New Books in Performing Arts
By Marshall Poe
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Category: Performing Arts
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Episodes: 995
Description
Interviews with scholars of the performing arts about their new books
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
| Episode | Date |
|---|---|
|
Margaret Mehl, "Music and the Making of Modern Japan: Joining the Global Concert" (Open Book, 2024)
|
Nov 23, 2024 |
|
Shalini Kakar, "Devotional Fanscapes: Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond" (Rowman and Littlefield, 2023)
|
Nov 21, 2024 |
|
Benjamin Barson, "Brassroots Democracy: Maroon Ecologies and the Jazz Commons" (Wesleyan UP, 2024)
|
Nov 19, 2024 |
|
Carrie J. Preston, "Complicit Participation: The Liberal Audience for Theater of Racial Justice" (Oxford UP, 2024)
|
Nov 19, 2024 |
|
Connie DeNave, "The Image Maker: Shattering Rock and Roll's Glass" (2023)
|
Nov 18, 2024 |
|
Risk
|
Nov 16, 2024 |
|
Nicholas Baer, "Historical Turns: Weimar Cinema and the Crisis of Historicism" (U California Press, 2024)
|
Nov 16, 2024 |
|
Elsie Walker, "Life 24x a Second: Cinema, Selfhood, and Society" (Oxford UP, 2023)
|
Nov 14, 2024 |
|
Lisa Nielson, "Music and Musicians in the Medieval Islamicate World: A Social History" (Bloomsbury, 2021)
|
Nov 12, 2024 |
|
Daniela Berghahn, "Exotic Cinema: Encounters with Cultural Difference in Contemporary Transnational Film" (Edinburgh UP, 2023)
|
Nov 09, 2024 |
|
Roberto Morales-Harley, "The Embassy, the Ambush, and the Ogre: Greco-Roman Influence in Sanskrit Theater” (Open Book, 2024)
|
Nov 07, 2024 |
|
John Duffus, "Backstage in Hong Kong: A Life with the Philharmonic, Broadway Musicals and Classical Superstars" (Blacksmith Books, 2024)
|
Nov 07, 2024 |
|
Kristina Kolbe, "The Sound of Difference: Race, Class and the Politics of 'Diversity' in Classical Music" (Manchester UP, 2024)
|
Nov 02, 2024 |
|
Richard Schoch, "How Sondheim Can Change Your Life" (Atria Books, 2024)
|
Nov 01, 2024 |
|
Bihani Sarkar, "Classical Sanskrit Tragedy: The Concept of Suffering and Pathos in Medieval India" (I. B. Tauris, 2021)
|
Oct 30, 2024 |
|
Landon Palmer, "Rock Star/Movie Star: Power and Performance in Cinematic Rock Stardom" (Oxford UP, 2020)
|
Oct 26, 2024 |
|
Megan Steigerwald Ille, "Opera for Everyone: The Industry's Experiments with American Opera in the Digital Age" (U Michigan Press, 2024)
|
Oct 25, 2024 |
|
Kevin Sanson, "Mobile Hollywood: Labor and the Geography of Production" (U California Press, 2024)
|
Oct 20, 2024 |
|
Ashawnta Jackson, "Soul-Folk" (Bloomsbury, 2024)
|
Oct 19, 2024 |
|
Peter C. Kunze, "Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance" (Rutgers UP, 2023)
|
Oct 19, 2024 |
|
Brad Balukjian, "The Six Pack: On the Open Road in Search of Wrestlemania" (Hachette, 2024)
|
Oct 18, 2024 |
|
Ora Horn Prouser et al., "Under One Tent: Circus, Judaism, and Bible" (Ben Yehuda Press, 2023)
|
Oct 14, 2024 |
|
Aviva Dove-Viebahn, "There She Goes Again: Gender, Power, and Knowledge in Contemporary Film and Television Franchises" (Rutgers UP, 2023)
|
Oct 10, 2024 |
|
John Withington, "A History of Fireworks from: Their Origins to the Present Day" (Reaktion, 2024)
|
Oct 08, 2024 |
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Natalie Wall, "Black Expression and White Generosity: A Theoretical Framework of Race" (Emerald Publishing, 2024)
|
Oct 07, 2024 |
|
Kristina Kolbe, "The Sound of Difference: Race, Class and the Politics of 'Diversity' in Classical Music" (Manchester UP, 2024)
|
Oct 05, 2024 |
|
Serena Laiena, "The Theatre Couple in Early Modern Italy: Self-Fashioning and Mutual Marketing" (U Delaware Press, 2023)
|
Oct 05, 2024 |
|
Lynne B. Sagalyn, "Times Square Remade: The Dynamics of Urban Change" (MIT Press, 2023)
|
Sep 30, 2024 |
|
Konrad Bercovici, "The Algonquin Round Table: 25 Years with the Legends Who Lunch" (SUNY Press, 2024)
|
Sep 28, 2024 |
|
Francesco Lotoro, "The Lost Music of the Holocaust: Bringing the Music of the Camps to the Ears of the World at Last" (Headline, 2024)
|
Sep 24, 2024 |
|
Jane Little Botkin, "The Pink Dress: A Memoir of a Reluctant Beauty Queen" (She Writes Press, 2024)
|
Sep 24, 2024 |
|
Emily Carman, "Independent Stardom: Freelance Women in the Hollywood Studio System" (U Texas Press, 2016)
|
Sep 23, 2024 |
|
Lucy Weir, "Performance, Masculinity, and Self-Injury" (Routledge, 2024)
|
Sep 21, 2024 |
|
Sheri Chinen Biesen, "Through a Noir Lens: Adapting Film Noir Visual Style" (Columbia UP, 2024)
|
Sep 18, 2024 |
|
Salma Siddique, "Evacuee Cinema: Bombay and Lahore in Partition Transit, 1940–1960" (Cambridge UP, 2022)
|
Sep 14, 2024 |
|
Grant Olwage, "Paul Robeson's Voices" (Oxford UP, 2023)
|
Sep 13, 2024 |
|
Jennifer L. Lambe, "The Subject of Revolution: Between Political and Popular Culture in Cuba" (UNC Press, 2024)
|
Sep 13, 2024 |
|
Steve Jones, "The Metamodern Slasher Film" (Edinburgh UP, 2024)
|
Sep 10, 2024 |
|
Trevor Boffone, "TikTok Broadway: Musical Theatre Fandom in the Digital Age" (Oxford UP, 2024)
|
Sep 08, 2024 |
|
Yiu Fai Chow et al., "It’s My Party: Tat Ming Pair and the Postcolonial Politics of Popular Music in Hong Kong" (Palgrave Macmillan, 2024)
|
Sep 07, 2024 |
|
Tom Boniface-Webb, "Modern Music Masters: Oasis" (MMM, 2020)
|
Sep 07, 2024 |
|
Mark Blake, "Dreams: The Many Lives of Fleetwood Mac" (Pegasus Books, 2024)
|
Sep 06, 2024 |
|
John S. Garrison, "Red Hot + Blue" (Bloomsbury, 2024)
|
Sep 02, 2024 |
|
Steven Watts, "Citizen Cowboy: Will Rogers and the American People" (Cambridge UP, 2024)
|
Aug 31, 2024 |
|
Tarryn Li-Min Chun, "Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China" (U Michigan Press, 2024), "Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China" (U Michigan Press, 2024)
|
Aug 30, 2024 |
|
Randall Stephens, "The Devil’s Music: How Christians Inspired, Condemned, and Embraced Rock n’ Roll" (Harvard UP, 2018)
|
Aug 28, 2024 |
|
Sara Farrington, "A Trojan Woman Adapted from Euripides" (Broadway Play Publishing, 2024)
|
Aug 27, 2024 |
|
Christopher Brown, "Mapping Taiwanese Cinema, 2008-2020: Environments, Poetics, Practice" (Edinburgh UP, 2024)
|
Aug 27, 2024 |
|
Jennifer Ponce de León, "Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War" (Duke UP, 2021)
|
Aug 23, 2024 |
|
Laura S. Lieber, "Staging the Sacred: Performance in Late Ancient Liturgical Poetry" (Oxford UP, 2023)
|
Aug 19, 2024 |
|
The Sounds of Silents
|
Aug 19, 2024 |
|
Alonso Duralde, "Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film" (Running Press Adult, 2024)
|
Aug 14, 2024 |
|
Leslie Ramos, "Philanthropy in the Arts: A Game of Give and Take" (Lund Humphries, 2023)
|
Aug 11, 2024 |
|
Marissa Nicosia, "Imagining Time in the English Chronicle Play: Historical Futures, 1590-1660" (Oxford UP, 2023)
|
Aug 11, 2024 |
|
George Musgrave, "The England No One Cares About: Lyrics from Suburbia" (Goldsmiths Press, 2023)
|
Aug 10, 2024 |
|
Melissa Fitzgerald and Mary McCormack, "What's Next: A Backstage Pass to The West Wing, Its Cast and Crew, and Its Enduring Legacy of Service" (Dutton, 2024)
|
Aug 07, 2024 |
|
Jessica Roda, "For Women and Girls Only: Reshaping Jewish Orthodoxy Through the Arts in the Digital Age" (NYU Press, 2024)
|
Aug 06, 2024 |
|
Franz Nicolay, "Band People: Life and Work in Popular Music" (U Texas Press, 2024)
|
Aug 06, 2024 |
|
Nadirah Simmons, "First Things First: Hip-Hop Ladies Who Changed the Game" (Twelve, 2024)
|
Aug 04, 2024 |
|
Yiman Wang, "To Be an Actress: Labor and Performance in Anna May Wong's Cross-Media World" (U California Press, 2024)
|
Aug 04, 2024 |
|
Kate Hext, "Wilde in the Dream Factory: Decadence and the American Movies" (Oxford UP, 2024)
|
Aug 03, 2024 |
|
Jim Higgins, "Sweet, Wild and Vicious: Listening to Lou Reed and the Velvet Underground" (Trouser Press, 2024)
|
Jul 30, 2024 |
|
Kathleen Loock, "Hollywood Remaking: How Film Remakes, Sequels, and Franchises Shape Industry and Culture" (U California Press, 2024)
|
Jul 27, 2024 |
|
Lindsay Goss, "F*ck The Army!: How Soldiers and Civilians Staged the GI Movement to End the Vietnam War" (NYU Press, 2024)
|
Jul 27, 2024 |
|
Robyn Hitchcock, "1967: How I Got There and Why I Never Left" (Akashic Books, 2024)
|
Jul 27, 2024 |
|
Jonathan Branfman, "Millennial Jewish Stars: Navigating Racial Antisemitism, Masculinity, and White Supremacy" (NYU Press, 2024)
|
Jul 26, 2024 |
|
Miguel Escobar Varela, "Theater as Data: Computational Journeys Into Theater Research" (U Michigan Press, 2021)
|
Jul 24, 2024 |
|
Charles Barr, "British Cinema: a Very Short Introduction" (Oxford UP, 2022)
|
Jul 23, 2024 |
|
Patrick McKelvey, "Disability Works: Performance After Rehabilitation" (NYU Press, 2024)
|
Jul 23, 2024 |
|
Kevin Mattson, "We're Not Here to Entertain: Punk Rock, Ronald Reagan, and the Real Culture War of 1980s America" (Oxford UP, 2020)
|
Jul 22, 2024 |
|
Sarah Milton, "Ageing and New Intimacies: Gender, Sexuality and Temporality in an English Salsa Scene" (Manchester UP, 2024)
|
Jul 17, 2024 |
|
Helen Freear-Papio and Candyce Crew Leonard, "The Theatre of Twenty-First Century Spain" (Vernon Press, 2022)
|
Jul 16, 2024 |
|
Melissa E. Anderson, "Inland Empire" (Fireflies Press, 2021)
|
Jul 16, 2024 |
|
Emily Wilbourne, "Voice, Slavery, and Race in Seventeenth-Century Florence" (Oxford UP, 2023)
|
Jul 16, 2024 |
|
Emily J. Lordi, "The Meaning of Soul: Black Music and Resilience Since the 1960s" (Duke UP, 2020)
|
Jul 15, 2024 |
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Pamela Hutchinson, "The Red Shoes" (Bloomsbury, 2023)
|
Jul 14, 2024 |
|
AI and Music: The Future is Here (featuring "There I Ruined It")
|
Jul 13, 2024 |
|
Heidi Honeycutt, "I Spit on Your Celluloid: The History of Women Directing Horror Movies" (Headpress, 2024)
|
Jul 12, 2024 |
|
Danielle Antoinette Hidalgo, "Dance Music Spaces: Clubs, Clubbers, and DJs Navigating Authenticity, Branding, and Commercialism" (Lexington, 2023)
|
Jul 12, 2024 |
|
Paul Rekret, "Take This Hammer: Work, Song, Crisis" (Goldsmiths Press, 2024)
|
Jul 10, 2024 |
|
Ed Simon, "Devil's Contract: A History of the Faustian Bargain" (Melville House, 2024)
|
Jul 09, 2024 |
|
Breathing Together
|
Jul 08, 2024 |
|
Jake Johnson, "The Possibility Machine: Music and Myth in Las Vegas" (U Illinois Press, 2023)
|
Jul 07, 2024 |
|
Swapnil Rai, "Networked Bollywood: How Star Power Globalized Hindi Cinema" (Cambridge UP, 2024)
|
Jun 29, 2024 |
|
Barbara Klinger, "Immortal Films: 'Casablanca' and the Afterlife of a Hollywood Classic" (U California Press, 2022)
|
Jun 27, 2024 |
|
Ann Powers, "Traveling: On the Path of Joni Mitchell" (Dey Street Books, 2024)
|
Jun 24, 2024 |
|
Christopher T. Conner and David R. Dickens, "Electronic Dance Music: From Deviant Subculture to Culture Industry" (Rowman & Littlefield, 2023)
|
Jun 23, 2024 |
|
Hank Willenbrink, "Performing for the Don: Theatres of Faith in the Age of Trump" (Routledge, 2024)
|
Jun 23, 2024 |
|
Jennifer S. Clark, "Producing Feminism: Television Work in the Age of Women's Liberation" (U California Press, 2024)
|
Jun 21, 2024 |
|
Harry R. McCarthy, "Boy Actors in Early Modern England" (Cambridge UP, 2022)
|
Jun 17, 2024 |
|
Jared Stearns, "Pure: The Sexual Revolutions of Marilyn Chambers" (Headpress, 2024)
|
Jun 14, 2024 |
|
Laura Davis-Chanin and Liz Lamere, "Infinite Dreams: The Life of Alan Vega" (Backbeat Books, 2024)
|
Jun 11, 2024 |
|
Timothy P. Storhoff, "Harmony and Normalization: US-Cuban Musical Diplomacy" (UP of Mississippi, 2020)
|
Jun 09, 2024 |
|
Matthew D. Morrison, "Blacksound: Making Race and Popular Music in the United States" (U California Press, 2024)
|
Jun 05, 2024 |
|
Tara López, "Chuco Punk: Sonic Insurgency in El Paso" (U Texas Press, 2024)
|
Jun 04, 2024 |
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Ramón Espejo, "The Catalonian Journey of American Drama 1909-2000: From Jimmy Valentine to The Vagina Monologues" (Legenda, 2024)
|
Jun 02, 2024 |
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Robert Phillip Kolker and Marsha Gordon, "Film, Form, and Culture" (Routledge, 2024)
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May 30, 2024 |
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Bodie A. Ashton, "The Pet Shop Boys and the Political: Queerness, Culture, Identity, and Society" (Bloomsbury, 2024)
|
May 28, 2024 |
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Chris Haufe, "Do the Humanities Create Knowledge?" (Cambridge UP, 2023)
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May 28, 2024 |
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Nicholas Taylor-Collins, "Shakespeare, Memory, and Modern Irish Literature" (Manchester UP, 2022)
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May 24, 2024 |
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Nicholas Underwood, "Yiddish Paris: Staging Nation and Community in Interwar France" (Indiana UP, 2022)
|
May 21, 2024 |
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Rob Drew, "Unspooled: How the Cassette Made Music Shareable" (Duke UP, 2023)
|
May 20, 2024 |
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James A. Cosby, "Rock Music, Authority and Western Culture, 1964-1980" (McFarland, 2024)
|
May 19, 2024 |
|
Ambereen Dadabhoy, "Shakespeare Through Islamic Worlds" (Routledge, 2023)
|
May 17, 2024 |
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Douglas L. Reside, "Fixing the Musical: How Technologies Shaped the Broadway Repertory" (Oxford UP, 2023)
|
May 15, 2024 |
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Julia A. Cassiday, "Russian Style: Performing Gender, Power, and Putinism" (U Wisconsin Press, 2023)
|
May 14, 2024 |
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Alyxandra Vesey, "Extending Play: The Feminization of Collaborative Music Merchandise in the Early Twenty-First Century" (Oxford UP, 2023)
|
May 11, 2024 |
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Julia Havas, "Woman Up: Invoking Feminism in Quality Television" (Wayne State UP, 2022)
|
May 08, 2024 |
|
Kristine Ohkubo and Kanariya Eiraku, "Talking About Rakugo 1: The Japanese Art of Storytelling" (2022)
|
May 07, 2024 |
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Sydney Stern, "The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics" (U Mississippi Press, 2019)
|
May 05, 2024 |
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Patrick Humphries, "Cleopatra and the Undoing of Hollywood: How One Film Almost Sunk the Studios" (History Press, 2023)
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May 04, 2024 |
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Kristi Irene McKim, "Rushmore" (British Film Institute, 2023)
|
May 03, 2024 |
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Katie Gee Salisbury, "Not Your China Doll: The Wild and Shimmering Life of Anna May Wong" (Dutton, 2024)
|
May 02, 2024 |
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Justin O’Connor, "Culture is Not an Industry: Reclaiming Art and Culture for the Common" (Manchester UP, 2024)
|
May 01, 2024 |
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Victoria Sparey, "Shakespeare's Adolescents: Age, Gender and the Body in Shakespearean Performance and Early Modern Culture" (Manchester UP, 2024)
|
Apr 30, 2024 |
|
Kristin M. Franseen, "Imagining Musical Pasts: The Queer Literary Musicology of Vernon Lee, Rosa Newmarch, and Edward Prime-Stevenson" (Clemson UP, 2023)
|
Apr 27, 2024 |
|
Dana Gorzelany-Mostak, "Tracks on the Trail: Popular Music, Race, and the US Presidency" (U Michigan Press, 2023)
|
Apr 26, 2024 |
|
Alexander Greenhough, "Albert Brooks: Interviews" (UP of Mississippi, 2024)
|
Apr 24, 2024 |
|
Eve Golden, "Strictly Dynamite: The Sensational Life of Lupe Velez" (UP of Kentucky, 2023)
|
Apr 17, 2024 |
|
Miriam Piilonen, "Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human" (Oxford UP, 2024)
|
Apr 15, 2024 |
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Sharrona Pearl, "Mask" (Bloombury, 2024)
|
Apr 14, 2024 |
|
Ellie Tomsett, "Stand-up Comedy and Contemporary Feminisms: Sexism, Stereotypes and Structural Inequalities" (Bloomsbury, 2023)
|
Apr 06, 2024 |
|
Jane M. Ferguson, "Silver Screens and Golden Dreams: A Social History of Burmese Cinema" (U Hawaii Press, 2024)
|
Apr 05, 2024 |
|
Leah Broad, "Quartet: How Four Women Changed the Musical World" (Faber & Faber, 2023)
|
Apr 05, 2024 |
|
Daniel de Visé, "The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic" (Grove Atlantic, 2024)
|
Apr 05, 2024 |
|
Edward Dusinberre, "Distant Melodies: Music in Search of Home" (U Chicago Press, 2022)
|
Apr 04, 2024 |
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Richard Beaudoin, "Sounds As They Are: The unwritten music in classical recordings" (Oxford UP, 2024)
|
Apr 02, 2024 |
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Sam McPheeters, "Mutations: Twenty Years Embedded in Hardcore Punk" (Barnacle Book, 2020)
|
Mar 28, 2024 |
|
Melodrama
|
Mar 25, 2024 |
|
Caste, Music, and Microinequities with Supriya Subramani
|
Mar 23, 2024 |
|
Radha Kapuria, "Music in Colonial Punjab" (Oxford UP, 2023)
|
Mar 21, 2024 |
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Ellen E. Jones, "Screen Deep: How Film and TV Can Solve Racism and Save the World" (Faber and Faber, 2024)
|
Mar 16, 2024 |
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Amy Lidster and Sonia Massai, "Shakespeare at War: A Material History" (Cambridge UP, 2023)
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Mar 15, 2024 |
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Jonas Tinius, "State of the Arts: An Ethnography of German Theatre and Migration" (Cambridge UP, 2023)
|
Mar 15, 2024 |
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Gavin Butt, "No Machos Or Pop Stars: When the Leeds Art Experiment Went Punk" (Duke UP, 2022)
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Mar 13, 2024 |
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Reading Taylor Swift as a Cultural and Political Text
|
Mar 11, 2024 |
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Xin Gu, "Cultural Work and Creative Subjectivity: Recentralising the Artist Critique and Social Networks in the Cultural Industries" (Routledge, 2023)
|
Mar 11, 2024 |
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David Savran, "Tell It to the World: The Broadway Musical Abroad" (Oxford UP, 2024)
|
Mar 11, 2024 |
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Priyanka Basu, "The Poet’s Song: ‘Folk’ and its Cultural Politics in South Asia" (Routledge, 2023)
|
Mar 06, 2024 |
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Anna Dako, "Dances with Sheep: On RePairing the HumanNature Condition in Felt Thinking and Moving towards Wellbeing" (Intellect Books, 2023)
