Tales of a Red Clay Rambler: A pottery and ceramic art podcast
By Ben Carter
Listen to a podcast, please open Podcast Republic app. Available on Google Play Store and Apple App Store.
Image by Ben Carter
Category: Visual Arts
Open in Apple Podcasts
Open RSS feed
Open Website
Rate for this podcast
Subscribers: 71
Reviews: 0
Episodes: 295
Description
Tales of a Red Clay Rambler Podcast features weekly interviews with ceramic artists from around the world. Host Ben Carter talks with potters, sculptors, and designers about their creative practice. www.talesofaredclayrambler.com
| Episode | Date |
|---|---|
|
507: Malene Barnett on blending interior design and studio art
|
Apr 18, 2024 |
|
506: Jane Bamford on using ceramics to support ecosystems
|
Apr 11, 2024 |
|
505: Cammie Staros on the power of precarity in sculpture
|
Mar 29, 2024 |
|
504: Jonathan Kaplan on investing in yourself
|
Mar 14, 2024 |
|
503: Lauren Sandler on the unseen narratives of material culture
|
Mar 07, 2024 |
|
502: Yuliya Makliuk on understanding the carbon footprint of ceramics
|
Feb 29, 2024 |
|
501: A collective approach to sustainability with Clay Matters
|
Feb 21, 2024 |
|
500: Celebrating 500 with a listener mailbag
|
Feb 14, 2024 |
|
499: Live from the New Clay Conference!
|
Feb 08, 2024 |
|
498: Didem Mert on the importance of play in creativity
|
Jan 31, 2024 |
|
497: Michael Middleton on collecting with special guest Rebecca Ickes Carra
|
Jan 26, 2024 |
|
496: Kyungmin Park on a multifaceted approach to the figure
|
Jan 18, 2024 |
|
495: Brad Schwieger on using subtractive methods to find form
|
Jan 11, 2024 |
|
494: Matt Katz on understanding ceramic chemistry
|
Jan 04, 2024 |
|
493: Kim Dickey on the power of ornamentation
|
Dec 21, 2023 |
|
492: Doug Peltzman on nourishing the kernel of a new idea
|
Dec 07, 2023 |
|
491: Naomi Dalglish and Michael Hunt on Endless Ground
|
Nov 30, 2023 |
|
490: Daugherty and Rothshank on starting a nonprofit
|
Nov 16, 2023 |
|
489: Dirk Staschke on uncanny realism
|
Nov 09, 2023 |
|
488: Jonathan Christensen Caballero on mining local histories for his work
|
Oct 26, 2023 |
|
487: Haakon Lenzi on marbleizing slip
|
Oct 18, 2023 |
|
486: Catherine White on monoprinting with wood ash
|
Oct 12, 2023 |
|
485: Bryan Hopkins on low-fire porcelain
|
Oct 03, 2023 |
|
484: Alex Thullen on iridescent luster glazes
|
Sep 28, 2023 |
|
483: Renata Cassiano on literature, portals, and intuition
|
Sep 21, 2023 |
|
482: Paul Andrew Wandless on a unified style across mediums
|
Sep 14, 2023 |
|
481: Amy Sanders and Gleidymar Rivera on making a living as an emerging artist
|
Sep 06, 2023 |
|
480: Lucy Fagella on embracing studio cycles
|
Aug 30, 2023 |
|
479: Glenn Barkley on his book Ceramics: An Atlas of Forms
|
Aug 25, 2023 |
|
478: Brickyard Network 2nd Anniversary with Michael Kline and Adrienne Eliades
|
Aug 17, 2023 |
|
477: Adam Chau on using A.I.
