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Episode | Date |
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How The World's Largest Songwriting Camp Works
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May 21, 2025 |
How Bandcamp is Thinking About Superfans
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May 14, 2025 |
Don't Cut Your Drummer Into Publishing...
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Apr 30, 2025 |
How Publishing Works and Songwriters Get Paid
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Apr 23, 2025 |
This Superfan Platform Gets Artists Paid 10x+ What They Make From Streaming
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Apr 16, 2025 |
Lyor Cohen on YouTube Music's Future and the Music Industry's Past
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Apr 09, 2025 |
Victoria Canal Attracts Her Fans for The Right Reasons
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Apr 03, 2025 |
Transviolet on Surprise China Fame, Softcore Millennial Cringe and Touring in an RV
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Mar 26, 2025 |
Euphoria Music Supervisor Gives a Sh*t
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Mar 19, 2025 |
Imogen Heap is Building a More Equitable Future for Musicians
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Mar 12, 2025 |
The Business of Hit Songwriting With Bonnie McKee
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Mar 10, 2025 |
How To Make It in Country Music from Bailey Zimmerman and Nate Smith's Manager
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Feb 26, 2025 |
How Independent Music Publishing Works (Or Doesn't)
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Feb 19, 2025 |
Spotify Commissioned Cheap "Fake Artists" And She's Got the Proof
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Feb 12, 2025 |
How This DIY Darkwave Band From Texas Sells Out Venues Around The World & Gets Millions of Streams
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Feb 05, 2025 |
How the China Music Market Works
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Jan 29, 2025 |
He Wrote/Produced 10 #1 Hit Songs: Stargate's Tor Hermansen on How To Do It
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Jan 22, 2025 |
How YouTube Works for Music
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Jan 15, 2025 |
Cody Fry on Leaving a Major Record Label and Finding His Niche Fronting Orchestras
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Jan 08, 2025 |
Can The Music Industry Be a Safe Place?
|
Dec 18, 2024 |
Selling out Clubs With Very Few Followers? This DIY Band Is Making It Happen.
|
Dec 11, 2024 |
How Shaboozey's "A Bar Song (Tipsy)" Made History and Became the Biggest Song in the World
|
Dec 04, 2024 |
An Iranian Refugee Became a Hit Producer and Now Finds Humanity with Global Collabs
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Nov 27, 2024 |
Noga Erez on her Major Label Debut Album and Dealing With Hate
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Nov 06, 2024 |
How Partisan Records Markets Artists
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Oct 30, 2024 |
Billboard Exec on Linkin Park and the state of Music Journalism
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Oct 23, 2024 |
Managing Hit Songwriters and Producers
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Oct 16, 2024 |
John Summit on Collaboration, His New Record Label and Advice to Aspiring DJ/Producers
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Oct 02, 2024 |
How Sub Pop Records Develops and Funds Artists
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Sep 18, 2024 |
Paying To Get on Spotify Playlists Legally?