|
Mar 03, 2024 |
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Joseph Cone, "Seeing Opera Anew: A Cultural and Biological Perspective" (Routledge, 2023)
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Mar 03, 2024 |
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Justin Owen Rawlins, "Imagining the Method: Reception, Identity, and American Screen Performance" (U Texas Press, 2024)
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Mar 03, 2024 |
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Jesse David Fox, "Comedy Book:: How Comedy Conquered Culture–and the Magic That Makes It Work" (FSG, 2023)
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Mar 02, 2024 |
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Marchella Ward, "Blindness and Spectatorship in Ancient and Modern Theatres: Towards New Ways of Looking and Looking Back" (Cambridge UP, 2023)
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Mar 01, 2024 |
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Ina Marie Lunde Ilkama, "The Play of the Feminine" (HASP, 2023)
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Feb 29, 2024 |
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Horace J. Maxile, Jr. and Kristen M. Turner, "Race and Gender in the Western Music History Survey: A Teacher's Guide" (Routledge, 2022)
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Feb 27, 2024 |
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Stanley Wells, "What Was Shakespeare Really Like?" (Cambridge UP, 2023)
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Feb 26, 2024 |
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Imani D. Owens, "Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean" (Columbia UP, 2023)
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Feb 23, 2024 |
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Kareem Khubchandani, "Decolonize Drag" (OR Books, 2023)
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Feb 14, 2024 |
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Bryce Henson, "Emergent Quilombos: Black Life and Hip-Hop in Brazil" (U Texas Press, 2023)
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Feb 07, 2024 |
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Robert P. Kolker and Nathan Abrams, "Kubrick: An Odyssey" (Pegasus Books, 2024)
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Feb 06, 2024 |
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Mark Guarino, "Country and Midwestern: Chicago in the History of Country Music and the Folk Revival" (U Chicago Press, 2023)
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Feb 05, 2024 |
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Murray Forman and Mark V. Campbell, "Hip Hop Archives: The Politics and Poetics of Knowledge Production" (Intellect, 2023)
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Feb 04, 2024 |
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Courtney Brannon Donoghue, "The Value Gap: Female-Driven Films from Pitch to Premiere" (U Texas Press, 2023)
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Feb 04, 2024 |
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Michael O'Malley, "The Beat Cop: Chicago's Chief O'Neill and the Creation of Irish Music" (U Chicago Press, 2022)
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Feb 03, 2024 |
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Merin Shobhana Xavier, "The Dervishes of the North: Rumi, Whirling, and the Making of Sufism in Canada" (U Toronto Press, 2023)
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Feb 02, 2024 |
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Sheila Marie Bock, "Claiming Space: Performing the Personal Through Decorated Mortarboards" (Utah State UP, 2023)
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Feb 02, 2024 |
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Andrew David Jackson, "The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea" (Edinburgh UP, 2023)
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Jan 30, 2024 |
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Eugenio Refini, "Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy" (Legenda, 2022)
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Jan 25, 2024 |
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Aaron Carnes, "In Defense of Ska: The Ska Now More Than Ever Edition" (Clash Books, 2023)
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Jan 21, 2024 |
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Jessica Goethals, "Margherita Costa, Diva of the Baroque Court" (U Toronto Press, 2023)
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Jan 20, 2024 |
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Aniefiok Ekpoudom, "Where We Come From: Rap, Home & Hope in Modern Britain" (Faber and Faber, 2024)
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Jan 19, 2024 |
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Adriana Helbig, "ReSounding Poverty: Romani Music and Development Aid" (Oxford UP, 2023)
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Jan 19, 2024 |
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Miles P. Grier, "Inkface: Othello and White Authority in the Era of Atlantic Slavery" (U Virginia Press, 2023)
|
Jan 15, 2024 |
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Michael Quinn Dudley, "The Shakespeare Authorship Question and Philosophy" (Cambridge Scholars, 2023)
|
Jan 13, 2024 |
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Matt Singer, "Opposable Thumbs: How Siskel & Ebert Changed Movies Forever" (G.P. Putnam's Sons, 2023)
|
Jan 13, 2024 |
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Selby Wynn Schwartz, "The Bodies of Others: Drag Dances and Their Afterlives" (U Michigan Press, 2019)
|
Jan 11, 2024 |
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Matthew Kennedy, "On Elizabeth Taylor: An Opinionated Guide" (Oxford UP, 2024)
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Jan 10, 2024 |
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Alex Pappademas and Joan LeMay, "Quantum Criminals: Ramblers, Wild Gamblers, and Other Sole Survivors from the Songs of Steely Dan" (U Texas Press, 2023)
|
Jan 07, 2024 |
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Elizabeth Eva Leach, "Medieval Sex Lives: The Sounds of Courtly Intimacy on the Francophone Borders" (Cornell UP, 2023)
|
Jan 06, 2024 |
|
Plot
|
Jan 04, 2024 |
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W. K. Stratton, "The Wild Bunch: Sam Peckinpah, a Revolution in Hollywood, and the Making of a Legendary Film" (Bloomsbury, 2019)
|
Jan 03, 2024 |
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Patrick Ffrench, "Roland Barthes and Film: Myth, Eroticism and Poetics" (Bloomsbury, 2019)
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Jan 01, 2024 |
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Laurent Dubois, “The Banjo: America’s African Instrument” (Harvard UP, 2016)
|
Dec 30, 2023 |
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Bryan McCann, "The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era" (U Alabama Press, 2017)
|
Dec 26, 2023 |
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Walter Greason and Tim Fielder, "The Graphic History of Hip Hop" (NYC Department of Education, 2023)
|
Dec 25, 2023 |
|
Howie Singer and Bill Rosenblatt, "Key Changes: The Ten Times Technology Transformed the Music Industry" (Oxford UP, 2023)
|
Dec 23, 2023 |
|
Nate Patrin, "The Needle and the Lens: Pop Goes to the Movies from Rock 'n' Roll to Synthwave" (U Minnesota Press, 2023)
|
Dec 23, 2023 |
|
Michelle R. Scott, "T.O.B.A. Time: Black Vaudeville and the Theater Owners' Booking Association in Jazz-Age America" (U Illinois Press, 2023)
|
Dec 18, 2023 |
|
Lawrence Sherman and Dennis Plies, "Every Brain Needs Music: The Neuroscience of Making and Listening to Music" (Columbia UP, 2023)
|
Dec 16, 2023 |
|
Between Jesus and Krishna: Christian Encounters with South Indian Temple Dance
|
Dec 15, 2023 |
|
Rob Harvilla, "60 Songs That Explain The 90s" (Twelve, 2023)
|
Dec 12, 2023 |
|
Ervin Malakaj, "Anders als Die Andern" (McGill-Queen's UP, 2023)
|
Dec 11, 2023 |
|
Mark Davidson and Parker Fishel, "Bob Dylan: Mixing Up the Medicine" (Callaway, 2023)
|
Dec 09, 2023 |
|
Hilary French, "Ballroom: A People’s History of Dancing" (Reaktion Books, 2022)
|
Dec 05, 2023 |
|
Ramsey Lewis and Aaron Cohen, "Gentleman of Jazz: A Life in Music" (Blackstone, 2023)
|
Dec 04, 2023 |
|
Daniel Herbert, "Maverick Movies: New Line Cinema and the Transformation of American Film" (U California Press, 2023)
|
Dec 02, 2023 |
|
Jackie Lubeck, "To The Good People of Gaza: Theatre for Young People by Jackie Lubeck and Theatre Day Productions" (Methuen Drama, 2022)
|
Dec 02, 2023 |
|
Poppy Corbett et al., "Creative Histories of Witchcraft: France, 1790–1940" (Cambridge UP, 2022)
|
Nov 30, 2023 |
|
Vid Simoniti, "Artists Remake the World: A Contemporary Art Manifesto" (Yale UP, 2023)
|
Nov 29, 2023 |
|
Richard Schoch, "Shakespeare’s House: A Window onto his Life and Legacy" (Bloomsbury, 2023)
|
Nov 29, 2023 |
|
Michael Rushton, "The Moral Foundations of Public Funding for the Arts" (Palgrave Macmillan, 2023)
|
Nov 25, 2023 |
|
Mia Mask, "Black Rodeo: A History of the African American Western" (U Illinois Press, 2023)
|
Nov 24, 2023 |
|
Ina Rupprecht, ed., "Persecution, Collaboration, Resistance: Music in the ‘Reichskommissariat Norwegen’ (1940–45)" (Waxmann Verlag, 2020)
|
Nov 21, 2023 |
|
Warren Zanes, "Deliver Me from Nowhere: The Making of Bruce Springsteen's 'Nebraska' (Crown, 2023)
|
Nov 17, 2023 |
|
Pavitra Sundar, "Listening with a Feminist Ear: Soundwork in Bombay Cinema" (U Michigan Press, 2023)
|
Nov 15, 2023 |
|
Brigid Cohen, "Musical Migration and Imperial New York: Early Cold War Scenes" (U Chicago Press, 2022)
|
Nov 15, 2023 |
|
Adrien Sebro, "Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions" (Rutgers UP, 2023)
|
Nov 12, 2023 |
|
Ralph H. Craig III, "Dancing in My Dreams: A Spiritual Biography of Tina Turner" (Eerdmans, 2023)
|
Nov 10, 2023 |
|
What Reality TV Says About Us
|
Nov 08, 2023 |
|
Michael Newton, "It's a Wonderful Life" (British Film Institute, 2023)
|
Nov 08, 2023 |
|
This Will Change Your Perspective on James Bond
|
Nov 07, 2023 |
|
Michael Kaler, "Get Shown the Light: Improvisation and Transcendence in the Music of the Grateful Dead" (Duke UP, 2023)
|
Nov 06, 2023 |
|
Greg Beets and Richard Whymark, "A Curious Mix of People: The Underground Scene of '90s Austin" (U Texas Press, 2023)
|
Nov 05, 2023 |
|
"We are all latecomers": Martin Puchner's "Culture" (JP, EF)
|
Nov 02, 2023 |
|
Michael Custodis, "Music and Resistance: Cultural Defense During the German Occupation of Norway 1940-45" (Waxmann Verlag, 2021)
|
Nov 02, 2023 |
|
Jacqueline R. Braitman, "She Damn Near Ran the Studio: The Extraordinary Lives of Ida R. Koverman" (UP of Mississippi, 2020)
|
Nov 02, 2023 |
|
Jennifer Saltzstein, "Song, Landscape, and Identity in Medieval Northern France: Toward an Environmental History" (Oxford UP, 2023)
|
Nov 01, 2023 |
|
Scott Eyman, "Charlie Chaplin vs. America: When Art, Sex, and Politics Collided" (Simon & Schuster, 2023)
|
Oct 31, 2023 |
|
Henrik Fürst and Erik Nylander, "The Value of Art Education: Cultural Engagements at the Swedish Folk High Schools" (Palgrave MacMillan, 2023)
|
Oct 30, 2023 |
|
Shakespeare's "The Tempest" Part 3: The Language
|
Oct 30, 2023 |
|
Lesley Nicole Braun, "Congo's Dancers: Women and Work in Kinshasa" (U Wisconsin Press, 2023)
|
Oct 29, 2023 |
|
Pat Thomson and Christine Hall, "Schools and Cultural Citizenship: Arts Education for Life" (Routledge, 2023)
|
Oct 28, 2023 |
|
Marisel C. Moreno, "Crossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature and Art" (U Texas Press, 2022)
|
Oct 27, 2023 |
|
Eric G. Wilson, "Point Blank" (British Film Institute, 2023)
|
Oct 24, 2023 |
|
Shakespeare's "The Tempest" Part 2: Characters and Questions
|
Oct 23, 2023 |
|
Grant H. Kester, "The Sovereign Self: Aesthetic Autonomy from the Enlightenment to the Avant-Garde" (Duke UP, 2023)
|
Oct 21, 2023 |
|
Scott Feinberg, “The Hollywood Reporter’s 100 Greatest Film Books of All Time” (2023)
|
Oct 21, 2023 |
|
Shakespeare's "The Tempest" Part 1: The Story
|
Oct 16, 2023 |
|
Adam Blum et al., "Here I'm Alive: The Spirit of Music in Psychoanalysis" (Columbia UP, 2023)
|
Oct 15, 2023 |
|
Paraska Tolan-Szkilnik, "Maghreb Noir: The Militant-Artists of North Africa and the Struggle for a Pan-African, Postcolonial Future" (Stanford UP, 2023)
|
Oct 11, 2023 |
|
Marlena Williams, "Night Mother: A Personal and Cultural History of the Exorcist" (Mad Creek Books, 2023)
|
Oct 10, 2023 |
|
Shakespeare's "Romeo and Juliet" Part 3: The Language
|
Oct 09, 2023 |
|
Geraint D'Arcy, "Mise en scène, Acting, and Space in Comics" (Palgrave Macmillan, 2020)
|
Oct 07, 2023 |
|
Mara Mills and Rebecca Sanchez, eds., "Crip Authorship: Disability as Method" (NYU Press, 2023)
|
Oct 06, 2023 |
|
Katrin Nahidi, "The Cultural Politics of Art in Iran: Modernism, Exhibitions, and Art Production" (Cambridge UP, 2023)
|
Oct 04, 2023 |
|
Thomas E. Boomershine, "First-Century Gospel Storytellers and Audiences: The Gospels as Performance Literature" (Cascade Books, 2022)
|
Oct 04, 2023 |
|
Shakespeare's "Romeo and Juliet" Part 2: Characters and Questions
|
Oct 02, 2023 |
|
Melanie Williams, "A Taste of Honey" (Bloomsbury, 2023)
|
Oct 01, 2023 |
|
Kiana Fitzgerald, "Ode to Hip-Hop: 50 Albums That Define 50 Years of Trailblazing Music" (Running Press Adult, 2023)
|
Sep 30, 2023 |
|
Peter Reed, "Staging Haiti in Nineteenth-Century America: Revolution, Race and Popular Performance" (Cambridge UP, 2022)
|
Sep 28, 2023 |
|
Hieyoon Kim, "Celluloid Democracy: Cinema and Politics in Cold War South Korea" (U California Press, 2023)
|
Sep 27, 2023 |
|
Jonathan Mael, "Harlem World: How Hip Hop's Super Showdown Changed Music Forever" (Johns Hopkins UP, 2023)
|
Sep 26, 2023 |
|
Jessica Lowell Mason and Nicole Crevar, "Madwomen in Social Justice Movements, Literatures, and Art" (Vernon Press, 2023)
|
Sep 26, 2023 |
|
Shakespeare's "Romeo and Juliet" Part 1: The Story
|
Sep 25, 2023 |
|
Tracy Rutler, "Queering the Enlightenment: Kinship and Gender in Eighteenth-Century French Literature" (Oxford UP/Liverpool UP, 2021)
|
Sep 23, 2023 |
|
Kimberly Mack, "Living Colour's Time's Up" (Bloomsbury, 2023)
|
Sep 19, 2023 |
|
Hongwei Bao, "Contemporary Chinese Queer Performance" (Routledge, 2022)
|
Sep 18, 2023 |
|
Deanne Williams, "Girl Culture in the Middle Ages and Renaissance: Performance and Pedagogy" (Arden Shakespeare, 2023)
|
Sep 18, 2023 |
|
Shakespeare's "Twelfth Night" Part 3: The Language
|
Sep 18, 2023 |
|
Bryan Rennie, "An Ethology of Religion and Art: Belief as Behavior" (Routledge, 2020)
|
Sep 16, 2023 |
|
Jonathan Leal, "Dreams in Double Time: On Race, Freedom, and Bebop" (Duke UP, 2023)
|
Sep 14, 2023 |
|
Gregory Cahill, "The Golden Voice: The Ballad of Cambodian Rock's Lost Queen" (Life Drawn, 2023)
|
Sep 14, 2023 |
|
Jo Shaw and Ben Fletcher-Watson, "The Art of Being Dangerous: Exploring Women and Danger through Creative Expression" (Leuven UP, 2021)
|
Sep 13, 2023 |
|
A Better Way to Buy Books
|
Sep 12, 2023 |
|
Shakespeare's "Twelfth Night" Part 2: Characters and Questions
|
Sep 11, 2023 |
|
Josephine Lee, "Oriental, Black, and White: The Formation of Racial Habits in American Theater" (UNC Press, 2022)
|
Sep 11, 2023 |
|
Tingting Hu, "Victims, Perpetrators and Professionals: The Representation of Women in Chinese Crime Films" (Liverpool UP, 2021)
|
Sep 09, 2023 |
|
Chris Yogerst, "The Warner Brothers" (UP of Kentucky, 2023)
|
Sep 08, 2023 |
|
Caveh Zahedi, "Digging My Own Grave: The Films of Caveh Zahedi" (Factory 25, 2015)
|
Sep 06, 2023 |
|
James Newlin and James W. Stone, "New Psychoanalytic Readings of Shakespeare: Cool Reason and Seething Brains" (Routledge, 2023)
|
Sep 06, 2023 |
|
Shakespeare's "Twelfth Night" Part 1: The Story
|
Sep 04, 2023 |
|
John Szwed, "Cosmic Scholar: The Life and Times of Harry Smith" (FSG, 2023)
|
Sep 03, 2023 |
|
Elise Herrala, "Art of Transition: The Field of Art in Post-Soviet Russia" (Routledge, 2021)
|
Sep 03, 2023 |
|
Diana W. Anselmo, "A Queer Way of Feeling: Girl Fans and Personal Archives of Early Hollywood" (U California Press, 2023)
|
Sep 02, 2023 |
|
Anna Kathryn Grau and Lisa Colton, "Female-Voice Song and Women's Musical Agency in the Middle Ages" (Brill, 2022)
|
Sep 01, 2023 |
|
Una McIlvenna, "Singing the News of Death: Execution Ballads in Europe 1500-1900" (Oxford UP, 2022)
|
Aug 31, 2023 |
|
Bonnie Gordon, "Voice Machines: The Castrato, the Cat Piano, and Other Strange Sounds" (U Chicago Press, 2023)
|
Aug 31, 2023 |
|
Hamid Keshmirshekan, "The Art of Iran in the Twentieth and Twenty-First Centuries: Tracing the Modern and the Contemporary" (Edinburgh UP, 2023)
|
Aug 30, 2023 |
|
John Brackett, "Live Dead: The Grateful Dead, Live Recordings, and the Ideology of Liveness" (Duke UP, 2023)
|
Aug 30, 2023 |
|
Chuyun Oh, "K-pop Dance: Fandoming Yourself on Social Media" (Routledge, 2022)
|
Aug 28, 2023 |
|
Shakespeare's "The Merchant of Venice" Part 3: The Language
|
Aug 28, 2023 |
|
Vanessa I. Corredera, "Reanimating Shakespeare's Othello in Post-Racial America" (Edinburgh UP, 2022)
|
Aug 27, 2023 |
|
Polyphony
|
Aug 24, 2023 |
|
PostScript: The Barbie Movie: A Conversation about a Cinematic and Cultural Event
|
Aug 23, 2023 |
|
Shakespeare's "The Merchant of Venice" Part 2: Characters and Questions
|
Aug 21, 2023 |
|
Kevin Landis, "One Public: New York’s Public Theater in the Era of Oskar Eustis" (Methuen Drama, 2022)
|
Aug 19, 2023 |
|
Jamila Rodrigues, "Sufi Women, Embodiment and the 'Self': Gender in Islamic Ritual" (Routledge, 2023)
|
Aug 18, 2023 |
|
David Humphrey, "The Time of Laughter: Comedy and the Media Cultures of Japan" (U Michigan Press, 2023)
|
Aug 15, 2023 |
|
Al Coppola, "The Theater of Experiment: Staging Natural Philosophy in Eighteenth-Century Britain" (Oxford UP, 2016)
|
Aug 15, 2023 |
|
Shakespeare's "The Merchant of Venice" Part 1: The Story
|
Aug 14, 2023 |
|
Nicholas Tochka, "Rocking in the Free World: Popular Music and the Politics of Freedom in Postwar America" (Oxford UP, 2023)
|
Aug 14, 2023 |
|
William J. Mann, "Bogie and Bacall: The Surprising True Story of Hollywood's Greatest Love Affair" (Harper, 2023)
|
Aug 09, 2023 |
|
Shakespeare's "King Lear" Part 3: The Language
|
Aug 07, 2023 |
|
Tony McCaffrey, "Giving and Taking Voice in Learning Disabled Theatre" (Routledge, 2023)
|
Aug 05, 2023 |
|
What Was Contemporary Art?