|
Aug 09, 2023 |
|
476: Frank James Fisher on establishing a visual language
|
Aug 03, 2023 |
|
475: Anika Major on her approach to painting the figure
|
Jul 29, 2023 |
|
474: Linda Sikora on teaching
|
Jul 20, 2023 |
|
473: Linda Sikora on the concepts of service, storage, and display
|
Jul 14, 2023 |
|
472: Sculptor Janina Myronova on building momentum in the studio
|
Jul 06, 2023 |
|
471: Maura Wright on her portrayal of beauty rituals in Midwest Sweat
|
Jun 29, 2023 |
|
470: Simphiwe Mbunyuza on developing potent references to Xhosa culture in his sculpture
|
Jun 23, 2023 |
|
469: Heidi Fahrenbacher on her formula for pricing
|
Jun 16, 2023 |
|
468: Rosti Eismont on blending a career in clay and graphic design
|
Jun 10, 2023 |
|
467: Fund Drive: Pete Pinnell on re-finding your voice
|
May 25, 2023 |
|
466: Fund Drive: Anat Shiftan on the human perception and distortion of nature
|
May 18, 2023 |
|
465: Fund Drive: Lauren Mabry on pushing the boundaries of glaze
|
May 11, 2023 |
|
464: Fund Drive: Sergei Isupov on his surrealistic sculptures
|
May 07, 2023 |
|
463: Meet the Parents: Courtney Martin and John Geci
|
Apr 21, 2023 |
|
462: Meet the Parents: Mallory Wetherell and Matt Ziemke
|
Apr 13, 2023 |
|
461: Rebecca Hutchinson on paper, clay, and Re-Generation
|
Apr 06, 2023 |
|
460: Sana Musasama on her art and activism
|
Mar 30, 2023 |
|
459: Live from NCECA with Galloway, Chénard, and Ochtli
|
Mar 22, 2023 |
|
458: Robert Harrison and Danielle O’Malley on the NCECA Green Task Force
|
Mar 13, 2023 |
|
457: Caroline Cheng on upcycling ceramic waste into environmental design
|
Mar 08, 2023 |
|
456: Courtney Martin on using resists to make complex glaze patterns
|
Mar 02, 2023 |
|
455: En Iwamura on his Neo-Jomon figures
|
Feb 23, 2023 |
|
454: Adero Willard on Clay Holds Water, Water Holds Memory
|
Feb 17, 2023 |
|
453: Wesley Brown on the monumentality of form
|
Feb 09, 2023 |
|
452: Kurt Anderson on the humor in his art and Rebecca Harvey on the Archie Bray residency
|
Feb 03, 2023 |
|
451: Joey Quiñones on the ways our past informs our present
|
Jan 26, 2023 |
|
450: Osa Atoe on connecting to one’s self and others through clay
|
Jan 20, 2023 |
|
449: Lorna Meaden on the challenge of making complex functional forms
|
Jan 12, 2023 |
|
448: Dr. Kelli Morgan and Jennifer Zwilling on Figuring Space
|
Jan 06, 2023 |
|
447: Mary Savig on This Present Moment at the Renwick Gallery
|
Dec 22, 2022 |
|
446: Chotsani Elaine Dean and donald a clark on Contemporary Black American Ceramic Artists
|
Dec 16, 2022 |
|
445: Dawn Candy on capturing energy in her surface design
|
Dec 10, 2022 |
|
444: Sam Lopez on making a life in southern California
|
Dec 03, 2022 |
|
443: Across the Globe with Mark Hewitt, Priscilla Mouritzen, Diego Valles, and Carla Martinez Vargas
|
Nov 22, 2022 |
|
442: Jackie Head on her Neo-Op art installations
|
Nov 11, 2022 |
|
441: Dan Finnegan on stretching beyond tradition
|
Nov 03, 2022 |
|
440: Isabelle Fish on advocating for craft
|
Oct 28, 2022 |
|
439: Patty Bilbro on making what you want to make
|
Oct 20, 2022 |
|
438: Julia Galloway on idea development and trends in ceramics
|
Oct 14, 2022 |
|
437: Kitty Shepherd on the nostalgic roots of her colorful slipware
|
Oct 06, 2022 |
|
436: Why wood fire with Joy Brown, Kate Waltman, John Neely, and Garth Johnson
|
Sep 30, 2022 |
|
435: Kathy King on the feminist themes in her graphic ceramics
|
Sep 22, 2022 |
|
434: Podcast extravaganza with Rebecca Ickes Carra from the Maker’s Playbook
|
Sep 16, 2022 |
|
433: Steve Theberge on finding a meaningful context for your aesthetic
|
Sep 08, 2022 |
|
432: Takuro Shibata on developing local clays at STARworks ceramics
|
Sep 01, 2022 |
|
431: Alex Anderson on the dark glamour of L.A. and Clay in Color
|
Aug 19, 2022 |
|
430: In tribute: Anthony Merino and Alex Kraft on the 50 Women exhibition
|
Aug 18, 2022 |
|
429: Wild Clay Live!
