Tales of a Red Clay Rambler: A pottery and ceramic art podcast
By Ben Carter
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Image by Ben Carter
Category: Visual Arts
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Subscribers: 70
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Episodes: 324
Description
Tales of a Red Clay Rambler Podcast features weekly interviews with ceramic artists from around the world. Host Ben Carter talks with potters, sculptors, and designers about their creative practice. www.talesofaredclayrambler.com
| Episode | Date |
|---|---|
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536: Brian Nettles on recovering from Hurricane Katrina
|
Dec 19, 2024 |
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535: Sarah Wells Rolland on recovering from Hurricane Helene
|
Dec 10, 2024 |
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534: nicole gugliotti on saving for retirement
|
Dec 04, 2024 |
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533: Michelle Im on the versatility of tin glaze
|
Nov 27, 2024 |
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532: Greg Daly on painting with flame to create reduced lusters
|
Nov 19, 2024 |
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531: Sunshine Cobb on the Archie Bray Residency
|
Nov 12, 2024 |
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530: Priscilla Dobler Dzul and Corinna Cowles
|
Nov 04, 2024 |
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529: Bill Wilkey on his soda-fired geometric forms
|
Oct 22, 2024 |
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528: Malene Barnett on Crafted Kinship
|
Oct 17, 2024 |
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527: Living with Student loans: Liz Noonan and Christian Bailey
|
Oct 08, 2024 |
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526: Living with Student Loans: Cammi Climaco and Jen Mecca
|
Oct 01, 2024 |
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525: Living with Student Loans: Betsy Mayotte on navigating the system
|
Sep 24, 2024 |
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524: Celia Feldberg on drawing on clay
|
Sep 19, 2024 |
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523: Christy Culp on art education in high schools
|
Sep 12, 2024 |
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522: Camille Dungy on creativity and the Immaterial podcast
|
Sep 05, 2024 |
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521: Christi Ruffin on the joy of collecting ceramics
|
Jul 31, 2024 |
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520: Yoshi Fuji on his intricately carved pottery
|
Jul 25, 2024 |
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519: Nom Ceramics on developing layered glaze surfaces
|
Jul 17, 2024 |
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518: John Born on improvising within a vocabulary of form
|
Jul 10, 2024 |
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517: Ashlyn Pope on integrating woven elements into ceramics
|
Jul 03, 2024 |
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516: Rhonda Willers on embracing creative growth
|
Jun 27, 2024 |
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515: Nick Lenker on sculpting his digital world into 3D
|
Jun 13, 2024 |
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514: Lisa Orr on developing psychedelic low-fire glazes
|
Jun 06, 2024 |
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513: Kathleen Clark on The White House China
|
May 31, 2024 |
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512: Fund Drive: Live from NCECA with Lisa Giuliani and Brian Kakas
|
May 23, 2024 |
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511: Fund Drive: Stephanie Seguin on tactile learning
|
May 14, 2024 |
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510: Fund Drive: Judi Tavill on blending drawing with sculpture
|
May 10, 2024 |
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509: Fund Drive: Brian Chen on the anatomy of his forms
|
May 02, 2024 |
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508: Clay Roots: Exploring Ceramics Across the Black Diaspora with Malene Barnett, Lydia Thompson, Ashlyn Pope, and David Macdonald
|
Apr 26, 2024 |
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507: Malene Barnett on blending design and studio art
|
Apr 18, 2024 |
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506: Jane Bamford on using ceramics to support ecosystems
|
Apr 11, 2024 |
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505: Cammie Staros on the power of precarity in sculpture
|
Mar 29, 2024 |
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504: Jonathan Kaplan on investing in yourself
|
Mar 14, 2024 |
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503: Lauren Sandler on the unseen narratives of material culture
|
Mar 07, 2024 |
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502: Yuliya Makliuk on understanding the carbon footprint of ceramics
|
Feb 29, 2024 |
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501: A collective approach to sustainability with Clay Matters
|
Feb 21, 2024 |
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500: Celebrating 500 with a listener mailbag
|
Feb 14, 2024 |
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499: Live from the New Clay Conference!