|
Aug 04, 2023 |
|
Michael Baltutis, "The Festival of Indra: Innovation, Archaism, and Revival in a South Asian Performance" (SUNY Press, 2023)
|
Aug 03, 2023 |
|
Alix Beeston and Stefan Solomon, "Incomplete: The Feminist Possibilities of the Unfinished Film" (U California Press, 2023)
|
Aug 02, 2023 |
|
Shakespeare's "King Lear" Part 2: Characters and Questions
|
Jul 31, 2023 |
|
Kyle A. Thomas and Carol Symes, "The Play about the Antichrist (Ludus de Antichristo): A New Verse Translation, Edition, and Commentary" (Medieval Institute Publications, 2023)
|
Jul 24, 2023 |
|
Shakespeare's "King Lear" Part 1: The Story
|
Jul 24, 2023 |
|
Rich Deakin, "Grebo!: The Loud & Lousy Story of Gaye Bykers on Acid and Crazyhead" (Headpress, 2021)
|
Jul 23, 2023 |
|
Howard Fishman, "To Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converse" (Dutton, 2023)
|
Jul 22, 2023 |
|
Bombay Talkies
|
Jul 20, 2023 |
|
Wirsching: Bombay Talkies B-Side
|
Jul 20, 2023 |
|
Mani Sharpe, "Late-Colonial French Cinema: Filming the Algerian War of Independence" (Edinburgh UP, 2023)
|
Jul 19, 2023 |
|
Michele Meek, "Consent Culture and Teen Films: Adolescent Sexuality in US Movies" (Indiana UP, 2023)
|
Jul 17, 2023 |
|
Shakespeare's "Henry V" Part 3: The Language
|
Jul 17, 2023 |
|
Emily Katz Anhalt, "Embattled: How Ancient Greek Myths Empower Us to Resist Tyranny" (Redwood Press, 2021)
|
Jul 11, 2023 |
|
Katherine Giuffre, "Outrage: The Arts and the Creation of Modernity" (Stanford UP, 2023)
|
Jul 10, 2023 |
|
Shakespeare's "Henry V" Part 2: Characters and Questions
|
Jul 10, 2023 |
|
William Perrine, "Alien Territory: Radical, Experimental, & Irrelevant Music in 1970s San Diego" (Billingsgate Media, 2023)
|
Jul 09, 2023 |
|
Mathias F. Clasen, "Why Horror Seduces" (Oxford UP, 2017)
|
Jul 08, 2023 |
|
Robin Steedman, "Creative Hustling: Women Making and Distributing Films from Nairobi" (MIT Press, 2023)
|
Jul 06, 2023 |
|
Suk-Young Kim, "Surviving Squid Game: A Guide to K-Drama, Netflix, and Global Streaming Wars" (Applause Books, 2023)
|
Jul 04, 2023 |
|
Tilly Bridges, "Begin Transmission: The Trans Allegories of The Matrix" (BearManor Media, 2023)
|
Jul 04, 2023 |
|
Shakespeare's "Henry V" Part 1: The Story
|
Jul 03, 2023 |
|
Adrian Rifkin, "Future Imperfect: The Past Between My Fingers..." (2021)
|
Jul 02, 2023 |
|
The Marketplace of Attention: How Audiences Take Shape in a Digital Age
|
Jul 01, 2023 |
|
Marie Arleth Skov, "Punk Art History: Artworks from the European No Future Generation" (Intellect, 2023)
|
Jun 30, 2023 |
|
TaTa Dada: The Real Life and Celestial Adventures of Tristan Tzara
|
Jun 29, 2023 |
|
Shakespeare's "A Midsummer Night's Dream" Part 3: The Language
|
Jun 26, 2023 |
|
Michael Gray, "Song & Dance Man: The Art of Bob Dylan-Vol. 1 Language & Tradition" (FM Press, 2023)
|
Jun 22, 2023 |
|
Shakespeare's "A Midsummer Night's Dream" Part 2: Context and Questions
|
Jun 19, 2023 |
|
Roy Christopher, "Boogie Down Predictions: Hip-Hop, Time, and Afrofuturism" (MIT Press, 2022)
|
Jun 12, 2023 |
|
Shakespeare's "A Midsummer Night's Dream" Part 1: The Story
|
Jun 12, 2023 |
|
Arturo Rodríguez Morató and Alvaro Santana-Acuña, "Sociology of the Arts in Action: New Perspectives on Creation, Production, and Reception" (Palgrave MacMillan, 2023)
|
Jun 11, 2023 |
|
Paul Metsa and Rick Shefchik, "Blood in the Tracks: The Minnesota Musicians Behind Dylan's Masterpiece" (U Minnesota Press, 2023)
|
Jun 11, 2023 |
|
Rumi, "Gold" (New York Review of Books, 2022)
|
Jun 10, 2023 |
|
Robin James, "The Future of Rock and Roll: 97X WOXY and the Fight for True Independence" (UNC Press, 2023)
|
Jun 07, 2023 |
|
Xiaomei Chen, "Performing the Socialist State: Modern Chinese Theater and Film Culture" (Columbia UP, 2023)
|
Jun 05, 2023 |
|
Shakespeare's "Julius Caesar" Part 3: The Language
|
Jun 05, 2023 |
|
Lance Esplund, "The Art of Looking: How to Read Modern and Contemporary Art" (Basic, 2018)
|
Jun 04, 2023 |
|
Monika Raesch, "Abbas Kiarostami: Interviews" (UP of Mississippi, 2023)
|
Jun 04, 2023 |
|
A Slow Burning Fire: The Rise of the New Art Practice in Yugoslavia
|
May 29, 2023 |
|
Shakespeare's "Julius Caesar" Part 2: Characters and Questions
|
May 29, 2023 |
|
Lisa McCormick, "The Cultural Sociology of Art and Music: New Directions and New Discoveries" (Palgrave MacMillan, 2022)
|
May 28, 2023 |
|
Black Film, British Cinema II
|
May 25, 2023 |
|
Heather Augustyn, "Rude Girls: Women in 2 Tone and One Step Beyond" (2023)
|
May 25, 2023 |
|
The Place Is Here: The Work of Black Artists in 1980s Britain
|
May 24, 2023 |
|
Brad Krumholz, "Why Do Actors Train?: Embodiment for Theatre Makers and Thinkers" (Bloomsbury, 2023)
|
May 24, 2023 |
|
Muse, Odalisque, Handmaiden: A Girl's Life in the Incredible String Band
|
May 22, 2023 |
|
Shakespeare's "Julius Caesar" Part 1: The Story
|
May 22, 2023 |
|
Mark LeVine, "We'll Play Till We Die: Journeys Across a Decade of Revolutionary Music in the Muslim World" (U California Press, 2022)
|
May 19, 2023 |
|
Catherine Russell, "The Cinema of Barbara Stanwyck: Twenty-Six Short Essays on a Working Star" (U Illinois Press, 2023)
|
May 17, 2023 |
|
Shakespeare's "Othello" Part 3: The Language
|
May 15, 2023 |
|
Sebanti Chatterjee, "Choral Voices: Ethnographic Imaginations of Sound and Sacrality" (Bloomsbury, 2023)
|
May 14, 2023 |
|
Naomi McDougall Jones, "The Wrong Kind of Women: Inside Our Revolution to Dismantle the Gods of Hollywood" (Beacon, 2020)
|
May 12, 2023 |
|
Mark Goodall, "Gathering of the Tribe: A Companion to Occult Music on Vinyl" (Headpress, 2022)
|
May 12, 2023 |
|
Saturation: Race, Art, and the Circulation of Value
|
May 10, 2023 |
|
Fiona Gregory, "Actresses and Mental Illness: Histrionic Heroines" (Routledge, 2018)
|
May 09, 2023 |
|
Shakespeare's "Othello" Part 2: Characters and Questions
|
May 08, 2023 |
|
Brian Valente-Quinn, "Senegalese Stagecraft: Decolonizing Theater-Making in Francophone Africa" (Northwestern UP, 2021)
|
May 06, 2023 |
|
Philip Ewell, "On Music Theory, and Making Music More Welcoming for Everyone" (U Michigan Press, 2023)
|
May 03, 2023 |
|
James Charney, "Madness at the Movies: Understanding Mental Illness through Film" (Johns Hopkins UP, 2023)
|
May 02, 2023 |
|
Shakespeare's "Othello" Part 1: The Story
|
May 01, 2023 |
|
Katherine Gillen et al., "The Bard in the Borderlands: An Anthology of Shakespeare Appropriations en la Frontera" (ACMRS, 2023)
|
Apr 30, 2023 |
|
Annie Zaleski, "Lady Gaga: Applause" (Palazzo Editions, 2022)
|
Apr 30, 2023 |
|
Craig Leonard, "Uncommon Sense: Aesthetics after Marcuse" (MIT Press, 2022)
|
Apr 29, 2023 |
|
David Shulman and Heike Oberlin, "Two Masterpieces of Kuttiyattam: Mantrankam and Anguliyankam" (Oxford UP, 2019)
|
Apr 27, 2023 |
|
Will York, "Who Cares Anyway: Post-Punk San Francisco and the End of the Analog Age" (Headpress, 2023)
|
Apr 25, 2023 |
|
Shakespeare's "As You Like It" Part 3: the Language
|
Apr 24, 2023 |
|
Catherine Grant, "A Time of One's Own: Histories of Feminism in Contemporary Art" (Duke UP, 2022)
|
Apr 22, 2023 |
|
Rachel Anne Gillett, "At Home in Our Sounds: Music, Race, and Cultural Politics in Interwar Paris" (Oxford UP, 2021)
|
Apr 22, 2023 |
|
Jonathan Gray, "Dislike-Minded: Media, Audiences, and the Dynamics of Taste" (NYU Press, 2021)
|
Apr 20, 2023 |
|
Dwayne Epstein, "Killin' Generals: The Making of The Dirty Dozen, the Most Iconic WW II Movie of All Time" (Citadel Press, 2023)
|
Apr 18, 2023 |
|
Shakespeare's "As You Like It" Part 2: Characters and Questions
|
Apr 17, 2023 |
|
Jeremy Richey, "Sylvia Kristel: From Emmanuelle to Chabrol" (Cult Epics, 2022)
|
Apr 13, 2023 |
|
Natasha Rogoff, "Muppets in Moscow: The Unexpected Crazy True Story of Making Sesame Street in Russia" (Rowman & Littlefield, 2022)
|
Apr 12, 2023 |
|
Tina Post, "Deadpan: The Aesthetics of Black Inexpression" (NYU Press, 2023)
|
Apr 12, 2023 |
|
Akiko Takeyama, "Staged Seduction: Selling Dreams in a Tokyo Host Club" (Stanford UP, 2016)
|
Apr 11, 2023 |
|
Shakespeare's "As You Like It" Part 1: the Story
|
Apr 10, 2023 |
|
Celeste Day Moore, "Soundscapes of Liberation: African American Music in Postwar France" (Duke UP, 2021)
|
Apr 10, 2023 |
|
Bettina Judd, "Feelin: Creative Practice, Pleasure, and Black Feminist Thought" (Northwestern UP, 2022)
|
Apr 08, 2023 |
|
Simon Strange, "Blank Canvas: Art School Creativity and the Development of Punk, Post Punk and New Wave Music" (Intellect, 2023)
|
Apr 08, 2023 |
|
The Gospel According to Dorothy (with Kathryn Wehr)
|
Apr 06, 2023 |
|
Natilee Harren, "Fluxus Forms: Scores, Multiples, and the Eternal Network" (U Chicago Press, 2020)
|
Apr 05, 2023 |
|
Mauro Resmini, "Italian Political Cinema: Figure of the Long '68" (U Minnesota Press, 2023)
|
Apr 04, 2023 |
|
Frenchy Lunning, "Cosplay: The Fictional Mode of Existence" (U Minnesota Press, 2022)
|
Apr 04, 2023 |
|
Shakespeare's "Macbeth" Part 3: the Language
|
Apr 03, 2023 |
|
Colleen Lye and Christopher Nealon, "After Marx: Literature, Theory, and Value in the Twenty-First Century" (Cambridge UP, 2022)
|
Mar 31, 2023 |
|
Suzanne Ferriss, "Lost in Translation" (British Film Institute, 2023)
|
Mar 31, 2023 |
|
Ethan Warren, "The Cinema of Paul Thomas Anderson: American Apocrypha" (Columbia UP, 2023)
|
Mar 29, 2023 |
|
Christina Rice, "Mean...Moody...Magnificent!: Jane Russell and the Marketing of a Hollywood Legend" (UP of Kentucky, 2021)
|
Mar 28, 2023 |
|
Shakespeare's "Macbeth" Part 2: Characters and Questions
|
Mar 27, 2023 |
|
Elizabeth Bronwyn Boyd, "Southern Beauty: Race, Ritual, and Memory in the Modern South" (U Georgia Press, 2022)
|
Mar 27, 2023 |
|
Sarah L. Kaufman, "The Art of Grace: On Moving Well Through Life" (Norton, 2015)
|
Mar 23, 2023 |
|
Rose Marshack, "Play Like a Man: My Life in Poster Children" (U Illinois Press, 2023)
|
Mar 20, 2023 |
|
Shakespeare's "Macbeth" Part 1: the Story
|
Mar 20, 2023 |
|
Nicholas Brown, "Autonomy: The Social Ontology of Art under Capitalism" (Duke UP, 2019)
|
Mar 19, 2023 |
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The Sharing of Sound Art
|
Mar 18, 2023 |
|
Rick de Villiers, "Eliot and Beckett's Low Modernism: Humility and Humiliation" (Edinburgh UP, 2021)
|
Mar 17, 2023 |
|
Hugh Hodges, "The Fascist Groove Thing: A History of Thatcher's Britain in 21 Mixtapes" (PM Press, 2023)
|
Mar 16, 2023 |
|
Laura Kolb, "Fictions of Credit in the Age of Shakespeare" (Oxford UP, 2021)
|
Mar 14, 2023 |
|
The Wooden O and the Iron Throne: Game of Thrones and Shakespeare Part 3
|
Mar 13, 2023 |
|
Kelsey Klotz, "Dave Brubeck and the Performance of Whiteness" (Oxford UP, 2023)
|
Mar 12, 2023 |
|
Joey Merlo, "On Set with Theda Bara" (1080 Press, 2023)
|
Mar 11, 2023 |
|
Brian Harker, "Sportin' Life: John W. Bubbles, an American Classic" (Oxford UP, 2022)
|
Mar 11, 2023 |
|
Jessica Rosenberg, "Botanical Poetics: Early Modern Plant Books and the Husbandry of Print" (U Pennsylvania Press, 2022)
|
Mar 10, 2023 |
|
Lillian Colon, "Lilly: The First Latina Rockette" (Lilly Enterprises, 2021)
|
Mar 07, 2023 |
|
Ryan Donovan, "Broadway Bodies: A Critical History of Conformity" (Oxford UP, 2023)
|
Mar 07, 2023 |
|
The Wooden O and the Iron Throne: Game of Thrones and Shakespeare Part 2
|
Mar 06, 2023 |
|
Measure for Measure Episode 4: Movies
|
Mar 05, 2023 |
|
Error, Ego, Humility and Music: A Discussion with Tony Monaco
|
Mar 05, 2023 |
|
Girish Shambu, "The New Cinephilia" (Caboose, 2022)
|
Mar 04, 2023 |
|
Margaret Hall, "Gemignani: Life and Lessons from Broadway and Beyond" (Applause Books, 2022)
|
Mar 01, 2023 |
|
Lara Gabrielle, "Captain of Her Soul: The Life of Marion Davies" (U California Press, 2022)
|
Feb 27, 2023 |
|
Dan DiPiero, "Contingent Encounters: Improvisation in Music and Everyday Life" (U Michigan Press, 2022)
|
Feb 27, 2023 |
|
Frances Howard, "Global Perspectives on Youth Arts Programs: How and Why the Arts Can Make a Difference" (Policy Press, 2022)
|
Feb 27, 2023 |
|
The Wooden O and the Iron Throne: Game of Thrones and Shakespeare Part 1
|
Feb 27, 2023 |
|
Jen B. Larson, "Hit Girls: Women of Punk in the USA, 1975-1983" (Feral House, 2022)
|
Feb 26, 2023 |
|
Alexandra Chiriac, "Performing Modernism: A Jewish Avant-Garde in Bucharest" (de Gruyter, 2022)
|
Feb 25, 2023 |
|
Shakespeare's "Hamlet" Part 3: the Language
|
Feb 20, 2023 |
|
Leila Jancovich and David Stevenson, "Failures in Cultural Participation" (Palgrave Macmillan, 2022)
|
Feb 20, 2023 |
|
Ying Zhu, "Hollywood in China: Behind the Scenes of the World's Largest Movie Market" (New Press, 2022)
|
Feb 18, 2023 |
|
Maya Phillips, "Nerd: Adventures in Fandom from This Universe to the Multiverse" (Atria Books, 2022)
|
Feb 14, 2023 |
|
Nic Brown, "Bang Bang Crash: A Memoir" (Counterpoint, 2023)
|
Feb 14, 2023 |
|
Shakespeare's "Hamlet" Part 2: Characters and Questions
|
Feb 13, 2023 |
|
Natasha Lance Rogoff, "Muppets in Moscow: The Unexpected Crazy True Story of Making Sesame Street in Russia" (Rowman & Littlefield, 2022)
|
Feb 10, 2023 |
|
Jane Hwang Degenhardt, "Globalizing Fortune on the Early Modern Stage" (Oxford UP, 2022)
|
Feb 10, 2023 |
|
J. W. Rinzler and Lee Unkrich, "Stanley Kubrick's The Shining" (Taschen, 2023)
|
Feb 06, 2023 |
|
Steven Hyden, "Long Road: Pearl Jam and the Soundtrack of a Generation" (Hachette Books, 2022)
|
Feb 06, 2023 |
|
Shakespeare's "Hamlet" Part 1: the Story
|
Feb 06, 2023 |
|
Deep Cuts: Classic Rock and Hair Metal with Professor and Guitarist Jesse Kavadlo
|
Feb 05, 2023 |
|
Tim Harte, "Faster, Higher, Stronger, Comrades!: Sports, Art, and Ideology in Late Russian and Early Soviet Culture" (U Wisconsin Press, 2020)
|
Feb 05, 2023 |
|
Shakespeare's Life, World and Works 5: How to Read Shakespeare
|
Jan 30, 2023 |
|
Anthony Reed, "Soundworks: Race, Sound, and Poetry in Production" (Duke UP, 2020)
|
Jan 28, 2023 |
|
Maria Sonevytsky, "Wild Music: Sound and Sovereignty in Ukraine" (Wesleyan UP, 2019)
|
Jan 28, 2023 |
|
Shailaja Paik, "The Vulgarity of Caste: Dalits, Sexuality, and Humanity in Modern India" (Stanford UP, 2022)
|
Jan 28, 2023 |
|
Eric Adler, "The Battle of the Classics: How a Nineteenth-Century Debate Can Save the Humanities Today" (Oxford UP, 2020)
|
Jan 25, 2023 |
|
Stealing the Canon: Who Should Be In and Who Should Be Out?
