, 2009)
|
Jun 15, 2017 |
|
Gillian McIver, “Art History for Filmmakers: The Art of Visual Storytelling” (Bloomsbury, 2016)
|
Jun 14, 2017 |
|
Stephen Lee Naish, “Deconstructing Dirty Dancing” (Zero Books, 2017)
|
May 16, 2017 |
|
Mia Mask, “Divas on the Screen: Black Women in American Film” (U. of Illinois Press, 2009)
|
Mar 29, 2017 |
|
Steve Aldous, “The World of Shaft: A Complete Guide to the Novels, Comic Strip, Films and Television Series” (McFarland, 2015)
|
Mar 29, 2017 |
|
Richard Baxstrom and Todd Meyers, “Realizing the Witch: Science, Cinema, and the Mastery of the Invisible” (Fordham UP, 2015)
|
Mar 28, 2017 |
|
Laurence A. Rickels, “The Psycho Records” (Wallflower Press, 2016)
|
Mar 21, 2017 |
|
Nancy Wang Yuen, “Reel Inequality: Hollywood Actors and Racism” (Rutgers UP, 2017)
|
Mar 14, 2017 |
|
Mick Broderick, “Reconstructing Strangelove: Inside Stanley Kubrick’s ‘Nightmare Comedy'” (WallFlower Press, 2016)
|
Mar 02, 2017 |
|
Sherilyn Connelly, “Ponyville Confidential: The History and Culture of My Little Pony, 1981-2016” (McFarland, 2017)
|
Feb 23, 2017 |
|
Bob Moss, “Vibes from the Screen: Getting Greater Enjoyment from Films” (MCP Books, 2016)
|
Feb 21, 2017 |
|
James A. Davidson, “Hal Ashby and the Making of Harold and Maude” (McFarland, 2016)
|
Jan 24, 2017 |
|
Tom Rice, “White Robes, Silver Screens: Movies and the Making of the Ku Klux Klan” (Indiana U. Press, 2016)
|
Jan 23, 2017 |
|
Anthony Lioi, “Nerd Ecology: Defending the Earth with Unpopular Culture” (Bloomsbury Academic, 2016)
|
Jan 20, 2017 |
|
Toni Pressley-Sanon, “Zombifying a Nation: Race, Gender and the Haitian Loas on Screen” (McFarland, 2016)
|
Jan 18, 2017 |
|
Kevin Smokler, “Brat Pack America: A Love Letter to 80s Teen Movies” (Rare Bird Books, 2016)
|
Jan 18, 2017 |
|
David Shafer, “Antonin Artaud” (Reaktion/U Chicago Press, 2016)
|
Jan 04, 2017 |
|
Amanda Deutch, “Pull Yourself Together: The Gena Rowlands Poems” (Dancing Girl Press, 2016)
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Nov 23, 2016 |
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Robert Matzen, “Mission: Jimmy Stewart and the Fight for Europe” (GoodKnight Books, 2016)
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Oct 24, 2016 |
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Elizabeth Reich, “Militant Visions: Black Soldiers, Internationalism, and the Transformation of American Cinema” (Rutgers UP, 2016)
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Oct 10, 2016 |
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Dennis Bartok and Jeff Joseph, “A Thousand Cuts: The Bizarre Underground World of Collectors and Dealers Who Saved the Movies ” (U. Press of Mississippi, 2016)
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Sep 19, 2016 |
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Stephen Lee Naish, “Create or Die: Essays on the Artistry of Dennis Hopper” (Amsterdam UP, 2016)
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Aug 24, 2016 |
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Sue Matheson, “The Westerns and War Films of John Ford” (Rowman and Littlefield, 2016)
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Jul 21, 2016 |
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Anand Pandian, “Reel World: An Anthropology of Creation” (Duke UP, 2015)
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Jun 26, 2016 |
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Cass Sunstein, “The World According to Star Wars” (Harper Collins, 2016)
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May 28, 2016 |
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Birgit Meyer, “Sensational Movies: Video, Vision, and Christianity in Ghana” (U of California Press, 2015)
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Apr 30, 2016 |
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Harlan Lebo, “Citizen Kane: A Filmmakers Journey” (Thomas Dunne Books, 2016)
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Apr 19, 2016 |
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Jason Mittell, “Complex TV: The Poetics of Contemporary Television” (NYU Press 2015)
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Apr 18, 2016 |
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Kimberly Fain, “Black Hollywood: From Butlers to Superheroes, the Changing Role of African American Men in the Movies” (Praeger, 2015)
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Apr 03, 2016 |
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Alan Sepinwall, “The Revolution Was Televised” (Touchstone, 2015)
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Feb 24, 2016 |
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George Cotkin, “Feast of Excess: A Cultural History of the New Sensibility” (Oxford UP, 2015)
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Jan 22, 2016 |
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Ranen Omer-Sherman, “Imagining the Kibbutz: Visions of Utopia in Literature and Film” (Penn State UP, 2015)