|
Feb 08, 2024 |
|
498: Didem Mert on the importance of play in creativity
|
Jan 31, 2024 |
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497: Michael Middleton on collecting with special guest Rebecca Ickes Carra
|
Jan 26, 2024 |
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496: Kyungmin Park on a multifaceted approach to the figure
|
Jan 18, 2024 |
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495: Brad Schwieger on using subtractive methods to find form
|
Jan 11, 2024 |
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494: Matt Katz on understanding ceramic chemistry
|
Jan 04, 2024 |
|
493: Kim Dickey on the power of ornamentation
|
Dec 21, 2023 |
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492: Doug Peltzman on nourishing the kernel of a new idea
|
Dec 07, 2023 |
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491: Naomi Dalglish and Michael Hunt on Endless Ground
|
Nov 30, 2023 |
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490: Daugherty and Rothshank on starting a nonprofit
|
Nov 16, 2023 |
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489: Dirk Staschke on uncanny realism
|
Nov 09, 2023 |
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488: Jonathan Christensen Caballero on mining local histories for his work
|
Oct 26, 2023 |
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487: Haakon Lenzi on marbleizing slip
|
Oct 18, 2023 |
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486: Catherine White on monoprinting with wood ash
|
Oct 12, 2023 |
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485: Bryan Hopkins on low-fire porcelain
|
Oct 03, 2023 |
|
484: Alex Thullen on iridescent luster glazes
|
Sep 28, 2023 |
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483: Renata Cassiano on literature, portals, and intuition
|
Sep 21, 2023 |
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482: Paul Andrew Wandless on a unified style across mediums
|
Sep 14, 2023 |
|
481: Amy Sanders and Gleidymar Rivera on making a living as an emerging artist
|
Sep 06, 2023 |
|
480: Lucy Fagella on embracing studio cycles
|
Aug 30, 2023 |
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479: Glenn Barkley on his book Ceramics: An Atlas of Forms
|
Aug 25, 2023 |
|
478: Brickyard Network 2nd Anniversary with Michael Kline and Adrienne Eliades
|
Aug 17, 2023 |
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477: Adam Chau on using A.I.
|
Aug 09, 2023 |
|
476: Frank James Fisher on establishing a visual language
|
Aug 03, 2023 |
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475: Anika Major on her approach to painting the figure
|
Jul 29, 2023 |
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474: Linda Sikora on teaching
|
Jul 20, 2023 |
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473: Linda Sikora on the concepts of service, storage, and display
|
Jul 14, 2023 |
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472: Sculptor Janina Myronova on building momentum in the studio
|
Jul 06, 2023 |
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471: Maura Wright on her portrayal of beauty rituals in Midwest Sweat
|
Jun 29, 2023 |
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470: Simphiwe Mbunyuza on developing potent references to Xhosa culture in his sculpture
|
Jun 23, 2023 |
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469: Heidi Fahrenbacher on her formula for pricing
|
Jun 16, 2023 |
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468: Rosti Eismont on blending a career in clay and graphic design
|
Jun 10, 2023 |
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467: Fund Drive: Pete Pinnell on re-finding your voice
|
May 25, 2023 |
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466: Fund Drive: Anat Shiftan on the human perception and distortion of nature
|
May 18, 2023 |
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465: Fund Drive: Lauren Mabry on pushing the boundaries of glaze
|
May 11, 2023 |
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464: Fund Drive: Sergei Isupov on his surrealistic sculptures
|
May 07, 2023 |
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463: Meet the Parents: Courtney Martin and John Geci
|
Apr 21, 2023 |
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462: Meet the Parents: Mallory Wetherell and Matt Ziemke
|
Apr 13, 2023 |
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461: Rebecca Hutchinson on paper, clay, and Re-Generation
|
Apr 06, 2023 |
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460: Sana Musasama on her art and activism
|
Mar 30, 2023 |
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459: Live from NCECA with Galloway, Chénard, and Ochtli
|
Mar 22, 2023 |
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458: Robert Harrison and Danielle O’Malley on the NCECA Green Task Force
|
Mar 13, 2023 |
|
457: Caroline Cheng on upcycling ceramic waste into environmental design
|
Mar 08, 2023 |
|
456: Courtney Martin on using resists to make complex glaze patterns
|
Mar 02, 2023 |
|
455: En Iwamura on his Neo-Jomon figures
|
Feb 23, 2023 |
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454: Adero Willard on Clay Holds Water, Water Holds Memory
|
Feb 17, 2023 |
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453: Wesley Brown on the monumentality of form
|
Feb 09, 2023 |
|
452: Kurt Anderson on the humor in his art and Rebecca Harvey on the Archie Bray residency
|
Feb 03, 2023 |
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451: Joey Quiñones on the ways our past informs our present
|
Jan 26, 2023 |
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450: Osa Atoe on connecting to one’s self and others through clay
|
Jan 20, 2023 |
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449: Lorna Meaden on the challenge of making complex functional forms
|
Jan 12, 2023 |
|
448: Dr. Kelli Morgan and Jennifer Zwilling on Figuring Space
|
Jan 06, 2023 |
|
447: Mary Savig on This Present Moment at the Renwick Gallery
|
Dec 22, 2022 |
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446: Chotsani Elaine Dean and donald a clark on Contemporary Black American Ceramic Artists
|
Dec 16, 2022 |
|
445: Dawn Candy on capturing energy in her surface design
|
Dec 10, 2022 |
|
444: Sam Lopez on making a life in southern California
|
Dec 03, 2022 |
|
443: Across the Globe with Mark Hewitt, Priscilla Mouritzen, Diego Valles, and Carla Martinez Vargas
|
Nov 22, 2022 |
|