|
Aug 12, 2022 |
|
428: Eric Botbyl on pinpointing the perfect time to alter clay forms
|
Aug 04, 2022 |
|
427: Celebrating 10 years of the Red Clay Rambler with Show Trivia
|
Jul 28, 2022 |
|
426: Celebrating 10 years of the Red Clay Rambler with Carole Epp and Britta Schroeder
|
Jul 28, 2022 |
|
425: 10 YR Fund Drive: Michael Sherrill on his flora-inspired sculptures
|
Jul 22, 2022 |
|
424: 10 YR Fund Drive: Kat and Roger on the roots of their modernist aesthetic
|
Jul 14, 2022 |
|
423: 10 YR Fund Drive: Keith Brymer Jones on Boy in a China Shop
|
Jul 07, 2022 |
|
422: In Tribute: Merran Esson on capturing the passing of time
|
Jun 23, 2022 |
|
421: More than a Maker: Michael McCarthy
|
Jun 16, 2022 |
|
420: More than a Maker: Sarah Petty
|
Jun 10, 2022 |
|
419: More than a Maker: John Doran
|
Jun 03, 2022 |
|
418: More than a Maker: Will Baker
|
May 25, 2022 |
|
417: More than a Maker: Mac McCusker
|
May 19, 2022 |
|
416: Mark Warren on ten years of Haand porcelain
|
May 06, 2022 |
|
415: Russell Wrankle on his sculpture and Shape Theory Collective
|
Apr 28, 2022 |
|
414: Chris Baskin and Dwayne Nii-Teiko Sackey on apprenticeship during Covid
|
Apr 21, 2022 |
|
413: Donna Polseno and Dara Hartman on the Women Working with Clay Symposium
|
Apr 14, 2022 |
|
412: Sunshine Cobb on The Beginner’s Guide to Hand Building
|
Apr 08, 2022 |
|
411: Alessandro Gallo on his human-animal hybrids
|
Apr 04, 2022 |
|
410: Lynn Duryea on the 30th Anniversary of the Watershed Workshop for people with HIV/AIDS
|
Mar 25, 2022 |
|
409: A new era for the Moravian Tile Works
|
Mar 18, 2022 |
|
408: Sanam Emami on revealing and concealing in surface design
|
Mar 11, 2022 |
|
407: Dustin Yager on his tongue in cheek approach to ceramics
|
Mar 05, 2022 |
|
406: Meet the Parents – Lindsay Oesterritter and Jason Vulcan
|
Feb 25, 2022 |
|
405: Meet the Parents – Brian Jones and Melissa Weimer
|
Feb 17, 2022 |
|
404: Meet the Parents – Sara Truman and Naomi Mostkoff
|
Feb 11, 2022 |
|
403: Meet the Parents - Jen Allen and Shoji Satake
|
Feb 05, 2022 |
|
402: In Tribute: Bill Daley on the three-part nature of creativity
|
Jan 28, 2022 |
|
401: Clay Cohorts with Levin, Roswell, and Miller
|
Jan 24, 2022 |
|
400: Fall Fund Drive: Listener mailbag with Mel
|
Dec 16, 2021 |
|
399: Fall Fund Drive: Donte K. Hayes on objects as initiation
|
Dec 09, 2021 |
|
398: Fall Fund Drive: Gay Smith on developing surfaces for soda-fired porcelain
|
Dec 03, 2021 |
|
397: Fall Fund Drive: John Britt on problem solving in the glaze lab
|
Nov 26, 2021 |
|
396: Susan Feagin on collage in clay
|
Nov 18, 2021 |
|
395: Greg Payce on harnessing the negative space between objects to create images
|
Oct 30, 2021 |
|
394: Walter Ostrom on the questions that motivate his studio practice
|
Oct 18, 2021 |
|
393: In Tribute: Carter Gillies on the five stages of learning
|
Oct 01, 2021 |
|
392: Katrina Chaytor and Greg Payce live from the Ceramic Congress!