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Dec 08, 2015 |
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Hilary Neroni, “The Subject of Torture: Psychoanalysis and Biopolitics in Television and Film” (Columbia UP, 2015)
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Oct 27, 2015 |
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Liam Burke, “The Comic Book Film Adaptation: Exploring Modern Hollywood’s Leading Genre” (UP of Mississippi, 2015)
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Sep 26, 2015 |
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Elizabeth Haas, Terry Chrstensen, and Peter J. Haas, “Projecting Politics: Political Messages in American Films” (Routledge, 2015)
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Sep 09, 2015 |
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Laura Isabel Serna, “Making Cinelandia: American Films and Mexican Film Culture Before the Golden Age” (Duke UP, 2014)
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Aug 17, 2015 |
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Michael Ray FitzGerald, “Native Americans on Network TV: Stereotypes, Myths, and the ‘Good Indian'” (Rowman and Littlefield, 2013)
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Jul 24, 2015 |
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Caseen Gaines, “We Don’t Need Roads: The Making of the Back to the Future Trilogy” (Plume, 2015)
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Jun 28, 2015 |
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Suzanne Broderick, “Real War vs. Reel War: Veterans, Hollywood, and WWII” (Rowman and Littlefield, 2015)
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Jun 24, 2015 |
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Donald Dewey, “Lee J. Cobb: Characters of an Actor” (Rowman and Littlefield, 2014)
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Jun 20, 2015 |
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Dave Itzkoff, “Mad as Hell: The Making of Network and the Fateful Vision of the Angriest Man in Movies” (Times Books, 2014)
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Jun 10, 2015 |
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Paul Seydor, “The Authentic Death and Contentious Afterlife of Pat Garrett and Billy the Kid” (Northwestern UP, 2015)
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Jun 02, 2015 |
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Tom Hertweck, “Food on Film” (Rowman and Littlefield, 2014)
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Apr 26, 2015 |
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Hugo Frey, “Nationalism and the Cinema in France” (Berghahn Books, 2014)
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Apr 24, 2015 |
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Chris Morgan, “The Comic Galaxy of Mystery Science Theater 3000” (McFarland, 2015)
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Apr 17, 2015 |
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Kathryn Cramer Brownell, “Showbiz Politics: Hollywood in American Political Life” (UNC Press, 2014)
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Apr 10, 2015 |
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Joan Kramer and David Heeley, “In the Company of Legends” (Beaufort Books, 2015)
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Apr 03, 2015 |
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Raluca Lucia Cimpean, “The JFK Image: Profiles in Docudrama” (Rowman and Littlefield, 2014)
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Mar 28, 2015 |
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Norma Jones, Maja-Bajac-Carter, Bob Batchelor, “Heroines of Film and Television: Portrayals in Popular Culture” (Rowman and Littlefield, 2014)
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Feb 25, 2015 |
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Steven Awalt, “Steven Spielberg and Duel: The Making of a Film Career” (Rowman and Littlefield, 2014)
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Feb 18, 2015 |
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Kutter Callaway, “Scoring Transcendence: Contemporary Film Music as Religious Experience” (Baylor UP, 2013)
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Feb 16, 2015 |
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John Wiley Jr., “The Scarlett Letters: The Making of the Film Gone With the Wind” (Taylor Trade Publishing, 2014)
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Jan 22, 2015 |
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Guy Westwell, “Parallel Lines: Post-9/11 American Cinema” (Wallflower Press, 2014)
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Jan 13, 2015 |
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Glen Jeansonne and David Luhrssen, “War on the Silver Screen” (Potomac Books, 2014)
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Jan 05, 2015 |