442: Jackie Head on her Neo-Op art installations
|
Nov 11, 2022 |
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441: Dan Finnegan on stretching beyond tradition
|
Nov 03, 2022 |
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440: Isabelle Fish on advocating for craft
|
Oct 28, 2022 |
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439: Patty Bilbro on making what you want to make
|
Oct 20, 2022 |
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438: Julia Galloway on idea development and trends in ceramics
|
Oct 14, 2022 |
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437: Kitty Shepherd on the nostalgic roots of her colorful slipware
|
Oct 06, 2022 |
|
436: Why wood fire with Joy Brown, Kate Waltman, John Neely, and Garth Johnson
|
Sep 30, 2022 |
|
435: Kathy King on the feminist themes in her graphic ceramics
|
Sep 22, 2022 |
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434: Podcast extravaganza with Rebecca Ickes Carra from the Maker’s Playbook
|
Sep 16, 2022 |
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433: Steve Theberge on finding a meaningful context for your aesthetic
|
Sep 08, 2022 |
|
432: Takuro Shibata on developing local clays at STARworks ceramics
|
Sep 01, 2022 |
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431: Alex Anderson on the dark glamour of L.A. and Clay in Color
|
Aug 19, 2022 |
|
430: In tribute: Anthony Merino and Alex Kraft on the 50 Women exhibition
|
Aug 18, 2022 |
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429: Wild Clay Live!
|
Aug 12, 2022 |
|
428: Eric Botbyl on pinpointing the perfect time to alter clay forms
|
Aug 04, 2022 |
|
427: Celebrating 10 years of the Red Clay Rambler with Show Trivia
|
Jul 28, 2022 |
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426: Celebrating 10 years of the Red Clay Rambler with Carole Epp and Britta Schroeder
|
Jul 28, 2022 |
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425: 10 YR Fund Drive: Michael Sherrill on his flora-inspired sculptures
|
Jul 22, 2022 |
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424: 10 YR Fund Drive: Kat and Roger on the roots of their modernist aesthetic
|
Jul 14, 2022 |
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423: 10 YR Fund Drive: Keith Brymer Jones on Boy in a China Shop
|
Jul 07, 2022 |
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422: In Tribute: Merran Esson on capturing the passing of time
|
Jun 23, 2022 |
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421: More than a Maker: Michael McCarthy
|
Jun 16, 2022 |
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420: More than a Maker: Sarah Petty
|
Jun 10, 2022 |
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419: More than a Maker: John Doran
|
Jun 03, 2022 |
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418: More than a Maker: Will Baker
|
May 25, 2022 |
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417: More than a Maker: Mac McCusker
|
May 19, 2022 |
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416: Mark Warren on ten years of Haand porcelain
|
May 06, 2022 |
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415: Russell Wrankle on his sculpture and Shape Theory Collective
|
Apr 28, 2022 |
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414: Chris Baskin and Dwayne Nii-Teiko Sackey on apprenticeship during Covid
|
Apr 21, 2022 |
|
413: Donna Polseno and Dara Hartman on the Women Working with Clay Symposium
|
Apr 14, 2022 |
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412: Sunshine Cobb on The Beginner’s Guide to Hand Building
|
Apr 08, 2022 |
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411: Alessandro Gallo on his human-animal hybrids
|
Apr 04, 2022 |
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410: Lynn Duryea on the 30th Anniversary of the Watershed Workshop for people with HIV/AIDS
|
Mar 25, 2022 |
|
409: A new era for the Moravian Tile Works
|
Mar 18, 2022 |
|
408: Sanam Emami on revealing and concealing in surface design
|
Mar 11, 2022 |
|
407: Dustin Yager on his tongue in cheek approach to ceramics
|
Mar 05, 2022 |
|
406: Meet the Parents – Lindsay Oesterritter and Jason Vulcan
|
Feb 25, 2022 |
|
405: Meet the Parents – Brian Jones and Melissa Weimer
|
Feb 17, 2022 |
|
404: Meet the Parents – Sara Truman and Naomi Mostkoff
|
Feb 11, 2022 |
|
403: Meet the Parents - Jen Allen and Shoji Satake
|
Feb 05, 2022 |
|
402: In Tribute: Bill Daley on the three-part nature of creativity
|
Jan 28, 2022 |
|
401: Clay Cohorts with Levin, Roswell, and Miller
|
Jan 24, 2022 |
|
400: Fall Fund Drive: Listener mailbag with Mel
|
Dec 16, 2021 |
|
399: Fall Fund Drive: Donte K. Hayes on objects as initiation
|
Dec 09, 2021 |
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398: Fall Fund Drive: Gay Smith on developing surfaces for soda-fired porcelain
|
Dec 03, 2021 |
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397: Fall Fund Drive: John Britt on problem solving in the glaze lab
|
Nov 26, 2021 |
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396: Susan Feagin on collage in clay
|
Nov 18, 2021 |
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395: Greg Payce on harnessing the negative space between objects to create images
|
Oct 30, 2021 |
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394: Walter Ostrom on the questions that motivate his studio practice
|
Oct 18, 2021 |
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393: In Tribute: Carter Gillies on the five stages of learning
|
Oct 01, 2021 |
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392: Katrina Chaytor and Greg Payce live from the Ceramic Congress!
|
Sep 24, 2021 |
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391: Seth Green on the influence of architecture and Justin Rothshank joins us to talk about the Indiana Clay Conference
|
Sep 20, 2021 |
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390: Kathy King, Rose Katz, and Matt Katz on For Flux Sake
|
Sep 08, 2021 |
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389: In Tribute: Michael Simon on intuition and finding purpose in making
|
Sep 05, 2021 |
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388: Angelik Vizcarrondo-Laboy on Clay in Color
|
Sep 02, 2021 |
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387: Adam Chau on Trade Secret
|
Aug 26, 2021 |
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386: Stephen Earp on interpreting 17th-century terracotta traditions
