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Weekly conversations about classical music with leading musicians and writers
| Episode | Date |
|---|---|
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Conductor Philipp von Steinaecker on historically informed Mahler performance
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Sep 04, 2026 |
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The Gramophone Listening Room – Episode 4, with Freddie De Tommaso & Charlie Lovell-Jones
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Aug 28, 2026 |
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Joby Talbot and Craig Hella Johnson on setting Octavio Paz’s poem ‘Piedra de sol’
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Aug 21, 2026 |
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From the Archive: Charles Villiers Stanford – Exploring the composer's music with Jeremy Dibble
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Aug 14, 2026 |
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Pianist Bruce Liu on his moon-themes recital 'Lunaris'
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Aug 07, 2026 |
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Gavin Higgins and Grace-Evangeline Mason on the Three Choirs Festival
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Jul 31, 2026 |
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The Gramophone Listening Room – Episode 3, with Thomas Dunford & Lucine Musaelian
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Jul 24, 2026 |
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Conductor Dalia Stasevska on her Ukrainian mixtape and the First Night of the Proms
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Jul 17, 2026 |
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George Fu on Schubert and grief
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Jul 10, 2026 |
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Peter Jablonski and Bomsori Kim on the Polish composer Grażyna Bacewicz
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Jul 03, 2026 |
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Conductor Teddy Abrams on championing new music in Louisville
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Jun 26, 2026 |
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Matilda Lloyd and Timothy Ridout: The Gramophone Listening Room, Episode 2
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Jun 19, 2026 |
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Mahan Esfahani on Bach's Keyboard Concertos
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Jun 12, 2026 |
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Klaus Tennstedt at 100: Edward Seckerson recalls a great conductor
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Jun 05, 2026 |
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Colin Matthews on his new album, 'Sea Scapes'
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May 29, 2026 |
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Violinist Hugo Ticciati on O/Modernt's 'Milestones'
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May 22, 2026 |
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Celebrating Wigmore Hall at 125 with Director John Gilhooly and author Julia Boyd
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May 15, 2026 |
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Helen Charlston on 'A Poet's Love'
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May 08, 2026 |
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The Gramophone Listening Room, with Plínio Fernandes and Anastasia Kobekina
|
May 01, 2026 |
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Barnabás Kelemen on celebrating the legacy of the Hungarian Violin School
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Apr 28, 2026 |
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Conductor Kirill Karabits on Thomas de Hartmann's opera Esther
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Apr 24, 2026 |
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Composer Rachel Portman on 30 years of 'Emma'
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Apr 17, 2026 |
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Jordi Savall on Bach's St John Passion
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Apr 10, 2026 |
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Soprano Elsa Dreisig on her opera and song recital 'Invocation'
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Apr 03, 2026 |
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Peter Whelan on Handel's Messiah
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Mar 24, 2026 |
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Nico Muhly and Peter Phillips on their new album 'No Resting Place'
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Mar 20, 2026 |
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Sir Mark Elder and Huw Watkins on their new Hallé recording
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Mar 13, 2026 |
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Elektra: Edward Gardner on Strauss's opera
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Mar 05, 2026 |
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Pianist Alexander Malofeev on his debut solo album, 'Forgotten Melodies'
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Feb 26, 2026 |
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Martin James Bartlett on his new album of Bach, Mozart and Britten
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Feb 19, 2026 |
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Pianist Imogen Cooper looks back on her recording career
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Feb 13, 2026 |
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Joyce DiDonato and Time for Three on Emily: No Prisoner Be
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Feb 06, 2026 |
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Soprano Adriana González on her album 'Rondos for Adriana'
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Jan 30, 2026 |
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ARC Ensemble's Simon Wynberg on their Music in Exile series for Chandos
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Jan 23, 2026 |
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William Vann on Elgar's choral music
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Jan 16, 2026 |
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Marina Rebeka and Edgardo Vertanessian on their record label, Prima Classic
|
Jan 09, 2026 |
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Exploring Beethoven
|
Dec 26, 2025 |
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Critics Choice 2025
|
Dec 19, 2025 |
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Remembering Alfred Brendel, with his son Adrian Brendel
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Dec 13, 2025 |
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Christophe Rousset on Charpentier's Christmas music
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Dec 06, 2025 |
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Thomas Adès and the Ruisi Quartet on their new recording, Növények
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Nov 28, 2025 |
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Samantha Ege and Leah Broad on Avril Coleridge-Taylor
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Nov 20, 2025 |
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Conductor Klaus Mäkelä on performing Mahler's Eighth at the 2025 Mahler Festival
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Nov 07, 2025 |
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Pianist Mao Fujita on concluding his preludes project
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Oct 28, 2025 |
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Composer and author Robin Holloway on celebrating 900 years of classical music
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Oct 28, 2025 |
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Countertenor Philippe Jaroussky on his new album 'Gelosia!'