|
Sep 24, 2021 |
|
391: Seth Green on the influence of architecture and Justin Rothshank joins us to talk about the Indiana Clay Conference
|
Sep 20, 2021 |
|
390: Kathy King, Rose Katz, and Matt Katz on For Flux Sake
|
Sep 08, 2021 |
|
389: In Tribute: Michael Simon on intuition and finding purpose in making
|
Sep 05, 2021 |
|
388: Angelik Vizcarrondo-Laboy on Clay in Color
|
Sep 02, 2021 |
|
387: Adam Chau on Trade Secret
|
Aug 26, 2021 |
|
386: Stephen Earp on interpreting 17th-century terracotta traditions
|
Aug 20, 2021 |
|
385: Daniel Gillberg on his career in paper conservation and clay
|
Aug 05, 2021 |
|
384: Doug Casebeer on how curiosity sustains an art practice
|
Jul 23, 2021 |
|
383: Renee LoPresti on her three-dimensional surface design
|
Jul 16, 2021 |
|
382: Accountability and social change with Craft Equity
|
Jul 08, 2021 |
|
381: In Tribute: Adam and Melissa Yungbluth on the St. Petersburg art scene
|
Jun 25, 2021 |
|
380: Sarah Pike on touching clay with clarity and intent
|
Jun 18, 2021 |
|
379: Channing and Leah Smithson on Vessel: Art as a Doorway
|
Jun 12, 2021 |
|
378: Canada Week: Brendan Tang on his Joss paper sculptures
|
May 28, 2021 |
|
377: Canada Week: Kaitlyn Brennan talks about ceramic education in Canada
|
May 27, 2021 |
|
376: Canada Week: Julie Moon on trusting the creative process
|
May 26, 2021 |
|
375: Canada Week: Magdolene Dykstra on her raw clay sculptures
|
May 25, 2021 |
|
374: Canada Week: Martina Lantin on her passion for terracotta
|
May 24, 2021 |
|
373: Amy Smith on essentializing the figure for visual impact
|
May 20, 2021 |
|
372: Adrienne Eliades on using a die cutter for pattern making
|
May 15, 2021 |
|
371: Janet Koplos on criticism and What Makes a Potter
|
Apr 30, 2021 |
|
370: Ryan Wilson Kelly on using humor as an entry point for narrative sculpture
|
Apr 23, 2021 |
|
369: Cassils on the body as both material and tool in performance art
|
Apr 15, 2021 |
|
368: Paul Greenhalgh on how ceramics shaped civilization
|
Apr 08, 2021 |
|
367: Juan Barroso on using pointillism to tell immigration stories
|
Apr 01, 2021 |
|
366: Wendy Gers on curatorial activism
|
Mar 25, 2021 |
|
365: Mark Shapiro on 19th-century potter Thomas Commeraw
|
Mar 17, 2021 |
|
364: Natalia Arbelaez on activating ceramics through performance
|
Mar 11, 2021 |
|
363: Brett Kern on drawing from pop culture nostalgia to create his sculptures
|
Mar 04, 2021 |
|
362: Masa Sasaki on making a living as a potter
|
Feb 24, 2021 |
|
361: In Tribute: Christine McHorse on her evolution from traditional Pueblo pottery to sculpture
|
Feb 21, 2021 |
|
360: Jessica Putnam Phillips on using art to personalize military experience
|
Feb 19, 2021 |
|
359. Mandy Kolahi on guiding an inclusive community studio through a pandemic
|
Feb 11, 2021 |
|
358. Larissa Warren on the Wild Women and Wild Clay of Tamborine Mountain
|
Feb 05, 2021 |
|
357: Jason Sandy on Mudlarking the Thames River
|
Jan 29, 2021 |
|
356: Deb Schwartzkopf on her book Creative Pottery
|
Jan 23, 2021 |
|
355: Kate Roberts on the ephemeral nature of her sculpture
|
Jan 14, 2021 |
|
354: George Rodriguez on sculpture, personal identity, and community building
|
Jan 08, 2021 |
|
353: Fall Fund Drive: Natania Hume on selling small batch wholesale through home stores
|
Dec 22, 2020 |
|
352: Fall Fund Drive: Marty Gross on the Mingei Film Archive
|
Dec 17, 2020 |
|
351: Fall Fund Drive: The Studio Potter goes digital as it approaches fifty years of storytelling