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Aug 20, 2021 |
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385: Daniel Gillberg on his career in paper conservation and clay
|
Aug 05, 2021 |
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384: Doug Casebeer on how curiosity sustains an art practice
|
Jul 23, 2021 |
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383: Renee LoPresti on her three-dimensional surface design
|
Jul 16, 2021 |
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382: Accountability and social change with Craft Equity
|
Jul 08, 2021 |
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381: In Tribute: Adam and Melissa Yungbluth on the St. Petersburg art scene
|
Jun 25, 2021 |
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380: Sarah Pike on touching clay with clarity and intent
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Jun 18, 2021 |
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379: Channing and Leah Smithson on Vessel: Art as a Doorway
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Jun 12, 2021 |
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378: Canada Week: Brendan Tang on his Joss paper sculptures
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May 28, 2021 |
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377: Canada Week: Kaitlyn Brennan talks about ceramic education in Canada
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May 27, 2021 |
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376: Canada Week: Julie Moon on trusting the creative process
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May 26, 2021 |
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375: Canada Week: Magdolene Dykstra on her raw clay sculptures
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May 25, 2021 |
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374: Canada Week: Martina Lantin on her passion for terracotta
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May 24, 2021 |
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373: Amy Smith on essentializing the figure for visual impact
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May 20, 2021 |
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372: Adrienne Eliades on using a die cutter for pattern making
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May 15, 2021 |
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371: Janet Koplos on criticism and What Makes a Potter
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Apr 30, 2021 |
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370: Ryan Wilson Kelly on using humor as an entry point for narrative sculpture
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Apr 23, 2021 |
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369: Cassils on the body as both material and tool in performance art
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Apr 15, 2021 |
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368: Paul Greenhalgh on how ceramics shaped civilization
|
Apr 08, 2021 |
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367: Juan Barroso on using pointillism to tell immigration stories
|
Apr 01, 2021 |
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366: Wendy Gers on curatorial activism
|
Mar 25, 2021 |
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365: Mark Shapiro on 19th-century potter Thomas Commeraw
|
Mar 17, 2021 |
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364: Natalia Arbelaez on activating ceramics through performance
|
Mar 11, 2021 |
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363: Brett Kern on drawing from pop culture nostalgia to create his sculptures
|
Mar 04, 2021 |
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362: Masa Sasaki on making a living as a potter
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Feb 24, 2021 |
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361: In Tribute: Christine McHorse on her evolution from traditional Pueblo pottery to sculpture
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Feb 21, 2021 |
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360: Jessica Putnam Phillips on using art to personalize military experience
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Feb 19, 2021 |
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359. Mandy Kolahi on guiding an inclusive community studio through a pandemic
|
Feb 11, 2021 |
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358. Larissa Warren on the Wild Women and Wild Clay of Tamborine Mountain
|
Feb 05, 2021 |
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357: Jason Sandy on Mudlarking the Thames River
|
Jan 29, 2021 |
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356: Deb Schwartzkopf on her book Creative Pottery
|
Jan 23, 2021 |
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355: Kate Roberts on the ephemeral nature of her sculpture
|
Jan 14, 2021 |
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354: George Rodriguez on sculpture, personal identity, and community building
|
Jan 08, 2021 |
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353: Fall Fund Drive: Natania Hume on selling small batch wholesale through home stores
|
Dec 22, 2020 |
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352: Fall Fund Drive: Marty Gross on the Mingei Film Archive
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Dec 17, 2020 |
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351: Fall Fund Drive: The Studio Potter goes digital as it approaches fifty years of storytelling
|
Dec 10, 2020 |
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350: Fall Fund Drive: Bill Brouillard on our reverence for technology
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Nov 28, 2020 |
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349: Angelik Vizcarrondo-Laboy on increasing the visibility of artists of color
|
Nov 20, 2020 |
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348: Graham Taylor on heritage pottery and experimental archeology
|
Nov 12, 2020 |
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347: Jennifer Ling Datchuk on understanding identity and womanhood
|
Nov 05, 2020 |
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346: Bob Batchelor on the rise, fall and rebirth of Rookwood Pottery
|
Oct 28, 2020 |
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345: Audra Doughty on adapting community-based education to the COVID era
