Shelley: Selected Poems and Prose by Percy Bysshe Shelley (1792 - 1822)

By LibriVox

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Description

The English Romantic Period in literature featured a towering group of excellent poets: Wordsworth, Coleridge, Byron, Shelley and Keats. If we add in forerunners Burns and Blake, we have perhaps an unmatchable collection of writers for any era. Of these, Percy Bysshe Shelley was one of the brightest and best, coupling a giant intellect with a highly emotional and impetuous nature. He was always a champion of liberty, but was largely ignored when he tried to promote political and social reform. He was wise enough, however, to realize that his efforts were ineffective, and he chose instead, not to attempt to reshape society, but to transform the individual, to inspire his readers to a greater love of beauty, of nature, and especially of each other. To this end, he poured forth a profusion of gorgeous verse overflowing with brilliant imagery, all aimed at uplifting the good and the beautiful, the free and the loving, while denouncing the social forces that tended to suppress them.

Unfortunately, it was Shelley’s fate to be misunderstood by the people of his own time. He was vilified as an evil influence, a free thinker and free lover whose ideas should be abhorred. He pictured himself in his poetic tribute to Keats, “Adonais,” as an outcast or a martyr, a “phantom among men, companionless,” bearing a brand upon his brow like that of Cain or of Christ. His life was unorthodox, but his nature was highly sympathetic and filled with devotion to those who were ground down by life and the pressures of a callous society. Perhaps the greatest testimonial was paid to him in letters written by Lord Byron (who, incidentally, disagreed with his political ideas): “...he is, to my knowledge, the least selfish and the mildest of men--a man who has made more sacrifices of his fortune and feelings for others than any I ever heard of.” “Shelley...was, without exception, the best and least selfish man I ever knew. I never knew one who was not a beast in comparison.” (Introduction by Leonard Wilson)

Episode Date
Adonais
Jan 01, 1970
Preface to Adonais
Jan 01, 1970
The Witch of Atlas
Jan 01, 1970
Alastor
Jan 01, 1970
Rarely, rarely, comest thou
Jan 01, 1970
Epipsychidion
Jan 01, 1970
To-- Oh! there are spirits of the air
Jan 01, 1970
Hymn of Pan
Jan 01, 1970
The World's Wanderers
Jan 01, 1970
The Triumph of Life
Jan 01, 1970
Dirge for the Year
Jan 01, 1970
To-- Music when soft voices die
Jan 01, 1970
Ode to Liberty
Jan 01, 1970
To-- When passion's trance is overpast
Jan 01, 1970
Excerpts from A Defence of Poetry
Jan 01, 1970
An Exhortation
Jan 01, 1970
Stanzas Written in Dejection Near Naples
Jan 01, 1970
To Wordsworth
Jan 01, 1970
The Mask of Anarchy
Jan 01, 1970
To a Skylark
Jan 01, 1970
A Lament
Jan 01, 1970
To Constantia, Singing
Jan 01, 1970
The Sensitive Plant
Jan 01, 1970
A Dirge
Jan 01, 1970
The Indian Serenade
Jan 01, 1970
On the Medusa of Leonardo da Vinci in the Florentine Gallery
Jan 01, 1970
Feelings of a Republican on the Fall of Bonaparte
Jan 01, 1970
Stanzas--April, 1814
Jan 01, 1970
Ozymandias
Jan 01, 1970
Lines Written Among the Euganean Hills
Jan 01, 1970
To-- One word is too often profaned
Jan 01, 1970
With a Guitar, to Jane
Jan 01, 1970
Dedication of The Revolt of Islam
Jan 01, 1970
When the Lamp Is Shattered
Jan 01, 1970
Time Long Past
Jan 01, 1970
Letter to Maria Gisborne
Jan 01, 1970
To Night
Jan 01, 1970
Mont Blanc
Jan 01, 1970
Love's Philosophy
Jan 01, 1970
Lines Written in the Bay of Lerici
Jan 01, 1970
Mutability, 2 poems
Jan 01, 1970
A Summer Evening Churchyard, Lechlade, Gloucestershire
Jan 01, 1970
Song to the Men of England
Jan 01, 1970
Sonnet: England in 1819
Jan 01, 1970
The Cloud
Jan 01, 1970
Conclusion of Prometheus Unbound, Act IV, ll. 554-578
Jan 01, 1970
Excerpt from Preface to Prometheus Unbound
Jan 01, 1970
Ode to the West Wind
Jan 01, 1970
Sonnet: Lift not the painted veil
Jan 01, 1970
Hymn to Intellectual Beauty
Jan 01, 1970