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Episode | Date |
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Anna Shechtman's "The Riddles of the Sphinx"
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May 03, 2024 |
The Veteranos of East LA
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Apr 26, 2024 |
Mother Tongues and Mother Dolls
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Apr 19, 2024 |
Victoria Chang on Finding Agnes Martin During Crisis
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Apr 12, 2024 |
Morgan Neville's "STEVE! (martin) a documentary in 2 pieces"
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Apr 05, 2024 |
The Morality of Memoir, or, Daddy I Want Coffee!
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Apr 02, 2024 |
Tommy Orange's "Wandering Stars"
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Mar 29, 2024 |
The Problem with Adoption
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Mar 22, 2024 |
Brad Gooch's "Radiant: The Life and Line of Keith Haring"
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Mar 15, 2024 |
Tana French's "The Hunter"
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Mar 08, 2024 |
LARB Radio Hour x Film Comment 2024 Oscars Preview
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Mar 05, 2024 |
Leslie Jamison's "Splinters: Another Kind of Love Story"
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Mar 01, 2024 |
Phillip B. Williams' "Ours"
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Feb 23, 2024 |
Lucy Sante's "I Heard Her Call My Name: A Memoir of Transition"
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Feb 16, 2024 |
Adam Shatz's "The Rebel’s Clinic: The Revolutionary Lives of Frantz Fanon"
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Feb 09, 2024 |
Nathan Thrall's "A Day in the Life of Abed Salama: Anatomy of a Jerusalem Tragedy"
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Feb 02, 2024 |
E.J. Koh's "The Liberators"
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Jan 26, 2024 |
Kohei Saito's "Slow Down: The Degrowth Manifesto"
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Jan 19, 2024 |
Lexi Freiman's "The Book of Ayn"
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Jan 12, 2024 |
Alicia Kennedy's "No Meat Required"
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Jan 05, 2024 |
Ed Park's "Same Bed Different Dreams"
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Dec 29, 2023 |
The Best of 2023
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Dec 22, 2023 |
Blake Butler's "Molly"
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Dec 15, 2023 |
Robert Glück's "About Ed"
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Dec 08, 2023 |
Andrew Chan's "Why Mariah Carey Matters"
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Dec 01, 2023 |
Sasha Frere-Jones' "Earlier"
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Nov 24, 2023 |
Nicole Newnham's "The Disappearance of Shere Hite"
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Nov 17, 2023 |
Dan Sinykin's "Big Fiction"
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Nov 10, 2023 |
Justin Torres's "Blackouts"
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Nov 03, 2023 |
Dorothea Lasky's "The Shining" and Anna Biller's "Bluebeard's Castle"
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Oct 27, 2023 |
Lydia Kiesling's "Mobility"
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Oct 20, 2023 |
Lydia Davis's "Our Strangers"
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Oct 13, 2023 |
Mary Gabriel's "Madonna: A Rebel Life"
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Oct 06, 2023 |
Hilary Leichter's "Terrace Story" and Lisa Teasley's "Fluid"
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Sep 29, 2023 |
Ross Gay's "The Book of (More) Delights"
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Sep 22, 2023 |
Thea Lenarduzzi's "Dandelions"
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Sep 15, 2023 |
Colin Dickey's "Under the Eye of Power"
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Sep 08, 2023 |
Maya Binyam's "Hangman"
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Sep 01, 2023 |
Prudence Peiffer's "The Slip: The New York City Street That Changed American Art Forever"
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Aug 25, 2023 |
Andrew Leland's "The Country of the Blind"
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Aug 18, 2023 |
Koritha Mitchell and Michelle Lanier on Harriet Jacobs’s “Incidents in the Life of a Slave Girl”
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Aug 11, 2023 |
D. Smith's "Kokomo City" and Claire Simon's "Our Body"
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Aug 04, 2023 |
Heidi Julavits’s “Directions to Myself"
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Jul 28, 2023 |
Wes Anderson and Jake Perlin's "Do Not Detonate Without Presidential Approval"
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Jul 21, 2023 |
John Yau's "Please Wait By the Coatroom: Reconsidering Race and Identity in American Art"
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Jul 14, 2023 |
Juana María Rodríguez's "Puta Life: Seeing Latinas, Working Sex"
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Jul 07, 2023 |
Rachel Nuwer's "I Feel Love: MDMA and the Quest for Connection in a Fractured World"
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Jun 30, 2023 |
Kristin Ross' "The Politics and Poetics of Everyday Life"