|
Oct 22, 2020 |
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344: Lindsay Montgomery on the subversive nature of her Maiolica ceramics
|
Oct 15, 2020 |
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343: Celebrate Clay Week 2020 with Walter Ostrom on the conceptual potential of pottery
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Oct 08, 2020 |
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342: Ann Carrington on upcycling found objects to create sculpture
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Oct 01, 2020 |
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341: Jamie Bates Slone on using the figure to represent mental states
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Sep 18, 2020 |
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340: Sara Truman on building relationships and increasing student investment in a high school ceramic program
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Sep 10, 2020 |
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339: Sharif Bey on the power of art to sustain and connect communities
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Sep 04, 2020 |
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338: Guillermo Cuellar on Mingei and the challenge of restarting his pottery in a new country
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Aug 26, 2020 |
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337: Mike Cinelli on using color triads from comic books to create visual punch
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Aug 21, 2020 |
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336: Diana Benavidez on the art and politics of her piñatas
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Aug 14, 2020 |
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335: Christy S. Coleman on the role museums play in shaping public understanding of history
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Aug 07, 2020 |
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334: Betty Turbo on digital illustration and using humor to carry a message
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Jul 31, 2020 |
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333: Ashleigh Christelis on integrating self-care into a creative life
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Jul 23, 2020 |
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332: Mitchell Spain on addressing environmentalism through satirical imagery
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Jul 16, 2020 |
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331: Carleigh Queenth on the quest for porcelain in 18th-century Europe
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Jul 09, 2020 |
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330: Adam Chau on digital calligraphy and the paradox of the anonymous selfie
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Jun 30, 2020 |
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329: Dr. Melissa Weimer on Addiction Medicine
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Jun 26, 2020 |
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328: Thoughts on anti-racism and fighting white supremacy
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Jun 22, 2020 |
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327: Isaac Scott on black representation in public spaces and photographing protests
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Jun 15, 2020 |
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326: Spring Fund Drive: Andrei Taraschuk on the beautiful world of Art Bots
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May 21, 2020 |
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325: Spring Fund Drive: Tim Kowalczyk on his trompe l'oeil ceramics
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May 15, 2020 |
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324: Spring Fund Drive: Resources for artists in the COVID era with Carrie Cleveland from Cerf+
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May 06, 2020 |
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323: Justin Rothshank on low temperature soda firing
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Apr 24, 2020 |
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322: Kate Johnston on developing design rules to guide one’s work in the studio
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Apr 17, 2020 |
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321: Tom Lauerman on rapid prototyping personal protective equipment for Penn State’s MASC initiative
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Apr 08, 2020 |
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320: Jonathan Barnes on teaching art online and 3d printing medical protective equipment
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Apr 05, 2020 |
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319: Kerianne Quick and Adam John Manley on their zine Craft Desert
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Mar 24, 2020 |
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318: Kelly Schnorr on effective teaching methods for high school students
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Mar 12, 2020 |
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317: Brian Jones on refining your craft and staying present in the making process
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Mar 06, 2020 |
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316: Jordan Mcdonald on his love of Rosanjin and the Pots in Words project
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Feb 29, 2020 |
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315: Sam Harvey on the fundamentals of running a successful gallery
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Feb 14, 2020 |
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314: Louise Deroualle on using abstraction to convey emotion
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Feb 05, 2020 |
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313: Daniel Dallabrida on the intersection of grief, perseverance, and creativity
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Jan 30, 2020 |
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312: HP Bloomer talks about balancing risk taking and loss rate in studio production
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Jan 20, 2020 |