|
Sep 11, 2024 |
A Human Classical Pianist Composing With AI
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Sep 04, 2024 |
This Record Label Prioritizes Timeless Music Over Streams
|
Aug 19, 2024 |
R&B Artist Jaylon Ashaun on World Building and the Hustle
|
Aug 07, 2024 |
This Singing Couple is Making It by Diversifying their Business and Writing Great Songs
|
Jul 31, 2024 |
A New Kind of Record Label
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Jul 25, 2024 |
How Fly By Midnight Went From YouTubers to Sold Out Tours
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Jul 17, 2024 |
From Backyards to Coachella, How The Red Pears Built it The Old Fashioned Way
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Jun 26, 2024 |
How Neoni got 2 Billion Views & Streams as DIY Artists
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Jun 19, 2024 |
Haley Joelle on Staying DIY With TikTok Fame and Spotify Love
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Jun 12, 2024 |
Hip Hop for Kids? Snoop Dogg's TV show and Origin of the Viral Hit "Go Go Go, Who's Next"
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Jun 05, 2024 |
Tom Hanks' Music Supervisor on the Evolution of Sync Licensing
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May 29, 2024 |
How a Sony JV Record Label Develops Artists
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May 22, 2024 |
Producer Manager on Points, Payment, Sessions and Publishing
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May 15, 2024 |
Understanding How Digital & Physical Mechanical Royalties Work
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May 08, 2024 |
SLANDER, Deorro, NGHTMRE Manager on Selling 400K Tix In a Year, Building Electronic Artists & DJs
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May 01, 2024 |
We Can Learn A Lot From the Dance Music Industry
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Apr 24, 2024 |
Artist Manager on Release Strategy, Record Deals and the TikTok Ban
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Apr 17, 2024 |
How Spotify's Algorithm Works (From Its Creator)
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Apr 10, 2024 |
All His Music Got Removed From Spotify for "Fraudulent Streaming Activity" Which He Didn't Do
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Apr 03, 2024 |
Mixing SZA, Engineering Bob Dylan, Collaborating with Rick Rubin
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Mar 27, 2024 |
Life & Beth Music Supervisor on Placing Music and Getting the Job
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Mar 20, 2024 |
From Gamer to Billion Stream Club as a DIY Artist/Producer
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Mar 13, 2024 |
How Artists Get Paid From YouTube, TikTok, Instagram and the Rest
|
Mar 06, 2024 |
How Booking Agents Negotiate
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Feb 01, 2024 |
Is AI Music Taking Royalties From Musicians and Composers?
|
Jan 17, 2024 |
Is Music Marketing With TikTok Still Viable
|
Jan 10, 2024 |
How TikTok Music Videos Go Viral
|
Dec 20, 2023 |
Why Spotify's New Payment Model Falls Short For Emerging Artists
|
Dec 14, 2023 |
Nashville Venue Defends Merch Fees
|
Dec 07, 2023 |
How This Record Label Sells More Vinyl Than Streams
|
Nov 29, 2023 |
BMG A&R on Pub Deals, Artist Development and Signing Frank Ocean
|
Nov 22, 2023 |
Sync Agent Breaks Down TV, Film, Advertising Music Licensing
|
Nov 15, 2023 |
Roc Nation Is Actually Developing Artists
|
Nov 08, 2023 |
How Lawrence Got Live Nation To End Merch Fees
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Oct 11, 2023 |
Building an Artist Management Empire and Breaking Country Artists
|
Sep 27, 2023 |
How Raye Zaragoza Makes a Living as a DIY Artist (Hint: Not Streaming)
|
Sep 13, 2023 |
Support Tours, Mental Health, the State of the Live Music Industry from a Booking Agent
|
Sep 06, 2023 |
Streaming Fraud is More Serious (and Inventive) Than You Think
|
Aug 30, 2023 |
How To Hack Spotify (and TikTok)
|
Aug 23, 2023 |
A Sync Licensing Music Executive is Changing the Game
|
Aug 16, 2023 |
Dance Music Record Labels Do It Differently
|
Aug 09, 2023 |
AI Music Co. CEO on Future of Music Creation (and Streaming Fraud)
|
Aug 01, 2023 |
TikTok Music Marketing Grows Up
|
Jul 05, 2023 |
SoundCloud is Allowing Artists To Contact Fans (and Get Paid More)
|