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Oct 24, 2025 |
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The Hermes Experiment on their new album, Tree
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Oct 20, 2025 |
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Gramophone Classical Music Awards 2025: The Winners
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Oct 17, 2025 |
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Maxim Emelyanychev on Mozart's symphonies
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Oct 10, 2025 |
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Tine Thing Helseth on Echoes, her new album of trumpet concertos
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Oct 02, 2025 |
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Ian Page on the music of Gluck
|
Sep 26, 2025 |
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Anastasia Kobekina on Bach's Cello Suites | Gramophone Podcast
|
Sep 19, 2025 |
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Composer John Rutter: a birthday conversation
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Sep 10, 2025 |
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Rowan Pierce on recording Bach, Handel and Vivaldi | Gramophone Podcast
|
Sep 02, 2025 |
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Composer Jake Heggie on 25 years of writing operas
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Aug 29, 2025 |
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Cellist Alisa Weilerstein on recording new concertos by Gabriela Ortiz and Richard Blackford
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Aug 22, 2025 |
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The Dover Quartet on recording Woodland Songs | Gramophone Podcast
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Aug 15, 2025 |
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Mandolinist Avi Avital on his new album 'Song of the Birds' | Gramophone Classical Music Podcast
|
Aug 08, 2025 |
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Live from 2025 Three Choirs Festival
|
Aug 01, 2025 |
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Cellist Guy Johnston on the Bliss Cello Concerto | Gramophone Classical Music Podcast
|
Jul 25, 2025 |
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2025 BBC Proms: Our Top Picks | Gramophone Classical Music Podcast
|
Jul 18, 2025 |
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Julian Bream: an archive interview from 2013 with the great guitarist
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Jul 11, 2025 |
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Music and conversation: 500 episodes of the Gramophone Podcast
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Jul 04, 2025 |
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Orchestra of the Year 2025: exploring this year's nominees
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Jun 27, 2025 |
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Conductor John Andrews on recording The Seal Woman
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Jun 20, 2025 |
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Mezzo Kitty Whately on unknown French song
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Jun 12, 2025 |
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20 Years of VOCES8 with co-founders Paul & Barnaby Smith and soprano Andrea Haines
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Jun 06, 2025 |
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Conductor Andris Nelsons on the influence of Shostakovich
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May 30, 2025 |
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Dietrich Fischer-Dieskau at 100: Richard Wigmore discusses the great baritone's Winterreise recordings
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May 23, 2025 |
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Masaaki and Masato Suzuki on Brahms's Ein deutsches Requiem
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May 16, 2025 |
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Pianist Yevgeny Sudbin on returning to Scriabin's music
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May 09, 2025 |
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Kahchun Wong on The Hallé and Bruckner's Ninth
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May 02, 2025 |
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Cellist Zlatomir Fung on his debut recording of opera fantasies
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Apr 25, 2025 |
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Conductor Alan Gilbert on Brahms and the NDR Elbphilharmonie Orchestra
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Apr 18, 2025 |
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Leif Ove Andsnes on Liszt's Via Crucis
|
Apr 11, 2025 |
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Jessica Duchen on the life of pianist Myra Hess
|
Apr 02, 2025 |
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James Ehnes on Bach's complete violin concertos
|
Mar 28, 2025 |
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Attacca Quartet on Ravel and relationships
|
Mar 19, 2025 |
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Anna Dennis and Julian Perkins on John Weldon's The Judgment of Paris
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Mar 14, 2025 |
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Pianist Bertrand Chamayou on his 'Ravel Fragments' album
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Mar 07, 2025 |
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Ian Bostridge and Saskia Georgini on Schumann songs
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Feb 28, 2025 |