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311: Louise Cort on forty years of ceramic research and museum curation
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Jan 11, 2020 |
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310: Ryan Greenheck on generating financial opportunities through invitational group sales
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Dec 19, 2019 |
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309: Stephanie Kantor on how bathing culture inspires her sculpture
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Dec 12, 2019 |
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308: Fall Fund Drive: Peltz, Dehnert, and Vettoso on the history and impact of the Old Church Pottery Show
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Nov 26, 2019 |
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307: Fall Fund Drive: Michael Connelly on converting former industrial spaces into a creative hub in Philadelphia
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Nov 21, 2019 |
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306: Fall Fund Drive: James Whiting on creating a healthy studio environment and new music from The Painted Horses
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Nov 13, 2019 |
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305: Fall Fund Drive: Sandy Simon on how the internet changed the way pots are sold
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Nov 07, 2019 |
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304: Fall Fund Drive: Wayne Higby on his teaching career and the Alfred Ceramic Art Museum
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Nov 01, 2019 |
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303: Sam Chung on developing novel methods for altering porcelain
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Oct 25, 2019 |
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302: Sophie Aguilera Lester on her ceramic still lifes and Lindsay Oesterritter on Mastering Kilns and Firing
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Oct 18, 2019 |
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301: Naomi Clement on how finding her grandparents love letters spurred her interest in cursive text
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Oct 10, 2019 |
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300: Listener mailbag to celebrate our 300th episode!
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Oct 03, 2019 |
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299: Matt Ziemke on building engaging surfaces through multiple firings and Doug Peltzman on the Hudson Valley Pottery Tour
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Sep 26, 2019 |
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298: Mary Cale Wilson on using art to confront the inequities of history in the American South
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Sep 19, 2019 |
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297: Brooks Oliver on using 3d printing as a prototyping tool for slip cast vessels
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Sep 12, 2019 |
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296: Ann Shaner on teaching in public schools, the early days of the Archie Bray Foundation, and her marriage to David Shaner
|
Sep 05, 2019 |
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295: Shalene Valenzuela on using slip cast domestic objects as a canvas for painting
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Aug 29, 2019 |
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294: Audry Deal-McEver and Jenn Cole compare the art fair circuit to selling in galleries
|
Jul 18, 2019 |
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293: Danielle McDaniel on creating “The Clay Lady Way”
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Jul 13, 2019 |
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292: Josh Deweese on a life in clay in Montana
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Jul 04, 2019 |
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291: Mallory Wetherell on how parenting and politics have changed her studio practice
|
Jun 26, 2019 |
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290: Chris Staley and Kyle Johns on the intersection of boredom, expectation and creativity
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Jun 21, 2019 |
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289: Joanna Powell on her recent show “Lay me in a hot bed and try not to drown”
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Jun 12, 2019 |
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288: Nick Danielson on using CAD to design templates for hand-built pots
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Jun 06, 2019 |
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287: Chip Clawson on casting architectural-scale concrete sculptures
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May 30, 2019 |
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286: Diane Charnov on shifting from political speech writing to art criticism
|
May 24, 2019 |
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285: Chip Clawson on the history of the Archie Bray Foundation
|
May 15, 2019 |
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284: Perry Haas on embracing the challenge of a new body of work
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May 10, 2019 |
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283: David Peters on working with Montana’s raw ceramic materials
|
May 08, 2019 |
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282: Steven Young Lee on his recent exhibition at the Portland Art Museum
|
May 03, 2019 |
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281: Giselle Hicks on a personal search for beauty
|
May 01, 2019 |
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280: Scott Barnim on his forty-year career in clay and his passion for reduced luster ceramics
|
Apr 26, 2019 |
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279: Hamilton Potters Guild members talk about trends in ceramics and how the rising cost of housing affects potters
|
Apr 23, 2019 |
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278: Paul Briggs on the intersection of spirituality, creativity and social justice
|
Apr 19, 2019 |
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277: Kate Fisher talks with Mikey Walsh about being both an artist and a mother
