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Episode | Date |
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Dane Jensen on Art Advising in Los Angeles and the Ernie Barnes Market
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Jun 13, 2023 |
Sotheby's David Galperin on Finding the Next Big Name
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Jun 02, 2023 |
Art and Fashion Converge with FIT's Natasha Degen
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May 26, 2023 |
Mo Ostin Collection; Press family collection, Basquiat, Rousseau & NY HIghlights, May 2023
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May 09, 2023 |
The Gerald Fineberg Collection with Christie's Sara Friedlander
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May 05, 2023 |
S.I. Newhouse: Portrait of a Collector
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May 02, 2023 |
The Global Auction Calendar with Phillips CEO Stephen Brooks
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Apr 25, 2023 |
Cecily Brown: Hugo Nathan on the Artist and Her Market
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Apr 13, 2023 |
CJ Hendry: The Artist as Impresario
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Apr 06, 2023 |
The Exploding Editions Market with Phillips Robert Kennan
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Mar 29, 2023 |
Understanding Kenneth Noland: The artist's son, Bill Noland, & the estate's advisors
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Mar 24, 2023 |
New York's March Sales with Christie's Sara Friedlander and LiveArt's George O'Dell
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Mar 17, 2023 |
Understanding Philip Guston Now: The National Gallery's Harry Cooper; Collector Claude Reich
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Mar 10, 2023 |
London Winter Sales Preview: Kandinsky, Munch, Magritte, Richter, Picasso, de Kooning and much more
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Feb 24, 2023 |
Art Basel CEO Noah Horowitz on the Fair's Future
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Feb 20, 2023 |
Eleanor Acquavella on Wayne Thiebaud and the Fondation Beyeler show
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Feb 07, 2023 |
The Rome-New York Connection in High Modernism: David Leiber's Show at David Zwirner Gallery
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Jan 26, 2023 |
LiveArt's Hot List for 2023
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Jan 17, 2023 |
Gagosian's Laura Paulson on Managing the Big Collections for Sale
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Dec 23, 2022 |
LiveArt's Market Pulse for Nov 22, 2022: Sotheby's Kelsey Leonard & Lucius Elliott
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Nov 25, 2022 |
LiveArt's Market Pulse for November 18, 2022: Lock Kresler Assesses the Market
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Nov 22, 2022 |
LiveArt Market Pulse for November 8, 2022: Day Sale Focus
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Nov 11, 2022 |
Lynne Drexler's Extraordinary Year: Christine Berry, Sukanya Rajaratnam and Julian Ehrlich Explain
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Nov 08, 2022 |
LiveArt's Market Pulse for Nov 2: Paul Allen, Alex Katz and the Surprise of Boetti
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Nov 04, 2022 |
The Billion-Dollar Paul G. Allen Collection at Christie's with Marc Porter and Max Carter
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Nov 01, 2022 |
LiveArt Market Pulse for Oct 24, 2022: Paris Plus, Mitchell/Monet & Alice Baber
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Oct 25, 2022 |
James Sevier Takes Stock of Frieze Week in London
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Oct 18, 2022 |
LiveArt's Market Pulse for October 10, 2022
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Oct 11, 2022 |
Isa Lorenzo & Rachel Rillo Launch Manila Gallery Silverlens in New York
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Oct 07, 2022 |
LiveArt's Market Pulse for October 3, 2022
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Oct 04, 2022 |
LiveArt's Market Pulse for September 21, 2022
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Sep 27, 2022 |
Jonathan Crockett on Phillips's Strength in Asia
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Sep 23, 2022 |
LiveArt's Market Pulse for September 16, 2022