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Nevermind on Bach's Goldberg Variations
|
Feb 22, 2025 |
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Baritone Benjamin Appl on his collaboration with György Kurtág
|
Feb 21, 2025 |
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María Dueñas on Paganini's Caprices
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Feb 14, 2025 |
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Pianist Samson Tsoy on his debut solo album, 'Inmost Heart'
|
Feb 07, 2025 |
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Fatma Said on lieder and friendship
|
Jan 31, 2025 |
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Pianist Dmitry Masleev on his Dies irae-themed Liszt & Rachmaninov album
|
Jan 24, 2025 |
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Seong-Jin Cho on Ravel's piano music
|
Jan 17, 2025 |
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James McVinnie on his new album, Dreamcatcher
|
Jan 10, 2025 |
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Pianists Yevgeny Sudbin and Jean-Efflam Bavouzet in conversation with James Jolly
|
Jan 03, 2025 |
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Charles Villiers Stanford: Jeremy Dibble on the composer's music
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Dec 20, 2024 |
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Conductor William Christie: An 80th birthday conversation
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Dec 13, 2024 |
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Rob Cowan on George Szell's Cleveland Orchestra Beethoven symphonies
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Dec 06, 2024 |
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Benjamin Nicholas on Gabriel Jackson's The Christmas Story
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Nov 29, 2024 |
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Thélème's Director Jean-Christophe Groffe on pairing John Dowland and John Cage
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Nov 22, 2024 |
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Pianist Charles Owen on 'The Young Schumann'
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Nov 15, 2024 |
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Alec Frank-Gemmill on Mozart's horn concertos
|
Nov 08, 2024 |
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Pianist Alexandre Kantorow on his new Brahms, Schubert and Liszt album
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Nov 01, 2024 |
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Pianist Hanni Liang on her new album 'Voices'
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Oct 25, 2024 |
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Handel in Rome, with Nardus Williams and John Butt
|
Oct 18, 2024 |
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Rafael Payare on the music of Schoenberg
|
Oct 11, 2024 |
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The 2024 Gramophone Classical Music Awards
|
Oct 04, 2024 |
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Claire Booth on the character of Pierrot
|
Sep 27, 2024 |
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Mendelssohn Piano Trios, with Joshua Bell, Jeremy Denk and Steven Isserlis
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Sep 20, 2024 |
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Baritone Huw Montague Rendall on his debut album 'Contemplation'
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Sep 13, 2024 |
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Celebrating 50 years of BIS: Part 2
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Sep 10, 2024 |
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Semyon Bychkov on the music of Dvořák
|
Sep 06, 2024 |
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Celebrating 50 years of BIS: Part 1
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Sep 03, 2024 |
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Bryce Dessner on his new album 'Solos'
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Aug 30, 2024 |
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Composer Anna Clyne on her new album 'Shorthand'
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Aug 23, 2024 |
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Alexandra Dariescu on the piano concertos of Clara Schumann and Edvard Grieg
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Aug 16, 2024 |
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Leonard Bernstein the Composer – with Edward Seckerson
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Aug 09, 2024 |
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Karajan's video legacy - with Richard Osborne
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Aug 02, 2024 |
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Podcast revisited: Rob Cowan on listening to historic recordings
|
Jul 26, 2024 |
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Soprano Sophie Bevan on overcoming adversity
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Jul 18, 2024 |
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Dalia's Mixtape: Judith Weir's 'Still, Glowing'
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Jul 12, 2024 |
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Harry Christophers at 70: The Sixteen's founder on a life in music
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Jul 05, 2024 |
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Héloïse Werner on her new album 'Close-ups'
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Jun 28, 2024 |
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Pavel Kolesnikov and Samson Tsoy on their piano four-hands debut album
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Jun 21, 2024 |