|
Jan 24, 2023 |
|
Shakespeare's Life, World and Works 4: Shakespeare’s Work
|
Jan 23, 2023 |
|
Rens Bod, "A New History of the Humanities: The Search for Principles and Patterns from Antiquity to the Present" (Oxford UP, 2014)
|
Jan 23, 2023 |
|
Dick Weissman, "Bob Dylan's New York: A Historic Guide" (SUNY Press, 2022)
|
Jan 22, 2023 |
|
Drew Morton, "After Midnight: Watchmen After Watchmen" (U Mississippi Press, 2022)
|
Jan 20, 2023 |
|
Richard Aquila, "Rock & Roll in Kennedy's America: A Cultural History of the Early 1960s" (Johns Hopkins UP, 2022)
|
Jan 18, 2023 |
|
Shakespeare's Life, World and Works 3: Shakespeare’s Life
|
Jan 16, 2023 |
|
Lisa Biggs, "The Healing Stage: Black Women, Incarceration, and the Art of Transformation" (Ohio State UP, 2022)
|
Jan 16, 2023 |
|
Dana Mills, "Dance and Activism: A Century of Radical Dance Across the World" (Bloomsbury, 2022)
|
Jan 14, 2023 |
|
Oana Serban, "After Thomas Kuhn: The Structure of Aesthetic Revolutions" (de Gruyter, 2022)
|
Jan 12, 2023 |
|
Rousseau's Ideas About Censorship in the Arts
|
Jan 09, 2023 |
|
Shakespeare's Life, World and Works 2: Shakespeare’s World
|
Jan 09, 2023 |
|
Jason Isralowitz, "Nothing to Fear: Alfred Hitchcock and the Wrong Men" (Fayetteville Mafia Press, 2023)
|
Jan 07, 2023 |
|
Albert Glinsky, "Switched On: Bob Moog and the Synthesizer Revolution" (Oxford UP, 2022)
|
Jan 07, 2023 |
|
Siv B. Lie, "Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France" (U Chicago Press, 2021)
|
Jan 04, 2023 |
|
Rebecca Binns, "Gee Vaucher: Beyond Punk, Feminism and the Avant-Garde" (Manchester UP, 2022)
|
Jan 02, 2023 |
|
Shakespeare's Life, World and Works 1: Why Read Shakespeare
|
Jan 02, 2023 |
|
Bonus Episode: "Nomadland"
|
Jan 01, 2023 |
|
Aaron Moulton, "The Influencing Machine" (Ujazdowski Castle Centre for Contemporary Art, 2022)
|
Dec 31, 2022 |
|
Catholic Movies, Part 1: "Silence" and "The Scarlet and the Black"
|
Dec 30, 2022 |
|
"Gone with the Wind" Revisited
|
Dec 28, 2022 |
|
Stuart Klawans, "Crooked, But Never Common: The Films of Preston Sturges" (Columbia UP, 2023)
|
Dec 25, 2022 |
|
Eve Golden, "Jayne Mansfield: The Girl Couldn't Help It" (UP of Kentucky, 2021)
|
Dec 25, 2022 |
|
What Makes a Book, Song or Movie Popular? A Conversation with Noah Askin
|
Dec 23, 2022 |
|
Pamela Karimi, "Alternative Iran: Contemporary Art and Critical Spatial Practice" (Stanford UP, 2022)
|
Dec 22, 2022 |
|
Rumya Sree Putcha, "The Dancer's Voice: Performance and Womanhood in Transnational India" (Duke UP, 2022)
|
Dec 22, 2022 |
|
Noémie Ndiaye, "Scripts of Blackness: Early Modern Performance Culture and the Making of Race" (U Pennsylvania Press, 2022)
|
Dec 21, 2022 |
|
Craig Seymour, "Luther: The Life and Longing of Luther Vandross" (2017)
|
Dec 21, 2022 |
|
Kathe Geist, "Ozu: A Closer Look" (Hong Kong UP, 2022)
|
Dec 21, 2022 |
|
On Samuel Beckett's "Waiting for Godot
|
Dec 20, 2022 |
|
Fearghus Roulston, "Belfast Punk and the Troubles: an Oral History" (Manchester UP, 2022)
|
Dec 19, 2022 |
|
Chokepoint Capitalism: How Chokepoint Capitalism is Strangling Creative Industries
|
Dec 19, 2022 |
|
On William Shakespeare's "Hamlet"
|
Dec 19, 2022 |
|
Neil Baldwin, "Martha Graham: When Dance Became Modern" (Knopf, 2022)
|
Dec 17, 2022 |
|
Sean Metzger, "The Chinese Atlantic: Seascapes and the Theatricality of Globalization" (Indiana UP, 2020)
|
Dec 16, 2022 |
|
Nicholas de Villiers, "Cruisy, Sleepy, Melancholy: Sexual Disorientation in the Films of Tsai Ming-Liang" (U Minnesota Press, 2022)
|
Dec 14, 2022 |
|
Mrinal Pande, "Popular Hinduism, Stories and Mobile Performances: The Voice of Morari Bapu in Multiple Media" (Routledge, 2022)
|
Dec 12, 2022 |
|
Natasha Lasky, "Britney Spears's Blackout" (Bloomsbury, 2022)
|
Dec 11, 2022 |
|
Daniel Immerwahr, "The Galactic Vietnam: Technology, Modernization, and Empire in George Lucas’s Star Wars" (2022)
|
Dec 10, 2022 |
|
Jake S. Friedman, "The Disney Revolt: The Great Labor War of Animation's Golden Age" (Chicago Review Press, 2022)
|
Dec 10, 2022 |
|
Mary Channen Caldwell, "Devotional Refrains in Medieval Latin Song" (Cambridge UP, 2022)
|
Dec 07, 2022 |
|
Madeline Lane-McKinley, "Comedy Against Work: Utopian Longing in Dystopian Times" (Common Notions, 2022)
|
Dec 04, 2022 |
|
Jennifer Eun-Jung Row, "Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage" (Northwestern UP, 2022)
|
Nov 28, 2022 |
|
Stephen Galloway, "Truly, Madly: Vivien Leigh, Laurence Olivier, and the Romance of the Century" (Grand Central, 2022)
|
Nov 25, 2022 |
|
Kathryn Dickason, "Ringleaders of Redemption: How Medieval Dance Became Sacred" (Oxford UP, 2021)
|
Nov 25, 2022 |
|
Joseph McBride, "Billy Wilder: Dancing on the Edge" (Columbia UP, 2021)
|
Nov 24, 2022 |
|
Burt Kearns, "Lawrence Tierney: Hollywood's Real-Life Tough Guy" (UP of Kentucky, 2022)
|
Nov 23, 2022 |
|
Jon Lewis, "The Godfather, Part II" (Bloomsbury, 2022)
|
Nov 21, 2022 |
|
Elliott H. Powell, "Sounds from the Other Side: Afro-South Asian Collaborations in Black Popular Music" (U Minnesota Press, 2020)
|
Nov 21, 2022 |
|
Gregor Gall, "The Punk Rock Politics of Joe Strummer: Radicalism, Resistance and Rebellion" (Manchester UP, 2022)
|
Nov 18, 2022 |
|
Bradley Morgan, "U2's the Joshua Tree: Planting Roots in Mythic America" (Backbeat Books, 2021)
|
Nov 17, 2022 |
|
Kedar Arun Kulkarni, "World Literature and the Question of Genre in Colonial India: Poetry, Drama, and Print Culture 1790-1890" (Bloomsbury, 2022)
|
Nov 14, 2022 |
|
Meredith Schweig, "Renegade Rhymes: Rap Music, Narrative, and Knowledge in Taiwan" (U Chicago Press, 2022)
|
Nov 11, 2022 |
|
Rustom Bharucha, "The Second Wave: Reflections on the Pandemic Through Photography, Performance, and Public Culture" (Seagull Books, 2022)
|
Nov 10, 2022 |
|
Andrew Fiss, "Performing Math: A History of Communication and Anxiety in the American Mathematics Classroom" (Rutgers UP, 2020)
|
Nov 09, 2022 |
|
Natasha Lance Rogoff, "Muppets in Moscow: The Unexpected Crazy True Story of Making Sesame Street in Russia" (Rowman & Littlefield, 2022)
|
Nov 09, 2022 |
|
Bruce Davis, "The Academy and the Award: The Coming of Age of Oscar and the Academy of Motion Picture Arts and Sciences" (Brandeis UP, 2022)
|
Nov 08, 2022 |
|
Guthrie P. Ramsey, "Who Hears Here?: On Black Music, Pasts and Present" (U California Press, 2022)
|
Nov 07, 2022 |
|
Laura A. Frahm, "Design in Motion: Film Experiments at the Bauhaus" (MIT Press, 2022)
|
Nov 02, 2022 |
|
Shaken and Stirred
|
Nov 02, 2022 |
|
Ross Cole, "The Folk: Music, Modernity, and the Political Imagination" (U California Press, 2021)
|
Oct 28, 2022 |
|
Joseph McBride, "The Whole Durn Human Comedy: Life According to the Coen Brothers" (Anthem Press, 2022)
|
Oct 28, 2022 |
|
Shall We Play A Game?
|
Oct 26, 2022 |
|
Mallory Lewis and Nat Segaloff, "Shari Lewis and Lamb Chop: The Team That Changed Children's TV" (UP of Kentucky, 2022)
|
Oct 26, 2022 |
|
Kyle Stevens, "The Oxford Handbook of Film Theory" (Oxford UP, 2022)
|
Oct 25, 2022 |
|
Larisa Kingston Mann, "Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power (UNC Press, 2022)
|
Oct 24, 2022 |
|
Proust Questionnaire 37: Dame Zandra Rhodes, Fashion Designer
|
Oct 24, 2022 |
|
Scott Bukatman, "Black Panther" (U Texas Press, 2022)
|
Oct 21, 2022 |
|
Wolverines!
|
Oct 19, 2022 |
|
Diane Negra, "Shadow of a Doubt" (Auteur, 2021)
|
Oct 18, 2022 |
|
John F. Lyons, "Joy and Fear: The Beatles, Chicago and the 1960s" (Permuted Press, 2020)
|
Oct 18, 2022 |
|
Charles Sawyer, "B. B. King: From Indianola to Icon: A Personal Odyssey with the 'King of the Blues'" (Schiffer Publishing, 2022)
|
Oct 14, 2022 |
|
Alexander Sergeant, "Encountering the Impossible: The Fantastic in Hollywood Fantasy Cinema" (SUNY Press, 2021)
|
Oct 14, 2022 |
|
Ramzi Fawaz, "Queer Forms" (NYU Press, 2022)
|
Oct 13, 2022 |
|
Bruce Robbins, "Criticism and Politics: A Polemical Introduction" (Stanford UP, 2022)
|
Oct 11, 2022 |
|
On Henrik Ibsen's "A Doll's House"
|
Oct 10, 2022 |
|
Pamela Robertson Wojcik, "Gidget: Origins of a Teen Girl Transmedia Franchise" (Routledge, 2022)
|
Oct 06, 2022 |
|
Asha Rogers, "State Sponsored Literature: Britain and Cultural Diversity After 1945" (Oxford UP, 2020)
|
Oct 06, 2022 |
|
The Two Russias
|
Oct 05, 2022 |
|
Sarah F. Derbew, "Untangling Blackness in Greek Antiquity" (Cambridge UP, 2022)
|
Oct 04, 2022 |
|
Cinema’s First Nasty Women
|
Oct 04, 2022 |
|
Usha Iyer, "Dancing Women: Choreographing Corporeal Histories of Hindi Cinema" (Oxford UP, 2020)
|
Sep 30, 2022 |
|
Samhita Sunya, "Sirens of Modernity: World Cinema via Bombay" (U California Press, 2022)
|
Sep 29, 2022 |
|
Jean-Thomas Tremblay, "Breathing Aesthetics" (Duke UP, 2022)
|
Sep 29, 2022 |
|
Cold War Homefront
|
Sep 28, 2022 |
|
Gregory Sholette, "The Art of Activism and the Activism of Art" (Lund Humphries, 2021)
|
Sep 27, 2022 |
|
Kathryn Harkup, "Death By Shakespeare: Snakebites, Stabbings and Broken Hearts" (Bloomsbury, 2020)
|
Sep 26, 2022 |
|
Annie-B Parson, "The Choreography of Everyday Life" (Verso, 2022)
|
Sep 23, 2022 |
|
Minou Arjomand, "Staged: Show Trials, Political Theater, and the Aesthetics of Judgment" (Columbia UP, 2020)
|
Sep 22, 2022 |
|
Jon Krampner, "Ernest Lehman: The Sweet Smell of Success" (UP of Kentucky, 2022)
|
Sep 21, 2022 |
|
It’s The End Of The World As We Know It
|
Sep 21, 2022 |
|
Stevie Van Zandt, "Unrequited Infatuations: A Memoir" (Hachette Books, 2022)
|
Sep 20, 2022 |
|
Steve Adelman, "Nocturnal Admissions: A Nightlife Memoir" (Santa Monica Press, 2022)
|
Sep 16, 2022 |
|
Christin Essin, "Working Backstage: A Cultural History and Ethnography of Technical Theater Labor" (U Michigan Press, 2021)
|
Sep 14, 2022 |
|
A MAD, MAD, World
|
Sep 14, 2022 |
|
Pamela N. Corey, "The City in Time: Contemporary Art and Urban Form in Vietnam and Cambodia" (U Washington Press, 2021)
|
Sep 13, 2022 |
|
Nicholas Gamso, "Art After Liberalism" (Columbia UP, 2022)
|
Sep 12, 2022 |
|
Danielle J. Lindemann, "True Story: What Reality TV Says About Us" (FSG, 2022)
|
Sep 12, 2022 |
|
Barry Houlihan, "Theatre and Archival Memory: Irish Drama and Marginalised Histories 1951-1977" (Palgrave MacMillan, 2021)
|
Sep 09, 2022 |
|
Marissa R. Moss, "Her Country: How the Women of Country Music Became the Success They Were Never Supposed to Be" (Henry Holt, 2022)
|
Sep 07, 2022 |
|
Who Can You Trust?