|
Dec 10, 2020 |
|
350: Fall Fund Drive: Bill Brouillard on our reverence for technology
|
Nov 28, 2020 |
|
349: Angelik Vizcarrondo-Laboy on increasing the visibility of artists of color
|
Nov 20, 2020 |
|
348: Graham Taylor on heritage pottery and experimental archeology
|
Nov 12, 2020 |
|
347: Jennifer Ling Datchuk on understanding identity and womanhood
|
Nov 05, 2020 |
|
346: Bob Batchelor on the rise, fall and rebirth of Rookwood Pottery
|
Oct 28, 2020 |
|
345: Audra Doughty on adapting community-based education to the COVID era
|
Oct 22, 2020 |
|
344: Lindsay Montgomery on the subversive nature of her Maiolica ceramics
|
Oct 15, 2020 |
|
343: Celebrate Clay Week 2020 with Walter Ostrom on the conceptual potential of pottery
|
Oct 08, 2020 |
|
342: Ann Carrington on upcycling found objects to create sculpture
|
Oct 01, 2020 |
|
341: Jamie Bates Slone on using the figure to represent mental states
|
Sep 18, 2020 |
|
340: Sara Truman on building relationships and increasing student investment in a high school ceramic program
|
Sep 10, 2020 |
|
339: Sharif Bey on the power of art to sustain and connect communities
|
Sep 04, 2020 |
|
338: Guillermo Cuellar on Mingei and the challenge of restarting his pottery in a new country
|
Aug 26, 2020 |
|
337: Mike Cinelli on using color triads from comic books to create visual punch
|
Aug 21, 2020 |
|
336: Diana Benavidez on the art and politics of her piñatas
|
Aug 14, 2020 |
|
335: Christy S. Coleman on the role museums play in shaping public understanding of history
|
Aug 07, 2020 |
|
334: Betty Turbo on digital illustration and using humor to carry a message
|
Jul 31, 2020 |
|
333: Ashleigh Christelis on integrating self-care into a creative life
|
Jul 23, 2020 |
|
332: Mitchell Spain on addressing environmentalism through satirical imagery
|
Jul 16, 2020 |
|
331: Carleigh Queenth on the quest for porcelain in 18th-century Europe
|
Jul 09, 2020 |
|
330: Adam Chau on digital calligraphy and the paradox of the anonymous selfie
|
Jun 30, 2020 |
|
329: Dr. Melissa Weimer on Addiction Medicine
|
Jun 26, 2020 |
|
328: Thoughts on anti-racism and fighting white supremacy
|
Jun 22, 2020 |
|
327: Isaac Scott on black representation in public spaces and photographing protests
|
Jun 15, 2020 |
|
326: Spring Fund Drive: Andrei Taraschuk on the beautiful world of Art Bots
|
May 21, 2020 |
|
325: Spring Fund Drive: Tim Kowalczyk on his trompe l'oeil ceramics
|
May 15, 2020 |
|
324: Spring Fund Drive: Resources for artists in the COVID era with Carrie Cleveland from Cerf+
|
May 06, 2020 |
|
323: Justin Rothshank on low temperature soda firing
|
Apr 24, 2020 |
|
322: Kate Johnston on developing design rules to guide one’s work in the studio
|
Apr 17, 2020 |
|
321: Tom Lauerman on rapid prototyping personal protective equipment for Penn State’s MASC initiative
|
Apr 08, 2020 |
|
320: Jonathan Barnes on teaching art online and 3d printing medical protective equipment
|
Apr 05, 2020 |
|
319: Kerianne Quick and Adam John Manley on their zine Craft Desert
|
Mar 24, 2020 |
|
318: Kelly Schnorr on effective teaching methods for high school students
|
Mar 12, 2020 |
|
317: Brian Jones on refining your craft and staying present in the making process
|
Mar 06, 2020 |
|
316: Jordan Mcdonald on his love of Rosanjin and the Pots in Words project
|
Feb 29, 2020 |
|
315: Sam Harvey on the fundamentals of running a successful gallery