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Jun 23, 2023 |
Martine Syms' "Loser Back Home"
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Jun 16, 2023 |
Craig Seligman's "Who Does That Bitch Think She is? Doris Fish and The Rise of Drag"
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Jun 09, 2023 |
Joanna Biggs' "A Life of One’s Own"
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Jun 02, 2023 |
Gary Indiana's "Do Everything In The Dark"
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May 26, 2023 |
Publishing in Peril? Lisa Lucas and Christian Lorentzen
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May 19, 2023 |
Hunter Hargraves' "Uncomfortable Television" and Phillip Maciak's "Avidly Reads: Screentime"
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May 12, 2023 |
Claire Dederer's "Monsters: A Fan’s Dilemma"
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May 05, 2023 |
Helen Cammock's "I Will Keep My Soul"
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Apr 28, 2023 |
Tom Comitta's "The Nature Book" & Suzaan Boettger's "Inside the Spiral"
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Apr 21, 2023 |
Colm Tóibín's "A Guest at the Feast"
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Apr 14, 2023 |
Jenny Liou's "Muscle Memory"
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Apr 07, 2023 |
McKenzie Wark's "Raving"
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Mar 31, 2023 |
Cristina Rivera Garza's "Liliana’s Invincible Summer: A Sister’s Search for Justice"
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Mar 24, 2023 |
Malcolm Harris' "Palo Alto: A History of California, Capitalism, and the World"
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Mar 17, 2023 |
2023 Oscars Preview
|
Mar 10, 2023 |
Emmanuel Iduma's "I Am Still With You"
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Mar 03, 2023 |
Laura Poitras "All the Beauty and the Bloodshed"
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Feb 24, 2023 |
Ann Goldstein on Alba de Cespedes' "Forbidden Notebook"
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Feb 17, 2023 |
Maggie Millner's "Couplets"
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Feb 10, 2023 |
De'Shawn Charles Winslow's "Decent People"
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Feb 03, 2023 |
Kathryn Ma's "The Chinese Groove"
|
Jan 27, 2023 |
Curtis White's "Transcendent"
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Jan 20, 2023 |
Anand Giridharadas "The Persuaders"
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Jan 13, 2023 |
Best of 2022: Adam Phillips's "On Wanting to Change" and "On Getting Better"
|
Jan 10, 2023 |
Sabrina Imbler's "How Far the Light Reaches"
|
Jan 06, 2023 |
Jordan Stein's "Rip Tales: Jay DeFeo’s Estocada and Other Pieces"
|
Dec 23, 2022 |
The Best of 2022
|
Dec 16, 2022 |
Joyce Chopra, Lady Director; and Chris Smith's "Sr."
|
Dec 09, 2022 |
Jamieson Webster's "Disorganisation and Sex"
|
Dec 02, 2022 |
Hilton Als' "My Pinup"
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Nov 25, 2022 |
Dionne Irving's "The Islands"
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Nov 18, 2022 |
Peter Brooks' "Seduced by Story: The Use and Abuse of Narrative"
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Nov 11, 2022 |
Jon Wiener on the Life and Work of Mike Davis, plus Constance Debré's "Love me Tender"
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Nov 04, 2022 |
Darryl Pinckney's "Come Back in September"
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Oct 28, 2022 |
Namwali Serpell's "The Furrows"
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Oct 21, 2022 |
Kathryn Scanlan's "Kick the Latch"
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Oct 14, 2022 |
Hua Hsu's "Stay True"
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Oct 07, 2022 |
Andrew Sean Greer's "Less is Lost"
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Sep 30, 2022 |
Yiyun Li's "The Book of Goose"
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Sep 23, 2022 |
Rachel Aviv's "Strangers to Ourselves: Unsettled Minds and the Stories That Make Us"
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Sep 16, 2022 |
For the Love of Print: Chloe Watlington, Michelle Chihara, Jeff Weiss and Schessa Garbutt
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Sep 09, 2022 |
The Art of Translation: Andrew Way Leong, Bruna Dantas Lobato, Robin Myers, and Magdalena
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Sep 02, 2022 |
Elizabeth Kolbert's "Under a White Sky: The Nature of the Future"
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Aug 26, 2022 |
K-Ming Chang's "Gods of Want"
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Aug 19, 2022 |
Alexandra Lange's "Meet Me by the Fountain: An Inside History of the Mall"
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Aug 12, 2022 |
Elvia Wilk's "Death By Landscape"
|
Aug 05, 2022 |
Raquel Gutiérrez's "Brown Neon"
|
Jul 29, 2022 |
Joseph Osmundson's "Virology"
|
Jul 22, 2022 |
Claire Denis's "Both Sides of the Blade"
|
Jul 15, 2022 |
Ruth Wilson Gilmore's "Abolition Geography: Essays Toward Liberation"
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Jul 08, 2022 |
Natalia Molina's "A Place at the Nayarit: How a Mexican Restaurant Nourished A Community"
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Jul 01, 2022 |
Ottessa Moshfegh's "Lapvona"
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Jun 24, 2022 |