|
Sep 07, 2022 |
|
Adam Abraham, "Attack of the Monster Musical: A Cultural History of Little Shop of Horrors" (Bloomsbury, 2022)
|
Sep 02, 2022 |
|
Karinne Keithley Syers, "Astrs" (53rd State Press, 2022)
|
Sep 02, 2022 |
|
88 Underwater Eye: Margaret Cohen explores the Film Aquatic
|
Sep 01, 2022 |
|
Aniket De, "The Boundary of Laughter: Popular Performances Across Borders in South Asia" (Oxford UP, 2022)
|
Sep 01, 2022 |
|
He May Be a Communist!
|
Aug 31, 2022 |
|
Matti Friedman, "Who by Fire: Leonard Cohen in the Sinai" (Spiegel & Grau, 2022)
|
Aug 30, 2022 |
|
Emily Michelson, "Catholic Spectacle and Rome's Jews: Early Modern Conversion and Resistance" (Princeton UP, 2022)
|
Aug 29, 2022 |
|
Ruben Espinosa, "Shakespeare on the Shades of Racism" (Routledge, 2021)
|
Aug 26, 2022 |
|
Brahma Prakash, "Cultural Labour: Conceptualizing the 'Folk Performance' in India" (Oxford UP, 2019)
|
Aug 26, 2022 |
|
Julie A. Turnock, "The Empire of Effects: Industrial Light and Magic and the Rendering of Realism" (U Texas Press, 2022)
|
Aug 26, 2022 |
|
Michael Sidney Fosberg, "Nobody Wants to Talk about It: Race, Identity, and the Difficulties in Forging Meaningful Conversations" (Incognito, 2020)
|
Aug 25, 2022 |
|
Karen Archey, "After Institutions" (Les presses du réel, 2022)
|
Aug 22, 2022 |
|
Antonio C. Cuyler, "Access, Diversity, Equity and Inclusion in Cultural Organizations: Insights from the Careers of Executive Opera Managers of Color in the US" (Routledge, 2020)
|
Aug 18, 2022 |
|
87* Mike Leigh In Focus (JP)
|
Aug 18, 2022 |
|
Julius B. Fleming Jr., "Black Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation" (NYU Press, 2022)
|
Aug 17, 2022 |
|
Christopher M. Reali, "Music and Mystique in Muscle Shoals" (U Illinois Press, 2022)
|
Aug 12, 2022 |
|
Nick Davis, "Competing with Idiots: Herman and Joe Mankiewicz, a Dual Portrait" (Knopf, 2021)
|
Aug 10, 2022 |
|
Sara Farrington, "The Lost Conversation: Interviews with an Enduring Avant-Garde" (53rd State Press, 2021)
|
Aug 10, 2022 |
|
M. I. Franklin, "Sampling Politics: Music and the Geocultural" (Oxford UP, 2021)
|
Aug 09, 2022 |
|
Grant Wiedenfeld, "Hollywood Sports Movies and the American Dream" (Oxford UP, 2022)
|
Aug 08, 2022 |
|
86 Dana Stevens on Buster Keaton (JP EF)
|
Aug 04, 2022 |
|
Alan John Ainsworth, "Sight Readings: Photographers and American Jazz, 1900-1960" (Intellect, 2022)
|
Aug 01, 2022 |
|
Leah Kardos, "Blackstar Theory: The Last Works of David Bowie" (Bloomsbury, 2022)
|
Aug 01, 2022 |
|
John M. Shaw, "Following the Drums: African American Fife and Drum Music in Tennessee" (UP of Mississippi, 2022)
|
Aug 01, 2022 |
|
Jeff Hayton, "Culture from the Slums: Punk Rock in East and West Germany" (Oxford UP, 2022)
|
Jul 28, 2022 |
|
Ryan Uytdewilligen, "Killing John Wayne: The Making of the Conqueror" (Lyons Press, 2021)
|
Jul 21, 2022 |
|
Erika Balsom and Hila Peleg, "Feminist Worldmaking and the Moving Image" (MIT Press, 2022)
|
Jul 20, 2022 |
|
Katharine A. Burnett and Monica Carol Miller, "The Tacky South" (LSU Press, 2022)
|
Jul 19, 2022 |
|
Caryn Rose, "Why Patti Smith Matters" (U of Texas Press, 2022)
|
Jul 19, 2022 |
|
Melanie Bell, "Movie Workers: The Women Who Made British Cinema" (U Illinois Press, 2021)
|
Jul 19, 2022 |
|
Scott Meslow, "From Hollywood with Love: The Rise and Fall (and Rise Again) of the Romantic Comedy" (Day Street, 2022)
|
Jul 18, 2022 |
|
Tony Perman, "Signs of the Spirit: Music and the Experience of Meaning in Ndau Ceremonial Life" (U Illinois Press, 2020)
|
Jul 15, 2022 |
|
Donovan Sherman, "The Philosopher's Toothache: Embodied Stoicism in Early Modern English Drama" (Northwestern UP, 2021)
|
Jul 15, 2022 |
|
Jennifer Lin, "Beethoven in Beijing: Stories from the Philadelphia Orchestra's Historic Journey to China" (Temple UP, 2022)
|
Jul 14, 2022 |
|
Alexandra Apolloni, "Freedom Girls: Voicing Femininity in 1960s British Pop" (Oxford UP, 2021)
|
Jul 11, 2022 |
|
Alison Macor, "Making The Best Years of Our Lives: The Hollywood Classic That Inspired a Nation" (U Texas Press, 2022)
|
Jul 08, 2022 |
|
Ben Davis, "Art in the After-Culture: Capitalist Crisis and Cultural Strategy" (Haymarket Books, 2022)
|
Jul 06, 2022 |
|
Yussef El Guindi, "In a Clear Concise Arabic Tongue" (Broadway Play Publishing, 2021)
|
Jul 06, 2022 |
|
Mattin, "Social Dissonance" (MIT Press, 2022)
|
Jul 05, 2022 |
|
Christopher Silver, "Recording History: Jews, Muslims, and Music Across Twentieth-Century North Africa" (Stanford UP, 2022)
|
Jul 04, 2022 |
|
A. S. Hamrah, "The Earth Dies Streaming: Film Writing, 2002-2018" (N+1 Books, 2018)
|
Jul 04, 2022 |
|
Jasmina Tumbas, "I Am Jugoslovenka!: Feminist Performance Politics During and After Yugoslav Socialism" (Manchester UP, 2022)
|
Jul 01, 2022 |
|
Paul Dobryden, "The Hygienic Apparatus: Weimar Cinema and Environmental Disorder" (Northwestern UP, 2022)
|
Jul 01, 2022 |
|
G. Ronald Murphy, "Brecht and the Bible: A Study of Religious Nihilism and Human Weakness in Brecht's Drama of Morality and the City" (UNC Press, 2020)
|
Jun 30, 2022 |
|
Katherine E. Sugg, "Apocalypse and Heroism in Popular Culture" (McFarland, 2022)
|
Jun 30, 2022 |
|
José Rivera, "Lovesong (Imperfect) (Broadway Play Publishing, 2021)
|
Jun 27, 2022 |
|
Alan Lane, "The Club on the Edge of Town: A Pandemic Memoir" (Salamander Street, 2022)
|
Jun 24, 2022 |
|
John Luther Adams, "Silences So Deep: Music, Solitude, Alaska" (FSG, 2020)
|
Jun 22, 2022 |
|
Justin Gautreau, "The Last Word: The Hollywood Novel and the Studio System" (Oxford UP, 2020)
|
Jun 21, 2022 |
|
Kira Thurman, "Singing Like Germans: Black Musicians in the Land of Bach, Beethoven, and Brahms" (Cornell UP, 2021)
|
Jun 21, 2022 |
|
Brian Kulick, "The Secret Life of Theater: On the Nature and Function of Theatrical Representation" (Routledge, 2019)
|
Jun 20, 2022 |
|
Çigdem Çidam, "In the Street: Democratic Action, Theatricality, and Political Friendship" (Oxford UP, 2021)
|
Jun 16, 2022 |
|
Charles Elton, "Cimino: The Deer Hunter, Heaven's Gate, and the Price of a Vision" (Abrams Press, 2022)
|
Jun 15, 2022 |
|
Stan Lai, "Selected Plays of Stan Lai" (U Michigan Press, 2022)
|
Jun 14, 2022 |
|
Mark Anthony Neal, "Black Ephemera: The Crisis and Challenge of the Musical Archive" (NYU Press, 2022)
|
Jun 10, 2022 |
|
Trina Nileena Banerjee, "Performing Silence: Women in the Group Theatre Movement in Bengal" (Oxford UP, 2021)
|
Jun 09, 2022 |
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Melissa Vosen Callens, "Ode to Gen X: Institutional Cynicism in 'Stranger Things' and 1980s Film" (UP of Mississippi, 2021)
|
Jun 09, 2022 |
|
Hentyle Yapp, "Minor China: Method, Materialisms, and the Aesthetic" (Duke UP, 2021)
|
Jun 09, 2022 |
|
Mary Beth Willard, "Why It's Ok to Enjoy the Work of Immoral Artists" (Routledge, 2021)
|
Jun 08, 2022 |
|
Peter C. Zimmerman, "The Jazz Masters: Setting the Record Straight" (UP of Mississippi, 2021)
|
Jun 08, 2022 |
|
Stan BH Tan-Tangbau et al., "Jazz in Socialist Hà Nội: Improvisations Between Worlds" (Routledge, 2022)
|
Jun 08, 2022 |
|
Stephen Deusner, "Where the Devil Don't Stay: Traveling the South with the Drive-By Truckers" (U Texas Press, 2021)
|
Jun 08, 2022 |
|
Lisa Blackmore and Liliana Gómez, "Liquid Ecologies in Latin American and Caribbean Art" (Routledge, 2020)
|
Jun 07, 2022 |
|
Dustin Tahmahkera, "Cinematic Comanches: The Lone Ranger in the Media Borderlands" (U Nebraska Press, 2022)
|
Jun 07, 2022 |
|
Rosalind Galt, "Alluring Monsters: The Pontianak and Cinemas of Decolonization" (Columbia UP, 2021)
|
Jun 06, 2022 |
|
Daniel Fairfax, "The Red Years of Cahiers Du Cinéma (1968-1973)" (Amsterdam UP, 2021)
|
Jun 03, 2022 |
|
Mickle Maher, "Six Plays" (Agate Press, 2022)
|
Jun 03, 2022 |
|
James S. Bielo, "Materializing the Bible: Scripture, Sensation, Place" (Bloomsbury, 2021)
|
Jun 02, 2022 |
|
Jennifer Keishin Armstrong, "When Women Invented Television: The Untold Story of the Female Powerhouses Who Pioneered the Way We Watch Today" (Harper, 2021)
|
Jun 01, 2022 |
|
Richard Stamz and Patrick A. Roberts, "Give 'em Soul, Richard!: Race, Radio, and Rhythm and Blues in Chicago" (U Illinois Press, 2010)
|
Jun 01, 2022 |
|
Chris Wade, "The Films of James Woods" (Wisdom Twins Books, 2022)
|
May 30, 2022 |
|
Mike Errico, "Music, Lyrics, and Life: A Field Guide for the Advancing Songwriter" (Backbeat Book, 2022)
|
May 26, 2022 |
|
Jami Rogers, "British Black and Asian Shakespeareans, 1966-2018: Integrating Shakespeare" (Arden Shakespeare, 2022)
|
May 25, 2022 |
|
Alejandro Nava, "Street Scriptures: Between God and Hip-Hop" (U Chicago Press, 2022)
|
May 25, 2022 |
|
Farah Nayeri, "Takedown: Art and Power in the Digital Age" (Astra Publishing, 2022)
|
May 24, 2022 |
|
Alice Dailey, "How to Do Things with Dead People: History, Technology, and Temporality from Shakespeare to Warhol" (Cornell UP, 2022)
|
May 20, 2022 |
|
Alvin Eng, "Our Laundry, Our Town: My Chinese American Life from Flushing to the Downtown Stage and Beyond" (Fordham UP, 2022)
|
May 16, 2022 |
|
Sandra Johnston, et al., "Actional Poetics-Ash She He: The Performance Actuations of Alastair MacLennan, 1971-2020" (Intellect, 2022)
|
May 16, 2022 |
|
Zachary F. Price, "Black Dragon: Afro-Asian Performance and the Martial Arts Imagination" (Ohio State UP, 2021)
|
May 13, 2022 |
|
Christopher Donoghue, "The Sociology of Bullying: Power, Status, and Aggression Among Adolescents" (NYU Press, 2022)
|
May 11, 2022 |
|
Rebecca Dowd Geoffroy-Schwinden, "From Servant to Savant: Musical Privilege, Property, and the French Revolution" (Oxford UP, 2022)
|
May 11, 2022 |
|
Guangtian Ha, "The Sound of Salvation: Voice, Gender, and the Sufi Mediascape in China" (Columbia UP, 2021)
|
May 09, 2022 |
|
J. Lorenzo Perillo, "Choreographing in Color: Filipinos, Hip-Hop, and the Cultural Politics of Euphemism" (Oxford UP, 2020)
|
May 06, 2022 |
|
Dhanveer Singh Brar, "Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century" (Goldsmiths Press, 2021)
|
May 06, 2022 |
|
Mila Zuo, "Vulgar Beauty: Acting Chinese in the Global Sensorium" (Duke UP, 2022)
|
May 04, 2022 |
|
Aaron Cohen, "Move On Up: Chicago Soul Music and Black Cultural Power" (U Chicago Press, 2019)
|
May 04, 2022 |
|
Paul Geary, "Experimental Dining: Performance, Experience and Ideology in Contemporary Creative Restaurants" (Intellect Books, 2022)
|
May 02, 2022 |
|
Nancy Barile, "I'm Not Holding Your Coat: My Bruises-And-All Memoir of Punk Rock Rebellion" (Bazillion Points, 2021)
|
Apr 28, 2022 |
|
Andy Bragen, "This Is My Office and Notes on My Mother's Decline: Two Plays" (Northwestern UP, 2022)
|
Apr 27, 2022 |
|
Amanda D. Lotz, "Media Disrupted: Surviving Pirates, Cannibals, and Streaming Wars" (MIT Press, 2021)
|
Apr 27, 2022 |
|
Rania Karoula, "The Federal Theatre Project, 1935-1939: Engagement and Experimentation" (Edinburgh UP, 2020)
|
Apr 22, 2022 |
|
Jared N. Champion and Peter C. Kunze, "Taking a Stand: Contemporary US Stand-Up Comedians As Public Intellectuals" (UP of Mississippi, 2021)
|
Apr 19, 2022 |
|
Patricia A. Banks, "Black Culture, Inc.: How Ethnic Community Support Pays for Corporate America" (Stanford UP, 2022)
|
Apr 19, 2022 |
|
Kenneth Partridge, "Hell of a Hat: The Rise of '90s Ska and Swing" (Pennsylvania State UP, 2021)
|
Apr 15, 2022 |
|
Simon Armitage, "A Vertical Art: On Poetry" (Princeton UP, 2022)
|
Apr 15, 2022 |
|
Yana Stainova, "Sonorous Worlds: Musical Enchantment in Venezuela" (U Michigan Press, 2021)
|
Apr 13, 2022 |
|
Meredith Heller, "Queering Drag: Redefining the Discourse of Gender-Bending" (Indiana UP, 2020)
|
Apr 13, 2022 |
|
Brandon J. Manning, "Played Out: The Race Man in 21st Century Satire" (Rutgers UP, 2022)
|
Apr 12, 2022 |
|
David Maroto, "The Artist's Novel: A New Medium" (Mousse, 2020)
|
Apr 11, 2022 |
|
Richard Brent Turner, "Soundtrack to a Movement: African American Islam, Jazz, and Black Internationalism" (NYU Press, 2021)
|
Apr 08, 2022 |
|
Lester D. Friedman, "Citizen Spielberg" (U of Illinois Press, 2022)
|
Apr 06, 2022 |
|
Louis K. Epstein, "The Creative Labor of Music Patronage in Interwar France" (Boydell, 2021)
|
Apr 06, 2022 |
|
David Hajdu and John Carey, "A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge" (Columbia UP, 2021)
|
Apr 06, 2022 |
|
Chelsea Phillips, "Carrying All Before Her: Celebrity Pregnancy and the London Stage, 1689-1800" (U of Delaware Press, 2022)
|
Apr 04, 2022 |
|
Rebecca Cypess, "Women and Musical Salons in the Enlightenment" (U Chicago Press, 2022)
|
Apr 01, 2022 |
|
Michael Spitzer, "The Musical Human: A History of Life on Earth" (Bloomsbury, 2021)
|
Mar 30, 2022 |
|
Nick Marx, "Sketch Comedy: Identity, Reflexivity, and American Television" (Indiana UP, 2019)
|
Mar 30, 2022 |
|
Kate Guthrie, "The Art of Appreciation: Music and Middlebrow Culture in Modern Britain" (U California Press, 2021)
|
Mar 29, 2022 |
|
Liora Sarfati, "Contemporary Korean Shamanism: From Ritual to Digital" (Indiana UP, 2021)
|
Mar 25, 2022 |
|
Robert P. Kolker, "Triumph Over Containment: American Film in the 1950s" (Rutgers UP, 2021)
|
Mar 25, 2022 |
|
Liz Clarke, "The American Girl Goes to War: Women and National Identity in US Silent Film" (Rutgers UP, 2022)
|
Mar 23, 2022 |
|