|
Feb 14, 2020 |
|
314: Louise Deroualle on using abstraction to convey emotion
|
Feb 05, 2020 |
|
313: Daniel Dallabrida on the intersection of grief, perseverance, and creativity
|
Jan 30, 2020 |
|
312: HP Bloomer talks about balancing risk taking and loss rate in studio production
|
Jan 20, 2020 |
|
311: Louise Cort on forty years of ceramic research and museum curation
|
Jan 11, 2020 |
|
310: Ryan Greenheck on generating financial opportunities through invitational group sales
|
Dec 19, 2019 |
|
309: Stephanie Kantor on how bathing culture inspires her sculpture
|
Dec 12, 2019 |
|
308: Fall Fund Drive: Peltz, Dehnert, and Vettoso on the history and impact of the Old Church Pottery Show
|
Nov 26, 2019 |
|
307: Fall Fund Drive: Michael Connelly on converting former industrial spaces into a creative hub in Philadelphia
|
Nov 21, 2019 |
|
306: Fall Fund Drive: James Whiting on creating a healthy studio environment and new music from The Painted Horses
|
Nov 13, 2019 |
|
305: Fall Fund Drive: Sandy Simon on how the internet changed the way pots are sold
|
Nov 07, 2019 |
|
304: Fall Fund Drive: Wayne Higby on his teaching career and the Alfred Ceramic Art Museum
|
Nov 01, 2019 |
|
303: Sam Chung on developing novel methods for altering porcelain
|
Oct 25, 2019 |
|
302: Sophie Aguilera Lester on her ceramic still lifes and Lindsay Oesterritter on Mastering Kilns and Firing
|
Oct 18, 2019 |
|
301: Naomi Clement on how finding her grandparents love letters spurred her interest in cursive text
|
Oct 10, 2019 |
|
300: Listener mailbag to celebrate our 300th episode!
|
Oct 03, 2019 |
|
299: Matt Ziemke on building engaging surfaces through multiple firings and Doug Peltzman on the Hudson Valley Pottery Tour
|
Sep 26, 2019 |
|
298: Mary Cale Wilson on using art to confront the inequities of history in the American South
|
Sep 19, 2019 |
|
297: Brooks Oliver on using 3d printing as a prototyping tool for slip cast vessels
|
Sep 12, 2019 |
|
296: Ann Shaner on teaching in public schools, the early days of the Archie Bray Foundation, and her marriage to David Shaner
|
Sep 05, 2019 |
|
295: Shalene Valenzuela on using slip cast domestic objects as a canvas for painting
|
Aug 29, 2019 |
|
294: Audry Deal-McEver and Jenn Cole compare the art fair circuit to selling in galleries
|
Jul 18, 2019 |
|
293: Danielle McDaniel on creating “The Clay Lady Way”
|
Jul 13, 2019 |
|
292: Josh Deweese on a life in clay in Montana
|
Jul 04, 2019 |
|
291: Mallory Wetherell on how parenting and politics have changed her studio practice
|
Jun 26, 2019 |
|
290: Chris Staley and Kyle Johns on the intersection of boredom, expectation and creativity
|
Jun 21, 2019 |
|
289: Joanna Powell on her recent show “Lay me in a hot bed and try not to drown”
|
Jun 12, 2019 |
|
288: Nick Danielson on using CAD to design templates for hand-built pots
|
Jun 06, 2019 |
|
287: Chip Clawson on casting architectural-scale concrete sculptures
|
May 30, 2019 |
|
286: Diane Charnov on shifting from political speech writing to art criticism
|
May 24, 2019 |
|
285: Chip Clawson on the history of the Archie Bray Foundation
|
May 15, 2019 |
|
284: Perry Haas on embracing the challenge of a new body of work
|
May 10, 2019 |
|
283: David Peters on working with Montana’s raw ceramic materials
|
May 08, 2019 |
|
282: Steven Young Lee on his recent exhibition at the Portland Art Museum
|
May 03, 2019 |
|
281: Giselle Hicks on a personal search for beauty