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Magdalena Kožená on her new album 'Czech Songs'
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Jun 14, 2024 |
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Nicholas Phan on 'A Change is Gonna Come'
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Jun 07, 2024 |
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Cellist Laura van der Heijden on her debut concerto release
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May 31, 2024 |
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Can Çakmur on Schubert and Krenek
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May 24, 2024 |
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Andrè Schuen on Schubert's Winterreise
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May 17, 2024 |
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Antonello Manacorda on Beethoven's Ninth at 200
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May 07, 2024 |
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Brindley Sherratt on his debut song recital 'Fear No More'
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May 03, 2024 |
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James Ehnes on Leonard Bernstein and John Williams
|
Apr 26, 2024 |
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Nathan Williamson and James Gilchrist on the songs of Thomas Pitfield
|
Apr 16, 2024 |
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Kirill Gerstein on 'Music in the Time of War'
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Apr 12, 2024 |
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Klaus Mäkelä on recording Stravinsky in Paris: From the Archive
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Apr 05, 2024 |
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Exploring Schubert
|
Mar 28, 2024 |
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Paavo Järvi on Mendelssohn's symphonies
|
Mar 22, 2024 |
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Rebecca Dale on her new album 'Night Seasons'
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Mar 15, 2024 |
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Dalia's Mixtape: Anna Meredith's Nautilus
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Mar 08, 2024 |
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The 12 Ensemble's new album, Metamorphosis
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Mar 01, 2024 |
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Handel's Theodora, with Jonathan Cohen
|
Feb 23, 2024 |
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Alessandro Fisher on 'A Gardener's World'
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Feb 16, 2024 |
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Lara Downes on Rhapsody in Blue Reimagined
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Feb 09, 2024 |
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Edmund Finnis and Clare Hammond on recording Youth
|
Feb 02, 2024 |
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Timothy Ridout on 'A Lionel Tertis Celebration'
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Jan 26, 2024 |
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Krystian Zimerman on Szymanowski, conducting and retirement
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Jan 19, 2024 |
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Jonathan Freeman-Attwood on 'Handel for Trumpet'
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Jan 12, 2024 |
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From the Archive: Peter Phillips on the music of Josquin
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Jan 05, 2024 |
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Dame Janet Baker – a great singer reflects on her career
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Dec 28, 2023 |
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Esa-Pekka Salonen on music in California
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Dec 22, 2023 |
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Owain Park on the new album from The Gesualdo Six, 'Morning Star'
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Dec 15, 2023 |
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Editors' Choice 2023
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Dec 08, 2023 |
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Maria Callas: we celebrate La Divina on her 100th anniversary
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Dec 02, 2023 |
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Errollyn Wallen on her new book 'Becoming a Composer'
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Dec 01, 2023 |
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John Pickard on Mass in Troubled Times
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Nov 24, 2023 |
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Bertrand Chamayou on his John Cage-Erik Satie album
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Nov 17, 2023 |
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Richard Bratby on his history of the Academy of Ancient Music, Refiner's Fire
|
Nov 10, 2023 |
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Fauré's music for cello and piano
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Nov 03, 2023 |
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Bach's Goldberg Variations Reimagined with Rachel Podger and Chad Kelly
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Oct 27, 2023 |
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Miloš on his new album 'Baroque'
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Oct 20, 2023 |
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Johan Dalene on his new album, Stained Glass