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Dick Lehr, “The Birth of a Nation” (PublicAffairs, 2014)
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Dec 19, 2014 |
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Bruce Babington, “The Sports Film: Games People Play” (Wallflower Press, 2014)
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Dec 11, 2014 |
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Cynthia J. Miller and A. Bowdoin Van Riper, “1950s “Rocketman” TV Series and Their Fans:
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Dec 02, 2014 |
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Laura Mattoon D’Amore, “Smart Chicks on Screen” (Rowman and Littlefield, 2014)
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Nov 25, 2014 |
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Bridget Conor, “Screenwriting: Creative labor and professional practice” (Routledge, 2014)
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Nov 18, 2014 |
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Chris Taylor, “How Star Wars Conquered the Universe” (Basic Books, 2014)
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Nov 14, 2014 |
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Bryn Upton, “Hollywood and the End of the Cold War: Signs of Cinematic Change” (Rowman and Littlefield, 2014)
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Oct 21, 2014 |
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Hideaki Fujiki, “Making Personas: Transnational Film Stardom in Modern Japan” (Harvard University Asia Center, 2013)
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Sep 04, 2014 |
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M. Gail Hamner, “Imaging Religion in Film: The Politics of Nostalgia” (Palgrave Macmillan, 2011
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May 19, 2014 |
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Travis Vogan, “Keepers of the Flame: NFL Films and the Rise of Sports Media” (University of Illinois Press, 2014)
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May 16, 2014 |
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Donald T. Critchlow, “When Hollywood Was Right” (Cambridge UP, 2013)
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Apr 27, 2014 |
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Aswin Punthamabekar, “From Bombay to Bollywood: The Making of a Global Media Industry” (NYU Press, 2013)
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Feb 19, 2014 |
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Olga Gershenson, “The Phantom Holocaust: Soviet Cinema and Jewish Catastrophe” (Rutgers UP, 2013)
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Feb 05, 2014 |
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Daisuke Miyao, “The Aesthetics of Shadow: Lighting and Japanese Cinema” (Duke UP, 2013)
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Jan 28, 2014 |
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David Konow, “Reel Terror: The Scary, Bloody, Gory, Hundred-Year History of Classic Horror Films” (St. Martin’s Press, 2012)
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Oct 17, 2013 |
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Louis Menashe, “Moscow Believes in Tears: Russians and Their Movies” (New Academia, 2010)
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Feb 15, 2013 |
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S. Brent Plate, “Religion and Film: Cinema and the Re-Creation of the World” (Wallflower Press, 2008)
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Nov 05, 2012 |
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David A. Kirby, “Lab Coats in Hollywood: Science, Scientists, and Cinema” (MIT Press, 2011)
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Jul 02, 2012 |
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Jennifer Frost, “Hedda Hopper’s Hollywood: Celebrity Gossip and American Conservatism” (NYU Press, 2011)
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Oct 25, 2011 |
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Robert J. Corber, “Cold War Femme: Lesbianism, National Identity, and Hollywood Cinema” (Duke University Press, 2011)
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Aug 04, 2011 |
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Maria Yatskova, “Miss Gulag” (Neihausen-Yatskova & Vodar Films, 2007)
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Jun 03, 2011 |
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Laura Wittern-Keller, “The Miracle Case: Film Censorship and the Supreme Court” (University of Kansas Press, 2008)
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Nov 07, 2008 |
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Laura Wittern-Keller, “Freedom of the Screen: Legal Challenges to Film Censorship 1915-1981” (University of Kentucky Press, 2008)
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Apr 04, 2008 |