|
Apr 17, 2019 |
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276: Kate Fisher on motherhood, making and endurance sports
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Apr 16, 2019 |
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275: Live from CWU: Residency Reflections with Amanda Salov, Iva Haas, Seth Charles, and Amanda Bury
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Apr 13, 2019 |
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274: Stuart Gair, Kyle Johns, and Kelly Stevenson on pushing yourself to take aesthetic risks in the studio
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Mar 27, 2019 |
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273: Richard James, Kelsey Duncan and Iva Haas on how a creative practice can shift the maker’s world view
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Mar 22, 2019 |
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272: Jessica Brandl, Yoonjee Kwak and Christina Erives on creating narrative art based on family history
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Mar 21, 2019 |
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271: Brenda Quinn on the blending of architecture and floral elements in her work
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Mar 14, 2019 |
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270: Matt Wedel on keeping up with the speed of his imagination
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Mar 12, 2019 |
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269: Linda Christianson on modern pyromantics
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Mar 09, 2019 |
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268: Learning to wood fire through apprenticeships and residencies with Dupont, Johnstone, Parady, Tagseth, and Wilson.
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Mar 07, 2019 |
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267: The state of wood firing education with John Neely, Matthew Blakely, Pascal Geoffroy, Sandy Lockwood, and Linda Lid
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Mar 05, 2019 |
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266: Applied aesthetics with Denny Gerwin, Linda Christianson, Shirobey Kobayashi, Trevor Dunn, and Neil Hoffman
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Mar 01, 2019 |
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265: Daniel Lafferty on intuitive kiln building and the squinch arch
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Mar 01, 2019 |
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264: Hideo Mabuchi on vital materiality and the science behind reduction cooled reds
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Feb 21, 2019 |
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263: Catherine White on the seeds of ideas
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Feb 19, 2019 |
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262: International wood firing extravaganza with Lindsay Oesterritter, Nancy Fuller, Robin Dupont, Zac Chalmers, Tristan Chambaud-Heraud, Shikamaru Takeshita, John Neely and Linda Lid
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Feb 13, 2019 |
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261: Scott Ross on ram casting solid clay sculpture
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Feb 08, 2019 |
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260: John Neely on the development of the Train Kiln
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Feb 05, 2019 |
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259: George McCauley on low temperature wood firing
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Feb 01, 2019 |
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258: Sandy Lockwood on collaborating with uncertainty
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Jan 29, 2019 |
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257: Josh Deweese on the history of wood firing in Montana
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Jan 23, 2019 |
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256: Mark Campden on making reduced luster ceramics
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Jan 17, 2019 |
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255: Ireland Week: Making a living in rural Ireland with Cork potters Sara Roberts, Charlie Mahon, and Darren Francis Cassidy
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Jan 12, 2019 |
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254: Ireland Week: Gallerist Mary Gallagher on the state of craft in Ireland
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Jan 11, 2019 |
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253: Ireland Week: Susan O’Byrne on the empathic potential of sculpting animals
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Jan 10, 2019 |
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252: Ireland Week: Gus Mabelson on Ireland’s Ceramic Skills and Design Course
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Jan 09, 2019 |
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251: Ireland Week: Tina Byrne and Elaine Riordan on advocating for Irish ceramics
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Jan 08, 2019 |
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250: Ireland Week: Isobel Egan on building with paper-thin porcelain slabs
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Jan 07, 2019 |
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249: Darien A-Johnson on the computer glitch that changed his life
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Jan 03, 2019 |
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248: In Tribute: Warren Mackenzie on a lifetime in clay
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Jan 01, 2019 |
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247: Liz Zlot Summerfield on establishing work-life balance to encourage health and creativity
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Dec 18, 2018 |
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246: Marty Fielding on the influence of Frank Gehry and postmodern architecture on his ceramic vessels
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Dec 12, 2018 |
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245: Amy Sanders on using patinas over Terra Siggilata to create rich low fire surfaces
