The Last Mixed Tape
By The Last Mixed Tape
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Category: Music
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Subscribers: 3
Reviews: 0
Episodes: 145
Description
TLMT Podcast is a weekly music review show, featuring reviews and editorials on the Irish Music Scene from critic and photographer Stephen White.
| Episode | Date |
|---|---|
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CMAT Just Said What Most Pop Stars Won’t
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May 30, 2026 |
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How Irish Music Helped Break the Catholic Church’s Power
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May 23, 2026 |
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Why Artists Are Scared To Change | Charli XCX, Rock Music & Authenticity in the Streaming Era
|
May 16, 2026 |
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Beyond Gender: The Real Meaning of Running Up That Hill
|
May 09, 2026 |
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Fenian: Language, Identity & Kneecap’s Most Political Album
|
May 02, 2026 |
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Who Gets Banned From Eurovision? Politics, Boycotts & the 2026 Crisis
|
Apr 25, 2026 |
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Why Female Pop Stars Still Have to Do More | Bieber vs Sabrina Carpenter at Coachella
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Apr 18, 2026 |
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Ali Ghamsari’s Power Plant Protest: Music, Risk, and War in Iran
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Apr 11, 2026 |
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Kanye West, Bully & The Rebirth of the Author
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Apr 04, 2026 |
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Kneecap in Cuba: Music, Politics, and the Backlash
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Mar 28, 2026 |
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Rosalía’s Lux Tour and the Art of Pop Performance
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Mar 21, 2026 |
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Is Skinty Fia the First Great Irish Album of the 21st Century?
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Mar 14, 2026 |
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Peaky Blinders and the Genius of “Wrong” Music | The Immortal Man Soundtrack
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Mar 07, 2026 |
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Should Ireland Boycott Israel? Culture, Sport & The Politics of Participation
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Feb 28, 2026 |
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U2, Gaza, and the Politics of Days of Ash
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Feb 21, 2026 |
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Bad Bunny’s Super Bowl Halftime Show and the Politics of Love
|
Feb 14, 2026 |
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Bad Bunny’s Super Bowl Halftime Show & America’s Cultural Battleground
|
Feb 07, 2026 |
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Pop Music, ICE & the Silence of Refusal
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Jan 31, 2026 |
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The “Difficult” Woman in Music
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Jan 24, 2026 |
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Sinéad O’Connor’s “Black Boys on Mopeds” and the Stories Power Tells
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Jan 17, 2026 |
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Capitalism Colonises Culture: How Music Lost Its Value
|
Jan 10, 2026 |
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David Bowie, Blackstar, and the Art of Disappearing
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Jan 03, 2026 |
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Phil Lynott, Old Town & the Meaning of Belonging
|
Dec 27, 2025 |
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How John Lennon Turned a Christmas Song Into a Performance Art
|
Dec 20, 2025 |
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Why CMAT’s Euro Country is the Album of 2025
|
Dec 11, 2025 |
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Musicians Fighting Fascists: Why 2025 Changed Everything
|
Dec 06, 2025 |
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Pink Floyd, Syd Barrett & the Grief Behind Wish You Were Here
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Nov 29, 2025 |
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Kneecap’s ‘No Comment’: The Final Word
|
Nov 22, 2025 |
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Charli XCX, John Cale & the Gothic Reinvention of ‘House’
|
Nov 15, 2025 |
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Ghost Town: Then & Now – From The Specials to Lankum
|
Nov 09, 2025 |
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Rosalía “Berghain”: When Pain Becomes Art
|
Nov 01, 2025 |
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Róisín Murphy and the Fragility of Allyship
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Oct 25, 2025 |
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Who Owns America’s Stage? Bad Bunny & The Super Bowl Reaction
|
Oct 18, 2025 |
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Why the Right and Record Labels Want to Replace Artists with AI
|
Oct 12, 2025 |
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House of Guinness: How the Soundtrack Saved It
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Oct 04, 2025 |
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Mo Chara Walks Free: What the Kneecap Trial Means for Art & Free Speech
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Sep 27, 2025 |
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Fascists Can’t Dance