Jun 29, 2023 |
Citizen Cope on Major Labels vs. Independence, Audience Connection and Having a Seat at the Table
|
Jun 21, 2023 |
This Music Publicist Has Upended the Entire PR Model
|
Jun 07, 2023 |
How Admin Publishing Works, Sync Deals, Social Media Marketing (Ari Q&A Part 7)
|
May 31, 2023 |
How to Navigate the New Live Music Industry
|
May 18, 2023 |
How to Pitch Your Music for Sync
|
Apr 27, 2023 |
Is Music PR Worth It Anymore? Can AI Replace Sync Music? (Ari Q&A Part 6)
|
Apr 19, 2023 |
How Royalties Work for Producers, Songwriters, Artists, Labels; Release Strategy (Ari Q&A Part 5)
|
Apr 13, 2023 |
How to Release an Album in 2023 (Live from SXSW)
|
Apr 05, 2023 |
UPSAHL on Pop Songwriting Sessions and the Economics of Touring
|
Mar 29, 2023 |
Madison McFerrin Stays "Fiercely Independent" With Her Nontraditional Team
|
Mar 22, 2023 |
Explaining Sync Licensing From the Agents
|
Mar 17, 2023 |
Promoting Shows and Engaging Fans with Bandsintown
|
Mar 08, 2023 |
Streaming, AI, Royalty Breakdown and Sync (Ari Q&A Part 4)
|
Mar 01, 2023 |
Theo Katzman on Recording, Songwriting and Staying Independent
|
Feb 22, 2023 |
Succeeding on Twitch as a Musician
|
Feb 08, 2023 |
What Happens After a Band Gets Signed (Then Dropped) from TikTok
|
Feb 01, 2023 |
Is SubmitHub Good or Bad for Indie Musicians: Interview with the Founder
|
Jan 25, 2023 |
Variety Music Editor on the State of Music Journalism
|
Jan 11, 2023 |
How To Make It in the New Music Business - Chapter 1
|
Jan 04, 2023 |
Billie Eilish Booking Agent Tom Windish on Touring, Opening Slots and Artist Development
|
Nov 30, 2022 |
What the Touring Landscape Looks like Post-Pandemic
|
Oct 27, 2022 |
Indie Touring and How To Build Your Team with The Suffers
|
Oct 19, 2022 |
Staying Inspired After Writing 22 Top 40 Hits with Sam Hollander
|
Oct 12, 2022 |
Hip Hop Expert Discusses State of the Music Industry
|
Oct 05, 2022 |
Ep 100! Spotify Playlists, Sync Licensing, Release Strategy (Ari Q&A Part 3)
|
Sep 28, 2022 |
Troubadour Booker on the New Live Music Landscape
|
Sep 21, 2022 |
Connecting Emerging Artists with Strategic Investors Without Retaining Ownership
|
Sep 14, 2022 |
Live Nation Urban VP on Festivals, Touring and Promoting Culture
|
Sep 08, 2022 |
They Stole $23 Million in Royalties via YouTube Fraud
|
Aug 31, 2022 |
Club Booking, Opening Slots, Deal Breakdowns with Brooklyn Bowl Talent Buyer
|
Aug 24, 2022 |
PR, Royalties, TikTok Strategy, NFTs, Multiple Project Names, Cover Songs (Ari Q&A Part 2)
|
Aug 17, 2022 |
Streaming, Publishing, Playlist Pitching, Sync/Beat Licensing (Ari Q&A Part 1)
|
Aug 10, 2022 |
The Business of Hit Songwriting with Bonnie McKee
|
Aug 03, 2022 |
How a Major Label Markets an Artist Without TikTok
|
Jul 27, 2022 |
What Music Can Learn From The Comedy Industry
|
Jul 20, 2022 |
The Spotify Interview (Part 1)
|
Jul 06, 2022 |
Music Supervisors Aren't Treated Fairly, Here's What's Going On.
|
Jun 29, 2022 |
How He Made $250K on his NFT Song After He Was Dropped From Sony
|
Jun 22, 2022 |
Explaining the Metaverse for Musicians
|
Jun 15, 2022 |
How To Make $10K a Gig Playing Performing Arts Centers
|
Jun 08, 2022 |
Sync Licensing Company Explains How Music Gets Placed
|
Jun 01, 2022 |
How the World's Largest Music Festival Books Bands
|
May 25, 2022 |
Indie Band Played 50 States on $50 and Grossed $80K
|
May 18, 2022 |
State of the Industry | ATA Instructor Round Table
|
May 11, 2022 |
How Songwriters Get Publishing Deals and Hit Songs
|
May 04, 2022 |
How HBO's Insecure Changed Music and the Launch of an Equitable Record Label
|
Apr 28, 2022 |
How Gamers Helped NEFFEX Get 4 Billion Streams Without a Label
|
Apr 20, 2022 |
Artist Management, Major vs. Indie Labels, Release Strategy with Brilliant Corners Manager
|
Apr 13, 2022 |
How Tai Verdes Went from TikTok to Top 40
|
Apr 06, 2022 |
Handling Your Music Finances From a Business Manager and Accountant
|
Mar 30, 2022 |
How Trousdale Went From 0 to 1M Listeners in 1 Year Independently
|
Mar 23, 2022 |
How & Why To Put Music Videos on Vevo
|
Mar 16, 2022 |
$50K in 2 Months Playing Backyards And How They Did It with More Fatter
|
Mar 09, 2022 |
Because Labels Don't Develop Artists, godmode Steps In
|
Mar 02, 2022 |
House Concerts and Ticketed Livestreams with Side Door's Dan Mangan
|
Feb 23, 2022 |
How Vo Williams Got Over 1,500 Sync Placements
|
Feb 16, 2022 |
Should Artists Boycott Spotify?