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Sep 20, 2022 |
Devang Thakkar Leads Christie's into the Future of Technology
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Sep 16, 2022 |
LiveArt's Market Pulse: September 7, 2022
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Sep 13, 2022 |
LiveArt's Hot List for Spring 2022, Part 2
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Aug 03, 2022 |
LiveArt's Hot List for Spring 2022, Part 1
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Jul 27, 2022 |
Erick Calderon's Chromie Squiggle Conquers Basel
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Jul 20, 2022 |
Magnus Resch Answers Artists Questions About NFTs
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Jul 06, 2022 |
Hilton Als: Discovering Frank Walter and Finding New Ways to Present Literature and Art
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Jun 29, 2022 |
William O'Reilly: The Thrill of Collecting Old Masters
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Jun 22, 2022 |
Nate Freeman: Covering the Art World as Beau Monde
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Jun 15, 2022 |
Gabriela Palmieri: How Collectors Navigate the Competitive Market for Emerging Artists
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Jun 01, 2022 |
Andrew Fabricant Takes Gagosian Gallery into the Future
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May 25, 2022 |
Good Times: Bill Perkins Explains Why He Bought Ernie Barnes's The Sugar Shack for $15 million
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May 18, 2022 |
Rachel Hagopian Explains Private Sales on LiveArt Market
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May 11, 2022 |
Christie's May Sale Preview: Warhol's Marilyn ; Anne Bass's Rothkos, Degas & Monets; and More
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May 04, 2022 |
Phillips May Sale Preview: Basquiat's Devil, Calder's Snow Flurry, Kusama's Infinity Net
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Apr 27, 2022 |
Brooke Lampley on the $676 Million Macklowe Sale—and This Season's Follow Up
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Apr 20, 2022 |
Julian Ehrlich: Reading the Postwar to Present Market
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Apr 13, 2022 |
LiveArt's Hot List for Winter 2022 with George O'Dell
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Apr 06, 2022 |
Austin Lee Shares His Feelings
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Mar 30, 2022 |
Nigel Freeman: Building the Auction Market for African-American Art
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Mar 23, 2022 |
Bethany Collins: Art from an Enduring Melody
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Mar 16, 2022 |
Jacky Ho Explains the Market in Hong Kong and China
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Mar 09, 2022 |
Johann Konig: The Gallerist as Entrepreneur
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Mar 02, 2022 |
Magritte, Monet, Bacon, Freud & Picasso—Preview London's 2022 Winter Auctions
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Feb 23, 2022 |
Sonya Roth is Bullish on Los Angeles
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Feb 16, 2022 |
Inside LiveArt & Our View of the Current Market
|
Feb 09, 2022 |
Antwaun Sargent Gets Ready for Another Big Year
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Feb 02, 2022 |
How Esther Kim Varet Discovered Her Background Was an Asset
|
Jan 26, 2022 |
Sukanya Rajaratnam Redefines the Canon at Mnuchin Gallery
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Jan 19, 2022 |
Sotheby's Mari-Claudia Jiménez Looks Ahead
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Jan 12, 2022 |
Sharon Hayes Speaks About Her Work Bringing Queer Feminist Archives to Life
|
Oct 03, 2021 |
Exploring the Dirty South with VMFA's Valerie Cassel Oliver
|
Oct 02, 2021 |
Phillips Enters a New Era with CEO Edward Dolman
|
Oct 01, 2021 |
New Talent with Antwaun Sargent
|
Sep 30, 2021 |
Robert Mnuchin's Legendary Career
|
Mar 30, 2021 |
Artsy CEO Mike Steib Thrives in Lockdown
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Mar 04, 2021 |
Hong Kong Saves the Art Market: Auction Reaction with Koji Inoue and Kim Heirston
|
Feb 16, 2021 |
Christie's Faces the New Reality with CEO Guillaume Cerutti
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Jan 27, 2021 |