|
May 01, 2019 |
|
280: Scott Barnim on his forty-year career in clay and his passion for reduced luster ceramics
|
Apr 26, 2019 |
|
279: Hamilton Potters Guild members talk about trends in ceramics and how the rising cost of housing affects potters
|
Apr 23, 2019 |
|
278: Paul Briggs on the intersection of spirituality, creativity and social justice
|
Apr 19, 2019 |
|
277: Kate Fisher talks with Mikey Walsh about being both an artist and a mother
|
Apr 17, 2019 |
|
276: Kate Fisher on motherhood, making and endurance sports
|
Apr 16, 2019 |
|
275: Live from CWU: Residency Reflections with Amanda Salov, Iva Haas, Seth Charles, and Amanda Bury
|
Apr 13, 2019 |
|
274: Stuart Gair, Kyle Johns, and Kelly Stevenson on pushing yourself to take aesthetic risks in the studio
|
Mar 27, 2019 |
|
273: Richard James, Kelsey Duncan and Iva Haas on how a creative practice can shift the maker’s world view
|
Mar 22, 2019 |
|
272: Jessica Brandl, Yoonjee Kwak and Christina Erives on creating narrative art based on family history
|
Mar 21, 2019 |
|
271: Brenda Quinn on the blending of architecture and floral elements in her work
|
Mar 14, 2019 |
|
270: Matt Wedel on keeping up with the speed of his imagination
|
Mar 12, 2019 |
|
269: Linda Christianson on modern pyromantics
|
Mar 09, 2019 |
|
268: Learning to wood fire through apprenticeships and residencies with Dupont, Johnstone, Parady, Tagseth, and Wilson.
|
Mar 07, 2019 |
|
267: The state of wood firing education with John Neely, Matthew Blakely, Pascal Geoffroy, Sandy Lockwood, and Linda Lid
|
Mar 05, 2019 |
|
266: Applied aesthetics with Denny Gerwin, Linda Christianson, Shirobey Kobayashi, Trevor Dunn, and Neil Hoffman
|
Mar 01, 2019 |
|
265: Daniel Lafferty on intuitive kiln building and the squinch arch
|
Mar 01, 2019 |
|
264: Hideo Mabuchi on vital materiality and the science behind reduction cooled reds
|
Feb 21, 2019 |
|
263: Catherine White on the seeds of ideas
|
Feb 19, 2019 |
|
262: International wood firing extravaganza with Lindsay Oesterritter, Nancy Fuller, Robin Dupont, Zac Chalmers, Tristan Chambaud-Heraud, Shikamaru Takeshita, John Neely and Linda Lid
|
Feb 13, 2019 |
|
261: Scott Ross on ram casting solid clay sculpture
|
Feb 08, 2019 |
|
260: John Neely on the development of the Train Kiln
|
Feb 05, 2019 |
|
259: George McCauley on low temperature wood firing
|
Feb 01, 2019 |
|
258: Sandy Lockwood on collaborating with uncertainty
|
Jan 29, 2019 |
|
257: Josh Deweese on the history of wood firing in Montana
|
Jan 23, 2019 |
|
256: Mark Campden on making reduced luster ceramics
|
Jan 17, 2019 |
|
255: Ireland Week: Making a living in rural Ireland with Cork potters Sara Roberts, Charlie Mahon, and Darren Francis Cassidy
|
Jan 12, 2019 |
|
254: Ireland Week: Gallerist Mary Gallagher on the state of craft in Ireland
|
Jan 11, 2019 |
|
253: Ireland Week: Susan O’Byrne on the empathic potential of sculpting animals
|
Jan 10, 2019 |
|
252: Ireland Week: Gus Mabelson on Ireland’s Ceramic Skills and Design Course
|
Jan 09, 2019 |
|
251: Ireland Week: Tina Byrne and Elaine Riordan on advocating for Irish ceramics
|
Jan 08, 2019 |
|
250: Ireland Week: Isobel Egan on building with paper-thin porcelain slabs
|
Jan 07, 2019 |
|
249: Darien A-Johnson on the computer glitch that changed his life
|
Jan 03, 2019 |
|
248: In Tribute: Warren Mackenzie on a lifetime in clay
|
Jan 01, 2019 |
|