|
Feb 11, 2022 |
Disney Music Supervisor, Brian Vickers, on Placing Music for Trailers
|
Feb 09, 2022 |
Addressing Mental Health in the Music Industry with Backline
|
Feb 02, 2022 |
How Glass Animals Went Viral on TikTok
|
Jan 26, 2022 |
How This Vibraphonist Became a TikTok Influencer and Hit Songwriter with Justin Vibes
|
Jan 19, 2022 |
Primary Wave Publishing on Sync Licensing Cover Songs and Legacy Recordings with Marty Silverstone
|
Aug 25, 2021 |
Afrobeat Artist Fiokee on Nigerian Music Scene and Staying Independent
|
Aug 18, 2021 |
Imogen Heap is Building a More Equitable Future for Musicians
|
Aug 04, 2021 |
Andy Grammer on Songwriting, Fear and Persistence
|
Jul 21, 2021 |
Euphoria Music Supervisor Jen Malone Gives a Sh*t
|
Jul 14, 2021 |
Ritt Momney on TikTok Fame and Numbers Perspective
|
Jul 07, 2021 |
Stand Atlantic on Pop Punk Resurgence, Building a Fanbase Live
|
Jun 30, 2021 |
Cory Wong on Vulfpeck, Freelancing and Band Leading
|
Jun 23, 2021 |
Micro Sync Licensing with Musicbed CEO
|
Jun 16, 2021 |
Publishing Deals, Songwriting Camps from Beyoncé Collaborators Noble
|
Jun 09, 2021 |
Album Release Strategy, Hot 100 Hit, from Create Music Group
|
Jun 02, 2021 |
They Hacked Their Way on Tour With their Favorite Band by Selling CDs to Fans in Line
|
May 26, 2021 |
How to Go Viral on TikTok from Flighthouse
|
May 19, 2021 |
Environmentally Friendly NFTs with Crypto.com's EVP
|
May 12, 2021 |
The MLC is Sitting On $423 Million, How Songwriters Can Claim It
|
May 05, 2021 |
VÉRITÉ on NFTs and 350 Million Streams Without a Label
|
Apr 28, 2021 |
Sync Agent Explains the Game
|
Apr 21, 2021 |
Ricky Montgomery From Viral on TikTok to Major Label Bidding War
|
Apr 14, 2021 |
How To Tell Your Artist Story and Connect With Your Audience from Marketing Experts
|
Apr 07, 2021 |
How To Create an Artist Brand from Scooter Braun's Creative Director
|
Mar 31, 2021 |
How Music Gets in Commercials from Music Supervisor/Actor Winslow Bright
|
Mar 24, 2021 |
Music Supervisor for To All The Boys, Virgin River, One Tree Hill, Lindsay Wolfington on How She Places Music
|
Mar 17, 2021 |
How To Become a Grammy Winning Producer from BTS and Beyonce's DJ Swivel
|
Mar 10, 2021 |
Tanerélle's Manager on Playboy, Livestreaming and Breaking Out Independently
|
Mar 03, 2021 |
College Booking and When Touring Is Coming Back
|
Feb 24, 2021 |
Repairing Racial Inequities in the Music Industry with Artist Manager Jonathan Azu
|
Feb 17, 2021 |
Music Attorney Dina LaPolt on Getting Laws Passed and Fighting for Songwriters
|
Feb 10, 2021 |
Disney Music Supervisor on Placing Music for Trailers
|
Feb 03, 2021 |
Twitch VP of Music: $50K+/yr Only Takes 183 Fans
|
Jan 27, 2021 |
Mothica Went Viral on TikTok at Just the Right Time
|
Jan 20, 2021 |
Audrey Nuna's Path to a Major Label Deal with Her Manager/Producer Anwar Sawyer
|
Oct 28, 2020 |
Nu Deco Ensemble Orchestra is Changing the Classical World
|
Oct 21, 2020 |
How to Livestream for Musicians with the #1 Musician on Periscope - Clare Means