Made You Look, Barry Avrich's New Documentary About the Knoedler Forgeries
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Jun 08, 2020 |
Buying, Selling and Financing Art from Quarantine with Bill Griffin, Cynthia Sachs and Naomi Baigell
|
May 13, 2020 |
KASMIN Director Nick Olney on Paul Kasmin, painter William Copley and California Surrealism
|
Apr 23, 2020 |
Michael Weisz on Art Lending for Collectors and Investors: Yieldstreet at The Armory Show
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Apr 06, 2020 |
Tina Perry and Ric Whitney Discuss Their Art Collecting with ARTnews Editor in Chief Sarah Douglas
|
Mar 03, 2020 |
"The Point of Final Collapse": Brian Droitcour Interviews Postcommodity's Cristobal Martinez
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Jan 27, 2020 |
Painter Diarmuid Kelley Interviewed by Art in America's Will Smith
|
Dec 20, 2019 |
Pamela Joyner and Sarah Douglas at the CORE Club
|
Dec 05, 2019 |
Adam Lindemann on Buying and Selling at Auction
|
Nov 13, 2019 |
Fantasy Art Collecting Tips from Christie's Johanna Flaum
|
Nov 07, 2019 |
Sean Kelly Collect Wisely
|
Oct 17, 2019 |
Art in America's Editor in Chief William Smith at CORE Club
|
Sep 16, 2019 |
Phillips's Deputy Chairman Jean-Paul Engelen
|
May 13, 2019 |
To Repel Ghosts: Jean-Michel Basquiat's Self Portrait from the Collection of Matt Dike
|
May 02, 2019 |
Christie's Education Panel: Selling Art in the Digital Age
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Feb 14, 2019 |
Who Was Henry Geldzahler?--A Conversation with Randall Bourscheidt
|
Feb 04, 2019 |
Asher Edelman on Auction Guarantees and Art Market Liquidity
|
Dec 10, 2018 |
David Norman on Nov 2018 NY Impressionist and Modern art sales
|
Dec 05, 2018 |
Hugues Joffre, Senior Advisor to the CEO of Phillips
|
Nov 08, 2018 |
Magnus Renfrew on Taipei Dangdai
|
Oct 29, 2018 |
Jim Carona of Heather James Gallery
|
Aug 02, 2018 |
Megan Fox Kelly, Todd Levin and William O'Reilly on Giving Advice in the Global Art Market
|
Jul 16, 2018 |
Christie's Art + Tech Summit with Elliot Safra
|
Jul 06, 2018 |
Bloomberg's James Tarmy on Art Basel 2018
|
Jun 27, 2018 |
Thaddaeus Ropac
|
Jun 11, 2018 |
David Norman on Rockefeller & NY Imp-Mod, May 2018
|
Jun 05, 2018 |
Marc Porter: Behind the Scenes at the Rockefeller Sale
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Apr 03, 2018 |
Lock Kresler on Lévy Gorvy's Source and Stimulus
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Mar 19, 2018 |
James Tarmy on Contemporary Artists and Their Markets
|
Jan 29, 2018 |
David Norman on Fall 2017 Impressionist and Modern Auctions
|
Jan 11, 2018 |
Cheyenne Westphal, Chairman, Phillips
|
Dec 14, 2017 |
Bendor Grosvenor on Leonardo's Salvator Mundi
|
Nov 29, 2017 |
Michael FIndlay on Seeing Slowly
|
Oct 17, 2017 |
Nicholas and Alex Logsdail on Lisson Gallery's 50 yrs
|
Sep 26, 2017 |
Lisanne Skyler, Producer of "Brillo Box (3¢ Off)" on HBO
|
Aug 14, 2017 |
Amy Cappellazzo on Barkley Hendricks
|
Jun 26, 2017 |
Timothy Taylor on Alex Katz, Ding Yi and Running a Global Art Gallery
|
Jun 05, 2017 |
May 2017 Imp - Mod Recap with Brooke Lampley & David Norman
|
Jun 01, 2017 |
Stefania Bortolami
|
May 25, 2017 |
Sam Gilliam interviewed by Jonathan Binstock
|
May 17, 2017 |
Mike Tansey and Barry Ellsworth on Art Dealing in Santa Fe
|
May 10, 2017 |
Margit Rowell on Miro's Constellations at Acquavella
|
May 02, 2017 |
Adam Lindemann on Bernard Buffet: Paintings from 1956-99
|
Apr 07, 2017 |
Phillips CEO Edward Dolman
|
Mar 29, 2017 |
David Norman on London's Impressionist & Modern Sales, March 2017
|
Mar 23, 2017 |
Simon Hornby of Crozier Fine Art
|
Feb 22, 2017 |
Mnuchin Gallery's Robert Mangold: A Survey 1965-2003
|
Feb 13, 2017 |
Loretta Wurtenberger describes turning the Hans Arp estate in a new direction
|
Feb 01, 2017 |
Eykyn Maclean's Nicholas Maclean on the Private Market
|
Jan 26, 2017 |
Christy MacLear at Institute for Artist's Estates Conference
|
Jan 18, 2017 |
Marisa Kayyem on the Convergence of Art and Fashion
|
Jan 10, 2017 |
David Norman Discusses the November 2016 New York Impressionist and Modern sales
|
Jan 04, 2017 |
Judd Tully, Veronique Chagnon-Burke & Marion Maneker on the Future of Auction Houses
|
Dec 21, 2016 |
Judd Tully, Veronique Chagnon-Burke & Marion Maneker on Art Basel in Miami Beach
|
Dec 14, 2016 |
Back Stage at Art Basel in Miami Beach
|
Dec 07, 2016 |
Gary Nader on Latin American Art
|
Nov 21, 2016 |
Jonathan Miller, CEO Miller Samuel, Inc.