Deirdre Ní Chonghaile, "Collecting Music in the Aran Islands: A Century of History and Practice" (U Wisconsin Press, 2021)
|
Mar 18, 2022 |
|
Lily E. Hirsch, "Weird Al: Seriously" (Rowman and Littlefield, 2020)
|
Mar 17, 2022 |
|
René V. Arcilla, "Wim Wenders's Road Movie Philosophy: Education Without Learning" (Bloomsbury, 2020)
|
Mar 16, 2022 |
|
Annie Berke, "Their Own Best Creations: Women Writers in Postwar Television" (U California Press, 2022)
|
Mar 16, 2022 |
|
Paul Reitter and Chad Wellmon, "Permanent Crisis: The Humanities in a Disenchanted Age" (U Chicago Press, 2021)
|
Mar 14, 2022 |
|
Helene Meyers, "Movie-Made Jews: An American Tradition" (Rutgers UP, 2021)
|
Mar 11, 2022 |
|
Uwe Schütte, "Kraftwerk: Future Music from Germany" (Penguin, 2021)
|
Mar 10, 2022 |
|
Larissa FastHorse, "The Thanksgiving Play / What Would Crazy Horse Do?" (Theatre Communications Group, 2021)
|
Mar 09, 2022 |
|
Dana Stevens, "Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century" (Simon and Schuster, 2022)
|
Mar 09, 2022 |
|
Vicki L. Brennan, "Singing Yoruba Christianity: Music, Media, and Morality" (Indiana UP, 2018)
|
Mar 08, 2022 |
|
Lynn Garafola, "La Nijinska: Choreographer of the Modern" (Oxford UP, 2022)
|
Mar 08, 2022 |
|
Edward Tyerman, "Internationalist Aesthetics: China and Early Soviet Culture" (Columbia UP, 2021)
|
Mar 08, 2022 |
|
James Lapine, "Putting It Together: How Stephen Sondheim and I Created 'Sunday in the Park with George'" (FSG, 2021)
|
Mar 04, 2022 |
|
William Sites, "Sun Ra's Chicago: Afrofuturism and the City" (U Chicago Press, 2021)
|
Feb 24, 2022 |
|
Rebecca Janzen, "Unholy Trinity: State, Church, and Film in Mexico" (SUNY Press, 2021)
|
Feb 24, 2022 |
|
David Schwartz, "David Cronenberg: Interviews" (UP of Mississippi, 2021)
|
Feb 24, 2022 |
|
Alexa Alice Joubin, "Shakespeare & East Asia" (Oxford UP, 2021)
|
Feb 23, 2022 |
|
Peggy Wang, "The Future History of Contemporary Chinese Art" (U Minnesota Press, 2021)
|
Feb 14, 2022 |
|
Katie Rios, "This Is America: Race, Gender, and Politics in America's Musical Landscape" (Lexington Books, 2021)
|
Feb 09, 2022 |
|
Abby S. Waysdorf, "Fan Sites: Film Tourism and Contemporary Fandom" (U Iowa Press, 2021)
|
Feb 09, 2022 |
|
James S. Williams, "Ethics and Aesthetics in Contemporary African Cinema: The Politics of Beauty" (Bloomsbury, 2019)
|
Feb 08, 2022 |
|
Peilin Liang, "Bodies and Transformance in Taiwanese Contemporary Theater" (Routledge, 2021)
|
Feb 07, 2022 |
|
Jonathan Fenderson, "Building the Black Arts Movement: Hoyt Fuller and the Cultural Politics of the 1960s" (U Illinois Press, 2019)
|
Feb 07, 2022 |
|
I'm Possible: A Conversation with Tuba Professor Dr. Richard White
|
Feb 03, 2022 |
|
Karen Jaime, "The Queer Nuyorican: Racialized Sexualities and Aesthetics in Loisaida" (NYU Press, 2021)
|
Feb 03, 2022 |
|
Michael Stewart Foley, "Citizen Cash: The Political Life and Times of Johnny Cash" (Basic Books, 2021)
|
Feb 02, 2022 |
|
Isaac Butler, "The Method: How the Twentieth Century Learned to Act" (Bloomsbury, 2022)
|
Feb 01, 2022 |
|
Baker A. Rogers, "King of Hearts: Drag Kings in the American South" (Rutgers UP, 2021)
|
Jan 31, 2022 |
|
The 15 Best Films about the Holocaust
|
Jan 27, 2022 |
|
Samuel J. Spinner, "Jewish Primitivism" (Stanford UP, 2021)
|
Jan 26, 2022 |
|
Henry K. Miller, "The First True Hitchcock: The Making of a Filmmaker" (U California Press, 2022)
|
Jan 25, 2022 |
|
Sarah Jane Cervenak, "Black Gathering: Art, Ecology, Ungiven Life" (Duke UP, 2021)
|
Jan 21, 2022 |
|
Dana Polan, "Dreams of Flight: 'The Great Escape' in American Film and Culture" (U California Press, 2021)
|
Jan 21, 2022 |
|
Olga Rodríguez-Ulloa and Rodrigo Quijano, "Punk! Las Américas Edition" (Intellect, 2022)
|
Jan 18, 2022 |
|
Amy Holdsworth, "On Living with Television" (Duke UP, 2021)
|
Jan 18, 2022 |
|
Alexandra Cosima Budabin and Lisa Ann Richey, "Batman Saves the Congo: How Celebrities Disrupt the Politics of Development" (U Minnesota Press, 2021)
|
Jan 17, 2022 |
|
Michael Newall, "A Philosophy of the Art School" (Routledge, 2021)
|
Jan 13, 2022 |
|
Vivian Kirkfield, "Making Their Voices Heard: The Inspiring Friendship of Ella Fitzgerald and Marilyn Monroe" (Little Bee Books, 2020)
|
Jan 13, 2022 |
|
Jake Johnson, "Lying in the Middle: Musical Theater and Belief at the Heart of America" (U Illinois Press, 2021)
|
Jan 13, 2022 |
|
Gil Z. Hochberg, "Becoming Palestine: Toward an Archival Imagination of the Future" (Duke UP, 2021)
|
Jan 12, 2022 |
|
Miranda Campbell, "Reimagining the Creative Industries: Youth Creative Work, Communities of Care" (Routledge, 2021)
|
Jan 11, 2022 |
|
Olivier Delers and Martin Sulzer-Reichel, "Wim Wenders: Making Films that Matter" (Bloomsbury, 2020)
|
Jan 07, 2022 |
|
Carol J. Oja and Charles Garrett, "Sounding Together: Collaborative Perspectives on U. S. Music in the 21st Century" (U Michigan Press, 2021)
|
Jan 07, 2022 |
|
Anna Watkins Fisher, "The Play in the System: The Art of Parasitical Resistance" (Duke UP, 2020)
|
Jan 06, 2022 |
|
Rosa Hawkins and Steve Bergsman, "Chapel of Love: The Story of New Orleans Girl Group the Dixie Cups" (UP of Mississippi, 2021)
|
Jan 05, 2022 |
|
Stephanie M. Pridgeon, "Revolutionary Visions: Jewish Life and Politics in Latin American Film" (U Toronto Press, 2020)
|
Jan 05, 2022 |
|
Stan BH Tan-Tangbau and Quyền Văn Minh, "Playing Jazz in Socialist Vietnam: Quyền Văn Minh and Jazz in Hà Nội" (UP of Mississippi, 2021)
|
Jan 04, 2022 |
|
Carol Diehl, "Banksy: Completed" (MIT Press, 2021)
|
Dec 30, 2021 |
|
David Sulzer, "Music, Math, and Mind: The Physics and Neuroscience of Music" (Columbia UP, 2021)
|
Dec 30, 2021 |
|
Proust Questionnaire 36: Haaz Sleiman, Actor
|
Dec 30, 2021 |
|
Jennifer Fay, "Inhospitable World: Cinema in the Time of the Anthropocene" (Oxford UP, 2018)
|
Dec 27, 2021 |
|
David Politzer, “The Physics of Banjos” (Open Agenda, 2021)
|
Dec 23, 2021 |
|
Carolyn Eastman, "The Strange Genius of Mr. O.: The World of the United States' First Forgotten Celebrity" (UNC Press, 2021)
|
Dec 23, 2021 |
|
The Storytelling State: Performing Life Histories in Singapore
|
Dec 23, 2021 |
|
Jeffrey Brooks, "The Firebird and the Fox: Russian Culture under Tsars and Bolsheviks" (Cambridge UP, 2019)
|
Dec 22, 2021 |
|
David Clare et al., "The Golden Thread: Irish Women Playwrights (1716-2016)" (Liverpool UP, 2021)
|
Dec 21, 2021 |
|
Mary Talusan, "Instruments of Empire: Filipino Musicians, Black Soldiers, and Military Band Music During US Colonization of the Philippines" (UP of Mississippi, 2021)
|
Dec 20, 2021 |
|
Matthew H. Brown, "Indirect Subjects: Nollywood's Local Address" (Duke UP, 2021)
|
Dec 15, 2021 |
|
Marianne Worthington, "The Girl Singer" (Fireside Industries, 2021)
|
Dec 10, 2021 |
|
Kate Fortmueller, "Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID" (U Texas Press, 2021)
|
Dec 09, 2021 |
|
Alisa Freedman, "Japan on American TV: Screaming Samurai Join Anime Clubs in the Land of the Lost" (Association for Asian Studies, 2021)
|
Dec 08, 2021 |
|
Sonia Gollance, "It Could Lead to Dancing: Mixed-Sex Dancing and Jewish Modernity" (Stanford UP, 2021)
|
Dec 07, 2021 |
|
Caetlin Benson-Allott, "The Stuff of Spectatorship: Material Cultures of Film and Television" (U California Press, 2021)
|
Dec 06, 2021 |
|
Sabrina D. MisirHiralall, "Devotional Hindu Dance: A Return to the Sacred" (Palgrave Macmillan, 2021)
|
Dec 02, 2021 |
|
Noah Isenberg ed., Shelley Frisch, trans., "Billy Wilder on Assignment: Dispatches from Weimar Berlin and Interwar Vienna" (Princeton UP, 2021)
|
Dec 01, 2021 |
|
John Holmes McDowell et al., "Performing Environmentalisms: Expressive Culture and Ecological Change" (U Illinois Press, 2021)
|
Nov 30, 2021 |
|
Sunhee Koo, "Sound of the Border: Music and Identity of Korean Minority Nationality in China" (U Hawaii Press, 2021)
|
Nov 24, 2021 |
|
Gretchen E. Minton, "Shakespeare in Montana: Big Sky Country's Love Affair with the World's Most Famous Writer" (U New Mexico Press, 2020)
|
Nov 24, 2021 |
|
Nolan Gasser, "Why You Like It: The Science and Culture of Musical Taste" (Flatiron Books, 2019)
|
Nov 24, 2021 |
|
Daniel Alexander Jones, "Love Like Light: Plays and Performance Texts" (53rd State Press, 2021)
|
Nov 23, 2021 |
|
Kate Fortmueller, "Below the Stars: How the Labor of Working Actors and Extras Shapes Media Production" (U Texas Press, 2021)
|
Nov 18, 2021 |
|
Adam Lehrer, "Communions" (Hyperidean Press, 2021)
|
Nov 12, 2021 |
|
Katja Praznik, "Art Work: Invisible Labour and the Legacy of Yugoslav Socialism" (U Toronto Press, 2021)
|
Nov 11, 2021 |
|
Hiromu Nagahara, "Tokyo Boogie-Woogie: Japan's Pop Era and Its Discontents" (Harvard UP, 2017)
|
Nov 11, 2021 |
|
Andrea Warner, "Buffy Sainte-Marie: The Authorized Biography" (Graystone Books, 2018)
|
Nov 05, 2021 |
|
Genevieve Yue, "Girl Head: Feminism and Film Materiality" (Fordham UP, 2020)
|
Nov 03, 2021 |
|
Raphael Cormack, "Midnight in Cairo: The Divas of Egypt's Roaring 20s" (Norton, 2021)
|
Nov 02, 2021 |
|
Hsuan L. Hsu, "The Smell of Risk: Environmental Disparities and Olfactory Aesthetics" (NYU Press, 2020)
|
Nov 02, 2021 |
|
David Pearson, "Rebel Music in the Triumphant Empire: Punk Rock in the 1990s United States" (Oxford UP, 2020)
|
Oct 26, 2021 |
|
Caroline A. Kita, "Jewish Difference and the Arts in Vienna: Composing Compassion in Music and Biblical Theater" (Indiana UP, 2019)
|
Oct 26, 2021 |
|
Stephanie N. Brehm, "America's Most Famous Catholic (According to Himself): Stephen Colbert and American Religion in the 21st Century" (Fordham UP, 2019)
|
Oct 25, 2021 |
|
Gary Bettinson, "The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance" (Hong Kong UP, 2014)
|
Oct 22, 2021 |
|
Kelefa Sanneh, "Major Labels: A History of Popular Music in Seven Genres" (Penguin, 2021)
|
Oct 22, 2021 |
|
Robert McCrum, "Shakespearean: On Life and Language in Times of Disruption" (Simon and Schuster, 2021)
|
Oct 22, 2021 |
|
Adesola Akinleye, "(Re:) Claiming Ballet" (Intellect Books, 2021)
|
Oct 21, 2021 |
|
Peter Toohey, "Hold On: The Life, Science, and Art of Waiting" (Oxford UP, 2020)
|
Oct 20, 2021 |
|
Joseph L. Clarke, "Echo's Chambers: Architecture and the Idea of Acoustic Space" (U Pittsburgh Press, 2021)
|
Oct 19, 2021 |
|
Gregory Vargo, "Chartist Drama" (Manchester UP, 2021)
|
Oct 19, 2021 |
|
Matthew Fuller, "Investigative Aesthetics: Conflicts and Commons in the Politics of Truth" (Verso, 2021)
|
Oct 19, 2021 |
|
Alana Jelinek, "Between Discipline and a Hard Place: The Value of Contemporary Art" (Bloomsbury, 2020)
|
Oct 13, 2021 |
|
Luci Marzola, "Engineering Hollywood: Technology, Technicians, and the Science of Building the Studio System" (Oxford UP, 2021)
|
Oct 13, 2021 |
|
Mike Dines et al., "The Punk Reader: Research Transmissions from the Local and the Global" (Intellect, 2019)
|
Oct 12, 2021 |
|
Phil Rosenzweig, "Reginald Rose and the Journey of 12 Angry Men" (Fordham UP, 2021)
|
Oct 11, 2021 |
|
Christina Lane, "Phantom Lady: Hollywood Producer Joan Harrison, the Forgotten Woman Behind Hitchcock" (Chicago Review Press, 2020)
|
Oct 07, 2021 |
|
Anne Bogart, "The Art of Resonance" (Methuen Drama, 2021)
|
Oct 06, 2021 |
|
Panayotis F. League, "Echoes of the Great Catastrophe: Re-Sounding Anatolian Greekness in Diaspora" (U Michigan Press, 2021)
|
Oct 04, 2021 |
|
Mathias Clasen, "A Very Nervous Person's Guide to Horror Movies" (Oxford UP, 2021)
|
Oct 01, 2021 |
|
Stephen Lee Naish, "Screen Captures: Film in the Age of Emergency" (New Star Books, 2021)
|
Sep 29, 2021 |
|
Shayna Maskell, "Politics as Sound: The Washington, DC, Hardcore Scene, 1978-1983" (U Illinois Press, 2021)
|
Sep 28, 2021 |
|
Dan Fox, "Limbo" (Fitzcarraldo, 2019)
|
Sep 27, 2021 |
|
M. W. Shores, "The Comic Storytelling of Western Japan: Satire and Social Mobility in Kamigata Rakugo" (Cambridge UP, 2021)
|
Sep 22, 2021 |
|
Rachel Rojanski, "Yiddish in Israel: A History" (Indiana UP, 2020)
|
Sep 20, 2021 |
|
Mathias Clasen, "A Very Nervous Person's Guide to Horror Movies" (Oxford UP, 2021)
|
Sep 20, 2021 |
|
Danish Sheikh, "Love and Reparation: A Theatrical Response to the Section 377 Litigation in India" (Seagull Books, 2021)
|
Sep 20, 2021 |
|
Kristian Petersen, "Muslims in the Movies: A Global Anthology" (Ilex Foundation, 2021)
|
Sep 17, 2021 |
|
Paula Richman and Rustom Bharucha, "Performing the Ramayana Tradition: Enactments, Interpretations, and Arguments" (Oxford UP, 2021)
|
Sep 16, 2021 |
|
J. P. M. Drury and S. A. M. Drury, "Rhetoric, Politics, and Hamilton: an American Musical" (Peter Lang, 2021)
|
Sep 16, 2021 |
|
Franz Nicolay, "Someone Should Pay for Your Pain" (Gibson House Press, 2021)
|
Sep 15, 2021 |
|
Martin Harris, "Leatherface Vs. Tricky Dick: The Texas Chain Saw Massacre as Political Satire" (Headpress, 2021)
|
Sep 15, 2021 |
|
Bernard F. Dick, "Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood" (U Kentucky Press, 2021)
|
Sep 15, 2021 |
|
Sara E. Lampert, "Starring Women: Celebrity, Patriarchy, and American Theater, 1790-1851" (U Illinois Press, 2020)
|
Sep 10, 2021 |
|
Mary Gauthier, "Saved by a Song: The Art and Healing Power of Songwriting" (St. Martin's Essentials, 2021)
|
Sep 10, 2021 |
|
Jan Bardsley, "Maiko Masquerade: Crafting Geisha Girlhood in Japan" (U California Press, 2021)
|
Sep 06, 2021 |
|