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Sep 20, 2025 |
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Kate Bush’s Wuthering Heights Is the Best Brontë Adaptation
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Sep 14, 2025 |
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Kneecap’s Imperial Phase: What Sayōnara Says About Irish Culture
|
Sep 06, 2025 |
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CMAT’s Euro-Country: The Right Artist at the Right Time
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Aug 30, 2025 |
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Florence + The Machine: The Witch Returns
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Aug 23, 2025 |
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U2, Sarajevo and Gaza: When Music Speaks Out And When It Doesn’t
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Aug 17, 2025 |
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For Those I Love: Carving the Stone & Confronting Toxic Masculinity
|
Aug 09, 2025 |
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Up De Flats, Sheriff Street, and the Sound of Resistance – Five Years of Gemma Dunleavy
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Aug 02, 2025 |
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CMAT, Euro-Country & the Ghosts of the Celtic Tiger
|
Jul 25, 2025 |
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Champagne Supernova, Oasis and the Moment Before Everything Changed
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Jul 19, 2025 |
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No Nostalgia, No Mercy: Why Clipse’s New Album Hits Harder Than Ever
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Jul 13, 2025 |
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Bob Vylan, Censorship & the Fight for Protest Music at Glastonbury 2025
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Jul 05, 2025 |
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The Night Sinéad O’Connor Ripped Up the Pope & Refused to Stay Silent
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Jun 28, 2025 |
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Kneecap, Mo Chara & The Irish Voice Britain Still Can’t Silence
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Jun 21, 2025 |
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Fontaines D.C., Blindboy & Ireland’s Lost Generation | In the Modern World
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Jun 14, 2025 |
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Francis Bacon & Why Gilla Band Might Be the Most Influential Band of the 21st Century
|
Jun 07, 2025 |
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Kanye West, Through the Wire & the Problem of Loving Art by Problematic Artists
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May 31, 2025 |
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The Stage Vs The State: Kneecap, Mo Chara & The Criminalisation of Art
|
May 25, 2025 |
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Ghosts in the Reverb: Maria Somerville’s Luster and the Rise of Irish Dream Pop
|
May 18, 2025 |
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ANSEO: Redefining Irishness Through Music
|
May 10, 2025 |
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Kneecap, Glastonbury & the Cost of Speaking Out
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May 03, 2025 |
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Kneecap, Coachella, and Speaking Truth - Why Protest Music Still Matters
|
Apr 26, 2025 |
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Escaping the Dream: Lana Del Rey’s Henry, Come On & Bluebird Explained
|
Apr 18, 2025 |
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Bon Iver’s SABLE, fABLE: A Beautiful Epilogue in Sound
|
Apr 12, 2025 |
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Drake’s ‘Nokia’ and the Kendrick-Sized Shadow
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Apr 05, 2025 |
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I Was WRONG About CMAT – Now I Can’t Stop Listening
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Mar 29, 2025 |
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Hold Me, Thrill Me: U2’s Darkest Fame Anthem
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Mar 15, 2025 |
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You Haven’t Found Your Favorite Artist Yet: How Chappell Roan’s Pink Pony Club Found Its Audience
|
Mar 09, 2025 |
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Peter Gabriel & Kate Bush – Don’t Give Up: The Perfect Duet & Its Lasting Impact
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Mar 02, 2025 |
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Fontaines D.C., It’s Amazing To Be Young, & The Irish Reinvention of Britpop
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Feb 22, 2025 |
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Kendrick Lamar’s Super Bowl Performance: A Trojan Horse in Plain Sight
|
Feb 16, 2025 |
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Kendrick Lamar’s Super Bowl Moment: Proving Hip-Hop Is High Art
|
Feb 08, 2025 |
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Marianne Faithfull & Metallica: The Haunting Voice Behind The Memory Remains
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Feb 01, 2025 |
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David Lynch’s Crazy Clown Time: The Soundtrack to His Surreal World
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Jan 25, 2025 |
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Manic Street Preachers - From Generation Terrorists to Critical Thinkers
|
Jan 19, 2025 |
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David Bowie’s Berlin Era: The Story Behind Heroes and His Reinvention
|
Jan 11, 2025 |
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Is ‘Stay (Faraway, So Close!) U2’s Best Song?