247: Liz Zlot Summerfield on establishing work-life balance to encourage health and creativity
|
Dec 18, 2018 |
|
246: Marty Fielding on the influence of Frank Gehry and postmodern architecture on his ceramic vessels
|
Dec 12, 2018 |
|
245: Amy Sanders on using patinas over Terra Siggilata to create rich low fire surfaces
|
Dec 05, 2018 |
|
244: Ronan Peterson on the influence of comic books on his colorful work
|
Nov 28, 2018 |
|
243: Live from Nashville: Summerfield, Peterson, Sanders and Fielding on developing low fire ceramic surfaces
|
Nov 20, 2018 |
|
242: Linda Arbuckle's Terracotta Manifesto
|
Nov 14, 2018 |
|
241: New Zealand Week: Richard Stratton on the importance of technical research on aesthetic development
|
Nov 03, 2018 |
|
240: New Zealand Week: Nicole Kolig on harvesting local ceramic materials for sculpture
|
Nov 02, 2018 |
|
239: New Zealand Week: Cheryl Lucas on creativity as a counterpoint to cultural trauma
|
Nov 01, 2018 |
|
238: New Zealand Week: Tatyanna Meharry and Gwen Parsons on NZ's distance Learning program
|
Oct 30, 2018 |
|
237: New Zealand Week: Chris Weaver on twenty-five years of exploring the teapot form
|
Oct 26, 2018 |
|
236: New Zealand Week: Michael O’Donnell on the spiritual aspect of ecology
|
Oct 25, 2018 |
|
235: New Zealand Week: Duncan Shearer on experimental kiln firings
|
Oct 24, 2018 |
|
234: New Zealand Week: Greg Barron on building homemade ceramic equipment
|
Oct 23, 2018 |
|
233: Jack Troy, Carolanne Currier and Amy Burk on kiln design, creativity and the Strictly Functional Pottery National
|
Oct 10, 2018 |
|
232: Cynthia Bringle on educating your audience about the value of handmade
|
Oct 05, 2018 |
|
231: Australia Week: King Houndekpinkou on the influence of animism and ritual on his sculpture
|
Sep 21, 2018 |
|
230: Australia Week: Keith Brymer Jones on upscaling production and the Great Pottery Throw Down
|
Sep 20, 2018 |
|
229: Australia Week: Kelly Austin and Joey Burns on finding community and setting up a studio
|
Sep 19, 2018 |
|
228: Australia Week: Owen Rye on the shifting landscape of Australian ceramic education
|
Sep 18, 2018 |
|
227: Australia Week: Glenn Barkley on his philosophy of curation and transition to full time making
|
Sep 17, 2018 |
|
226: Daniel Johnston on making traditional pots for contemporary installations
|
Sep 04, 2018 |
|
225: Tip Toland on the empathetic potential of figure sculpture
|
Aug 21, 2018 |
|
224: John Gill on dyslexia and creativity
|
Aug 16, 2018 |
|
223: John Gill on teaching
|
Aug 14, 2018 |
|
222: Morean Center for Clay resident artists talk about creativity and community in St. Petersburg
|
Jul 12, 2018 |
|
221: Jan Richardson talks about scaling up production to build her business
|
Jul 11, 2018 |
|
220: Tracy Gamble on how a career in acting prepared her to be better teacher
|
Jul 10, 2018 |
|
219: Jerilyn Virden and Lindsay Rogers talk shop and Arrowmont Pentaculum wrap up
|
Jun 28, 2018 |
|
218: Jeweler Sarah Rachel Brown on her podcast Perceived Value
|
Jun 18, 2018 |
|
217: Brenda Quinn and Mike Gesiakowski on teaching in private secondary education
|
Jun 11, 2018 |
|
216: Steven Cheek on making vessels for the bourbon culture of Kentucky
|
Jun 03, 2018 |
|
215: Melissa Weiss on making pottery in a political era
|
Apr 26, 2018 |
|
214: Mark Errol on the growth of Plough Gallery
|
Apr 13, 2018 |
|
213: Figure sculptor Andrea Keys Connell on unpacking family history through making
|
Apr 06, 2018 |