|
Oct 14, 2020 |
Paradigm Fired Them So They Started a New Booking Agency With an Impressive Roster
|
Oct 07, 2020 |
Former Major Label Executive is Creating a New Investment Model
|
Sep 30, 2020 |
Victoria Canal on Releasing Music During COVID and Staying Inspired
|
Sep 23, 2020 |
How California Musicians Got F'd (and Now Relief) Under AB5
|
Sep 16, 2020 |
Platinum Selling Producer / Songwriter for Drake, Travis Scott, Halsey, Khalid - Rogét Chahayed
|
Sep 09, 2020 |
#1 Malaysian Artist Yuna and Her Managers on Being Independent Again
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Sep 02, 2020 |
Emily Kinney on the Art and Business of Acting and Music
|
Aug 19, 2020 |
Spotify's Payment Model and Your Release Timeline
|
Aug 12, 2020 |
Allie X on Creating Her Artist Package, Breaking Into LA and Staying Independent
|
Aug 05, 2020 |
How Artists Can Get Advances Without Signing To a Label
|
Jul 29, 2020 |
Repairing Racial Inequities in the Music Industry with Artist Manager Jonathan Azu
|
Jul 22, 2020 |
Kanye, American Idol, Grammys, Herbie Hancock, Miguel, Cirque du Soleil’s Ableton Programmer on Making It Work
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Jul 15, 2020 |
Jamestown Revival's Bassist on Shady Managers, Thousands of Shows, Playing Conan, Tracking to Tape - Nick Bearden
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Jul 08, 2020 |
TikTok and Instagram Influencers with Ultra Records Marketing Director
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Jul 01, 2020 |
Manager for JP Saxe, X Ambassadors, Jukebox The Ghost is Persistent
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Jun 24, 2020 |
Making Music During COVID-19: Ari's Take Academy Roundtable Discussion
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Jun 17, 2020 |
White Musicians for Black Lives
|
Jun 10, 2020 |
Kevin Garrett on Writing for Beyonce and Recording as an Independent Artist
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May 27, 2020 |
Red Light Manager on When and How to Get Management with Andrew Leib
|
May 20, 2020 |
Oprah's Drummer Madame Gandhi on Feminism, Activism, Music Video Budgets as an Indie Artist
|
May 13, 2020 |
Sexual Harassment, Sexism and Life as a Female DJ in a Male Dominated Field with Dani Deahl
|
May 06, 2020 |
Zaytoven, 'Godfather of Trap' on Production in the Age of Coronavirus
|
Apr 29, 2020 |
100 Million Streams Doesn't Come Without Some Pain - Lucidious
|
Apr 22, 2020 |
Patreon CEO on the Problems (and Solutions) of Digital Art
|
Apr 15, 2020 |
Hip Hop Artist with Over 1,000 TV, Film and Video Game Placements with Vo Williams
|
Apr 08, 2020 |
Austin Powers Music Supervisor and KCRW DJ Chris Douridas
|
Apr 01, 2020 |
Lauv's 4 Billion Streams, Top 40 Hit, Without a Label
|
Mar 25, 2020 |
Andy Grammer on Songwriting, Fear and Persistence
|
Mar 18, 2020 |
Euphoria Music Supervisor Jen Malone Gives a Sh*t
|
Mar 18, 2020 |
Welcome to The New Music Business w/ Ari Herstand
|
Feb 20, 2020 |