Cameron Crookston, "The Cultural Impact of Rupaul's Drag Race: Why Are We All Gagging?" (Intellect, 2021)
|
Sep 06, 2021 |
|
Amelia Jones, "In Between Subjects: A Critical Genealogy of Queer Performance" (Routledge, 2020)
|
Sep 03, 2021 |
|
Robin Wallace: Inspired By Beethoven
|
Sep 01, 2021 |
|
Thomas O. Haakenson, "Grotesque Visions: The Science of Berlin Dada" (Bloomsbury, 2021)
|
Aug 31, 2021 |
|
Caseen Gaines, "Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way" (Sourcebooks, 2021)
|
Aug 31, 2021 |
|
Naphtaly Shem-Tov, "Israeli Theatre: Mizrahi Jews and Self-Representation" (Routledge, 2021)
|
Aug 25, 2021 |
|
Janaki Bakhle, "Two Men and Music: Nationalism in the Making of an Indian Classical Tradition" (Oxford UP, 2005)
|
Aug 25, 2021 |
|
Robert Lashley, "Green River Valley" (Blue Cactus Press, 2021)
|
Aug 20, 2021 |
|
Lawrence La Fountain-Stokes, "Translocas: The Politics of Puerto Rican Drag and Trans Performance" (U Michigan Press, 2021)
|
Aug 16, 2021 |
|
Volodymyr Vynnychenko, "Disharmony and Other Plays" (CIUS Press, 2020)
|
Aug 13, 2021 |
|
Julia Jarcho, "Writing and the Modern Stage: Theater beyond Drama" (Cambridge UP, 2017)
|
Aug 11, 2021 |
|
Páraic Kerrigan, "LGBTQ Visibility, Media and Sexuality in Ireland" (Routledge, 2020)
|
Aug 11, 2021 |
|
Patricia Bickers, "The Ends of Art Criticism" (Lund Humphries Publishers, 2021)
|
Aug 06, 2021 |
|
Angela Williams, "Hip Hop Harem: Women, Rap and Representation in the Middle East" (Peter Lang, 2020)
|
Aug 06, 2021 |
|
Jill P. Ingram, "Festive Enterprise: The Business of Drama in Medieval and Renaissance England" (U Notre Dame Press, 2021)
|
Aug 06, 2021 |
|
Mark A. Johnson, "Rough Tactics: Black Performance in Political Spectacles, 1877-1932" (UP of Mississippi, 2021)
|
Aug 05, 2021 |
|
Frans-Willem Korsten, "Art as an Interface of Law and Justice: Affirmation, Disturbance, Disruption" (Hart Publishing, 2021)
|
Aug 04, 2021 |
|
Malcolm James, "Sonic Intimacy: Reggae Sound Systems, Jungle Pirate Radio and Grime YouTube Music Videos" (Bloomsbury, 2020)
|
Aug 04, 2021 |
|
Elizabeth B. Schwall, "Dancing with the Revolution: Power, Politics, and Privilege in Cuba" (UNC Press, 2021)
|
Aug 03, 2021 |
|
Diana Deutsch, “Believing Your Ears: Examining Auditory Illusions” (Open Agenda, 2021)
|
Aug 02, 2021 |
|
Jessica Hopper, "The First Collection of Criticism by a Living Female Rock Critic" (MCD x Fsg Originals, 2021)
|
Jul 30, 2021 |
|
Joseph Curtin, “The Science of Siren Songs: Stradivari Unveiled” (Open Agenda, 2021)
|
Jul 30, 2021 |
|
Chenshu Zhou, "Cinema Off Screen: Moviegoing in Socialist China" (U California Press, 2021)
|
Jul 28, 2021 |
|
Pablo Palomino, "The Invention of Latin American Music" (Oxford UP, 2020)
|
Jul 20, 2021 |
|
Andrew F. Jones, "Circuit Listening: Chinese Popular Music in the Global 1960s" (U Minnesota Press, 2020)
|
Jul 16, 2021 |
|
Cynthia J. Becker, "Blackness in Morocco: Gnawa Identity Through Music and Visual Culture" (U Minnesota Press, 2020)
|
Jul 16, 2021 |
|
Brooke McCorkle Okazaki, "Shonen Knife’s Happy Hour" (Bloomsbury, 2020)
|
Jul 15, 2021 |
|
Paola Hernández, "Staging Lives in Latin American Theater: Bodies, Objects, Archives" (Northwestern UP, 2021)
|
Jul 14, 2021 |
|
Ruth Ahnert et al., "The Network Turn: Changing Perspectives in the Humanities" (Cambridge UP, 2021)
|
Jul 14, 2021 |
|
Candace Bailey, "Unbinding Gentility: Women Making Music in the Nineteenth-Century South" (U Illinois Press, 2021)
|
Jul 13, 2021 |
|
Jonathan Wright and Dawson Barrett, "Punks in Peoria: Making a Scene in the American Heartland" (U Illinois Press, 2021)
|
Jul 12, 2021 |
|
Ellen Seiter and Stefania Marghitu, "Teen TV" (Routledge, 2021)
|
Jul 09, 2021 |
|
Benjamin Steege, "An Unnatural Attitude: Phenomenology in Weimar Musical Thought" (U Chicago Press, 2021)
|
Jul 07, 2021 |
|
Rossen Djagalov, "From Internationalism to Postcolonialism: Literature and Cinema Between the Second and the Third Worlds" (McGill-Queen's UP, 2020)
|
Jul 06, 2021 |
|
Jeanne Pitre Soileau, "Yo' Mama, Mary Mack, and Boudreaux and Thibodeaux: Louisiana Children's Folklore and Play" (UP of Mississippi, 2016)
|
Jul 06, 2021 |
|
Frank Burke et al., "A Companion to Federico Fellini" (Wiley-Blackwell, 2020)
|
Jul 05, 2021 |
|
Caroline Seymour-Jorn, "Creating Spaces of Hope: Young Artists and the New Imagination in Egypt" (AU in Cairo Press, 2021)
|
Jun 30, 2021 |
|
Carey Purcell, "From Aphra Behn to Fun Home: A Cultural History of Feminist Theater" (Rowman & Littlefield, 2019)
|
Jun 25, 2021 |
|
Katherine K. Preston, "George Frederick Bristow" (U Illinois Press, 2020)
|
Jun 24, 2021 |
|
Badia Ahad-legardy, "Afro-Nostalgia: Feeling Good in Contemporary Black Culture" (U Illinois Press, 2021)
|
Jun 23, 2021 |
|
Gemma Commane, "Bad Girls, Dirty Bodies: Sex, Performance and Safe Femininity" (Bloomsbury, 2020)
|
Jun 22, 2021 |
|
Richard Thompson, "Beeswing: Losing My Way and Finding My Voice 1967-1975" (Algonquin Books, 2021)
|
Jun 21, 2021 |
|
Susan Blakeley Klein, "Dancing the Dharma: Religious and Political Allegory in Japanese Noh Theater" (Harvard UP, 2020)
|
Jun 18, 2021 |
|
Vernadette Vicuña Gonzalez, "Empire's Mistress, Starring Isabel Rosario Cooper" (Duke UP, 2021)
|
Jun 17, 2021 |
|
Jessica Helfand, "Face: A Visual Odyssey" (MIT Press, 2019)
|
Jun 17, 2021 |
|
David Arditi, "Getting Signed: Record Contracts, Musicians, and Power in Society" (Palgrave Macmillan, 2020)
|
Jun 16, 2021 |
|
Claudrena N. Harold, "When Sunday Comes: Gospel Music in the Soul and Hip-Hop Eras" (U Illinois Press, 2020)
|
Jun 16, 2021 |
|
François Matarasso, "A Restless Art: How Participation Won, and Why it Matters" (CGF, 2019)
|
Jun 16, 2021 |
|
Constance Congdon, "2 Washington Square" (Broadway Play Publishing, 2020)
|
Jun 15, 2021 |
|
Douglas W. Shadle, "Antonín Dvořák's New World Symphony" (Oxford UP, 2021)
|
Jun 11, 2021 |
|
Robert C. Bartlett, "Against Demagogues: What Aristophanes Can Teach Us about the Perils of Populism and the Fate of Democracy" (U California Press, 2020)
|
Jun 10, 2021 |
|
Jennifer Ponce de León, "Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War" (Duke UP, 2021)
|
Jun 09, 2021 |
|
Cécile Fromont, "Afro-Catholic Festivals in the Americas: Performance, Representation, and the Making of Black Atlantic Tradition" (Penn State, 2019)
|
Jun 09, 2021 |
|
W. Patrick McCray, "Making Art Work: How Cold War Engineers and Artists Forged a New Creative Culture" (MIT Press, 2020)
|
Jun 09, 2021 |
|
Louis Menand, "The Free World: Art and Thought in the Cold War" (FSG, 2021)
|
Jun 07, 2021 |
|
Axel Englund, "Deviant Opera: Sex, Power, and Perversion on Stage" (U California Press, 2020)
|
Jun 07, 2021 |
|
Heather Berg, "Porn Work: Sex, Labor, and Late Capitalism" (UNC Press, 2021)
|
Jun 03, 2021 |
|
Erin Courtney, "Ann, Fran, and Mary Ann" (53rd State Press, 2020)
|
Jun 01, 2021 |
|
Sergio Rigoletto, "Le norme traviate: Saggi sul genere e sulla sessualità nel cinema e nella televisione italiana" (Meltemi Publishers, 2020)
|
May 31, 2021 |
|
Pamela Hamilton, "Lady Be Good: The Life and Times of Dorothy Hale" (Koehler Books, 2021)
|
May 28, 2021 |
|
K. E. Goldschmitt, "Bossa Mundo: Brazilian Music in Transnational Media Industries" (Oxford UP, 2019)
|
May 28, 2021 |
|
Benjamin Piekut, "Henry Cow: The World Is a Problem" (Duke UP, 2019)
|
May 28, 2021 |
|
Katrina Phillips, "Staging Indigeneity: Salvage Tourism and the Performance of Native American History" (UNC Press, 2021)
|
May 21, 2021 |
|
David Monod, "Vaudeville and the Making of Modern Entertainment, 1890–1925" (UNC Press, 2020)
|
May 19, 2021 |
|
Simon Critchley, "Tragedy, the Greeks, and Us" (Vintage, 2020)
|
May 14, 2021 |
|
Diana Souhami, "No Modernism Without Lesbians" (Head of Zeus Book, 2020)
|
May 13, 2021 |
|
Kathleen Collins, "From Rabbit Ears to the Rabbit Hole: A Life with Television" (UP of Mississippi, 2021)
|
May 13, 2021 |
|
Steve Dixon, "Cybernetic-Existentialism: Freedom, Systems, and Being-for-Others in Contemporary Arts and Performance" (Routledge, 2020)
|
May 11, 2021 |
|
Kate Dossett, "Radical Black Theatre in the New Deal" (UNC Press, 2020)
|
May 10, 2021 |
|
Michael L. Siciliano, "Creative Control: The Ambivalence of Work in the Culture Industries" (Columbia UP, 2021)
|
May 06, 2021 |
|
Amit Chaudhuri, "Finding the Raga: An Improvisation on Indian Music" (NYRB, 2021)
|
May 06, 2021 |
|
Maureen Mahon, "Black Diamond Queens: African American Women and Rock and Roll" (Duke UP, 2020)
|
May 04, 2021 |
|
Philip Auslander, "In Concert: Performing Musical Persona" (U Michigan Press, 2021)
|
Apr 30, 2021 |
|
Tara T. Green, "Reimagining the Middle Passage: Black Resistance in Literature, Television, and Song" (Ohio State UP, 2018)
|
Apr 30, 2021 |
|
E. Patrick Johnson, "Sweet Tea: A Play" (Northwestern UP, 2011)
|
Apr 30, 2021 |
|
Jack Black, "Race, Racism and Political Correctness in Comedy: A Psychoanalytic Exploration" (Routledge, 2021)
|
Apr 28, 2021 |
|
Carrie Noland, "Merce Cunningham: After the Arbitrary" (U Chicago Press, 2020)
|
Apr 22, 2021 |
|
Bill Nowlin, "Vinyl Ventures: My Fifty Years at Rounder Records" (Equinox, 2021)
|
Apr 20, 2021 |
|
Felicia Rose Chavez, "The Antiracist Writing Workshop: How to Decolonize the Creative Classroom" (Breakbeat Poets, 2020)
|
Apr 20, 2021 |
|
R. Armstrong and R. Hughes "The Art of Experiment: Post-Pandemic Knowledge Practices for 21st-Century Architecture and Design" (Routledge, 2020)
|
Apr 19, 2021 |
|
Joshua Bennett, "Owed" (Penguin, 2020)
|
Apr 19, 2021 |
|
Maria San Filippo, "Provocauteurs and Provocations: Screening Sex in 21st Century Media" (Indiana UP, 2021)
|
Apr 13, 2021 |
|
Anne Searcy, "Ballet in the Cold War: A Soviet-American Exchange" (Oxford UP, 2020)
|
Apr 09, 2021 |
|
Shannan Clark, "The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism" (Oxford UP, 2020)
|
Apr 06, 2021 |
|
Jack W. Chen, "Anecdote, Network, Gossip, Performance: Essays on the Shishuo xinyu" (Harvard UP, 2021)
|
Apr 06, 2021 |
|
Amanda Ann Klein, "Millennials Killed the Video Star: MTV's Transition to Reality Programming" (Duke UP, 2021)
|
Apr 05, 2021 |
|
D. A. Miller, "Hidden Hitchcock" (U Chicago Press, 2016)
|
Mar 31, 2021 |
|
Jane Alison, "Meander, Spiral, Explode: Design and Pattern in Narrative" (Catapult, 2019)
|
Mar 31, 2021 |
|
Nate Chinen, "Playing Changes: Jazz for the New Century" (Vintage, 2019)
|
Mar 26, 2021 |
|
Rebecca Hope Dirksen, "After the Dance, the Drums Are Heavy: Carnival, Politics, and Musical Engagement in Haiti" (Oxford UP, 2020)
|
Mar 17, 2021 |
|
Eric Hayot, "Humanist Reason: A History. An Argument. A Plan" (Columbia UP, 2021)
|
Mar 17, 2021 |
|
Richard Maxwell, "Evening Plays" (Theatre Communications Group, 2020)
|
Mar 16, 2021 |
|
J. DeLapp-Birkett and Aaron Sherber, "Appalachian Spring: Original Ballet Version" (A-R Edtions, 2019)
|
Mar 15, 2021 |
|
Peter Langland-Hassan, "Explaining Imagination" (Oxford UP, 2020)
|
Mar 10, 2021 |
|
Xiaomei Chen, "Staging Chinese Revolution: Theater, Film, and the Afterlives of Propaganda" (Columbia UP, 2016)
|
Mar 10, 2021 |
|
Frances Galt, "Women’s Activism Behind the Screens: Trade Unions and Gender Inequality in the British Film and Television Industries" (Bristol UP, 2020)
|
Mar 05, 2021 |
|
Luc Sante, "Maybe the People Would Be the Times" (Verse Chorus Press, 2020)
|
Feb 25, 2021 |
|
J. Lahti and R. Weaver-Hightower, "Cinematic Settlers: The Settler Colonial World in Film" (Routledge, 2020)
|
Feb 24, 2021 |
|
Daphne A. Brooks, "Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound" (Harvard UP, 2021)
|
Feb 23, 2021 |
|
I. Stavans and J. Lambert, "How Yiddish Changed America and How America Changed Yiddish" (Restless Books, 2020)
|
Feb 23, 2021 |
|
Studying LBGT Organizing in China: A Conversation with Caterina Fugazzola
|
Feb 18, 2021 |
|
Howard Sherman, "Another Day's Begun: Thornton Wilder’s Our Town in the 21st Century" (Bloomsbury Publishing, 2021)
|
Feb 15, 2021 |
|
Linda C. Ehrlich, "The Films of Kore-eda Hirokazu: An Elemental Cinema" (Palgrave, 2019)
|
Feb 05, 2021 |
|
Tavia Nyong’o, "Afro-Fabulations: The Queer Drama of Black Life" (NYU Press, 2028)
|
Feb 05, 2021 |
|
Kimberly Mack, "Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White" (U Mass Press, 2020)
|
Feb 05, 2021 |
|
M. C. Riggio et al, "Festive Devils of the Americas" (Seagull Books, 2015)
|
Feb 04, 2021 |
|
Diana Taylor, "¡Presente!: The Politics of Presence" (Duke UP, 2020)
|
Jan 29, 2021 |
|
Lenny Henry and Marcus Ryder, "Access All Areas: The Diversity Manifesto for TV and Beyond" (Faber and Faber, 2021)
|
Jan 29, 2021 |
|
Andrea Bohlman, "Musical Solidarities: Political Action and Music in Late Twentieth-Century Poland" (Oxford UP, 2020)
|
Jan 26, 2021 |
|
Maya Stovall, "Liquor Store Theatre" (Duke UP, 2020)
|
Jan 25, 2021 |
|
Mario Telò, "Archive Feelings: A Theory of Greek Tragedy" (Ohio State UP, 2020)
|
Jan 22, 2021 |
|
André Gregory, "This Is Not My Memoir" (FSG, 2020)
|
Jan 20, 2021 |
|
David Chaffetz, "Three Asian Divas: Women, Art and Culture In Shiraz, Delhi and Yangzhou" (Abbreviated Press, 2019)
|
Jan 14, 2021 |
|
Guojun Wang, "Staging Personhood: Costuming in Early Qing Drama" (Columbia UP, 2020)
|
Jan 14, 2021 |
|
Bringing the Story to the Streets: If God is Dead, How Does the Passion Survive?