|
Jan 04, 2025 |
|
Why Fontaines D.C. Starburster is my Favourite Song 2024
|
Dec 21, 2024 |
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How Shane MacGowan, Kirsty MacColl & The Pogues Changed the Sound of Christmas Forever
|
Dec 14, 2024 |
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Irish Artists in 2024 - Taking on the Tories, Fighting Fascism & Standing With Palestine
|
Dec 07, 2024 |
|
Kendrick Lamar GNX Review - The Imperial Phase and the Zeitgeist
|
Nov 30, 2024 |
|
Father John Misty Mahashmashana Review - The ID, the Ego, and what’s next
|
Nov 23, 2024 |
|
Linkin Park From Zero Album Review
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Nov 16, 2024 |
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Tyler, the Creator Chromakopia Review - A Portrait of the Artist as a Young Man
|
Nov 02, 2024 |
|
Bob Dylan, A Complete Unknown & Artistic Identity
|
Oct 26, 2024 |
|
Bon Iver ‘Sable’ Review - Introversion & Expression
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Oct 19, 2024 |
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Silverbacks ‘Easy Being A Winner’ Album Review - Angular Agit-pop mets Literary Lyricism
|
Oct 12, 2024 |
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The Last Dinner Party & Gig Safe Spaces, Orla Gartland Everybody Needs A Hero Review & more
|
Oct 05, 2024 |
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“Painting Your Own Reality” - Gemma Hayes Blind Faith Album Review & New Irish Playlist Picks
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Sep 28, 2024 |
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The Great Hype Debate, Julie Dawson Album Review & New Irish Music
|
Sep 21, 2024 |
|
Gurriers Come & See through the lens of Hunter S. Thompson’s Fear & Loathing In Las Vegas
|
Sep 14, 2024 |
|
Working Class Voices In Music & Oasis Definitely Maybe 30 Years On
|
Sep 07, 2024 |
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Oasis Reunion: Music As More Than Nostalgia
|
Aug 31, 2024 |
|
Fontaines D.C. ‘Romance’ Album Review via Du Cubisme
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Aug 24, 2024 |
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“One From The Heart” - Tim Chadwick Pulverise Album Review
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Aug 17, 2024 |
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U2’s Achtung Baby, Fontaines D.C & Sonic Sea Changes
|
Aug 10, 2024 |
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This Machine Surrounds Hate… - Dundalk & The Mary Wallopers protest the far-right
|
Aug 03, 2024 |
|
All Together Now 2024 Preview & Must See Irish Acts
|
Jul 27, 2024 |
|
AI: Tool or Content Factory?
|
Jul 20, 2024 |
|
Callum Orr The Trials Of Knowing Album Review and Playlist Picks
|
Jul 13, 2024 |
|
Idles, Banksy & Glastonbury 2024 - Performance as an Act of Protest
|
Jul 06, 2024 |
|
The “Why?” of Lankum’s Live in Dublin Review
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Jun 29, 2024 |
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5 Stand Out Irish Albums of 2024, so far…
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Jun 22, 2024 |
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Kneecap Fine Art Album Review - "A future Irish classic, but..."
|
Jun 15, 2024 |
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Niamh Regan Come As You Are Review, New Music From Ailsha, AE Mak, April, Fangclub and more
|
Jun 01, 2024 |
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Forbidden Fruit 2024 Preview, Ro Yourell Album Review, New Music From Maria Kelly, Rooue and more
|
May 25, 2024 |
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Childish Gambino and the Concept of Artist/Performer, Elephant Album Review and New Irish Music
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May 18, 2024 |
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Steve Albini and the unsung heroes, Villagers That Golden Time Album Review and CMAT, Milk and More
|
May 11, 2024 |
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Unpaid Labour In The Music Industry, Lemoncello Album Review and Playlists
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May 05, 2024 |
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Taylor Swift and the Allure of Lore, Sick Love Champagne Review, and more
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Apr 27, 2024 |
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Pillow Queens Name Your Sorrow Review, Fontaines D.C. Return plus Kynsy, Rooue and more
|
Apr 20, 2024 |
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Melts Field Theory Album Review, His Fathers Voice, Aimee Cuffe, April, Fee Gray and More
|
Apr 13, 2024 |
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Virgins Nothing Hurt And Everything Was Beautiful Review, Plus Playlist Carlsbad, Pastiche and more
|
Apr 06, 2024 |
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Finished Is Better Than Perfect? Fears Affinity Album Review, New Music from the Irish Music Scene
|
Mar 30, 2024 |
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The Good, The Bad and The Ugly of Art, Niamh Bury Yellow Roses Album Review, Playlist Picks
|
Mar 23, 2024 |
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Irish Acts Boycott SXSW, Fight Like Apes Cover Black Boys On Mopeds, Havvk To Fall Asleep Review
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Mar 16, 2024 |
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Reporting from the Choice Music Prize 2023, Anamoe Drive Breakfast In Bed Review and more
|
Mar 09, 2024 |
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Thoughts on Bat For Lashes The Dream of Delphi and The Count of Monte Playlisto Rides Again
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Feb 24, 2024 |
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Idles Tangk Review plus Trophy Wife, Houseplants & more
|
Feb 17, 2024 |
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Driven Snow A Kind of Dreaming Review and the Count of Monte Playlisto Returns!