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Oct 13, 2023 |
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Gramophone Classical Music Awards 2023: the winners
|
Oct 06, 2023 |
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Exploring Dvořák's piano trios
|
Sep 29, 2023 |
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Jeremy Eichler on his new book 'Time's Echo'
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Sep 22, 2023 |
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Parry's Prometheus Unbound, with William Vann
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Sep 15, 2023 |
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Decca Icons: Benjamin Britten
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Sep 08, 2023 |
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Exploring Shostakovich
|
Sep 01, 2023 |
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Decca Icons: Sir Georg Solti
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Aug 25, 2023 |
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Jennifer Higdon on her Duo Duel and Concerto for Orchestra
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Aug 18, 2023 |
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Rachel Barton Pine on links between classical and metal music
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Aug 11, 2023 |
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Decca Icons: Vladimir Ashkenazy
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Aug 09, 2023 |
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Tan Dun on his 'Buddha Passion'
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Aug 04, 2023 |
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Hyperion Records: we explore the label's Award-winning history
|
Jul 28, 2023 |
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Decca Icons: Bernard Haitink
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Jul 26, 2023 |
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Rob Cowan on listening to historic recordings
|
Jul 21, 2023 |
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Kenneth Fuchs on his first Chandos album with John Wilson
|
Jul 14, 2023 |
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Gramophone's Orchestra of the Year 2023 - the nominees, Part 2, with Rob Cowan
|
Jul 07, 2023 |
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Gramophone's Orchestra of the Year 2023 - the nominees, Part 1, with Andrew Mellor
|
Jun 30, 2023 |
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Benjamin Appl and James Baillieu on 'Forbidden Fruit'
|
Jun 23, 2023 |
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Handel: a podcast portrait
|
Jun 16, 2023 |
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Richard Boothby on his new album 'Music to hear...'
|
Jun 09, 2023 |
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Lawrence Brownlee on his new album, Rising
|
Jun 02, 2023 |
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Reginald Mobley on his new album, 'Because'
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May 26, 2023 |
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Kirill Gerstein on playing Rachmaninov
|
May 19, 2023 |
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Edward Gardner: celebrating Chandos, Gramophone's Label of the Year
|
May 12, 2023 |
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Karim Sulayman and Sean Shibe on 'Broken Branches'
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May 05, 2023 |
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James Newby on 'Fallen to Dust', an English song recital
|
Apr 28, 2023 |
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Alexander Chance on English lute songs
|
Apr 21, 2023 |
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Carlo Rizzi on Mercadante's Il Proscritto
|
Apr 14, 2023 |
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Cédric Tiberghien on piano variations by Beethoven … and more
|
Apr 07, 2023 |
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Raphaël Feuillâtre on Baroque music for guitar
|
Mar 31, 2023 |
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The Kaleidoscope Chamber Collective: celebrating Chandos, our Label of the Year
|
Mar 22, 2023 |
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The Tippett Quartet on the music of Korngold
|
Mar 17, 2023 |
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Klaus Mäkelä on recording Stravinsky in Paris
|
Mar 16, 2023 |
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Rachel Willis-Sørensen on Richard Strauss's Four Last Songs
|
Mar 10, 2023 |
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Rafael Payare on Mahler from Montreal
|
Mar 03, 2023 |
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Lucile Richardot on Scarlatti and the songs of Nadia and Lili Boulanger
|
Feb 24, 2023 |
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Exploring the music of Liszt
|
Feb 17, 2023 |
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Stephen Hough on Mompou and his new book
|
Feb 10, 2023 |
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Frank Dupree on championing Nikolai Kapustin
|
Feb 03, 2023 |
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John Wilson: Celebrating Gramophone's Label of the Year, Chandos
|
Feb 01, 2023 |
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Rosalind Ventris on her new album 'SOLA'
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Jan 27, 2023 |
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The Art of Musicals
|
Jan 20, 2023 |
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Exploring Handel
|
Jan 13, 2023 |
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Celebrating Gramophone's Label of the Year, Chandos, with Ralph Couzens and Brian Pidgeon
|
Jan 06, 2023 |