|
Jan 13, 2021 |
|
Mike Anthony, "Life at Hamilton: Sometimes You Throw Away Your Shot, Only to Find Your Story" (Waterside, 2020)
|
Jan 13, 2021 |
|
Andy Boyd, "The Trade Federation or Let's Explore Globalization Through the Star Wars Prequels" (NoPassport, 2020)
|
Jan 12, 2021 |
|
Gerry Smyth, "Sailor Song: The Shanties and Ballads of the High Seas" (U Washington Press, 2020)
|
Jan 12, 2021 |
|
Mark Nowak, "Social Poetics" (Coffee House Press, 2020)
|
Dec 30, 2020 |
|
Trevor C. Pederson, "Psychoanalysis and Hidden Narrative in Film: Reading the Symptom" (Routledge, 2018)
|
Dec 28, 2020 |
|
Jenn Shapland, "My Autobiography of Carson Mccullers: A Memoir" (Tin House Books, 2020)
|
Dec 28, 2020 |
|
Tom Boniface-Webb, "Modern Music Masters: Oasis" (MMM, 2020)
|
Dec 23, 2020 |
|
Edwin Wilson, "Magic Time, a Memoir: Notes on Theatre & Other Entertainment" (Smith & Kraus, 2020)
|
Dec 22, 2020 |
|
Dan Callahan, "The Camera Lies: Acting for Hitchcock" (Oxford UP, 2020)
|
Dec 22, 2020 |
|
Laurent Fintoni, "Bedroom Beats & B-Sides: Instrumental Hip-Hop & Electronic Music at the Turn of the Century" (Velocity Press, 2020)
|
Dec 21, 2020 |
|
Stanley J. Rabinowitz, "And Then Came Dance: The Women Who Led Volynsky to Ballet's Magic Kingdom" (Oxford UP, 2019)
|
Dec 18, 2020 |
|
Waleed F. Mahdi, "Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation" (Syracuse UP, 2020)
|
Dec 15, 2020 |
|
Noel John Pinnington, "A New History of Medieval Japanese Theatre: Noh and Kyōgen from 1300 to 1600" (Springer, 2019)
|
Dec 15, 2020 |
|
Timothy Hampton, "Bob Dylan: How the Songs Work" (Zone Books, 2020)
|
Dec 11, 2020 |
|
Ashley E. Lucas, "Prison Theatre and the Global Crisis of Incarceration" (Bloomsbury, 2020)
|
Dec 08, 2020 |
|
Oluwakemi M. Balogun, "Beauty Diplomacy: Embodying an Emerging Nation" (Stanford UP, 2020)
|
Dec 04, 2020 |
|
Harmony Bench, "Perpetual Motion: Dance, Digital Cultures, and the Common" (U Minnesota Press, 2020)
|
Dec 02, 2020 |
|
David Adjmi, "Lot Six" (Harper, 2020)
|
Nov 30, 2020 |
|
Victoria Phillips, "Martha Graham's Cold War: The Dance of American Diplomacy" (Oxford UP, 2019)
|
Nov 24, 2020 |
|
Liza Black, "Picturing Indians: Native Americans in Film, 1941-1960" (U Nebraska Press, 2020)
|
Nov 20, 2020 |
|
George Musgrave, "Can Music Make You Sick?: Measuring the Price of Musical Ambition" (U Westminster Press, 2020)
|
Nov 20, 2020 |
|
Eithne Quinn, "A Piece of the Action: Race and Labor in Post–Civil Rights Hollywood" (Columbia UP, 2019)
|
Nov 16, 2020 |
|
Charles L. Leavitt IV, "Italian Neorealism: A Cultural History" (U Toronto Press, 2020)
|
Nov 16, 2020 |
|
Terry Baum, "One Dyke’s Theater: Selected Plays 1975-2014" (Exit Press, 2019)
|
Nov 16, 2020 |
|
Arlene Davila, "Latinx Art: Artists, Markets, and Politics" (Duke UP, 2020)
|
Nov 13, 2020 |
|
Southeast Asian Performance, Ethnic Identity and China’s Soft Power: A Discussion with Dr Josh Stenberg
|
Nov 12, 2020 |
|
Kevin Mattson, "We're Not Here to Entertain: Punk Rock, Ronald Reagan, and the Real Culture War of 1980s America" (Oxford UP, 2020)
|
Nov 11, 2020 |
|
Jeremy M. Glick, "The Black Radical Tragic: Performance, Aesthetics, and the Unfinished Haitian Revolution" (NYU Press, 2016)
|
Nov 10, 2020 |
|
Julia S. Charles, "That Middle World: Race, Performance, and the Politics of Passing" (UNC Press, 2020)
|
Nov 09, 2020 |
|
Megan Sandberg-Zakian, "There Must Be Happy Endings: On a Theater of Optimism and Honesty" (3rd Thing Press, 2020)
|
Nov 06, 2020 |
|
Emily J. Lordi, "The Meaning of Soul: Black Music and Resilience Since the 1960s" (Duke UP, 2020)
|
Oct 30, 2020 |
|
Warren Hoffman, "The Great White Way: Race and the Broadway Musical", 2nd edition (Rutgers UP, 2020)
|
Oct 28, 2020 |
|
Neil Shister, "Radical Ritual: How Burning Man Changed the World" (Counterpoint, 2019)
|
Oct 26, 2020 |
|
Bonny H. Miller, "Augusta Browne: Composer and Woman of Letters in Nineteenth-Century America" (U Rochester Press, 2020)
|
Oct 26, 2020 |
|
Lissette Lopez Szwydky, "Transmedia Adaptation in the Nineteenth Century" (Ohio State UP, 2020)
|
Oct 26, 2020 |
|
Lisa B. Thompson, "Underground, Monroe, and the Mamalogues: Three Plays" (Northwestern UP, 2020)
|
Oct 23, 2020 |
|
Robert Bartlett, "Against Demagogues: What Aristophanes Can Teach Us about the Perils of Populism and the Fate of Democracy" (U California Press, 2020)
|
Oct 21, 2020 |
|
Chinua Thelwell, "Exporting Jim Crow: Blackface Minstrelsy in South Africa and Beyond" (U Massachusetts Press, 2020)
|
Oct 20, 2020 |
|
Eric San Juan, "The Films of Martin Scorsese: Gangsters, Greed, and Guilt" (Rowman and Littlefield, 2020)
|
Oct 20, 2020 |
|
Ahalya Satkunaratnam, "Moving Bodies, Navigating Conflict: Practicing Bharatanatyam in Colombo, Sri Lanka" (Wesleyan UP, 2020)
|
Oct 15, 2020 |
|
Yvonne Rainer, "Revisions: Essays by Apollo Musagète, Yvonne Rainer, and Others" (No Place Press, 2020)
|
Oct 14, 2020 |
|
Joel Miller, "Memoir of a Roadie: Axl Said I made a Great Cup of Tea…" (2020)
|
Oct 13, 2020 |
|
Dave O’Brien, "Culture is Bad for You: Inequality in the Cultural and Creative Industries" (Manchester UP, 2020)
|
Oct 12, 2020 |
|
William P. Seeley, "Attentional Engines: A Perceptual Theory of the Arts" (Oxford UP, 2020)
|
Oct 12, 2020 |
|
Jill Richards, "The Fury Archives: Female Citizenship, Human Rights, and the International Avant-Gardes" (Columbia UP, 2020)
|
Oct 08, 2020 |
|
Joshua Chambers-Letson, "After the Party: A Manifesto for Queer of Color Life" (NYU Press, 2018)
|
Oct 02, 2020 |
|
Fabian Holt, "Everyone Loves Live Music: A Theory of Performance Institutions" (U Chicago Press, 2020)
|
Sep 29, 2020 |
|
Bruce Isaacs, "The Art of Pure Cinema: Hitchcock and His Imitators" (Oxford UP, 2020)
|
Sep 28, 2020 |
|
Karen Quigley, "Performing the Unstageable: Success, Imagination, Failure" (Methuen Drama, 2020)
|
Sep 28, 2020 |
|
Silviana Wood, "Barrio Dreams: Selected Plays" (U Arizona Press, 2016)
|
Sep 22, 2020 |
|
Bethany Klein, "Selling Out: Culture, Commerce and Popular Music" (Bloomsbury, 2020)
|
Sep 21, 2020 |
|
Jack Santino, "Public Performances: Studies in the Carnivalesque and Ritualesque" (UP Colorado, 2017)
|
Sep 17, 2020 |
|
Anne García-Romero, "The Fornes Frame" (U Arizona Press, 2016)
|
Sep 15, 2020 |
|
Laura Westengard, "Gothic Queer Culture: Marginalized Communities and the Ghosts of Insidious Trauma" (U Nebraska Press, 2019)
|
Sep 10, 2020 |
|
Co-Authored: A Discussion of "The Party Decides"
|
Sep 09, 2020 |
|
Ronak K. Kapadia, "Insurgent Aesthetics: Security and the Queer Life of the Forever War"(Duke UP, 2019)
|
Sep 03, 2020 |
|
Chantal Bilodeau, "Forward" (Tanlonbooks 2018)
|
Sep 03, 2020 |
|
Annie-B Parson, "Drawing the Surface of Dance: A Biography in Charts" (Wesleyan UP. 2019)
|
Aug 31, 2020 |
|
Adam Broinowski, "Cultural Responses to Occupation in Japan: The Performing Body During and After the Cold War" (Bloomsbury 2016)
|
Aug 25, 2020 |
|
Kareem Khubchandani, "Ishtyle: Accenting Gay Indian Nightlife" (Michigan UP, 2020)
|
Aug 24, 2020 |
|
Steven C. Smith, "Music by Max Steiner: The Epic Life of Hollywood’s Most Influential Composer" (Oxford UP, 2020)
|
Aug 21, 2020 |
|
F. Henry and D. Plaza, "Carnival Is Woman: Feminism and Performance in Caribbean Mas. (UP of Mississippi, 2019)
|
Aug 21, 2020 |
|
L. D'Amour and K. Pearl, "Milton: A Performance and Community Engagement Experiment" (53rd State Press, 2019)
|
Aug 20, 2020 |
|
Lauren Michele Jackson, "White Negroes: When Cornrows Were in Vogue ... and Other Thoughts on Cultural Appropriation" (Beacon, 2019)
|
Aug 19, 2020 |
|
Kimberly Brown Pellum, "Black Beauties: African American Pageant Queens in the Segregated South" (History Press, 2020)
|
Aug 17, 2020 |
|
Rae Linda Brown, "Heart of a Woman: The Life and Music of Florence B. Price" (U Illinois Press, 2020)
|
Aug 14, 2020 |
|
Karen Patel, "The Politics of Expertise in Cultural Labour: Arts, Work and Inequalities" (Rowman and Littlefield, 2020)
|
Aug 12, 2020 |
|
Barry Witham, "From Red-Baiting to Blacklisting: The Labor Plays of Manny Fried" (SIU Press 2020)
|
Aug 11, 2020 |
|
Jennifer Atkins, "New Orleans Carnival Balls: The Secret Side of Mardi Gras, 1870-1920" (LSU Press, 2017)
|
Aug 10, 2020 |
|
Caridad Svich, "Mitchell and Trask’s Hedwig and the Angry Inch" (Routledge, 2019
|
Aug 03, 2020 |
|
Sunny Stalter-Pace, "Imitation Artist: Gertrude Hoffman’s Life in Vaudeville and Dance" (Northwestern UP, 2020)
|
Jul 31, 2020 |
|
Vanita Reddy, "Fashioning Diaspora: Beauty, Femininity and South Asian American Culture" (Duke UP, 2016)
|
Jul 30, 2020 |
|
Kevin J. Byrne, "Minstrel Traditions: Mediated Blackface in the Jazz Age" (Routledge, 2020)
|
Jul 29, 2020 |
|
Mary Kathryn Nagle, "Sovereignty" (Northwestern UP, 2020)
|
Jul 28, 2020 |
|
Telory Arendell, "The Autistic Stage: How Cognitive Disability Changed 20th-Century Performance" (Sense Publishers, 2015)
|
Jul 24, 2020 |
|
Manuel Betancourt, "Judy Garland's Judy at Carnegie Hall" (Bloomsbury Academic, 2020)
|
Jul 23, 2020 |
|
Nasser Rahmaninejad, "A Man of the Theatre: Survival as an Artist in Iran" (New Village Press, 2020)
|
Jul 14, 2020 |
|
C. Jester and C. Svich, "Fifty Playwrights on their Craft" (Bloomsbury, 2018)
|
Jul 09, 2020 |
|
Marianna Ritchey, "Composing Capital: Classical Music in the Neoliberal Era" (U Chicago Press, 2019)
|
Jul 08, 2020 |
|
Creshema R. Murray, "Leadership Through the Lens: Interrogating Production, Presentation, and Power" (Rowman and Littlefield, 2017)
|
Jul 06, 2020 |
|
Grace Elizabeth Hale, "Cool Town: How Athens, Georgia, Launched Alternative Music and Changed American Culture" (UNC Press, 2020)
|
Jul 03, 2020 |
|
François Clemmons, "Officer Clemmons: A Memoir" (Catapult, 2020)
|
Jun 26, 2020 |
|
Greg Garrett, "A Long, Long Way: Hollywood’s Unfinished Journey from Racism to Reconciliation" (Oxford UP, 2020)
|
Jun 24, 2020 |
|
Shana Redmond, "Everything Man: The Form and Function of Paul Robeson" (Duke UP, 2020)
|
Jun 23, 2020 |
|
Clifford Mason, "Macbeth in Harlem: Black Theater in America from the Beginning to Raisin in the Sun" (Rutgers UP, 2020)
|
Jun 22, 2020 |
|
Brian Greene, "Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe" (Random House, 2020)
|
Jun 02, 2020 |
|
Ian Burrows, "Shakespeare for Snowflakes: On Slapstick and Sympathy" (Zero Books, 2020)
|
Jun 02, 2020 |
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Steve Zeitlin, "The Poetry of Everyday Life: Storytelling and the Art of Awareness" (Cornell UP, 2016)
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May 25, 2020 |
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Caridad Svich, "The Hour of All Things and Other Plays" (Intellect Books, 2018)
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May 20, 2020 |
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Stacy Wolf, "Beyond Broadway: The Pleasure and Promise of Musical Theatre Across America" (Oxford UP, 2019)
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May 18, 2020 |
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Melissa R. Klapper, "Ballet Class: An American History" (Oxford UP, 2020)
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May 12, 2020 |
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Lana Lesley, "Rude Mechs’ Lipstick Traces" (53rd State, 2019)
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May 11, 2020 |
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Sean F. Edgecomb, "Charles Ludlam Lives!" (U Michigan, 2017)
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May 08, 2020 |
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Katie Horowitz, "Drag, Interperformance, and the Trouble with Queerness" (Routledge, 2019)
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May 01, 2020 |
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Shay Welch, "The Phenomenology of a Performative Knowledge System" (Palgrave Macmillan, 2019)
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Apr 29, 2020 |
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James Shapiro, "Shakespeare in a Divided America" (Penguin, 2020)
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Apr 29, 2020 |
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Leslie M. Harris, "Slavery and the University: Histories and Legacies" (U Georgia Press, 2019)
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Apr 28, 2020 |
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Caspar Melville, "It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City" (Manchester UP, 2019)
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Apr 24, 2020 |
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Rachel Kauder Nalebuff, "Stages: On Dying, Working, and Feeling" (Thick Press, 2020)
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Apr 23, 2020 |
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Jacki Apple, "Performance / Media / Art / Culture: Selected Essays 1983-2018" (Intellect Books, 2019)
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Apr 23, 2020 |
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Christopher Bayes, "Discovering the Clown, or The Funny Book of Good Acting" (TCG, 2019)
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Apr 17, 2020 |
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Matt Cook, "Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy" (MIT Press, 2020)
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Mar 30, 2020 |
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Tobie Stein, "Racial and Ethnic Diversity in the Performing Arts Workforce" (Routledge, 2020)
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Mar 27, 2020 |
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Phillipa Chong, “Inside the Critics’ Circle: Book Reviewing in Uncertain Times” (Princeton UP, 2020)
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Feb 25, 2020 |
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K. Linder et al., "Going Alt-Ac: A Guide to Alternative Academic Careers" (Stylus Publishing, 2020)
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Jan 30, 2020 |
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Alberto Cairo, "How Charts Lie: Getting Smarter about Visual Information" (Norton, 2019)
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Dec 03, 2019 |
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Kathryn Conrad on University Press Publishing
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Nov 03, 2019 |
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J. Neuhaus, "Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers" (West Virginia UP, 2019)
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Oct 24, 2019 |
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Jennifer C. Lena, "Entitled: Discriminating Tastes and the Expansion of the Arts" ( Princeton UP, 2019)
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Aug 29, 2019 |
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Shelby Wynn Schwartz, "The Bodies of Others: Drag Dances and Their Afterlives" (U Michigan Press, 2019)
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Aug 16, 2019 |
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Harshita M. Kamath, "The Artifice of Brahmin Masculinity in South Indian Dance" (U California Press, 2019)
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Aug 08, 2019 |
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Emily Wilcox, "Revolutionary Bodies: Chinese Dance and the Socialist Legacy" (U California Press, 2018)
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Jun 18, 2019 |
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David V. Mason, "The Performative Ground of Religion and Theatre" (Routledge, 2018)
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Apr 17, 2019 |
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Jules Evans, "The Art of Losing Control: A Philosopher's Search for Ecstatic Experience" (Canongate Books, 2017)
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Mar 28, 2019 |
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Discussion of Massive Online Peer Review and Open Access Publishing
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Mar 19, 2019 |
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Bernadete Barton, "Stripped: More Stories from Exotic Dancers" (NYU Press, 2017)
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Feb 28, 2019 |
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Victoria Fortuna, "Moving Otherwise: Dance, Violence and Memory in Buenos Aires" (Oxford UP, 2018)
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Dec 28, 2018 |
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McKenzie Wark, "General Intellects: Twenty-One Thinkers for the Twenty-First Century" (Verso, 2017)
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Dec 06, 2018 |
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Halifu Osumare, “Dancing in Blackness: A Memoir” (UP of Florida, 2018)
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Jun 04, 2018 |
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Marc Hertzman, “Making Samba: A New History of Race and Music in Brazil” (Duke UP, 2013)
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Apr 19, 2018 |
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miriam cooke, “Dancing in Damascus: Creativity, Resilience, and the Syrian Revolution” (Routledge, 2017)
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Jan 02, 2018 |
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Edward Ross Dickinson, “Dancing in the Blood” (Cambridge UP, 2017)
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Dec 29, 2017 |
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Mark Fleischman, “Inside Studio 54” (Rare Bird Books, 2017)
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Dec 08, 2017 |
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Julia Fawcett, “Spectacular Disappearances: Celebrity and Privacy, 1696-1801” (U. Michigan Press, 2016)
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Oct 09, 2017 |
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Joanna Dee Das, “Katherine Dunham: Dance and the African Diaspora” (Oxford UP, 2017)
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Sep 07, 2017 |
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Dana Mills, “Dance and Politics: Moving Beyond Boundaries” (Manchester University Press, 2017)
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Jul 10, 2017 |
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Carrie J. Preston, “Learning to Kneel: Noh, Modernism, and Journeys in Teaching” (Columbia UP, 2016)
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Mar 29, 2017 |
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Anthea Kraut, “Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance” (Oxford UP, 2015)
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Jun 23, 2016 |
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James Nott, “Going to the Palais: A Social and Cultural History of Dancing and Dance Halls in Britain, 1918-1960” (Oxford UP, 2016)
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Mar 02, 2016 |
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Clare Croft, “Dancers as Diplomats: American Choreography in Cultural Exchange” (Oxford UP, 2015)
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Oct 27, 2015 |
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Bill T. Jones, “Story/Time: The Life of An Idea” (Princeton UP, 2014)
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Mar 17, 2015 |
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Wendy Oliver and Lindsay Guarino, eds., “Jazz Dance: A History of the Roots and Branches” (University Press of Florida, 2014)
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Mar 10, 2015 |
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Sherrie Tucker, “Dance Floor Democracy: The Social Geography of Memory at the Hollywood Canteen” (Duke UP, 2014)
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Jan 19, 2015 |
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Rebecca Rossen, “Dancing Jewish: Jewish Identity in American Modern and Postmodern Dance” (Oxford UP, 2014)
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Sep 13, 2014 |
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Caitlin McDonald and Barbara Sellers-Young, eds., “Belly Dance Around the World” (McFarland, 2013)
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Mar 19, 2014 |
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Joshua Legg, “Introduction to Modern Dance Techniques” (Princeton Book Company, 2011)
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Aug 27, 2013 |
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Alexis Wilson, “Not So Black and White” (Tree Spirit Publishing, 2012)
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Jun 03, 2013 |
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Yael Tamar Lewin, “Night’s Dancer: The Life of Janet Collins” (Wesleyan UP, 2011)
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Jan 11, 2013 |
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Peggy Schwartz and Murray Schwartz, “The Dance Claimed Me: A Biography of Pearl Primus” (Yale UP, 2012)
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Nov 02, 2012 |
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Brenda Dixon Gottschild, “Joan Myers Brown and the Audacious Hope of the Black Ballerina: A Biohistory of American Performance” (Palgrave-Macmillan, 2011)
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Aug 29, 2012 |
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Andrew Field, “Shanghai’s Dancing World: Cabaret Culture and Urban Politics, 1919-1954” (The Chinese University Press, 2010)
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Mar 07, 2012 |
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Peter Filichia, “Broadway Musicals: The Biggest Hit and the Biggest Flop of the Season 1959-2009” (Applause, 2010)
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May 27, 2011 |
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George Hunka, “Word Made Flesh: Philosophy, Eros, and Contemporary Tragic Drama” (Eyecorner Press, 2011)
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May 01, 2011 |
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Martin Denton, “Plays and Playwrights 2011” (NYTE, 2011)
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Apr 20, 2011 |
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Pamela Cobrin, “From Winning the Vote to Directing on Broadway: The Emergence of Women on the New York Stage” (Delaware, 2009)
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Apr 06, 2011 |