|
Nov 11, 2016 |
Paul Becker of Art Money
|
Nov 07, 2016 |
Jamie Niven
|
Oct 21, 2016 |
James Tarmy on Frieze 2016
|
Oct 14, 2016 |
Touria El Glaoui
|
Oct 03, 2016 |
Allese Thomson & James Tarmy
|
Sep 30, 2016 |
Mathias Rastorfer on Wifredo Lam
|
Sep 26, 2016 |
Mary Rozell
|
Jun 27, 2016 |
Inigo Philbrick
|
Jun 17, 2016 |
Heritage Auctions's Leon Benrimon
|
Apr 27, 2016 |
Adam Fields of Arta
|
Mar 21, 2016 |
Marc Spiegler and Noah Horowitz of Art Basel
|
Mar 08, 2016 |
Art Basel Salon | Collector Talk: Erling Kagge
|
Feb 02, 2016 |
ArtBasel Salon | In the Age of Volatility with Wilbur Ross, Steven Tananbaum and Jeffrey Deitch
|
Jan 20, 2016 |
Robert Heffel
|
Nov 21, 2015 |
Mathias Rastorfer of Galerie Gmurzynska on Joan Miro Show
|
Oct 08, 2015 |
Fred Hills on American Art's Growing International Appeal
|
Jun 23, 2015 |
Stavros Merjos
|
Jun 09, 2015 |
Rudiger Weng Launches Weng Contemporary
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Jun 03, 2015 |
The New York May Sales with Judd Tully & Scott Reyburn
|
May 26, 2015 |
David Heffel on Canadian Art's International Rise
|
May 20, 2015 |
"Simon Hantai, Pliage: The First Decade" at Mnuchin Gallery
|
May 15, 2015 |
Rachel Lehmann & David Maupin of Lehmann Maupin
|
May 12, 2015 |
Joshua Roth, United Talent Agency
|
Apr 08, 2015 |
Scott Reyburn on TEFAF, Online Sales & Sotheby's New Leadership
|
Mar 23, 2015 |
Victor J. Rocco, Herrick Feinstein
|
Mar 16, 2015 |
Judd Tully on the Armory Week Shows
|
Mar 11, 2015 |
Scott Reyburn on London's Struggling Mega Dealers, Sotheby's Renewed Board Fight & more
|
Feb 22, 2015 |
Inter'l New York Times Art Market Columnist Scott Reyburn on the London Contemporary sales Feb 15
|
Feb 15, 2015 |
Colin Gleadell on London's Imp-Mod Sales; Artnet's Thierry Dumoulin on TEFAF
|
Feb 09, 2015 |
Hrag Vartanian of Hyperallergic, James Tarmy of Bloomberg and Brian Boucher of Artnet
|
Feb 04, 2015 |
Patricia Cohen, New York Times & Rob Weisberg, CEO, Invaluable
|
Jan 20, 2015 |
Miro and the Modern Market Panel, Part 2
|
Jan 09, 2015 |
Olyvia Kwok
|
Dec 16, 2014 |
NY Cont Nov 2014
|
Nov 17, 2014 |
Judd Tully Post-NY IM Conversation
|
Nov 10, 2014 |
Miro and the Modern Market with Guy Bennett, Nicholas Acquavella, Nicholas Maclean and Helly Nahmad
|
Nov 03, 2014 |
Mnuchin Gallery Frieze Masters Show of David Smith, The Forgings
|
Sep 30, 2014 |
Peter Loughrey, Los Angeles Modern Auctions
|
Sep 06, 2014 |
Steve Lazarides, Street Art Pioneer
|
Jul 10, 2014 |
Richard Wright
|
Jun 09, 2014 |
Loretta Würtenberger
|
Jun 02, 2014 |
Adam Lindemann
|
May 20, 2014 |
Amy Cappellazzo
|
May 02, 2014 |