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Dec 05, 2018 |
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244: Ronan Peterson on the influence of comic books on his colorful work
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Nov 28, 2018 |
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243: Live from Nashville: Summerfield, Peterson, Sanders and Fielding on developing low fire ceramic surfaces
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Nov 20, 2018 |
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242: Linda Arbuckle's Terracotta Manifesto
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Nov 14, 2018 |
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241: New Zealand Week: Richard Stratton on the importance of technical research on aesthetic development
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Nov 03, 2018 |
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240: New Zealand Week: Nicole Kolig on harvesting local ceramic materials for sculpture
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Nov 02, 2018 |
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239: New Zealand Week: Cheryl Lucas on creativity as a counterpoint to cultural trauma
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Nov 01, 2018 |
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238: New Zealand Week: Tatyanna Meharry and Gwen Parsons on NZ's distance Learning program
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Oct 30, 2018 |
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237: New Zealand Week: Chris Weaver on twenty-five years of exploring the teapot form
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Oct 26, 2018 |
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236: New Zealand Week: Michael O’Donnell on the spiritual aspect of ecology
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Oct 25, 2018 |
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235: New Zealand Week: Duncan Shearer on experimental kiln firings
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Oct 24, 2018 |
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234: New Zealand Week: Greg Barron on building homemade ceramic equipment
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Oct 23, 2018 |
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233: Jack Troy, Carolanne Currier and Amy Burk on kiln design, creativity and the Strictly Functional Pottery National
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Oct 10, 2018 |
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232: Cynthia Bringle on educating your audience about the value of handmade
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Oct 05, 2018 |
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231: Australia Week: King Houndekpinkou on the influence of animism and ritual on his sculpture
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Sep 21, 2018 |
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230: Australia Week: Keith Brymer Jones on upscaling production and the Great Pottery Throw Down
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Sep 20, 2018 |
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229: Australia Week: Kelly Austin and Joey Burns on finding community and setting up a studio
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Sep 19, 2018 |
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228: Australia Week: Owen Rye on the shifting landscape of Australian ceramic education
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Sep 18, 2018 |
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227: Australia Week: Glenn Barkley on his philosophy of curation and transition to full time making
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Sep 17, 2018 |
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226: Daniel Johnston on making traditional pots for contemporary installations
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Sep 04, 2018 |
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225: Tip Toland on the empathetic potential of figure sculpture
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Aug 21, 2018 |
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224: John Gill on dyslexia and creativity
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Aug 16, 2018 |
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223: John Gill on teaching
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Aug 14, 2018 |
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222: Morean Center for Clay resident artists talk about creativity and community in St. Petersburg
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Jul 12, 2018 |
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221: Jan Richardson talks about scaling up production to build her business
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Jul 11, 2018 |
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220: Tracy Gamble on how a career in acting prepared her to be better teacher
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Jul 10, 2018 |
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219: Jerilyn Virden and Lindsay Rogers talk shop and Arrowmont Pentaculum wrap up
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Jun 28, 2018 |
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218: Jeweler Sarah Rachel Brown on her podcast Perceived Value
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Jun 18, 2018 |
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217: Brenda Quinn and Mike Gesiakowski on teaching in private secondary education
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Jun 11, 2018 |
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216: Steven Cheek on making vessels for the bourbon culture of Kentucky
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Jun 03, 2018 |
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215: Melissa Weiss on making pottery in a political era
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Apr 26, 2018 |
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214: Mark Errol on the growth of Plough Gallery
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Apr 13, 2018 |
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213: Figure sculptor Andrea Keys Connell on unpacking family history through making
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Apr 06, 2018 |