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Feb 10, 2024 |
|
10 Years of The Last Mixed Tape, Reviews of Twin Headed Wolf, Jazzy, Lemoncello & more
|
Feb 03, 2024 |
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Meerkat Music Moments, Gemma Hayes & Alternative Festivals
|
Jan 27, 2024 |
|
NewDad Madra Album Review and Playlist Picks
|
Jan 20, 2024 |
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Choice Music Prize Reflections And Eurovision Dreams
|
Jan 13, 2024 |
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Sprints Debut Album Letter to Self Review And Irish Music Scene Reflections
|
Jan 06, 2024 |
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TLMT's Favourite Live Music Photos and Moments 2023
|
Dec 17, 2023 |
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TLMT’s Song of the Year 2023, Shane MacGowan Tribute and End of Year Playlist
|
Dec 10, 2023 |
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TLMT’s Top 10 Irish Albums of the Year
|
Dec 03, 2023 |
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The Last Mixed Tape Podcast - Sinéad White
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Feb 14, 2021 |
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The Last Mixed Tape Podcast - Lucy Foster
|
Jan 31, 2021 |
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TLMT Podcast Albums Of The Decade, Girl Band At Vicar Street And More
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Dec 05, 2019 |
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TLMT Podcast | Pixies, Tebi Rex, Girl Band, Murder Capital And More
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Oct 09, 2019 |
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TLMT Podcast Haim, Angel Olsen, Bat For Lashes, Tandem Felix
|
Aug 12, 2019 |
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The Last Mixed Tape Podcast: whenyoung, Lizzo, the National & more
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May 30, 2019 |
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The Last Mixed Tape Podcast Just Mustard, Fontaines, Whenyoung
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Apr 30, 2019 |
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TLMT Podcast Jenny Lewis, The Japanese House, Sharon Van Etten live at Vicar Street And More
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Mar 27, 2019 |
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TLMT Podcast Sharon Van Etten, Maggie Rogers, Beruit
|
Feb 28, 2019 |
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TLMT Podcast End Of Year Wrap Up 2018
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Dec 18, 2018 |
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TLMT Podcast - O Emperor & Lisa O'Neill
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Nov 06, 2018 |
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TLMT Podcast - Villagers, Saint Sister & We Cut Corners
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Oct 15, 2018 |
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TLMT Podcast | Desert Island Playlist
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Sep 04, 2018 |
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TLMT Podcast Stand Out Songs of 2018 so far
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Aug 14, 2018 |
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TLMT Podcast | Kanye West 'Ye', the Chromatics, Chvrches & more
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Jun 20, 2018 |
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The Last Mixed Tape Podcast Childish Gambino This Is America Analysis Special
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May 12, 2018 |
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The Last Mixed Tape: Sleep Thieves, BARQ, Melts, Thumper, Le Galaxie
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Apr 10, 2018 |
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The Last Mixed Tape Podcast: Paddy Hanna, David Kitt And Montauk Hotel
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Mar 21, 2018 |
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The Last Mixed Tape Podcast: The Altered Hours, Beauty Sleep, Laoise, Ryan Vail and more
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Feb 19, 2018 |
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The Last Mixed Tape Podcast: Dream Wife, Soccer Mommy, Slow Riot, Whenyoung
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Feb 05, 2018 |
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The Last Mixed Tape Podcast: The GO! Team, Paddy Hanna, David Byrne & more
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Jan 22, 2018 |